Artists Books

Tyler and Lymie have know idea what trouble there getting in by just getting the chicken pox and imatating a famous local artits. The town is having a huge festival for the annversity, also they are dreding the local river to find heads that the artist made. As a joke the boys make heads of there own. If you like a book that keeps you on the edge of your seat and guessing until the very end then this book is for you. The boys are always getting into mischeif from running into the river with there clothes on to egging the infamous keepouts who want no one near there house not even the a little eight grade kid.Also they are always getting in trouble by there parents from being grounded uncountable number of times to having a gun to there head to riding home in a police car. From reporters chasing them to there home and calling there house you'll be on your seat untill the very end!!!!!!!!

This is a great book! It is so funny and so well written!

Tyler and Lymie had no idea that having the chicken pox would get them into so much trouble. It was about time for the centennial celebration of an artist named Badaglio. Badaglio was rumored to have made two heads out of stone and thrown them in the nearby river. Tyler and Lymie have some fun and make their own stone heads and they too throw them in the river. Theywere found just before the big Badaglio art fest. Two art critics declared that they were authentic. They fouled everybody. Tyler and Lymie were worried sick , because they thought they would get in trouble. Now the real fun begins. I really enjoyed reading this book, because it was very interesting and funny. I would recommend that one of my friends read this adventurous novel.

In this book EYE OF THE BEHOLDER there are two main characters Tyler and Lymie. All throughout the book Tyler and Lymie have you on the edge of your seats wondering what their next move will be. The story take place in a small town called Wakefield. Wakefield isn't really all that exciting but in just a few days the twon is going to throw a big celebration for the twon's hero the famous sculpter Badoglio,Tyler and Lymie cook up a plan to give the town a big surprise but they just don't know how their surprise will go. I really liked this book alot becouse, it had to do with kids. I could relate and understand also. I would recommend this book becouse it's really good and funny.

I just finished reading Eye of the Beholder.It is a very interesting novel. It keeps you very interested and you just don`t want to put it down. I liked the novel for the most part.The two main characters Tyler and Lymie get into a little trouble during the novel with their interests in art. I like the novel because of what happens during the novel. I would urge a friend to read this novel because it is a fun book to read,and if I liked it I`m positive that they would like it to.

This book is everything I expected. The pictures are great and the text very informative. I am enjoying it very much and it is a valued addition to my film library.

As a glamour photographer myself, this is a book I own and use for inspiration. I love the way Hurrell not only captures the inner-beauty of the subjects, but his photojournalistic approach. I often graze through this book as I've read it many times over--the grazing gets me going when it comes to my own glamour photography. I recommend anyone interested in this book, buy it now! If you'd like to see how it's affected my career, also check out the following books, Garage Glamour: Digital Nude and Beauty Photography Made Simple, Rolando Gomez's Glamour Photography: Professional Techniques and Images and even a book where I have a chapter, Professional Portrait Lighting: Techniques and Images from Master Photographers (Photo Pro Workshop series) This book should not only be on a collector's list, but for any student of photography--we're always learning no matter what level your photography. ---Rolando Gomez, contributing writer, Studio Photography magazine

This book -- how beautiful. I have photography books by several of the great portrait photographers of the 20th Century, and this one is the best. There are a wealth of photographs, and the story of Hurrell's life is also interesting. If you ever thought about seriously learning about photography and taking some good pictures, this book will take any hesitation out of your mind. Gorgeous!!

I thoroughly enjoyed browsing through and then reading this beautiful tribute to the legendary work of George Hurrell. As compelling as Hurrell's photos are it is the author's indepth knowledge and understanding of Hollywood and Hurrell that set this book apart.

Mark Vieira's own photographic artistry is based on Hurrell's techniques, providing current-day enthusiasts with authentic glamour photography of their own.

George Hurrell is universally acknowledged THE Hollywood portrait photographer, the man who recreated during the talkies much of the mystery of the silent stars through his breathtaking photographs. At a time when the finest still photography was becoming more incisive and natural, Hurrell managed to balance this new naturalism and directness in highly manipulated ways, producing in his best work iconic images of the great stars of MGM. After the second World War his work became largely passe, appearing too contrived and built up for an age demanding grit and spontaneity and an off-hand naturalness.

This work seeks to both show and tell the story of Hurrell's highwater era as not only the major photographer of the stars, and MGM in particular, but also his development as artist. Breathtaking photographs fill the volume - Harlow on a polar bear skin rug, her gown glowing a burnished white against the softer fur while all around her Hurrell captures an infinite play of lighting, the entire amazing and unrepeatable, a dream world evoked out of the irridescent sheen of an infinity of microscopic silvery gifts left by the platinum negative; Norma Shearer transformed from attractive but doughty into a timeless vamp, surpassing her silent film predecessors with an electric sexuality never before captured on still film; Joan Crawford, Hurrell's great muse at the top of his game, seen in powerful forceful images, unrelenting in their hold on an Apollonian authority.

Hurrell's flamboyant personality, his novel and sometimes off-putting behavior during shootings, seems now unfortunately taken as role template by many lesser fashion photographers. In his day and at his height during the late twenties through the beginnings of World War II Hurrell dominates a demanding and highly accomplished professional field.
Whether you live in a sumptious penthouse overlooking Central Park, need a single book for the coffee table in the living room of that restored Neutra you just purchased, or just enjoy reasonably priced fashion books, Hurrell's Hollywood Portraits fits the bill. At a significantly reduced price its a lovely reminder of one of the nicer advantages of democratic publishing: not every fine art book is a prohibitively expensive limited edition printed by a small press.

This is a WONDERFUL book! We read it to our class of 3-year-old preschoolers, and they were absolutely captivated. They were so quiet and engaged that they forgot to ask when we were leaving to go on our field trip.
As an added plus, we had one little girl who liked it so much that she had her mom go to the library to check it out to read at home. The child then sat down to re-create the pictures on each page using leaves she picked up in her yard. You know it is a good book if it encourages that degree of creativity and industry in a 3-year-old!

My two little readers absolutely delight in this book. They love the language; they enjoy following the leaf man on his autumn journey; and they very much love to read it aloud to any adult who will sit with them for 10 minutes.

One of Lois Ehlert's best. I bought it for my mother-in-law who is a gardener and general nature-lover. But I use it to teach about leaves and using your imagination in my preschool art classes. The children all think it's so much fun. They always finish reading with so many more ideas of their own to get started on.

My five year old and I really enjoy this book. My son enjoys looking for the pictures the leaves make and I enjoy the fact that the author collected these beautiful leaves, made images out of them and wrote a story around them! Colorful, imaginative, fun to read.

My husband bought this for our two-year old, and we love reading it together with her. The text is simple, as it traces the journey of Leaf Man...the leaves used are magnificent in their colors...some bold, some subdued, but all unique and beautiful. I have since done some basic art projects with my daughter using this book as inspiration. We collect leaves wherever we go and hope to create a little book of our own!

Leonardo's Chair holds mystical power that has been passed down through generations. It also evokes a curse. The story kept my attention to the end because I couldn't figure out how the author was going to explain that power. I thought it was a great story with compelling characters.

The epilogue opened the possibily for a sequel, but I personally would rather have the loose ends tied up. But that's a personal preference.

I hope we hear more from this author soon!

Other reviewers have addressed the facts--I'll stick with the actual writing.

John DeSimone paints with a master's touch in this debut novel, providing beautiful description while still being a compelling storyteller--you can tell he loves to write. This is one of those rare novels that I'm hardpressed to find fault with--any fault, for that matter. Sure, Leonardo's Chair is not as fast-paced as most suspense novels. Instead of running through the story like a Porsch on the open road, it's more like touring Paris with a friendly local. I've never been to Italy, or California for that matter, but thanks the author's lush description, I now feel like I have an insider's look at the places he describes (I must say, following Paul's travels was a lot like going on an actual trip myself).

However, this is not to say that the story is not good. It is one of the top five books I've read in the past year (and I read a lot of them, too), and again, unlike other books, did not have a single character that wasn't believable. Or any of those annoying sub-plots that simply detract from the main story. When an author takes interesting characters, a believable plot, mystery, romance, history, and suspense and throws them together there can be nothing but success--and that's what DeSimone gets. I couldn't stop reading this book once I started. It has the accessibility of a modern novel, with the depth of a classic.

Are you still reading? Go buy the book already!

Vincent LaBont is a world-class artist who attributes his creative ability to a very special char that he claims was created and empowered by none other than Leonardo Da Vinci. When his home catches fire, Vincent is severely burned trying to rescue the chair. It's only later that he discovers that the chair was stolen before the fire was set. Distraught, Vincent send his son Paul (a painter like himself) to Italy where the chair is suspected to have been taken. Is the chair truly a metaphysical source of artistic power? If so, should it be used to recreate one of Leonard's paintings. What is the chair true power and purpose? Leonardo's Chair is a riveting novel from first page to last and will led the reader on a roller coaster ride leading ultimately to an appreciation of what truly inspires an enduring artistic greatness.

DeSimone writes of a quest for Leonardo's chair. Labeling this novel a mystery sells it short. Leonardo's Chair is a story about redemption born out of the human frailties we know as greed and superstition.

Paul LaBont's artistic skills are eclipsed by his father's genius. When their home catches fire, Vincent LaBont is severely burned and a mystically empowered relic, a chair once created and owned by Leonardo Da Vinci, is stolen. Distraught that his creative abilities no longer exist without the chair, Vincent LaBont sends his son halfway around the world to Italy in order to restore the priceless antique.

Paul sets out for Italy, skeptical that the chair possesses any powers yet hopeful that the return of the chair will aid in his father's recovery. En route to Italy, Paul is in an accident and is taken to the nearby castle of a duke. Accepting the duke's hospitality, Paul learns that Leonardo's chair is confined within the castle. The duke is desperate to find a way to end the chair's evil curse. Paul meets Isabella, herself a painter, who is the duke's daughter and confronts the evil-minded Stein.

I emailed John DeSimone wanting to know how he had managed to write such a suspenseful book, one rich in its tones of Old World Italy set against fast-paced Laguna Beach, California. He shared that, while Italy remains a destination he desires to travel to, the textured detail found in Leonardo's Chair came from thorough research and a vivid imagination. I felt the dust of the ancient country and the chill of the great halls Paul LaBont walks in his search for Leonardo's chair.

John DeSimone succeeds in crafting a novel that pulls the reader in and holds him. You will imagine yourself in Savoy along with Paul, viewing masterpieces, tasting temptation, and confronting evil. Leonardo's Chair will definitely keep you up at night.
(...)

As an Art History professor, I am very impressed with Leonardo's Notebooks. This oversized book contains Leonardo da Vinci's detailed sketches, many of which are new to me. In addition, this book provides commentary written by the artist himself on his theories, inventions, plans for artwork, and philosopohies. I've referred this text to fellow professors as a remarkable resource for philosophical beliefs presented by the original Renaissance Man.

The only thing keeping this book from top grade is that the author didn't help with a deduction of Leonardo's letters where it surely was needed - in the anatomical studies for example.
This makes it hard to understand the meaning of the drawings compared with the translated text, because Leonardo's letters(in the drawings) doesn't look like anything from the Roman alphabet. So when the meaning of the letters that appears in the drawings are mentioned in the text, you can't understand what letters goes with what in the drawings, because the text ONLY use the Roman alphabet(and NOT Leonardo's letters as seen in the drawings).

In other words, to fully get the whole meaning of Leonardo's writings and drawings you do need a "Leonardo - Roman alphabet" dictionary.
This is a major set back, and the worst is that the author could have avoided this so easily.

Other than that the book is amazing.

If you are a book lover, adding this to your collection is a must.
The illustrations are well formatted with clearly written text. It is a book I keep on display and refer to often. When people visit, they cannot help but stop to thumb through the book.I have to remind them that dinner is getting cold!!

Though there are nice, complete versions of Leonardo da Vinci's Notebooks, this well designed, edited, and packaged book presents the most important and pertinent elements from his Notebooks in a single large format hardcover version that is the perfect presentation for the general audience.

This version of da Vinci's Notebooks presents the contents in sections that group like illustrations and text together: "Beauty, Reason and Art" contains such content as da Vinci on painting, the human figures, and art forms; "Observations and Order" covers anatomy, geography, landscape and the sciences; and "Practical Matters" delves into da Vinci's inventions and experiments, architectural studies and metalwork, as well as sculpture.

The illustrations from the original Notebooks are exceptionally well reproduced in this book and the size and presentation are generous and the main focus throughout the book.

Unless you need access to the entirety of the Notebooks for research purposes, Leonardo's Notebooks as edited by H. Anna Suh, would make the perfect addition to your art or scientific library. It would look darn nice displayed on your coffee table as well.

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A Guide to my Book Rating System:

1 star = The wood pulp would have been better utilized as toilet paper.
2 stars = Don't bother, clean your bathroom instead.
3 stars = Wasn't a waste of time, but it was time wasted.
4 stars = Good book, but not life altering.
5 stars = This book changed my world in at least some small way.

This is a great book that I had been looking forward to getting for a while. The images and writting is good, although a bit hard to understand at times. The ONLY problem I have with this book that gets it a 4 out of 5 stars for me is the fact that it is so tall and wide. Granted it makes looking at the pictures much easier but it also makes storage of this book MUCH harder. The book is to tall to stand on any but the top shelf on all of my book shelfs and it is so wide that it protudes from the edge of the shelf.

Don't let this distract you from getting this book however. It's detailed pictures are wonderful considering the orginal size of the works and the translations help with the reading. There's a section for each catagory, such as anatomy and lighting, which really helps if you want to look at certain types of works. The greatness of these pictures will have you looking at each page for hours, just to see all the details.

I would suggest this book for anyone from an art lover to a history fanatic. I use it as a reference book for one of my drawing classes. It's a great buy for anyone and everyone.

This is a major compilation of the work of the intriguing graphic artist, M. C. Escher. Remember seeing depictions of events that seem plausible but, under closer analysis, involve impossibilities? That describes some of Escher's most interesting works.
The book provides just about everything Escher produced (appearing in the "Catalog" section of the book), including his earliest works compiled during his teens. Among the most well known (and fascinating) include "The Waterfall," "Ascending and Descending March," "Convex and Concave," "Liberation," "Synthesis," "House of Stairs," and so on. The catalog section is fun, for one thing, simply to trace the evolution of his art.

But there is more to this volume than the works themselves. The volume provides context, with a brief description of his father's life as well as a more detailed analysis of Escher's life, from his birth in 1898 to his death in 1972.

There is also a most useful chapter labeled "The Vision of a Mathematician" (featuring the thoughts of mathematics teacher Bruno Ernst). It begins by noting two periods in the work of Escher--(page 135): ". . .pre 1935, in which landscapes predominate, and post 1937, which is characterized by a marked mathematical tendency." Ernst describes the mathematical principles in some detail (for those interested in this, a fascinating discussion). The textual portion of the book concludes with an essay by Escher himself on "The Regular Division of the Plane," including his reflections on his art.

This book has been around a while, but it is a valuable backdrop to getting a sense of the art of M. C. Escher.

I love everything Escher. I have several books, numerous calendars, as well as large jigsaw puzzles, T-shirts, magnets and mini jigsaw puzzles. Because of the detail in this book, I will never need to add another book to my collection. I especially appreciate the explanations. I am nowhere near smart enough to figure out what Escher was doing in each of his artworks. The detailed lesson on what each piece means is much appreciated by an art fan who is not an art scholar. I think this book would be great for any Escher fan, but I feel the need to tell you it is very large. Make sure you have room for it.

And c'mon - if you've seen his work, you're a fan.

The great thing about this book is not just the extensive and readable biography, but the complete (so they say) catalog of his graphic works. Even people very familiar with Escher's ouvre will be surprised by some of the entries here. They go back to work he did at ages 18 and 19, and show the devleopment of the Escher that has become so famous. It's just a little disappointing that the catalog is printed only in black and white, when so many of his works used color. The catalog reproductions are just that - a listing of his work, not a gallery, so the quarter-page size of most pieces is adequate for recognizing a piece, if not for appreciating it fully.

It is fascinating to see Escher's style develop though his (and the twentieth century's) twenties. Various influences early on suggest Beardsley (cat. 49, 67), Picasso (cat. 51, 58), or the pervasive Art Deco of his time (cat.34). Even then, some of Escher's later fascinations begin to emerge, including hands and reflective balls (cat. 88 and 80), symmetries and tilings (cat. 61, 65), and complex interactions of many figures in a repeating structure (cat. 90). The lesser-known parts of his work also start to emerge by the time he's 30, including delicate lithographs (cat. 129, 132). As much as I love his visual paradoxes and flirtation with the infinite, the lithos and mezzotints are the pieces that truly move me. "Snow" and "Blowball" (cat. 278 and 330) have an eloquent simplicity. "Eye" and "Drop" (cat. 344 and 356) demonstrate his classical sense and his perseverance with the demanding medium of mezzotint.

The text is also thorough and enjoyable - a good thing, since it takes up half of this heavy book, including its own set of illustrations. I admit that I have only skipped around this section, which starts by describing Escher's father. It's small wonder that his father was an engineer and that his son Arthur studied geology. Although an artist to the core, Escher had fruitful contact with mathematicians and crystallographers. He is one of very few artists that have successfully incorporated hard science into their artistic vision at such a visceral level, and the scientists appreciated that as much as anyone.

Although out of print, this book is available inexpensively on the used market. It's one of the best bargains around; if you've read this far, you'll probably find it well worth having.

//wiredweird

I haven't even had a chance to go through all of this remarkable book yet, but I am so impressed with it so far I cannot burble enough about how delighted I am with my purchase. This is a beautifully produced, designed, and wonderfully complete book. Many tales of the personal life an vision of the artist, countless, cleanly reproduced graphics, many works I have never seen or heard of before. Terrific! Can't recommend enough!!!

Definitely the first book every Escher fan should purchase. It's helpful in getting to know about the man himself as well as his brilliant artwork. It may seem pricey, but it's totally worth it, being hardcover (at least the one I got), and high quality photos of his work. It also shows his lesser known works (ones never released apparently), as well as photos of himself and his family. A very informative read and a quality edition.

This is an amazing book, not only for fans of Pink Floyd, but for anyone who's interested in photography or surreal art. The text is entertaining and gives a lot of insight into the creative and production process, and some amusing anecdotes as well.

If you like Pink Floyd, art, design or album cover, this is the best book I ever read.

Buy NOW!! =)

Definitivamente es la mejor adquisición Floydiana que uno puede hacer de todos los lanzamientos del último año.
Thorgerson es dueño de una imaginación y talento asombrosos. En este libro que posee prácticamente todo su trabajo relacionado a Pink Floyd hay muchas pruebas de ello.
Vale la pena totalmente, junto al Libro de Nick Mason son un complemento perfecto para entender la magia que ronda a Pink Floyd en sus dos ámbitos principales: música y artes visuales.

Storm Thorgerson is the artist who designed the bulk of Pink Floyd's artwork, and "Mind Over Matter" is a combination of memoir, scrapbook, and gallery. With the possible exception of Led Zeppelin, no British rock band of the 1970s paid closer attention than Pink Floyd to the potent magic a well-designed album cover could lend to music the album contained. Much like Zeppelin, it's almost impossible to think of Pink Floyd's music without imagining the incredible visuals on their album covers. In essence, Thorgerson is almost an adjunct member of the band.

Graphic artists will appreciate this collection because Thorgerson's almost Magritte-like graphic style is also perfectly and endlessly adaptable to the commercial marketing. Casual Floyd fans will get a kick out seeing so many classic Floyd images reproduced at much larger than CD size. More serious Floyd fans will savor Thorgerson's behind-the-scenes insights regarding the band. (I was surprised to learn that Thorgerson leans more towards Gilmour than Waters). Throughout,the author discusses his designs in a very straightforward, conversational, non-pretentious way. As a bonus, he also includes graphics from Floyd tour books, posters, and DVD clamcases.

Given that so little video footage exists of Floyd, this oversized hardcover collection provides the perfect collection of visuals to leaf through while you're listening to "Dark Side of the Moon" for the umpteenth time.

I absolutely knew I had to purchase "this" book the second I saw the book cover. Storm Thorgerson is utterly amazing, eyecatching & perhaps a bit eccentric (aren't most true artists?) I loved reading about his ideas/how he came up with them & how he laid them out in the end, and after reading this book, I now want to check out other material on him as well. Pink Floyd is indeed legendary as are the works of Storm Thorgerson. A Fantastic view of Unimaginable Talent. Check it out.

Patrick Demarchelier is one of the best artist of this age; his Photographs are pieces of history. Into this book you'll find his masterpieces: emotions in B&W!

A must own book for people that love b&w photography. Patrick is excellent at getting the perfect angle for the image. The way the natural light and shadows enhance the objects is great. The true persons are drawn by the way the pictures are taken.

My 12 year old saw this book on one of the display tables, picked it up... for the cover (naked lady) and glanced through it. He then later came running up to me saying... Please buy this book. The pictures are excellent. Well now, my son is interested in photography as a hobby.

This depicts some of what we know and expect of Mr. Demarchelier. His ability to capture so much in a photograph, in a look, is what makes him so incredible as an artist. If you are a fan of his work, this work should be part of your collection.

This is one of the best books of portraits that it has been my pleasure to view.

Before going further, let me observe that the book contains much female nudity that would earn an "R" rating if this were a motion picture.

Glenn O'Brien in the book's introduction captures the essence of the book well, "The beauty standard is being raised once again."

Whether the subjects are beautiful (and many are) or not, the result is the same -- a deep look into the personality and character of the model done in large, vivid detail in wonderfully contrasting duotone. One of the best tests for this book is to compare the celebrity images you see here with others you have seen of these same people. These images are more warm, more revealing, and more fun to see. Mr. Demarchelier has a light touch that gets out the happiest version of a person. You'll find yourself laughing and smiling your way through this collection, for sure.

The portraits displayed here are uniformly of very high quality, and provide nice contrasts of subjects (nose rings, boulders, children, and elephants among the beautiful people).

Here are some of my many favorites:

Nude, St. Barthelemy, 1994

Nude, St. Barthelemy, 1989

Her Royal Highness, The Princess of Wales, London, 1993

Warren Beatty, Annette Bening and their daughter, Los Angeles, 1994

Versailles gardens, Versailles, France, 1994

Gianni Versace, Paris, 1992

Nude, New York, 1995

Corbassiere, Paris, 1994

Helena Christensen, New York, 1992 (second image)

Cindy Crawford, Leh, India, 1989

Jasper Johns and Leo Castelli, New York, 1993

Roy Lichtenstein, New York, 1993

Naomi Campbell, New York, 1990

Isabella Rosselini, New York, 1994

Robin Williams (4), New York, 1990

Robert De Niro, New York, 1990

Sisters, St. Barthelemy, 1991

Christy Turlington, New York, 1990

Alice Dodd, New York, 1994

Natasha Kinski, New York, 1993

Warren Beatty from "Dick Tracy," Los Angeles, 1989

Elton John, Paris, 1992

Janet Jackson, Miami, Florida, 1993

Arthur Demarchelier, New York, 1991

Patrick and Mia Demarchelier and their three sons, New York, 1987

Meg Ryan, New York, 1994

Claudia Schiffer, St. Barthelemy, 1991

Paul Newman, Beacon, New York, 1994

Elle Macpherson, New York, 1990

Cindy Crawford, New York, 1990

After you look closely at these images, notice how lines and flaws provide balance and perspective in the same way that perfect figures provide proportion. How can you create more waves of enjoyable symmetry?

Drink deeply from the bubbling joy of humanity!

A nice hardcover edition of this book with lots of explanations about the making and good full color illustrations. I liked the section on the CG. It's definately worth the price and could be used as a good coffee table book or such.

I saw this movie when the dubbed version came out in theatres. I had never been a fan of Japanese animation beofre, but after I saw this movie, all my misconceptions were blown away. Unfortunately, it took a long time to come out on video, so to pass the time, I bought this book. It is a great coffee table and conversation piece, and the pictures chosen are beautiful. My only problem with this book was the captions that described the pictures. Since they were based on the original Japanese and not the dub, there were a few small facts that were differing and served to confuse me. Yet that is a very small problem. All in all, a good book.

This book is a wonderful little look into the world of not only Mononoke Hime, but Hayao Miyazaki's world as well. It contains high quality screen captures, pencil boards, original movie posters, and original character designs. It is a hardbound keepsake for all those who loved the movie and/or any of Hayao Miyazaki's other works. The book is also highly informative about the storyline and the creators views about the story and characters. It is a good thing to have in your collection.

I've given this a high rating, not because it is flawless but because it is an awesome companion to the film and a wonderful keepsake for that time in your life when you get a coffee table to put it on. If you own the film, you probably won't need this--and honestly, I purchased it as a way to show my support of the US distribution of this film. The book is a US translation of the Japanese edition, and as you can expect was lovingly put together. The last section does seem to perhaps be filler, but with such wonderful reproductions from the film along with in-depth background information, what more could you want out of it. On the other hand, it isn't really cheap either, but given it is probably one of the 10 best animated films ever, it makes a very nice addition to your over-sized film book collections.

Lastly, if you can recall the boring titles your grandparents kept on their coffee table, I think you can start to seel the appeal of things like this. Why settle for pretty national geographic titles (or whatever) when you can have this or big godzilla coffee table books (as do I)? Let your future grand-kids know that you were plenty weird in your former years.

I loved this book, the drawings are excelent, the writing also, this one was the only one that i reed with a smile.

I discovered and read Ms. Carter's lush tale of four intertwined lives some months ago and still remember my regret mixed with exhiliaration at turning the last page. Not wanting a book to end is probably among the higher compliments a reader can pay to fiction; to end a nonfictional story feeling thus, is rare indeed. Prior to RRG, Donna Tartt's fictional masterpiece "The Secret History" was my lonely, sole contender for this sort of accolade...
... It was precisely the lack of any undue focus on the women's probable physical intimacy, alongside a riveting collection of photographs that immediately caught my attention and held it. Throughout the whole of this story crept a quiet, matter-of-fact, stylistic elegance that kept this readers attention first and foremost on the place and the times, on three lives dedicated to art, on four women dedicated to each other. Brava!

Alice Carter has written an incredible story about three inspiring artists. It is ununsual to find a book with such a scholarly, intelligent perspective that is presented with a human warmth and emotional attachment to the individuals that are portrayed. The sensitive approach of the author is perhaps related to the fact that as a young child Professor Carter knew and admired these woman and they served as an inspiration in her life. Whatever the reason, she has crafted an outstanding, beautiful book that will stand as a classic story in the history of art, the struggles of women, and the nobility of the human spirit.

Some great reproductions here too, of some Pre-Raphaelite-style art from the Philadelphia area about 100 years ago. Violet spent over 25 years painting huge celebrations of the founding of Pennsylvania in the Harrirburg State Capitol. She may not ne Michaelangelo, but is not far behind his Sistine Chapel! This small coffee table book will never go out of style, and does a great job bringing back 3 great lady artists!

I bought this book with the idea of finding out more of the types of relationships women shared at the beginning of the twentieth century. I was astonished to find more than I bargained for. The Red Rose Girls provided more than insight into these relationships, it also provided a look inside the rise and fall of the progressive and arts and crafts movements. Pre Freud, the relationship of these woman was accepted and cherished as they lived together, and created their art. Post Freud, their relationships deteriorated as did their careers. All in all I found this book extremely entertaining, as well as heartening (a forty year relationship between two of the women) and the pictures are absolutely beautiful. If nothing else, as an art book it is extraordinary.

It was some months ago when I discovered and read Ms. Carter's lush tale of four intertwined lives. I still remember the regret and exhiliaration I felt on turning the final page.
Not wanting a story to end is perhaps among the higher compliments I would pay to a book, and usually one relegated to a rare work of fiction. In fact, prior to Red Rose Girls, Donna Tartt's masterpiece, The Secret History was my lonely sole contender for this sort of accolade. To add my name to the chorous of other reviews teetered on redundancy, lily-gilding or worse....gushing. But then, we New Englanders are a stiff lot, and loathe to such displays.
It was interesting then, to trip over a Feb. 8th review in which a reader, also from my birthplace, expressed some criticism of Carter's speculation on the probable physical nature of the characters relationship, finding it presumptuous and distracting. (my words)
It was precisely the lack of any undue focus on lesbianism, alongside a riveting collection of photographs, that caught my attention and held it for the duration. Throughout this fascinating account crept a quiet, matter-of-fact, stylistic elegance that kept my attention firmly on the place and the times, on three lives dedicated to art, on four lives dedicated to each other. Brava!