Entertainment Books

Technology affects art and the many changes in computer animation and effects means that the art world faces both new challenges and new innovations in 3D modeling. Surprisingly, Peter Ratner explains, the changes mean less technical challenges for artists with more ability to focus on creating art rather than deciphering computer systems - and the second edition of his Mastering 3D Animation is just the place to begin. Ratner is a professor of the topic at James Madison University - and the founder and head of the first computer animation program in Virginia, so his background lends particularly well to discussions. His paintings and computer graphics have received exhibition and acclaim - also a plus for artists seeking more than just a programmer's technical tips.

I thoroughly enjoyed this book, from its technical standpoint of working between the program and the supporting 3D theory/thought process that Mr. Ratner provides.

Finding that balance of an artist and technologist from where to launch one's vision and future visions of creativity starts with good knowledge. Ratner gives many facets of where to see this vision and tutorials to follow through with your own creative projects.

I commonly work with many high-end graphics programs, Lightwave 7.0 being my newest program on my plate. Peter Ratner's 3d book getting me from a begining user from just reading the index to a 3D artist ready to start the new facets of my own portfolio. Mastering 3D Animation helped quite a bit everything from the Modeling and subdivides to the theory/progress.

Joseph Arthur
Information Architects, Principal

Peter J. Ratner's second authoring effort, Mastering 3D Animation, is a 333-page softcover text that is a comprehensive, detailed and practical tutorial guide addressing nearly every aspect and segment of the 3D graphics genre. The book's 14 chapters-and accompanying follow-along CD for PC and Mac-speak to modeling (beginning and advanced), animation, special effects, lighting, surfacing techniques, facial animation, elements of action, figure movements and composition and cinematography. It's an exceptionally capable complement to Ratner's first book, 3-D Human Modeling and Animation. (Ratner currently is updating the latter text with a wholesale rewrite.)

Make no mistake: This is no cursory guide to constructing simple geometry, slapping on some stock textures, animating basic movements along spline paths and rendering to AVI while you're sipping on a latte, watching the Discovery Channel. A full-time professor in the 3D Computer Animation department of James Madison University and the program's founder, Ratner relies on the broad and substantial digital and conventional art experience that has rewarded him with artistic entries in more than 80 national and international juried exhibitions. Ratner is well-versed in most aspects of 3D art creation, choreography and cinematography. The results of his industry experience are a splendid collection of detailed and refined insights and experiences assimilated into a thorough tutorial guide. I have no doubt-as many experts agree-that Mastering 3D Animation is equipped to serve as a collegiate-level textbook for 3D computer animation curricula.

Spanning the many processes related to generating 3D digital art, Ratner illustrates his critical techniques with 658 black-and-white line drawings and grayscale screen captures. The images vary from basic and sketchy but illustrative black-only perspectives, steps and graphs to grayscale representations depicting character renderings, particle systems, height fields, geometric displacements, facial close-ups, rendered environments and more. Of particular interest to those having cinematography or traditional art backgrounds are the commentary, instructions and grayscale reproductions of painted and sketched art dating back multiple centuries.

Those attending to a more technical emphasis and interest are accommodated in every respect, however-minus superficial references to hardware specifications. Early on, Ratner clarifies his intentions in composing this text: "[The book's] purpose is not to create button pushers who can boast about megahertz, abundant RAM, big monitors and software with all kinds of bells and whistles. It is hoped that aspiring 3D artists will learn some valuable lessons from the great art geniuses that have preceded them." (Foreward/vii) Yes, Ratner does wane philosophical, at times, but his contemplative tendencies bring a refreshing and purist perspective to a field frequently inundated by overly technical meanderings and functionally pointless rambling. Thus, Ratner blends an in-depth artistic and technical knowledge with a practicality and philosophy altogether forming a well-rounded perspective-one catering to persons of various inclinations and backgrounds.

The companion CD contains 200-plus 3D models in a variety of formats: LightWave 3D's .lwo and .lws; Wavefront's .obj; Maya's .ml and the generic .dxf. Tutorial project files are archived in QuickTime (.mov) and JPEG (.jpg) formats, and Ratner also includes a Photoshop brush file (.abr) for creating "grime" textures.

As for the text's informational composition, chapters one and two explore the basics of 3D modeling-polygonal and spline-based (NURBS). Chapter 3 addresses basic 3D animation, while the fourth delves further into animation by considering the role of deformation tools: skeletons ("bones"); kinematics; lattice flexors, etc. In Chapter 5, Ratner explains special effects, including the use of spheres, particles, collision detection, voxels, fragments, displacement mapping and more. Part II of the text, Advanced 3D Modeling, begins with commentary about the human head's structure and composition, including muscles and bone. Ratner explains both the NURBS- and polygon- based methods for modeling the head. Special attention is allotted to features, such as the eyes, eyelids, eye sockets and ears. There's no lack of detail, here, and NURBS fans will experience a rare sensation-a feeling of belongingness.

The next two chapters, six and seven, are devoted to modeling the human figure. The latter stresses finishing-hair, eyelashes and clothing. Chapters 9 and 10 comprise Part III: Preparing for Animation. Lighting is the focus of Chapter 9, and Chapter 10-another that may appeal particularly to conventional artists-deals with surfacing techniques. The author goes beyond the typical texture map types-cylindrical, planar, spherical, cubic, etc.-and the use of photos to address alternative surfacing methods, such as transparency (alpha) and displacement maps. In short, Ratner extends well beyond the conventional surfacing methods most highly publicized, deeply exploring what might be categorized more aptly as upper-echelon trade tips than as common genre knowledge: creating sophisticated bump maps; using grayscale gradients in displacement; and more.

Part IV of the book, Character Animation Fundamentals, includes chapters 11-14: Expressing Emotion with Facial Animation (11); The Elements of Action (12); Movements of the Figure (13); Composition and Cinematography (14). Once again, the author uses an expansive knowledge of choreography and anatomy to help quantify how human emotions are exhibited: body posturing; eye wideness; lip contour; eyebrow position; even directional muscular pull. Each of these considerations can be projected in a 3D figure, and Ratner shows the reader how. "A muscle is composed of a bundle of fibers that work in mutual association to perform common duties," Ratner writes on Page 248. "... It is this combination of movements that results in the complicated harmony of the facial muscles."

The Elements of Action chapter confronts those issues pertinent to a convincing human portrayal by a mere collection of polygons or surfaced curved lines: timing; sound syncing; weight and recoil ("squash and stretch"); walk cycles and more. Chapter 13 addresses concerns complementary to those in the previous one, including body mass motion, pace and impact, equilibrium, action lines, rhythm and still more. The final score of this harmonized tutorial prose pursues line composition, spatial arrangement, blocking (proxy geometry) and all manner of photographic issues and techniques. The reader will learn practical cinematography terminology-camera techniques and movements, transitions, more-and the fundamental tenets of motion depiction utilized by artists centuries earlier.

Mastering 3D Animation is a wonderful book, full of useful information that you will refer to again and again. It covers many complicated issues in an easy-to-understand way so that beginners and advanced users alike can grasp the information. Definately a title that will remain in your library for years to come.

Although a nice book that goes into depth in areas that other modeling books haven't, the generalized, not-to-mention-one-specific-application approach the author has taken left me, a beginner, bewildered and drooling. Also, I think some of what isn't explained in detail was not explained purposely as it was difficult to put into words and considered common sense, which seems to be the case with several tutorials and books that I've read on modeling. I want to know things like: Once I have my splines slapped down in a front perspective, how do I push and pull them properly from other perspectives so they'll take shape, or When defining detail with polygons, how many should I tesselate, how can I manipulate them to look like a gradual bump for a muscle and not a sharp cornered cliff? To sum it up, the book was written for the more experienced and those who are very well aquainted with their software packages-I was expecting step-by-step modeling for newbies.

the book is great to read it came in very good condition not dirty or torn or bent.

With odds stacked against her in every direction - including personal resistance to success - Etta manages to not only survive, but thrive & inspire!
Stories of the early days of motown, touring, & musician swapping is exciting and nearly incestuous (so many huge names in music ran the same circuits, competing for musicians, songs, gigs & label attention).

Despite all odds, Miss Etta is still with us: read this book if you have the courage to learn what life 'on the road' was like for an entertainer in the 50's and 60's, with the difficulty enhanced tremendously for African-Americans. The debt today's divas owe Etta and others from 40 years ago will never be repaid. The book pulls no punches: white record label owners shafted their acts in every way imaginable, yet there's a snapshot of Leonard Chess that you'll be thankful for. Etta writes of doing heroin with Little Esther, being in and out of jail, being up and down, getting her "X" by joining the Black Muslims, touring with Little Richard, the dangers of driving through Dixie in the late 50's and early 60's with a blond 'do' (and a monkey).

There's another reason to buy the book: you can dine out for weeks by sharing the story of Etta's father. The book includes a photo of the two of them side-by-side. Yup, amazing resemblance. And no, I'm not going to tell.

Etta did the Letterman tv show a few weeks ago; is still making music. She's a national treasure. When she appeared in Dallas I slipped a note to a member of her crew to pass along, thanking her for all the music that has meant so much to me. If you've never heard Etta, look for that two cd set of her Chess recordings. One listen, and you'll be hunting for a pen and pad to send her the same kind of note.

Etta James. Powerful vocals and supremem attitude. This blues/jazz diva can only have a story that's as dramatic as her musical repetoire.

The biogrpahy is an easy read but full of emotional impact from her youth to her dificult struggle with her weight while climbing up the ladder to success. Family members bob and weave in and out of her life while she struggles to keep her head above the waters of black society.

Read about her survival and the road she took to make it there. Again, it is an easy read but the themes she brings up from her life are tough to handle. A true inspirational story, the life of Etta James will help any reader to appreciate her will to succeed and encourage all of us to strive to be our best.

If you're going to see Etta, read this book first. It will put some perspective on where this Diva has come from and help you understand some of her stage comments. To make your experience finer, read it while listening to "Her Best-the Chess 50th Anniversary Collection" and her newest CD "Roll On".

It's an honest and fresh read, very revealing and very scary as to how she survived racism, drug addiction and recovery. It also gives alot of insight on the R&B world players in the 50's, 60's and 70's.

I'd recommend it as a supplemental text in feminist/african-american/sociology college courses. It may be too controversial for high school courses but it would certainly get students talking. It's also a great summer read.

So much has already been said & written about this amazingly talented man that although his talents have always been savored like fine wine....talking about his painstaking incredible stop-motion animation abilities almost seems to be redundant. Suffice it to say that so many of us monster kids sat in awe of Ray's work as we watched " The 7th Voyage of Sinbad " circa 1958.Harryhausen has always accomplished more on the movie screen with his special effects techniques than computers will ever be able to do. This book lovingly details all of the richness of Ray Harryhausen----Thanks for a great book, Ray !

Computer generated effects are standard in movies now, and any big-budget action film can be expected to have plenty. We didn't always have computers, so the effects such as putting fantasy creatures on the screen, like King Kong, had to be done with meticulous stop-motion filming, whereby a movie frame picture would be made of a model Kong, then the model's arm would be slightly raised, one more frame of the movie shot, and the process repeated until a smooth arm movement could be seen when the entire strip of film ran. It was Willis O'Brien who animated Kong and many other creatures in early movies. It was Kong who inspired Ray Harryhausen to start making stop-motion films. In _Ray Harryhausen: An Animated Life_ (Billboard Books), Harryhausen and Timothy Dalton tell the story of Harryhausen's entire career, including his humble beginnings. He was crazy about dinosaurs as a kid, and at the age of thirteen, he was taken by his mother and aunt to see _King Kong_. He studied up on the movie's techniques afterwards, and started making his own movies, first using a home camera that he could merely hope took only one frame at a time when he tapped it, and then purchasing his own 16 mm camera with a one-frame shift. He was one of those lucky kids who knew early what he wanted to do in life, and was able to do it; Harryhausen was the special effects wizard behind _Earth vs. The Flying Saucers_, _Jason and the Argonauts_, and _Clash of the Titans_, among many more. This beautiful book, filled with photographs and drawings to show how the models and effects were made for each of Harryhausen's films (and pictures of the artist's work as a thirteen-year-old as well), is a fascinating record of a career that could only have taken place in a restricted window of time.

To start with a clearing of the record: Harryhausen's first model, a cave bear, was covered with fur cut from an old black fur coat hanging in his mother's closet, but despite reports to the contrary, his mother _did_ know all about it and _did_ give her permission beforehand. This reflects the support his parents gave him toward his youthful enthusiasm, and he is certainly grateful. Most of the book describes his work for the studios; it devotes pages and pictures to all his films, and he gives detailed descriptions of just how he managed particular shots. Harryhausen isn't boasting; throughout the book he lets us know what he thought worked and what didn't, what he is proud of and what he winces at. If stop-motion is no longer going to be an art form, it is good that we have this documentation of what he actually accomplished, for the complexity of his creations and the way they were shot is astonishing. For instance, the Hydra in _Jason_ not only had a serpentine body and a double tail requiring their own movements, but also seven heads. In every frame, the model's movements might be only a millimeter, but there were sometimes more than thirty movements to do. He would have to remember for each head whether it was in the process of going up, down, right, or left, if the mouth was opening or closing, if the neck was flexing, and so on. Astonishingly, he was so in tune with his creation that he did not keep notes on what each head was doing, except if he were taking a break at the end of a work period.

Harryhausen has real affection for his creations. He has used real animals in some films, like an iguana made to look like a giant lizard in _One Million Years BC_. The trainer in charge of the iguanas was ready to use an electric prod to rouse the usually torpid lizards, but Harryhausen would not allow any cruelty, so action could only be obtained by a little prodding. Nonetheless, it was a lot harder to get the iguanas to move in just the way he needed compared to his obedient stop-motion models; he says that using models would have been more cost-effective and more realistic, too. He refuses to call his creations monsters; they are mostly creatures who are simply out of place. Of the tyrannosaurus in _The Valley of Gwangi_, he writes that he felt sorry for him, "... because all he wanted to do was live his life and eat a few people along the way." When he had to dismantle one creature to use its armature for another in a succeeding feature, he confesses, "It always breaks my heart to have to cannibalize my models. It's like losing a close friend." Gentle, self-deprecating humor is a hallmark of all the chapters here, no matter how technical the descriptions become at times. This is a handsome, large format book suitable for the coffee table; however, along with the beautiful illustrations, the written record of work here to show how creature features were made before the computers took over will be enjoyed by any fantasy film fan.

This is a top-notch compilation of genius on the cutting edge of our cultural history.

Die-hard fans of special effects master Ray Harryhausen may recall Jeff Rovin's book "From the Land Beyond Beyond", which arrived in 1977. It was a welcome addition to the Harryhausen legacy, but was too subjective and fan-based for some tastes. Hard to believe it took almost thirty years for this definitive, color version of the Harryhausen story to arrive on the scene. Some will feel it is merely an extension of Ray's previous work, the Film Fantasy Scrapbook, and in many ways, it is, but there's so much detail here that this deluxe volume is worth picking up. Though of course modern special effects have become almost ridiculously complex, it's wonderful to hear Ray describe in great technical detail the processes and techniques he used to bring his animals and fantasy creatures to life in films like "7th Voyage of Sinbad" and "Jason and the Argonauts". He's also candid about which films worked for him (and audiences) and which somehow missed the mark. Even readers who prefer modern spectacles to Harryhausen's classical, stately epics should find something of value here, and there is plenty to inspire any animator, filmmaker, or budding cinematographer. This book isn't just a special effects guide, it's a valuable and integral part of the history of film: Harryhausen's career spanned five decades, and he worked with some of the greats in the industry--not only effects geniuses like Willis O'brien, but actors like Laurence Olivier, Maggie Smith, James Franciscus, Honor Blackman, Richard Carlson, Jane Seymour and Raquel Welch. A little pricey, but worth the cost. A must have for Harryhausen fans, naturally, but anyone interested in the movies will come away satisfied.

I just recently purchased Ray Harryhausen: An Animated Life.
Mr. Harryhausen was influenced by King Kong for his remarkable career. I was influenced by his first movie released in theaters
entitled BEAST FROM 20,000 FATHOMS. Ever since I gazed at the
incredible effects when I was six, I wanted to know why and how
something could seem so life like. Unfortunately, all I did was manage amateur special effects with an 8mm camera, but enjoyed thrilling friends and relatives with what talent I had. Now I can appreciate all the patience and imagination that this
genius has somehow transmitted to the screen. All of his movies are showcased with the wonderful behind the scenes stories and photos that made such magic in my childhood. Anyone who has ambition to follow the FX trade, should definitely read this book. Granted the technology is greatly improved today, but that even made Mr. Harryhausen seem more adept at his work. How tedious it is to move a model just a fraction of an inch until it appears fluid on the film...how educational it is to realize what props were used and what artistry was projected to make everything REAL. This coffee table book will be a treasure
in my collection of literature.

Tonya writes with a gentle rawness that comes from her heart. Her honesty and passion make Seasons of Her a worthwhile read. You'll find her writing an inspiration, something you'll find yourself coming back to.

Tonya Marie Evans is a talented and spirited writer who has captured the reality and beauty of being a woman. Every season of a woman's life should be celebrated. Tonya's books is just that, a celebration of life. "SHINE ON" my poetic sister.

Tonya is a powerful poet! Must read for those who love poetry!

Tonya's poetry touches the soul. Life and poetry in seasons...definitely real and in line with the moods brought on by daily living, season after season. Summer is my favorite "season"! This is a great bedside book...for all reading pleasures! Continued literary success, Tonya!

In reading Seasons of Her (as well as seeing the Diva perform LIVE in Atlanta), Tonya Marie Evans' ability to touch my inner spirit through her God given GIFT eased many of my fears and doubts about my own gifts as a WOMAN and as a writer. Tonya relates to the woman, striver, achiever, nurturer and lover in all of us.

Although a complex species... (WOMAN) Tonya simplifies it all by proving through emotional and reverrant poety, that love of self, finding that place within YOU and creating that 'space' of love, peace and creativity in this world is what we are meant and were created to do.

Whether I wanted to Find My Own Shine or not, the fire that her poetry starts within, and her ability to paint pictures of her soul as well as the readers, will illuminate a light so brightly that even YOU won't be able to stop or stand it!!!

BUY this book, read it... and FIND YOUR OWN SHINE!

Posted by Roger Hitts on Jul 22, 2007 - 7:19:00 PM

At a time when the attention span of a celebrity-infatuated America lasts about as long as a ride on a bucking bronco, and snarkiness gets passed off as literary enlightenment, it can seem downright amazing that writers even bother crafting a loving, thoroughly researched and sweat-from-the-keyboard tome about the machinations of the Hollywood star system and the secrets behind the people who made our country swoon decades before Brad Pitt ever graced the cover of a tabloid.

Then again, there's not many Tommy Garretts in the world. A self-described chicken farmer who lives in the hinterlands of deep rural Virginia, Garrett has fashioned an incredibly successful career as a Hollywood publicist, radio and TV personality and foremost, an author, all from the relative comfort of the sticks and some 3,000 miles from Tinseltown. Yet he also returns to Los Angeles long enough to pick up new clients, find new writing material and for awards shows. It just shows to remind one that Hollywood is a state of mind - and in my mind, steering a wide berth around the day-to-day meetings at the Creative Artists Agency and hours-long lunches at the Polo Lounge keeps a romanticism toward the magic of movies alive without getting bogged down in the details.

Take Garrett's latest literary offering, So You Want to Be in Pictures - an exhaustingly researched, meticulously crafted book featuring insights and sidenotes, anecdotes and yes, dishy details on the lives of 55 Hollywood haymakers and what made them tick. The cast populating the book range from Golden Era legends such as John Wayne and Bette Davis, to the likes of Darlene Conley, an actress who didn't cross into big screen fame but maintained a rabid following among daytime soap lovers.

In many ways, Garrett may have crafted the perfect book for these times. Garrett is so obviously a student of the bygone era of Hollywood he likely could have fashioned 55 books from the ranks of thespians detailed in So You Want To Be In Pictures. Instead, the readers are given quick hits and peeks into the lives of stars from the inimitable Lena Horne to the 1950s icon and later John Waters pet Tab Hunter. Even those with the shortest attention span won't have to comb back a few pages to figure out what they had just read! But even more than sparing readers from having to learn what Ann Blyth's favorite color was, Garrett offers up something else that gives today's blogging generation something to sink their teeth into - real dish!

For example, in his own straightforward manner, Garrett offers up this about the marriage of Prince Rainier and Grace Kelly:

``What many don't know was that Rainier's first choice for a wife was the blonde bombshell, Marilyn Monroe. What man in the 1950s was not lusting after Monroe -- or that other doomed blonde sexpot, Jayne Mansfield? But between discussions with royal advisors and the Vatican, Rainier figured that Grace Kelly was his best choice. He did, however, fall madly in love with Kelly and probably didn't know that she spent many of the years of her marriage being a serial adulterer. For example, she continued an affair with David Niven until the time of her death."

In the hands of another writer, that paragraph would seem to be provocative for its own sake - but with Garrett, the reader gets the feeling he offers up the marital infidelity in the interest of full disclosure, not simply to be the schoolyard gossip. To be sure, Garrett - whose publicity firm specializes in managing the public lives of the more senior members of the Hollywood community like Clint Walker of TV's Cheyenne fame - has heard and seen more in his life than most, and is uniquely shaped to pass along the lessons he learned and the insights provided from his own, storied career.

What's more, neophyte celeb-watchers will be shocked to learn the exposes of the Hollywood scandal didn't start with Paris Hilton dancing on a tabletop in a Manhattan nightclub. By the very nature of the acting profession, Hollywood has always been a repository for some of the most colorful - and sometimes least judicious - people America has to offer. But many of the stories Garrett offers up in So You Want To Be In Pictures may have been lost to history if Garrett hadn't put in the time and effort to chronicle them.

While dish is plentiful in the book, it never seems ham-handed on Garrett's part - indeed, he throws more bouquets than spitballs at his subjects. Obviously, knowing Garrett's background in show business, he's emotionally invested in the people on which he writes, and it's evident in his turn of the phrase.

It's obvious in this day and age, Garrett could have made a killing knocking out a quickie book rehashing the recent misadventures of Lindsay Lohan. That he decided to take on a meatier subject matter - giving readers a real look inside the people who helped build the film and television industry on the backs of their labor, is certainly to Garrett's credit, even with a lower commercial potential.

After my wife read through an advance copy of So You Want To Be In Pictures, she commented to me, ``Why the heck would anyone want to be involved in that industry? Dumb luck supercedes talent, petty jealousies swallow people whole?" Certainly, the carrot of stardom and adulation looms large on the stick. Even Garrett cautions, ``after you read this book and still have yearning for stardom, you'll gain a great respect for me."

Garrett gained my respect for writing it.


Roger Hitts, two-time United Press International columnist of the year, is a veteran celebrity journalist whose by-lines appear in numerous magazines and newspapers in the U.S. and around the world.

Tommy Lightfoot Garrett- "So You Want To Be in Pictures". This book is a must for anybody who wants to be in pictures, or is just fascinated by the whole 'celebrity' culture. The knowledge and first hand account that Tommy has of the celebrities is amazing. Tommy gives very objective and honest accounts of the stars, and with such integity. One really feels like they are stepping into the celebities lives just for a moment. Tommy gives the book an even personlised feel, by displayed autographed pictures of the Stars.
This boot is particularly insightful for the 'younger' person who isn't too familiar with the 'greats' of yesteryear. The book is very easy to read, and a must for anyone interseted in Hollywood.

Esteemed Hollywood publicist and historian par excellence Tommy Garrett has crafted a brilliant and wonderfully balanced look at nearly 60 industry performers, past and present -- from the biggest superstars (Bette Davis, Bob Hope and Joan Crawford) to its slightly lesser-known, but no less talented, or accomplished, artists (Ruta Lee, Rex Reason, Simone Simon, et al). With a benevolent and even-handed approach that mirrors his own gracious and straightforward personality, Tommy relates several rare (and sometimes, heretofore unknown) tales about these people in a highly ethical and non-exploitive way that makes you feel you know both them, and him, personally. Fair and balanced journalism abounds in this project, and yet it is at all times a fun, and sometimes even boisterous, read!

The approach Tommy has taken to dispense the book's fascinating material is unique. He begins each chapter in a traditional, linear fashion -- telling these people's stories more or less in a straight-line, from their births to their deaths -- but then he backtracks and delves into earlier aspects of their lives to take an even closer look. It is a particularly incisive technique that is all Tommy's and it really holds your attention (much like the man himself)!

The book is liberally peppered with photos and the selections run the gamut from scene stills and portraits to obscure and hard-to-find candids. All are gorgeously rendered and captioned on high-quality paper stock. Wasteland Press has done a fine job with the superb material (both textual and photographic) that Tommy has given them, and their continued alliance is one that every true classic movie fan should pray for!

Despite his youth, Tommy Garrett has accomplished a great deal in the entertainment industry and will continue to reap a healthy harvest of accolades and respect. Tommy's lighthearted public persona belies a serious knowledge of all aspects of show business and it is to his credit that the formidable writing skills he displays in this book are commensurate with his talents as one of the industry's most beloved agents and publicists.

Well done, Mr. Garrett! A superb work, and here's to looking forward to many more books from a TRUE "Hollywood Insider"!!

John O'Dowd

"So You Want To Be In Pictures", by Tommy Lightfoot Garrett, is a book every classic movie buff should own! I never read a book the second time, but this is one book I will! I have the pleasure of living in the same small town he mentions in the book, and the pleasure of having him as a dear friend. In knowing him, I can tell you, that reading his book is like talking to him, and having him share his experiences with these stars. He writes like he talks, and what you come away with after you read this book, is an understanding of the lives of the stars, and an understanding of how much this author cares about what he writes! From his late night e-mails, I know the hours and hard work he put into this book and his newly released book, "The Making of Hollywood Stars". Tommy loves what he does, and it's apparent in every aspect of his books. He wanted this book to be as "timeless" as the stars themselves. Twenty, thirty years from now, this book will be just as interesting to people who love classic movies and the stars that made them, as it is today, because it's movie history. I listen to Tommy's Australian Radio Show every week. By listening, I have learned so many things about the old stars and their movies, that makes their "larger than life" images on the screen, come to life on a human level. This is a writer who really cares about the stars as people, and who really cares about the things he writes about them! You will treasure this book, as much as I treasure the Author....

Tommy Garrett did an outstanding job when he wrote this book. Unfortunately, his publishing company apparently has no one on their staff who is capable of editing anything that is written in the English language.

There are many redundancies, many misspelled words and paragraphs that seem to be transposed making it difficult to read some chapters. I'm not certain that Mr. Garrett had/has the ability to take issue with the publisher with regard to this egregious practice but I think if I were him, I would look for another publisher.

I had the pleasure of going to high school with Eddie in Pittsburgh. He could always make everyone laugh. His book is the same classic Eddie humor. I took the book with me on a long flight and found myself laughing and smiling as I reading the book. The people sitting around me must have thought I was a little crazy-so I showed them the book. It is a great easy read. His honesty about his career and personal life struggles is what makes the book. Humor helps with healing. This book is great to share with anyone that is overcoming an addiction.
Thanks Eddie for once again making me laugh and may you keep making people laugh with your wonderful humor.

This book was addictive reading about how Ed got his start in comedy and how he dealt with his drinking and insecurity to come out on top. He pulls no punches as he details his relationship with the bottle and his troubles with the opposite sex.

He tells great stories about other comedians, most notably a day he spent with the great Henny Youngman.

It takes a lot to get me to laugh aloud but this book had me chuckling several times throughout. I especially enjoyed Ed's return visit to the jewelry store.

I hope you have another book in you Ed.

Reviewed by Lorraine Robins for Reader Views (5/06)

The author's purpose in writing this book was to inform and entertain readers. Ed Driscoll hit the mark on both counts. The book is about his life, including personal details of his feelings of failure in romantic relationships. This could not have been easy for him to be so open about. Yet, he is open about these feelings. Readers can relate to this, I'm sure, whether they are single, married or divorced. Driscoll touches on the complexity of romantic relationships. However, he does so in an interesting and humorous way.

Humorous may be putting it mildly. There were parts of this book that were so funny, I was laughing out loud. I literally had to put the book down and compose myself. This is a very funny man. He writes about his career and how he became a successful comedy writer. When reading this book, there is no doubt that this is a talented and funny man. Reading this book convinced me that he is a very talented writer.

Driscoll spends much of the book comparing how successful his career is, versus how unsuccessful his love life is. You find yourself rooting for him all the way. You feel the pain of his break-up with his fianc?. You can't help but laugh at his internet dating experience. In my case, laughing hysterically.

The author sees humor in everything. This makes the book light and enjoyable to read. Although there are a few sad realities in the book, they are coupled with humor. The book even has a happy ending. I would recommend this book to anyone who likes a good memoir, romance and some laughs.

I've been lucky enough to see Ed Driscoll perform stand-up comedy and he wasn't just funny -- he was incredibly hilarious and HONEST. When I found out that he wrote a book about his experiences with addiction and recovery, I bought a copy and was delighted to find out that he is as brilliant on the page as he is in person. The greatest thing about the book is that Ed is able to take an unflinching look at himself and his struggle with alcohol, and make you enjoy the ride to the very bottom and back. His sense of humor is both the way he sees the world and the source of his salvation. Brilliant.

Never has a descent into alcoholism, a tortured psyche and a shattered heart been so hilarious. Ed Driscoll has a genuinely twisted voice, as is evident on every page of this unflichingly honest memoir. Finally, a survivor who retained his sense of humor, and an unparalled one at that. I highly recommend this book as an inspriation to those who share a similar struggle with Ed, and to those who don't drink enough but are looking to laugh their heads off.

If I could own only two books, one would be my Bible and the other Ed Spielman's remarkable biography of Joe Greenstein, a.k.a. The Mighty Atom.

Here was a man who exalted in life, exuded life and understood life far, far better than most.

Do you have problems in life? Who doesn't? After you read this book you will be able to take to heart the words of the Atom's protege, Slim Farman: "I never had to prove to him that I was somebody. He told me I was."

And the words of Joe Greenstein himself: "There is no such thing as a little man, and nothing is impossible."

Whatever it takes, GET A COPY OF THIS BOOK!

I simply can't say enough good things about this incredible story. If you love weight-training and strength sports, if you want a snapshot of a nearly forgotten part of early 20th Century American life, if you wish to be inspired, read this. You will not be disappointed.

My good friend, knifemaker and martial artist, Ernest Emerson reccomended this book to me. All I can say is, "WOW!"

This is one of those books that will change your life and the way you lok at things. A blend of the old world and the new.

As one reviewer said, this would make an excellent movie. It's the story of a virtuous man and his relationship with his family and God and the amazing things he could do in spite of his small stature.

Unfortunately the book is out of print and the high prices reflect that. It is still worth it nonetheless! Grab a copy if you can find it!

In his prime, Joseph Greenstein was the world's "strongest man" physically and billed as 'The Modern Hercules,' 'The Young Sandow," and 'The Ancient Samson' all in one -- The Mighty Atom, though he never did fly out of a canon. He rose from the ghettos of Poland, in Eastern Europe, to become the most famous of the weightlifter-strongmen ever.

He was a slim 5'4" body builder, weighing in at 145 pounds; the photo shows him as a young man showing off his becepts. In vaudeville at the Apollo Theatre he was billed as Joseph Green. He looked like a freak in bushy hair and Tarzan outfits complete with matching headband and funny looling shoes which strapped up his leg to the knee. That must have been the style in 1909. In his act, he straightened out hourshoes, crushed spikes in his hands, even had strong teeth -- bit through iron bars.

He used Asian techniques of concentration, Jewish mystical writings, and a natural begetarian diet. Who said it akes eating meat to make one strong? He later developed a more balanced body physique. Joseph appeared on Coney Island, the playground of the world, as shown in the movie, 'Inside Daisy Clover.' At Madison Square Garden he put on a martial arts show.

We all have an inner strength with the potential of a brick-wall. It doesn't take meditation to surpass hurdles, but a strong-as-iron determination to prove you're right. When I started out in PTA as a young mother, 5'l", 97 lbs., as a local unit president, I was given the honor and silver platter from the female school principal who called me a "brick-wall." Unlike those who preceded me, I did not acquiese to her rein over fund-raising profits. We paid for necessary items such as a paved area and playgfround at the school but would not finance building repairs -- that was the responsibility of the school board. I learned my speaking ability by appearing before them (and getting my way through friendly persuasion) on occasion, and conducting the PTA Meetings. As Regional Director, I visited and informed units throughout thirteen counties, which included the famous Tullahoma, Tennessee -- near Lynchburg.

Joseph was such a sensation that articles about him appeared in 'The Sun,' 'New York Journal,' 'New York American,' 'New York Telegram,' and 'New York Post,' as well as 'Buffalo Evening Times.' He proved that sometimes little is big and here's great strength in small packages.

Finally acknowledging his Jewish heritage, in 1978, he appeared with his protege, Slim Farman (who towered over him), in a black tunic with a Star of David over the chest. He was an old man, age 85, with white hair, beard, and mustache. He had achieved "the impossible."

Ever heard of man bite through tempered iron with his teeth...or hang from an airplane by his hair? Just because you may not have heard of Joseph "Mighty Atom" Greenstein or his accomplishments it does not mean you should ignore this book, quite the opposite in fact. I got this book as a young child in the 1980's and have read it many times. A riveting and inspirational read. Anyone interested in sports, martial arts, nutrition, spirituality or just looking for a self help guide would be wise to read this. A fascinating life with lessons for all of us...not just philosophical but practical too. Joseph Greenstein was not only the strongest man in the world, he was a giant of a character...raising a large family and much money for charity, providing health lectures and products for thousands of poor Americans. If I had just ten books on a desert island this would be one of them.

I picked up this book on a total whim. The saying is that you can't judge a book by it's cover, but sometimes that's more true in the metaphorical sense than reality. I admit, I judge books by their covers nearly every time. Some good cover art, or even something clean and simple, and I want to read the back or inside jacket. This cover caught my eye. It's very Playbill meets that Blind Melon video with the little girl in the Bee costume. (No Rain? Maybe? I think? It's been too many years since I've watched MTV and I doubt they'd ever play it anymore anyway.)

It's more than a cool cover, though. It's hopeful, and funny, witty, down-to-earth, and SO inspirational. It's more than a coming-of-age story, because it's also a story of success. It's a true testament to the grit that comes with knowing what you want and being too stubborn to settle for anything less no matter what obstacles are in your way.

This could've been featured in our Biography section, but is reviewed here for its insights on how a Broadway star made it big - despite her lifetime weight problem. Sharon Wheatley weighed over two hundred pounds by high school, but never stopped dreaming of a career on Broadway. Her journey and reach for leading roles would take her to the top and 'TIL THE FAT GIRL SINGS: FROM AN OVERWEIGHT NOBODY TO A BROADWAY SOMEBODY - A MEMOIR tells how.

Diane C. Donovan
California Bookwatch

I am a tall thin straight Male who thought that I might not really understand where Sharon Wheatley is coming from. Her story is so great that you don't have to be over weight to understand where she is coming from. This book is funny, thoughtful and true. It is a worthy read and it is great for anyone who has ever had the need to feel wanted. A GREAT READ AND A GREAT BUY!

It is Amazing what has happened in the first part of her Songbird Sharon's life.
Her memoir is a testimony about whatever life throws at you , you can overcome it. I think we can all identify with mean kids, horrific embarrassing moments, and blaming yourself for things you don't understand.

It is one of the sweetest, saddest, and most inspiring books I would recommend. Hooray for the Songbird aas we look forward to Volume 2 and all its successes!!!!!!!!!!!!!!!

I would have picked a different title though- I have known you 35 years, and you were never a "nobody". And how could you sing the Sound of Music to Chopin, Mozart, et., al.???

You did not mention Patrick- the meanest dog in Cincinnati???!!!

I loved this story! It opened my eyes to a problem that I really wasn't tuned in to. An important story to tell. Not only that but I think sometimes we as individuals feel so alone, like we are the only people with problems, Sharon's story of overcoming adversity is a REAL inspiriation.

THIS BOOK IS GREAT!! I CAN READ TH BOOK FOREVER AND NOT GAT TIRED OF IT!! WELL MAYBE BUT AFTER ALL IT WAS A GOOD BOOK YOU SHOULD BUY IT RIGHT NOW!!!!!!!!!!!! OK THATS ALL I HAVE TO SAY BYE!

For anybody considering to buy "Totally JTT", this book is excellent. It goes through with you everything in great detail, including how his work got started, up until Tom and huck. The book was published in 1996, so obviously you will not get all of his credits, because he has done such a lot more since then, but it does have a fabulous chapter on "girls". You can compare how matchable you are with him, and also a very interesting chapter on his character, Simba in the Lion King. The best part about this book is the eight pages of exclusive pictures included, and pages and pages about his T.V. series Home Improvemnt, which began in 1991, and ended in 1999. All in all, you get a great package of his achievements, and a fact file at the end to finish it off. There is a second book to this one after you have read this, but I cannot find it anywhere. It is called "Just when you knew everything about JTT". Anway, i've rambled on way too long, Happy Reading!

this book includes gobs of intresting information that can catch any readers attention even if you hate jtt it has articles on other stars such as tim allen and pitricha richerdson

This book has everything on Jonathan Taylor Thomas from birth to age 14! It even tells you his daily schedule from when he wakes up until he goes to sleep! A must-have for JTT fans! Now if only the author would write up-date book on Jonathan!!

Whether it's his adorable hair styles, or his puppy dog smile -- what's not to love about Jonathan Taylor Thomas ("JTT" to his fans, like me)?

"Totally JTT" does a wonderful job of covering every aspect of JTT's personal life and career. From "Home Improvement" to "The Adventures of Pinocchio", you'll learn a number of exciting facts (he secretly resented "Home Improvement" co-star Zachery Ty Bryan), and some shocking revelations (he likes musical theater and interior decorating).

If you've ever wanted to know what it's like to be JTT, "Jonathan Taylor Thomas: Totally JTT!: An Unauthorized Biography" is the book for you.

This is an awsome book. IT had great detail and kept your mind on the book. It was like Vestal was your best friend sitting next to you telling you her life story. I read it as a Vestal fan but, it's great forany reader of any age Christian or not this book will show you Vestal's life(much like ours)hasn't been filled with mountian top expierances it will make you look at her in a totally differnt way weather you love Vestal or just love to read you will enjoy this book.Happy Reading!

This is one of the best books I have ever read.It is very hard to put down.

I have read Vestal! three times now, and find more things each time I read it. This book can uplift you when you are at your lowest point. Vestal's experiences and the things that she has gone through was enough to bring even the strongest man down without the faith and belief in God that she possesses. She is not afraid to let the readers know that without God and strong faith and belief she would have survived her journey. She is an inspiration to everyone in her book and in person.

I have admired Vestal Goodman for years, especially because of her former hairstyles. I read this book and could not put it down. I understood how her life had come up from bootstraps and how time and time again they were desolate and had nothing but the Goodman Family and faith. Vestal was honest and frank about several relationships and theology. She did not mince words on anything. Vestal wrote this book not to impress anyone but to honor God.

This is such a delightful, inspirational book that I chose to review it for a couple of the Round Table groups in our church. [These are groups of Christian women who meet monthly at a member's home for a book review, prayer-and-share time, food and fun.] I included a couple of video clips of her singing and praying. Vestal and her husband Howard (both recently deceased)led amazing lives full of faith and miracles as well as hardships and disappointments. They trusted God to meet their needs and he always did. They experienced miracles of all types, including physical healings. I "met" the Goodmans years ago on television and became "reacquainted" when they began appearing on the Gaither Gospel Concerts (live, video, tv) in 1991. Like the rest of Vestal's fans, I was attracted to her clear, strong, one-of-a-kind voice, and the sweet spirit that showed on her face with a special glow when she sang. I'm thankful to have been able to see and hear her in person in Dallas in 2003 just ten months before she died. Vestal always gave glory to God and Jesus when she sang. She was a spiritual advisor to hundreds of people including celebrities such as George Jones, and was known as a great Prayer Warrior. She had a wonderful sense of humor, and I laughed out loud at some of her stories. The book includes pictures of the Goodmans (and others) through the years. It's a special book that stays with you. I keep telling my friends about different stories from it!