Entertainment Books

This extraordinary biography by Kevin Brownlow, reflects the life and inspiration of one of the great artist in movie screen history.
Page by page, we can take a look along the David Lean?s mind and the way he was inspired by the subjects and the way a big project became alive.
From the black and white to the beautiful color, from the photography created by Frederic (Freddie)Young to his partnership with Maurice Jarr? and the insistence from Lean to
compose the exact music for Doctor Zhivago.
Every important film, such Zhivago, The bridge on the river Kwai and Lawrence of Arabia, were written through many chapters and the conception of those films as unique, the casting and the making of those titles are unforgettable.
Also, we have David Lean as a human being, with his failures
as father and husband, but the intimacy of his life is only
upgrade by his conception of his films.
Every moment in his films was special.
He directed every dialogue and moment as unique and all those
were the equivalent of the best.
This great book written by Brownlow is one of the best biographies ever written.
The heart and soul are alive along the pages and there is no moment when the book becomes slow or uninterested.
The same proportion we have in David Lean movies.

I adore this book. I have been reading it as of late, and I love the book (and David Lean) even more. I have always detested biographies of filmmakers that are far too academic in their tone; that professorial tone where they analyze the films ad nauseum, and are constantly talking about symbolism and other completely useless things. This book spares us of that. It is meticulously researched, with great antedotes and quotes from the master himself. It talks about Lean's childhood, and you realise what Lean had to overcome to become one of the greatest filmmakers ever. It's a shame this massive book is out of print. Like a reviewer said earlier, we're constantly given fluff pieces of talentless whores like Spears, Lohan, etc., but here is a real artist whose films still inspire people today. Thank you, Kevin, for writing such a great book, and, of course, to David Lean himself...

What a pity it is when "biographies" of no-talent flashes-in-the-pan like Madonna, Ashley Simpson, Brittney Spears, ad naseum, are ubiquitous, but Kevin Brownlow's fascinating and throughly-researched biography of a true genius is out of print. What does this say about our culture's priorities? Not much. Oh well . . . fortunately a few copies of this marvelous book survive. If you're interested in great movies ("Lawrence of Arabia," "Doctor Zhivago," "Summertime," "Great Expectation," etc.), great stars (O'Toole, Sharif, Katherine Hepburn, William Holden, Robert Mitchum, and a host of other great stars -- AND great actors), or, perhaps, one of the greatest film directors of the twentieth (and probably any other) century, do whatever you have to do, but grab up a copy of "David Lean: A Biography" as quickly as you can before the remaining copies disappear altogether.

A simply marvellous biography of a cinema titan. It's the product of many conversations between Lean and the author, a great film historian and no mean director himself, having made the gorgeous Silent Era documentary "Hollywood" (is that ever coming out on DVD?!). For this reason the tone is very chatty, with so much quotage from Lean himself that it's nearly an autobiography; and Brownlow's knowlege of real-world production lets him know just what questions to ask. It rather reminded me of "Hitchcock/Truffaut", another filmmaker-to-filmmaker conversation. Mind you Truffaut didn't bother quite so much with Hitchcock's love affairs, but one can always skim. It looks intimidatingly massive but this is more because of the lavish illustrations than excessive wordiness. Great read, inspiring and full of useful tidbits.

Kevin Brownlow touched all bases of David Lean's life, providing insight into the films and his unconventionally fascinating life, making this one of the finest film biographies I have ever read about a cinema giant about whom I had longed to learn more about. Brownlow divides Lean's career into two distinct phases, 1) the British period in which he worked at home and captured the true essence of his people and, 2) the international phase in which the master film craftsman lived in hotels and moved from one country to another in producing a series of internationally spectacular movies such as "Lawrence of Arabia", "Doctor Zhivago" and "The Bridge on the River Kwai."

Brownlow begins with Lean's roots as a restless youngster in the London suburb of Croydon. His lack of curiosity and penchant for traditional school learning coupled with the stolen hours he spent sitting inside darkened theaters in a state of fascination revealed where his adult years would be spent.

Once that Lean began following his dream he quickly became established as Britain's foremost film editor. In that context Brownlow expunges a canard that was carried all the way to obituaries after the great director's death in 1990 that Noel Coward gave the aspiring director a leg up in teaming up with him to co-direct the brilliantly done war film about the British Navy, "In Which We Serve," in which Coward also starred along with Celia Johnson and John Mills. It turned out that Coward's move proved to his personal benefit as Lean did most of the directing and Coward was concerned mainly about his own scenes, after which he would generally leave the set, entrusting the basic direction of the film to Lean. We also learn that Lean, unlike Sir Carol Reed and other prominent British directors, turned down a chance to begin his directing career on low budget "quota quickies," deciding instead to wait for a major opportunity, which came with "In Which We Serve." Later that same year one of Lean's greatest films, the epic love story "Brief Encounter" with Trevor Howard and Celia Johnson, hit the screens and the young director's career was away in a flourish.

After achieving prominent worldwide status as a great international director, Lean's sensitivity resulted in overreacting to the criticism of tart New Yorkers at a Round Table session at the Algonquin Hotel. Lean was sharply criticized for "Ryan's Daughter," which American critics such as Richard Schickel and Pauline Kael believed was well below the high standard he established with "Brief Encounter" and continued with other films. According to Brownlow, Lean was sufficiently wounded to take a sabbatical before doing his last film, the highly acclaimed Indian epic "Passage to India" based on the E.M. Forster literary classic.

Brownlow does a superb job of depicting the period and the films from Lean's prolific career. Lean's was a mastery of style and entertainment, enriching story telling with beautiful visual imagery and word economy in the best sense, making the language all the more meaningful. This book does his career justice while enhancing our knowledge of a great man.

This is a very moving account of a heartbroken man who was betrayed by a person he loved dearly. The pain, the trauma, the love, the anger, the frustration is evident in every single well-written sentence. This book is not only a window into the mind of one of the best British writers of the late 19th century. It is also a timeless lesson on what can happen when one falls in love with someone who doesn't truly appreciate what they have before them. Of course there are other lessons to be learned in this book but rather than point them out here, I'd much prefer you pick up a copy of "De Profundis" as soon as you can.

Not actually a "letter," though it had to be originally presented as such for him to be allowed to write it while in prison, *De Profundis* is Wilde's masterpiece--one has to have really lived and really, really suffered to have written it and it's amazing that he achieved it.

I only very recently read it--and "got" it. It rings true to me, and is very, very moving and "profound." It ain't summer beach reading.

Wilde is still and will probably always be best known as a "Personality"--that and the author of a couple of decent period plays, a short novel, a few stories, and lots of forgettable poems and such. But THIS--THIS is IT.

He really WAS a great writer, it turns out, after all.

So many people concentrate on De Profundis' accusations cast towards Alfred Douglas. Yes, it's true that the letter was written to him and that Wilde is ruthless in letting Douglas know exactly what he thinks of him but that's not why De Profundis is a great piece of work. It is great for three reasons. Number one - It contains the best account of the life of Christ. Christ as the romantic artist is the only account that has moved me to tears and the only account I can personally embrace. Number two - it is chock full of the Oscar Wilde voice and wit and as a result it reverbates as a true work of art and number three - It is ultimately a work that celebrates the things in life worth feeling - failure, love, injustice, strength and forgiveness.

Don't waste your time with the accusations towards Douglas. He is unimportant. Oscar Wilde is what's important and De Profundis is Oscar Wilde bare.

Ah, me...one doesn't know which to be more irritated
and exasperated with: whether it be Walt Whitman doing
his dissembling shuck-and-shuffle about the children
he had sired (to throw off a probing, serious John
Addington Symonds) -- or Oscar, in this "j'accuse," which
he should have spoken while looking in a mirror, rather
than writing it on paper to Lord Alfred.
This is without doubt a fascinating, horrifying,
and yet in places humorous, "piece de Miserere mei"
(to combine a bit of French with Latin).
If one chooses to believe Oscar, his only fault
was weakness in "giving in" to Lord Alfred. Oh,
come now. Blinded by Eros, reason flies out the
door...if ever reason was in control. There are
some sentences which are devastatingly revealing,
but Oscar doesn't seem to see it. "The trivial in
thought and action is charming. I had made it
the keystone of a very brilliant philosophy expressed
in plays and paradoxes." Ye gods, and little fishes!

And this man dared to call himself a "Classicist?!"
Yikes!!!
The best exercise for the reader is to just take
many of the things which Oscar accuses Lord Alfred
of, and turn them toward the self-blind, self-
justifying Oscar, to see their devastating hitting
of the mark. Never having met the young man, but
only having the "benefit" of hearsay (mostly from
Oscar's literary defenders) Lord Alfred seems to have
been calculating, temperamental (using anger to get
his way), manipulative, etc., etc., etc. The best
description of him may be Wilde's referring to him
with the lines from Aeschylus' play AGAMEMNON,
about the lion cub being raised in a house and
being let loose to wreak havoc and ruin.
But Oscar bears his share of blame -- more than just
that of the "sin" of weakness which he constantly falls
back upon in his own justification. Even in the midst
of what purports to be some sort of penitent cry from
the depths of hell...Oscar still is ever the poseur:
"And I remember that afternoon, as I was in the railway
carriage whirling up to Paris, thinking what an impossible,
terrible, utterly wrong state my life had got into, when
I, a man of world-wide reputation, was actually forced
to run away from England, in order to try and get rid
of a friendship that was entirely destructive of everything
fine in me either from the intellectual or ethical point
of view...." Er, when was the last time that the
"everything fine" had last seen the light of day?
Was Oscar an "Artist," as he consistently claims?
Was he the wronged, harmed Artist? Perhaps only the
reader can decide that for himself. Without doubt
he was witty, acerbic, funny, cute, clever, perhaps
even charming (to some -- sort of like a Pillsbury
Dough Boy with flair and a clever tongue), perhaps
stylish (in a frumpy, velveteen sort of way). Was
he wronged by a predatory clinger and manipulator,
and a hypocritical social prudery and class power
play (Oscar is no Socrates--that's for sure!)? He
hardly seems worthy, in some ways, of being a poster-boy
for Gay Pride parades. More likely, he is a better
warning poster boy for the self-excusing, and never
take-responsibility-for-your-own-actions crowd.
But this is an incredible piece to read and think
about. There is some of it that is mordantly hilarious.

One of the most famous - and infamous - letters in all of literature, De Profundis is a strange little piece of work: either much more than it appears on the surface, or much less. It is something I think everyone should read, if only for its insight into the human character, particularly that of one under great personal suffering. Wilde wrote this extraordinarily long letter from prison to Lord Alfred Douglas, his friend, lover, and the man who - by all accounts - was the reason Wilde was in jail in the first place. Despite repeated assertions in the first few pages alone to the contrary, Wilde seems reluctant to blame himself. He clearly blames Douglas to the hilt, and harbors a certain bitter resentment towards him. And yet... he clearly still hold much dear affection toward - and even loves - Douglas. He still seems to be asking for forgiveness - despite the fact that, by all accounts hardly excluding his own, he was the man wronged. It is quite clear from reading this letter that, desite the view history holds of him, Wilde was clearly a man of very high moral character. Certainly, one would not put Wilde atop a pedastal as the zenith of ethics - he himself says that morals contain "absolutely nothing" for him, and clearly admits - and is proud of - his having lived the high life to the hilt during his youth - but Wilde was a man of principles, and he stuck to those principles to the tragic, bitter end. Perhaps you might say he carried them too far. One gets the sense in reading this letter - or a biography of Wilde - that, not only could he have stopped his immiment imprisonment, but could have severed his ties with Douglas completely - had he wanted to. Apparently, he had his own utterly compelling reasons for not doing so. Whatever the case, Oscar Wilde is one of the most fundamentally and perpetually interesting characters in the whole of history. A self-described man of paradoxes - Wilde was subsequently the true essence of his time, while also being far ahead of his time - De Profundis makes for required reading by one of the most endlessly fascinating individuals you'll ever read about, and also provides a startling - indeed, perhaps too much so - insight into human nature.

De Profundis, though long for a letter, is not a long work in the conventional sense. Consequently, as many editions of Wilde's collected works are available, buying this on its own may be deemed questionable. I highly reccommend purchasing a Collected Works of Oscar if you have not done so already - it's well worth the price - but, should you desire to have more compact editions of specific works, an edition such as this will be privy to your needs.

This is a brilliant book, beautifully written by a very knowledgeable and passionate dancer and instructor. It draws us in with its exquisite photographs and descriptions of belly dancing. For those who don't belly dance, it will bring depth of appreciation to this art form and may encourage them to give it a try. For those who belly dance, there is insightful information on how to progress to that next level. Other dancers will also enjoy this book for the parallels it draws between belly dancing and their genres.

There is something in here for everyone. A truly enjoyable read!

I am a stickler for quality and professionalism. This book is exquisite. Beautiful full-color photography, depth of perspective on technique and choreography, extremely well-written and laid out in a manner to captivate and hold your attention. This is a great text for a master class or university dance course, a tool for dance teachers and students, and a beautiful gift as a coffee table book for anyone valuing classic beauty - all in one. It is exceptional to be able for one book to serve well in all of these diverse areas. Quite a feat!

Ramona has done an excellent job at breaking down how to figure out choreography. The book is clear, well-written and has lots of photos and diagrams to supplement. I would recommend this book to bellydancers of all levels - from beginners tackling their first performance to seasoned dancers with hundreds of choreographies under their belt. There is something in here for everyone - it is a pleasure to read!

This is a book that I think is the first in its kind in the realm of belly dance and one that certainly delivers its point of giving you what you really need to go from beginner to real dance-making. It is also gratifying to know that the author is a really accomplished lady that not only is a belly dancer but has scientific and academic training. That made my wife very happy, as she struggles herself into choosing his career (she studied forestry) and belly dance performing and teaching. Now she knows that doing both, and doing them well, is possible.

This is a great book for any level of belly dancer who wants to create their own improvised and/or choroegraphed dances. Whatever style of Middle Eastern or bellydance you do, you will find that the advice, theory and practical exercises can help you develop your own dance and enhance your performance. The author touches on musical interpretation, presentation, considering the audience, design concepts, individual expression as well as different ways to organize a dance performance. There is so many ideas and excercizes in this 157 page book that it would take me several months, maybe years of practice and experimentation, to exhaust all the concepts.

The writing is clear, friendly and easy to read and the book is peppered with photographs and diagrams. I foundthe book very well organized. The author is very generous in sharing her personal perspective on the subject, and she includes a list of numerous resources the reader can use to further explore the material.

My wish for future material from this author would be a dvd companion to demonstrate some of the concepts and lead me through some of the exercises and a book has certain limitations. In the meantime, IAMED's dvd "Star Power!" with Amaya offers content on a similar subject from a slightly different perspective. I personally find that the two together have really helped increase my confidence and awareness of the performance aspects of this dance.

THIS IS ONE OF THE MOST BEAUTIFULLY COLLECTED PHOTOGRAPHS TAKEN OF MISS MONROE AT HER VERY EARLY CAREER. A TIME WHERE IT WAS PRIOR TO HER "HOW TO MARRY A MILLIONAIRE" AND "GENTLEMEN PREFER BLONDES" SUCCESS, WHICH LAUNCHED HER TO ETERNAL STARDOM. THIS IS A "MUST" FOR ALL MARILYN MONROE AFFICIONADOS. IT IS TRULY A BEAUTIFUL BOOK THAT I ENJOY READING AND REVIEWING MANY TIMES OVER.

'Niagra' is known for the movie that made Marilyn Monroe a star, and this book shows every moment of her life during the filming. As a true Monroe fan, I'm more interested in the casual candid photos of her more so than the made-up studio photography. My favorite photos of her in the book are the pictures taken of her while she was learning how to smoke a cigarette for the film. She had never smoked before and had to look like a natural within a few hours. These are photos you wouldn't see on a billboard or in a magazine. They show her true nature. They show her being a real person, vulnerable and timid.

Wonderful, oversized hardcover book with lots of black and white images of Marilyn while at Niagara Falls, shooting her first mayor movie "Niagara" in '52. I enjoy all the photographs, my favorites are where Marilyn practices smoking. There are also pictures of her with Joe Dimaggio before they were married, pictures of Marilyn without her make-up on and her face covered with vaseline as she liked to do. Reading her script while relaxing in bed. These are priceless photographs, showing Marilyn at the very brink of superstardom.

At 26, Marilyn Monroe was on the brink of stardom as she filmed her first leading role in Niagara. Canadian photojournalist Jock Carroll spent weeks with her at Niagara Falls during the on location shooting, and took almost 400 photographs. He also interviewed her throughout these weeks, and captured a lot of her activities on and off the set. He was preparing for an article called "Marilyn's Not So Menacing" that appeared in an August 1952 issue of Weekend Magazine, Canada's largest periodical at the time. You will see more candid photographs in this book than in any other source. Mr. Carroll died in 1995, and these photographs were located then. The photographs are well reproduced in this book, and bring her to life in both her glamorous and nonglamorous roles.

I was attracted to this book when I realized that it contained extensive interviews of Marilyn Monroe when she was 26, just before she reportedly drafted My Story. That autobiographical book has come in for many challenges concerning its authenticity and the strong stories contained in it. Reading the interviews in Falling for Marilyn provides a useful contrast in terms of what she says about herself and how she says it.

I was surprised to see that the stories she tells are almost identical in both books. That similarity argues for either for her being the author of My Story, or Mr. Carroll being the author. Interestingly, she tells a story here of having been recognized in school for her fiction as a child, and wanting to become an author. The most significant difference between the books was that here she claims to have needed the $50 she got for shooting the famous nude photographs to pay rent while in My Story, the money is used to retrieve her repossessed car. A minor discrepency comes in her asking Mr. Carroll a lot about Korea because she was thinking about doing a USO tour there. In My Story, she claims that this came up for the first time after she and Joe DiMaggio were in Japan on their honeymoon. There could be truth in both versions of these two stories.

There is a Zsa Zsa Gabor story here that is almost word-for-word the same as in My Story. This is true, as well, for one about being molested as a little girl by a boarder who paid her a nickel to keep quiet.

To me, the most telling comparison was in what Mr. Carroll observed about her. Even though she was making a fine salary at this point, she was always short of clothes while he was with her. This is something that she talks about a lot as being a function of her poverty in My Story. She also was always studying scripts or reading intellectual books, which is consistent with My Story also. She also made self-destructive comments about sleeping pills to Mr. Carroll as she does in My Story.

What was a pleasant surprise for me was Mr. Carroll's descriptions of his reactions to her. Those are missing from most books about Ms. Monroe. He had just come back from his own honeymoon a month before. He found himself strongly attracted to her, despite this. "The effect on me was cataclysmic." " . . . [W]hen she looked directly at you, it made you feel as though . . . you were sharing some naughty secret."

The photographs themselves are certainly sexy, but not revealing in the sense that we think of revealing today. They were daring, however, for 1952 in showing a little cleavage, a loose blouse, and sometimes erect nipples through her clothes.

She consciously worked on achieving this effect for these photographs. During a tour of a silverware factory, "Marilyn brightened [these] . . . photos by loosening the straps of her blouse, leaning over . . . to give . . . a good view of her breasts . . . ."

On the other hand, she was very protective of her relationship with Joe DiMaggio who did not want any publicity. She refused an interview where the interviewer was trying to worm in questions about the Yankee slugger.

My favorite photographs in the book include:

Reading script in bed (two page spread), located in the book's very beginning

Posing in front of the falls, p. 19

Visiting the silverware factory, p. 33

Combing her hair, p. 48

Arranging her hair, pp. 52-53

Laughing, pp. 84-85

Looking at Jean Peters' suit, p. 87

Smiling, p. 102

Seeing the vibrancy of this woman makes the sadness of her life all the more poignant. Be sure to read My Story to pick up on that contrast. Regardless of who wrote it, that is how Ms. Monroe saw herself and her life.

Consider how you can lift someone's spirits every day. Look for the hurting heart behind the naughty or haughty eyes . . . or any other strongly affecting mannerisms you notice. They are just part of the cover up.

THIS IS ONE OF THE MOST BEAUTIFULLY COLLECTED PHOTOGRAPHS TAKEN OF MISS MONROE AT HER VERY EARLY CAREER. A TIME WHERE IT WAS PRIOR TO HER "HOW TO MARRY A MILLIONAIRE" AND "GENTLEMEN PREFER BLONDES" SUCCESS, WHICH LAUNCHED HER TO ETERNAL STARDOM. THIS IS A "MUST" FOR ALL MARILYN MONROE AFFICIONADOS. IT IS TRULY A BEAUTIFUL BOOK THAT I ENJOY READING AND REVIEWING MANY TIMES OVER.

Being an avid Frank Sinatra fan, this book had some great pictures I have never seen. I recommend to any Sinatra fan.

A very intimate portrait of Francis Albert, giving us a different perspective of his begginings through photos as provided by his family, creates a more human appreciation of the greatest pop singer of our generation. A must for Sinatra fans and collectors.

My dad is a big fan and already has lots of books so I was afraid this might not appreciated. But he loved it. He thought that it was a copy of photos in a real family album.

Excellent book by Charles Pignone, noted Sinatraphile. Charles does a fabulous job in putting together this great family albulm of great photos and remarks, this is a must have book for all Sinatra fans and collectors.
Frank Sinatra is and will always be the greatest singer in the world and this book shows you a little bit of how he got there over the years in pictures. Awesome.

He's one of the true icons of the entertainment industry as well as one of the most renowned stars ever. Ol' Blue Eyes...Frank Sinatra. His name is still synonymous with stardom. Sinatra is one of those stars who will never fade away. It's not just that he left an enormous body of work in music, film, and television when he passed away, lots of stars did that. But Sinatra has something only a handful of celebrities had, true charisma and a certain aura to him. It's what separates Sinatra and others like Marilyn Monroe and Elvis, from the pack.

With Christmas fast approaching, Little Brown & Co., has released a book that is sure to be a hit this holiday season. Frank Sinatra: The Family Album is a glimpse into the personal life of this legendary performer. As the title implies, this book is photo album of Sinatra's life. His family has graciously supplied most of the photos in the book, a gift to his legions of fans. The book contains over 100 color and black & white photos, tracing his life and career every step of the way. Writer Charles Pignone provides the informative captions as well lively anecdotes that include comments from Sinatra himself as well as various friends and family members, all sharing their memories of Frank.

What must assuredly be the most rare Sinatra picture shows as an infant, lying naked on a blanket, and even at that age, the eyes were already striking. We see Frank as a kid on the streets of Hoboken, New Jersey, riding his bike and also visiting the beach with friends along the Jersey shore. My only regret is that we didn't get to see Frank more as a child and the album quickly moves into young adulthood with his marriage to Nancy in 1939. The happy couple are shown walking down the steps of Our Lady of Sorrows Church in Jersey City. It's evident that Frank and Nancy were deeply in love as evidenced by the joyful photos. Nancy notes that in those early days they were together 24 hours a day as Frank traveled from show to show for his blossoming career. There's also lots of pictures of Frank and his children having many fun times together.

Much of the book is focused on Frank's careers from his days as a big band crooner and later with his film and television career. Frank is shown at lavish parties with a who's who of Hollywood including Jackie Gleason, Milton Berle, Jack Benny, Tony Curtis, Dean Martin, and many more. Frank's life truly lived up to the type of a legendary star! Oddly though, there were no pictures of the Rat Pack together as one might have thought.

The book comes full circle as an older Sinatra becomes a Grandpa. Frank's status as a true family man is cemented as he plays with his granddaughters Angela and Amanda, building snowmen, sledding, and hanging out in the swimming pool. Amanda reveals that Frank was a big fan of the "Jeopardy" TV show. A star to the very end, this book presents a unique and personal look into the life of one of the 20th century's greatest stars. A fantastic tribute to Ol' Blue Eyes!

REVIEWED BY TIM JANSON

the guide helped me alot with the game and also has greatly detailed maps

the guide helped me alot with the game and also has greatly detailed maps

the guide helped me alot with the game and also has greatly detailed maps

the guide helped me alot with the game and also has greatly detailed maps

the guide helped me alot with the game and also has greatly detailed maps

A very important book about one of the founding fathers. That may be a cliched phrase for a man who was repelled by the stale cliches abounding in pop music at the time of his career kick-off in 1954.
But once again we have a biography written by two people - why would a poet like Carl need anybody more than an "editor"? Same goeswith Sun label buddy Scotty Moore - his book too had that unecessary naarrator - an excellent piece of prose, like with Carl, but the thought of it gets me depressed. Do you think Dylan or Costello would need a helper?
'50s friend Chuck Berry did his all by himself. The defiant Rocker wrought the defiant Writer. (And baby, that is Rock and Roll....).
Love reading about that Sun to Columbia to British career "rescue" period.
As a CP fan/collector I was natuarlly disappointed in the lack of deatils as to the lesser-known should-been-million-sellers and the conspicuous absence of a much-needed sessionography. A Perkins *Discography* is always helpful. But when in the world am I gonna learn when and where he
cut "We Did In '54?"

I really enjoyed this book. Unlike others that I have read (Little Richard, Chuck Berry, etc), this book is not an attempt to stake a claim to the title of "King of Rock and Roll". This book offers what appears to be an honest and humble look into the life of the King of Rockabilly. Perkins gives due credit to his influences and songwriting assistants, and honestly discusses his alcoholism.

I personally believe that Carl was one of the truest talents in early rock and roll, and his importance as an innovator/songwriter/performer is vastly undervalued. Get this book, and the "Complete Sun Recordings", and you can't go wrong.

An excellent and, what I feel honest (by both the narrator and writer) review and impression of one man's journey through life. Though Carl Perkins story is almost parallel to that of Johnny Cash's (if not "harder") this book goes beyond telling stories and conveys the emotions and impact of Mr. Perkins decisions and experiences.
"They" really should make this life story a movie!

I'll admit it -- I'm biased toward Carl Perkins. I lived several years in his hometown of Jackson, TN and met him many times. Having those experiences, I was curious how this book would portray Mr. Perkins. After reading this book, I have more respect for Mr. Perkins. True, he wasn't perfect (who is?), but he had reason to be bitter about his career and his life, instead he never gave up. He pulled himself up after each setback and kept on striving. When you think about it, what would be the alternative? He was not only a great musician, but an active humanitarian. His work with children and their causes is nearly as impressive as his musical career, yet most people don't know of this. I went to Carl Perkins' funeral, and in the little city of Jackson, TN you would have thought time stood still. This book will give you the feeling of getting to know a true American success story . . .

What a story!! This should be a must read for all of us who get to feeling sorry for ourslves. Carl Perkins came from abject poverty,a racially discriminating South,was known as "white trash",wrote one of rock n rolls seminal tunes,was on the brink of superstardom,lost it all,became a sideman to another Sun records stablemate,delved into the pit of addiction,rose again,had alot of his early work recorded by a group known as the Beatles,played with the likes of Eric Clapton,loved performing with his own family,lived his life humbly,nursed somewhat of a grudge against Sam Phillips,Jerry Lee Lewis,and Elvis,made peace with himself,and left behind the legacy of a man who had seen the beast within and had conquered it.
This is a must read for anyone who has any interest in music,or for that matter,the sociology of the South during the late 1940's and 1950's. It is also ,quite simply,one of the most inspiring books that I've ever read,Thank You, Carl Perkins!

I picked up "Grace" about a year ago when I found it in my mom's old book closet. Although I am relatively young, something about the stars of yesteryear attracts me more than the glitz surrounding contemporary celebrities. Grace Kelly is no exception. I knew nothing about this icon, except that she was an American princess and a Hitchcockian heroine. Mr. Lacey certainly did his share in informing me about this classic movie star. I enjoyed how he provides us with immense background on the Kelly's, a prominent family in their own right. Mr. Lacey also does a fine job in giving us the "low-down" on Monaco and its interesting history.
Also of note would be the fact that Lacey attempts (and succeeds) at presenting the seemingly ethereal Grace as a person, not the sex symbol or ice queen she is usually remembered as. He does give a lot of insight into her love life and various affairs, but you never lose sight that Grace had this innocence about her. It seemed as if she could do no wrong.
Aside from being a talented actress, Grace was a true beauty and a dedicated mother and wife. She will always be remembered as our very own princess.

Everyone remembers his first screen love.

Grace Kelly was mine, and I can still remember her clear Teutonic skin, lugubrious soft hair, her casual sophistication, all completely new fascinations to my mundane childhood. Years later, the only thing that's changed is I've grown older and she's still impossibly perfect.

What Robert Lacey has done in Grace is bring us all a little bit closer to that Snow Princess whom we all would have made our Princess were we a Prince. Behind the camera, behind bedroom doors, behind the veneer of an idyllic fairy tale that proves that fairy tales are exactly that, each anecdote is like a stitch in a grand painting that is sometimes bleak (Grace ages and somewhat pathetically begins to fool around with younger men), sometimes inspiring (her persistence at overcoming her natural dramatic flaws), and always sensual (her intimate fashion shows for her boyfriend Don Richardson).

Unlike many biographies of screen legends, Lacey largely eschews extended back lot stories that might involve but not support the basic image of Grace that he believes must be told. So while we learn High Noon's screenwriter Carl Foreman meant his film as an allegory about Communist witch hunts, we are spared a complete A-Z on the Hollywood Blacklist and its artistic implications. A great biography of a great person must not necessarily take on the great issues of his day. Of which Lacey understands.

Grace is a woman of terrific sexual energies and ambitions but just as importantly, sports a marvelous capacity to mask those penchants. So instead of becoming Jenna Jameson, she turns into Princess Grace, a woman who sleeps her way to the top but seems so inevitably suited for the position that no one can possibly begrudge her it.

As Lacey says "She managed to be naughty while appearing very nice."

It's become axiomatic that the greatest personalities are deeply contradictory. Nearly every biographer, when faced with the compelling weight of his research, is forced to concede that mankind is a very complex being (thank you, Mr. Stevenson). And Grace was no different. Lacey talks of Grace's growing conservatism, her disputes with her daughters over their flagrant ways, all while engaging in her own illicit love affairs as Princess Grace. And what of her devoted Catholicism? How to resolve her piety with her philandering?

Questions which can only be answered by Hitchcock's own. This is a snow covered volcano we're dealing with here.

And sometimes, you can't guess; you can only watch.

The media reviewers quoted here harp on Grace Kelly's supposed "promiscous" behavior, the main point of the book, as far as they are concerned. Anyone who actually reads the book will find someone who had a few discreet affairs before she was married, who took her marriage vows and commitment to her family and role as princess seriously, who worked very hard throughout her life to meet her commitments, and who had a comforting relationship with a kind younger man when her marriage turned lonely as she got older. If she wasn't quite the cold, virginal image presented by Hollywood, good for her.

It's a very good book about a real woman of extraordinary beauty who could have settled for a society matron's life in Philadelphia but who made an extraordinary life for herself through her own efforts. Read it for that and not the sensationalism.

This book has a great deal of detail. I feel as if there was too much emphasis on her sex life versus her screen image, and frankly that was her business, not important in the book. Otherwise a good book.

I wanted to know all about the men in Grace Kelley's life, both before and after her marriage. This book told me everything, but in a classy, well-researched way. I learned a lot about Monaco, and just the things I would have wanted to know about her family members, too. After reading this excellent book, I plan to read more of Robert Lacey's works.

I loved reading this book. It is a light read and very spiritually uplifting!

I LOVE TO READ ABOUT GODS TRANSFORMING POWER IN PEOPLE'S LIVES. THIS BOOK IS EXACTLY THAT. GOD IS SO GOOD. YOU'LL ENJOY THIS READ.

I had seen Willie and Maylo on Life Today with James and Betty Robison. I had wondered what happened to Willie after he left the Bibleman series. This book is wonderful. I quickly ordered it after seening them on the show. I couldn't sleep the other night so I read it in on sitting. So good. They are very humble giving all credit to our Savior, Jesus Christ. It is truly amazing that with all they have gone through that they have been married for over 20 years. They are a shining example that you can stay married, it is a choice, and a commitment not only to your spouse, but to God. Looking forward to reading Willie's new book.

I originally bought this book with the hope of reading about Willie Aames transformation into Christianity. While his recollection of his life as an actor was interesting, I found myself trying to rush through his dialogue to get to Maylo. Her story, one of courage and determination, is both devastating and inspiring. Aptly named "Grace is Enough", this book focuses very much so on the need for grace within the Christian community, reminding us that we are all human with human flaws.

I truly enjoyed Grace is Enough because Willie and Maylo pull no punches. I didn't read a word in the book that didn't seem to ring true. I admire them both--although I had only known Willie from Eight is Enough prior to reading this book. It should be required reading for anyone who feels fame or fortune or drugs is the answer to life's enjoyment. I'm proud of them both because it is not easy to tell your life openly in a book.

excelent transcriptions, and wait for purchase first part

Guns N' Roses Complete, Vol. 2 is a must buy for GNR fans and guitarists. This book contains 28 songs from M(Mama Kin)-Y(Your Crazy) including: "Mr. Brownstone" "My Michelle", "Night Train", "November Rain", "Paradise City" , "Patience", "Sweet Child O' Mine" and of course "Welcome to the Jungle".

As the title suggests, every guitar riff, arrangement, rhythm, lick, solo, and fill is fully transcribed, note-for-note, in music and TAB! From the timeless intro and solos of "Sweet Child O' Mine" to the wooing acoustics of "Patience", it's all here, fully transcribed to learn. The transcriptions themselves are of the best quality money can buy and include all of the guitars in each song, not just rhythm or lead. As a bonus, the lead vocals are also included and make following the music much easier. Basically, all your GNR needs are found here and in Volume 1. (By the way ,if you are debating, buy Volume 2 first because, by chance, most of GNR's hit-songs begin with M-Z--as listed above)

It is worthwhile to note that when I say 'perfect', I mean it subjectively. There are people out there you critique the book's accuracy. However, all of these arguments are inconsequential. For instance, I heard someone say that on the final two notes of "Mr. Brownstone's" signature riff, Slash uses a 1/2 bend instead of a hammer-on as the book denotes. To this and similar claims I respond with: Who Cares! They both sound the same, both give you the same pitch and sound, and you play it so quickly it really makes absolutely no difference. Most of the "Inaccuracies" claimed of this book are equally trivial, and depend on what each person perceives. To be fair to critics and any claims I have not refuted or heard I will compromise that % 99.99 of the book is accurate.

Now, while the transcriptions themselves are out of this world and need no further discussion, I have a word of caution. Be prepared to work hard for them! Despite the inclusion of the lyrics, it is very hard to follow the music at times (I can read music and still go through hell at times). And this is only made worse by the fact the pages are as crowded and hectic as the beaches of Normandy; any notation denoting a coda or repeat is easily lost in the jumble of rhythm slashes, fill and riff signalers, chords and other special notations. You will find that making sense of it all is a task in and of its self, and thus learning a new song can be annoying as you try to follow it all. I would be willing to pay more money for a thicker book if the authors would write out all the parts on the same staff all the time, instead of resorting to the short cuts they take.
For example: the book will often say "Play Riff A" over the staff, referring you to an obscure rhythm piece written out two pages back, which you now have to hunt down, recall, then flip back to the original page, figure out how it fits and play...etc. This and other similar little short-cuts are ANNOYING! Would it kill them to simply write-out bloody "Riff A" again where it is supposed to be played?

That said, if you can't read music (or read at all), this book will be very hard to follow. Yes, it includes TAB, but without the musical knowledge it will be hard to know what is going on. Also, for any would-be-Slashes-and-Izzys out there (including myself), none of these songs are quick and simple to learn, so if you are only a casual guitarist or fan, don't waste your time and money. You will need patience and skill to play what's in this book because, after all, this is a note-for-note transcription of Slash and Izzy's playing. If you are easily frustrated or bored, this book isn't for you, and you would be better off buying one of the more simply arranged books available on Amazon. But if you really want to rock-out just as GNR did for whatever reason, by all means BUY THIS BOOK! You will find yourself learning not only the songs, but tons of musical techniques and skills.

Guns N' Roses Complete, Vol. 2 is a fantastic buy if you are looking for the perfect guitar transcriptions of many GNRS songs. As long as you are willing to go through the long hours of practice and some frustrating layout issues, this book will rock you world with its priceless contents! (Conveniently priced under $20)

Well there are only a couple of things I have to say. Those things are:

1. Guns n roses what else do I have to say?

2. If you are a big fan and what to play their songs, buy this along with volume 1.

3. Guns n roses rule.

4. buy it

5. this is an ordinary tab book and it's of one of the many classic bands.

6. the notes are PERFECT so you do not have to go searching for them on the internet for hours to end up with the wrong notes.

7. has lyrics to help you find your way

8: Hoped it helped and pushed you over the edge to buy it.

Finally I can learn the songs how they're supposed to be played. I've downloaded and printed so many different versions of tabs of some of the songs in this book and most of them just never sounded right. This is a great collection of songs, I have the tab book for use your illusions II and I really didn't want to go out and buy all of their other album tabs seperately. This was the perfect solution. Excellent collection.
Just don't expect to be playing these songs the day you get this book - Slash isn't human, some of this stuff is impossible.

From the humble beginings of Reckless Life and It's So Easy through to their transition into the best rock band on the planet this book covers every song from the Gunners first 4 albums, unlike "GNR For Easy Guitar" everything from fills and intros to solos and riffs is covered.

Full of detail and top notch tabbing, the two volumes of Guns N' Roses Complete are the definitive guide to Izzy and Slash's guitar playing. I searched for these titles for many weeks and could not have been happier when they were delivered. Make sure you grab your copy of these hard to find titles before its too late. Over 45 songs in total are covered (22 on the first and 28 on the second)

To conclude if you buy any GNR tab books, make sure you get these two, plenty of songs and a good price