Entertainment Books

I have been in this hobby for over a decade. I began with AD&D and played it for most of my time gaming. I always liked how the older rules were so friendly to what the players wanted.

Unfortunately current editions of certain games are not that way anymore and I thought the older style would slip away. I'm glad I was wrong.

Castles and Crusades uses the best parts of the OGL stripping the D&D SRD to it's core and rebuilding it to be like a RPG should be. Fast, exciting and above all fun.

At 128 pages it may not seem like much but I had the rules down in one evening. I also taught my nephew the game in 20 minutes. It is of note that he has limited gaming experience.

Above all else C&C is easily compatable with older AD&D editions as well as the new editions making it the most versitle game in existance.

This is the best $20 you'll ever spend on a gaming product!!!!

In my opinion this is a wonderful example of what a rpg Player's Handbook should be - all of the pertinent rules on building characters and performing the basic tasks of the game - without a lot of filler, fluff, or excuses for not having an imagination.

The game itself is terrific, as a return to a simpler time in rpg's when the game wasn't overly burdened with many, many different mechanics that slow down game play, but don't significantly contribute to story telling or experiencing the imaginary adventure.

In substance, the Siege engine (the authors' name for the near-d&d like structure that the game is based on) is a wonderful mix of First Edition AD&D (the first hardcover books - the first edition of the game to feature the word Advanced in the title), with some modernized D20 mechanics. In a nice mix of new and old, your abilities are all derived from your race and class, but the chance to perform those abilities is derived from your statistics - here is where the Siege engine adds, in my opinion. Each character can choose (based on race and class choice) up to 3 statistics (of the classic six - Strength, Wisdom, Intelligence, Dexterity, Constitution, and Charisma) to serve as Primary statistics. All abilities that are based on Primary statistics have an additional 30% (+6 on a d20) chance of success over other practitioners of the ability. A player creating a Ranger character might pick Strength and Intelligence as his primary abilities. Another might choose Strength and Dexterity - the two characters will have very different areas of expertise and concentrated focus, even though both are Rangers.

Combat is quick, and straight forward. A quick roll of initiative (on a D10), players and non-players then act in order. Ties are broken by Dexterity bonus. Roll to hit, roll for damage. Spells may involve a resistance roll, or a saving roll. Abilities require a single dice roll. All in all, the combat runs great, and quick. Players are more interested in where their companions are, what the tactical situation of the fight is, and how to gain the upper hand through maneuver and magic, rather than picking just the right feat for the situation.

Having run some sessions (and having a very long history with rpg's in general, and all the versions of D&D in particular), I have to admit that I miss having some sort of skill system. The Non Weapon Proficiency system from First or Second edition AD&D would do nicely, as would the Skills system from Third edition. Feats are (thankfully) absent, as they are the one thing about Third edition that keeps me from liking it (and it's worst aspect, from the point of view of a DM preparing adventures).

Combat in Castles and Crusades runs very smoothly and cleanly, and is over quick, while still having all the round-to-round decision making and tactical choices of a good rpg. Magic is done very well, with a very nice spell list for the different classes, good rules on acquiring spells.

This with the companion volume - Monsters and Treasures Castles And Crusades Monsters & Treasures- makes a great rpg. I have to say, that I am anxiously awaiting the Castle Keepers Guide (now, if I am correct, due out in Autumn 2007). It is supposed to add a lot, and will be twice the size of the Players Handbook. If it adds a skill system, and (apostasy) somewhat more detailed initiative rules, then I will be in seventh heaven. If not, one of the greatest things about Castles and Crusades is that it can very very easily be added to, and I could easily plug in my favorite skill system and initiative rules.

I too started out during the original D&D red/blue box days and this is the best "version" of D&D since the Rules Cyclopedia. I've DM'ed OD&D and 1st ed AD&D and played in AD&D 1e & 2e. While I own D&D 3e, I've never played or DM'ed it. It just seems to be too complex and too much trouble. The older I've gotten, the more I've come to appreciate rules lite games that don't force me to memorize an encyclopedia's worth of information or constantly reference a large collection of books during play. Also, if I want detailed tactical combat, I'll just play a miniatures game. C&C has rekindled my interest in running a D&D-style fantasy game for the first time in over 10 years.

The game takes the classes/races of 1st ed AD&D and marries it to a unified task resolution mechanic based on a d20 role. Most situations are resolved by adding modifiers to a d20 role and comparing to a target number. DMs or Castle Keepers (CKs) as C&C calls them, will greatly appreciate the streamlined rules since prep time is greatly reduced. Combats are fast and fun rather than bogging down the game. Although Troll Lord Games will be supporting the game with new material (a Monsters & Treasures book is due out soon and will be followed by a Castle Keepers Guide and a fantasy setting book along with several adventures), you can easily convert any OD&D or AD&D module you already own (or can find used on Amazon or eBay), so you don't have to feel compelled to buy every new book that comes out and can buy only those additional books you want to. For those than don't have a shelf of old D&D modules, a selection of monsters, a character sheet, and an introductory adventure module are available for download at the Troll Lords website.

Although C&C appeals to me as an old-timer, it is equally suitable for new players/CK's as well. In fact, I would say that players new to roleplaying would be better off picking up C&C rather than D&D since it's much easier to learn and play.

I started with OD&D and have been away from roleplaying games for many years. And 25 years later, I wanted to teach my daughter and nephew about the world of Dungeons & Dragons and roleplaying games and so then discovered Castles & Crusades! It has all the great elements of OD&D and the benefit and experience of these last 25 years in gaming improvements. It's fast, easy to learn and a great way to get kids or newcomers introduced to roleplaying. Highly recommended!!!

Really takes me back to the simpler days of the "red box" era. When the detail was in your own mind instead of confining rules. I hope this brings more players back to the game. Simple play mechanics uncluttered with needless detail.

Brian Epstein's magnificence and decency as a person, and secondly as manager of the Fab Four, is what really comes across in this warm, revealing account of the rise of the Beatles. I really think that had Brian lived, the boys would never have split up. Argued yes, but split, no. Not if Brian would have had his way. His integrity (such as not going back on a contract, even though it would have meant the Beatles could have made a ton more money) makes me respect him highly. One such incident was referenced by the Ed Sullivan show, which was contracted at a measly amount, before the mop tops took America by storm and were commanding much larger contract dollars. It's seemingly rare to find this kind of integrity in the entertainment industry, and probably garners the criticism of those who later said Brian was a 'poor' manager, not getting the Beatles their due share. Maybe true...but I don't think anyone around them loved the boys more than Mr. Epstein. There's a very interesting anecdote about Brian's wavering loyalties at one point. He was so tired of the strain and the 24 hours a day work that came with being the Beatles' manager, that he considered selling his contract with them, for a good amount of cash. When confronting the boys with this idea, they thought he was joking, then realizing he was serious, threatened to pack up and quit if Brian left. Brian's quote in this regard speaks to his admiration and loyalty, in return, to the boys. After telling his prospective dealer that the deal was off, Brian remarked:
'And this was the point. The Beatles are not a deal. They are unique human beings and I believe that even if the whole thing peters out I will always be with the Beatles. I would like to look after them in some way throughout their lives, not because I want a percentage but because they are my friends'.
And a true friend they, and we all, lost when Brian passed.
Thank the stars above he brought them, and their joy, to the world with his unflagging, unwavering hope and belief that the Beatles were, and are, a once in a lifetime 'deal'.
A must read for any Beatle lover.

This is an interesting book, though you'll likely have read the story elsewhere in other Beatles books. But it's from the manager's mouth, so worthy in that regard. Some trivia: When (homosexual) Brian asked the other Beatles what he should title the book, John--with his cruel streak--said, "How about `Queer Jew' or `Cellarful of Boys'" Ridiculously, Lennon's cruel streak made Epstein just more infatuated with John!

Just to counter the praise of Brian Epstein's writing in the review below: Epstein didn't write the book; his and the Beatles' press-man Derek Taylor ghost-wrote it (and he himself said he thinks it would have been better if he hadn't written it so quickly).

Brian Epstein, by writing this book in the middle of the Beatles phenomenon, provides us with a great snapshot in time - a time unlike any other before or perhaps since. Without being conceited (in fact, he reveals in his own words many of his own faults) he provides a fascinating insight into what was probably one of the great judges of pop music talent of the last 30 years. Reading this now, knowing how Brian's life was to turn out, leads one to wonder just what might have been. His style of writing, more conversational and "simpler" than one might have gathered from his outward appearance, makes this an easy and entertaining read and a must for Beatle fans.

This book is probably one of the best books I have ever read. I read it constantly and I never can put it down. It is the most beautifully told story of the early beatles from someone who was actually there. A must for ALL Beatles fans.

When I first found out about this book, I immediately came to Amazon and read the reviews listed with this one. I must whole heartedly agree with my fellow reviewers that this book is filled with a lot of never before seen photos and information about George Lucas that the public has never had access to before. It is graphically beautiful. When I first received my copy, I literally couldn't put it down for hours. I highly recommend this book for anyone who is interested in learning more about the man behind the Star Wars saga.

This guy has got it together - a great look inside the creative process and genius of the modern film maker. Absolute must have for a Star Wars fan or anyone wanting to learn more about the cause and effect this one man has had on the film industry, movie making, motion pictures and the technology to bring them to life - far beyond any one else has ever done before..... travel into hyperspace with this book.

By now, most people have seen one George Lucas film, just as they have most likely seen a film by Steven Spieldberg. This wonderfully photographed and informative coffee table book has everything you need to know about the directoral genius and the history of his films. It all began in the late 60's, when he and Steven Spieldberg graduated from USC in Southern California. They would both go on to become leading American film directors. Lucas's first attempt at film was a successful student film- THX 1138, a chilling science fiction film about a futuristic, militant society akin to George Orwell's 1984. Already, there are signs of his most recognizable movie Star Wars as in that film a young man defies the oppressive regime and attempts to rescue himself but fails to do so. In the mid 70's, Lucas had already created the storylines for his Star Wars saga. It is a 9 part saga. We have seen Episodes 1-6. Beginning in 1977 with Episode 4 A New Hope, the film that won him instant fame. The book recounts the making of the film on location, the casting of Mark Hammill, Carrie Fisher and Harrison Ford- actors who at that time were in need of a successful film role. The book even details original scenes that were cut off. In 1980, The Empires Strikes Back was released and it proved to be the highest grossing sequel of a film ever made. 1983's Return of the Jedi, as wonderfully made as it was, has never been as successful as the first two, though it raps the saga nicely. In 1999, Lucas released Episode 1: The Phantom Menace, the first installment of his space opera which tells of the growth and downfall of the young Anakin Skywalker who becomes Darth Vader. 2002's Attack of the Clones dealt with the Clone Wars and the budding romance of Padme and Anakin. 2005's Revenge of the Sith describes the Sith takeover and the destruction of the Old Republic and extinction of the Jedi, all except for Yoda, Obi-Won and Padme's twins Luke and Leia. Lucas had a hand in the making of Spieldberg's popular Indiana Jone series. We have seen how he has become a film-maker who relies on great stories and the magic effects of cinema and computer graphic/digital technology. He is the only director who can point us to the path of how future movies will be made.

This book is filled with rare and beautiful images from the Lucas archive. If you're interested in George Lucas, there is no alternative. The story is pretty good, although a little limited. If you combined the images from this book with the detailed story in DROIDMAKER (subtitled- George Lucas and the Digital Revolution- which i just read straight through and LOVED), I think you'd have the perfect Lucas book. Still, i highly recommend this.

Excellent book about Lucas' life and projects. Special focus is of course on Star Wars and Indiana Jones. The Star Wars (original film) is the best chapter and there is some excellent stuff there - including segments from the first draft of the film and how the story changed from the first and final draft. This tells the real story about Lucas and his incredible path from the shy film student to the man that would change film making forever. A must for all fans of films. This is a truly interesting book with some great pictures and it is very easy to read. Highly recommended.

Jed and Germaine have created an amazing tool. If a picture is worth a thousand words then they have assembled abundant volumes of coaching wisdom...and they can all fit in your brief case:-) I have already found myself referencing these powerful concepts in several of my coaching calls and presentations. If you are a coach or coach people in your work then you MUST have these books. If you have kids you need this book. It is an absolute perfect life and work companion.

The Power of Coaching...Engaging Excellence in Others!

I am excited about the Coaching Soup books by Germaine Porche and Jed Niederer. I have been a business coach for a number of years and have a library full of excellent coaching books. However, I have not found any books to compare with the positive, fun, and effective approach of these authors. Humor and the ability not to take oneself too seriously are important attributes. I am using their books for my own edification and entertainment and for my coaching clients who range from attorneys, financial advisors, funeral home owners, and other people who are in professions considered to be "very serious."

Great, fun, insightful. I can think of half a dozen coaches I want to send this to.

Brief, witty and insightful--the perfect combination for most written material, and the coaching industry is no exception. Jed and Germaine have once again contributed powerfully to the coaching profession.

I just love the cartoons that Germaine and Jed provide for the coaching industry! These books are funny, funny, funny! Providing coaching services myself, it helps to look at the lighter side from time to time. Thanks, you two, for giving us a way to let off steam in such a positive way!
Casey Lee, author of "52 Ways to Become Famous [and Sometimes Infamous]" Penworth Publishing

It was a good book,but I personally think it could've done with the puzzles.Otherwise,this book will keep kids entertained on long car rides or on rainy days.

I have to say digimon rock, because it does teach teamwork, and so does Pokemon(but not as much). I mean, would Tai or any of the others defeat Myotismon or The Dark Lords if they wouldn't of worked together. And that shows kids that if you work together then you can accomplish anything.

OK. You might think we are to old for Digimon (or Pokemon) but actully it helps us learn the value of friendship and teamwork. I would recommend digimon for anyone with friend problems (like Matt and Tai) If you think the same e-mail me at digimonfreak3@hotmail.com

Digi-Know?! digimon rocks who ever thinks digimon is like pokemon is crazy.I'm a girl even I know the difference between pokemon and digimon.The kids in pokemon KNEW what to do.The kids in digimon was force to go to the digiworld.EXCITEMENT is writen all over it.

I THINK THAT LAST GUY HAD A GOOD THOUGHT BECUSE DIGIMON IS A GRAET THING I'M 11 AND I LOVE DIGIMON I'V NEVER MISSED ONE SHOW AND THE BOOK IS GOOD TO AND IT MAKE'S ME HAPPY TO SEE PEOPLE TALK ABOUT DIGIMON AND TO SEE PEOPLE READ DIGIMON IT'S EVEN BETER

As an old-time radio fan who has just recently discovered the magic of Don McNeill's "Breakfast Club" program (and WHY aren't there more surviving recordings of this series currently in circulation among collectors?), I thoroughly enjoyed Mr. Doolittle's new book. I found it to give fascinating and in-depth looks into the "behind-the-scenes" workings of the show, the network and sponsor difficulties with the TV version, and the careers and private lives of the McNeill family and the various cast members. I found the section regarding Kay McNeill's (Don's wife) mental and physical decline from Altzheimer's Disease to be particularly poignant and heartbreaking...especially considering what a vibrant person she seemed to be prior to her illness. In a previous review, Mr. Slobb criticizes the book for treating Don McNeill as if he were God...I respectfully disagree. The book deals with the two personas of Mr. McNeill....How he could seem outgoing on the program and be quite introverted, even sullen, in real life. However, after reading the book one gets the impression that Don McNeill was basically a fine person. After working with Mr. McNeill for a number of years and numerous broadcasts, Mr. Slobb's complaints are that Don McNeill never spoke to him, or that Don gave Mr. Slobb "cheap" Christmas presents....I don't think that those issues really put Don McNeill into the "ruthless S.O.B" category. Unlike fellow "morning man" Arthur Godfrey, who truly alienated his cast members and had some very ugly parting of the ways, most of Don McNeill's regulars stayed with him for YEARS. There were male and female singers who would leave the show to get married and raise families, tour on club dates, go into the service, etc. Don had a friendly "open-door" policy with these departed singers.....Most of them would return to fill in when their replacements would be out sick, on vacation, etc., and these "pinch-hitting" former regulars were always made to feel welcome. I'm sorry to digress from the book itself, but I felt that the preceding needed to be said. I found this book to be enlightening, interesting, inspiring and a LOT of fun...sort of like an actual "Breakfast Club" broadcast! I recommend it highly!

The Don McNeill Breakfast Club was a comfort of home, a memory of cherished moments sitting by the radio with my family. When I heard that a book had been written about the program I had high expectations. I was more impressed than I could have imagined. Not only did I feel a stronger sense of who Don McNeill was, I also gained perspective on American History through radio, which was so perfectly encompassed in The Breakfast Club. For anyone who remembers the lazy mornings by the radio, or for anyone who is interested in American culture and history, this book is a must!

Although I am old enough to have been able to remember Don McNeill's Breakfast Club I have only heard of him, and wanted to learn more about this popular radio show. Author John Doolittle has done an excellent job in bringing out the personality of Don McNeill. Don was a devoted family man who, despite an extroverted personality when interviewing people, was more of an introvert away from the show. Don was devoted to the midwest and chose to keep his show in Chicago from various downtown locations. I would say the primary reason for the success of the show was his sincere interest in people in addition to his willingness to pay the price in preparation time. Those who filled in for him found out there is more involved than chatting with members of the studio audience. The silent prayer and the march around the breakfast table were interesting staples of this show that I wasn't aware of. Don McNeill was a sincere man both on the show and in his private life. The CD that came with the book I bought provides interesting snippets on some of his shows and was especially interesting to listen to after having read the book. Don McNeill was a giant of radio who had a lot to contribute to other people and did.

This is a fascinating journey back through radio and american history.

The "Breakfast Club" was a morning radio program staple in hundreds of thousands of homes across America beginning in 1933 until its final broadcast in December of 1968. Don McNeill hosted this program which was completely unscripted and involved a lot of studio audience participation. Now John Doolittle has memorialized that unique and beloved radio show host and his program in Don McNeill And His Breakfast Club. Here is the history of a man and a program that developed an enormous and loyal listenership in an era when broadcast radio was the major daily mass media for information and culture in the country. Doolittle's informative, enthusiastically recommended history is enriched with the inclusion of an accompanying CD with sample clips from the show to give the reader an authentic flavor of what the program was like and why it became (and stayed) one of the most popular components of morning radio.

Tsuburaya Eiji was the Japanese special effects director who was behind so many monster movies that came out from Japan during the 1950s and 1960s. This is a pictorial biography of Tsuburaya Eiji that proves to be very well written and informative. I found the book to be rather insightful as the author included inserts written by men who worked with or worked under Tsuburaya Eiji during his career. The book also comes well illustrated with photographs and movie posters on almost every page as it traces the life and time of Tsuburaya Eiji's career. It was interesting to note that during World War II, he made a movie made from miniatures that showed the attack on Pearl Harbor. It was so realistic that during the initial post war period, Americans thought it was the real thing. Tsuburaya Eiji was also the man who made Godzilla what he was and creator of the Ultraman series that is still going on to this day.

Overall, this book is definitely worth your time and money to read over and treasure. Tsuburaya Eiji is one of the great pioneers of motion picture industry regarding special effects and his influence help shape this industry to this day. His influence in the science fiction genre will remains pretty strong as monster movies like Cloverfield still hit our theaters and on DVD to this day. The book strongly reflects the heydays of Japanese monster movie era history and it will remind many of us, the fun and wonder these movies brought us during our younger days. And it will inform otherwise misinformed that there is more to these movies then just a "guy in the monster suit" concept.

(And yes, I am writing the subject's name in Japanese style...sur name first always...Tsuburaya Eiji is the way you would address him if he was still alive today...as you would with any Japanese national.)

This is a wonderful coffee-table size book that contains beautiful photos and interesting commentary. If you are a fan of Godzilla and/or Eiji Tsuburaya this is the book to get!

Phenomenal book. Great quality, design, and content. If you have any remote appreciation for this kind of film making and monster design, this book is an absolute love letter... A must have!

I been reading books on japanese monsters for many years. But I have to say this is the far by best book ever. Just seeing the never before pictues is worth the price alone. The only thing I could realy say is, if your into kaiju films. Don't be without this book.

A Japanese book titled The Films of Eiji Tsuburaya has become a hard to find collectors item and for that reason I have never owned it. That indicates a level of interest which this new English language book meets very well. There are lavish illustrations and insightful text written by those who were fortunate to be able to research this topic firsthand. Pleasantly surprising is the section written by the now deceased Guy Mariner Tucker. The fact that Tsuburaya had such a hand in tokusatsu and kaiju eiga enables the writing of a book that covers multiple productions from Godzilla to Mighty Jack. Well done and well priced.

It didnt take long to read this book..couldnt put it down. Totally surprised at what I read and I give Kudos to Mrs. EH! I liked the frankness about everything without all the details! Engelbert held nothing back he didnt want to and Im glad he is still with his family! He still has a beautiful gift and should thank God for watching over him and his family! I still say he can sing better than any other ever!!

I read Engelbert's Biography and I found it very interesting. Many events in the book were stated with the up most honesty. Most biography's are written with only the good things the person wants you to know. Engelbert and his wife tell you his story just as it was. I have never read a book in just 2days,but I couldn't put the book down. I am a great fan of Engelbert for over 30yrs and I'm sure anyone who reads this book will enjoy it.

What a tale Engelbert has to tell, and how entertaining is the way he tells it; it's been a life full of twists and turns, and he writes it all, with all the bumps and bruises along the way.
From his childhood in Madras, India, where he lived through the violence of pre-Independence terrorism, to the many hardships of trying to make it as a singer, which were made that much tougher by the ever-present "couch-casting" that went on, a form of getting ahead that he would not participate in...and its prevalence explains why many of the untalented seem to "make it", if only for a season, while some of the really gifted have a rough time getting noticed.
Engelbert's rise to stardom was meteoric, with the single song of "Release Me" in 1967, and he went from living in a sparsely furnished flat into the lap of luxury, and all the pitfalls that come with fame and fortune.

Through it all, he has had Patricia, or Popea, as he calls her, with him since the early days. Beautiful as well as intelligent and strong, she's been the one that has kept the family of 3 boys and one girl (the stunning and talented Louise Dorsey) together, and "stood by her man" through thick and thin. Popea writes a portion of Chapter Fifteen with gritty honesty, and explains how, and why, she withstood the many women, the paternity suits, and all the paparazzi that hounded them through those many years of notoriety.
The women, as Engelbert explains, were an "occupational hazard", certainly not helped by his years of lonely nights and hard drinking on the road, and the many females who would make themselves exceedingly available.

Engelbert comes off as an extremely complex individual, but very likeable. A perfectionist in his work, living life to the fullest, and discovering in his later years that he has the gift of healing; this assertion I believe, as I find that the sound of his voice can have curative effects.
There are portions that are laugh-out-loud funny (like the UFO story in Chapter Seventeen), and adding to the charm of his writing style is some of the "Brit-speak" slang, with expressions like the now rarely heard "grotty" (a favorite word of mine coined by George Harrison in the '60s).

The book has two sections of photographs, from the age of 17 on. Favorites of mine are the one with Muhammad Ali, and a lovely family shot taken by the pool in one of their USA homes, affectionately named "The Pink Palace".
The final 12 pages are devoted to a UK discography, and include chart positions.
This is fast reading, and riveting, so walk the dog, feed the cat, turn off the telephone, and make yourself a big cuppa, because once you open this book, its going to be very hard to put down.

I was sure this book would be interesting...but it went way beyond anything I could have imagined. It was poignant, honesty..incredibly honest..I can't believe there were were several chapters where I couldn't see beyond my tears. I am so glad I got this book..it is a very deep look...and I'd love to sit down with him and be his friend! Thank you, Englebert, for letting us inside your heart.

i truly enjoyed reading this book. I have been a fan for 26 years and it was enjoyable to read about his life.
The book was a quick read and as entertaining as going to his show. my favorite chapter was where his wife wrote her feelings. I took alot away from that. That is what love is about!!
read this book and enjoy!

I doubt that I can say anything about this book that hasn't been said before but this is, by every measure, an outstanding examination of Cassavetes amazing body of work.
I go back to this book every six months or so and have for a number of years. It is a very thorough, reverent, and insightful reference book but it goes well beyond that. Though very full of information, it is personal enough that it has allowed (and encouraged) me to go and evaluate the films myself without the feeling that there is a "law" or an agenda already set with these films.
The greatest beauty of Cassavetes' films is that each one belongs to the individual; meaning that every person who chooses to lend his or her heart to the characters, stories, and subject matter(s) can get something out of it that belongs solely to that person. The films can excite, enrage, entertain, and rattle you in ways that films seldom do.

Cassavetes films make you more than an audience member as they make you more aware than ever that you just might still be human.

Great book and highly reccomended.

I'd like to corroborate Matthew Langdon's review (above or below this one). I had the advantage of having Ray Carney as a professor at Boston University. By some stroke of genius (possibly by administrative accident), all entering film students were required to take a survey course from him on film art before taking anything else. Carney started with warhorses like Hitchcock's "Psycho" and made the roomful of us (vocally) do exercises during the screening that exposed the highly polished but rather ridiculously superficial artifice of the "classic film". We all thought he was crazy. Here was this man -- that one friend described as a combination of Andy Warhol and Orville Reddenbacher -- unsubtly undermining a number of the most globally revered films. He then paraded a host of highly experimental films (many from the library of Congress that practically noone outside of a Carney class has ever or will ever see) before us that were appallingly difficult and often downright confrontational. It's pretty safe to say that practically none of us really "got it" until long after that semester, possibly years. At some point I did. Carney loves film just like we all do, however he had recognized something that we (and, most likely, you, too) had not, that film can be so much more than anything we had imagined (or yet been exposed to). That's largely what he wanted to show us in this class. Film is still a nascent art, highly immature in scope and depth. So far, Cassavetes -- one of the EASIER filmmakers Carney introduced us to -- is one of the handful of film artists that has done something deeply new with the form since its inception. If you develop an interest in Cassavetes, you will find this book essential, and you will return to it after every screening.

I originally got this book and read the whole thing, before i had seen any of cassavetes movies. This is not a recommended route. I have now seen all of his films, except for husbands, and i can't tell you how amazing i think the importance of this book is. I wonder what the ratio is between the people who disagree and agree with it's context, in respect to it's attitude towards american cinema. the book really does rewire your brain. The people who i am friends with, who are also interested in film are dumb founded when ever i casually undermine 2001 or citizen kane in a conversation. More importantly though, this book, like Cassavetes films, extends into life and actually opens you up to knew spiritual territory
you didn't think about. One last point: Does any one notice how suprisingly objective Carney is when he mentions his most hated film makers like Spielberg ? Get this book. It may feel too intellectual, but it really isn't. If you think that then you are reading it too quickly and not thinking about what it's actually saying.

I'm not sure what book the reviewer below this read, but I don't know how many times I'd have to read about films that completely re-imagine the way I (and our popular culture) see the world and my own experience before I'd feel "bored" or anything less than inspired and envigorated. In fact, I read this book very often - not just to gain information, like a dictionary or an encyclopedia, giving me facts and figure data I didn't have before, but as mental calethenics, or something like spiritual openess training. This is a much more meaningful and important activity than thematic comparison and contrsating, no matter how technically interesting that is. As the concepts and points of view on the world process thru my brain as I read them off the page, I gain new abilities to understand and see - and this takes work, and often repetition. So I reccomend anyone who reads this book and hopes to gain insight, not just into Cassavetes and his films, but into their own personal attitudes, to keep themselves OPEN, as Cassavetes explicitly did in every frame of film he exposed, and to always give the artist (or author) the benefit of the doubt before passing judgement based on arbitrary ulterior motives (which, naturally, we all have). This isn't easy (especially to the greatly film cultured), but I dare say you'll enjoy this book, and your life, a lot more.

Almost everything Carney says, you tend to utterly hate him for at first. His most recent article seemed so pessimistic that I spent an hour in my apartment, sitting in front of the TV depressed by it all.

Everything Carney writes tends to be tough at first, because, like Cassavetes, he mentions truths about life that very few people wish to confront. There is no evasion of reality in this book. People can be horrible to each other. We all die in the end. That's life.

Carney doesn't analyse Cassavetes' work in relation to other movies and cultural trends (as most film professors tend to do), but prefers to focus entirely on the performances of the characters on screen. Like Cassavetes, he never really explains the characters' motivations, but instead focuses on how they react to their environments. Everything he writes is about life -- you'll find nothing about tendentious compositions, popular culture, or auteur theory. The only important thing here is Carney's love for the characters and their creator.

One of the greatest books ever written on American film.

David Clayton has done a great job in assembling the stories of the individual players in the early days, how they came together, early struggles, eventual success etc. The reminicences of those who knew them and extracts from music magazines of the time make for interesting reading.

It is a sobering and sometimes depressing read about a band who should have been much larger, but instead were corrupted by eventual success after years of struggle and poverty.

Young up and coming bands would do well to read about, and try to avoid, the mistakes this band made regarding management, drugs, egos, song selection, and group parasites which all got in the way of the music.

this great book at second edition try the reader in a dimension as end '60 never forget and reach light on the hard times of the group.very fine photos but only black and white ,i think perhaps not could be a difficult thing to buyer for this splendid book.
i hope in a third edition with more accurate pages,photos colours and in a book only dedicated to my great guitar player and always inspiration source PAUL KOSSOFF.
peter from italy.

what a great and in depth biography. if you like Free or any of its members, this is a must for your book shelf or coffee table. can't say enough good things about it

Way back in the early eighties, intrigued by the components that made "All Right Now" such a great song, I went on a quest to find any and every recording of the late, great, lamented band, Free. I thought I was the only person on the planet who still listened to them. Thank God I was not. If you dig their music then you will want the book, and you'll love it. If you don't know about the music so well, then this book will definitely wet your appetite for it. They created their own oevre and instantly recognizable sound. The minimalism is addictive. Listen carefully. You will be moved.

My favorite band is Free, and Paul Kossoff my absolute favorite guitarist. They were an extreamly emotionally driven band. This book has been carefully written and A LOT of work has been put into to it! I'm proud that this book was written about Free. I'd like this oportunity to thank everyone who was involved in putting it together!!;) thank you!, I'm so happy so many people still remember Free and this is a truly AMAZING book!! The best story there is! So much of it remembering Paul Kossoff also, god I think about him every day. We miss him and his playing, we should have never lost him.

loving Free always, Lasse Suurmunne