Artists Books

At first you can't help but chuckle, especially if you were around during the 80's. Alot of the work in here is very time based and looks like posters hair metal bands would drool over. Regardless of the decade inspiration, the sheer talent Olivia has will keep you studying a piece long after your nostalgia for the days of air guitar and Iron Maiden ware off you can't help but see nothing but beauty on page after page. My favorite piece is "Cat and Mouse" it's a bettie page number. Enjoy!!

Second Slice, The Art of Olivia is two books in one...sort of...about ¾ of the book is displays Olivia's paintings in portrait format. Flip it over, and the rest of the book is in landscape format...a flip book for adults! Olivia's second slice is every bit as filling and delectable as the first offering featuring 124 pages with 140 paintings in full color. Each of the two sections provides a detailed index with the name of the piece, size of the original painting, materials used, the name of the model, as well as Olivia's own commentary on her works. These comments are often as entertaining to read, as the paintings are to view.

The models used in this edition include Pamela Anderson, Rhonda Shear, Bettie Page, Julie Strain, and Sandra Taylor. The paintings of the saucy Julie Strain are some of my favorites in the book. With her long, kinky black hair, ample curves, and playfully wicked smile, Strain made a wonderful pin-up queen for the 1990's, when most of these pieces were completed.

Olivia experiments with many forms of style and color, which make for some of her most striking and exotic work to date. This is well displayed in "Zebra Lady III" as the nude, striped model (Rhonda Rydell) blends into and almost disappears into the striped backdrop. While not necessarily known for darker, gothic works, Olivia clearly shows she can compete with the best in that genre with works such as the female vampire on display in "Things that Go Bump in the Night" and the winged, horned "Banshee" which serves as one of the book' covers.

Flipping to the landscape side, the buxom blonde bombshell Shear is captivating in the painting entitled "Pomeranians" as she finds herself lying on the ground, covered in a wrap made out of those furry, little dogs.

Second Slice is another gorgeous collection of Olivia's works, all from the 80's and 90's. It is filled with gorgeous women and bold, sassy, and exotic colors and settings. Olivia continues to prove why she is at the top of her game.

Reviewed by Tim Janson

Olivia was one of my favorite artist, and in my collection of Illustrations books she can't be absent. This new collection of paintings shows her skills to mold all kind of techniques.
A must have release.

Who better to draw women than a woman? Olivia De Barardinis is the undisputed queen of cheesecake art, that wonderful if ill-defined blend of sensuality, sexuality, humor, and glamor.

Although her style covers a wide range, each illustration depicts a lone model. Based on Olivia's notes at the end of the book, it sounds as if each woman's presence is just too big to share a page with any other. Each time Olivia paints, she captures something unique to the model, so two models might confuse the directness of the image. Other visual elements appear in her work often enough to form a recognizable ensemble: happily erotic poses, improbably high heels, and lingerie ranging from antique to futuristic fanatasy. Various of the paintings here show other influences, including Bettie Page, Klimt, Marilyn Monroe, Erte, and generations of other sensualists.

Olivia uses the last few pages to add notes describing the paintings. The text identifies each one by title (if any), year, medium, and usually the name of the model. In many cases, Olivia says a bit more about the woman depicted, the inspiration for the image, or something else to help the reader enjoy the picture - as if help were needed. Then, the last two pages let her talk about the creative process in each of her media, including watercolor, gouache, acrylic, and her trademark oil. I recommend this to anyone fascinated by Olivia's voluptuous, vivacious vamps and vixens.

-- wiredweird

Olivia is the Vargas of our time. As Vargas took the reigns from Petty, Olivia has done the same, and Just like Vargas went beyond Petty in terms of realism, and delicate beauty, Olivia De Berardinis has taken cheesecake to a whole new level. Every pose, expression, and little bit of body language is put to use. Every Shot is beyond what a glamor photographer would dream of. Utter Perfection on so many levels. There is definitely some of her art that pays tribute to Petty, and Vargas among other legends of pinup in many of her pieces in most of her books. This one is a collection that spans many realms, and genres as would only be appropriate in our day. (Frank Frazetta influence spans the universe) There are no pieces that are over the top goriffic, or Horrific works like Clevenger, but there is some definite influence from Fantasy art in a portion of this book. The cover of this book was also a cover on Heavy Metal Magazine of which Olivia did many covers for in the past. This book is like an homage to the beauty of the feminine and female form, as is all of her work. Mouthwatering is the only description I can give it. If your looking for extreme fantasy, or horrific, gorrific works go for Clevenger. But if you want to see the beauty of the female form that can only be described as: like looking into the eyes of an angel". Olivia's books will do you no wrong. This one is no exception.

This scholarly and highly readable book is of importance to art historians, historians, and anyone with a serious interest in orientalism as both an art movement and a western cultural phenomenom. The illustrations are superb,and the additional profile articles on key orientalists (such as Richard F. Burton) are an added bonus. This book is certainly worth more than its price and will be of lasting value to future readers.

Brilliant book completely covering the subject, solid research, perfect rare illustrations. Lots of forgotten and difficult to find names. Very useful and highly recommended - worth every penny!

"coffee table" art books are usually just vehicles to display reproductions of the paintings. Not here - Davie's writing would make compelling reading if it was published in regular book format. He mainly focuses on orientalist painting itself - and shatters the critics - but he also has a fascinating section on four famous 'orientalists' which include Richard Burton and Lady Digby.

The reproductions are are splendid very accurate ( i have the pleasure of having easy access to some of the original paintings) and capture the exquisite craft of "Orientalist" painters. often with close ups of parts of painting that allow the reader to see the elaborate detail.

Worth every penny. I find myself reading it again and again.

An outstanding volume providing high quality images and interesting commentary. Too many art books commit the sin of spreading large images over two pages so the picture gets lost in the spine - not this one. Orientalist paintings are crammed with detail to show the erudition of the artists and their patrons: for once you can see plenty, and you're not sold short by the layout or the print quality. Not a book if you're looking for lush pictures of harem lovelies, one of the aspects of orientalism not given such high prominence here. Over all impression? The many different effects created by light in Middle Eastern landscapes, and the skill of these artists in capturing it

Really I'd like to give this 5 stars but for the lack of women it's 4. I feel sort of silly doing so because the art is astonishing and the sheer beauty just magnifies how "art" has changed. I wonder if any artist alive today could come close to duplicating these masterpieces. I doubt it. And Mr Davies writing blends with the terrain and subject matter splendidly.

I remember getting this wonderful book when it first came out and being amazed at seeing such professional paintings of the creatures and beings from many of my favorite science fiction novels.The illustrations are so well-done that even non-sci-fi fans enjoy them.The sketchbook section in the back of the volume is particuarly fun to look at.Anybody who has read some,or all,of the novels Mr.Barlowe used to people "Guide to Extraterrestrials" will get a kick out of comparing Barlowe`s version to the version you created while reading a particular novel.Over the years I have either lost or lent out 3 copies of the 'Guide'...and I always replace it.
Thank you for reading!

It could be science fiction
myths...
unrealistic scenario,
but certainly it is amazing.
So much work went in the
preparation of this book.
So much details.
My God!
It is really amazing....


S. Mahdi, Cairo, Egypt.

The artwork in this book is fabulous. It's a neat little companion book for sci-fi fans; it has wonderful illustrations of all the various organisms that have been portrayed in some of sci-fi's classic and canonical works. And along with those illustrations? Little one-page write ups on their biology, social structure, etc.

Once I saw that there was a Velantian in this, from E. E. Doc Smith's Lensman series, I was sold, and had to get it. Done as a page by page look at each species the artwork is excellent, and these are the sort of funny looking monster types that kids like too, so it can work on more than one level, most definitely.

Good book. I have owned this since I was a child. It was a great portal into many of these classic Sci Fi books as I would have never heard about them otherwise. Barlowe has a fantastic nack for bringing life to these aliens. Highly recommended.

Carl Anthony has presented an excellent and well-researched book on Florence and Warren Harding. Unlike the books by Robert Ferrell, which are a combination of surmise and invention, that are best left to coffee-table-book readers, Anthony tells it like it really is. Anthony has dug deep into the documents that are now available, (with more coming out as the years pass), to present a balanced and fair assessment of President and Mrs. Harding. Highly recommended for any who want the unvarnished truth.

The Washington Times wrote a terrific review of this book, which follows:

A President Of the Peephole
By Carl Sferrazza Anthony
Special to The Washington Post
Sunday, June 7, 1998

Fearing revelations about his illicit affair with a young campaign volunteer - which included sex in an Oval Office hideaway while under the guard of Secret Service agents - the president realized that stonewalling was ultimately futile. He stunned a private party of reporters at the National Press Club by confessing his carnal desires.

"It's a good thing I am not a woman," the president said. "I would always be pregnant. I can't say no."

In this administration, the scandals never seemed to end. There was the strange suicide of an administration official, made even more mysterious by a note that disappeared. Then came an investigation into payoffs and coverups connected to a notorious land deal. The president's friends launched smear campaigns against his perceived foes. Dossiers were compiled; private eyes and snitches deployed. Affidavits were drafted in which various women denied liaisons with the president. Jobs were arranged to keep people quiet.

Through it all, a steel-willed first lady kept the press at bay and did whatever was necessary to defend her husband's reputation - even if it meant destroying evidence.

The scandals erupted at a time when technological advances in communication were feeding a nation hungry for distraction, and the economy was booming. Sex sold - and the ravenous press corps was all too happy to name names and offer seamy details. The president and his wife boosted their public image by bringing Hollywood stars to the White House; they knew the value of glamour and the power of celebrity. It also helped that he was a genial populist and inveterate shaker of hands, fond of golf and cards, a man of the people.

Ladies thought him virile and handsome; he photographed well.
For some reason, all of this seems familiar. Whatever else may be said of Warren Gamaliel Harding - whose tenure as 29th president ended with his peculiar, premature death in 1923 - he was a truly modern politician. His administration, which reeked of corruption, offers a prototype for Washington scandals. Whitewater, Iran-contra and Watergate are better known today, but the granddaddy of them all was Teapot Dome, a political maelstrom that broke 75 years ago this month and is still hard to top in terms of sheer outrageousness.

Harding, a small-town Ohio newspaper publisher, was uniquely unsuited for the job of president - and he knew it. "I am not fit for this office and never should have been here," he once said. But he "looked like a president," as one major backer put it, and his wife, Florence, was instrumental in shepherding his political career. (The press considered Florence, known as the Duchess, to be the power behind the throne; one cartoon depicted the couple as "The Chief Executive and Mr. Harding.") Harding, a one-term Republican senator, won the job by promising Americans a "return to normalcy" after World War I.

Though his legacy was soiled, his domestic achievements were substantial: the 40-hour work week, improved health care for new mothers, the first balanced-budget bureau, a focus on technology. And we have to give Harding credit for establishing a venerable institution: the Washington gossip mill. Based on new documentation, here's a reprise of the Harding era.

I love your back, I love your breasts
Darling to feel, where my face rests,
I love your skin, so soft and white,
So dear to feel and sweet to bite. . . .
I love your poise of perfect thighs,
When they hold me in paradise. . . .
-- A Harding poem to one of his mistresses, Carrie Phillips

No president had more "women scrapes," as his attorney general put it, than Warren G. His first affair, three years into his marriage to Florence, was with Susie Hodder - his wife's best friend from childhood - resulting in the birth of a daughter. His second affair was with Florence's closest adult friend, Carrie Fulton Phillips. It lasted 15 years. His third enduring mistress was his Senate aide, Grace Cross.
Number four was the most infamous and the first presidential mistress to write a memoir: In the large Oval Office closet, the president had at least one tryst with Nan Britton, a campaign volunteer who had started having sex with Harding when he was 51 and she was 22. Their assignations, facilitated by Secret Service agents James Sloan and Walter Ferguson ("Harding hated to have them around, for he despised being watched," reported the chief usher), came to an abrupt stop when another agent, Harry Barker, tipped Florence off, and she ran down for a confrontation.

It was in Harding's Senate office, late one night in the winter of 1919, that Britton claimed she conceived their daughter, Elizabeth Ann. They disrobed because Harding wanted to "visualize" her while he worked there during the day. Britton worried that they lacked the "usual paraphernalia which we always took to the hotels . . . and of course, the Senate Offices do not provide preventive facilities for use in such emergencies."

He had assorted other flings, including one with Rosa Hoyle, said to have conceived his only illegitimate son, and one with Augusta Cole, whose pregnancy by Harding was terminated. He bedded a Washington Post employee known as Miss Allicott, and former chorus girls Maize Haywood and Blossom Jones - all procured by Harding's crony, Washington Post publisher and owner Ned McLean. And then there's the string of "New York women" - including one who committed suicide after Harding wouldn't marry her, and another who had a stash of incriminating love letters purchased by Harding loyalists.

The president even publicly ogled Margaret Gorman, the first Miss America, in Atlantic City, days after her crowning.

Follow the Money

Just weeks after his inauguration in 1921, Harding approved Interior Secretary Albert Fall's request to transfer oil reserves from the Navy Department to Fall's control. Fall then secretly leased the reserve at Elks Hills, Calif., to oilman Edward Doheny and the one at Teapot Dome, Wyo., to Harry Sinclair - in exchange for a "loan" of cash and stock worth nearly $400,000, delivered in a small black satchel, and a "gift" of $100,000 from Doheny. Fall became the first Cabinet member to be thrown in prison.

Col. Charles Forbes, the first director of the U.S. Veterans Bureau, created by Harding, was particularly close to the first lady. She saw to his appointment, and entrusted him with $450 million to build hospitals and provide decent medical care for the thousands of disabled veterans of World War I, on whose behalf the Duchess was a national activist.

Instead, he bilked tens of thousands out of building contractors and medical supply companies. He was eventually imprisoned - but not before Harding personally throttled him against the Red Room wall in the White House.

Although Attorney General Harry Daugherty, a Harding crony and campaign manager, eluded conviction on a variety of pardon-selling and influence-peddling charges, his Justice Department was riddled with malfeasance, kickbacks and payoffs. One of the department's central tasks was to intimidate any Harding mistress who threatened the president with blackmail.

High Officials

Evalyn McLean, the Post publisher's wife, was a confidante of Mrs. Harding and an admitted intermittent morphine addict. Despite Prohibition, she also was a heavy drinker and speakeasy regular - but then, so were her husband and other ranking government officials: Albert Fall, Col. Forbes and the president's chief aide, George Christian. In the Veterans Bureau, stories eventually broke about flapper secretaries and young officers having a regular cocktail hour, with shakers and glasses at the ready, overseen by Forbes.

The president served liquor freely in the present-day Yellow Oval Room to his guests. Alice Longworth - a regular at poker - recalled that the first lady mixed the drinks. "No rumor could have exceeded the truth. . . . [T]rays with bottles containing every imaginable brand of whiskey stood about," she remembered. And, according to recently declassified FBI reports, Harding was drunk on whiskey during an Oval Office confrontation with railroad union leaders during their 1922 strike.

At the center of the capital's most elite bootlegging service was Jess Smith - who, even though never an employee or even a volunteer at the Justice Department, used official letterhead, cars and staff, and sat in on private meetings with FBI Director Billy Burns. Smith enjoyed these perks as the bachelor companion of the attorney general. Smith also served as the first lady's favorite escort and arbiter of her jaunty '20s fashions.

Through the Justice Department, Smith had access to whiskey supplies confiscated by Prohibition agents, and some of the booze went directly to the White House, and to the McLeans, while the rest was kept for parties at the "Love Nest," the small house shared by Smith and Daugherty, complete with a pink taffeta bedroom.

Hollywood Values

Working closely with Republican National Committee Chairman Will Hays during the 1920 campaign, Florence Harding conceived of recruiting Hollywood movie stars to support her husband. Al Jolson was drafted to head the Harding-Coolidge Theatrical League, and on Aug. 24, 1920, the marriage of politics and entertainment was forged forever when Jolson brought 40 movie stars to the Harding home for a campaign rally.

The White House became a little Hollywood. On any given day, D.W. Griffith, the Gish sisters or Tom Mix might pose for newsreel cameras with the Hardings. When Hays left his job as postmaster general to become president of the Motion Picture Producers and Distributors of America, he developed a "project to link the White House with the motion picture industry" by providing a movie library. All of this was nothing short of immoral to old society. The religious press took even greater offense to Florence's ringing the stately halls with jazz for the first time. The Biblical Recorder excoriated the Hardings for "setting a bad example by joining in the modern dance with its 'jazz' music."

Squelching the Bimbos

There was a good reason for Jess Smith having a vaguely defined association with the Justice Department. In this way, he was able to act at the implicit direction of the attorney general and FBI director and carry out a systematic intimidation of Harding mistresses who threatened to do as Carrie Phillips did and demand blackmail for their love letters. At one point, in exchange for apparently small amounts of money, affidavits disclaiming rumors of their liaisons were wrestled out of Evelyn Ruby, Augusta Cole and Cecilia Hoyle, and made their way to the first lady.

In April 1921, Ned McLean officially became an agent of the FBI, and did his utterly unethical best to destroy any anti-Harding efforts he heard about as publisher of The Post. Such responsibilities included ripping the blouse of Nan Britton to try to snatch letters she claimed to be carrying - in the privacy of his editorial office.

Even on the eve of his inauguration, Harding was providing more trouble for his troubleshooters. He had arranged a late-night rendezvous with Grace Cross, his Senate aide, in a Willard Hotel room. Some of his friends, recalled Olive Clapper, a reporter's wife, "ordered her to pack and get out of town, threatening to put the FBI on her trail if she didn't go at once. She was so frightened she left immediately."

Psychic Guidance

Mrs. Harding's diary, discovered last year at an Ohio barn auction, revealed her to be a true believer in crystal ball readings, the zodiac and clairvoyance. In February 1920, as a Senate wife, she had her first consultation with capital society's seer, "Madame Marcia." The psychic predicted that if Harding ran for president that year, he would be nominated - but that if he won the election, he would not live through his full term and instead die of "sudden, peculiar, violent . . . death by poison."

Knowing that the blackmail price of $25,000 demanded by Carrie Phillips for the love letters could never be met unless her husband became a presidential nominee, Florence pushed him through the primaries on to the nomination, ignoring the ominous prediction. During the Harding presidency, Madame Marcia was regularly fetched by the first lady's Secret Service agent, brought through the back entrance and escorted to the presidential bedroom for zodiac updates. Madame Marcia also did horoscopes for the president's public appearances; the first lady was trying to protect him from numerous assassination and bomb threats.

When Florence got early inklings of the Teapot Dome, Veteran's Bureau and Justice Department scandals, she asked Marcia to do astrological charts of Cabinet members - and used the results as evidence to remove some of the crooks from the administration.

Blackmailers' Delight

Newly discovered documents now prove that Harding was the only president successfully blackmailed by a mistress. Once he was nominated as the Republican candidate, the national GOP committee paid off Carrie Phillips's lump-sum demand of $25,000 and monthly stipend of $2,000, funneled through a secret bank account kept, apparently, under Jess Smith's name (the records were burned by Attorney General Daugherty).
Once Harding became president, Phillips returned from an all-expense-paid trip abroad and demanded that her brother and son-in-law be given federal posts. It was done. Harding even circulated the name of Phillips's husband to be ambassador to Japan - before word got out why he thought a dry-goods salesman from Marion, Ohio, deserved the post and the idea was quashed.

One night, when he was a senator, Harding had such a row with aide Grace Cross that she cut his back and the police were called. Thereafter, Cross went around town talking about a "birthmark" on the president's back that she could identify - undoubtedly the wound - which became part of her arsenal in unsuccessful attempts to get blackmail money. However, former Democratic attorney general Mitchell Palmer would later use his knowledge of the Cross affair to force Harding to drop a Justice Department prosecution against him.

Crossing a Friend

After a failed attempt to frame Cross with a phony affidavit claiming she was a liar and blackmailer, Smith approached Bertha Martin - a friend of Cross's - to try to get possession of the aide's love letters from Harding. Martin said she would turn on her friend on the condition that she was given the job of society editor at The Post. Smith went to McLean, who gave his nod. Martin took Cross to lunch, asked to see the letters, snatched them away and bolted out of the restaurant. She was made society editor - and still managed to stay friends with Cross, taking her on a European vacation, courtesy of the secret blackmail fund.

Deadly Sins

During a party at Smith and Daugherty's "Love Nest," some New York chorus girls were brought down to entertain a stag party. In attendance was the president. When glasses and bottles were being flung off the table so the dancing girls could perform, one Washington prostitute, identified only as a Miss Walsh, was knocked unconscious. Harding was hustled out. The woman died and was buried in a potter's field.

In recently discovered transcripts of her taped revelations, Evalyn McLean recalled that the FBI director "railroaded" the woman's brother into St. Elizabeths mental hospital when he suggested a blackmail payment.

Censorship by Book Burning

"The Strange Death of President Harding," written in 1930 by the notorious perjurer and former FBI agent Gaston Means, implied that Florence Harding poisoned her husband in retaliation for his adultery, but the book has long been dismissed as a fabrication. New evidence shows that while Means lied in details, he told general truths. He said that he was part of an FBI effort to seize and destroy a small, privately printed book, "The Illustrated Life of Warren Gamaliel Harding," that revealed Harding's affair with Carrie Phillips, the RNC blackmail payoff and Florence's out-of-wedlock child by a common-law first husband.

This turned out to be the only book suppressed by the government in peacetime. The entire action was illegal, and thus the boxes of books and updated manuscript inserts were taken not to any government property but to the McLean estate, where they were all burned. Well, not all: An original with the author's notes sits with none other than Evalyn


Spying

Among Gaston Means's other sensational charges was that he spied for the first lady on Nan Britton. In fact, it was probably Grace Cross - for at least one letter sent to her from the president's office was purloined and found its way into the file on Cross in the McLeans' private papers. Post reporter Vylla Poe Wilson later admitted that both "Mrs. Harding and Mrs. McLean were very jealous women, and they hired Gaston Means to follow Harding and McLean and report on their actions." In congressional hearings on the Justice Department, it was confirmed that Agent Means not only spied on Cross but the president's physician, Charles Sawyer, and his mistress, the first lady's housekeeper.

Suicides

Congress first heard tales of gross corruption at the Veterans Bureau in February 1923. Col. Forbes's colleague in kickbacks, Charles Cramer - the bureau's chief counsel, and the purchaser of the Hardings' Senate home - wrote out a letter to the president in his dining room, then stood before the bathroom mirror and shot himself. The letter mysteriously disappeared.

At the start of the summer, the first big Harding scandal broke with the news that Jess Smith was found in his room with his head in a trash can, and a bullet in his head. The official word went out that it was a suicide due to health and emotional problems. Bertha Martin of The Post recalled that it was "noised about" town that Smith was a known homosexual, and that he was heartbroken over Daugherty's sudden rejection of his friendship when the president learned of Smith's nefarious activities. Others, like Evalyn McLean, simply believed Daugherty, Means or Burns had Smith killed because he knew too much. As for Martin, after a second career bootlegging whiskey to embassies, she was found dressed in her fur coat, pearls and white gloves with her head on the gas range, another alleged suicide.

Negligent Homicide?

Beginning on June 20, 1923, the Hardings sought to escape the heat and scandal of Washington on a 15,000-mile transcontinental train trip and voyage to Alaska. The president was 57 at the time. The recently unsealed diary and notes of naval physician Joel Boone reveal Boone's grave concerns about the president's heart condition. The warnings were ignored by longtime Harding homeopath "Doc" Sawyer, who made no effort to stop Harding from speaking in the blistering heat, driving the golden spike to complete the Alaska Railroad, or doing other arduous tasks. In this Sawyer had the absolute approval of the first lady, who was now enjoying the height of her national popularity and didn't want the trip canceled. She viewed the incompetent Sawyer as her own Rasputin, who'd miraculously kept a chronic kidney ailment from killing her.

When Harding suffered a bout of food poisoning from tainted crab meat at Cordova, Alaska, Doc Sawyer ultimately weakened the president's sick heart by treating him with heavy doses of purgatives to flush out the toxins. On Aug. 2, 1923, when Boone was out of the sickroom in San Francisco's Palace Hotel, Sawyer plied one too many purgatives - in Florence's presence - and Harding died. There was a quick coverup regarding who was in the room and at precisely what time the president died. Mrs. Harding refused to permit an autopsy or a death mask, protecting her beloved Sawyer. "Now that is all over," she told Evalyn McLean after Harding's death, "I think it was all for the best."

Evidence Destruction

At the McLean estate, aptly named Friendship, Evalyn permitted the widowed first lady to bring from the White House wood crates full of government documents (which may have been incriminating to Harding) and helped burn them. Even though Mrs. Harding was being spied on and her phone was tapped during the congressional investigations of the scandals, she was able to keep destroying documents within the privacy of her Willard Hotel suite.

Four months after leaving Washington, Florence died at age 64 in Marion, Ohio. She was staying in a cottage on the grounds of the Sawyer Sanitarium "for the treatment of nervous and mental diseases," amid signs that read: "Please do not stare at the Patients."

This article is adapted from Carl Sferrazza Anthony's just-published biography, "Florence Harding: The First Lady, the Jazz Age and the Death of America's Most Scandalous President" (Morrow).

The Harding administration is buried in 20th century obscurity. Aside from the words "Teapot Dome", which few laymen know anything about, and the overriding scandal that dogged Harding's reputation after he left office, there are few people who would even know the name of the first lady.

Florence Harding portrays the image of a plain, dowdy hayseed, but the author brings her to life in the context of an amazing time in our history.

The 1920's were a time of a burgeoning economy, a rich underground economy with speakeasies, amazing jazz, racial awareness, and a recovery from World I. Florence Harding worked behind the scenes to prop her husband up to the challenge of the presidency. Recent revisionist historians have re-examined his presidency to look at his leadership, and his vision beyond the republican side of the aisle.

Florence Harding welcomed in the Jazz Age, consulted "spiritual advisors", and looked at feminist causes long before many of her contemporaries. She also loved and adored her husband, looking past his infidelities, and his out-of-wedlock children.

Warren Harding was in over his head as President. He was an innocent idealist who was thrust into a dark horse candidacy by unscrupulous men who he believed were his friends. He was also a popular and beloved President at he time of his death.

This book, however, is about his wife. She was a tirelessly driven woman, cannily intelligent, with a strength that propelled her to the pinnacle of American leadership.

It is a story few would undertake to tell, and it is riveting. While Florence Harding never comes off as likable, she is portrayed as loyal, admirable, and visionary beyond her time. There is a touching passage, as she sits next to Warren's open coffin, when she tells her husband "nobody can hurt you now, W'urrn".

She clearly understood the power of the office, and the damage it had done to her husband.

An engrossing biography, on an unlikely subject.

How to make a fairly dull and unpleasant like Florence Harding come alive is a difficult enough feat, however the author does a splendid job of doing it! Expertly researched and pleasantly told, Mrs. Harding comes off far better than she has ever been depicted before - and perhaps even better than she deserves.

Writer Carl Anthony has composed an outstanding biography in his work Florence Harding. Harding Florence Harding been one of the more easily understood or admired First Lady's in this nations history, this book would have been written years ago. However, Mrs. Harding's legacy has been in the past told and retold more as a tabloid story than factual account.

When approaching this book, one needs to understand how Mrs. Harding's legacy was tainted by three men, none of which was her husband Warren G. Harding. First, Gaston Means - a grifter and one time low level FBI agent - did a master job at maligning the deceased Mrs. Harding in his book, The Strange Death of President Harding, a ghost written work that was penned by a tabloid jouranlist who sued Means when he failed to honor his obligations to the writer. In this book, Means paints the picture of Mrs. harding that is pervasive in American Pop Culture: that Mrs. Harding was clueless love lorn hag, who spent her time with mystics plotting the Presidents next moves in star charts. This is an image that the public bought, hook, line and sinker.

The other two men who betrayed Mrs. Harding were her doctor, Charles E. Sawyer and his son Dr. Carl Sawyer. The Sawyers held Mrs. Harding in their sway - she believed that they were great medical doctors, however it was the elder Sawyer's mis diagnosis of President Harding's heart condition as food poisoning. When Charles Sawyer discovered that the widowed First Lady's kidney ailment acted up, he travelled to Washington DC and demanded that Florence return to Marion Ohio for treatment at his private Sanatorium rather than seek treatment at at the better suited facilities in Washington. Mrs, Harding was placed in a cottage at the facility, and then kept at the facility by Sawyer's son Carl after the elder Sawyer died. Following Mrs. Harding's death, Dr. Carl Sawyer assummed total control of the Harding Memorial Association and maintained an iron grip on the Harding legacy until his death in the 1960s. As with all great dictators, Carl Sawyer controlled all aspects of the Harding legacy. As a result, the public never had a fair opportunity to study the Harding's, but rather were fed a steady stream of "approved" information about the couple.

Anthony's work goes the distance in seperating the negative myths from the honest truths in her life, which by any standard was not charmed. However, the author does take liberties in communicating his emotions about Mrs. Harding. He believes that she has been mis-portrayed and his passion about correcting that sometimes overstates her case. However, his book is very well documented by copious endnotes and reliable first person accounts and primary documents.

This book will never be a New York Times best seller - the public would rather believe that Harding Myths inseatd of the facts - but for those who care to learn more about the truths of the 29th President and his most remarkable wife, this is a satisfying and accurate book to read.

This book is really great. It has all kinds of information about Jim Henson and how he got started in puppeteering. If you are a fan of Jim and his work you will love this book.

Wow!!
This is a book for everyone and anyone that loves the muppets and its good for all ages, coffee table or for propsmakers.
Top choice as a present for muppets lovers

Fabulous. So many other reviewers have expressed the feelings this book gives you so much more eloquently, so I will leave mine with just that one word. Fabulous.

This book is fabulous. I ordered it from America to come to England as the current exchange rate made it cheaper to buy this book new than to buy it second hand in England, and the wait for shipping was worth it. There are some brilliant anecdotes from people working with Henson, and beautful pictures illustrating everything that ever went on in Jim Henson's studios, right up to unpublished notes that Henson wrote for a book.

This book is beautiful, and really interesting in looking at the work of Jim Henson.

Complete with full color pictures, as well as black and white photos of Jim's early years, this book is not only a great read. -It's fun to look at too! Even young children can sit and appreciate the magic of Jim Henson's creations through the artwork and photo-journalistic shots throughout.

This book contains a great deal of biographical information on Jim throughout his life, and includes a great deal of his earlier forrays into the world of experimental art and design.

Definitely a good buy.

Jock Sturges will probably stand as one of the great photographers of the 20th and 21st centuries....someday. His work with the friends and strangers who populate summer beaches and cottages where clothing is optional, year after year, testifies to his respect for his subjects and his affirming humanity. In current American culture, where hypersexuality is the marketing tool of choice, and merchants exploit every normal insecurity about appearance to sell endless crap to yearning multitudes, Sturges's pictures show us how beautiful we are, in all our shapes, sizes and ages, in nothing but the skin we are born with.

As a photographer, I am amazed at Sturges's ability to convince people to simply offer themselves up to his visual instincts. He returns to the same venues again and again, and becomes part of the places himself, rather than an intruder, and the people in his photographs see the work that results. Seeing themselves as he sees them, they appear to trust him completely. He steals no souls, but rather, affirms the conviction that we have souls in the first place. When asked to suggest a present for my own 16 year old daughter, a young woman with endless interests and curiosity, including photography, I could think of no better work to show her at this point in her life.

Mr. Sturges first photography book, it shows the style his fans all know and love but as a first effort has a less polished feel to it. I was surprised to see some pictures taken in Rhode Island, the later books seem to consist of France, California and Oregon with no East Coast U.S.
As always with Mr. Sturges books the subject matter is mostly nude but there are several clothed photos here as well, more than will be found in later books. The style is all well done,(many very nice images), the book is certainly worth owning but doesn't seem quite the quality of the books from "Radiant Identities" onward.

This is what children, young people growing up, and parents with children look like: people in bathing suits, jeans, everyday attire, as well as nude. There are photographs on the beach, in a tree, on a tricycle (one of the best as a photographic design, in my opinion), in hammocks, standing...a whole range of locales and postures.

While it astounds me that anyone could think this wonderful collection is child pornography, I *can* see the concern. There's no doubt in my mind that a genuine pedophile would be attracted to this, and for all the most unfortunate reasons. Still, this is an accurate and sensitive representation of something that seems almost vanished from the world--the innocence of people comfortable with themselves, their bodies, and with each other. Alas, this is our loss.

This collection of touching, humorous, and occasionally beautiful photographs is our gain.

If you are after pictures for the sexual excitement, look somewhere else. Yes there are naked women and men, young women and men, and even boys and girls of adolescent age, but you'd have to have a pretty sick mind to find them sexually exciting.

Rather on the contrary this are works of art with some of the best printing you'll see in your life (I'd love to see the originals, as I suspect as good as the book edition is, it still doesn't make it justice), with that simple beauty and simple "laiser faire" that is simply breathtaking.

A superb example of natural people doing what comes naturally captured in a wholesome way. Through Jock Sturges' images, we see what we see around us every day - families growing older. His nudes are prime examples of beauty - of which Jock captures with a particular reverence. The subjects represent whole body acceptance - something our society lacks today. The book is well done, and the images crisp and of excellent tone.

Miss Guedel's book is a wonderful,honest and insightful memoir of the Disney animation studio of the 1970's.Her portraits of many of the talented artists are both humorous and revealing in ways that avoid trivialization and cheap sentimentality.She is a gifted author and one can only hope for a sequel book which chronicles her time with the Don Bluth studio.This book is a must have for any serious scholar of traditional Disney 2d animation history.

An amazing, archetypal hero's odyssey,
I could not put it down.
I attended BHHS and knew Heidi and many of the other players, and can attest to the veracity of all she writes.
Any Producers out there, here is a fantastic opportunity!

Heidi was my step-cousin but we lost touch after Helen Parrish (her step-mother and my aunt) died. While reconnecting with Helen's two children last year, one (Choddy) showed me a copy of Heidi's book and I promptly bought a copy and read it.

I visited Helen and John Guedel occasionally, although I lived in Atlanta at the time. I remember Heidi as being perennially sullen and aloof but this book details "the rest of the story". Clearly I would've been considerably more sympathetic had I known the hardships she suffered during her earlier childhood.

This is a great story and well told, undoubtedly a catharsis for Heidi but a great read, too. I was disappointed at not learning how her life evolved following her departure from Disney. Guess I'll have to wait for the sequel.

I'm going back east for another reunion with Helen's children this week and to see my last living aunt on the Parrish side, Kathy, whom I haven't seen in 35 years. Thinking about it reminded me to share my thoughts on Heidi's book.

Read it...I think you'll enjoy it even if you weren't there.

OH_MY_GOD. This author posts on a site called Internet Infidels, and believe me she STILL pulls no punches. She still posts under her real name. I wouldn't if I were her. I'm sure the outraged religious fundamentalists will come here next and try to pan her book. WOW.....After following some of her posts, I looked up Heidi Guedel's profile on the Internet Infidels site and it led me here to Amazon and her book. I've just finished it. Now I understand...... and I can't stop laughing.

After you learn about her childhood, and her sanity-saving ability to turn even the worst human behavior and circumstances into humor (much like Groucho Marx did, and she met Groucho, by the way, because her father produced the Groucho TV show) you get to ride the waves of laughter along with her as she turns Disney Studios upside-down by stamping "BULL$**T" on the company memos they posted in the hallways, and putting fake puddles of spilled beer on stacks of priceless animation drawings just to watch a rather pompous artist implode. There are many more pranks and scandalous tales about some famous artists in the animation business, including one who recently won an Academy Award for 3-D special effects.

And far from poking fun only at everyone else, she bares her own soul and exposes her own legendary boo-boos - like accidentally putting a stack of drawings by famous Disney animator Ollie Johnston on the roof of her car and driving off without it. She returns in the middle of the night, realizing what she must have done, and finds one drawing left on the street in front of the studio, with a tire mark across it. What she does about it next is so poignantly funny..... but I won't spoil it for you. Read this book. It is so special and so REAL.

I first became aware of Heidi Guedel when I was lurking around reading debates on Suijuris and Internet Infidels. I am amazed at this person's writing talent. I am also surprised that she posts under her real name, considering the firey way that she stands up for her opinions. I am not surprised that some people that she out argued on an internet forum have tried to pan her book by putting insulting reviews here. But this book really speaks for itself. After I became impressed with Heidi's unusual ability to debate so brilliantly with all kinds of people on many different subjects, I did a search of her on google and found her book. I looked inside and could not stop reading. If the whole book had been available here I would have read it right through to the end. I could identify with her feelings right along with her. This book is not sad or depressing, it is inspiring. She has such courage and determination. She became a Disney animator and met some of the greatest and most famous animators of all time, like Milt Kahl and Ollie Johnston. She is mischievious and imaginative, which comes through in the writing. Most of all her astounding intelligence comes through in her writing, both in her book and in the debates she participates in on the internet. It's too bad that this book was not published by a big company that would advertize it and promote it. It is an undiscovered treasure.

Just pop in some FrontLine Assembly, VNV Nation, Funker Vogt, and Apoptygma Berserk mp3s, and browse through this amazing collection of sci fi/fantasy artwork from the master known simply as Brom. Large, crisp, full-color photos of his amazing paintings grace this informative book. See sketches for some of his paintings in the margins, and view his talented early sketches from age 5, 11, and 20 years of age.

Brom is the most amazing artist in the Fantasy genre. This book is a great buy if you love Fantasy art and you want to see a true master. Forget Frazetta, forget Vallejo, Brom is the one. This book portrays Brom's art to it's fullest. Beautiful, full color prints adorn every page, showing off Brom's masterful talent and attention to detail. Don't miss out on this one or it's sequal 'Offerings'.

If you like to draw, like great art works, sci-fi, well fantasy art this book is for you. Brom his a great artist, very talented, his art book got lot of nice to weird art works. It had been a while since I search for a great fantasy art book and this one is the best I saw so far!

I saw this book in a store yesterday. The title, Darkwërks was what first caught my eye. So I picked it up, looked at the covers, back and front, and began to flip through the first pages. I was amused very much by the art created by Brom in his earlier years. For instance, when he was age 6, he drew quite a bloody scene; a body riddled with knives and sharp objects. So, I started to look through the pages. Immediately, I was captivated by his morbidity and uniqueness. The graphic beauty of each picture shot into my eyes and made my heart quicken. I had only planned to glance through the book, but within seconds I had become a slave to each work of art.

While definitely not for the....."Normal" person, anyone who loves the morbid and macabre will love this book with all their heart and soul. Beautiful, beautiful blood and violence. Femme nikita, freaks of nature, tortured souls and Dark Angels fill the pages of this magnificent masterpiece. BUY IT NOW!!! Hah...

Brom is a fantasy artist who is best known for his work on his work Dark Sun, Deadlands, collectable card games, and book covers. He stands out from Boris & Julie as well as Frank Franzetta partially for the sole reason that most of (though not all) of his portraits contain people who wear clothing, albeit usually something fetish inspired, leather and latex. He has a very distinct style, painting very beautiful moon-skinned redheads and tan wild-elven creatures, which stand along detailed landscapes that insipre the imagination. Some of his work is disturbing (though not quite as disturbing as H.R. Geiger), and mostly very dark (what would you expect from a man who listens to Nick Cave while he paints?) but all of his work is remarkably well composed and masterfully detailed.
Brom has a larger influence than many people realize, for example the evil albino in the recently released movie Time Machine could very well have come directy from the pages of Darkwerks. To get an idea of how popular Brom has become, just type in his name in any search engine (Google works best). Darkwerks is a very good collection of his art, containing very little text and allowing all of the pages to be showcased in full-sized, full-colored glory.

Thurber's classic about growing up in Columbus, Ohio is laugh out loud funny, even 80 years removed. Talent like this is rare. He deserves his literary reputation.

James Thurber was one of the funiest authors of all time and this book cements his reputation. I enjoyed it many years ago and after re-reading it, I enjoyed it again.

Should be required reading for all folks of any age looking for an introduction to life in these United States, for those learning to overcome despair and disaster with humor and grace, for any and all learning the English language.

Thurber is a great favorite of mine, and this was another fun book to read.

Take your mind back half a century and read these mildly amusing essays about life in the 1920s and 1930s. The style is so different from modern prose, but it is well worth the read.

fantastic book! i tried The Artist's Way but... too time-consuming - i'm busy!!!! maybe i'll get back to it, but maybe it won't be necessary. i found that within the first few chapters of THIS delightful book i'd already gained focus and answered questions... i found mine at the local library, wrongly filed under "metaphysical", lol... i'll be buying my own copy very soon.

This book is delightful! As a lifelong creativity champion, the moment I saw it I knew I had to have it. Of all the books I've read on creativity, and there have been many, it's the most creatively written and formatted that I've found, providing not only valuable information on the creative process, but being itself a model and an inspiration as well. The author, Jill Badonsky, brilliantly presents creativity principles in a playful, engaging and interactive way, personified by fun and spirited muses. Being a former producer of training materials and a promoter of creative and interactive performance support strategies, I appreciate the concept of chunking bits of information into a sort of buffet of info nuggets that can be digested in either a linear or a non-linear fashion. This book offers such a buffet. It's chock full of metaphors, strategies, resources and exercises that provide a bountiful and delicious creativity experience. Whether you want to explore your creative potential, take your creating to a new level, or help others do the same, buy this book! You won't be disappointed.

I would recommend this book to anyone, from therapists to coaches to artists. It's an excellent creative stimulant that would be applicable even in creative classroom settings.

Several years ago, I browsed through "The Nine Modern Day Muses" in a bookstore and decided to buy a copy for myself. What a gift that turned out to be! Since that time, Jill Badonsky's book has made a wonderful gift for others. I have given copies to my sister; my boss; close friends; colleagues from my former life as an attorney; fellow writers, zydeco dancers, meditators, Buddhist practitioners.... Their response has been unanimous - every one of them loves the book.

"The Nine Modern Day Muses" is so much fun. The book is an easy read - Jill Badonsky's sense of humor is delightful, and her writing is light and playful. BUT don't let this fool you. "The Nine Modern Day Muses" is packed full of substance: powerful tools for igniting your creative spark and overcoming creative obstacles, fun but effective exercises for generating creative ideas, thought-provoking gems, and page after page of inspiration and encouragement. The book has been a tremendous hit with my creativity coaching clients and creativity group/workshop participants.

I highly recommend buying Jill Badonsky's book for yourself, your family and friends, and anyone else you know who wants to be more creative.

Laurie M. Hawley
Certified Kaizen-Muse Creativity Coach

If you haven't yet had the privilege of reading Jill Badonsky's magnificently motivating book The Nine Modern Day Muses (and a Bodyguard) you MUST find a copy and read it.

A Master Muse of our time...Jill Badonsky is a witty , sometimes wickedly irreverent, delightful and brainy Tinkerbellesque Warrior of the creative enchanted mind; illuminating the magic and possibility of creative ideas, visions and artistic dreams. This is a writer that not only walks her talk...she lives it.

The Nine Modern Day Muses gives you serious tools to take your dreams and your goals from imagination to reality. This brilliant and delicious recipe is that of an intellectual gourmand with a sense of humor. Ms. Badonsky shares cutting-edge psychological technologies, specific exercises and the extraordinary power of guided imagery to aid us in winning the battle against self-sabotage and marauding inner critics. Add to that a dash of whimsy and several pinches of joyful, motivational merriment and you have a reference that takes significant information and presents it with a sense of ease and FUN!

You will find yourself picking up this timeless creative classic again and again and again. There is a mysterious energetic resonance that infuses THE NINE MODERN DAY MUSES. With each read, no matter what page you may choose, the book seems to reveal another layer of excellent information; as though the Muse Faerie Scholars come out when it's on the shelf and add more dazzling, thought-provoking ideas!

This is NOT just a book for Artists, Craftspeople, Poets, Writers and Lovers. This is a book for EVERY HUMAN BEING. We are all students of ourselves.

JILL BADONSKY'S THE NINE MODERN DAY MUSES (and a Bodyguard) will lovingly speak in non-judgmental voices and persuade you to consider the power of yourself...the Wildchild you still are... and the inimitable gifts you have to share with our world.

Post Script: A SECRET...The latest word on the streets of Museopolis is that Jill Badonsky and her Muses are soon to launch another inspirational and brilliant morsel...The AWE-MANAC. Keep your eyes open for it this September!