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Scary Godmother has a clever storyline,attractive art,and makes you become another character in it just reading. It may be halloween ,but her appropriate use of the "tricks" for whom they belong and the "treats " for the deserving add to a perfect night for both readers and Scary Godmother. This is a good book for kids as well as adults. I recommend that you give it a try and see for yourself.

Jill-
We have all four of your Scary Godmother books and need more! They are a great combination of story-telling, art, and spooky fun. More please!

I've purchased all of the Scary Godmother books in this seriesd and I have to say, I've enjoyed them all. But this is the one my nieces and nephews have me read over and over and over! It's almost Halloween and the Scary Godmother comes down with "the dreaded Boo Flu" so her little friend Hannah volunteers for Scary Godmother duty. It's a much bigger job than she thought. Great fun to see her trying to finish the list of Halloween chores. And poor Scary Godmother. The Boo Flu has her laid up in bed with the monsters trying to cure her. Yikes! There are so many fun things to look at. The full page pictures are really excellent. Lots of stuff for kids to point out and look at. And the whole book flows in a wonderful rhyme.

Great for Halloween and the rest of the year ( as my nieces and nephews have proved!)

I've purchased all of the Scary Godmother books in this seriesd and I have to say, I've enjoyed them all. But this is the one my nieces and nephews have me read over and over and over! It's almost Halloween and the Scary Godmother comes down with "the dreaded Boo Flu" so her little friend Hannah volunteers for Scary Godmother duty. It's a much bigger job than she thought. Great fun to see her trying to finish the list of Halloween chores. And poor Scary Godmother. The Boo Flu has her laid up in bed with the monsters trying to cure her. Yikes! There are so many fun things to look at. The full page pictures are really excellent. Lots of stuff for kids to point out and look at. And the whole book flows in a wonderful rhyme.

Great for Halloween and the rest of the year ( as my nieces and nephews have proved!)

This series of CDs is absolutely wonderful and very inspirational! I listen to it in the car and when I get to work I am a different person. Please do yourself a favour and reward yourself with this exceptional course on how to be inspired and live at peace with yourself and the Universe and reap the rewards of doing it! And it's all so simple, Dr. Dyer uses every day language that we can all understand, and his examples are spot on. Some of the stories from his personal life are quite funny, especially the one about the butterfly (my kids love it). Hope you enjoy this too...

Wayne Dyer's easy voice and story telling capabilites make this collection of cd's one you will listen to again and again.

A great CD set that's perfect to listen to any time you're feeling down in the dumps and would like some wonderful advice to bring you out of the blues and into the awareness of what living "in spirit" means.

This is the kind of thing we could all use more of. It's wonderful!

As every book or tape I listened to from Dr. Wayne Dyer this is just
phenomenal. Its directly from the well of knowledge and with a full heart!

I would highly recommend this book to any Selena fan. It had lots of information and it answered almost everything I wanted to know about Selena. I wish it had more photos though.

I listened to this audiotape while driving home from college, and it was very interesting. I already knew some things about Selena from watching the movie Selena, which was based on her life, as well as listening to some of her CD's. However, this audiobook gave me a lot more information about her life and death. The plot was well-written and well-read, it moved along very quickely and excitingly. Also, the other side of the tape is the same thing but in Spanish, which gave me a chance to practice my Spanish listening skills. :) I recommend this audiobook to anyone who likes Selena's music and/or is interested in her life, career, and death.

I would highly recommend this book to any Selena fan. It had lots of information and it answered almost everything I wanted to know about Selena. I wish it had more photos though.

Written in both English and Spanish for ALL Selena fans, this book gives a look into the phenomenal but all-too-brief career of Texas' Golden Girl. Selena lives on through her music, and as a role model for Latina women. We miss you, Selena, rest in peace

The review posted below by David Kathman succinctly summarizes the content of this scholarly polemic against the absurdities of the literary "Oxford Movement". I just wish to note that the 1999 paperback edition is a straight reprint of the 1994 hardbound. Therefore, while it addresses the orthodox Looney-Ogburn-Whalen school of anti-Stratfordianism, there is nothing about more recent mutations. Readers who want to keep up to date on the controversy should take a look at Professor Kathman's Shakespeare Authorship Web site, which discusses virtually all of the Oxfordian arguments and links to such interesting material as a complete edition of the Earl of Oxford's extant letters, which may prove disillusioning to those who cherish an image of the earl as a polymathic genius.

Even though it does not swat the very latest fantasies of Authorship Cultism, "Shakespeare, In Fact" is both entertaining and useful. Reading it will leave one better informed about not only the narrow question of who wrote Shakespeare but also the broader context of the Elizabethan stage and Renaissance literature.

Irvin Matus's Shakespeare, IN FACT

Reviewed by Thomas A. Pendleton

The Shakespeare Newsletter, Summer 1994

The authorship controversy -- which nowadays is tantamount to saying the Oxfordian hypothesis -- is not often seriously investigated by Shakespeare scholars. There are a number of reasons why, with sheer cowardice and fear of being found out and losing tenure relatively low on the list. Almost all Shakespeareans, I expect, are aware that claims for any rival author are based on assertions and inferences about Shakespeare's biography, his inadequate education, the absence of his manuscripts, the plays' erudition, aristocratic bias, knowledge of Italian geography, and so on; assertions and inferences that are untenable and have been shown to be untenable. Most libraries can supply the Shakespearean with some older, but very useful, treatments of the subject, notably Frank W. Wadsworth's graceful and cogent survey, The Poacher from Stratford, and Milward Martin's energetically argued Was Shakespeare Shakespeare?. And probably nearer to hand is Shakespeare's Lives, which reviews the controversy in a longish section called "Deviations." For most Shakespeareans most of the time, Schoenbaum sufficeth.

A number of other considerations militate against the Shakespearean's engaging the topic. Public debates and moot courts, favorite venues for proponents of Edward de Vere, 17th Earl of Oxford, are far more compatible to categorical pronouncements than to the laborious establishment of detail, context, and interpretation required to counter them, not to mention doing so with enough panache to win the approval of a non-specialist audience. Shakespeareans sometimes take the position that even to engage the Oxfordian hypothesis is to give it countenance it does not warrant. And, of course, any Shakespearean who reads a hundred pages on the authorship question inevitably realizes that nothing he can say or write will prevail with those persuaded to be persuaded otherwise.

Perhaps the mos! t daunting consideration for the scholar who intends to seriously examine this claim is the volume and nature of the research that will be demanded. To begin with, he must become completely familiar with the nearly 900 pages of Charlton Ogburn's The Mysterious William Shakespeare, the authorized version of Oxfordianism, and then proceed to test at least a wide sampling of random claims of other adherents. He will continually be faced with the prospect of dealing with gratuitous assertions as if they were serious scholarly conclusions, and the necessity of demonstrating such assertions to be incoherent in the appropriate context, or based on incomplete or selective evidence, or logically faulty, or some combination thereof. The research required will be extremely demanding, much of it in quite recondite areas where very few have boldly gone before. He probably ought also to curb his natural temptation to say snide things when refuting especially preposterous claims.

As remarkable as it sounds, Irvin Leigh Matus, in his Shakespeare, IN FACT (New York: Continuum, 1994), has managed to perform all of these tasks, even the last. (Well, he's pretty restrained, anyhow.) Matus notes with some sympathy "The great frustration of the Oxfordians... that academic Shakespeareans do not pay attention to their scholarship nor address their questions." He adds, "It is also their great fortune," which he then proceeds to demonstrate.

To the best of my knowledge, no previous Shakespeare scholar has engaged so much of what Oxfordians have presented as evidence for their positions, or has done so as thoroughly. Matus gives not just fair, but even patient, hearing; and in many instances where a less forbearing respondent might give a short answer, he explores and explains in further detail.

Among such instances is the claim that Ben Jonson's "Sweet swan of Avon" actually refers to the Earl, whose manor at Bilton was on the Avon river and presumably frequented by swans. It might be thought ! sufficient to observe that the phrase is a direct address in a poem directly addressed "To My Beloved Mr. William Shakespeare," and that the epithet's reference to Shakespeare is, quite superfluously, confirmed in the dedication of the Beaumont and Fletcher folio (of which, more later). Matus, however, performs the supererogatory work of tracking down the history of the Bilton estate. It eventuates that Oxford leased it out in 1574, sold it in 1581, and never regained possession. This particular sweet swan had flown off 42 years before Jonson's poem.

The orthodox claim that The Tempest relies on the Bermuda pamphlets of 1610 cannot be allowed by de Vere's proponents, whose man died in 1604. Other and earlier accounts have been proposed, notably the 1592 shipwreck, off Bermuda, of the Edward Bonaventure, a ship supposed to be connected with Oxford, perhaps even to be the vessel he commanded against the Armada. Matus gives the short answer -- consult Bullough's standard work on the sources for the parallels to William Strachey's 1610 letter on behalf of the Virginia Company -- but he also resurrects the history of the ship. He demonstrates that Oxford's only connection was to consider buying it in 1581, it fought in the Armada campaign under other command, and neither of the two supposed eye-witnesses described its wreck for the very good reason that neither was on board.

The engraving of the Stratford Monument in William Dugdale's 1656 Antiquities of Warwickshire is a favorite artifact for Oxfordians. The picture differs in a number of respects from the monument we know; notably, it lacks the quill and paper which the figure of Shakespeare now holds. Proceeding from this, it is supposed that these items were added when the monument was restored in 1748, probably to enhance its literary aura for the tourist trade; the cushion on which the figure now seems to write is accordingly assumed to originally have been a bag of grain, appropriate to Shakespeare's local reputation as a malt jobber. Pre! vious commentators have been content to cite the letter of Joseph Greene, the local schoolmaster and curate in 1748, to the effect that the restoration was committed only to preserving the original design; that a number of Dugdale's plates are similarly in error is also frequently stated. Matus cites Greene, and more importantly, he too denies Dugdale's reliability -- but not just at the level of assertion. He provides a couple of comparable examples of Dugdale's inaccuracy -- the Clopton and Carew tombs in Holy Trinity Church -- and clinches his argument with the instance of the effigy on the Beauchamp tomb in Warwick. As with the Stratford Monument, here we have existing statuary inaccurately portrayed in the Antiquities, we have the record of an intervening restoration begun in 1674, and, in greater detail, we have records of the restoration that seem to insist that no alterations were introduced. We also know who planned and supervised the restoration: none other than William Dugdale.

Shakespeare, IN FACT is continually generous in treating such claims with a respect appropriate to far more firmly based conclusions by providing abundant materials to refute them. It also strikes me as remarkable restraint, perhaps even mansuetude, that the book never mentions any of the most hirsute of Oxfordian suppositions: that the Earl of Southampton was the illegitimate son of Vere and Queen Elizabeth, for instance; or that Ben Jonson murdered Shakespeare.

No one in Shakespeare's lifetime, or the first two hundred years after his death, expressed the slightest doubt about his authorship.

Irvin Leigh Matus should be commended for his industry. It must be hard work wading through the anti-Stratfordian swamp.

I am writing in regarding to the following "review" of SHAKESPEARE, IN FACT by Irvin Leigh Matus posted on Amazon.com:

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0 of 7 people found the following review helpful:
Nice try, Irv, April 23, 2003

Reviewer: A reader

You know, the Stratfordians change punctuation of 400-year-old documents in order to further their cause. This author can't be trusted. It's a book for those who want their myths propped up, not demolished. Nice going, Mr. Matus.

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I happen to be Irvin Leigh Matus - that Irvin Leigh Matus (just to make sure I am not confused with the untold other Irvin Leigh Matuses). I will here note this letter is not intended for publication on the Amazon website, or anywhere else.

I feel some temptation to let this review remain online. I share Samuel Johnson's faith in the "common sense" of "common readers," which is justified by their unanimous rejection of this posting. I imagine with pleasure that its author may visit it from time to time to learn it has captured little interest and been judged to have no value. The results, however, do not negate the intentions of this "reviewer" or the substance of the review. Further, the small number who took the trouble to enter their negative opinion of the review undoubtedly do not reflect the far larger number who saw it and did not give their opinion, some of whom may have come away with a negative disposition toward the reliability of the book and its author.

The only thing in my book that might be the candidate for his/her review is a lawsuit written in Latin, which is discussed on pages 39-40 of my book, in which I give a full account of its interpretation. It so happens, aware that the Latin used in legal documents was different from the classical Latin as it was then taught, I spent ten months seeking someone with expertise in these documents. The punctuation was not, as charged, changed - the document is in fact unpunctuated - and the punctuation added was supplied to me in written form by the scholar mentioned (who is not a Shakespearean but an expert in wills, deeds, lawsuits and similar documents; he requested anonymity after giving the information to me because he didn't wish to be hounded by the controversialists - which the review in question justifies).

If this is indeed the item in question, perhaps Anonymous doubts the honesty of my claim that I consulted an experienced, respected archival scholar (page 40). I was in fact directed to him by the then rare books librarian of the Library of Congress' Law Library, and I still have the scholar's handwritten notes with his signature, which include his request that I "not cite this as a communication from me."

Two things need to be noted about the content of Anonymous' charge. First, by not identifying the specific item at issue, it could be anything in my book. It is the rule of controversialist scholarship, the error rate of which hovers around 100 percent, that a single flaw in a work of orthodox scholarship, whether perceived or actual - or fabricated - is sufficient in their eyes to cast doubt upon the accuracy and authenticity of the entire work. Second, Anonymous' primary purpose is clearly to impugn both my standards of scholarship and my integrity as a scholar.

It should be noted that in the ten years since the publication of my book, it has been reviewed and commented upon by scores of Shakespeareans and Oxfordians (many more of the latter) and this review is the only instance I know of in which my integrity has been attacked or I have been accused of falsifying facts. This is also the first time I have openly responded to a criticism of my book.

To the point, even without the foregoing, I am surprised that Amazon.com would publish an unspecific charge of falsified data by someone unwilling to give either his/her name or email address. Whereas I understand that it may not be feasible to research the accuracy and authenticity of what reviewers say, the form and content of this review should have raised caution flags. Circulating such blind remarks invites all kinds and all degrees of false charges.

This is especially significant because I suspect that more people may get opinion about a book from Amazon.com reviews than any other source. As you must be aware of Amazon.com's influence on the perception of a book, it should be especially wary of posting a review that contains statements that attack an author and his work anonymously. Nor should an allegation of scholarly malfeasance be put online that does not mention the specific item in which it is alleged to occur. There is, however, a compelling reason for not publishing such things on a website, which is that the publisher can be held accountable. Laws against libel do not stop at the portals of the Internet. Perhaps a still more compelling reason from Amazon's point of view is that it discourages sales of books, which authors don't much like either.

I therefore request that this review be removed from the Amazon.com website.

With my thanks for your attention,

Irvin Leigh Matus

Another great BBC production of the Narnia Chronicles. The only thing I could wish for is that the Emerald Witch didn't sound so terribly old. I feel she should sound more youthful and enchanting, but she sounds rather grandmotherish. Prince Rilian sounds quite a bit older than one usually imagines him, but the actor who plays him is fantastic. Eustace and Jill add a lot to the production with their chemistry, and Puddleglum steals the show. I should also mention that Brian Sibbley adapts this version lengthily to include more interaction between Prince Rilian and other characters before his enchantment, which is very intriguing.

Narnia... where owls are wise. where a prince is put under an evil spell. What made me pick this book is my cousin, Jefrey. he gave me this book when I was little. It begin when two kids get chased by some people & they decide to hide in a closet. There are four main character's
the witch, the prince. Eustace, & Jill. The witch puts the prince under a spell. Eustace & Jill is the people who save the prince.

This was one of the most exciting books I've ever read. It was full of suspenstion because you never knew what was going to happen next.The author was very discriptive and made the book clear. I reccomenade this book for people that are the age of 9-14 that like adventurous books.

The other reviews are of C.S. Lewis's book "The Last Battle." If you are not familiar with the Chronicles of Narnia, then it might be helpful to read those reviews. If you're familiar with the series, read on to hear what we think about the radio dramas!

We own all of Focus on the Family's Narnia Dramas that have been published to date (Sept 2002, and the Last Battle is next/last to be published in Oct 2002). We LOVE them all! Our son is 3 yrs old, and he will sit through almost an entire CD (all of the dramas are 2-3 CDs each), listening to the adventure! It's a great way to get him involved in the world of Narnia, and a wonderful alternative to T.V. One of the things that my husband and I enjoy about the series is that it is also captivating to adults. The actors are all British (as was C.S. Lewis), with an introduction by Douglas Gresham, Lewis's stepson. The actors maintain their roles throughout the series; for instance, the actor who plays the role of Eustace in "Voyage of the Dawn Treader" is the same actor who plays that role in "The Silver Chair;" the actor who plays the role of Aslan is the same in all the dramas. In a presentation that has many characters, it's helpful to be able to recognize the voices from one CD to the next.

We HIGHLY recommend all the CDs in this series. They're a great way to pass the time on car trips, and a wonderful way to encourage a child's (or an adult's!) imagination. They are wholesome, and have a clear message that good will prevail over evil, and that love and forgiveness are qualities to be cherished. Buy the whole series!

Just when you think it can't get more real or more intense, it does. This is not light reading, but if you really want to see inside the soul of real life survivor (not someone who can do 15 hours of shopping in a crowded mall,) this is for you. Silvie is my new best friend, putting all my petty problems into perspective and showing me again that we can be bigger than our environment!

SILVIE is more than a testament to the human spirit and its will to survive against all odds. It is more than the story of a beautiful and talented young woman on the brink of life and love, caught up in the unspeakable horror of Hitler's war against the Jews. Silvia Grohs-Martin, in her brilliantly absorbing autobiography, engages the reader's wide range of emotions; laughter, tears, chills, thrills, outrage, compassion and love, all within the context of a single chapter; at times, a single paragraph. A compelling read from start to finish, Ms. Grohs-Martin's acute sense of detail, her innate joie de vivre, and her delicious sense of humor combine to tell her true story of enormous courage, hope and, yes, romance against a background of modern history's most devastating and shameful period. Never self-indulgent or self-pitying, always taut and engrossing, SILVIE reads like a Steven Spielberg screenplay, complete with bigger-than-life heroine whose youthful exhuberance turns to heroic defiance in the face of her formidable enemy, one she cannot conquer on her own, but one she can survive. It was perhaps her youthful zest, her determination to live out a full, rich life that gave this enchanting young woman the strength and the ability to carry her through to personal victory, despite the treacherous traps she encountered at every turn. From her youth as an aspiring actress in Vienna to her years as an ingenue at Amsterdam's legendary Hollandsche Schouwburg (Dutch Theater,) to its transformation into a Nazi-controlled deportation center for the Jews, to her numerous encounters with Nazi officials, and her uncanny capacity to escape their clutches, SILVIE not only prevails, she soars. Ultimately, SILVIE's extraordinary account of survival teaches us all that although we may not always be able to control our external circumstances, we can always control our reaction to them. A completely exhilerating read! I love SILVIE -- the book and the woman!

"Silvie" is a testament to the spirit and love for life that is possible and should be celebrated. Silvia Gros-Martin shares with her readers a most incredible example of such strength. With a beautiful, yet haunting, style we follow her back into the bleakest time in our world's history. But as we look through her eyes, we see the world that she loved, the life that she lived with such vigor and passion, and the people that impacted her life, from her childhood in Austria, to her beautiful theatre in Amsterdam, to the Nazi death camps that she survived. The good times and the violently hellish times she endured are depicted with such vivid clarity and honesty that I felt as if I were there with her, sharing her laughter and witnessing her bravery. Taking this journey with Silvie will give the reader a look at this dark period in our history which cannot be found in a textbook. At moments we are joyous, at moments we are horrified by the reality of man's ability to hate and perform unspeakable acts of violence. Silvie's memoir provides a memorable and enlightening journey. I believe it should be read by everyone, for her story will inspire us never to forget or repeat the horrors that she survived. And, it will indeed remind us of our potential to love and embrace life, no matter how uncertain or rigorous that journey may be.

SILVI, by Silvia Grohs-Martin is a compelling, affecting and, at times, racking study of the persistance of life in a near void of humanity. Her four years during WWII in German concentation camps -- the longest at the infamous Auschwitz -- are presented not so much as appalling nightmares but as comparative portraits of the unbelievable tenacity of the human will to exist. Just when one feels overwhelmed with the vast array of Holocaust literature and media, SILVI belies the myth that we've "heard it all." The book reads almost like a spy thriller. A teenage girl, already a known singer and entertainer in Europe -- leaps from country to country, one step ahead of the invading Nazis. Surrounded in The Netherlands, with no hope of escape, Silvi finds work in the sole venue open to Jews under the Nazi occupation -- the celebrated Hollandsche Schouwburg Theatre in Amsterdam. While most Americans know of Anne Frank's ordeal at the time, the Schouwburg and it's role as the city's only permitted Jewish theatre/gathering place/art gallery/coffee house and even marriage facility, will come as a surprising revelation. The vast number of Jewish and non-Jewish citizens whose lives were affected by this venerable landmark of the arts is inestimable. When the Nazi's finally close the Theatre, Silvi and her fellow actors are forced to guard their former audience as citizens are hauled to the Theatre and held for deportation. Working secretly in the Dutch Resistance, Silvi is able to convey a number of Jewish children to safety in the countryside. Finally, as she is about to be deported herself, she escapes in a desperate attempt to reach Switzerland. Captured in Belgium she spends the next fours years as a "guest" of the Gestapo regime. Told with a keen narrator's skill of observation and attention to detail, SILVI is at times sad, humorous, appalling, enraging, unthinkable and always, always engrossing. You will not put it down!

Both versions of this map are drawn by Antonin Rukl whose Atlas of the Moon in book form is currently the gold standard for readily available paper lunar atlases. While the scale is smaller here, the amount of detail will be sufficient for the vast majority of telescopic observers.

But what distinguishes these maps is how well they're designed. Laminated, folding in quarters and just about the perfect size, it's plain that Sky Publishing meant these to be practical and rugged.

Also, two very nice touches. The lunar surface features are repeated where the map folds so no details are lost "in the ditch". And each map quadrant shows the libration zones.

This map is excellent.

I am workinkg part time for Planetary of University of Santiago of Chile, and when is necessary watch the moon by telescope, I was received many children to make excursions over moon surface. Then I was used this map, to locate place where astronauts from Apollo 11, put their feet first time on the Moon. I give to children locate trought mirror scope, many moon features: Seas, Hills, craters, until arrive aproximately over site, where man from earth, arrive there. Is very funny to children and adults too.
Fernando Franco Blü.
Rancagua, CHILE.

I loved this Mirro-Image of the Moon so much I bought two, one to hang in my bedroom and one to use at the Telescope. With my Celestron C8-SGT and the mirror image I'm not constantly correcting myself and can find eveything so much easier. And its laminated, when helps when the Dew and late night moisture comes in. I have about ten sky atlases, but only this one and another are laminated.

I decided to buy this Mirror-Image field map because I have a Schmidt-Cassegrain telescope that also reverses viewed objects. I already had the true-image field map, but I had a lot of difficulty using it because I'm a novice of lunar topography. The reverse map made such a difference in my ability to see and identify landmarks. The map is laminated and folded, separating the moon into four quadrants. This makes it easy to handle and use without worrying about nighttime dew. I took it to an astonomy club star party, and showed several experienced amateurs. None had ever seen this particular map before. It got rave reviews from them too.

It has been a long time since I've read a sports manga this good! Everything is so awesome, and the funny moments are hilarious too. How Hanamichi seem to embarass himself as an amateur basketballer yet gain fame thru it is puzzling but that makes the manga better. I thot I saw the best when I watched the anime, but after reading the manga, it was a whole lot more interesting.Seriously. The anime stops around the time when Shohoku qualifies into the national. But the manga goes on and on till the 2nd round of the national against Sannoh. That is the best game played in the manga besides the one against Kainan. I mean, it took up almost 7-9 volumes just for that game against Sannoh! Very beautiful game, and there are tremendous changes in Shohoku's players (read: between Kaede Rukawa and Hanamichi Sakuragi)

I can't praise this manga/anime enough. People who are wondering how good this is should really read this or watch the anime. It is hilarious and yet have crying moments. It has it's ups and downs just like the real life. It cuts through you when you read it. Very enjoyable. Very addictive and yet not for the faint of heart. Did I say very addictive? It is impossible to have one dose of this.

This manga is known as one of the best mangas of all time (alongside with Dragonball). While it was running in the manga magazines (which was quite a few years ago), it spawned a basketball craze in Korea. The storyline may seem quite cliched, but the way the story is told cannot be beat. It has sold over 100 million copies in Japan and still is a steady seller. If you have not seen this, you need to, because after it every other sports manga will seem like a pale imitation of it.

I just started reading mangas a while ago, and the first one I ever read was Slam Dunk. I treid to read it during school, but it turned out to be so funny and catchy that I was laughing out loud (and falling down stairs cause i couldn't put it down) for the rest of the day. After i finished it, I continued with other mangas, but I can't seem to find one like this. It's hilarious, but also is really true in the ways it describes teenagers. If you had to read one manga, this should DEFINATELY be the one.

Oliver Sack, MD called this book, "a remarkable account of what it means to be paralyzed, speechless, incapable of communication yet fully conscious... and to struggle back, over the years, to an active and creative life."
I was fascinated by this feminist film maker's candid account of her devastating stroke, and learning to live with disability after seeking out a variety of therapies. You see her struggle with depression, overcoming access barriers, dealing with insensitive hospital staff, and coping with the details of bodily disfunction.
It helps me to understand the experience from the inside view. Quite enlightening.

This book should be required reading for anyone in the field of rehabilitation. And it is a tremendously inspiring story for all of us who wonder how we could ever manage if we were struck with a disabling illness. If it were fiction it would be a great read. The fact that it's a true story gives one goosebumps as well. Bonnie Klein suffered a devastating stroke. This book is about her recovery - both physical and psychological - and the wonderful love and support she received from friends and family, especially from a wonderful husband. It also shows the predjudice and meanness of some people when they are faced with a person who is "different". And the ignorance and arrogance of some of the rehabilitation "professionals" she encountered along the way. It is a story of terror, hope, the tremendous importance of love and support, and how one finally comes to terms with being less facile physically than one used to be. Bonnie Klein is a hero. Her family and friends most loving and genuine. It is a great read.

Ms. Klein establishes important rules to live a fruitful, productive lifestyle, despite a chronic illness: Live life by celebrating life. Independence is control over one's own life measured by the quality of life sustained with whatever help is needed. Sometimes dispair can lead to depression. Sometimes, it can be motivating.

This is a great book! I have read a number of books written by stroke survivors and this is one of the best. This may well be because the book was completed several years after the event. This time gave Ms. Klein the chance to gather and refine her thoughts and experiences.

I am also a stroke survivor. Her acknowledgement that she experienced progress long after the stroke was especially encouraging to me. The medical world says that all progress stops in 3 months to a year. My experience is that the body is a living entity, which is forever changing. So, it makes sense that it would not stop changing because of any medical condition.

The book has humor and is written in a warm and caring context. I would recommend it not only for stoke survivors, but also for caretakers and for health professionals

This book will keep you running to the next story. Some of these are 1st time authors and they did a very good job.

Love and Fate, This Christmas and The Big House with the Island Stove and Shayla story were my favorites. I would like to see all of these as a full novel.

Job well done to Amiaya Entertainment for this talented authors on there team.

This collection of stories were the bomb. My favorite was A Big House with an Island Stove. The ending was crazy. I liked Shayla's story too it made me want to cry. I would definitely recommend this to others; it was a great read!

I must say that all the stories in the book were good. But the best story was Shayla story. I had to read that story about 3 times because it was so good. It was about a girl who falls in love with a drug dealer from the block and her mon would do anything to keep them apart. She leave town with a secert that she thought no one knew about. Does the secret get told or do she hold on to it for life. If you want to know get the book

This is a book full of short stories... I enjoyed all of them but "LOVE AND FATE ...UNCLE KENNY" it makes you wonder about the saying don't bring no other women around your man.

"THE BIG HOUSE WITH THE ISLAND STOVE" lets just say that Claudia "mama Jonesy" dreams came true in the worse way.

"THIS CHRISTMAS" let's you know fast money aint good money and how far will you go to take care of you family when times get hard.