Entertainment Books

i need strategies & secret

I know that Imperialism 2 is a great game, and I want to make this cheaper, I bought a "internet cracked cd" that includes the game, so I played and liked it.when I saw the help issue (within-
the game),I saw the manual,and I asked myself what the heck is that manual.And so I wrote here and found out.

aleady out of words,
xxxxx!

I'm one of those people who buys every strategy guide for every game I have worth playing. The guide for Imperialism II is one of the very best I've read. It contains very helpful advice on sound strategies covering each aspect of the game and has a very helpful section outlining research options. Highly recommended.

I was pleasantly surprised by the information content, analysis, and true strategic content in the strategy guide. At a time when few strategy guides for war and strategy games are worth buying, this is a strong exception.

I was pleasantly surprised by the information content, analysis, and true strategic content in the strategy guide. At a time when few strategy guides for war and strategy games are worth buying, this is a strong exception.

I found the book to be a great information resource into her life and career start. The only thing I didn't like about the book was the out of order details, found to much jumping forward then back, or back then forward, but other than that, I thought is was a great book and I still love jenny in a big way, she is the greatest.

When my boyfriend gave me this book as a joke for my birthday, I didn't find it very amusing! You see, up to this point, I was one of the hopefully few "Jenny-haters" out there. But I decided to give the book the benefit of the doubt and give it a whirl, and I have to say that I was more than just pleasently surprised! Jenny McCarthy is not only very down-to-earth, but she's witty, hilarious, and quite frankly...normal! It was so refreshing to read that she isn't perfect after all - that she had acne, and stretch marks, and bad hair days, and bozo boyfriends. This book flys by, and I really didn't want to put it down. I am so glad I decided to read this book, not only because it was 100% entertainment, but because it gave me a chance to meet the "real" Jenny McCarthy. I loved it!

It tells us secrets about Jenny never evealed before.It's a little costly but well worth it.

The title should tell it all: Jen X. It should read Jen O because she is a negative interger. Take away those breasts, and she is just another annoying self serving celebrity with little talent. This book is a must read for airheads, retards, mutants and crackheads. Enjoy!

I think the book was one of the greatest books i have ever read. i could realate so much to her. she is my like idol and i was so happy when i found out she had a book coming out. i bought it the very first day i saw it at the mall. one day i hope i can meet her but i know that will never happen but all in all the book was really good~! i think everyone needs to buy this book and see just how much she is like anyone of us!!! well if your out there jenny mccarthy i just wanna say hi and maybe i will be lucky enough to see you one day! i love you! you are so cool! well people i have said enough, now you need to go get the book that i am raving about!please buy it! it will make me happy! well cya people! hope you read this jenny!!!! from: Your biggest fan in the world!!!!jenny h

This book was exactly what I was looking for. It has just enough about Julia's background to let you know what lead her to become The French Chef without being overwhelmed with minutiae. The book focuses mainly on her love affair with food & its preparation and her drive to get people to go into the kitchen and cook. If you enjoy watching Julia, you'll enjoy this book.

This short biography, one in the wonderful Penguin Lives series, is an excellent overview of Julia Child's life. Laura Shapiro writes well and keeps the narrative flowing. It was a joy to read.

Did you know that Julia Child had an eye job and three face lifts? That's not the only surprise that lurks inside this deceptively small book. Author Laura Shapiro has written a biography that is mostly sympathetic to its subject, but doesn't shrink from showing Child's less attractive qualities. She was opinionated and rarely shrank from saying what was on her mind. She had no patience for people who didn't agree with her about food. She had no use for vegetarians, organic food, or California cuisine. To friends, she made some homophobic comments. In public she did not.

Shapiro has managed to fit a lot of fascinating information into 181 small-format pages. Unfortunately, the Penguin Lives publishers didn't see fit to include an index, let alone notes. Shapiro addresses this in a note at the end of the book, offering to provide sources for anyone who requests them. It seems likely that most of the quotations she provides in the book were from letters Child wrote to friends or from published interviews.

Even if you've already read about Child's spy days, her introduction to French food, and the first TV shows, here's your chance to read about her breast cancer, how she coped with her husband's decline after a stroke, or what she really thought about McDonald's.

A delightful book that renewed my interest in food and got me browsing through the Julia Child cookbooks I own. One sees all the effort and hard work that she and her dedicated husband put into her TV shows. My husband and I enjoy cooking and since reading this book, we have regained some venture and enthusiasm in trying new dishes. And even if things don't always turn out, neither did Julia's. One learns from mistakes, goes on and tries again.

A great insight to this wonderful woman, ahead of her time, and her attention to detail to traditional French cooking. A great read.

This book is awesome..I mean if your already a crazy Shahrukh khan fan like I am, then you will know a few of the facts mentioned in the book but it is so fantastically written and a definite collectors item for all bollywood junkies. Overall I definitely reccomend this book, worth the price for sure:D

I fell in love with the Bollywood cinema in August 2005. After watching hundreds of movies I felt a hunger to know more, to understand what makes it tick, what lies behind the colour, drama, music and obsession with Indian movie stars. I was looking forward to "King of Bollywood: Shah Rukh Khan and the seductive world of Indian cinema"-it sounded most promising. When I got hold of the book (thanks to Amazon)I couldn't put it down. I devoured every page, every bit of information-loved everything about it. I recommend the book to anyone who is interested in Indian Cinema, you will find it to be a fascinating insight into what makes the industry so alluring and powerful.

Bollywoodmania is an addiction. For Westners that will discover and appreciate it in the next years (and be sure they will!) it is the disclosure of a fairytale world of moviemaking that was there all the time but that we simply didn't know. Well, when this will happen the first and probably most important gateway will be the actor and the movies interpreted by Shahrukh Khan. And after having seen some of these, no one will be able to resist curiosity on this great actor.

Anuparma Chopra is a member of the Chopra family that makes up the establisment of Bollywood and is also an estimated journalist. From her priviledged point of view she has written this biography of the still young King Khan integrating his personality with the history of Bollywood cinema in the last 20-30 years. Naturally, the biography is authorized and as such may not contain episodes that are not consistent with the image modern Bollywood and Shahrukh Khan want to convey. All the less, there is a sincerity that transpires throughout the book and allows the reader to connect with the actor and his environment.

The first part on the youth of the actor is full of episodes and sometimes takes on a mythical aspect, but that is a common feature of all biographies. The chapters on the later years are a little sketchy and skip many well known facts. But we must not forget that this book has and will have a different impact on Indians or the Indian-culture public and "Westner's". The Author wanted to write about something new or at least not well known to her main public, that practically reads at least two or three articles a day on Shahrukh Khan. Reading the Indian reviews of the book that criticize the small amount of new information this aspect is very evident.

The book's point of force is the analysis of the reasons for Shahrukh Khan's success, that trascend the actor's talent and are deeply rooted in the transformation of Indian society and how modern Indians envision themselves in these years. An important weight is correctly given to the directors (Chopra and Johar) that have created Shahrukh's winning image and cinema personality, while some movies and directors he also worked with are only mentioned.

The bibliography is quite extensive for a short biography such as this and cites many interesting books on Bollywood cinema. A filmography of the actor is missing and I would have appreciated a brief comment on his less well known movies.

I suggest to read this book even if you are not a Shahrukh fan just to be updated on modern entertainment and on the reasons and pulsions that contribute to create our "collective imagination".

Title: King of Bollywood
Author: Anupama Chopra
ISBN: 978-0-446-57858-5
Publisher: Warner Books
Review By: Diana Rohini LaVigne, Indian Life & Style Magazine

Packed with scrumptious lesser known facts of one of, if not the top Bollywood actor of modern day, Shah Rukh Khan, King of Bollywood is a fun book to read and fun book to share. Being one of the most talked about personalities in the world today, SRK is a legend already but King of Bollywood feeds the hunger of his fans globally on what is the man like behind the mask of superstar.

Although it shies away from some of the less flattering aspects of the actor's life and lifestyle, it does deliver some notions of challenges faced, failures along the way and allows readers to travel from his days as a penniless boy traveling to Bombay on a whim to the grand master of marketing and box office smashes. His story is so extraordinary and almost bigger than life, but Anupama Chopra tells the story in a way that allows fans to follow along and relate their own personal struggles to those of the actor's. Expertly written, King of Bollywood puts SRK's life into chronological order while recalling old memories into current day stories for insight into his physiological make up. Chopra really works on getting the actor's words into the book and calls on friends and family to help build the story from outside his prospective.

There is no doubt that Shah Rukh Khan is a master at the game of Bollywood and the art of persistence. King of Bollywood tells the tale of a boy, turned into a husband, who becomes the actor he always dreamed of being and then remaining the man he always was at heart. This wonderfully written book will provide entertainment to Bollywood lovers around the world and for ages to come.

Coming in at 250 pages, Anupama Chopra's authorized biography of Shah Rukh Khan covers from his parents' courtship in 1959 to January 2007. Ms. Chopra adds more details to Shah Rukh Khan's familiar backstory: on his father's business ventures, Shah Rukh's time at St. Columba's School, his parents' illnesses & deaths, & Shah Rukh Khan's training as an actor & his first steps in Mumbai. Several facets of Shah Rukh Khan's career are highlighted, particularly his daring acceptance of the anti-hero roles in Baazigar & Darr, the importance of Yash Chopra, Aditya Chopra, & Karan Johar in the creation of his screen persona, being contacted by the Mumbai mafia, box office slumps, in India, during the Dreamz Unlimited period, & resurgence with Veer-Zaara & Devdas. One gets new details on SRK's life & career but many questions go unanswered, like how did Shah Rukh train to dance, which parent did he inherit his dimples from, & what is a shooting day like on set?

Anupama Chopra's writing is skillful, so much so that I wished this biography was 3-4 times longer & more academic & detailed. There are no endnotes or footnotes within the chapters, but there is an extensive bibliography, arranged by chapter, at the back of the book & a list of people interviewed. There is information on Khan's parents that I had not read before, but Shah Rukh Khan's statements appear to be from past interviews. There are new photographs in the book provided by family & friends of Khan. I wish Ms. Chopra had given more information on the evolution & workings of cinema in Mumbai, on Shah Rukh Khan's & his family's personal lives, & on the family clans that dominate Hindi cinema. Neither her treatment of Shah Rukh Khan's career to present nor the discussion of Hindi cinema in Mumbai feels complete. However, I thoroughly enjoyed her writing (& the thoughtful translations of Hindi words & movie titles) & recommend the book for those who enjoy Shah Rukh Khan's work & Bollywood movies.

This is a useful book for any author who wants to understand the many important issues and details in a publishing contract. As a literary agent I want my clients to be as knowledgable as possible in all aspects of their careers. For those that are interested in understanding every contract clause and detail, I recommend Kirsch's book wholeheartedly.

Please understand, though, that this is an incredibly detailed, expert look at every clause in a publishing contract, which an agent negotiates on an author's behalf. If the nuances of legal language aren't of interest and you would rather just get an overview of key contract issues, I'd recommend Michael Larsen's "Literary Agents: What They Do, How They Do It, and How to Find and Work with the Right One for You" instead, or one of the other books on the business of publishing.

If you've ever received a book contract from a general publisher, it can be a frightening experience. I know firsthand because I have a number of these contracts in my files--which I have negotiated and ultimately signed (and the book was publisihed). Also I know how it feels to be the editor negotiating with the writer or the literary agent, since I'm an acquisitions editor for a book publisher.

Jonathan Kirsch takes the mystery out of the legalese in this comprehensive title about book contracts. Every author, editor and literary agent needs this book to increase their knowledge base about book contracts.

The best way I can think of to describe the value of Kirsch's Guide to the Book Contract is to quote from my own book Successful Nonfiction.

"The contract you receive from your publisher may be in two colors and printed on fancy paper but it is not chiseled in stone. Only new authors sign and return a publisher's first offer. You may make changes to the contract and return it-that is a "counter offer". The contract may go back and forth until someone "accepts it."

"I took a distressing telephone call from an author who had just received a contract from a large New York publisher. There were a total of 21 items in the contract she didn't like or didn't understand. After discussing some of them, I suggested she call her editor and have a discussion. Better communication was certainly required here.

She called back two days later, both astonished and delighted. When she asked about the first paragraph in question, the editor said, "that's okay; you can have it." She got what she wanted on the next paragraph in question too. On one other paragraph that concerned her, the editor said something like, "Well, that sounds like this but in the book trade it really means that; so it isn't a big issue."

The result: she got 19 out of the 21 things she asked for. So contract discussions do not mean pulling the wool over the eyes of your publisher. This was a win-win negotiation.

"Take the contract to a book attorney (not just any attorney, not a contract attorney and not a media attorney). When it comes to literary properties and money, you need professional help. And make a counter offer." Kirsch's book will help you understand the publisher's contract.

Jonathan Kirsch is a well-known book critic and book attorney in Los Angeles.

As the author of 113 books (including revisions and foreign-language editions) and over 500 magazine articles, I highly recommend this book to writers and publishers everywhere. DanPoynter@ParaPublishing.com.

This book shows you a sample contract then breaks it down and explains every little piece. There are many alternative clauses too, showing you how to retain different rights and territories, handle secondary rights like audio and movie, and so on.
Even if you have an agent representing you, you would want to understand everything in your contract before you sign it.
My copy of this book is annotated from one end to the other, with folded corners, underlining and pen scribble highlighting the bits I consider most important. Bring on that contract...

Excellent for writing Author/Publisher contracts from the perspective of the Publisher. Explains each clause in the sample contracts, gives many many variations, and helps protect the publisher from many events that (in my experience) other lawyers/books did not include in their contracts.

Highly recommended, probably the only book you need to check your lawyer's work or probably even write your own contract from scratch.

If you are an opera fan, you will probably enjoy a lot of the behind the scenes anecdotes in this book. Most interesting for me were the parts that discuss working with high-maintenance divas and conductors (especially Karajan). There is also a very disturbing section about a stalker who followed Nilsson around the world for 9 years.

There are also many paragraphs of the form "In 19xx I performed such-and-such opera in such-and-such theatre alongside so-and-so who was a wonderful singer and so-and-so who was really good on stage etc etc." These get kind of boring --- except in those cases when the performers played practical jokes on each other. Because of the boring parts, I found it a little hard to motivate myself to read through the whole book, but there are a lot of good stories in there.

Nilsson fans will also appreciate the discography. She was an awesome singer.

This autobiography by Birgit Nilsson was originally published in Swedish in 1995 and in German two years later. This 2007 English translation of the German edition is by Doris Jung Popper, an American who was herself a former Wagnerian singer in Europe. It is for the most part in graceful, witty and seamless prose which catches the informal and down-to-earth way Nilsson spoke. We are taken from Nilsson's life as a farm girl in Sweden through her discovery locally, her schooling in Stockholm, her first breakthrough there and then internationally and her acclaim as the greatest Wagnerian soprano since Kirsten Flagstad. We get backstage stories about performances in New York, Milan, Stockholm, Vienna, London and, of course, Bayreuth. We read about her long happy marriage to Bertil Niklasson, a veterinarian. She shares funny and warm stories about her colleagues, not sparing those with whom she crossed swords -- most notably Rudolf Bing and, much more so, Herbert von Karajan, for whom she is particularly disdainful while admitting that he could draw magnificent music from his performers. She relates the details of her having to deal with her stalker, Miss N., a story well-known in opera circles but which may come as a surprise to some readers. One senses that Nilsson withholds some details in the interest of sparing the feelings of some opera world luminaries who are still with us. This reflects positively on her genuine concern for the feelings of others but might disappoint those who are looking for 'dirt.' There is a discography and a detailed chart outlining events in her life, as well as a compendious index. As well, there are over 60 black-and-white photographs from all periods of her life.

Warmly recommended.

Scott Morrison

This is a wonderfully entertaining read about a thoroughly gracious and unexpectedly humorous lady. I knew that she reportedly had a lively sense of humor, and this book chronicles that fact. It is especially nice to know that this book was not "ghost written," but was just translated from the Swedish.

I was never privileged to meet or know Madame Nilsson personally, but her memoir, _La Nilsson: My Life in Opera_ makes me wish I could! She was a bright spot in the world and her death in late 2005 was a huge loss. I have certainly been an admirer of both her singing and of the woman herself for many years. I do own her earlier book, _My Memoirs In Picures_, which is largely a wonderful collection of photographs from her life and career, and whetted my appetite to know more about her. If you can find a copy, I recommend that book as strongly as I recommend this longer memoir.

That appetite has been mostly--if not completely--satisfied by La Nilsson, an easy, accessible and "can't-put-it-down" fascinating account of her life. This book is just what I would expect of Birgit Nilsson, unpretentious, friendly and conversational in tone, but awe-inspiring in terms of her artistry and long career; her great accumulation of knowledge and experience, and about comic moments onstage and off that made me laugh out loud. Some of the funniest of these deal with language barriers, and the difficulties of correctly interpreting foreign musical terms that were misheard, or misunderstood. She is never mean in spirit, although she doesn't sugarcoat her personal difficulties with von Karajan, and sometimes with Karl Bohm, and Rudolf Bing. But in all cases, she writes in detail about what she admired about them, too. She gave as good as she got in the area of verbal self-defense.

She writes warmly about all her many long-time friends and colleagues on the operatic stage, most notably Wolfgang Windgassen, Set Svanholm, Jon Vickers, Astrid Varnay, Leonie Rysanek, and Hans Hotter. She was a trouper through some harrowing experiences, and while she did not put up with a lack of professional consideration from anyone, she did not just wilfully indulge in "temperamental diva" behavior. No wonder so many of her colleagues loved and respected her!

Madame Nilsson also writes about her parents and her beloved husband, Bertil Niklasson, with great warmth, although she doesn't gloss over some of her frustrations with both parents during her childhood and adolescence. The twelve years she had to deal with her stalker, Miss N. filled me with sympathetic dismay, as I had no idea Madame Nilsson had had to endure that persistent, threatening intrusion into her life.

I highly recommend this memoir to any admirer of Madame Nilsson's in particular and of any interested opera fan in general for the insight into the career of one of the great singers of the 20th century in her own, very witty words.

Melissa Houle

At last an English translation of this wonderful biography. It is written by Mme Nilsson herself - no ghost writer here. The book is filled with lots of interesting details from one of the most spectaculare careers ever on the international opera scene. Behind every word you can feel the sympathy and warmth of a really great but also earthbound star with great intelligence and - a great hearth. When famous film director Ingmar Bergman red these memoirs he tells in an interview, that he had never laughed so much and so often when reading a memoir before. That says a lot. A must for all opera fans.

Thing is cool! We dropped it on the floor and it only one piece broke off! Buy it! It's cheap to buy but not to play with!

This is the first Alpha Team LEGO i got andih every Alpha lego is like this then by the end of this week you woudn't even be able to walk through my room! It is VERY durable, fun, and at a GREAT price! I like how it transforms in seconds! I only gave it three educational stars because it doesn't really teach you anything, but it is good to memorize how to transform it (witch is really easy to do). I would recomend this to EVERYONE!

this is worth the money, its very durable, i like how it trans forms. its a great toy, very educational,durable,fun, and everything else.. a definite buy fot lego fans and alpha team.

The Lego Alpha Team series is essentially "James Bond", or perhaps "Mission: Impossible". Ogel is an evil "Bond villain" character who is trying to take over the world. He has numerous skeleton minions who do his bidding as he builds and operates high-tech gadgets to aid him in his bid for global domination. Alpha Team is a team of top secret agents who use high-tech gadgets and cool vehicles as they track down Ogel and try to stop him.

During their first outing, Alpha Team stopped Ogel from using mind control orbs to take over the world. Their second outing took them underwater in "Mission: Deep Sea". Their third outing appears to take place in the Arctic, where Ogel is using ice orbs in an attempt to freeze the entire world... or something like that. As far as the plot and story go, there's plenty of room for creativity here. Just use your imagination and make stuff up.

This set builds a very cool "Ice Blade" snowmobile vehicle that transforms into a helicopter (no disassembly required). Just make a few adjustments, and your Ice Blade transforms into a helicopter. The design here is very clever!

The Ice Blade has a cockpit with opening canopy that seats one Alpha Team agent. Also included is one of Ogel's ice orbs. Colors are light blue, dark blue, light gray, and black, with some white here and there. We also get some nice transparent orange pieces. A mixture of Technic parts and regular parts go into the construction, with numerous moving mechanisms for the vehicle's transformation. In either form, the vehicle's durability is well above average.

My verdict: thumbs way up! This is a great little set that's fun to play around with. Alpha Team has always been solid fun, and this new series improves on the previous ones in many ways.

This toy is so cool. It can turn from a speeder to a stealth helicopter in seconds. It is a great price! It comes with the minifigure Arrow. It has 107 pieces in it. I recommend it greatly. I also recommend the Snow Speeder for $6.99. They go together like peanut and jelly.

This book is filled with GREAT information for anyone interested in working with various 'toys' for Linux. I was privileged in being part of a class presented by Tom Weeks in regards to MythTV (he assisted with the chapter in the book) and it is great information!

If you are interested in getting the latest information for various additions to your Linux box, then this is a must-have. If you are even interested in any extra features you can configure on your Linux box then you will not be disappointed!

WARNING: Your pocket book might suffer after reading this book from all the new hardware you want to buy!

You can make really useful things based on the Linux OS, and this book makes it easy! Highly recommended!

Readers of this book will find it VERY well written. It appeals to everyone, from those more proficient in Linux, to those (like myself) who are still learning. I'd highly recommend this book!

I recently saw Tom Weeks do a Myth TV presentation where you can build your own Linux based PVR, which is covered in his chapter written in this book. This is a great resource for the computer hobbyist, amateur or enthusiast of gadget-lover! Easy to follow and fun to read!

This book clearly explains the details needed to accomplish all projects.

I happen to be quite a fan of big, sprawling epics, no matter what the medium may be. "Lone Wolf And Cub" is certainly turning out be quite an interesting one indeed. Continuing the plot from the previous volume, samurai-for-hire Ogami has been seperated from his son Daigoro during a brutal attack by his former masters, the Yagyu. As we begin this book, Ogami is on the search for Daigoro, but on his way he will run afoul of assassins and lone samurai. This volume lays out some great stories, as well as new developments in the series that will keep me reading indefinitely. For those unfamiliar with the series, it's best to start back at the first volume. For me (entrenched in the series already), this is another piece in Ogami's search for vengeance and another piece in the big puzzle of Lone Wolf And Cub.

The Yagyu letter continues to gnaw at Yagyu Retsudo who gives ample proof in Volume 13 of the Lone Wolf & Cub saga, "The Moon in the East, the Sun in the West," that he will go to any length to get his revenge on Ogami Itto. In the five chapters of the manga epic included in this volume is the most shocking act of violence we have yet wetness in this bloody saga:

(64) "The Moon in the East, the Sun in the West" has Retsudo ruminating on how he has sent all of his legitimate sons to be slaughtered by Ogami Itto. But the old man has an illegitimate son and daughter, and horrible plans for them both.

(65) "'Marohoshi' Mamesho" is another one of the fascinating characters created by Kazuo Koike and Goseki Kojima. This time around the title character is an old policeman from the capital on the verge of retirement who stumbles across Ogami Itto being commissioned for his next act of assassination. "Marohoshi" has spent his life protecting people and he is not going to let this ronin continue on the assassin's road.

(66) "Spoiling Daigoro" is an offbeat story where the family that hires Ogami Itto persuades him to let Daigoro stay with them while he goes off to do his job. They have a son who is a coward and a weakling with no friends, and the boy's father thinks that having Daigoro around might be good for Suzunosuke. Ogami Itto agrees and thinks go well for a while, but Suzunosuke soon grows tired of hearing his parents praise Daigoro day and night.

(67) "The Hojiro Yaguy" finds Retsudo's illegitimate son planning on using poison darts that can stop a charging horse to slay Lone Wolf. It looks like there is no way on earth Ogami Itto can escape, but, of course, he always has something up his sleeve. Warning: The ending of this one is unexpectedly brutual and shocking.

(68) "The Bird Catchers," is another episode where Lone Wolf and Cub are spectators for the most part as they come across a group of female falconers preserving a dying way of life. But what makes this tale of some significance, especially as the last one in this volume, is that in the eyes of his son, it seems Ogami Itto might have finally gone too far.

"The Moon in the East, the Sun in the West" is another superb collection of stories in the Lone Wolf & Cub saga. Koike and Kojima still manage to provide a new twist and turn in every volume while stringing us out as long as possible with both the short term mystery of the Yagyu letter and the long term quest of Ogami Itto to get his vengeance on the entire Yagyu clan. I read one episode a night right before bed and am almost always surprised to see what new direction each night's story might take. This has to be one of the ten greatest comic epics of all time.

The mystery of the Yagyu letter is apparently forgotten in the five Lone Wolf and Cub tales told in Volume 12, "Shattered Stones." However, one thing that really stood out in these stories is that since he was reunited with his father after they were separated by circumstances, Daigoro has been smiling a lot more:

(59) "Nameless, Penniless, Lifeless" is one of the most disturbing stories in the Lone Wolf and Cub saga. It begins with a woman putting on a sex show for peasants. But what is even more shocking is that the woman has lost her mind and that her husband, whose face is half scared by terrible burns, is the one who talks her into her displays. There is more here than meets the eye, as is often the case in these stories, and the way in which the truth is revealed might remind you of part of Shakespeare's "Hamlet."

(60) "Body Check" is another one of those tales in which Ogami Itto has to use his brains to put himself in a position to use his sword for his next assassination.

(61) "Shattered Stones" begins with one of the most different ways that Ogami Itto has met someone who wanted to hire him for an assassination. On top of that the rules of the assassination are quite different (again, I am reminded of a Western parallel in the novel "Sophie's Choice").

(62) "A Promise of Potatoes" is an amusing little change of pace story for this series. Daigoro is off by himself again, being beaten up by a group of kids, when he is rescued by a con artist who teaches the boy to sit by a bowl looking pitiful as a way of making money. But where there is Cub can Lone Wolf be far behind...

(63) "Wife Killer" is a wonderfully ironic title, which we learn is used to describe somebody who gives away the tricks of magicians, who are known as "hand wives." Noronji Hoya, the Princess of Magicians, who has been using a delighted Daigoro as her "assistant," is about the encounter the "wife killer," an old saki-sotted magician who travels with two thugs who extort money from magicians: pay up or have your secrets revealed. But Noronji Hoya has a better proposition: she will perform a trick and if the old man can reveal her secret she will kill herself; if not, then she will take the old man's eyes.

Kazuo Koike and Goseki Kojima are back to telling tales in which Ogami Itto is more often than not more of a spectator to the action in which other characters carry the stories. One of the testaments to the greatness of this manga epic is that the title character can be almost incidental to the story and it is still completely riveting. Here we are, not even halfway through this saga, and they are still coming up with new and intriguing variations on the basic themes they established early on. The fact that they can maintain this high level certainly justifies the exalted status Lone Wolf & Cub has in the international world of comics.

"Talisman of Hades" is a nice title, but "Thirteen Strings" is the one you are not going to forget of the four stories collected in Volume 11 of the "Lone Wolf & Cub" magna epic. We had been confronted with a major development in the story as Ogami Itto stole the Yagyu letter. All pretenses were dropped as Reshido Yagyu declared open war on Ogami Itto, but Kazuo Koike and Goseki Kojima were showing the same sort of audacious subterfuge as their heroic creation, for as Ogami and Reshido crossed blades, Daigoro lost is hold on his father's shoulders and literally fell over a cliff. Suddenly the mystery of the Yagyu letter has become secondary because father and son have become separated. Their search for one another continues in these stories and for the first time we see Ogami Itto express emotion for his son:

(55) "Talisman of Hades" finds Ogami Itto is now putting up pictures of a baby cart where once he had pasted the talismans of meifunado to invite clients of death and assassination. A group of young students on their way to an academy stumble upon the mystery of the signs and when they see the strange ronin slay a "priest" (another Yagyu assassin in disguise of course), they decide they must intervene, forcing Lone Wolf to teach them a valuable lesson.

(56) "Ailing Star" has Daigoro finding a place to stay with an old granny who lives under a rotted bridge in danger of collapse. The locals keep trying to convince the old lady to leave, but she refuses. "Ailing Star" forms an interesting counterpart to "Talisman of Hades" as Daigoro has his own little lesson to impart.

(57) "Thirteen Strings" is an 118-page story where Koike and Kojima come up with their own version of a Kurosawa film experience (the rain during the last acts of the story is a clue). When we come to end of this epic tale, surely "Thirteen Strings" will be one of the most memorable episodes. A runaway horse is about to trample a child in the road when Ogami Itto intervenes. The horsewoman turns out to be the Lady Kanae, Daughter of the Go-Jodai of Odawara Han, and a spoiled brat who fancies herself a samurai. Ogami also learns of a larger conflict between the Go-Jodai and the farmers. Drought has blighted the harvest for four years and the Go-Jodai has tightened the screws on the farmers, who "hire" Ogami to attend a meeting between the two sides (because if anything happens to Chosuke, the leader of the farmers, Lone Wolf will bring word back to the farmers). Go-Jodai has his own agenda for implementing fundamental agricultural reform. Meanwhile, his headstrong daughter seeks revenge on the ronin who has insulted her. But then the rains bring a sudden flood that changes absolutely everything. This is a memorable story of surprising depth, showing that Koike and Kojima are absolute masters of their craft.

(58) "A Poem for the Grave" has Ogami Itto seeking help in finding the secret of the Yagyu letter. This turns into another assassination job, which results in an encounter with another honorable soul who seeks to turn Lone Wolf from the Assassin's Road. The question is whether things might be different this time because of Ogami Itto's separation from Diagoro.

I am in awe of Koike and Kojima maintain this level of excellence through a story that is not even halfway over by this point in the telling of the tale. I continue to savor one story each night at bedtime so that I can think about how it fits into the big picture and the ebb and flow of the story. An absolute masterpiece, not just as a comic book, but as an epic narrative.

Back in the late 80's and early 90 I owned a comic book store. This was one of the items I looked forward to every month. The writing was incredible and the artwork supurb. Out of dozens of issues I can only think a one or two that weren't worth my time.

When I first saw these book at the local comic store I ignored them. After all I had all of the issues and didn't need to spend money on smaller reprints even if they were in the origional format. However with the middle of this issue we have stories that were never published in America before.

It didn't hurt that one of the best stories (and the last) story of the full sized comic was here "Mazohoshi Maeesho" For people who don't know the series that story will say it all. The intro story also paints a path for those unfamilar with the series.

It would frankly be a waste of verbage to describe each story. The quality level is as always so high and the stories so interesting that there is little more to say.

If you never read this series start with #1 and enjoy. If you like me didn't buy it because they were reprints then go wild.

The Queen of the Nile will soon be battling for historical significance with the Queen of Pop very soon. A unique take on the influence of Madonna beyond just hit records to a whole social expression that inspired other artists, feminism, and what it means to be an ambitious woman without apology.

Like so many, I find Madonna interesting. And I agree with the positive reviews of this book -- I really like it. The unique contribution here is the way the author discusses Madonna in ways that make "postmodern" an interesting, understandable, ans useful concept. And believe me, I am no fan of academic writing of or about the posrmodern. But this book can be highly and widely recommended.

Madonna:alot can be said about Her but Boring isn't one of them.thsi Book Explores the Many things that relate too the Artist&personna that is Madonna.this Book is Challenging&also puts Madonna into a Complete Perspective from start too finish.just like the Woman Herself it will keep you wondering more&what lays around the Corner.

In this book GC Guilbert shows how absolutely everything Madonna has ever done is packed with clever references. He doesn't mean that she's a plagiarist, far from it: she just uses her vast knowledge of (popular) culture, in a "postmodern" way. A fascinating read.

At last a book about Madonna that can be enjoyed by academics AND fans. There have been two or three collections of highbrow essays by various university eggheads that were a bit too hermetic. "Madonna as Postmodern Myth" is "intellectual" but crystal clear.The subtitle pretty much sums it up: Georges-Claude Guilbert does show the way the diva "rewrites" just about everything -- always cleverly -- and especially old Hollywood stars. Besides, it's a very feminist book, but a sexy feminist book (yes, it is possible). I'm sure every Cultural Studies professor is going to want to read it, as well as every Madonna fan who's ever wondered why it is exactly that makes her / him adore the "self-constructed" star, beyond the obvious: she's unique.