Entertainment Books

If you have ever worked in radio, listened to radio, or even if you have never even seen a radio, this is a must-read. Shocking and funny, this book will change your view on those in the radio industry. No longer will you say, "Wow, getting paid to sit on your butt and listen to music, and only have to work for 4 or 5 hours a day!" If you only knew . . . You will not be able to put this book down as you enter the world of radio daycare. Jack James expresses so well what it's like to be a babysitter to those that entertain us daily on the airwaves.

This book is absolutely perfect for anyone who is either thinking about going into radio or who is already in radio. James' stories are hilarious and interesting. I read the whole book in one night because I couldn't put it down. A must read.

A copy of this excellent book arrived at our offices here in Europe for review recently.
As someone who has worked in the radio business for over 25 years worldwide, I can really relate to much of the stuff written in this book
Required reading for anyone who wants to get into media, and the humour is amazing..very true to life*S*

I have been in commercial, major-market radio since 1980. This book should be required reading in all broadcast schools, and for anyone who wants to get into "the business." Every single thing in this book is true, I have no doubt. (Cause I have seen it all first-hand!) A really, really accurate snapshot of what radio is REALLY like.

Brinke Guthrie...

The only surprise about the things revealed in this book is that someone finally has the guts to publish them. I spent a career in radio and "insiders" and fans alike will find both hilarity and sadness at this look "behind the scenes" of big time radio broadcasting in YOUR home town. The DJ's, the Talk Show Hosts, the Sales [people] and the PD Gurus are all there. Plus Mr. Manager, the evil demon who walks in the door in the morning, walks to the back of the station and fires everyone he sees, then returns to his desk. If you are interested in radio, if you want a career in radio, if you LISTEN to radio, this is a "must read." "Jack James" will be fired soon...somebody is bound to find out who he really is. Stay tuned...don't touch that dial.

It's hard to find information on Pier Angeli so this book written by Jane Allen is a perfect source. I originally bought this book because I am a huge fan of James Dean and she is mentioned in so many of his biographies. After reading the chapter on him, I felt compelled to find out about what happened to her later on after his death. And it was not happy. I see Anna Maria Pierangeli as a young woman looking for love in all the wrong places and in the wrong people, hoping to recreate the security and comfort she had with her father who had died just as she reached stardom.

She was a misunderstood young woman who wasn't prepared for how big she was getting in the movie industry and who was too trusting, though this was not her fault but mainly part of her nature. She was a kind person who had a good heart and had the best intentions for those she cared about, especially her sons. But too many heartbreaks (the end of her relationship with James Dean, his death), failed marriages to Vic Damone and Armando Travajoli, the physical and mental abuse she endured from lovers she hoped to find companionship with, hoping that it would lead to some sort of happiness in the end.

All of this took over her life, thereby making her believe that she could not find the happiness she longed to have. This biography is very intimate and shows the readers a side of her that she desperately tried to hide away for fear of rejection, rejection that she frequently experienced. A lot is provided about her personal life, the betrayals, the never-ending events of unhappiness, disappointment, etc. It seems that life never really treated her fairly and during the times when it seemed that all was well, they were simply too good to be true and always came to a miserable end. I felt sympathy for her because of what she had to go through, an independent life which she desperately wanted when she was dating James Dean and when she got it, she found that she couldn't harness it herself, especially after James had died. All that she went through led to her untimely death, which was NOT suicide, apart from what fans and/or other biographers claim.

It hurts me to think of all her pain and misery, thinking that Jimmy Dean would have been heartbroken if he was watching over her after his death. It's true, she was a loving person even though at times she turned to alcohol and pills to relieve her of her pain, even if it was only temporary. She believed she could depend only on love to get her through, part of her idealistic life. But in the end, she could not have this. As true to the title of her biography, she did have a fragile life. I could not put the book down and page by page, I felt that I could relate to her, her emotions, her views, and her reasons for her actions which weren't in her best interest, though through no fault of her own but simply her misguidance by those who controlled her and her weakness to stand up for what she wanted, to be a non-conformist (an influence that Jimmy Dean had tried to help her to demonstrate).

After reading that Pier considered Jimmy to be her one true love, you start to think about what could have been between them had fate not intervened, leading up to his unexpected and sudden death. Pier went through many hardships, many that she should not have had to endure. Whether you are a James Dean fan or not, this book is a must-read, you won't be disappointed.

Jane Allen, lets us all know the truth about how much Pier Angeli and James Dean really loved each other. The questionable paternity of one of her children. The shocking papers that were found in James Dean's Porche after his death. The eyewitnesses who saw the lengths each one had gone to to see each other. There has to be a movie made about this relationship that gets deeper into their rocky romance not just their intimate moments in Malibu at the beach house but their long talks. They had so many interests in common not just a loss of a parent which is what everyone who has seen the other television movies about James Dean have found out. Their love for each other was emphatic in every way. I know that they were reunited when she left this world, accidentally, as Jane Allen points out, on September 9th, 1971. This is a great book.

The only thing I have to negatively comment about is Jane Allen's belief that Pier wanted to be envied. Pier wanted to be adored by her fans. She always wanted praise but not envy.

this was a wonderful read, and beautiful written story of the life of the equally beautiful yet flawed pier angeli, i think the title was a bit misleading because i don't think pier was as fragile as the world thought she was, in the book i saw a woman who just didn't really have her piorites right and made bad decisions.the only thing i critize about the book is the book format, it's written as though you are reading a newspaper with very small print.

And I don't say that lightly. This is an incredible book for several reasons.

Information, especially good detailed information on Pier Angeli is quite hard to find and here is a whole book in English, just about Pier.
The book is well researched and is written in a warm , respectful tone towards its subject.
You don't always see that in a biography.
I also enjoyed the format and layout of the book. I thought it was done beautifully.It also had some photos of Pier I'd never seen before.

Most of all I was just grateful for an opportunity to find out more about Pier . And I was happy to see her story sympathetically told.Her story should be much more well known and she is sadly underrated as an actress.
I first heard of Pier because I am a huge fan of James Dean.
But I have became a fan of Pier in her own right.The book touched me deeply. I did not know that Pier had experienced so much unfairness and agony in her life, especially in her final years. I knew she had experienced some rough times throughout her life, but I did not half the things she had been through.I think Jimmy would be saddened to know all the pain that his "Annarella" has suffered.
Pier was a sensitive , fragile, unique woman and I relate to certain aspects of her character such as her oversensitivity and the part of her that never wanted to fully grow up and let go of the innocence and free spirit of childhood very much.
What happened to Pier was a tragedy.I still don't understand why the studios turned their backs on this beautiful , talented actress. That was a huge mistake because it cheated both Pier and her fans out of all the terrific work she was capable of doing.
If the major studios hadn't unfairly turned their backs on her , she would have had the lasting quality career she deserved.Her life would have probably have been different and she might even be alive today.Who knows?
I don't mean to make this book seem all negative because its not.Pier's story is a heartbreaking one thats for sure, but the book also celebrates the good things in her life-her beauty, her love and loyalty to family, her love for her children, her talent, her once luminous career.And the book also presents proof that Pier DID NOT commit suicide as is so wildly reported and believed.
I would recommend this book to any fans of Piers, any fan of classic Hollywood , its personalities and its darkside,and also to fans of James Dean. There is a chapter about her relationship with him and several mentions about him in the book.

My only possible complaint about the book is sometimes I feel the Author tried to insert her own speculations as to what Pier was thinking and feeling at certain moments, when nobody not even her family or friends could know that unless Pier came out and explicity told them, but I suppose thats common practice in a biography.
But it don't feel it takes away any from the high quality of the book.

Information on Pier Angeli is hard to find; I'm so glad I found this book! Pier's story is wonderfully told - I simply could not put this book down. I highly recommend it!

This is one of the better Nintendo Adventure Books. It is fun and humorous, but sometimes it can be too hard. It's still one of the best, though.

This book is just cool! The puzzles are hard enough to stump the best of players, but as easy as pie sometimes. I reccomend this book to ANYONE!

This book is really fun to read It's one of those books where you choose a choice, then turn to another page, only with PUZZLEs that choose whether you win a Starman or get bonked with a Tweeter Bird. I did it at least 30 times, each one just as exciting. The only problem i had was erasing the pencil marks from the puzzles i had done already.

WOW! I originally bought this book when it first came out, because I loved Mario. I read it atleast 20 times, bu then I lost it. Looks like I am going to have to re-order this classic.

This book is great for Mario fans. It's about how Mario and Luigi get lost in Pipe Land trying to save the princess. You must buy it!

From the first few words in the introductory portion of this book you start to remember everything that was wrong with the approach of your past teachers. I once spoke about Galamian's teaching methods with one of his former students. I actually saw the notes that Galamian himself made in a notebook. For years I've wanted to get my hands on those notes again. And now I can.

This book is an "All-you-need-to-know" guide to violin playing and teaching. Every possible detail is mentioned and, what I love best about this book, references are given to etudes to apply them in practice.

Of course, as Galamian himself said, no book can replace a live interaction with a teacher. It can only help with ideas. Well, this book can help anyone find another approach to problems they may have.

I would recommend this book to any musician. Although it extensively covers bowing and left hand technique, the most important aspects are in how to practice and master your art. The variations suggested can be used by any musician on any instrument and will take you to a new level of technical control.

I would not suggest this book for a beginner, this material is best learned from an experienced teacher. Advanced students and teachers should all have this book in their book collections.

As a former violin student of 9 years who moved towards piano instead, I have found this book immensely valuable in helping me as a Suzuki parent of a young violinist myself. If you have a child moving into the Kreutzer etudes, or in Book 7 or later in the Suzuki series, this book is a godsend. At this point in your child's studies, you have no doubt been listening to many great artists, and wondering how they attain the immense variety in tonal coloring, or how they actually implement such amazing shifts, or complex bowing techniques. This book, with its pictures, is outstanding in deconstructing these motions. While it is highly analytical in parts, the book is also excellent in addressing the body's motion as a whole - in showing the coupling between the hand, elbow, shoulders, violin... using well known extracts from etudes, caprices, and solo works as practical examples.

It most definitely helps to be an advanced instrumentalist in reading this book, as the author certainly presumes that the reader has a trained ear. The sections on how to practice will also be appreciated by those who have worked in intensive Master Classes, and have carried back from these classes some improved practice habits.

All-in-all, this is book not to be missed, particularly by the supportive parents of maturing artists.

Ivan Galamian (1903-1981) was one of the great violin teachers of the 20th century. He taught people like Perlman and Zukerman, as well as countless other professional players of today. This book sets forth the essentials of his method. The text was written by Elizabeth Green, herself a Galamian student and a noted author and teacher in her own right. But the ideas are Galamian's. The small number of pages (100+) is deceptive; every sentence is packed with information and must be read carefully lest some important feature be missed. Violin playing is a complex mental and physical activity, and to learn it well demands the ability to focus on many small details as one trains the ear and the hands. This book is not really intended to be a self-tutor so much as a reference for the teacher and the student who is advanced enough to understand what Galamian is saying. It is not for beginners. A beginner book might tell you where (approximately) to put your fingers on the string to get certain notes. This book tells you (in words and photos) what your finger looks like when it is on the string, what part of the fingertip is pressing on the string, how hard it is pressing, how fast it should be traveling as it hits the string, the musical effect of different methods of lifting the finger, and so on. And that's only a tiny bit of what is written about what the left hand and fingers do. This is followed by a complete analysis of the mechanics and musical effect of every conceivable bow stroke. Matters of bow speed, pressure and point of contact with the string are all considered in light of the effects they produce, along with many more ideas concerning placement of thumb and fingers on the stick, angle of bow to string, and more. The book concludes with an analysis of effective practicing and teaching. There is much useful material on the relationship between technique and artistic interpretation as well. The many excellent photographs and musical examples add a further measure of depth to the book.

One small quibble: I don't think he spent enough time discussing how to play in tune. What he does say is all correct--he mentions that one must "think the sound" of the desired pitch as well as mentally prepare the hand and finger motion--he is speaking of shifting--but thinking the pitch needs to be stressed more, I think, and extended to thinking the actual sound of a beautiful violin tone as well.

This is a book for teachers and players who are advanced enough to know the areas they need to work on. It is considered one of a handful of classic books on violin playing, which include the famous treatises by Leopold Mozart, F. Geminiani, and Carl Flesch. First editions of this book (1962) are scarce and cost anywhere from ..., which says something about its importance, I think.

this is a MUST for any violinist who is serious about playing the violin. This book has solution to all of the problems that a violinist faces, in addition, this is a great leaning tool, lines from major concertos are used as exemples. again, this book is a must for anyone who's serious about playing the violin or even becoming a concert soloist.

An absolutely fascinating book detailing all that happened in front of and behind the CBS cameras of the ill-fated Judy Garland Show. Also, every episode of the show is examined in detail, and the author takes a straight-down-the-middle approach to the book's subject matter.

The Judy Garland Show consisted of twenty-six shows that aired in the CBS Sunday night line up in the 1963-1964 season. The network considered it an immediate and expensive failure and the series was canceled as soon as contractual obligation allowed. Isolated exceptions aside, the series was neither syndicated nor re-run and, with the exception of various "art" screenings it seemed to vanish completely.

Nonetheless, The Judy Garland remains one of the single most discussed and written-about series in broadcast history. Garland biographies aside, it is inevitably touched upon--and often focused upon--in histories of broadcast television, where it is usually held up as an example of how even the greatest talents, biggest budgets, and best intentions can be exploded by mismanagement, network politics, and in some instances pure spite.

Two major publications have focused on the series. The first was the 1970 OVER THE RAINBOW WITH JUDY GARLAND ON THE DAWN PATROL by Mel Torme, the respected singer-songwriter-composer, who contracted to write and arrange special musical material and make three guest appearances during the first season. Torme places blame for the series' failure squarely upon the shoulders of Garland herself, painting a frightening portrait of a greatly talented but extremely unstable and often vicious star self-destructing through booze and pills and determined to drag all those around her down with her. Although denounced as grossly inaccurate by many associated with the series, it was for many years generally accepted as authoritative.

The second was 1990's RAINBOW'S END by Coyne Steven Sanders. Amassed from meticulous research and seventy-five interviews with individuals directly involved in the series, it explodes DAWN PATROL with the force of an atomic bomb. Sanders freely acknowledges that Garland was a tempestuous individual with profound chemical dependencies--but his interview subjects note that, far from being difficult, she actually withstood a great deal more unpleasantness from others than she actually caused herself.

What ultimately emerges is a story of Garland's mismanagement, first at the hands of agents Begelman and Fields, then at the hands of such employees as Mel Torme, but ultimately and most destructively at the hands of CBS executives James Aubrey and Hunt Stromberg--each with their own self-serving agendas and all determined to drain The Judy Garland Show to further them. It is also a story of great talents and opportunities simply thrown away.

With the advent of DVD, The Judy Garland Show at last began to reach a wide audience, and the actual product bears out Sanders' contentions. At its best, it was extraordinary, offering not only Garland very near the peak of her vocal talents, but a host of great performers that read like a Who's Who of 1960s show business--June Allyson, Tony Bennett, Vic Damone, Bobbin Darrin, Lena Horne, Ethel Merman, Peggy Lee, Jane Powell, and Barbra Streisand, to name but the most obvious, most of whom Sanders interviews to great effect. But the program was "fiddled to death" by constant CBS reformatting, too often saddled with inept writing and insipid guest stars booked on studio demand, and ultimately unable to establish any consistent formula acceptable to both Garland and CBS.

According to Sanders, Garland did indeed spiral out of control toward the end of the series--but given the madhouse into which she was thrown it is amazing that she did not run screaming down the street at the very beginning. And, as Sanders so astutely points out, she has had the last laugh after all. Few series television programs of the early 1960s, including those that bested The Judy Garland show in ratings, have survived in the public memory. But The Judy Garland Show, for all its flaws and faults, seems to become more greatly respected with each passing year.

After reading Sander's meticulously documented assessment of The Judy Garland Show, you'll never again look at broadcast television with quite the same eye. Very strongly recommended, not only for Garland fans, but for any one with an interest in the medium.

GFT, Amazon Reviewer

Over the years I have read every book about JUDY and excluding the 'book' written by Mel Torme' many have been decent. But, not until this book has the talent, the class, the POWER that was JUDY GARLAND been properly conveyed!The book is informative about what went on in front of and behind the scenes of THE JUDY GARLAND SHOW. But also, it shows how at certain points JUDY wanted certain things done a certain way for a specific reason!!! Case in point, her singing 'THE BATTLE HYMM OF THE REPUBLIC'. She knew why it had to be done, she knew how it had to be done, and she knew that it had to be done!!!! AND SHE DID IT!!!! And what 'we' see on video during that performance is what JUDY was, is, and always will be!!! A performer who should have been left to do what she did-SING!And reading this book, you'll see why she is what she is, and how she got what will always be hers! LEGEND!!!!

This book, which accompanies the box set (Vol 1) of Judy's TV series, is an invaluable resource for any serious Judy Garland fan. The writing is clear and concise, the approach is objective (but with great empathy for Judy), and the research conducted by the author is impressive. Until this book was written, the only documented history of this landmark TV show was the book written by Mel Torme, which was mean-spirited and by no means a balanced account of what really went on. Congratulations and much gratitude to Mr. Sanders for a very memorable read.

Coyne Steven Sanders is, undeniably, _under_ the rainbow with this treatment of Ms. Judy Garland. In a good sense. First, one must respond to the treatment here of Micky Rooney, without whom we would still probably be responding to Ms. Garland in the same way. In the birth of the cliche, there is a moment when the idea itself is not a cliche but is instead an archetype. In this way cliches are to be honored as original ideas so fitting to such a large number of {events} that they become, through no fault of their own, a cliche. Sadly, this treatment of Micky Rooney in relation to Ms. Garland does not recognize the fact that Mr.Rooney was a cliche _from the beginning_. He personified the cliche by occupying one from the moment he embarked on his character--the same wide-eyed, over-eager, lifelessly hyperbolic grating dunce he dusted off every time the cameras were stupid enough to have him within their frame. If only Steven Sanders would have bitten into this none-too-tender tendril of the gas that was Micky Rooney! Instead, it is waived away like a bad odor that the reader imagined should have dissipated 5 minutes earlier. By failing to contextualize Ms. Garland within this necessary border, Coyne Steven Sanders renders a full quarter of this book into a wide pie of plums and pits; into a full line of outergarments best suited for intemperate climes. Three cheers for Coyne! Because, after all, this author is able to, in this book, show us why we should all, as I do, love Judy Garland with each breath we take. I love her. Yes. I love this book, and I love Judy Garland.

Buy this book right now. Even if you aren't interested in film. If you've ever walked by a poster advertising a film, buy this book. Why are you still reading this review? Why aren't you ordering this book? In fact, don't order it online here, run to your local Borders and pick it up right now. Hurry, it'll close soon! Well, okay, buy it online, but you'd better use overnight shipping! I'm warning you!!! Buy it.

Now!!!!!

"Saying that Jerry Ziesmer probably has delivered the greatest assistant director book ever written doesn't do it justice. His tales from the Kleig was in "Ready When You Are, Mr. Coppola, Mr. Spielberg, Mr. Crowe" are not only an insider-insider's look into what actually happens in the making of movies--from "Close Encounters of the Third Kind" to "Apocalypse Now" to "Jerry Maguire"--but also a compendium of perceptive glimpses at the personalities and decision making by great filmmakers and actors across four decades. This book relates the biz and its lore with color, intimacy, candor and horse sense..."

An amazing inside story of filming with Frances Coppola, Steven Spielberg, and Cameron Crowe told by their assistant director. The author relates the tales of filming "Apocalypse Now", "Close Encounters of the Third Kind", "Jerry Maguire", "Scarface" and so many others. A truly enjoyable book for the film professional or for those who just enjoy films.

Jerry Ziesmer tells the kind of inside stories you usually only hear (if you're lucky) over beers after shooting's wrapped for the day. Without ever whitewashing or pulling punches, he offers a thoughtful, compassionate perspective on the trials and tribulations that led to some of the greatest films of our day. This is simply one of the best books ever written on the nuts and bolts, the passions and personalities of filmmaking, period. Thanks Jerry.

Disclaimer--I know Jerry from working with him on the Director's Guild Council, and I have utmost respect for him as a professional filmmaker. But I never knew his talents extended to such cogent, fun-to-read, full-of-insight writing until reading this wonderful book. It combines the best of both worlds--the "inside baseball" stuff that pro's with years of experience will still find new and fresh and helpful to their work AND the "Hollywood" anecdotage that any fan of great movies and moviemakers will read with a chuckle and a tear and a lot of smiles. If you really want to go "Behind the scenes"--save the trip to Universal's tour and get this book instead. You'll learn a lot, and have a great, great time!

Sabrina the teenage witch competes in a witch's spelling bee(a spell-casting contest)and her prize is a reality check(a cheque she can cash in to change any event of her choice)Only problem is that EVERYTHING is going wrong so how is a girl to decide what to change?!!!!!!!!!!Life's hard!

This is a pretty good book.On this book Sabrina competes in the Other Realm spelling bee,wins and gets a Reality Check!But Aunt Hilda and Zelda are under a 24 hour time-release spell witch is causing a disruption in their lives!To learn more just read the book!

Reality Check (Sabrina The Teenage Witch)is a great book. I could read it over and over again. It's fun reading about all the trouble that she gets herself into, and how she gets herself out of it. It's fun and easy to read. Everybody should read it.

Sabrina wins the first prize in the spelling bee contest -- and it is a reality check.her spelling bee prize has her world abuzz.she can change only one incident. but which one? she has no idea.Aunt hilda and zelda are in a 24 hour time release spell which is causing many complicated problems in their lives,HARVEY Needs money after his motor cycle accident,Val resigns as school news paper editor and libby twists her ankle just before her cheerleading stuff.

in the end she used it wisely though. it was a great read. the ending of this book was mind boggling. it was too good a read. She finally uses the check to save - nah fooled you. I am not 1 bit interested in spoiling your read. so i suggest you to buy this book which is another great book added in this great series.lllooooovveeeeellllyyyy.Got to read it

This book was completely a breath taking addition to this sereis.Tooooooooo coooooooool. Sabrina wins the national spelling bee and the first prize is a REALITY CHECK. but she doesn't have a single idea on where to use it. because her spelling bee prize has her world abuzz. Finally, she uses it in the right way - by using it to save - no no no i don't want to spoil your read . The ending was a little dissapointing though. anyway the style of writing was great . Diana.G.Gallagher is by far one of my favourite Sabrina authors.Keep up the good work!

What an absolutely awesome book! Mr. Kohler did a wonderful job. I love this book and recommend it to everyone interested in retro gaming. It is packed full of useful and insiteful information. To top it all off, the book is in a fun, easy-to-read and enjoyable format. I can't recommend it enough.

I hope Mr. Kohler does a revised and updated edition of this book. The information in it is too good to be allowed to just fade away. I'll definately buy an updated copy.

Just one comment to the author Chris Kohler should he read this review: How about a hack about the Scot Adam's text adventure series for the section of your book on Text Adventure games? Scot Adam's was big in the early 80s.

Thanks!

A great reference for those who like to tinker with the hardware side of retro games. I found this book to be a very good reference, well thought out and very applicable to the hobby of retro gaming and will appeal to the enthusiast at all levels.

Chris Kohler's RETRO GAMING HACKS: TIPS & TOOLS FOR PLAYING THE CLASSICS tells how to emulate classic games on cell phones to computers, how to locate vintage game hardware, how to convert gaming tools, and how to write your own retro-style games in various programs. From playing old games on original hardware or making conversions, RETRO GAMING HACKS is for avid gamers who want to tweak the experience.

Some of these 'hacks' I knew about, many i did not. But every 'hack' in here offered some level of detail that made my retro gaming experience just that much better.

The bulk of the hacks are focused on emulators - how to get them, how to use them, etc. Which means that you will be Retro-gaming on your PC. Before I nabbed this book, I thought that would be a slightly less than awesome experience. Mainly because the controls leave a lot to be desired (who wants to use a keyboard to play Satan's Hollow.) But thanks to one of the hacks, I now know where to go to get retro game controllers that fit right into your PC.

While retro-gaming on the PC is the the focus of the book, it by no means describes all the content. There is tunds of cruncy goodness in here on obtaining old platforms and cartridges, to hacking your old cartidges / games into your modern platform.

All in all a joy to read, and even more fun to implement. Pick it up! Its a good 'un.

Are you an avid game player, programmer or video game journalist? If you are, then this book is for you! Author Chris Kohler, has done an outstanding job of writing a book that shows you everything you need to know to get your retro game on.

Kohler, begins by showing you how to play the real thing, setting up classic game systems, fixing broken hardware, and getting good deals on buying games. Then, the author covers new hardware and software that plays old games, whether on an all-in-one joystick or on the PalyStation 2. He continues by covering MAME from all the angles, learning how to play classic arcade games on the PC and other platforms. Next, the author shows you how to play classic console games. Then, the author brings back those classic computers, showing you how to set them up or emulate them. He also shows you how to play with text adventures. Then, he shows you how to get DOS games to work properly under modern operating systems, or even get DOS up and running again. The author continues by showing you how to play at game design. Finally, the author shows you how to hack around inside games, exploring glitches and bugs to your advantage.

The author of this most excellent book shows you how to emulate classic games on everything from cell phones to computers. More importantly, after reading this book, you will have everything you need to have to rediscover classic games in style.

Beveryly Gray is truly a wonderful biographer. She captures the tone and warmth of Ron Howard throughout the book. Beverly also puts you "in the know" for the locales, such as Greenwich, Connecticut, where Ron Howard moved to partially shield his children from the "glamorous temptations of the film industry." This is a book for people who want to take a walk with Howard and really get to know what drives him. It's warm, friendly, and low-key, just like its subject. And a great read! Well done, Beverly! Oh, by the way, did I mention Beverly also teaches film at UCLA Extension. A wonderful, warm person in her own right.

I found Ms. Gray's study of Ron Howard to be a highly creative and attention-grabbing presentation of a man with a constantly developing and fascinating career and personality, ranging from his child-actor beginnings through his current reputation as a successful director in many genres. The book brought to life his early years in the Andy Griffith television series and "The Music Man." The author's treatment of his recent film, "A Beautiful Mind," is especially moving and insightful and tied together Howard's consistency and creative exploration in all of his work. His ever-present optimism, human decency, energetic habit of taking on new challenges, and loyal respect for others in his life and his work is presented in a very appreciative and in-depth way.

One of the advantages of an "unauthorized" biography is that it should offer a more creative and exciting challenges to the biographer and a much greater illumination to the reader.
There is always the danger when a biography is authorized that a conflict of interest may arise and the truth may be compromised.

Beverly Gray's unauthorized biography Ron Howard From Mayberry to the Moon..and Beyond is a "putting the record straight" kind of a book, wherein some of the myths that have been prevalent in the press for so many years are explored and set aside.

Many of us have grown up with Ron Howard the child actor Opie Taylor on The Andy Griffith Show, and then as Richie Cunningham of Happy Days.
Today, Ron Howard is a well known Hollywood film director and producer, who directed such films as: Through the Magic Pyramid, Night Shift, Cocoon, Willow, Parenthood, Backdraft, Far and Away, The Paper, Apollo 13, Ransom, How the Grinch Stole Christmas, and Academy award winner, A Beautiful Mind.

Gray practically begins her story from the cradle. Howard was born of parents, who themselves were actors, and at eighteen months he captured his first acting role as a crying baby, thanks to the efforts of his father.
Throughout his life, his parents, Rance and Jean Howard, played a tremendous role in shaping his life, and at the tender age of five years his father had imparted in him professionalism and basic acting techniques that have remained with him throughout his career.

As we read Howard's "unauthorized" biography, we are amazed at the extensive research that must have gone into the writing of this book, most of which was gleaned from Howard's interviews with the media over the years, as well as the author's interviews with many of his associates.
One advantage of writing Howard's biography in the prime of his life is that almost everyone is still around from his youth and his filmmaking career.

Practically no stone is left unturned, as we trudge along with the author from Howard's early childhood until his present day directing achievements.
We learn of his successes as well as his failures, and very often we are privy to some little known facts about him.
As an example, Howard was in awe by director George Lucas's talents and counter culture approach to filmmaking, as was in evidence in the film American Graffiti, where Howard had been asked to improvise scenes with other actors.

Movie buffs will surely appreciate the four appendices included at the end of the book that provide a timeline for the actor, filmography as an actor, filmography as a director and producer, and his major awards and honors.

One deficiency I found with the book, and one that is very prevalent in many biographies, is the creation of a narrative pattern that relies on the chronological tick of events; the day- by -day or year- by- year pattern should have been re-imagined. If the author had made Howard's story more innovative, it would have been more attractive to its readers.

Norm Goldman-Travel Writer and Editor Bookpleasures

I read Beverly Gray's book on "Ron Howard: From Mayberry to the Moon... and Beyond". I found it to be very easy to read, very entertaining and full of interesting stories about Ron. Ms. Gray was objective, diplomatic and kind, never to offend any party involved. I thoroughly enjoyed the book so much so that I finished reading it in one and a half day while sun bathing in Del Mar, California recently.

Did you ever want to be Opie when you were a kid? I did. The thing about Opie was that even when he got into trouble, and he did get into trouble, everybody still liked him. Beverly Gray, in Ron Howard From Mayberry to the Moon, presents a good case that the same is true of Mr. Howard. Everybody in the motion picture business likes him, that is if you exclude a few pretentious critics (and even they probably like him, just not always his happy endings). Nice guys do NOT always finish last.

Howard did not cooperate with this biography because "he felt himself to be in midcareer and not ready to participate in a long range assessment of his accomplishment." OK, fair enough. Keep that in mind while you are reading, but do read it.

From Opie to Richie to director, this is a detailed portrait of a man whom everyone agrees is a real mensch and who is wildly successful. It is also fascinating, and adds to Howard's charm, to realize who loyal he is to his family and friends, yet how honestly he treats them when casting projects. Simply put, if he feels they are right for a part, they get it; if not, they don't. That takes quite a bit of respect and love - from the actor and the director.

Gray's extensive interviews bring out some interesting bits of trivia about Howard. Her prose flows nicely and her organization is excellent. Maybe in another forty years or so, she can write an update - next time with Ron Howard's input.

Now that Hollywood has finally given Scorsese his due with what amounted to a career-Oscar, the time is ripe to read the revised edition of this superb book. The questions asked of the director are intelligent, not fawning, and his answer's are lengthy and fascinating. The generous space devoted to his childhood and early years help one better understand why Scorsese has been so attracted to a particular genre and how he executes it so well. This director is, of course, immensely knowledgeable about the history of film, and his comments on other directors' work are fascinating. A readable mine of information about one of the most important popular artists of our time.

I bought this book out of respect and deep admiration for Martin Scorsese. What I got was keen insight into a creative genius. The numerous interviews reveal a side to Scorsese that not many people see outside the camera. It's a lot more personal than that. When he talks about his movies, he ultimately parallels them to what his life was like at that time. So it's a fine blend of his personal life mixed with his professional life. There's also the obvious vibe that this man always was and always will be a student of film; his passion is infinite. Perhaps that's what makes him as influential and well-respected as he is.
You're the best there is, Marty!!

There are few filmmakers more brilliant than Martin Scorsese, and this book provides wonderful insight into the sources of his obsessions. Almost any book on Scorsese is worth reading, but this volume gives equal time to his less-appreciated, (but no less wonderful), films like The King of Comedy and After Hours. By far, the most informative book on Scorsese yet.

This reader felt almost privileged to read these interviews, lectures, and conversations with Martin Scorsese. He simply shares everything, and indeed he is, if nothing else, a true fan of movies!

The insightful words of Scorsese, arranged to parallel his filmography up through New York Stories, are annotated by the redoubtable editors Thompson and Christie. Scorsese is arguably the greatest postmodern artist, (and I would have to say the only postmodernist I unhesitatingly adore -with possible exception of Matt Groening), and the reader really gets to see how Scorsese constructs a film. His inspirations are as predictable as directors Pasolini and Powell, yet as diverse as Mahatma Ghandi and Little Richard. He loves all with equanimity and enthusiasm.

That's the joy of this book... the guy loves movies, loves making them, and all that energy just shines through.

Extremely valuable resource for the student of film, but good fun for the humble film buff, too. Bonus: interesting black and white photos you won't find elsewhere. Excellent (though naturally out-of-date) filmography appendix.

I absolutely devoured this book, essentially reading in two sittings a day apart. A rare and privledged look into the mind of Scorsese in his own words, followers of his work will be thrilled with the insights and anecdotes. Anyone half-aware of the man's work can recognize the thought that goes into it, but these interviews reveal the incredible depth and passion for film and its history that underlies his craft.

An essential read for anyone that considers her- or himself a film buff.