Entertainment Books

I have read this book over and over. Astrid Varnay has so much to offer readers who love opera. It is a great book to read through, but there are parts that take a couple of readings for a trained musician to understand. Her intelligence is evident in every word and so is her humanity. She is most knowledgeable about the works of Wagner and Strauss, so those interested in lighter opera may not be as well served, but her concepts are important for all opera singers. This book is quite honest and those who want some "dirt" on old singers, conductors and impressarios will be well-served. Go for it.

In the pantheon of twentieth-century Wagnerian sopranos, Astrid Varnay ranks very high, though she is woefully underrepresented on available recordings today. Through the efforts of friends and supporters, detailed in the preface, her autobiography has been made available in English, and music and opera fans everywhere should be grateful.

Varnay's story, told calmly but with frequent flashes of wit, begins with the tale of how her parents, both opera singers, met, married, and made their careers in Europe before coming to the U.S. and settling in New York. Young Violet Varnay, as she was dubbed by a teacher who could not cope with her Hungarian name Ibolyka (little violet), worked as a secretary, waited in the Met standing room line and quietly prepared herself for an operatic career. She prepared so well with her coach and eventual husband, Hermann Weigert, in fact, that her resume was met with astonished laughter at her eventual Met audition. The powers that be were quickly won over upon actually hearing her, and her stage career began at the Met in 1941 as a last-minute replacement for Lotte Lehmann in Die Walkure. Before retiring in the late 90s, after a career spanning more than five decades, her voice and dramatic presence would take her to Bayreuth and all of the great opera houses of the world.

It is of course difficult to say how much of the structure of the book stems from the singer herself, and how much from her co-author, Donald Arthur; but one of the attractions of this memoir is the skillful mix of narrative, anecdote and self-analysis of Varnay's numerous roles. She draws portraits of her husband, family and colleagues that leap vividly from the page, without ever descending to mere bitchiness, though she does allow herself some jabs at Herbert von Karajan and Rudolf Bing. The ultimate impression is of a strong, self-aware but not overweeningly arrogant personality--someone one would like to meet and talk to in person. One is touched by her inexhaustible eagerness to perform, and her capacity for discovering insights into roles usually dismissed as worthy only of comprimaria singers. She is also not above laughing at herself, and includes some amusingly informal photographs. Highly recommended.

Astrid Varnay, who died in 2006, just months after her very close friend and colleague Birgit Nillson, is enjoying a well-deserved renaissance, with the release of the Testament early stereo recordings of the Ring from Bayreuth in 1955. From her Met debut at the age of 23 as a last-minute replacement for an ill Lotte Lehmann as Siegelinde in Die Walkure, on the day BEFORE Pearl Harbor, through her primary career as the premier Wagnerian dramatic soprano of the 1950s, to her second career as a mezzo-soprano singing character roles into the 1990s, Astrid Varnay is one of the great opera artists of the 20th century.
Born in Stockholm to Hungarian parents, raised in New York City, and moving to Munich after being widowed in her late 30s, Varnay had an absolutely fascinating career that she relates with humor and verve. Indeed, many stories are just hysterical, such as a Dallas Tristan und Isolde, where Varnay, tenor Max Lorenz (as Tristan), and mezzo-soprano Blanche Thebom (as Bragaine), took turns holding up a collapsing fake tree! Although never mean-spirited, Varnay paints amusing and sometimes sharp pictures of many of opera's greatest names. (She, along with many in the opera world, saves some of her sharpest points for Met manager Rudolf Bing.)
This should be in any opera fan's collection of opera books.

Astrid Varney was born in Stockholm to two Hungarian opera singers. As a child she lived in South America prior to the family's immigration to New York.
Varney was trained as a singer by her talented mother and an older teacher whom she later married. Varney premiered with the Metropolitan Opera on Dec. 6, 1941 as Sieglinde in Wagner's
monumental "Walkure.' Since thay day Miss Varnay has traveled the world singing in great opera palaces and in regional companies.
Her comments on the life of a classical singer; various colleagues in the field and the various locales her craft has taken her to make for fascinating backstage reading for all of us who are opera buffs.
This biography is well written laced with humor and honesty.
I knew little about Varney prior to reading this book but am glad I made her acqaintance.
Bravissimo to this down to earth diva dedicated to her art!

I'm not especially interested in biographies of performers. Especially not autobiographies - these tend to be long lists of how wonderful the subject/author is/was and a bit of score settling to liven things up.
Varnay is not above score settling (in her genteel way, she eviscerates Rudolf Bing and she details her feud and glorious reconciliation with Karajan - a Salzburg Elektra that everyone should hear), but her narrative is quite gracious and restrained overall.
It's also engrossing to read. Although Varnay spends a little more time than perhaps she needed telling us what a hard worker and consummate professional she was and is, her actual thinking about the operas and characters she was involved in is fascinating stuff and a valuable guide for singers and perhaps actors as well.
Following her around the world to different opera houses and watching how things work (or, all too often, don't work) is engrossing and her comments on professional colleagues - always judicious - are usually quite on the mark.
There are only a few videos available showing Varnay's art (which is too bad) and not many more sound-only recordings (which is even worse). If you look, you can find her as Brunnhilde in Act III of Die Walkure (EMI with Karajan - they were getting along then) and a complete Gotterdammerung (Testament with Knappertsbusch)both from the 1951 Bayreuth festival; a couple of Ortruds from Bayreuth Lohengrins; a Senta from Bayreuth conducted by Knappertsbusch (Music & Arts); and the Salzburg Elektra with Karajan (Orfeo). There are also a couple of complete Rings available on private or semi-private labels and, allegedly, the 1955 Keilberth Ring due out on Testament. No Italian repertoire, alas, no Kundry, double alas, and no complete Tristan that I know of, triple alas.
My only complaint about this book, aside from that it wasn't twice as long, is that Varnay is and was so much a person of the theatre that it's hard to find the real person underneath. This is very much a narrative of the role of Astrid Varnay, great and hard-working opera star. Astrid Varnay the person is waiting backstage for the performance to be over, which is probably where she was for most of her life.
Still, it's a great treat to spend a couple of hours with a charming, intelligent, literate, kind, and witty companion who has so much good stuff to tell you. It's only afterward that you wonder whether there was a person behind all that dazzle who was sometimes frightened, lonely, introspective, or grateful and happy over little human things. I hope that person writes a companion volume someday. I bet she'd be wonderful to get to know as well...

After I purchased this book I contacted the author, Mr. Moore to ask him about collecting autographs by index cards or by photographs. He was prompt and very informative with his reply. If you want questions answered about auotgraph collecting, get in touch with him, you will be happy you did.

The reader and reviewer who wrote this book is the ULTIMATE has it right. This book is everything an autograph collector needs. Besides the thousands of celebrity addresses, this book backs up the names with celebrity facts. If you want a complete history of actors it is there under the website named in the book, if you want other facts to write to the celebrity about it is there. (the book has celebrity hobbies, celebrity charities, celebrity birthdays, celebrity hangouts and a lot of useful facts about celebrities)This is the only celebrity directory I will ever need. The price of this book is well worth it!!

I have known David Moore for many years and he is the only author of celebrity directories that uses and updates his address list on daily basis. For me, here is a list of celebrities who I have contacted and received autographs through the mail. They are: Sarah Jessica Parker, Bill Gates, Roy Clark, Gillian Anderson, Nicholas Cage, Bill Cosby, James Garner, Neil Armstrong, Buzz Aldrin, Gary Trudeau, Olivia Newton-John, Brandi Chastain, James Watson, Sandra Day O'Connor, Harmon Killebrew, George Bush, Betty Ford, Jimmy Carter, Leann Rhimes, Muhammad Ali, Angela Landsbury, Reba McEntire, Jay Leno, Faith Hill, Tommy John, Tom Hanks, Michael Eisner, Nolan Ryan, Tony Bennet, Colin Powell, Robert Duvall, John Mellencamp, Whoopi Goldberg and many others. If you want excellent results and great customer service, I highly recommend David Moore's book.

I am an autograph collector and I was happy to see how complete this book is. I collect astronauts who have walked on the moon, hi-tech business people such as Bill Gates, movie actors like Tom Hanks and baseball sluggers like Sammy Sousa and Mark McGuire. They are in this books with thousands more. It is well organized and I liked the extra features of sample letters and questions & answers about autograph collecting. It is a very good reference for autograph collectors.

I e-mailed the publisher to ask for an update of a celebrity address. He was fast with an answer. He also mentioned he has started a new service to autograph collectors. He will answer any question on the subject of autoghaph collecting for FREE!
I will use the e-mail address for finding out autograph prices, how and where to buy and sell autographs plus anything else I can think of. A great offer!

I bought this book for my mom and she loves it! She is from Panama and has a dark skin complexion. She saw a lot of herself in Alek esepcially in her stories about familiy life. It's amazing how things stay the same even though years have passed, technology improved and continents separate you.

Alek Wek shared a story with me, through this book, that helped me to appreciate the mind of child growing up in poverty, in a family, in a culture, in a world of others who are not alike. Alek's story helped me to make connections to the old ways of my mother's mother and my mother and the very old ways that perhaps originated back in Africa; ways that were somewhat preserved from modern "civilized" ways. Alek's story helped me to appreciate the story I am leaving and hope to leave with my own children. Alek's words encourage me to be careful with my own (to say that Alek is "well-spoken" would be an understatement. As an aspiring author, myself, I would say about Alek's writing: it would seem she truly appreciates the gift of language and the power of thought behind it). Alek's book is appropriately titled in my opinion, she is not the girl of an impoverished African village or primitive tribe, she is not the rags to riches to story. She is Alek, a unique life force that has been affected and infected by the life around her.
This was a special treat for me for many reasons but mainly because it reinforced my hope that our kids are listening; not only to our words but to their environment. It was again a special treat for me...to be infected with the spirit of Africa, to feel the power of her words and her love for herself...who she truly is.

I'm not a fan of reading. I really only picked up Alek Wek's book because she came to a book singing at my school, Howard University. She impressed me as a down to earth, humble, kindly demeanored woman. She personally autographed it and took a picture with me. I sat the book down for several months, but, when I did pick it up over the Christmas break it gripped me. It is both entertaining and informing. She speaks about her life as child growing up in war torn Sudan, and the atrocities which occurred there, her move to New York and London, her subsequent conquering the fashion industry, and her eventual return to her birthplace. Throughout the book I literally laughed at times, and was on the verge of tears at others. It not a difficult read. It's simply a really good read. Pick it up!

this book is amazing, touching, i cried my eyes out. its very inspiring and motivational. it made my everyday problems seems so little compared to what she went through. i will definitely recommend this book to everyone.

I think the book was excellent. I would have like to have read about how she met Riccardo though.

Written by columnist and polka dancer Bob Dolgan, America's Polka King: The Real Story of Frankie Yankovic and His Music is the true-life story of ethnic Slovenian and Cleveland native Frankie Yankovic, winner of the first Polka Grammy, whose hit, upbeat tunes earned him international fame and fortune. Chapters cover his turbulent life, his service in World War II, the loves of his life including the bitter end to his first marriage, raising his children, and of course, the absolutely stunning and smashing popularity of his music. Black-and-white photographs, an extensive discography, and an index round out this appealing survey of the sunshine and shadows in a groundbreaking musician's life.

This was a great book about Frankie Yankovic. Bob Dolgan did a great job on this book and should be commended. I grew up on Frankie because my dad loved his music, as I grew older, I appreciated more the music and the man behind it. Yankovic truly sacrificed allot especially his family life. This book covers everything, there were some things that kind of bothered me, not that the book had anything to do with that, but I guess things that I learned about Yankovic that really told me more of who he was. I reccommend this book not only to Yankovic fans and fans of polka music but anyone who loves the history of music. Great book!!!

My husband and I found "America's Polka King" to be the most interesting book we have read in a long time. The book is subtitled "The real story of Frankie Yankovic and his Music" and although Yankovic is the focal point of the book and a person who has done remarkable things for the polka genre, we also found the side stories of other musicians and incidents to be absolutely fascinating.

Frankie Yankovic was the most famous polka musician in U.S. history but this book also brings other legends (guys like Johnny Pecon and George Cook)to life for us, and explains their influence on the music and the musicians of today. Until we fell in love with this music we did not realize that Cleveland and the surrounding area was a "hotbed" of such incredible talent in those early years. Frankie Yankovic was quite an interesting individual who sacrificed much of his personal life for his love of polka music, but when put in the context of the other musicians of his era, the music, and the times - the book is even more than his story. It is a history of the Cleveland-style music that is so loved by so many today.

We took turns reading the book (should have bought two copies!), laughing at the stories, and saying to one another: "Did you know............?" Bob Dolgan does an excellent job of bringing these people to life and you will enjoy the book thoroughly.

In 1977, the author, Bob Dolgan, wrote a book entitled "The Polka King" about the life and times of Frankie Yankovic. That book has been out-of-print for many years. In his new book "America's Polka King," Dolgan revisits much of what he covered in 1977, but additional information and subjects are covered because Yankovic lived another twenty-one years after the 1977 book was published.

Cleveland has been internationally renowned for its symphonic Orchestra since shortly after it was formed in 1918. In the late 1900s, we became the home of the Rock and Roll Hall of Fame and Museum. In between these two events, however, Clevelanders knew--and danced to--a different kind of music. This music was by Frank, as in Yankovic, the man who made the words `polka' and `Cleveland' nearly synonymous from the late thirties until his death in 1998. In fact, in 1948 Yankovic won the first of his three titles as America's Polka King three times running when the competition was new. (It was sponsored by the major record companies, each of which had at least one polka band in their collection.)

He won the first-ever Grammy Award for polka music. Just his name alone drew the largest crowds ever to many dance halls throughout the midwest during a time of less mobility than in our current era. It was also a time when the media wasn't always busy creating the new hotshot.
Ten famous accordionists played for his funeral--one of the largest ever seen in Cleveland.

Recently-retired sportswriter for the Plain Dealer, Bob Dolgan, who knew Yankovic when they were both hardly more than pups, has written an engaging book about "America's Polka King - the real story of Frankie Yankovic." Yankovic, who was not born in Cleveland, certainly made it his homebase (as much as anywhere) for most of his adult life. Dolgan tells it like it was--the shiny and the tarnished parts--without dwelling on those bits that might possibly be considered a tad unsavory. This is a portrait of a real person.

Yankovic was a natural on the stage--a born entertainer, who loved what he did, unqualifiedly, and made sure the people in the audience enjoyed themselves as well. The ones who suffered most were his family--wives and children who remained behind in Cleveland, while he toured for 325 days a year. The flip side of that is that he earned an excellent living by doing so, and none of his three wives or ten children ever went without anything he (or they) thought they needed--except for his presence or companionship.

It may come as a surprise to some to discover that polkas are not exclusively Polish. There are many differences between the Polish and Slovenian varieties, and Yankovic was entirely Slovenian. Once he learned how to play the accordion, he was a gifted musician, able to write lyrics to go with melodies that he wrote, or to put American lyrics to older Slovenian or Italian folk songs. Either way, he quickly made the new song his own, and happily shared with his huge audience. His biggest hits were "Blue Skirt Waltz," "Just Because" and "In Heaven There is no Beer".

Dolgan also honors other Cleveland polka greats: Johnny Pecon and his sons Jeff and John, Jr., Lou Trebar, Eddie Habat, Kenny Bass, Johnny Vadnal, Jimmy Sturr, George Staiduhar, Dan Wojtila, Don Wojtila, Ed Sumrada, Tony Petkovsek and Joey Miskulin. There are photos, an index and a splendid discography, in addition to the history of Cleveland through the 1900s, told as a framework to the man and his music.

It's too bad that Yankovic didn't listen (or pay attention) to another popular song of his era, however. "You Always Hurt the One You Love," might have saved him some heartaches along the way. Or maybe not. He was one of a kind--a showman through and through, and as Dolgan says, "He brought a lot of joy to a lot of people." Not a bad epitaph, after all.

I'm the owner of an Entertainment Publicity firm in Las Vegas. While on a trip to Los Angeles last week, I wandered into a memorabilia shop and purchased what appears to be the original, unedited manuscript to this book. I've been reading it for the past two days and am absolutely enthralled with Mr. Cossette's story. Starting with his first break into the Entertainment Industry and proceeding through decades, I've been even more humbled upon realizing that I have worked with some of the people and organizations that he makes reference to in his earlier days in the business. For an Entertainment Industry member to a fan of all things Hollywood, this is an absolute must-read!

Pierre Cossette is a true legend in Show Business. I recommend this book for anyone serious about a career in show business. He has helped so many new artist and their careers. An excellent book.

Behind the scenes peeks into the inner-workings of show business are often self-congratulatory, full of tired insights and recycled anecdotes, and little more than glorified puff pieces. The arrival of Pierre Cossette's "Another Day in Showbiz" is all the more a truly welcome addition to the biography canon in that it both offers a plethora of quotable stories and a real attempt by its author to explain how an insider rose from being an outsider to becoming the proverbial insider without losing humility or a wicked sense of humor.

Particularly striking is Cossette's willingness to reveal his failures in addition to his many successes. A man whose winning track record includes celebrated productions in Las Vegas, on television, on Broadway and throughout the music world could easily have omitted his duds, but his candidness helps make the book resonate all the more as an instructional primer on the entertainment industry. The clear lesson here -- that it is persistency that can and does succeed -- is hardly unique to Cossette, but his cheerful yet no hold's barred spin on it gives the reader a glimpse that they could never have been privy to prior.

Getting rejected by Angie Dickinson with a romantic overture might not be something most would boost of, but the author's ability to see it as a reality check and to move forward is a perfect example of his self-deprecating style. Then again, his success with woman has obviously been quite good as witnessed by his glowing words for his current wife. In fact, his clear love for her, as well as for the other key woman in his life, is one of the book's strongest suits. Despite, or perhaps because of, his tremendous success, the obvious tenderness of the man serves as a winning example of a "nice guy finishing first."

To call him a true renaissance man may sound like a cliché, but it is perfectly apt. He knew everybody before they were anybody. Among the many highlights of "Another Day in Showbiz" are lengthy sections on his career in Las Vegas (where he not only began the tradition of the lounge singer, but booked Ronald Reagan and nearly every star of the era), an odd but telling encounter with Howard Hughes, his dealings with superstars ranging from Andy Williams to Celine Dion, his Broadway success with "The Will Rogers Follies" (including some interesting Marla Maples' anecdotes), the founding of his Dunhill Records label, and of course the book's main highlight -- his producing the Grammy Awards telecast for 35 years.

The manner in which he was able to convince a reluctant television network to air the Grammys live for the first time nearly 35 years ago is a perfect example of juggling, risking and trusting your guts. Incredible as it may seem today, there was no real interest from the network brass in such a telecast. Again though, Cossette's persistency and obvious smarts paid off. Cossette has been rightly referred to as "The Godfather of the Grammys," and anyone who reads this book will probably want to kiss his ring -- and want to go into "Showbiz."

Behind the scenes peeks into the inner-workings of show business are often self-congratulatory, full of tired insights and recycled anecdotes, and little more than glorified puff pieces. The arrival of Pierre Cossette's "Another Day in Showbiz" is all the more a truly welcome addition to the biography canon in that it both offers a plethora of quotable stories and a real attempt by its author to explain how an insider rose from being an outsider to becoming the proverbial insider without losing humility or a wicked sense of humor.

Particularly striking is Cossette's willingness to reveal his failures in addition to his many successes. A man whose winning track record includes celebrated productions in Las Vegas, on television, on Broadway and throughout the music world could easily have omitted his duds, but his candidness helps make the book resonate all the more as an instructional primer on the entertainment industry. The clear lesson here -- that it is persistency that can and does succeed -- is hardly unique to Cossette, but his cheerful yet no hold's barred spin on it gives the reader a glimpse that they could never have been privy to prior.

Getting rejected by Angie Dickinson with a romantic overture might not be something most would boost of, but the author's ability to see it as a reality check and to move forward is a perfect example of his self-deprecating style. Then again, his success with woman has obviously been quite good as witnessed by his glowing words for his current wife. In fact, his clear love for her, as well as for the other key woman in his life, is one of the book's strongest suits. Despite, or perhaps because of, his tremendous success, the obvious tenderness of the man serves as a winning example of a "nice guy finishing first."

To call him a true renaissance man may sound like a cliché, but it is perfectly apt. He knew everybody before they were anybody. Among the many highlights of "Another Day in Showbiz" are lengthy sections on his career in Las Vegas (where he not only began the tradition of the lounge singer, but booked Ronald Reagan and nearly every star of the era), an odd but telling encounter with Howard Hughes, his dealings with superstars ranging from Andy Williams to Celine Dion, his Broadway success with "The Will Rogers Follies" (including some interesting Marla Maples' anecdotes), the founding of his Dunhill Records label, and of course the book's main highlight -- his producing the Grammy Awards telecast for 35 years.

The manner in which he was able to convince a reluctant television network to air the Grammys live for the first time nearly 35 years ago is a perfect example of juggling, risking and trusting your guts. Incredible as it may seem today, there was no real interest from the network brass in such a telecast. Again though, Cossette's persistency and obvious smarts paid off. Cossette has been rightly referred to as "The Godfather of the Grammys," and anyone who reads this book will probably want to kiss his ring -- and want to go into "Showbiz."

Funny, interesting, juicy. One of the best books on the music industry I've ever read.

Lots of useful info and background, particularly useful if you are trying to run a campaign on the magnificent world Babylon 5 created for all of their fans.

It is a pity all the game supplements are so hard to find, I would love if someone reprinted them.

Lots of useful info and background, particularly useful if you are trying to run a campaign on the magnificent world Babylon 5 created for all of their fans.

It is a pity all the game supplements are so hard to find, I would love if someone reprinted them.

Lots of useful info and background, particularly useful if you are trying to run a campaign on the magnificent world Babylon 5 created for all of their fans.

It is a pity all the game supplements are so hard to find, I would love if someone reprinted them.

Lots of useful info and background, particularly useful if you are trying to run a campaign on the magnificent world Babylon 5 created for all of their fans.

It is a pity all the game supplements are so hard to find, I would love if someone reprinted them.

This sourcebook is very important if you have any EF personell as characters. Furthermore, it adds more equipment, skills and charactaristics. More importantly, it includes the Starship combat system for the Babylon Project. I like this system, although I have not had a chance to play it yet. It is fast, easy to understand and tactics are important. Moreover, it is one of the very few starship combat systems I have seen where ships obey the Newtonian Laws of Motion (except gravity drive ships, of course). The weapons chart was accidentally omitted from the book, but it can be downloaded from Chameleon Electric's web site and it was included in the Gamemaster's Screen, below.

I did not want this book to end. I have been a fan of Al's since the Blood,Sweat,and Tears days and this book filled in so many unanswered questions I had. I recommend that anyone who likes him in any capacity read this book and see him live.

Backstage Passes and Backstabbing Bastards: Memoirs of a Rock 'N' Roll Survivor
Anyone who grew up with sixties Rock 'n Roll should find this funny yet
incisive retrospective highly entertaining.
Al Kooper, a man with 50 years in the music business as back-up, and a
Magna Cum Laude graduate of the School of Hard Knocks, manages to relate
his memoirs in an easygoing, good-natured and often hilarious manner. And,
despite the title and events behind it, he hardly has a bad word to say about anyone (which would seem somewhat incredible). As a bonus, he's a pretty good writer.
Here is a man who, for a half century, has been ubiquitous in the Rock business, mostly in the background but never from the sidelines, yet is largely
unknown outside of the music industry fraternity. And while it appears that credit for his enormous contribution to the medium has been difficult
to come by, he has to a large extent gained the RESPECT he so rightly deserves. Perhaps this is because he comes across as a real
person and not some untouchable Rock legend. You'll like him.
I had a great time reading this book and recommend it highly.

Backstage Passes & Backstabbing Bastards by Al Kooper is 1 of if not the best book written about Rock"n'Roll, this guy has done it all & by him noT even being considered for the Rock Hall of Fame shows what a shame that orginazation is. I always thought this dude was one cool cat & this books proves me right,just look up some of the things this guy has played on,produced & for me The Blues Project & Bllod Sweat & Tears are enough to get him into the "Hall of Sales" as he calls it, this book came out in 1978 with an updaye in 1998 & another update in 2007,hope he can update it again in 2017. If you love Rock this is a must read.................Greg H

Al Kooper's 'Memoirs Of A Rock 'N Roll Survivor' makes for an extremely enjoyable reading: it's funny, loaded with very interesting anecdotes and behind-the-scenes stories and is very well-written.
One of the best books ever about the music world.
Highly Recommended!!!

I first discovered Al Kooper in 1966 at a local record store in rural northern Maine. I think it was the Jaquar (or was it a Jazzmaster) Steve Katz was holding on the album cover which drew me to it. Whatever...but, it was the crazy schizo guitar of Danny Kalb and keyboards of Al Kooper which really impacted on me. Later, I recognized this guy "Al Kooper's" name on Dylan albums, his face on the debut album of the first Jazz rock band (with horns, no less)and then his work with guitar virtuoso Mike Bloomfield. Decades later I actually met Mr. Kooper briefly (not that he would remember me)at the Redding Roadhouse in Connecticut and was releived that he was a gracious nice guy, more tolerant than most with fans. Enough about my experiences.

Al Kooper is a musician's musician. His experience spans the history of good popular music from the late '50s to the present. It is intriging to figuratively be a "fly on the wall" as Al relates his experiences with the Blues Project, Dylan, BS&T, Bloomfield, Skynrd, Jimmy Vivino, the Beatles, Stones...shall I go on? His wit, objectivity about himself and down to earth perspective on events which (although many of us see in mythic proportions - Dylan's Highway '61, for instance)he actually lived, make this book a uniqely honest portrayal of the period. If you are a guitar player who grew up during the mid-late '60s in America, you probably were either a Bloomfield or Kalb fan. Well, Al played with both of them. If you are a Hammond B3 player who grew up during the same period, well, you must be aware of Al's work. For you other people who may not know about Mr. Kooper's contributions,you you are in for a surprise, a big one!! Mr. Kooper, as a working musician, provides inside details of events only someone with his experience could. This book is highly recommended for anyone who has even a passing interest in rock, blues, culture or just likes a good read. "Dr." Kooper is one of the good guys and really delivers with this one!!

Be aware that the book shown when you take a "Look Inside" is NOT the book you get. What they show is a bound copy of the musical score with the libretto added. What you get is the libretto described in the written review, no musical score. That having been said, the book you get is useful and of interest, and the CD is a great recording.

This is a wonderful study score to Rossini's wonderful masterpiece. The story of a Barber named Figaro, who is the person that everyone comes to seeking advice.
It's easy to read and the size is standard (9in x 12in). It lies easily on a music stand or desk. It's low price is great for the starving music student. I highly reccommend this for professionals and opera-goers alike.

One of Rossini's best operas, the Barber of Seville, is immortalized here in another one of Dover's fine scores. From the fast-paced overture to the "Figaro" aria (both made famous in old Bugs Bunny cartoons), this opera is nonstop greatness.

As usual, Dover has provided us with a book of the highest quality: they sew their books instead of gluing them so as for them to stay bound and be flexible, and they print legibly. Unfortunately, legible print is becoming disappointingly rare in modern scores, but Dover is the exception.

For a great score of a great opera at a great price, you can't go wrong with Rossini's Barber of Seville.

This book and CD set are the perfect combination for those who are new to the world of opera and not fluent in foreign language. Better than just a synopsis, the libretto in English lets you read every word so you won't miss the humor or pathos. As a homeschooling mom, I really appreciated this set as a teaching tool. I hope to increase my collection of The Black Dog Opera Library series.

I have several "Black Dog Opera" recordings, and they are a wonderful way to introduce yourself to opera WIHTOUT spending a lot of money. This label primarily offers recordings of extremely well-known operas. I had some initial concerns regarding sound quality given the price, but I have yet to be disappointed by them -- Barber of Seville is no exception. Each opera comes in a neatly packaged book that contains the full libretto in its original language and in translation; the history of the opera and its performance; and short biographies of the composer and cast. The books are just the right size to tuck them in your purse (or bag!) so that you can follow the libretto along at a live performance -- I took Barber with me to last year's Chicago Opera Theater production and plan to take Tosca along to Lyric later this year! What a great idea!

A fun and clever way to spend time with loved ones . . . .

great book that will make you really think about things that you never thought about.

What a great book! I foresee many sequels....
Barguments for Prison Inmates: Which is worse: A month in solitary or being Leroy's special love interest....for a year?
Barguments for Kids: Which is more disgusting: nose picking or scab picking?
Barguments for US Soldiers in Iraq, Barguments for Moms, Barguments for College Students....the possibilities are endless.

Having known Doug and his counterpoint Eric for a long time, I loved this book. The whole time I read along, I could see the conversations, the players, and the locations. My wife and I sat down to go through this one together (each holding our own copy) and laughed and thought, and tried to avoid arguing for real. Just a really fun conversation starter for everyone.

A book that will produce some of the great barroom discussions of our time. Who needs this book? Anyone with a favorite neighborhood watering hole and an opinion! Well written, funny, engaging and endlessly entertaining. Well done!

This is the ultimate Xena guide. Extremely well written! Greg Cox does an excellent job reviewing each episode with accurate facts and humerous observations. The first three seasons (I wish he would write one for seasons 4-6!) episodes are discussed along with their (possible) Mythological basis, subtex, highlights, and even an episode rating. There is also information on both Lucy Lawless and Renee O'Connor. If you are going to buy an episode guide this in the one to buy!

Any XENA fan should just buy it ! Is just mildly irreverent, cuz the author really seems to have a warm spot in his heart for this show. The episode reviews are thought inspiring; however, the book needs an index & comprehensive TOC. The next volume or two, for the more recent seasons, are sorely overdue.

If you want a perfect reference for every Xena episode of the first three seasons that is enjoyable to read and very informational, this is the book for you. It makes up for its lack of pictures with great wit and an amazing style of writing. You learn a great deal about the origins of myths and the like. You even learn some ideas about possible symbolism in some of the episodes. This is a show that can always be read on many levels, and when this author peels away the top layer you do find much deeper ideas in many cases. Although I do not always agree with the "rating" he puts on every episode and I do not agree with every comment he makes, all in all it is a wonderful book that makes you think. And you can't agree with someone all of the time. I do respect him though for taking the time to make such a wonderful compendium to the greatest fantasy show in television history. Hopefully he'll create an updated version at the end of this year, to include the fourth and fifth seasons. I always reach for his book after I watch an old episode to read his ideas and I'm dying to be able to do that for the newer episodes also. Please, please write a sequel! In my opinion, the fifth season so far is the greatest Xena has ever had. It deserves a book from him, as does the fourth.

Although completely unauthorized, this is the finest book on Xena Warrior Princess. It contains reviews and insightful remark about the first three seasons of the show. Greg Cox also gives us a "reality check" in which discusses the actual historical/mythological context that the elements of each episode contain. He discusses continuity matters and character motives. He also included reviews of all the Hercules episodes that Xena and Gabrielle appear in. This is a book for fans written by a fan. Read, enjoy and Battle On! YiYiYiYiYiYiYiYiYiYiYiYi!

This book is a great companion when watching the reruns on the USA network. Unlike "official" books on Xena, the author is not afraid to question a bad episode, but fortunately that's seldom required. He does a great job cross referencing recurring actors, characters, scenery(!) and related Hercules episodes, and his remarks on historical tie-ins are really illuminating for a non-history buff like me. I bought this a year ago and I reference it almost daily. The writing is clear and clever, and obviously done with love for the show. Please, Greg, we need a volume 2! I recommend this over all other Xena books I've read.