Entertainment Books

For a book to be called game development this book sure is lacking on the game side of things.You create one big game at the end,but other than that there is really nothing else in there I would consider a game.That's why the book is getting 4 stars not 5.With that out of the way this book is very well written and the author explains things in great detail. There are alot of good nuggets of coding techniques in this book.

I had used Flash 4 for some time. In Flash 4, if you wanted to do a certain command, like go to a different scene you went to the point and click menu and selected that.But I felt that was rather lacking in what you could do, so I wanted to get the latest and greatest version of Flash. I went out and bought it, (MX 2004) and I soon found out, that there really wasn't a point and click menu, and you needed at least some knowledge in ActionScript. I looked around, and found this book. And I am glad I did. The book is exellent. It's really easy to follow, between the detailed explantions and the demo's on the cd. I found it really easy to understand everything, and it gives you a great way to start programming.

It comes with a demo of Flash MX 2004, but I highly recommend buying it (I got it at an educational discount). Both MX and this book were well worth the money.

There are few author's that take the beginner's (dummy) route to teaching programming to the masses and this book shines brightly in that department. From start to finish, it seems that the author knows what I want to do and shows me thoroughly how to do it properly with different ways to tackle it. I highly recommend this book to anyone that wants to take FLASH MX to sky high heights and not just leave this wonderful program to websites.

This is an enthusiastic book to read because once you open it and see how easy it is to follow you'll be excited to continue to read, and learn how to use flash mx. The author shows excellence in communicating the information to his readers. I am not fimilar with programming, but interested in programming and i was able to gain a lot of information that I was able to apply(which is the most important concept of the book). I definitely recommend this book to those who may want to enhance their knowledge or one who is just curious of the field.

I'm a business man looking for a programming book to spice up my computer knowledge & some fun, something different and exciting, I came across this book, in Barns & Noble, sitting on the shelve in the actionscript section. The book is very easy to understan, comes packed with not only that but the CD comes packed with cool samples and games and comes with Flash MX 2004!!! Defenietly I recommend it.

I'm not a huge fan of comics and I certainly don't spend a lot of money buying comics that were originally online. Yet this series is so fantastically awesome that I find the investment in the paperback printings entirely worth it. These volumes are just thick enough to sit comfortably on my bookshelf and thin enough to read while on my back. You should really read these in color to get the full impact of their rich and vivid world.

This is definitly a must-have series for anybody who likes Steampunk. The characters are fun, the bad guys are grandiose, the outfits rock and occasionally stuff gets blown up. What more could you ask for?

If you don't know Phil and Kaja Foglio from -his- work in Dragon Mag's "What's New", from the MythAdventures series (book and/or comic), the Buck Godot stories, their (blush) XXXenophile series, or their work illustrating "Magic, The Gathering" cards (notably Urza's Science Fair Project), shame on you! Go back two spaces and loose a turn. Gas-lamp Fantasy is sort of like what Jules Verne, Mary Shelly and H.G. Wells were writing back in the day. Steam-powered wonders, cobbled-together reanimated monsters, and pneumatic nutcrackers. (who doesn't like nuts?) Add a bit more modern-times feel, fantasmagoric (tm) illustration and color, and more tongue in cheek humor than you can shake a bag of knezels at, and presto! Genius! And the Girl, DON'T forget the girl! Damsels-in-distress, damsels-outta-de-dress, damsels who would shemk me upsidy-like the head with a 3/17 occipital left-leaning heterodyne wrench if I continues! (Yowza!) So stop reading this and BUY it already! Buy the whole series! (Buy two! Gotta keep one set "Mint Condition", dontcha?)

The art is really the best part of the series. All the bits and bobs and mechanically doodads make for a very pretty comic. (And they serve as good plot devices too!)

I zoomed through the first book too quickly and hadn't yet ordered the rest of the series, which I would say is the only bad part about the book.

The drama is top notch and the fantasy setting keeps it moving forward. You'll find that the plot reveals little secrets along the way that you would never expect. The best comic I've seen from the Foglios in a long time.

This is the first volume in Phil Foglio's ongoing series featuring Agatha Heterodyne and a cast of hundreds. The book collects the first few issues of what was originally a comic book series. The publishing schedule, though, seems to have been troubled for a variety of reasons, and "Girl Genius" now appears in webcomic form (with ensuing regular compilations in print form).

Kaja Foglio, wife and co-creator, describes this as "gaslamp fantasy": crypto-Victorian science and pre-pulp adventures in a world filled with mad scientists, giant steam-powered robots, weird technology, mysterious cults, and cackling villains. A great deal of which is played for laughs, simultaneously embracing and sending up the usual tropes of the genre. The humor throughout balances between sly drollery and slapstick.

One of the major attractions is Foglio's art, which many gamers will well know from his years of penning the "Phil & Dixie" feature in "Dragon" magazine. It's drenched in color and is highly detailed, to the point that you wonder how he ever completes a page. There's almost always 18 different things going on in the background, none of which is ever really relevant, but Foglio apparently really enjoys jamming in the sight gags.

I'm a sucker for this kind of stuff, and the Foglios have done a great job in creating an internally consistent alterna-Earth with its own physical and magical laws and history and politics, and they've also introduced seemingly dozens of plot strands. This latter is both good and bad. In later issues, there is some loss of cohesiveness, and the story seems to wander off into side treks, and none of the storylines ever seem to get wrapped up. (It's sort of the "Lost" of the comics world.)

On the other hand, it's got enormous fleets of dirigibles! And scar-faced pseudo-Teutonic bad guys! And talking cats! And endangered heroines in corsets! So, you know, all of the good stuff. Check it out!

My wife and I play the Girl Genius card game, though up until recently I have known little of the background story. One day, curious, I looked it up and found this volume and ordered it. Before I was finished, I was already in love with Agatha. This volume gives little of the flavor of the full story that folds over the next 5+ volumes, but it does give insight into a richly imagined world.

In some ways, it is a very common story. There is a student who seems not particularly good at anything, though the reader is made aware early own that there is more than meets the eye. There is a university where she learns, that seems to be taking part in caring for her and hiding something of a secret. There is a mysterious set of events in her past, and her family's past. She has an "item of power" that is taken and sets gears into motion. She meets a guy she both despises and admires at the same time.

Somehow, though, the Foglios have found an excellent way to balance the "steam-punk", the cliche story line, and the relatively small beginnings of a comic that are meant to hint at things to come in a way to come up with something that feels fresh and, more importantly, fun.

If you are thinking about ordering this volume, by the way, I recommend getting the next couple as well. It reads fast and I assure you that you are going to want more.

We got this for my Uncle for Christmas, him being a deadhead. He said he will enjoy it over and over for years. He said it was like being there all over again. Based on his enjoyment of it, if it made someone half as happy, it would still be a big hit.

Not being a deadhead myself, I can say the person who received this as a gift absolutely loved it. I looked at many other books about the Grateful Dead and Jerry Garcia, but settled on this one, and was glad I did. Great pictures and historical information about the dead ( from a non-dead head ).

What do we all think of when the Grateful Dead comes into our minds? Perhaps the obvious, Jerry, is the first thing that pops in. We may think o

This is a Large, Thick and Heavy Book.
Based on a Timeline that begins in 1940 and ends in 2003, this is Quite a Feast for the eyes. If you are New to the Music of The Grateful Dead and have never seen one of the other Hundreds of Books about The Band, this will fill you in on THOUSANDS of Details. If this Book was used as a Guide to bring you into the World that is The Grateful Dead, well... just be prepared to be Busy for a While.

For the Seasoned Head, lot's of this Information has been Covered elsewhere in the Past. But at the Same Time, here is just about everything there is all in One Place. The Visuals herein are Quite a Trip for your Head, and they are as much the Stars of this Massive Volume as the Twenty Tons of Dead Story contained within 480 Pages.

To sum it up...When they begin teaching: "Grateful Dead 101" at UC Berkeley, this will be the Textbook!
FIVE STARS !!!

Being an old timer when it comes to these guys, I have to give this book 6 out of 5 stars. It starts way back and takes nearly every day since (and in some cases before) the birth of each of their members, and just keeps moving on in pictures (some never seen before) and words (some never printed before!) Although I am not a Deadhead in the classical sense, I still love to skim through this book from cover to cover every now and then, and enjoy the details it provides and the memories are still there! Look up a date of a show you went to - or never went to - and see it there! A must for anyone who had the fortune to see the Dead play live - anytime and anywhere, and a must for those who never have!

The Dead live on through this book - the latest addition to the tomes that are out there on these fellows - go and get it!

Keep on Truckin'!

It's a blast! It's great and a lot of fun watching Hilary do what she does best!

It is a must have for all Hilary Duff Fans. The pictures are gorgeous!

This book is pretty good! It wasn't the easiest to read, but had TONS of quizzes, cool snapshots, and information that most people don't know, like Hilary's middle name.(hint: it is not lisa or ann) It also has side schapters about Hailey, Adam Lamberg(Gordo, from Lizzie McGuire), Ashlie Brilliault(who plays kate on Lizzie McGuire), and others of Hilary's Co- Stars. I would reccommend this book to Kids over 9 years of age. It is a great read!

I BOUGHT THIS BOOK FOR MY DAUGHTER. SHE LOVED IT! IT'S ALL HILARY NOTHING BUT HILARY...NEAT PICTURES AND COOL INFO. HER FRIENDS LOVED SO MUCH, THEY WANT ONE NOW. YOU CAN'T GO WRONG WITH THIS BOOK.

This book is the best thing for all big Hilary Duff fans

I work at a Production company and a lot of contracts we hand to outside lawyers, but this is a good tool for me because it goes into details and discusses each point in a contract. This is something I'd love to have had many years ago, when I just got started in the business, and now that I have it, I am learning a lot of new things. There isn't any other book out there- quite like this.

Best book I ever bought dealing with the industry, bar none! I can't believe it's under $20!

Good but I liked the lingo section in the book Twelve Step Plan To Becoming an actor in LA but it was definetly helpfulGood Read

Josh Simon CAlifornia

This is a great resource for dealmaking, but most actors and writers that I know aren't negotiating their own deals. The trick is to get your agent to work harder at creating opportunities, so that they actually have deals to make. Yes, your agent should read this book ... but for myself, as an actor/writer the book HOW TO AGENT YOUR AGENT...is my bible. It helps me kick my agents in the butt ( without them knowing)and I get results...they're working harder and I'm getting work. Also I liked that book with all the casting directors pictures...just in case you see them in Starbucks and want to say hello.

THIS IS THE MOST USEFUL BOOK I HAVE SEEN ON THE ENTERTAINMENT INDUSTRY. BEST DEAL-MAKING BOOK ON THE MARKET. 5 STARS!

Homer is a wealthy movie producer, with a wife who's, well, biased against anyone who isn't white and doesn't have blue or green eyes. Hector is a Mexican American who works for the county and has a side business as a gardener. When Hector accidentally backs into Homer's jag, Homer feels sorry for the man. After all, he has ten kids and no insurance. So Homer asks Hector to his mansion so they can discuss how Hector can repay him. To his surprise, Homer enjoys hanging out with Hector and agrees to go to a ball game with him. Homer's wife isn't happy at all about this, nor that Homer intends to move Hector and his family into his gardener's cottage, which he intends to enlarge to accommodate them. But Homer and his wife are about to learn a valuable lesson from Hector, one that will change their lives forever.

This short story has an important message at its center, made all the more enjoyable due to Ms. Dravis's ability to deliver one heck of a good story wrapped around great characterization and dialogue. Like a talented comedian, this author knows when and where to display her glorious sense of humor and has a real knack for keeping her readers entertained throughout. Highly recommended!

Betty Dravis has an affinity for Hollywood and is culturally astute. Her short story gets past the cultural assumptions people sometimes make in the divide between Anglo and Hispanic, wealthy and poor, native-born and (allegedly) foreign born people. With gentle good humor, we encounter Homer Fairshield, a successful Hollywood producer who gets in an accident while in his fancy Jaguar. It is here that he meets Hector Ramirez, a Hispanic-American who has hit him with his gardening truck. From there they work out terms until they get together at his place, while Homer awaits his wife, Helena, whom he expects to be upset. She has little tolerance for misfortune and even less for foreigners.

Her writing is striking. In the first part, the narrator lets us know, "My neck's stiff, my nerves are raw, and my hands are shaking like a novice actor's before his first shot." From here she unpeels the prejudices in the cultural divide with great skill. In her own way she does so only sympathetically. She never hits her characters over the head with a sledge hammer. Using absurdity and a solid message, her execution is fun and filled with good will.

As usual Betty Dravis has swung for the fences and comes out with a heart-warming winner.

Do you have ANY idea how hard it is to write a meaningful plot synopsis of a story that from beginning to end runs a mere 15 pages? Suffice it to say that Ms Dravis's wonderful tale revolves around three people - Hector, a Mexican-American gardener who "introduces" himself to Homer by the simple expedient of backing his truck up into Homer's outrageously expensive Jag; Homer, a wealthy Beverly Hills movie producer who recognizes that his recent malaise stems from an urge to return to the simpler days of his past; and, Helena, Homer's spoiled wife, who doesn't long to return anywhere at all because it's quite clear that she's forgotten where she came from!

I wouldn't presume to steal a single peal of Ms Dravis' thunder by recounting the story. I'll just tell you what she's achieved. In an extraordinarily small number of words, "Homer, Hector and the Smashed-up Jag" will teach its readers a thing or two about happiness, contentment, friendship and racism in a package that is both humorous and entertaining. Moreover, Ms Dravis managed that without even the tiniest lean in the direction of preaching or being patronizing.

And, if like me, you read the entire story and come to its ending realizing that you were expecting something entirely different to happen that simply didn't, then just maybe you'll learn a little something valuable about yourself as well.

Highly recommended.

Paul Weiss

We all need more sweet and happy in our lives, and Betty Dravis' short story, Homer, Hector, and the Smashed up Jag provides a big dose. Once again, Ms Dravis' talent and creativity shine through in this little gem. I was completely captivated by this tale. It is a true page turner.

In just a few short pages, Ms. Dravis' brings her characters to life, full of personality and self. We know exactly who they are, and are impressed and won over by them. That takes real skill in short story writing: to completely develop not just one, but several characters, and have them grow and change so convincingly in so few words. These characters are truly alive.

The story itself is highly entertaining, with a subtle life lesson (or two) snuck in. The writing style is quiet and gentle with an easy, comfortable pace. Ms. Dravis does an excellent job of "showing not telling" us her story with lovely descriptions and marvelous characterizations. In the end, I really liked these people, and felt that they had become my friends. I really hope Ms. Dravis puts these new friends into another story.

Oh, and I loved the references to one of Ms. Dravis' novels as the current film project for the main character. Sandra Bullock and Johnny Depp, huh? Very cute...

In this tale, the author gradually unlayers the characters until we view the common core that connects them. Despite the outer trappings of a successful life, Homer and Helena (Helen) have simple roots, as does the character Hector.

Surprised that Hector "reads", Homer begins to understand some of the feelings he noticed almost immediately ("there's something about the man"); as he also begins to fondly reminisce about his own simpler roots, the connection between them is enhanced.

Hector brings out a side of Homer that he has long overlooked, and which his wife has attempted to quash.

But with the deepening connection between the men, a gradual return to these roots also seemingly pulls Helena out of her facade until she, too, is joining the men in their activities.

A seamless unveiling of cultural differences that gradually disappear as the characters find commonality, this story reveals that when humans find something in common, they can let go of their prejudices.

As another reviewer has described, a clever mention of one of the author's books is discreetly subtle...But led to my going online and ordering that book!

I Love This Guy is the 4th collection of the popular webcomic created by Ryan Sohmer and Lars DeSouza, Least I Could Do. For the uninitiated, Least I Could Do follows the escapades, sexual or otherwise, of Rayne Summers, an overgrown frat boy who in this latest edition shows newfound maturity in addition to his usual lovable-jerk persona.

Least I Could Do is at its heart a wish-fulfillment fantasy. Rayne scores dozens of girls, gets a highly-paid executive position without any relevant experience, and drives expensive custom cars. Even the name, Rayne Summers, is a thinly-veiled reworking of creator Ryan Sohmer. In any other comic, having such a Mary Sue as the protagonist would be a kiss of death, but Sohmer and DeSouza make it work.

Least I Could Do is always amusing and frequently hilarious. When push comes to shove, a comic needs to be funny, and very few comics today produce a daily strip that is this consistent. The comic is still most effective during the sexual jokes, and during its homages to geek culture, which Sohmer clearly has a broad knowledge of. Weaker moments come when the comic tries to justify Rayne's behavior, such as during spoof of A Christmas Carol where a ghost shows Rayne his own future coming up roses. It would be a great disservice not to mention the artwork of DeSouza, who must rank on any shortlist of comic artists today. Especially effective are his use of unique shot compositions that add vitality to otherwise ordinary scenes.

In the end, those interested in this book will have read the webcomic and liked it, and are wondering if the print version is worth it. To that query I can answer an emphatic YES. The book is jam-packed with author notes and artist sketches. If you liked the comic, you will love the book.

The book Least I could do "I love this guy" will make you laugh no matter what your mood and its in full color!

I'd like to cover the technical issues first with this book. To say this is a high quality product wouldn't be doing it justice. Not only is the cover thick and glossy, but every page inside is as well. This is a solid, well put together book. The print quality is great as well.

But really, none of that matters if the content isn't gold right? Well fear not, this comic is PLATINUM. For those of you not familiar with ghetto ranking systems, I'm pretty much saying that this is some damn funny stuff. I've only collected one other comic strip collection before and that was Calvin & Hobbes. So me paying money for this (and the other 3 previous books) when I could read them all for free should tell you something about how awesome Least I Could Do really is.

Why not read it for free you say? Other than being an nonsupportive jerk, you'll be missing out on so much! Damn near every strip has commentary from the creators, not to mention random sketches thrown around all over the book as well. Do yourself a favor and check out the strip for free at http://www.leasticoulddo.com/ and if you like it, shell out a few bucks and buy this book! It's worth it, promise!

I Love This Guy is a gorgeous memory for all die-hard Least I Could Do fans, and a knee-slapping-roll-me-over-and-poke-me-I-might-be-dead-I've-been-laughing-so-hard for absolutely anyone who reads it. With the extra commentary bubbles and random artwork between strips, it's a definate must-have. I am THRILLED that I have my own copy!

Lar and Sohmer continue to bring the creative genius and subtle (and not so subtle) wit of Canucks everywhere to print. The fourth installment of the Least I Could Do comic series delivers great comics, fantastic interviews with the writer and image creator and gives you an unparalelled look into their minds. I highly recommend this book.

Do get this book. And you'll be swept-away into another world where a crazy-girl named Francis, aka Judy Garland, got away with all kinds of mischief and adventure. Somewhere in her kooky, chaotic, vaudeville life, she surely got the idea that it was all a show about nothing.

Judy was a passionate person, and Gerold Frank captures her spirit, her sense of humor, her highs, her dark-side and the range of her anger and inspirations. "If you ever want to know who I was, listen to my songs," she said. What does one do with all that talent and energy? Frank gets into it. I think Gerold Frank does a fabulous job of filling-out the life of a human being. We sometimes forget that Judy was more than a performer. It is stunning to watch her films, knowing what was going on behind the scenes, how she was consistently exploited. She was young. People never had psychological terms for boundaries in those days, so she continued to remain a somewhat open and exploited person, "performing" right up to her death. And she was damn-angry in the end.

Judy had no outlet for her anger, except to strike out at things, objects and people. She was at a loss to know how to care, because she was never taught or given models of respect. So she stopped caring and began to take advantage of situations and people as a method of personal survival. This was the thing that alienated her from her children. Deep down, she didn't want to be this. So she let them go, and consequentially, a little bit of her self, as well. Bipolar disease is very difficult to manage without these psychological skills.

Judy never really had much of a chance to be anything than what she was. This happens to actors and people who need to showcase themselves in public: they get stuck. She learned how to play the victim. She just reached a point where she quit defending herself about it, that's all. Was Judy a bitch and a diva? Those were roles she took on, in the victim-mode. Women in those days were acculturated to be subservient, and therefore victims and blamers. If one is physically and mentally challenged, one needs help. Judy never got the right help and couldn't find it. Yet she always reserved a soft spot in her heart. She held on to her theme song, Over the Rainbow, and cherished it. So we have to look to someone like Gerold Frank, who is able to dig down under all this, and finds her; a woman who had a heart, and who was aching to share it with us, in spite of everything.

This is an "early" review since I haven't finished this very long book yet, but I will say that I don't like very long books (I find them daunting and time-consuming) but this one is good and holds your interest despite its detail and depth. However, I know that it leaves out certain parts already about her early life. For example, various sources (such as Marcella Rabwin, who is featured in the book prominently, and a family friend of Garland for many years) said on the E! True Hollywood Story TV program, that Judy and her sisters, mother, and father left Grand Rapids because Judy's father, Frank, had an affair with "a young man" and in those days that was "scandalous" and they "had to" move away. This story is nowhere in the book. This book also supposedly had the cooperation and the blessing of Liza and Lorna (not sure about Joe), Judy's children, so you know that despite the book's detail and depth, it's going to be "safe" with nothing too controversial that the children didn't want published. That's too bad, because for a biography to be truly inspirational (let alone just plain "accurate"), you have to include the skeletons in the closet (sorry for the pun, there, Frank). I haven't read Gerald Clarke's "Get Happy", which might include more scandalous stories. It's funny how there are 2 major Judy biographies that are very very long with authors named "Gerald"; easy to confuse the two, as I did at first. What a remarkable life; what a remarkable book. I still recommend book this highly, for Judy fans and also because I recommend biographies in general as a way for people to put their troubles in perspective, to gain inspiration from people we all "know", and as a parable to learn what to do, and not to do, to be happy in life. This would also be a great "primer" for young people to understand the history of Hollywood, or if you want a case study of a great American if you're patriotic, a great woman if you're a feminist, an unfortunate addict if you have an interest in drug and alcohol abuse issues, and a great musician/actress if you're an artist.

Gerold Frank's biography is probably the single most comprehensive book written concerning Judy Garland: meticulously researched, debunking many myths, and richly detailed, it is certainly a standard for any one seriously interested in Garland. Even so, I have several issues with the book.

My single greatest complaint about the book is that Frank often seems to include detail for the sake of detail, and at times these details don't seem to make any cohesive statement. That aside, while Frank places Garland under a microscope, he never really quite delivers any sense of the world in which she moved; consequently, we never really have any background against which we may judge her. There is no context.

These are serious flaws, and while the book is certainly readable and enjoyable, I do not think it is one to which the average reader would return, nor would I particularly recommend it to any but the toughest of hard-core Garland fans.

Gerold Frank has taken a subject of innumerable facets, a larger-than-life personality, and an almost indescribable talent and has put the history of her life to words as no writer before or since has been able to accomplish. Judy Garland, one of the silver screen's most beloved stars, is accurately and honestly conveyed in this biography. Frank's style is unique: when he tells of the tradgedies or failures of the star, he is not incriminating against the subject. Frank's book is one as written by an observer, sometimes voyueristically so. His thorough research bring Garland through in all her glory: as the vaudeville headliner, the little girl on the rise to stardom, the MGM superstar, loving wife and mother, and the sometimes self-destructive woman, taken from this earth too soon by the disease brought on by a lifetime of pills, but most of all, the woman trying to find her place in the world and the love she always craved and needed. Judy Garland is a human being, not a media figure, in this book. Gerold Frank is to be well commended for his excellent portrayal of Judy Garland, and readers will also be delighted or surprised by the informative tidbits along this Yellow Brick Road into the life of the great Judy Garland.

Never mind other books on the subject, icluding Lorna Luft`s "Me and My Shadows - living with the legacy of Judy Garland"...

THIS IS IT! This is the definitive biography. The detail is amazing and Gerald Frank is by far the only one who has captured Judy the woman and not ONLY the star. John Fricke`s "The World`s Greatest Entertainer" is good, but a tribute to a star, up there somewhere..... It`s written by a fan and good as it is, it sadly looks perspective.

This must NEVER be out of print and belongs to every library in the world. Indeed, I thought I knew evrything about Judy(I`ve been a fan since 1977), but THIS book is filling in holes I NEVER KNEW EXCISTED!

Thanks a LOT, Gerald Frank:-) This book i s of Pulitzer Prize calibre, although I realise a biography will never be given that honour...

This is a very detailed book about the life of Kay Francis. The authors present a chronology of Kay Francis' life based on her diaries and other extensive research. Kear & Rossman provide intimate details of her life in an unbiased and thoughtful manner. The authors were able to convey their love of Kay thru the book. We receive a glimpse into the life of a Hollywood actress in the 20s & 30s. This book will appeal to people interested in Kay Francis and Hollywood. I enjoyed it because it shows the individuality of Kay Francis. Her charity work, midwestern values, sexual encounters, and career are all presented in the book. The pictures were great and interesting.
The book left me wanting to know more about Kay Francis and the movies she starred in. I highly recommend this book.

I must admit, I didn't know a lot about Kay Francis going into this book but I had seen her in a couple of films and I went the extra mile to delve deeper into her life and career. I was glad I did! Oh, what a life! Oh, what a career!

This book is the definitive reference to Kay's life, both on and off the screen. Her exciting career, her steamy sex life and the best part...much of this book is based on Kay's own personal diary entries. You can't get better than that!

If you know nothing about Kay and you're intrigued with her life, the way I was, you'll learn everything you want and need to know by reading "Kay Francis: A Passionate Life and Career." If you know everything about Kay Francis, you're wrong. You only THINK you do! Without a doubt you'll learn something new here with the turn of every page!

Great book!

This is one of the best biographies I have ever read. You can tell the authors put a lot of time and effort into this work - it's a true labor of love. Filled with beautiful photos and extensive bibliographical notes, this one is a keeper. Who knew Miss Francis was such a "wild child"? Whether you're a film scholar or a movie buff, Lynn Kear's book deserves a special spot in your bookcase.

This year movie buffs are extremely fortunate because out on the market is not one but two wonderful new biographies of the actress who "couldn't wait to be forgotten"--Kay Francis. Lynn Kear and John Rossman have done a superb job of detailing Kay's life with an especially rich section about her early life--prior to Hollywood stardom. The book also captures the essence of the jazz age of the 1920's when women were coming out of their shells and becoming less uninhibited. In many ways Kay Francis was the epitomization of the free spirited women of the jazz age. The book, as usual for a McFarland product, is lovely to look at and the picture quality is superb. Both books quote from Kay's diaries which were long forgotten at a University archives. The diaries provide much of the dynamic revelations in the narrative--Kay's candid thoughts about her life and (many) lovers. Kay Francis certainly did, as the title says, have a passionate life--and a career which movie buffs and fans can easily appreciate. We are fortunate to have this wonderful book as a reminder of that life and career.

This book had such a slow, uneven start that I almost gave up on it. Kay had a very interesting life, but it was hard to determine that from the way the early chapters of her story were written. Lots of childish exclamation points, and chronological lists that read like "the begats." I adore Kay Francis, and wanted to find out about her life. The authors had the access to her diaries that other biographers were lacking, and her private life was definitely a wild one. That she escaped public, career-ruining scandal is nothing short of a miracle. Once the authors reach her apex year of 1932, and then her war work, the style of the writing really picks up and the story becomes a veritable page-turner. It's definitely worth getting through the first third of the book in order to enjoy the best parts. I respectfully disagree with the reviewer who thinks Kay would have loved this book - she would have hated anyone delving into her private life (she didn't even want anything done with her ashes, she was so private), but speaking as an avid fan of Miss Francis, I'm very glad it was written.

I think this book will help anyone. From a beginner to someone who has played in tournaments. It's more appropriate for those with some knowledge and strategies of their own, but really anyone can benefit from this book.

This is a great tournament book! They discuss so many new concepts that hasn't been mentioned before in book form. These concepts can be found in different poker forums as in 2+2 forum. One of the concepts that is mentioned is bubble effect. They will discuss how to calculate the real value of your chips in different situations in a tournament and how it will effect your decisions. Many of the concepts are very helpful for sit and go as well, especially when you want to squeeze in to the money often. I highly recommend this great book. The authors have done a great job writing this.

I was a little skeptical, if not curious as to what would be written in this book and as to how useful the advice would be. I had read Kill Phil and thought that the ideas were very basic and not very applicable to intermediate and advanced players. When I spent my money on Kill Everyone and read I could not stop reading. Why? Because the 2008 Aussie Millions main event was coming up and the book focuses on bubble play, equilibrium strategies and prize pools and equities; concepts which are very important in the major events. All the money in poker is to be made in or around the bubble and when approaching the final table. Kill Everyone is the best for these situations and therefore very much worth the read. Part one of the book shows how to accumulate chips early on and I found a particular example useful for me in the 2008 Aussie Millions Main Event. For No Limit Hold'em Tournaments this book sets the new precedent. Lee's latest book Let's Play Poker is brilliant for sit and go's. Use these books to improve your skills and reach your poker playing potential.

After reading Kill Phil, I knew this book would be really good. What amazed me was the amount of theory and math loaded in this book. Aside from 2+2 books, I have never seen a poker book with so much indepth analysis. The book has solid advice for all stages of any types of tournamenets. The calculations and decisions that have to be made very quickly will likely become second nature over time. I know it didn't take me long to get very comfortable with the KILL PHIL system and it worked out really well.

There are a number of study groups and Q & A forums on the web to help people understand parts of the book. It will probably not be the easiest poker book you've ever read. A lot of people are taking their time to ensure they understand each chapter before the go on to the next chapter. We can always use more books where the authors take the game and their writing seriously in an effort to help the readers. With effort on your part, you will see improvement in your game using the concepts explained in Kill Everyone.

I'm in agreement with the other reveiwers here, this is a 5 star book and is definitely worth your consideration if tournaments are your thing.

If you play freeze-out tournaments (Anything else played today?) you'll find this book to be an essential source-book and reference. An understanding of the concepts and examples presented will give any player a better foundation from which to make decisions - and from which to approach the optimum decision at critical points.

The discussion of play on the bubble is alone worth much more than the price of the book. For example the authors present analysis of how often you should push as a function of your bubble factor (ratio of equity loss from losing to equity gain from winning the confrontation) and your opponent's calling frequency. Most players know intuitively that you should push more frequently when (a) your bubble factor is greater and (b) your opponent is more likely to call. But a chart showing the results of the calculations gives insight that can't be gotten otherwise.

One short section attacks the myth that the big stack should call liberally to knock out small stacks. That discussion alone can make the difference between just finishing in the money and making a big win. If you have ever called or raised a bit loosely to knock out small stacks only to find that you've doubled up one or more and made them into real competition while crippling yourself then this section is must reading.

I could continue with examples, but the book is only 348 pages - probably shorter than my examples would be.

I do have a single criticism. The authors (properly) use the Independent Chip Model but without fully explaining the assumptions on which it relies. Like most other authors they do explain that it assumes equal skill for all players. However, they neglect to mention that it also relies on two other assumptions: (1) that all players will receive equivalent hands over the limited time of the tournament, and (2) that play is based on only your hand and statistical behavior of your opponents. If you're in the middle of a tournament, assumption (1) probably doesn't apply for the limited number of hands remaining, and in any given hand other things - tells for lack of a better word - frequently become more important than either of these assumptions.

Do yourself a favor and buy this book. But, be prepared to study rather than just read for it contains more, much more, than a list of starting hands and advice to play a tight aggressive game.