Artists Books

December 14, 2005

Woonsocket Harris Public Library Board of Trustees
Diane Rivers, Chair
Dorian Parker, Vice-Chair
Lisa Sparks, Secretary
John Pellizzari
Ernest "Buddy" DiSpirito
303 Clinton Street
Woonsocket, RI 02895-3214
Fax: 401-767-4140

Dear Members of the Woonsocket Harris Public Library Board of Trustees,

On behalf of the 2,900 members of PEN American Center, an international organization of writers dedicated to protecting freedom of expression wherever it is threatened, we are writing to express our deep concern over the fact that the Woonsocket Public Library Trustees are considering a request to ban It Stops with Me: Memoir of a Canuck Girl written by native Woonsocket author-artist Charleen Touchette.

We understand that a citizen request to ban the book was made at the Library Trustees' September meeting. The Library Trustees removed the book from the Woonsocket Harris Public Library shelves after the September meeting pending a decision.

It Stops with Me: Memoir of a Canuck Girl, the latest work by author-artist Charleen Touchette, invites you into the provincial world of a French Canadian girl in Rhode Island who cannot tell anybody her family secrets. Years later when she has her first daughter she must relive her childhood to heal the future generations of her family. It is a story of survival and triumph as a victim of childhood abuse and was written for an adult audience. The novel tells a realistic story with complex figures. Such books help readers approach sensitive topics and figure out how to deal with them. Even if the novel's themes are too mature for some, they will be meaningful to others. No book is right for everyone, and the role of the library is to allow community members to make choices according to their own interests, experiences, and family values.

Author Charleen Touchette, a member of our colleague organizations PEN USA and the Author's Guild, advocates for the freedom to write worldwide. It Stops with Me has been praised by authors Lawrence Ferlinghetti, Louise Erdrich, Margaret Randall, Ana Pacheco, and Winona LaDuke, and received a Foreword Book of the Year 2004 Finalist Award.

PEN American Center respectfully asks you to deny the request to ban It Stops with Me: Memoir of a Canuck Girl and to return it to library shelves. By doing so, you will be upholding a fundamental principle of freedom: the right of all Americans to read, inquire, question, and think for themselves.

Thank you for your attention to this matter.

Sincerely,

Hannah Pakula

Larry Siems
Chair, Freedom to Write Committee Director, Freedom to Write
and International Programs

An autobiography of a spunky Franco-American woman from Woonsocket, Rhode Island gives cultural storytelling multi-generational appeal. Too many Franco-Americans (with ancestral roots in French-Canada) are quickly amalgamating into the mainstream of American culture without writing their special family stories. Fortunately, Charleen Touchette, a Woonsocket, Rhode Island writer and artist now living in New Mexico, puts both of her pleasingly creative talents together in "It Stops With Me: Memoir of a Cannuck Girl".
Touchette writes about her Franco-American roots by relating simple, often bittersweet and even brutal experiences growing up as a typical French Catholic girl in Woonsocket and later as an accomplished artist.
Moreover, Touchette energizes her autobiography's prose with a series of original black, and white and color print blocks. In other words, "It Stops With Me" expresses Touchette's Franco-American creativity using prose accentuated by her surprisingly cutting edge original art describing absorbing coming of age experiences. Her journey from a parochial Franco-American into her adult life is fraught with opportunities, along with unexpected harsh challenges. Her life is ordinary in some ways but hardly a nostalgic cake walk.
"It Stops With Me" is at its best when Touchette looks back and elevates normal Franco-American experiences to familiarities we can identify with. For example, she describes cooking with her "Ma Tantes" or getting ready to receive First Holy Communion at Woonsocket's Eglise Précieux-Sang (Church of Precious Blood).
Discord arises at a young age. Growing up as a French Roman Catholic girl is an underlying theme. Touchette's typical childhood is without the benefit of feeling safe at home, as she depicts in one of her portraits of a "Not a Picture Perfect Family".
Rather, Touchette's absorbing life story endures familial stress, social and personal conflicts, even leading to physical ailments, which haunt her into adult years.
Touchette's hard hitting narrative is set apart from others of the modern autobiographic genre by the intimate and complicated relationships she shares with her family. Delving even deeper into her private spiral are the intense personal investigations Touchette undertakes with regard to her sad relationship with her father.
Nevertheless, in spite of the particular circumstances, it's typical of Franco-Americans to harbor deep attachments for their relatives and parents regardless of obvious flaws, shortcomings or even family violence. Female family role models are especially strong in Touchette's life. "Although my Maman was a devout Catholic, she was a strong supporter of my right to freedom of expression," writes Touchette. In fact, her female relatives were outraged when Touchette even considered not going to college after high school. In her Woonsocket Franco-Americans world, Touchette writes about how curious it was to be singled out for college when no other woman in her family ever went beyond a high school education.
Throughout the autobiography, her French heritage is front and center, even when she embraces the peace of Judaism.
Many of the book's chapters are charmingly led by simple French titles.
Touchette's talent as a creative writer moves the reader beyond the dark side of her autobiography. Using the power of words, she inspires us to learn more about her as an individual woman with a spellbinding story to tell. Touchette does a good job explaining the pros and cons of the personal contrasts she inherited from her religious and ethnic roots. This is a well written autobiography, nominated for book awards, with a progressive social focus.

"This book is incredible." Louise Erdrich
"beautiful book." Lawrence Ferlinghetti
"Tough, evocative, border-crossing, honest, unflinching...large enough so it can embrace its readers. Margaret Randall, Author. PEN NM Lifetime Achievement Awardee 2005
"An emotion-charged story of initial struggle and ultimate success...a must in any library collection." Book Wire
"magnificent in its courage and decency." Sam Ballen Author Without Reservations.

Great Reads - New Mexico Magazine, April 2005 p. 45.
Personal Journeys: More Than Just Survival by Michelle Miller Allen
"Our girlhood years, formed in various cultures and family configurations-from the most abusive to the most loving-and tempered by the social prejudices and taboos of one's time-are where we begin our journeys into adulthood. These factors have much to do with whether we will just survive or become empowered by the most demanding, even devastating, events on our individual paths.
It Stops with Me: Memoir of a Canuck Girl by Charleen Touchette (TouchArt Books 2004) Touchette's memoir opens the doors into the lives of women who shaped her childhood into adulthood-the healers, storytellers, homemakers, and artists. This most compelling book includes fascinating color and black and white reproductions of the author's artwork over three decades. The book charts Touchette's journey from a French Canadian/RhodeIsland childhood at the hands of an abusive alcoholic father, to Wellesley College, to New York City's culture of arts, to Minnesota and Indian Country.
Touchette combines the voice of the reminiscing adult writer/artist with that of a child obsessed with "making things" as a survival mechanism. Abusive parents seem to bank on the false assumption that their children, as adults, will not remember abuse. Yet anyone who doubts the intelligence and level of awareness in a young, abused human being should read the end of Chapter "Forsythia Blossoms": "I do not know when I started fighting back. I do not have a memory of when Daddy started hitting me. I was too young. But I do remember clearly the moment when I looked up at my dad's face, and realized he was a fool. I was seven."

Reviewer Jennifer Lefkowitz chose "It Stops with Me" as the Book Special for "Girlfriends Magazine" November 2005 issue, p. 58 with two color photos of Touchette's art.

"It Stops with Me: Memoir of a Cannuck Girl"

"Charleen Touchette's memoir is healing and cathartic, a story of survival and triumph as a victim of childhood abuse. The author is an artist, and throughout the book she showcases her paintings, which resemble the work of painter Frida Kahlo. Like Kahlo, Touchette survived vehicle collisions; after a spine injury she is able to connect her past to her present. This compelling memoir dives into the dark trenches of that past, confronting memories with ancient practices. "I learned it is the task of all human beings to cut through the fog and illusion of maya, and reconnect with the light." A - Jennifer Lefkowitz

"Water Illumination" (top) and "Boom Boom Boom" are two of the many paintings which illustrate the author's journey."

Charleen Touchette's story "The Pie Religion" is online in the May issue of Késsinnimek - Roots - Racines

"What a loving, touching article! I could see, smell, hear everything, thanks to your beautiful descriptions. And what memories of my own childhood you brought back; we, too, had a pie religion among the women in our large family. My mother even had a modest business of making pies for the restaurants and the hotel in our little Northern Vermont town.
Indeed, the secret to pie-making is passed on from mother to daughter to daughter as a sacred tradition.
Thanks for a great read!
I've recommended your article to several people, with my comment that if I could write as well as you, I'd give up quilting and stitching...and making pies!"
Louise Dubrule

I adore David LaChapelle's work! I love how he uses colors, and his interesting subjects. His photos are beautiful. Does he have a website?

this book is badass. its great if your looking to be amazed...(or showing little kids when they wont shut up!)uhh try it youll like it...too bad he didnt take pictures of me!

He is so creative and each one of his works are a break from reality. LaChappelle finds beauty in the most awkward places. Each picture looks like a mini-movie.

Not many photographers can put together the camp, kitsch, gloss and lustre that this man can. Even the gaudiest of pictures can envelope you mind's taste buds... Its beautiful, erotic and camp at its best!

Lachapelle is one of my favorite contemporary photographers. His use of color is outstanding. Between the excellent technical quality of his work, and the whimsical (and sometimes arousing) subject matter, there is nothing about this book that is unenjoyable! I find the fact that not one of his images was digitally created or even enhanced to be a testimony to his talent and artistic vision.

By looking at the cover is more than clear that what is inside is the perfect artwork putted all together to created a wonderfull book full of perfection.

Another wonderful addition to my illustrator collection. Was instantly hooked on Frazetta's style as a kid reading Edgar Rice Burroughs. Legacy is a fabulous title covering Frazetta's career with commentary included on each illustration. Book was received quickly and in fabulous shape.

We have been Frank Frazetta marks for a long, long time. So of course we have not only all of his earmark books that have his cover art on them, such as Conan and Tarzan, but also the more recent art books such as this compiled works of such a legendary giant icon of sci-fi/fantasy artists.

Only Boris and Julie Bell can rival this awesome artist that can create art that woes you and can crreate an enture storyline to the eyes of people like us. This is a must for people who love art.

Frazetta was an artist with a different style, yet seemed to capture and captivate so many foreign lands of barbarians and beasts...then bring them end gently place them on the table in front of us. From Conan to Tarzan and so much more, this is a great book. I call it a coffee table book because I had a rougher copy that I kept in the living room. Whenever someone came over they would start looking at it. Many couldn't put it down. Then they start realizing they KNOW Franks work...they see Death Dealer, they see the Conan like images, and they're hooked!

The book is full of colorful images and as an artist and writer myself I ofter find myself referring to it. No artist captured a battle scene, or a scene where a person is in the middle of a motion filled movement, like Frank. Leaping hero's weilding swords to scared to death damsells and wench's cowering before a giant god of epic proportions. The book is not just pictures, there is a ton of text talking about Frank, his life, and his LEGACY. A strong recommendation for anyone who likes art, Conan or Tarzan, or illustration in general. Frazetta was the King!

i bought this thinking it was going to be an art book... you know, some sort of collection of works. turns out is more of a documentary about how frazetta got started and different jobs he had and different comics he drew. there were actually a surprising number of comic related pages. there's not really that much art... what there is was sort of a let down. if you're collecting frazetta books, add it to the collection. if you want an art gallery, this aint it.

"death dealer" not pictured. major let down, in my opinion.

Any time you deal with interpersonal violence, there is a high likelihood of someone attempting to apply something beyond their own hands and feet to make the other person have a bad day. Lawrence Kane addresses that problem in this exhaustive volume.

Kane cites research showing that 70% of the male population carries a knife. In seven years there were over 1.7 million attacks in the U.S. utilizing blunt, bladed, and projectile weapons. 25% of violent crime is committed by someone bearing a weapon. You have a one-in-four chance of getting shot, beaten, or cut and stabbed every time you cross paths with a violent criminal.

Even with this in mind, most martial arts programs do not adequately take weapon defense into consideration. Obviously, this book and others like it are needed.

Kane addresses awareness, avoidance, de-escalation, legal matters, and the aftermath of violence. The meat of the matter is covered in over a hundred pages dealing with improvised weapons, firearms, knives, clubs, and all manner of weapons you are unlikely to come up against on the street; but as the author shows, stranger things have happened. It is always best to be prepared.

The book is wrapped up in the end by an incident that actually happened, as Kane analyzes what each person did right, and what they did wrong.

In 32 years I haven't read anything this comprehensive. Skip the others. Read Surviving Armed Assaults.

Surviving Armed Assaults: A Martial Artist's Guide to Weapons, Street Violence, & Countervailing Force gets to the heart of martial arts applications and safety issue, providing an entire book which focuses on proven survival skills, from awareness and avoidance to de-escalation tactics and countervailing force. In having more than just a collection of moves on hand, it encourages survival by all ways possible, making this an outstanding addition any martial arts collection must have.

Diane C. Donovan
California Bookwatch

Surviving Armed Assaults is so well written that it is excellent reading for anyone who is concerned about personal safety in today's turbulent world. Frank, no-nonsense information with much emphasis on preventing assaults in the first place makes this book exceptional. Although this book assumes the reader is already practicing one of the martial arts, it also offers an incentive to anyone who might be considering this option.

WOW! That is how I would describe the well organized, well thought out, cornucopia of information that is presented in Lawrence A. Kane's, "Surviving Armed Assault: A Martial Artist's Guide to Weapons, Street Violence, & Countervailing Force." I've had this book for awhile now and have, on several different occasions, sat down and skimmed through different sections when time permitted. Just recently however, I was able to sit down and read this book from cover to cover, and boy let me tell you that I was thoroughly impressed with what I read.

Lawrence does a terrific job of organizing the information presented in this book in a very easy to read and follow format that takes you through each step in the survival process. This is not a book on techniques; rather it is a book on the more important aspect of the principles behind surviving against an armed assault. Which, in my opinion, is far more important than the techniques themselves. That's not to imply that self-defense techniques are not important or valid, it simply means that the technique that may work for one person, may not work so well for another. However, the principle behind the use of the technique will generally work for everyone.

This book is so full of useful information that it should be required reading for not only the self-defense minded individual, but also those whose profession places them in situations where they are more apt to be confronted by an armed individual. This includes, but is no means limited to, law enforcement officers, security personnel, bouncers, paramedics, military personnel, etc.

Having worked as a law enforcement officer, bouncer, and provided security for various businesses and individuals over the years, I found quite a few things in Lawrence's book that I hadn't taken into consideration and am very glad that I had the opportunity to read it first instead of experiencing it in a bad way. As with any good book on the subject of self-defense, Lawrence promotes the use of awareness and avoidance as your primary and most important forms of defense over actual physical techniques. Smart and the hallmark of someone who knows what they are talking about.

Lawrence then delves into various scenarios throughout the book and ways of safely getting out of the situation you may find yourself in without resorting to a physical confrontation with your potential attacker. Some of which is so simple that I hadn't even considered them as options. Although after being presented with them I could see how effective they would and could be in certain situations.

This is followed with sections on using countervailing force and the ramifications of using such force such as; the physical and mental effects, moral implications and considerations, the possible legal ramifications of using force, etc. One point that Lawrence makes, and it is a very good one, is to always remember that the law enforcement officer that you may have to deal with is not your friend! Let me repeat that, the law enforcement officer that you may have to deal with is not your friend! Now Lawrence and I are both not saying that they are the enemy, it's just that you have to protect yourself at all times and the three best things to do are as follows:

1. Keep your mouth shut.
2. Contact your attorney.
3. Keep your mouth shut.

I was particularly fond of Lawrence's 9 rules to live by. Now I am not going to divulge them here, and since you will undoubtedly be purchasing this book after reading this and the other reviews, it will give you one of numerous things to look forward to when it arrives on your doorstep.

One particular section of note was the section related to the types of weapons you are most likely to encounter and how they function. This section is deserving of an entire volume on its own and perhaps Lawrence is working on that as I type this review and as you read it. Let us hope anyhow.

This book and the information contained within it should be a constant companion in your home library, and in the forefront of your mind whenever you are somewhere outside the confines and safety of your own home. On second thought, the information provided in this book should probably be in the forefront of your mind even when you are at home. As Lawrence so profoundly states in this book, you never know when are going to be attacked, by whom, or what that person or persons will attack you with.

I highly recommend this book, "Surviving Armed Assaults," as well as, "The Way of Kata," and "Martial Arts Instruction" all by Lawrence A. Kane as valuable additions to your personal martial arts library.

Shawn Kovacich, martial artist/author of the Achieving Kicking Excellence series.

I will admit that I started reading this book a bit biased toward it being good. I have read other books by Kane that I enjoyed, I've contributed a chapter, as did Kane, to Loren Christensen's "Fighter's Fact Book 2" and Christensen wrote a Foreword for the book, and to top if off, best selling author Barry Eisler mentioned me in his praise for the book on the inside cover. So yes, I expected it to be a good book and one that I would like.

However, what I did not expect is how good it really is and how much excellent material Kane offers in this one volume. Because of the things mentioned in the first paragraph, one could easily say I am biased, and maybe I am a bit. With that said, I am writing a review and endorsing this book wholeheartedly because it is an exceptional addition to anyone's self-defense library and a book that has potential to save lives if people read it and listen to Kane's advice.

The first chapter is on awareness, a topic I also write and speak about, so I was especially interested in what Kane had to say. So what does he do? He starts the chapter off with a quote from Ani DiFranco, "Any tool is a weapon if you hold it right." This grabbed my attention because I once headed the local security for a concert of hers and had a very good talk about penjak silat with her bodyguard as we waited for her to change so we could walk her to the bus. It means nothing to anyone else, but hooked me. I continued and was fully engrossed with the statistics and examples Kane provided relating to violence. Reading those made me glad that there are those of us out here doing what we can to prevent violence and teach people to avoid or deal with it if necessary. Something Kane's "Surviving Armed Assaults" does very well. Kane did an excellent job with his chapter on awareness, and even though he teaches a modified color code a bit differently than I teach, I believe this chapter should be read by everyone in order to wake up and be more aware so they could avoid many potentially dangerous situations.

Speaking of avoidance, that was the focus of chapter two. Kane not only makes a great argument of why you should avoid violence, but provides strategies to do so. He follows this with a chapter on scenarios that extends the awareness and avoidance topics to situations such as car jackings, cash machine safety, hostage situations, sexual assault, rape, workplace violence and more. Before dealing with physical responses, Kane focuses on de-escalation strategies in chapter four. This is an often overlooked aspect of self-defense books and a welcome and needed addition here. Many self-defense books focus on striking and kicking and forget that if you can talk your way out of a situation you will be much better off than having fought your way out. Kane gives some excellent advice with his de-escalation strategies and I again wish everyone would learn these. One of the reasons a person is much better off by de-escalating a situation is because of the potential legal ramifications that may follow a physical altercation. As an attorney, I am very familiar with such things, and feel that Kane did a good job with his chapter on countervailing force that included legal considerations.

The remaining chapters focus on armed conflict, rules to live by, the aftermath of violence, and weapon features and functions. Some of the information in these chapters is biased toward Kane's karate training. Practitioners from other styles may not benefit from these chapters as much as the first ones, but I would encourage everyone to take even the karate parts and look how the principles behind what Kane teaches applies to their own art or self-defense system. (Kane's nine rules could apply to any art or system)

This is an excellent book filled with practical and realistic information related to weapons and violence. There is researched data and personal anecdotes that support Kane's perspectives on violence and his illustrations of real violence and what to do about it, or most importantly, how to be aware of it and avoid it altogether. I wholeheartedly recommend this book to martial artists and anyone interested in self-defense.

Reviewed by Alain Burrese, J.D., author, speaker
Hard-Won Wisdom From The School of Hard Knocks, Hapkido Hoshinsul, Streetfighting Essentials, Hapkido Cane, and The Lock On Joint Locking series

Bill Pete started out as a daydreaming, doodling boy, and made it all the way to Walt Disney! Bill was born in Grandview and was raised in Indianapolis. He lived happily with his Mother, two brothers, and grandmother. His father was a traveling salesman, and didn't really come into his life until later. Ever since Bill was young, he loved to draw. During class, he would doodle in between the margins, and his books were a big favorite amongst the other kids when he sold them as second-hand. His childhood was fun filled, and he had some big hopes and dreams. First of all, he wanted to go on a safari and sketch the animals, but most of all, he wanted to be an artist. One day, in the summer of 1928, Bill's father returned "home" broke, travel weary, and demanding money. After arguing for many days, Bills mother gave in and paid his father. With that, his father drove away. Not long after that, Bill's grandmother tragically died, which put the family in complete shambles. They had to move, and everything changed. The Great Depression started, and Bills father kept taking money, so he kept them poor. Bill went through school well as a student, graduated, and went to college. That was when the work became harder. Bill was facing flunking some of his classes. One night, he ran into an old friend from school, and was persuaded to start taking some arts classes. Bill began painting, and it is there that he met his beautiful wife Margaret Brunst with which he eventually had two sons. He graduated with flying colors, and took a job as a painter. Finally, he realized he didn't have a steady income, and applied for Walt Disney Productions. He became a good friend of Walt Disney himself! Bill helped create many classics starting with Snow White, and going all the way to Jungle book. As time went by, Bill decided that after 27 years, it was time to leave. Bill had become attached to the company and his job, but mostly Walt. It was hard to say "good bye." About one year later, Walt Disney died. Bill went on to writing stories and illustrating them for children of all ages. They all relate to him in one way or another, but the one that felt the most connected to him was "Chester the Worldly Pig". Chester was who he was, and he had always been so. And like Chester, Pete "had grown beyond his expectations."

I can see myself in Pete sometimes. He never gave up and kept dreaming and kept his spirit alive. He has an easy flow to his writing that makes you feel relaxed and know that you're in for one heck of a good story. I loved his book for the truth that it told, and for the wonder that makes up Bill Pete. Keep dreaming, if you strive, you can reach the stars and soar beyond.

The book that introduced me to Bill Peet as a child and helped in inspiring me to push my art and chase my dreams. A must have for any lover of original Disney art or aspiring artist.

Wonderful book. A must for any Bill Peet fan. He captures himself in Bill Peet style - with words and illustrations - just as I would expect. The book is simple and direct, with life lessons woven between the pages.

This Book is about my favorite author Bill Peet. This book tells about his life starting his career at Walt Disney, then going to wright his own books.
Bill Peet was born in Indianapolis, Indiana, he started drawing when he was around 6 or 7. He dreamed of being a author one day. When he got into college he was in different art classes, during going to college he entered painting compititions and one most of them for extra money.
When he was asked work at Disney Annex he gladly accepted, this was around the mid 30s. After working there for a few years he was asked to work on Pinnochio. During his time at Disney he had many arguments with walt himself. He drew Dumbo, and drew the rats and the cat in Cinderella.
After he quit working for disney, Bill realized that he was a good writer too.His first book was Huberts Hair Raising Adventure, which I own along with acouple more of his books, my favorite is The Wingdingdile.
Bill Peet a tall thin man that had a dream, and made it come true wrote about 30 to 50 books, retired win 1989 after he wrote this book.This book is excellent and it will make you want to keep on reading.

I nevertheless found it quite fascinating and engrossing.

Peet is a self-professed reluctant student, especially of English classes, but he is nonetheless quite the good writer. Peet's illustrations add a lot to the pace and feel of the book and are a joy in their own right. His stories of life in Indianapolis before World War II will be interesting to any native Hoosier (as am I).

However, the most interesting part details his jobs at Walt Disney studios. His descriptions of how they made movies in the old days as well as the insider's look at Walt Disney himself are fascinating. Peet worked on several Disney movies, including Pinnochio, Fantasia, Cinderella (he created the lovable mice) and the original 101 Dalmations.

Peet brushes over his life after he left Disney a little too quickly. I would have liked to have read his descriptions of life in the publishing world as well. Also lacking is much history of his family life.

That being said, it was still fascinating, entertaining and totally worth the reader's time.

I give this one a grade of A-

A book and story like no other that I have read. The author becomes blind and then learns to paint, as the title indicates, but what the review and title do not reveal is that the author guides the reader through her personal journey toward self actualization. By her frankness in revealing the changes she endured, the emotions she felt and the methods that lead to her acceptance, the reader gets a great insight into their own life and how to handle personal problems. A marvelously insightful book by a mind that is creative, mature and certainly a genius. I could not wait to see what happened next and found myself reading the book late into the night.

This is a well-written story about a woman who, after being suddenly plunged into darkness, struggling with denial and profound depression, ultimately triumphs and goes on to soar into a life she could never have imagined. This is a truly inspirational story which has lessons for all of us.

I recently had the pleasure of meeting the author and her husband. I thought she was inspiring after a short visit over breakfast. But until reading this book, I had only seen the tip of the iceberg! It is amazing that someone who has endured so much can remain so positive and create great works on canvas as well as create great impacts on the lives of others. There is so much inspiration in this book. This will be great for Christmas gifts!

It took an incredible loss for Lisa Fittipaldi to become a winner. Her inability to see the world from the outside forces her to look within. The author entices you from the beginning by intimately sharing her painful discovery into who she really was, and wasn't. A brilliant career woman channels her intelligence, determination, and resourcefulness into finding an answer, but not knowing to what. As her health continues to deteriorate she explores every dimension imaginable desperately attempting to discover her purpose in life. Miracuously everything seems to flow together and manifests itself in every stroke of her brush. It is difficult to conceive that her images come from an internal memmory bank, eloquently transfering onto canvas. Just as skillfully she takes the reader through this process managing to explain the impossible. After reading all night I finished the book feeling refreshed and inspired. A remarkable woman!

As Lisa Fittipaldi's "art dealer extraordinaire," I was honored to be included in her touching account of how she overcame going blind and went on to produce such moving realism in her paintings. As I read the book, I found myself unable to put it down, despite the fact that I have known the artist for more than five years and thought I knew her whole story. This book shows Lisa's journey to re-enter the sighted world after going blind and how she used art to find that path. The following quotes from the jacket cover indicate how this book inspired Natalie Maines, Heloise, Kinky Freidman, and Rick Riordan.

"This book goes far beyond learning how a blind painter creates her works of art. It is an honest, heartfelt look at a woman who struggles to overcome her own faults and fears to find her authentic self."
- Natalie Maines, lead singer of the Dixie Chicks

"A truly inspirational story with highlights, lowlights, and lessons we can all learn from."
- Heloise, international household hints columnist

"Lisa Fittipaldi is a great artist who also happens to be blind. "A Brush with Darkness" is the story of how art imitates life, and how life imitates art, and how both are mirror reflections of the miracle that is the human spirit."
- Kinky Friedman, singer, songwriter, and author

"By turns poignant, enthralling, and uplifting, "A Brush with Darkness" is a tribute to human perseverance and creativity. Lisa Fittipaldi writes as she paints - with deft strokes and vibrant color."
- Rick Riordan, Edgar Award-winning author

I have been a fan of Prosek since his Trout days. This introspective book helped me to understand his precocious talent for observation and drawing and his need to get out on the stream. I wish him well.

The Day My Mother Left beautifully captures the agony and the pathos of an adolescent abandoned by his mother. The novel includes a myriad of conflicts that are typically found in realistic contemporary fiction. We see the conflict of person vs. person with the main character dealing with his father, mother and the school bully. The main conflict; however, is between Jeremy, the protagonist, and himself. His unresolved issues with the divorce, his mother leaving and offering no communication and his burgeoning artistic talent contribute most to the overall theme of the novel: beauty and love can grow from struggles and pain. Each character is round and dynamic; the major characters in this story evolve and change subtly as time progress in the novel. One of the highlights of the book is how the author reveals these character changes. The book is told through the eyes of Jeremy, an early adolescent. His self-centeredness only shows the other characters flaws and transformations when Jeremy finally sees them. Prosek reveals his characters and themes so movingly and realistically. This novel will appeal to late middle school students and up.

Nine-year-old Jeremy has a close relationship with his mother. She goes to every one of his baseball games, cheering him on from the bleachers. Jeremy gets teased for her enthusiastic encouragement, but he doesn't care. The bond they share is special. In fact, she is the only one to whom he has ever shown his collection of bird drawings. But when she abandons the family, Jeremy's world shatters into a million painful pieces.

It starts with an argument about her excessive drinking, the fact that Jeremy's father isn't making enough money, her crazy behavior at the fancy dinner party, his lack of attention, and especially about her seeing another man --- the father of Jeremy's rival, Rick. The two of them met at one of Jeremy and Rick's baseball games. Somewhere in the middle of it all, Jeremy's mom decides to leave and be part of a different family, one that doesn't include Jeremy.

Jeremy's older sister responds by escaping in her car for work and friends, while their father becomes imprisoned in his own despair. Jeremy must decide for himself how to put the pieces back together. Recreating his collection of bird drawings is the first step, since his mom took the old one with her. Jeremy finds comfort in the birds, in mirroring their beauty, in tromping through their wooded habitat. He also takes an art class to improve his talents and meets a girl named Casey.

Over the next three years, Jeremy continues to struggle with the fact that his mother abandoned him and never even called him on the phone, much less paid him a visit. But life continues, with even more obstacles to overcome, such as his dad remarrying and his beloved uncle getting sick. Jeremy learns to wade through the tough times without overloading his heart of bitterness. He even manages to say a prayer for Rick when he needs an operation. But will he ever be able to forgive his mom for leaving him?

James Prosek has created a beautiful story that all ages, genders and races will enjoy. He has an obvious love of nature, which shines through in his vivid descriptions of feathers, fish and forests. His novel's voice is precise and rare, nailing perfectly Jeremy's preteen character enduring pain and grief. Jeremy's spirit will inspire us all to be better people.

--- Reviewed by Chris Shanley-Dillman

I first became aware of James Prosek through his artistic and literary treatments of fly fishing and thought I would give The Day My Mother Left, his first fictional effort, a go. I am so glad I did--what a wonderful little book! Though it is intended for young adults, as a mature reader I found it very engaging.

This autobiographical novel is a very candid picture of a difficult time in Prosek's, and his protaganist's, life. Prosek tells his touching story beautifully and without remorse. I would liken this book to Angela's Ashes in its portrayal of an unbalanced family and their troubles in a voice that does not blame but instead finds grace in the struggle. In the case of Prosek, his gravitation to art and nature provides ballast and equanimity; he shows us an inner journey enabled by his exploration of the natural world. And it is a damn good story. . .

Yale-educated James Prosek is clearly an extremely gifted and multi-dimensional creative talent. I know of few other YA books that tell such a story of charm and tenderness from the male point of view. I highly recommend it!

Jeremy's mother has often been disappearing for hours at a time, but on a Sunday afternoon all truths are told.

His mother has found a new love - the father of Jeremy's enemy at school and on the baseball field. A fight occurs between Jeremy's mother and father. His mother leaves, and she takes everything with her - including Jeremy's Book of Birds that he had been illustrating himself.

No one can believe that she left. Especially Jeremy. He feels abandoned and hurt. Through his father's sadness and his own mixed-up feelings, Jeremy recreates the Book of Birds and finds solace within himself through nature.

James Prosek's THE DAY MY MOTHER LEFT is very moving. Coming from a divorced family myself, it's easy to relate and understand Jeremy's feelings. Mr. Prosek uses outstanding details within the story and has also created lovely drawings. It is a great book and experience from beginning to end.

Reviewed by: Jeremey

This is a great reference for any artist or art teacher. I learned design as a freshman in college. That was about 20 years ago. Design is still a very important part of what I do especially since now I must teach it. This book will help any artist improve her/his work. It will also enable teachers to better instruct their students in the elements and principles of design. Highly recommended.

Great book. Easy to understand and use.Great for anyone yearning to learn about design in the 3d aspect.

As a beginning student of design, I've been looking at a number of texts. This is the best I've come across so far. The concepts are presented concisely and in a well-organized format. The illustrations are superb, drawing from a number of crafts, media, and styles. The tone is friendly and encouraging. Recommended highly!

The book is well-written and the examples include some stunning and unusual pieces of art and craft (including painting, photography, pottery, needlework, quilting and more). It is an excellent introduction to design for beginners (artists, craftsmen and art-lovers) but even intermediate readers will find it useful.

This book is a very good choice if you are looking to broaden your horizons in design. There are lots of pictures for examples, and the text is easy reading.

Great book for anyone who likes dogs. My wife wants to go to the Dog Chapel now.

This book should be required reading for all dog lovers and those that have lost their canine loves. Huneck is in touch with those feelings. Recommend to all.

Very sweet and comforting book for those who have suffered the loss of a beloved pet. Good for children & adults. How wonderful to be offered an opportunity to send pictures of your pet to be placed in memory at the Remembrance Wall at the DOG CHAPEL-
Mr Huneck- the author as well as artist for the book-must be a special person to create this loving tribute. I'll bet his dogs think so too!

This is the best book. I always gift it when someone has a beloved dog pass away. Huneck has a gift with his books.

This is a beautiful book, well written, and full of wonderful pictures. The authors account of how the book came to be is touching. For anyone who has had to put their dog to sleep, a gift of this book would be of great comfort. There is even a memorial picture frame in the back of the book in which you can send a photo of your dog up to the chapel.

Hogarth has some of these sketches in other books but w/o the details about HOW to really draw hands. They have always been hard for me, especially in difficult positions. If you have the discipline to truly incorporate his techniques you CAN master hands. I think this is worth the $ ONLY if you are willing to put in the time to learn by doing the work in the stages he recommends. A good book, worth ordering if you draw a lot of hands, and are willing to retrain HOW you see hands and draw them. I enjoyed it and am still working in progression thru it!

I've used both Bridgeman's and Hogarth's books on drawing hands and I've got to say that both artists are top notch and one couldn't miss by studying both. Bridgeman in my mind is very strong in his construction of a drawing and his studies on form alone are very valuable to me. And Hogarth's beautiful linear approach is also very helpful. Hogarth's work is so easy to see and study that I found him very accessible when I was just starting out on my artistic journey. And yet, now after many many years, I still go back to him and find more in depth information and solid teaching that I can glean from him. It's neat to be able to grow alongside an artist and find him still teaching you when you are older.

I'm not sure how other artists do it, but by combining this book with Bridgeman's and other anatomy books, I've really grown in my understanding... and having several artistic teachers has helped me develop my own style and interests instead of only copying theirs. I definitely recommend this book therefore. After studying art in college, I'm finding that my best teachers and best learning experiences have been through books and this book on hands is no exception.

This is a great reference for drawing hands. Most beginning artists, like myself, find that the hardest part of a person to draw is the hands. This breaks down the hand into its basic anatomy and details every single thing about the hand you might want to know. Very useful for in-depth detail work with deep shading, and can be easily adapted to other styles such as cartooning and painting.

Like other Hogarth works, the hand is represented as stylized, over muscled, and predominantly masculine. If you expect that from the beginning, then you will find no disappointment in this book. I loved this book, as the stylization helps with understanding the shape and movements, the anatomical structure of the hand. It gives you an idea of how to draw proportions, angles, forshortening, etc. without the use of a model. As I prefer to draw from memory, this book was just my style.

Dynamic Hands is the ideal book to learn how to draw hands and understand the structure of the hand and how it works in all positions. Well drawn hands and feet are extremely important for finished paintings and illustrations. I am a commercial artist and designer, but have worked for many years on non-figurative projects. I am focusing on figurative work again, primarily in the game, fantasy and science fiction field. My goal is to draw entirely from imagination without having to use reference material, and this book by Burne Hogarth and his Dynamic Anatomy is helping me to reach this goal. The illustrations are very well done with several important hand positions and range of motion diagrams. I highly recommend it.