Artists Books

Rigorous research of police archives regarding murder cases ocurred in Paris in the 19 th. century. Every case is written in a narrative style that captures the reader form the beginning to the end. This is the best book I have ever read as a journalist and crime investigator. Black and white photographs compiled in this volume are unique.

Raw real life photography, if you have a weak stomache then this
book is not for you. If you think crime is bad today this book will shock you, black and white images of death from the late 1800's to the very early 1900's. This book, though, is a must-have for the true crime buff. Whether it be for the photos, or the stories of how the people were found and how they passed. I can usually look at shocking photos, but this book made me feel like the other photos were nothing, compared to these. If you want a real conversation piece AND a piece of history buy this book. The positions of some of the people are disturbing.

This is a very disturbing book, with some extremely gruesome photographs of real-life violent crime scenes and murder victims from Paris around a hundred years ago. The author gives us the fascinatingly tragic and horrible stories behind the photographs, showing us that fact is sometimes stranger and more disturbing than fiction. From the murder of a courtesan to a limbless torso found in a suitcase floating in the river, to an infant neglected to death by his own parents, to an old bag lady found strangled in the bed of her run-down shack, to a waiter who killed a fellow waiter, to a dead body incinerated to hide its existence,--these were all well-publicized sensationalistic crimes which filled the public with titillation, fear and dread. This unique book is simply a must-read for anyone interested in criminology and the "true crime" genre.

David Rehak
author of "A Young Girl's Crimes"

I truly agree with some of the previous reviews,but let me give you an opinion on someone who knows crime photography well.this book is so well organized as far as text, bescause of the fact that it gives you complete stories behind the photos,plus early crime photos that are magnificent as well as tastefull,(believe me,I've seen some that are much worse,but still very intense photos),makes this book one of the best and most tastefully done works on crime photography I have ever owned!It's not a gore book relying primarily on shock value for it's saleability.Although the only thing it does'nt include is photo type reference,although they are all dated.Take it from a collector of early crime photography,this book is truly a gem!

If you're not interested in crime, homocide, early criminological studies, or Paris or have a delicate constitution, don't read this book. However, if these things fascinate you, pay as much as the seller asks because this is a good one. The photos were discovered in Paris by Eugenia Parry, a photography scholar. The photos she found were old Bertillon photos of crime scenes in Paris. Ms Parry then matched the photos to newspaper reports. Some are grotesque, all make you catch your breath: this is what we do to oneanother. Twelve years later came WWI, the trenches, artillery, machine guns and gas. The acts described in this book were not so efficiently conducted. This is a book you won't easily forget.

although this is a great book at a great buy, the shipping took about a month. this book seems to have a low avaliability so if you can just go the the local book store and buy it instead.

I really enjoyed this book even though it doesn't really have many words in it at all. I really like the art for Evangelion and also the other series in here as well. I also found out that Yoshiyuki also did a few album covers for some famous American singer. This book features the art of Neon Genesis Evangelion, The Wings of Hominese, and a two more I am not very sure about. This book is just a must have for anyone who likes anime and Yoshiyuki Sadamoto. I absolutely love his work because of the way it is portrayed on paper with cg, and water color. Not only that it is also because I have something that is from one of my favorite series (Eva). He is a great big insparation to me and I know what the truck I am talking about because I am a fellow Anime artist as well.

The artwork of Yoshiyuki Sadamoto is simply amazing to behold. One cannot help but be moved by it. Even Eric Clapton, who'd never seen Sadamoto's anime designs, was impressed, and asked Sadamoto to design the cover to his Pilgrim album, the art for which is found in this very collection.
It's gorgeous renderings of his work from Evangelion, Nadia, and Wings of Honneamaise, as well as some original pieces created for this collection.
It's a beautiful collection, well worth picking up.

Given one glance through this book, otaku or not, you'll find yourself immersed in this man's art! Not to be underestimated, and most importantly, to be appreciated by all, this book gives new meaning to the term Art Book.

Wow! Almost every single page has a full-color, full-page painting. No tiny thumbnails, no rough sketches, and very few works that spread across the spine. Among art books (whether English or Japanese), this is very rare. A majority of the pieces focus on Evangelion, but they are so beautiful that anyone could appreciate them even if they had never heard of Evangelion. The other works, on series like Nadia and Fatal Fury, are just as nice. The large format makes it even easier to admire. I own over 150 illustration-art books in several languages, and "Der Mond" is definitely on my essentials list.

We are very lucky that an artbook as great as "Der Mond" has been published in English, at a reasonable price. Be sure to pick this one up before it goes out of print.

I am a crazy dog lady. I admit it. I can't pass a dachshound without stooping to say hi. My husband and I have even been known to park our car down the block so that we can casually stroll down the street and "accidentally" make the acquaintance of a sprightly-looking corgi or retreiver. Pathetic, we are, completely pathetic, but we absolutely don't care.

Anyway-- this is The Pathetic Portland Pooch Lady's favorite dog book ever. You won't believe the illustrations until you see them. It's done like a sketchbook-- dozens of different images all crowding together with occasional splash pages or portraits. On a single page, you might see: a dachshund skeleton next to a wolf skeleton; a dachshund in a snowy landscape bravely facing down a boar; the same dachshund being carried off by the boar; and a light pencil sketch of the dachshund staring at a hedgehog-- "the only game I ever saw him corner," according to Poortvliet.

The book's other great strength is its honesty. It's screamingly funny at times, and of course, some of the pictures are real heart-melters, but there's nothing posed or plastic about it. Poortvliet gets all his laughs, and all his tears, from dedicated and truthful observation, and from mastery the arts of storytelling and illustration.

In other words, buy this book. It's a treasure.

The art is astohishing (as always with Poortvliet) but the book itself is a warm and sincere approach to the meaning of dogs in our lives. It is not technical or scientific but is a powerful read to dog lovers around the world.

I'm an animation artist whose medium is pen and pencil, and for me, Rien Poortvliet is hands down the greatest artist of his kind of the last 50 years, easily. Famous(almost too much so-eclipsing these other, superior and more personal books)for the "Gnomes" series of books of the 1970s, he was a man of amazing talent, terrific humor and also great humanity and sensitivity. Any of his books are worth having; this title, "Dogs" was the first I discovered, and it's also one of the very few easily available at this writing(9/05). Here are studies of many, many breeds of canines rendered in luscious oils, stunningly--but even better is the rest of the book: Poortvliet's own, intimate life experiences with dogs, a kind of illustrated diary done in pen, pencil and watercolor washes--absolutely brilliant. You'll meet and love Rien's dogs as he did, and if you've any interest or care for dogs at all this will likely become your favorite. I'd recommend this over any other coffee table or "art" book for dog lovers(I can't conceive of anyone not savoring this)...and for artists--! Wow. An absolute treasure trove of quick gesture drawings, studies and attitudes of both dogs AND people--as well as any other animal Rien feels like writing about and sketching--and there are plenty of them. This will teach the interested artist more than dozens of "how to" books of painting and drawing techniques could hope to do. Don't hesitiate--order it now.

This is a wonderful, heart warming story for all dog and animal lovers. The art work is beautiful, worthy of framing. The authors connection with dogs comes through loud and clear as you read the story of losing a fur covered child to finding another companion, not to replace but to continue lifes journey with. Great book for all the right reasons.

The drawings tells you that the author has many wonderful feelings for his models persons, animals and simple living in the countryside. Just great, it even sometimes makes you feel like crying.

Our 3 y.o. daughter is obsessed with the movie 'Cars'. One night on a shopping trip I brought this book home on a whim. Not a single bedtime has gone by since without reading this book. She loves it so much that she wants desperately to learn to read it for herself. She even recognized the word 'McQueen' repeated throughout the book and reads that word on her own now. The book is already well loved and dog eared but standing up to it all.

The pictures in the book are hand-drawn and give a high-level overview of the story. It skips many of the details in the movie but my daughter doesn't seem to care very much about accuracy, detail or that it looks different than what's in the movie.

We've read hundred of books to her but none have sparked her interest quite like this. I don't know if it's timing because she's getting older or the tie-in with the movie. I don't care even if it seems over-commercialized. Whatever keeps her interested in reading is what counts. I'll surely be buying more books in the series.

Arrived ahead of time for Christmas. Purchased as a Christmas present for my grandson. He carried this book around all night. He loved it. thank you Amazon.

both my children and found this book to be a delight and very
fun to read. also the pictures were very colorful.
thanks,

debbie pollitt

My son who is 2 3/4 yo loves this story so much that we recite it at night. I tell parts of it, and he chimes in with what he remembers. The first few times we did it, he remembered parts I didn't remember! Very easy read. I wish there were more books like this! I do caution that it gives away the story.

My four year old really enjoys this book. I wouldn't recommend it older kids though.

very useful reference book for inspirational creativity.

There was nothing written on this true master of Art Deco metalware, and this book is as comprehensive as a book can be on an artist. Written with respect, admiration and love for the Art Deco style and the metal craft. Cannot be surpassed. Nothing missing, nothing redundant.

I am a practicing metalsmith of 35 years. This much needed book covers it's subject from every perspective. It will become a valuable asset to historians, collectors and craftsmen. My only critique is that Joan did not include a picture of Brandt's stamp and other ways of varifying his work from fraud.

The author has produced a comprehensive work covering this great Art Deco artist and the exciting era in which he flourished. Joan Kahr's tremendous depth of knowledge and understanding comes through on every page of this beautiful book.

This book is a "must have" for any fan of French art deco/art moderne style. It is beautifully researched and written. The wonderful photography only made me long for more.

It's difficult to describe why Bruno Bisang's images are so exciting when many similar books are dull and repetitious. I suspect that the photographer has a really deep sensual appreciation of beautiful women, and the results show on every page.

I like this book because you can see really nice shots, technically and artistically marvellous, but you can see others in wich you just see a really pretty girl.

I think is a book of nude and glamour photography, and I prefer just the nude. If someone likes glamour pictures, this is his book

...haven't seen a good book like this for long long time..!! As a freelance photographer, I'm truly impressed by Bruno's artworks, whatever from light setting to posing or from color to techniques, I am so impressed. However, I have fewer opportunities to take pics of nude models. Personally, I really like those B&W pics on this book and you won't be disappointed with it at book..!! Well, sorry I want to know when the second book comes out coz' I am looking forward to it..!!

This is my first Bisang Book, and I must say that I'm definitely impressed. I would recommend for anyone's collection who is looking for tasteful nude photography that can be left on your coffee table and not be ashamed for anyone to look through...

I've got an entire shelf of books on nude photography, but this is certainly one of the best. No "average people are beautiful too" here -- all the models are gorgeous and well developed. The pics are in both color and black & white, and usually take up the full page. Heavy paper, large size, tasteful clear photos, and gorgeous women. Fantastic.

This collection of color photographs of flowers by Robert Mapplethorpe is stunning beyond words. Just when you thought that nothing else could be done with the overdone photographing of Calla Lilies, Mapplethorpe graces this book with eleven new shots of them, along with Orchids, Tulips, Poppies and a Rose or two. It should come as no surprise to anyone familiar with Mapplethorpe's work that some of these magnificent color shots are quite phallic in nature.

It is appropriate that the artist selected flowers for some of his last work since he like flowers was here for such a short time. (It is futile to speculate as to how many beautiful books he would have published by now had he lived.)

A short but moving introduction is included by his friend Patti Smith: She ends her comments with lines:

"A flower that grew from years of flowers./By one who caused a modern shudder/and was favored by his mother./It is the wall that conceals all the tears of a relatively young man/with nothing but glory in his grasp and what he would be/grasping is the hand of God drawing him into another garden."

For those who will never afford a Mapplethorpe, this book is a beautiful substitute.

This book deserves more than five stars. It is the finest set of flower photography that I have seen before, and presents more dimensions of what a flower can mean that I would have thought possible.

I took a course of creativity from author Dan Wakefield a number of years ago. One of the many excellent exercises we did was to take a flower and write as much as we could about what we observed during an hour. At the end of the time, I was bursting with new ideas for all kinds of things. Try it sometime!

Seeing this marvelous book by Robert Mapplethorpe (that would earn a G rating if it were a motion picture) reminded me of that exercise. I had the same feeling as I examined each image, and had a great desire to start taking notes.

The essay, A Final Flower, by Patti Smith helps put these great works in perspective. Mr. Mapplethorpe found it "as easy to hurl beauty as anything else." "He came, in time, to embrace the flower as the embodiment of all the contradictions reveling within [him]." He was inspired by "their sleekness, their fullness, Humble narcissus, Passionate zen." As such, he found flowers to be "worthy conspirators in the courting and development of conflicting emotions."

The images themselves evoke more complicated views than any others of flowers that I have seen. The closest to his style is that which Georgia O'Keeffe used in her painings. But there are more dimensions to these photographs.

For example, a single flower may evoke a part of a human body, but it will also stimulate an impression of a human emotion contained in the flower image separate from the body part. Further, the shadowed background behind the flower will add movement and context that greatly expand the meaning of the overall image. Mr. Mapplethorpe also displays a genius for using varieties of color together to express complicated rhythms that make looking at the images a lot like listening to a drum beating a distinctive tattoo. He also employs juxtaposition (to make one thing appear to be part of something else), allusions to emerging and receding, and contrasts to great effect.

The technical quality of the images is superb. The lighting, detail, and composition of each image are precisely as must have been intended. Each image is an exquisite gem. Although I liked all of the images, some appealed to me more than others. Here are my favorites:

Irises, 1988; Rose, 1989; Orchid, 1977; White Longstem Flower, 1982; Orchids, 1982; Orchid, 1986; Flowers in a Vase, 1985; Orchids, 1987; and Poppy, 1988 (second one). I would like to specially praise the astonishing Calla Lilies (1985-1988) for their amazing beauty and inspiring qualities.

Where else can something simple display so much important meaning and complexity about nature and the viewer? I suggest that you consider looking at leaves, rocks, and feathers as possible additional sources of inspiration. Try your hand at arranging tableaux that use the vocabulary of Mr. Mapplethorpe's work here.

May your heart and mind be suffused with the wonders around you . . . creating a meditation inspired by nature!

While the photos are stunning, the presentation is a little rough. While most photos are presented with a blank page opposite there are a few photos that face other photos. This is a little jarring but worse is the two photos that are printed across the facing page. The spine break really detracts from a pair of beautiful photos.
Mapplethorpe was a genius with a camera and this book gives us many reminders of his skill. The publisher, however, lacks the artistic eye that would have prevented the distractions of a few photos that are damaged or badly placed by the layout. Minus a star because it could have been layed out better

Even though Mapplethorpe is better known for his controversial black and white nude photos, this book demonstrates his careful delicacy with not only the flowers but also the controlled lighting and the subtle colors. I have loved this book since the first time I leafed through it in studio photo class.

Unbelivable intensity out of such simplicity. Here is Mapplethorpe's ultimate genius, astoundingly powerful from such simple set-ups. The colour, composition, lighting, choice of vases and flowers: All the basics but brilliantly done.
I saw Mapplethorpe's famous exhibition in Philadelphia just before he died,the exhibit that was banned at the Corcoran in D.C., then siezed for a while in Cincinnati. The flower photographs were dye-transfer prints, which made the colour surprisingly intense; some were almost 3' tall. People would stand for a long time in front of those, enraptured, sensing the work on several different levels at once. This book does a good job of bringing that to you. You can look at this book over and over again, put in on a coffe table to start converstaions or, after having not seen it for a while, rediscover it to be awed and inspired anew once again.
The edition I have is a 1990 paperback 12" in height; the pictures are presented one to a spread, so that there is a blank white page accross from the flower, which is a very classy touch, completely the correct way to do it.

An excellent compilation of rare images by this master illustrator of casual male nudes from the late 20th Century.

This book is a must have for lovers of gay erotic art. The attention to detail in this book is simply amazing. It's completely loaded with well hung guys in different types of artwork- sketching, color prints, etc- the book is HUGE too- It has over 200 pages and the biography on the artist of the book is extremely interesting as well. This book was very well done- You will love it!!

Harry Bush, may have been a sad character in real life, but his male(homo)erotic artwork is exceptional. There is a lot to be learned from his drawing style. As an erotic artist I draw and paint for the adult audience. I needed to learn what male erotica could be, this book is an outstanding example.

As an artist who specializes in the male nude, I found this book to be extremely inspiring and educational. Everytime I look at a Harry Bush drawing I learn more about anatomy, and how better to capture the male figure not only accurately but with panache. This book is a treasure trove of beautiful works from an artist who has not been sufficiently recognized for his contributions to the genre. I'm very grateful to the people responsible for making it happen!

I saw this book at a small bookstore and I bought it without hesitation. I didn't have to look inside, because I knew it didn't matter. It would be great no matter what. After seeing snippets of Mr. Bush's work online and in magazines, a monograph of his work has been on my mental wish list for years. As a child growing up reading comics, interested in art, and gay, I've always been taken with the precision and perfection exhibited in Harry's drawings. His art is somewhat hard to describe. The care and time put in to each drawing suggests painstaking realism, which causes the viewer to overlook some of the blatant exaggerations in the subjects' superhung endowment. Compared to Tom of Finland's work, which is too cartoony for my taste, Harry portrays a realistically exaggerated world of beautiful characters in the throes of budding manhood. The drawings are both erotic and fun, in addition to interesting to study as art. The almost all pencil-drawn pieces are crystal clear, with great care given to line weight and shading. The reproductions of the original pieces are very well done in the book, capturing little nuances like the texture of the paper they were drawn on, and notes Harry wrote to himself while drawing them.

I could write for days about this book, but in short I'd like to thank the authors for releasing it. Based on the story of Harry's life and attitude, it seems it is nearly a miracle that the drawings still exist for the world to enjoy.

As a college student in my early 20's, I never experienced gay culture before Stonewall; before AIDS. The art in this book portrays a care-free fun attitude throughout the '60's and '70's that I wish still existed. Even if it never really existed that way, Mr. Bush did a good job of making the fantasy as real as it could be.

A dear friend and breast cancer survivor sent me this book. Although I have several female friends who have been victimized by this scourge, I was unprepared for the revelations in the book and the undeniable positive effects of writing together. The insights and shared experiences are as valuable to men (fathers, sons, husbands and friends) as they are to women. Reading it certainly rearranged my own life priorities. Unequivocally recommended. Brian Oliver (...)

I have taught writing for healing for 13 years with a variety of groups (chronic illness and pain, breast cancer,etc.) and Sharon's book explains the basics of writing as a healing tool, gives suggestions for forming a group and includes writing exercises that can be used alone or with others. There is also examples of writing from women in the groups Sharon leads. This is more than a "how to" book, Sharon's story and voice make the book an enjoyable read! I highly recommend A Healing Journey.

Read this book; it is moving, insightful and useful. One minute I spot a great idea or concept about writing techniques that I can use in my teaching of psychology. The next minute, my eyes are flooded with tears (hey! I'm a guy and I teach coaching and business psychology) after reading poetry that has been written on the fly in groups. For example, there's a doctor who has been too busy to get her own mammograms. She tells the group she's a scientist and can't write. Then her group is asked to imagine and write about someone's hands-so she writes a quick poem of a recent memory of watching her son play his bass at a concert and noticing he has outgrown his suit. Oh--and will he be OK when he goes away to Harvard this September because she knows she will die before Christmas? Gulp. You won't forget that. Most of this book describes the process a writing group leader can use to draw extraordinary writing and emotion out of ordinary people--but be careful. The powerful examples of writing by these ordinary people will floor you. Is it the threat of disfigurement and death that does it, or the writing group? You decide; it's worth a read, and another read. Don't try to quickly skim this book for 3 or 4 usable insights and ideas and then pass it on to your daughter as if it were new (I'm not worried--she never reads these reviews because she gets all her books from me). This is a keeper-so get your own copy Claire.

Sharon Bray has written a powerful and tender book about healing through writing and sharing life stories. Bray intimately shares her own story along with members of the breast cancer writing group she founded and leads. I am profoundly touched by the courage, love and faith these women find through the healing power of writing and reading aloud together. With her extensive background in psychology and education, Bray makes a clear distinction between writing as healing as in the Amherst Writers & Artists method she draws on, and writing as therapy. She explains the basics of leading a writing group and includes the Amherst Writers & Artists' twelve basic principles for a healthy workshop. This book is a valuable tool for anyone looking for insight and inspiration for workshop facilitation. It is also a book that not only abounds with the human spirit; it leaps off the page and enters your heart. It is a gift. Thank you, Sharon Bray and the Scribbling Women of CBHP for your compassion, wisdom and eloquence.

Beautifully written and extremely well organized, A Healing Journey is a must have for anyone working with therapeutic writing groups. The author is herself a breast cancer survivor and a senior partner of Amherst Writers and Artists, thus lending a unique and credible perspective to the topic. The book chronicles Bray's experience as a writing group leader and includes short essays and poetry from group participants. It is packed with moving accounts and practical guidance to assist others in starting or improving their own writing groups. Chapters include such titles as When Writing is Healing, Writing Together, and Writing in Sanctuary.

This book was produced as he was shown at the Royal Academy in London. I begged the poster at the tourist-board in Stockholm and got my parents to buy the hardcover version at the exhibition. Collecting Hiroshige prints in Stockholm I would have loved to see them in London, but the book is the second best thing. The reproductions are terrific, the text short but informative. All the different subjects of Hiroshige are displayed, landscapes, fan motives, fish, flowers and so on. Get it and then get some real prints!

I recieved this not knowing its large format and the images in full color on quality paper. Informative and accurate descriptions of the work. You will not regret buying this book. Makes me sigh....

I have no experience with art at all, but from my point of view this book is a jewl. Printings are so beautiful and relaxing, and they are numerous in this book. Also the book is well organized with explanations about the paintings.

The text provides the necessary background to facilitate understanding of the fantastic pictures. A great variety of photos provide wonderful insight into the world of Hiroshige. The pictures can be perused for pure enjoyment. Terrific book.

Quick, stop reading this review and buy this Hardcover book in New or Like New condition now, while you can. For, this is one of the greastest modern so-called 'coffee table' art books that I have come across. Too often these days one finds that such art books which should be large, lushly produced, lovingly put together and brilliantly written are unfortunately done with punk production values resulting in poor reproductions on cheap looking paper stock and accompanied by unedifying, often stultifying essays. Not this one. As I said above it is one of the most impressive art books that I have come across in twenty years of buying them. It is printed and bound in Germany which in itself is commendable and noteworthy because it is quite expensive to produce a book there. I am so glad they did because, as good as they are, Italy and Hong Kong, two places commonly used for producing today's art books, just don't do as good a job as Prestel has done in Germany. This book was originally produced to accompany an exhibition at the Royal Academy of the Arts during 1997. As such, it commanded a skilled and erudite staff of authors to craft both an accurate history and an illuminating commentary of the artist and his art. They are: Matthi Forrer, author of a similar book on Hokusai; Suzuki Juzo, the author of the standard monograph on Hiroshige; and Henry Smith a Professor of Japanese History at Columbia U. You will come back to this book many times over the years because there is so darned much information to absorb, visually and intellectually and because the publisher's top notch production values have accurately captured the spirit and beauty of Hiroshige's Woodblock Prints. This is the sort of book that will be actively sought out by art book collectors in years to come. This is why I say, buy it now, while you can at such a low price. You won't be sorry.