Artists Books

Ms. Mathews presents Mary Cassatt's entire life and incorporates little known details about her travels and associations with friends and family. She mixes facts, anecdotes and reflections on society in such an easily readable way that even her suppositions could be viewed as gospel truth. The (hardcover) book is well illustrated with historical photographs and black and white illustrations of Cassatt's and her contemporaries' work. The author makes numerous points regarding what motivated and inspired the artist at different periods in her life. She gives very specific illustrations of how difficult life could be for a woman of Cassatt's time. Additionally, the author admits Mary Cassatt's opinions and outspokenness often got her in trouble with friends. Those friendships she was able to maintain were based on a mutual, professional respect. Included is a chapter about the artist's work in an historical context. Her work was viewed differently by critics, and herself, at different times. Nancy Mowell Mathews book gives so much life to the artist's character, I wouldn't be surprised if it's made into a movie! It is certainly motivation for any working woman.

Nancy Mathews gets to the point... her book is wonderfully researched and weaves through the intricately woven fabric of Cassatt's life; yet she doesn't bog you down with too many details. I enjoyed every page of this book and felt like I got an honest portrayal of the woman, her art and the reasons behind the decisions she made. I especially thank Nancy for her sympathetic yet analytical overview of the many misunderstandings that have been perpetuated year after year about Cassatt and other women artists in the late 19th/early 20th century. I'm glad to know the truth.

This biography left me in awe of Mary Cassatt who was obviously a focused, smart and privileged person at a time when many male artists were barely making ends meet. She was unafraid of the establishment, outspoken and determined, not to mention a smart businesswoman. The only thing I disagree with is when the author states that at 51 Mary Cassatt "was faced with an unusually hard burden of loneliness." Mary Cassatt was blessed with many friends, family and admirers and moved in a great many social circles all her life. She rarely veered from her chosen path. But the greatest lesson we can learn from Ms. Cassatt is to stay focused on our life purpose and to honour our own lives with the best we can give of ourselves.

Mary Cassatt is a true American treasure. This is an enjoyable, and thoroughly researched biography about her. It is not only well-written, but it is full of wonderful and historic photos of Mary, her paintings, her friends, and her family throughout her life.

Despite Mary Cassatt's continuing resurgence in popularity as an artist since the 1970s, prior to this volume her biographers had missed the boat. As a result, most people who admire Ms. Cassatt's wonderful paintings are filled with inaccurate beliefs about her life and the condition of women artists during her life. If you care enough about her work to want to correct those mistaken beliefs, please do read this volume. You'll also learn even more if you follow that reading by also looking at Cassatt: A Retrospective by the same author, Nancy Mowll Mathews.

Mary Cassatt is an elusive subject for several reasons. She didn't write many letters, often didn't care what others thought of her and wasn't written about by others nearly as often as she deserved. In addition, her role as an iconic woman pioneer in the Impressionist movement has caused many to "interpret" her life to explain other agendas.

The reality is much more interesting than the misinformation. At a young age, she was exposed to the leading cultural events in Europe . . . a rarity for any American. Her mother was probably one of the most intelligent and capable women of her generation anywhere. The family moved around constantly in rented homes to stay close to the various children and business opportunities. Only after her father's death was Ms. Cassatt able to purchase and enjoy a home. Contrary to popular belief today, it wasn't at all unusual for women to pursue painting careers. In fact, the Louvre was full of American women painting copies of the masterpieces there. What was unusual was for a woman to be viewed as the peer of the best male artists. Ms. Cassatt clearly reached that pinnacle during her Impressionist years and beyond. Much to her own disgust, she let herself be led into painting the mother and child paintings that we all love so much by the marketing plans of her gallery . . . rather than her own passion. Although profitable, this path was in her view a diversion from her better work. Paradoxically, Ms. Cassatt's two bothers were even more famous in their day than she was . . . even though we have barely heard of them today. Her older brother was, in fact, one of the most important railroad developers in the eastern United States. As head of the Pennsylvania Railroad, he directed the development of the railroad tunnel into Manhattan.

Ms. Mathews does a nice job of balancing what is known from what is not . . . while pointing out what the possibilities were. As a result of this biography, I felt I knew the real Mary Cassatt for the first time.

Bravo, Ms. Mathews!

I highly recommend as a MUST READ this book Mary Cassatt: A Life. by Nancy Mowll Mathews. The book is a fascinating not only of the life of Mary Cassatt but for the insights on the art circles, family life and historical context of these artists and the times in which they lived. Mary Cassatt was a mover and shaker of her times, with good social skills and a mind for business. You travel with her life and times as if you were present. From my perspective I am so happy that I happened on this book because it puts alot of bits and pieces together on these artists.

Deborah Chapin

If this be gossip, then it is the best kind. Engaging account of the rivalry/synergy of Matisse and Picasso and the interactions over half a century, with a Gertrude Stein introit at the beginning. This competition is fairly lightweight stuff as far as I can see although throwing rubber suction darts at a Matisse painting gets close to borderline rascalian--Picasso probably loses points on adolescent misdemeanours, but the art of both leaves us unable to judge, save that a third here could not be found.

This is an excellent book. I am thoroughly enjoying it.
This book compares great painters 'Henri Matisse' and 'Pablo Picasso' works and the influence of each other and their works on the others art.
Henri Matisse with his keeping the painting simple and lively and Picasso with his cubism, drawing from imagination are 'artists of different worlds'. They have different painting styles and they paint at exactly opposite times.
The book goes through the works of each in the order one was done as a reacton to the other, sometimes one trying to beat the other at their own style.

CITES:
Baudelaire's essay- 'The Painter of Modern Life'.
Apollinaire's essay on Picasso's work.(also his 'La Poete assasine')
Picasso's play - 'Desire caught by the tail'.
Matisse - 'Notes of a Painter'.

This is an excellent work for art history enthusiasts. It depicts
many famous works of art by Matisse and Picasso. Classically,
Matisse is known for the artful use of color; whereas, Picasso
is credited with the unique form of Cubism which pervades
his artwork. Flam depicts important works by both artists.
For instance, Matisse's "The Woman With The Hat" is shown in
full color. Picasso's "The Acrobat's Family" is depicted
together with "The Two Nudes". These pictures show the emotional side of Picasso's work in contradistinction to
Matisse's exercise of restraint. This book would make a
perfect gift for a friend, relative or art buff.

Imagine one tightly written book that can tell you what the art world was like for much of the 20th Century! Jack Flam is the man who did just that in "Matisse Picaso." Then imagine learning all about the lives of Matisse and Picasso and their loves along with their push-pull friendship and competition. After that get the skinny on the paintings both men painted. I never even saw all the -------- in Picasso's paintings. Now, it is hard to see anything else.

I found this book to be much more exciting then typical biographies that include all the boring parts of people's lives. Here you get all the interesting parts with all the boring parts left out. I read every word and recommend the book without reservation. In fact, I believe every art student needs to read this book, every artist, every art affictionado.

Before there was Andy Warhol, the ultimate in art cool, there was Picasso. And before there was Picasso, there was Matisse. Picasso and his cronies used to make fun of Matisse's primitive style and threw fake darts at Matisse's portrait of his daughter, and people laughed in the salons at Matisse's Joy of Life but no artist influenced Picasso more than Matisse, from his works to his introduction to African and Iberian art, Matisse was one of the few constants in Picasso's life, always keeping the paintings that he had of Matisse. These two heavyweights, more than anybody, have influenced the way we make art today. This books does a great job fleshing out the relationship between these two artists and how they affected each other in a well written and highly accesible format. An excellent book worthy of the excellent artists.

The illustrators of this era are true artists. It was nice to find this book, which I find impossible to locate in retail stores.

A good quality book with extensive text, excellent illustrations and a description of Parrish's technique in his own words. The number of color illustrations is satisfactory and should not disappoint at the current asking price of $53.55. Parrish's later landscape paintings are reasonably well represented in full page, full color illustrations, and although I would have liked more of them, it is not a significant failing of the book.

I bought this book and I never regret of getting another Parrish art book again. This artbook is excellent with deep details of Parrish's way of study through his paintings. Theories based on his view of perspective and composition, it is something great to read about! However, one little thing I personally find missing is the "Dream Days" series, that is missing from this artbook and should have been included. Otherwise, get the book and you'll fall in love with Parrish blue all over again.

Fabulous retrospective of Maxfield Parrish's finest work. The illustrations are superb. This book is expensive, but worth the money. If you're looking for a price guide, I suggest Erwin Flack's book. -- James Halperin, sf novelist and Parrish fanatic.

This book is excellent! It has one of the best Maxfield Parrish selected works. A lot of prints and images for you to be inspired all over again. It also contains pages of great readings, such as a section about Parrish's perspective theory and theory. It also show close-ups of Parrish's studies. It is a great read! However, the only thing disappoints me is the absence of the "Dream Days" series. Other than that, get it and you won't regret it!

What remains in my mind after reading Meadow Boy to our children is the light in John Roberts' illustrations. They radiate with a magic and meaning that need no words. The brief text, written on two levels (you must read one or the other to fully appreciate its flow), is delightful in its own way. But the illustrtations remain after the book is closed. We would love to mount them on the walls of our children's rooms as lullabies for the eyes.

I can't give you a wordy, erudite critique of this book. I just know what I like. This is it! The pictures are beautiful to look at. And, if you want enjoyable reading for a child, or an adult for that matter, that doesn't 'talk down' to them, get this book.

Meadow Boy once again revs up the promise for family books that fall outside the cookie cutter standards of big publishing houses. This first offering from Pentultimate Publishing neither panders to kids' cartoon mentality nor to adults' harried expectations. Author Reed Parsley and illustrator John Roberts defy conventional children's book wisdom on many levels. Parsley's text is divided on each page into poetic headlines that flow naturally from page one to conclusion. And beside each of the illustrations, narrative poems ease you into the soul of the artwork, which by any measure, is wonderful. For a quick bedtime read, the headlines take you from the kernel of a daydream to its fully popped possiblities within us all. For those joyous, pokey family interludes, the poems both stand alone and add layers to the rapturous artwork. The illustrations offer an art gallery-like opportunity for your children to experience provocative art. Nature as story teller, messenger of beauty, background comfort, psychic shelter and pre-eminent friend, Roberts' pictures transport on many different levels. Overall, Meadow Boy is tinged with a sense of pervading melancholy, perhaps for the time we no longer have to savor such published beauty as evidenced here.

At last a picture book that both fires the reader's imagination and awakens the spirit...a glorious antidote to the "noise" and "violence" in today's society!

I have seen an advanced copy at a book fair. A wonderful book that works for all ages. This book is really written on different levels. Caldecott Material, in my opinion. A quiet, literate book to share with your kids. I hear it will be available before Christmas.

Award-winning author Stanley presents a stunning picture book biography of true Renaissance man Michelangelo Buonarroti, who came to master the arts of sculpting, painting and architecture in fifteenth and sixteenth century Italy. Stanley blends information about Michelangelo and his life as an artist with historical detail to set the scene, and then introduces a fascinating cast of personalities that include his first master Domenico Ghirlandodaio, the Warrior Pope he offended, and his contemporary Leonardo Da Vinci, who was Michelangelo's envy and rival.
Stanley reproduces and discusses Michelangelo's greatest works (David, the Sistine Chapel, the Pieta) then adds details such as fresco painting techniques and the gruesome necessity of dissecting cadavers to study anatomy. Quotes from Michelangelo's own letters enrich the text; it is a tragedy that he destroyed many of his personal papers before his death.
A full-page illustration to exemplify the narrative compliments each page of text; the text pages are decorated with period coins, coats of arms, stonecutting tools, portraits, sketches and reproductions. The illustrations are an unusual mix of paintings which feature scanned images of Michelangelo's works of art, including drawings and sketches, sculpture and paintings.
Stanley's paintings (which show the housing, dress and goods of the poverty stricken as well as the palace-dwellers) seem flat when paired with Michelangelo's dimensional artwork, and the contrast is a bit awkward. Her paintings imitate the style of the times in color, layout and subject, while still following the narrative. A richly-hued historical map of Italy explains the government of the time as well as the layout of the country, while the author's note opposite gives a defines the Renaissance. Bibliography & permissions are provided; the absence of a timeline and glossary may disappoint teachers.

Born March 6, 1475 in the little stonecutter's village of Caprese, about fifty miles east of Florence, and left in the care of a nurse, Michelangelo "fell asleep to the odd lullaby of chisel striking stone. Years later he remarked that his love of sculpture must have come to him along with his foster mother's milk." From an early age, Michelangelo wanted to become an artist. His father, ashamed that his son wanted to enter such a lowly profession, tried to literally beat the idea out of him, but the headstrong and determined child would not give in, and in 1488 was apprenticed to the famous painter, Domenico Ghirlandaio. After only one year his unrivaled talent was noticed by Lorenzo de'Medici, a great and generous art lover and patron. He brought Michelangelo into his palace and treated him as one of his sons, encouraging his art. But upon Lorenzo's untimely death, Michelangelo was sent back to his father's house, and cast in the role of family breadwinner, "a role he would play for the rest of his life." And so it was that the difficult and disagreeable, perfectionist Michelangelo's greatest masterpieces, The Pieta, David, and the paintings on the ceiling of the Sistine Chapel, were commissioned works by patrons and popes..... Diane Stanley's intriguing biography takes the reader on a compelling and suspenseful journey as she details the life and times of the greatest artist of the Renaissance. Her easy to read and engaging text is rich in history, art, drama, and anecdotes, and complemented by her ingeniously creative and innovative illustrations. Together word and art captures the essence of the arrogant and tormented artist, and brings Michelangelo and the Renaissance to life on the page. Perfect for youngsters 9-12, Michelangelo is a well researched and spellbinding introductory biography, and another marvelous addition to Ms Stanley's superb series.

While browsing through a local bookstore I chanced upon Michelangelo by Diane Stanley. What a beautiful book! Not only were the pictures captivating, but the information was excellent. Michelangelo's famous picture of the creation of the moon and stars that graces the Sistene chapel is on the cover. My children were enthralled as I read how Michelangelo spent many hours dissecting human cadavers at a local morgue, becoming so familiar with the human body that he was able to make his works come alive with breathtaking detail. I will look for more books by this same author. Children(and adults)will read this book over and over. A great addition to your home library!

Michelangelo is an interesting look into the life of Renaissance superstar artist, Michelangelo Buonarroti from birth to death. Born in Italy March 6, 1475, Michelangelo was destined to become an artist and knew this is what he wanted from a young age. He was raised in various homes, by a nurse in the village of stonecutters and later in the home of the ruler of Venice, Lorenzo Medici who recognized his talent and brought him to live with him as his own sons. At the age of thirteen he begged his father to become a lowly artist's apprentice working in fresco for the time of three years. His true love was though not painting, but sculpture. Michelangelo eventually created some of the worlds' most famous art artworks including the sculpture of David and the painting inside the Sistine Chapel and worked on countless commissions for several popes and rulers trough out Italy. Many interesting facts that children will be sure to pick up on, including Michelangelo's work with corpses to study the human form and his feud with another Renaissance superstar Leonardo Da Vinci, keep this book interesting and exciting.
Stanley's interesting illustrations are unique. She combines photographs of true artwork (it is hard to copy a master!) with her own paintings to create a visually stimulating illustration. This book would be good for any adult that is wanting a "more than basic" but easy reading book about the life of Michelangelo.

With popular culture grabbing my daughter's attention so powerfully, it was nice to have some high brow material that could compete with the Disney genre. My favorite part was when my girl asked, "Why doesn't God just stretch his finger a little more like this [stretched her finger] to touch Adam?" The whole book is a single bed time reading for a parent to a child. It reads a bit like a cliff hanger with the reader along for the ride through Michaelangelo's challenges and accomplishments.

Art historian and art history student must hav. The book contains fabulous images and amazing insight into the period in which the images were created.

THIS BOOK ARRIVED WITH PERFECT TIMING AND CONDITION!
I WAS VERY PLEASED!

I've loved the art of this period for years, but had little academic grounding in it. This book lets me return to old favorites with new eyes.

This, in common with other volumes in the "Perspectives" series, offers high quality (though small) reproductions of important works, up-to-date analysis and discussion of the art and the contexts in which it was created. Harbison's tone is informative, if ocasionally a little too sententious. But it's a very small price to pay, given the overall excellence of his work in this volume. It's obvious that Harbison loves this period, and he transmits his excitement for these works to the reader in concise language that is accessible to a lay audience.

Of particular interest is the discussion of how the Northern Rennaisance related to and differed from what was going on in Italy at the time. The only major weakness: not enough of a focus on Durer. But it's hard to get sufficient focus on any artist in a book this condensed.

An excellent book for those familiar with the period, or those wanting to get acquainted with a school of art often unjustly overshadowed by its southern contemporary.

Informative, smart and well-written, Craig Harbison's "The Mirror of the Artist" provides an excellent, brief introduction to the sensibility, historical context, and practice of art in the North. From the attitude toward realism, to patronage among the growing class of government bureaucrats, to the market for art or the influence of the Reformation, the book offers an enhanced understanding of artistic interest and social situations in which the paintings were made -- without ever forgetting their aesthetic dimension. The best tribute I can offer is that I immediately went back to Amazon to order Harbison's "Jan Van Eyck: The Play of Realism", a $35 large format paperback. Minor quibble: Although well-illustrated for a paperback this size, with the book just about 6.25" x 9.5", more details should have been illustrated when details were discussed in larger works. (I'm still looking for the barely visible figure of the devil above the cow in the "Portinari Altarpiece".) But this is a rare problem.

Overall, this is a good introduction to Northern Renaissance art and the cultural mindset that produced it.

Like many works of revisionist history, this book is a bit heavy-handed at times in its effort to prove that Northern art is as worthy of study as Italian Renaissance art. But overall, the contrast between the two different artistic traditions is effective.

I recently bought this book before I boarded a flight to Japan and found once I started it, it was hard to put it down. Exciting to read; Ms. Shanebrook has a light and airy writing style that pulls the reader into her life as a model and world traveler. The photos are high quality and very beautiful. Well worth the price.

PS It sounds like the last reviewer must have been a jilted high school boyfriend of pretty Ms. Shanebrook! Cheap Shot!

I enjoyed this book very much and I think you will too! The pictures are nice too! Nice work Jillian.

PS: I'm the only boyfriend Jillian had in high school as far as I know, and I think she is wonderful and so is the book, so any bad reviews were not from me! I had to clear my name. :-)

Thanks :-)

Shanebrook's book is a fantastic read! What a relief to read a travel book that isn't so damn boring! I loved all the stuff about modeling and it was exciting to read about Asia. I've done lots of travelling and normally only read the mainstream guides, but it was great to get an insider's take. I found some great restaurants in Thailand, and have recommended the book to my friends who not only like to travel, but like to have fun. People who travel like adventure, normally, and anybody who likes adventure will loves this book. Great photos!

Jillian Shanebrokk's "Model:Life Behind the Makeup", was a tremendously enjoyable read. This book is filled with adventure and excitement and allows the reader to experience all the breathtaking and exotic places Jillian Shanebrook visits through her extremely vivid and sensual writing.
It is a tale about truly going after your dreams and reading this book reminds you and inspires you.
A popular model in Asia, and voted one of the top two covergirls in Indonesia, Jillian Shanebrook shares this luxurious world with us but describes it through her down to earth, humorous, and perceptive eyes. Her voice is unique and irresistible. Her style is free and playful.
Jillian Shanebrook never takes herself too seriously but she does take her dreams serously and this is contagious. I didn't want the book to end but reading it made me want to go out live adventures like her. I can't recommend this book enough.

This was a great read. I brought it along with me on vacation and I read the whole thing cover to cover before I got home. It's a behind-the-scenes look at a model's life, from her start in Indonesia to traveling all over. The model, Jillian, seems very down-to-earth and introspective about life. Her story makes me want to have my own adventure...

Kramer's works are visionary paintings similar to Blake's etchings, providing an array of colorful oil works which are eye-catching. Modern spiritual art at its best.

During the Great Depression, Hal Kramer sold one at a time out of an old metal suitcase. He has worked ship-board at sea, learned the trade of lithography, started his own successful publishing company, sold it, and retired. Then, at 70 years of age, he began a new, phenomenally-successful publishing company, H J Kramer.

Now 86 years old, Hal Kramer is reborn once again as a gifted visionary artist. He paints not things, but energy, and his book, Moments of Union, is radiant.

The Introduction, and inspiring story of Hal's career -- from industriousness to success to art to spiritual expressionism -- is worth the price of the book. But it is only the beginning.

I found it impossible to decide which paintings are my favorites, because each page I turn brings a new epiphany. Moments of Union is a book one can keep for many years and never grow tired of revisiting its pages.

Each of his paintings is like an oracle, in which we see our own inspiration, our own hopes and dreams.

Because beauty is in the beholder's eye, I urge you to open its pages and delight in your own moments of union.

This is a book which celebrates the power of creativity and a the profound art which comes out of a life well lived.

The format is gorgeous, each painting a radiant experience of its own. Linda Kramer, Hal's wife, is an expert in visual book design and her work has joined with Hal's to bring us an overall experience of being surrounded by light and color.

There is joy in these paintings and freedom of expression. When you look at this book, you believe in the power of your own creativity and you know that as you grow older, this power does not wane, but can, if you let it, come more and more to the surface.

The paintings in the book are grouped into 6 sections, called "Awakening", "Creation", "Emergence", "Flow", Manifestation" and "Arrival". These section groupings help the viewer approach the paintings and understand the process which forms the ground of Hal's work.

And the book is also wonderful if you flip it open and begin to feast your eyes. Try simply looking at the painting called "Instant Beauty" on page 28.

Read Hal's biography which is at the beginning of the book. As we "baby boomers" age and begin to wonder what we will do with the rest of our lives, we can look at this book and know that it is possible to begin a whole new chapter of growth and fruitfulness at any age.

Buy this book and savor it. Open it when you are feeling down. Remind yourself of what is possible.

When I received my copy of Moments of Union, I thought I would glance through it and save it for a rainy day. But no, once I opened it, I could not lay it down. Every painting had a gift of vivid colors and patterns. Gradually, my mind surrendered to something within that was far deeper. Hours later when I closed the book, I felt whole, as if all the parts of my being had joined together in this extraordinary shower of colors dancing freely across the pages. Next, I went through each page a second time to intellectually grasp why these paintings are so fulfilling and how Kramer's use of colors could stimulate such a sense of joy! Instead, I selected 15 favorites, the ones I would love to frame if I ever have the temerity to cut them out. I highly recommend evenings with this book to bring back an inner balance of heart, mind, and soul.

This is a book which celebrates the power of creativity and a the profound art which comes out of a life well lived.

The format is gorgeous, each painting a radiant experience of its own. Linda Kramer, Hal's wife, is an expert in visual book design and her work has joined with Hal's to bring us an overall experience of being surrounded by light and color.

There is joy in these paintings and freedom of expression. When you look at this book, you believe in the power of your own creativity and you know that as you grow older, this power does not wane, but can, if you let it, come more and more to the surface.

The paintings in the book are grouped into 6 sections, called "Awakening", "Creation", "Emergence", "Flow", Manifestation" and "Arrival". These section groupings help the viewer approach the paintings and understand the process which forms the ground of Hal's work.

And the book is also wonderful if you flip it open and begin to feast your eyes. Try simply looking at the painting called "Instant Beauty" on page 28.

Read Hal's biography which is at the beginning of the book. As we "baby boomers" age and begin to wonder what we will do with the rest of our lives, we can look at this book and know that it is possible to begin a whole new chapter of growth and fruitfulness at any age.

Buy this book and savor it. Open it when you are feeling down. Remind yourself of what is possible.

This book is fantastic! It captures the essence of Monet's painting better than any other book I've seen. The color printing is accurate. The plates are large and plentiful. There are complete series like the Japanese Bridge and Lily Pads as well as select paintings that are rarely found in other Monet books. And the inclusion of some unfinished late canvases shows how far Monet went into the future of Western art. You won't find many better than this!

Unlike most art books, this small volume has been in print continuously since 1978 & when you read it, it isn't hard to see why: superb reproductions and an extremely elegant design (plus its small size - very unusual in art publishing) offer the reader a wonderful experience wandering in Monet's vision of a carefully constructed alternate reality. In Monet's Giverny, natural forms respond instantly to light. The images produce a peculiar sense of floating in the viewer - many of the pictures lack a horizon line or any indication of where the viewer is in relation to the picture. As a result, we seem to hover in flight, poised above a constantly shifting panorama of woods, water, fields, and lilies. Interestingly, no human figures are visible in these works (Monet was never really a figure painter) producing a peculiar sensation of isolation and contemplation in the spectator - we wander through this magical land alone, or with whatever companion we desire. A superlative achievement which has found few imitators in the world of art publishing.

Whether you have appreciated Monet's works for years or you are just discovering him for the first time like me, this book is a beautiful, informative collection of his best.

Beyond the absolutely vivid and beautiful quality of the paintings displayed in Monet's Years at Giverny, I greatly appreciate the style of language used throughout the book. Unlike many major art books which often seem to forget about the layman reader, this book reads more like a beautiful story of his life providing great insight into his works.

In college, I was fortunate enough to see a collection of his Water Lilies in Paris. Although at the time I was amazed to see them, through Monet's Years at Giverny I came to fully appreciate them---Not only the paintings, but the man himself.

Excellent addition to any collection!

Claude Monet lived in rural Giverny from 1883 until his death in 1926. Many of the paintings that we most closely identify with his oeuvre were done on his property or in the neighborhood. Following his death, the property deteriorated until its restoration was completed in the 1970s with the help of Lila Acheson Wallace, of Reader's Digest fame. This book was created to in part to honor that restoration and the show that commemorated it. The show marked the beginning of a resurgence of interest in Monet that continues to grow. My only reservation about recommending this book is that it would have benefited from larger sized pages so that the reproductions could have been larger.

Giverny is located to the north of Paris, and is connected to Paris by the rail line from Gare St. Lazare (which Monet painted several times). The view of nature we get there is a reflection of Monet's very French focus on creating gardens, a lily pond, and walkways that bring natural beauty into our controlled grasp.

I have had the pleasure of visiting Monet's home at Giverny several times since it was restored and highly recommend that you make this journey as well when you are in Paris. Your concept of Monet's work will be changed by seeing his working conditions. The grounds are primarily an extension of his studio, for making observations of nature easier. First time visitors will be shocked to realize that the lily pond was dug and expanded at great effort and expense by Monet. Without his persistence, we would be missing many of our favorite Monet paintings.

Throughout the time that Monet lived in Giverny, his eyesight deteriorated . . . mostly due to cataracts. As an artist friend of mine points out, that eye affliction greatly improved his painting by making it freer and less detailed.

He also pioneered many techniques of al fresco paining, such as creating an artist's studio in a boat for his famous river scenes. This enabled him to capture many unusual perspectives from the water to the river bank. Similarly, one purpose of the Japanese bridge over his lily pond was to give him a similar point of perspective.

The book contains a map of Giverny and Monet's property (purchased in 1890 after he originally rented it), and 81 works that he created in the area.

Missing from these reproductions are the famous water lily paintings that he gave to the French nation which are now housed in the basement of the Orangerie. Be sure you see them when you next visit Paris. Many people go to the Orangerie and never make it to the basement. These are among the greatest jewels of Impressionism.

You will be pleased to see the 25 works from the Musee Marmottan in Paris. These masterworks are also often missed by those who visit Paris because they do not know about this small gem of a museum and its superb Monet collection.

The reproductions are organized around themes: (1) river scenes (from the boat) (2) haystacks [sic] (3) poplars (4) river and fields (5) morning on the Seine (from the boat) (6) the Japanese footbridge (7) the Garden Path (8) early water lilies (9) the late series (my favorites are the rose trellises over the garden path) (10) pond subjects, and (11) late water lilies.

The end of the book also has a chronology of Monet's life and works that will help you integrate this show into his entire work.

You will come away with a new excitement and respect for nature from these images. You will also feel more connected to and with the beauty of nature. Your mood will be lifted, just as Monet intended. What you see will be uniquely yours, also just as intended. Monet pays you the ultimate compliment here of letting you participate in the creative process by arranging the work in your mind to fit your mental needs and perspective.

After you enjoy these images, I suggest that you come away inspired to make what you do more accessible to others. How can you make your life and your work easier for others to participate in?

Live in beauty!

This book takes an in-deapth look at one of the greatest impressionist artists of all time. Go out and buy it today.

The better of his 2 books. Truly a confident fantasy artist with a unique style. Very inspirational a must for any art book collector. His exploration of form and the illusion of tendons, fat, muscle and steel are perfect, His ability to combine so many different creatures aspects fluently together is truly amazing. This is a book I turn to when inspiration has left me.

I knew before i purchased this book that I enjoyed Carlos Huante's work - now I am a dedicated fan. I first noticed a couple of his pieces in spectrum 11, and it piqued my curiosity. There's little in the way of writing, just a quick synopsis of the artist's Bio, and some working techniques.. also a few blurbs about some of his original paintings towards the end. But honestly , most of the images don't need explanation as they seem to be the work of pure imagination. Solid anatomy, shading and subtle color usage characterize the creatures and characters that populate the pages. This book is a must - have for any aspiring concept or character artist!

it is hard o really describe this book but with one word: amazing.

the organic creatures/ monsters, the characters, illustrations and color schemes are frightening.

his sketches are perfect.

I got this book for quite some time now, and it still inspires me with new ideas every time.

his characters have such an enormous dramatic apperance that it hurts in a very good way when I watch the illustrations.

A must for all anatomy/creature- and illustration-fans.
Ah yeah, his sculpting skills...yeah, you guess right!..

Even if your not into sci-fi this book will impress. It is a mix of hand made and computer rendered illustrations that are top notch. The hand drawn images are wonderfully revealing. Would make a great technique scource book for any artist.

This is a book of the most amazing, top-quality illustrations of monsters and heros. Every time I page through it, my hear skips a beat out of excitement. If you love graphic novels or illustration, you MUST see this book!