Entertainment Books

The Lord of the Rings The Fellowship of the Ring is an action packed magical thriller. It keeps you on edge with every flip of the page.
The book begins with the old Bilbo Baggins planning for his one hundredth and eleventh birthday. Half the Shire's been invited! It looks as though it'll be a night to remember. When Bilbo vanishes during his birthday speech, he leaves the crowd in awe. Seeing as how he is now leaving, for another adventure, and shan't be returning, he leaves his precious Bag End and all his possessions behind. His heir and second cousin one-removed, Frodo Baggins now has to carry the responsibility of taking the One Ring to Mordor to be destroyed.
To get to Mordor, Frodo must leave his beloved Shire and travel through Old forests, empty plains, and rocky mountains. He soon reaches Rivendale, with the help of a strange Rider, Aragorn, and an elf named Arwin. From there, Frodo and his three faithful companions, Merry, Pippin, and Sam become part of the Fellowship of the Ring.
To find out more, read the book!

I found this book to be delightful at all hours of the day for all ages! I highly recommend it if you're looking for a great adventure with out even leaving your couch!

Once I bought the guide, it took me about a week to finish the game. Since then, I've decided to play it again, without referring to the guide, to see if I can make it all the way through by memory.

The book is very comprehensive, and avoids using terms that the casual gamer wouldn't understand-it doesn't talk over your head, and it's very straight forward and easy to understand. The screen shots are helpful, so that you can see what sections of the game they're referring to.

As a little added perk, this book, while showing you all of the ins and outs, still leaves a couple of tiny goodies out-not essential ones, just a couple little perks, so it still pays to explore as much as possible to see if you can find them. To me, that added to the fun, and I didn't feel like the book was doing *all* of the work for me. For instance, the book doesn't mention that, if you can find Gollum, you can get a little treat from him!

I highly recommend this game guide; in fact, I'm off to the bookstore today to pick up Prima's game guide to another LOTR game!

Mabel, by Betty Harper Fussell (Limelight Editions, 1982),is a very well-researched and cleverly written book. Ms. Fussell madea unique connection with Mabel Normand via her grandnephew, Stephen. He himself was deeply intrigued by his great-aunt Mabel and nursed an obsession to know as much about her as he could - he even looks hauntingly like Mabel. Beyond the blood ties, it was this remarkable resemblance that encouraged the confidence of Mabel's nurse/companion Julia, who had cared for her during her protracted struggle with tuberculosis. Julia was 94 and in fragil health when she met Stephen; however, she never forgot any details about her beloved Mabel.

Some well-guarded secrets were revealed to Stephen after he got to know Julia well. Ms. Fussell skillfully pulls together many elements of Mabel's life and relationships. She gives us a fully formed picture of the complex, but bittersweet, "Diving Girl." Mabel was a muse, and she was amusing. Charlie Chaplin worked a lot with Mabel while under contract at Sennett's Keystone Studio. He was even (begrudgingly) directed by her in several short films, yet said unequivocably that "everyone adored Mabel."

Betty Fussell tells us in riveting prose why Mabel Normand was so adored. We get to know more about Hollywood's first "I-don't-care" girl than we ever knew before. Equally impressive is the detailed filmography and the nice collection of photos. This book is an absolute must for silent screen lovers. Thanks to Fussell, Mabel comes back to life in these pages.
- Copyright, 1996-97, Diane MacIntyre, "The Silents Majority"

I'm not sure if working people are portrayed as negatively as Parenti has described it. If we only take Archie Bunker as an example, then yes, but filmmakers love to advance the theme of the powerless versus the powerful, because the opposite doesn't go well with audiences. Perhaps Parenti knows something I don't on this issue.

Parenti's favorable ratings of two films - JFK and Salvador - made me want to see them - over ten years after they had been released. I managed to see JFK, and it was great. I am still looking to see Salvador.

What I would like to see is an updated version of this book, since there has been more Hollywood propaganda released since the original version came out.

Maybe the best chapter concerns profits and censorship. It's no news to point out that the networks and advertisers are in it for the money. But it is news to point out those instances when producers actually forego profits for the sake of respectability. Parenti details instances when industry has eaten losses rather than jeopardise the system of wealth and power it serves. For example, Procter & Gamble, TV's biggest advertiser, makes this allegiance clear by banning all content critical of Wall Street and the Pentagon from scripts it sponsors. In fact, most scripts - as Parenti shows - go through not 1, but 4 levels of censorship. No wonder, the public walks around in an ideological haze wondering why the world hates us -- and so much for the dollar sign's being more important than the system of which it is a part.

Another telling chapter concerns one of entertainment's most popular myths: "We only give 'em (the audience) what they want." Sounds good. But, as Parenti documents, despite this appeal to democratic ideals, the entertainment marketplace is anything but democratic. He sketches out control points or nerve centers that reduce real choice to pseudo choice, sort of like a multiple choice question whose options are narrowed to a desired range of outcome. All this is made sorrier by indications that American audiences respond to forbidden topics on those rare occasions when they seep through.

No book that debunks the FBI's screen role in the civil rights movement, or points out the class conditioning behind TV's version of Treasure Island, can afford to be overlooked. Whatever the book lacks in depth is more than made up for in focus. Despite his unperson status, Parenti remains a key figure among dissident academics banished to the book-selling fringes. Recommended to all those who understand TV viewing as anything but a passive pastime.

If you decide you have to read one TS autobiography in your life, this is the one you should read! Calpernia has written a truly amazing literary journey! This book also stands up as great art. I mean that. I think that she should continue to write books. She is gifted, and could write great novels.

In the bible the book of Mark, chapter 9, verse 47 begins with "And if thine eye offends thee, pluck it out," a dramatic metaphor for the sex change that she'd wanted for many years. The title of this work is a jab at the biblical scripture she was bombarded with from early childhood. To escape this strict world, and her own inexplicaple feelings, Calpernia ran away to join the Navy, ending up in Desert Storm. Later, on a lonely outpost on an Aleutian island, she becomes increasingly aware she does not fit in as a guy.

The remainder of the story details an ongoing awakening into her sexuality and gender, from her first steps in "drag" to her crowning as Tennessee's Entertainer of the Year. Sweetly yet tragically, these pages introduce and then all too quickly take away the love of her life, Army PFC Barry Winchell who loved her as his girlfriend. The final chapters vividly portray her anguish, the dazed nightmare of the murder trial, and her beginning steps into acceptance.

This is an amazing and touching first book, one that I would recommend to anybody.