Entertainment Books

Necessity for the Dean Martin fan to read. Lots of personal pictures and a view of personal family life.

This is certainly a book for Dean Martin fans. I have read memories are made of this by Deana and although this book is nowhere near the quality or caliber as her book, I would recommend this book. This book was pretty much just info. He didn't delve into much emotions as Deana did but it makes me wish some of the other kids would put their thoughts to paper as well! Enjoy this good book!

RICCI MARTIN SEEMS LIKE A REAL NICE GUY , BUT THIS BOOK ON HIS DAD IS ONLY OK..IT SHOWS HIS LOVE FOR HIS DAD AND MOM AND THATS GREAT, BUT ITS WRITTEN LIKE AN EIGHT YEAR OLD TYPED IT UP. I GUESS HIS WRITER WAS UNTALENTED.THE ONE THING THAT BOTHERS ME OF THESE BOOKS IS THAT THE OFF SPRING DONT KNOW ANYTHING OF THEIR DADS CAREER.JUST LIKE THE CASH KIDS AND THE CROSBY KIDS AND THE SINATRA BROOD THEY DONT KNOW THEIR DADS CAREER SO THEY MAKE IT UP.IN THIS BOOK HE WRITES HIS DADS BEST BUD MACK GRAY WHO ALWAYS CARRIED A LARGE MANILA ENVELOPE HAD CIGARS INSIDE.THIS IS LUDICROUS!!! EVERYONE KNOWS AND HIS SISTER KNOWS THAT MACK GRAY CARRIED PERCODAN AND PERCOSET AND OTHER BARBITUTES THAT SADLY DEAN NEEDED THROUGHOUT HIS LIFE.IF YOU ARE GOING TO WRITE A BOOK TELL THE TRUTH.STILL I WOULD RECCOMEND THE BOOK.

This book was a great read. Ricci Martin worte a great book on a beloved man, his DAD, and I am sure Dean is very happy with this book.

I thoroughly enjoyed reading this book. I felt that it was honestly written and I could actually get a sense of what it was like to be one of Dean Martin's children. I always knew that Dean Martin was a loving, nurturing and caring father and this book just reaffirmed that for me. Thanks to Ricci for doing a WONDERFUL job with allowing his readers to share in his memories with his famous Dad. After reading this book, it is very apparent to me that Dean Martin was the complete package: a GREAT entertainer, singer and movie star, and above all else a wonderful person and loving and caring father. He really was the type of person that he depicted and the person that we welcomed into our living rooms every Thursday night and with every opportunity we had to watch him on TV. Thanks Ricci for writing this book and making it one in which WE ALL REMEMBER.

Susan D. Fong - A Faithful Dean Martin Fan For Life

I love this book. It is funny, touching, memorable, humble, inspiring and all together delightful. I don't like Della's singing, don't know much about her acting. What captured me is her marvelous personality, her smile, her uncommon commonness. There are parts of this book I will carry with me to my grave.

Della Reese is like a streetcar to ecstatic experience. She knows the way to abundance consciousness and she will stop at whatever stop you need to get you there, because it's on her route. This is no airy fairy lady. She tells it totally like it is in this earthy, raw, absolutely beautiful and hilarious tale of her life adventure from Detroit's "Black Bottom" slums to the hills of Bel Air.

If you have ever felt excluded or ridiculed, had a jones for the wrong person or the wrong lifestyle, suffered a broken heart or known there was something great in you, no matter what anyone had to say about it, her words will pick you up and put you right on the trolley!

Like her early mentor, Mahalia Jackson, she fills herself with God-Essence and breathes it out sweetly and powerfully, right to your center, taking you on a trip to exactly the place she wants for you, which is home. Where you are comfortable in your own body and where you know that you are loved.

So, I guess that makes her an "angel", her loving word for people who appear with exactly what you need when you need it, like Nat King Cole, Ed Sullivan and many others did for her. In reading her account, it naturally makes you more aware of how people in your life serve as angels, even when you aren't aware of it at the time.

I first Della's voice when I was a hurtin' little kid, hanging on for dear life, literally, seeking solace in in art and music.
Her jazz voice got me and got me good. Her author's voice, like her voice in gospel, blues, "pop", TV and ministry, it is a voice that tells you of the WHOLE journey from despair to full-out happiness. And that telling causes resonance, so you can feel it, remember it and find your own way to it.

Read this juicy, juicy book! "Period. The end."

This book is wonderful! I love Touched by an Angel, and am a big fan of Della's (Have to buy some of her music someday!) This book really captures Della's effervescent, full-of-life, no-nonsense style. It reads just as if Della was sitting right there in your living room talking right to you. It is full of amazing stories and straight talk about her ups and downs professionally and personally, and the one thing that shines through so very clearly is her powerful and strong faith in God and how He and the human "angels" in her life have brought her through. You really feel you get to know her--her personality sparkles in every chapter. I loved this book.

Having been exposed to Ms. Reese's multi talents throughout my growing up years, I just now finished reading her book which covers the time period from her birth until 1997. And I am glad I did!
Ms. Reese is what I consider a "real" person as she is so wonderfully candid in everything she says and does. The story she tells in her book is no different as she recollects even the details in great honesty.
Her story is very inspiring and uplifting as she teaches her life's lessons in the tribulations she forged through.
If you've ever wanted to sit down and have a chat with Ms. Reese (And who wouldn't?) but couldn't, reading through these pages is the next best thing. It's almost as good as hearing her voice right beside you with her words, smooth and flowing.
I highly recommend this flawlessly written book. It is everything that Della Reese is - interesting, witty, inspiring, intelligent, gutsy, full of love and hope and just like her, it teaches straight from the heart.
BRAVO!!!...THANK YOU!!!... and...ENCORE!!!

This is a very interesting book, that makes you want to keep reading and reading. It focuses mainly on her early years and how she started in the music business, then onto her role as an actor, teacher and preacher. The stories of her life make you feel as though you know her on a more personal level. She speaks in very plain language so it is easy to understand what she is saying. Many people can relate to different parts of her life. You would have never expected some of the things that she has gone though. She has been though many ups and downs in her life and is not afraid to discuss them. She is very open and honest and I applaud her for that. This was very informative. This has made me want to read more biographies of other famous people.

I enthusiastically recommend this book to anyone interesting in learning how to play blackjack. Good for beginners, but also has good material
for experienced players. Very easy to follow. Has interesting stories about how blackjack teams operate.

If someone could only buy one book on blackjack, I would highly recommend this one. I have been playing & counting for 15 years. This covers everything you need to be a winning player and then some. It also has something for everyone from the first-time novice to the seasoned professional (including some things I'd rather not see in print).

I have a hard time finding anything that was missed in this book, and it is written in straight-forward, easy-to-understand language. If anything is missing, it is the complex math that bogs down most of us anyway. Blaine instead offers up the best ways to make money, and that is what we are really after (at least me anyway).

Hey its about time a guy put a book together like this*****.

I recommend BJ Blueprint as the first book to read when learning the game. Everything is clearly explained and the stories mixed in are fascinating. Five Star Rating from this reader!

GOOO Train..

Robert

I'm reading "Blackjack Blueprint" for the second time.
It is an impressive tutorial and practice guide for
anyone seriously interested in learning to play blackjack.
Similar to Revere's classic work, Mr. Blaine explains the
basics one must learn to get an advantage playing the game.
Then he offers practice drills designed to ingrain those
basic skills/info, so the new BJ player can perform at a
level to compete with the casinos.
The last half of the book introduces related topics like
BJ tournament play, casino critters, comps, shuffle tracking,
team play, camouflage, etc. All interesting topics for aspiring
advantage players.
Blackjack Blueprint is among the best introductory books on
advantage blackjack play that I've read. It compares favorably
with Revere's and Wong's books, and is more up-to-date.
I don't hesitate to recommend it, and am happy to own it.

This book is without doubt the most well written and entertaining blackjack book around right now. I have read many many books on counting cards and the game of blackjack in general and this is by far the funniest read there is while actually giving really good information on counting cards and the game you must play to be a counter. Blackjack Blueprint doesn't bore you to death with super advanced systems that will cause you to sleep after read each single rule. Instead it's filled with many stories and useful information that are completely relevant to the situation that they accompany. If I were to have one blackjack book this would be the one without any doubt in my mind. I will also add that I don't read for fun at all, I only read books that will give me information and teach me how to do stuff. If all books were this good I would read more then I do.

It was OK, but I wouldn't really reccomend it.

This a great book! Sabrina Spellman breaks a mirror and thinks she will have 7 years of bad luck. But since she's a witch, she only gets 7 days. I think the 7 days were worse than 7 years. Sabrina makes the right choice for one of the spells and gets to see someone she hasn't seen for a long time. Read this book, it's one you'll never forget!

Eight short stories take the reader through a magic-packed, disaster-filled week in Sabrina's life. When a witch breaks a mirror it means seven days of bad luck, starting now! Just when Sabrina thinks she can handle the bad luck, her Quizmaster has picked this week to test her magic powers by sending seven temptations her way.

Poor Sabrina! She breaks a mirror and prepares herself for 7 years of bad luck...until the Quizmaster tells her otherwise. Witches get 7 days of bad luck-right now!

"Well, how bad could that be?" Sabrina wonders.

But soon Sabrina realizes this week, of all weeks, is not going to be what she expected. Something is at work here...something bigger than herself, her family...and her magic!

I love Sabrina and her series of books and this one is one of the best so far. The plot is clever, going throught seven days of bad luck like that and having different Sabrina author write the days up. It was a break from all the rest of the Sabrina novels, usually being so creeply short. No, this one was practically 300 pages long. But don't expect a extended, dragged out story about nothing. This is actually good (Oh, my God!) and interesting (NO!) except for "Smitten", which really didn't include much of a plot. But it is worth reading...

this book is a great addition to this author's other work - a fact-filled compendium of documents and advice for producers and production managers that's simply the best single book about making films professionally.

this book is a bit different, dealing with the other things - personal drive, character, etc.

if you are in the business, you will find something here you didn't know!

You wouldn't know this book is a great marketing book and writers should read this one. The book focuses on the film industry but there is a wealth of information in here about marketing yourself that writers can benefit from. There are some great excercises you can use to start defining yourself and begin your publicity. Whether it is for your book, screenplay or yourself.

As a fulltime industry professional for over seven years in Los Angeles, I can highly recommend Ms. Honthaner's book. If you are moving to Los Angeles or are a resident but want to "up your game", this book is for you. Additionally, it should be a required text book for ALL university level film departments.

I just received this book today, and cannot put it down. Honthaner writes with such ease, it's almost as if she's sitting there discussing the entertainment industry with you. As a recent graduate and an intense drive to make it in Hollywood, this book suits all of my needs in seriously knowing the ins-and-outs of the business. I would definitely reccomend Hollywood Drive to anyone with a similar passion to want to know all and be in the mix of the entertainment industry.

I attended author Eve Honthaner's class at USC in 2004. Titled "Breaking In, Hanging In and Making It," the class gave me all the skills and tools necessary to make it into the film industry in Hollywood. Her encouragement and burning desire to help people succeed in following their dreams translates well from the classroom to the page. For those who don't have 6 weeks and $2,000 to spend on her enlightening course at USC, this book is a real bargain. If you are serious about pursuing a career in Hollywood, "Hollywood Drive" will teach you the importance of networking and all the other skills necessary to get your foot in the door. Using the tried and true methods of Eve Honthaner, I got my first job in Hollywood with Fox -- and many more to follow. I now recommend this book to everyone who dreams of Hollywood and has the courage to pursue that dream.

Ian Hunter's self-titled solo debut is one of the best British rock albums to come from a glam-rocker in 1975. The former Mott The Hoople vocalist attempts to attack the whole rock & roll scenemaking machine, as well as anything honoring false gods, on this CD, and he succeeds magnificently, starting with the opening track, "Once Bitten Twice Shy." Even if the Bethany Hamilton shark attack hadn't happened, I'd still prefer Hunter's original version of this great song to Great White's (named after a man-eating shark) wimpy, Top-Ten-selling remake. Another song here, "It Ain't Easy When You Fall", which excoriates the dangers of excessive self-indulgence, is making me think twice about using wine to toast my grandfather on his 95th birthday, or my grandparents on their 75th wedding anniversary, as well as inspiring me to keep myself looking well in all ways for a young woman whom I met in September, 2007, and for any number of pretty actresses. It's unfortunate that this cautionary recording wasn't a bigger hit here in the U.S.

Ian Hunter makes meat and potatoes rock'n'roll with more than usual head and heart. King of the midtempo rocker, he's turned in some mean ballads as well. The man who penned DIARY OF A ROCK STAR has always been his own best subject, so it stands to reason this deeply personal record would stand among his finest. It also rocks like a #&@*%$! Hunter swings from swagger to intropection while the great Mick Ronson backs him up with articulate arrangements and explosive guitar solos. Ronno's lead on "Lounge Lizard" is one of the nastiest slow burns ever, all drama, attitude and corrosive texture. The album's self reflective core peaks with the remarkably naked "It Ain't Easy When You Fall/Shades Off" before closing with the jubilant "I Get So Excited". When this record (back in '75, remember) came out it was Rolling Stone's album of the month. their headline nailed it: "Ian Hunter professes faith: Rock Saves".

Those who like their Hunter more personal than political should seek out his 2001 indie "comeback" RANT on Fuel Records. It's great.

And for those who like macho rockers dragged kicking and screaming into self awareness, you should check out Bob Mould, Richard Thompson and Graham Parker if you haven't already.

I concur with all the other reviews. This is a below-the-radar masterpiece. If you like classic rock, you'll like this.
"3,000 Miles From Here" is not one of my favorites, but everything else is top-notch. "Once Bitten Twice Shy" is a classic and the collage of "It Ain't Easy When You Fall"/"Shades Off"/"I Get So Excited" is just amazing. I dare you to erase "I Get So Excited" from your brain. Later solo albums from Ian Hunter were spotty and not this consistent.

Ian Hunter's debut solo disk remains, 30 years after the fact, one the the finest albums released during the seventies. Fresh from the breakup of Mott the Hoople and alledgedly, a nervous breakdown, Hunter teamed with Mick Ronson to record some Hoople leftovers and some new tracks.

The album kicks off with three undisputable hard rockers, ONCE BITTEN TWICE SHY (the most famous song from this set), WHO DO YOU LOVE and LOUNGE LIZARD. The ballad BOY is supposedly about former pal David Bowie, and depicts a tale a star who loses touch via fame and drugs. The heavy rocker THE TRUTH, THE WHOLE TRUTH... marries a Lennonesque theme to a crunching rock tune. Ronson solos with a venegence on this one. The album winds down with a triolgy of songs, the poignant IT'S NOT EASY (WHEN YOU FALL), a poem, the touching autobiography SHADES OFF and finally another searing rocker, I GET SO EXCITED.

To me, this was the apex of Hunter's career. Though he had a number of notable albums with Mott the Hoople and a long successful solo career, nothing matches the power, emotions and consistancy of this record. It sounds as fresh in 2006 as it did in 1975!

Ian Hunter by Ian Hunter and featuring Mick Ronson is one of the finest albums to come out of the seventies. Not only are the songs tight, spirited, and well played, but they seem to have stood the test of time. Listening to them now they sound as good as they did back in 1975 when I first bought the lp and wore it out. Though Hunter may not be a 70's rock and roll poetic genius like Bob Dylan or Bruce Springsteen or even Paul Simon, he can still write a genuinely captivating song, as can be heard with "Once Bitten, Twice Shy," "Lounge Lizard," or "Boy."

I absolutely love this album, and I would put it in my list of top ten albums from the seventies, which is a difficult task. I think what makes it so great is the combination of Ian Hunter's songwriting and vocals mixed with Mick Ronson's guitar and production work. Ronson is easily one of the most over looked talents from the seventies, and his work with Ian Hunter is simply devine rock and roll. By all means buy this album.

My friend gave this book to me because the book was "thicker" than what she used to reading, and till this day I still thank her for giving me this book for it is a GEM!!!! I tried reading it on a whim and was hooked by midway through the 2nd chapter. The story was soooo addictive that I neglected my school works to read it; I read it in class while my teachers (I was in high school) lectured. I think what made this story different and why it has made a lasting impression on me was the way Holt expland the time the plot takes place. Other stories have their main characters married or fell in love by 6-8 months (some sooner and some later) but Holt takes you through a journey that took years to happen, and she gave all her secondary characters dimension and depth. I may or may not be making sense in my fascination w/ Ms. Holt's work, but other Holt fans would understand me (i hope :D). I also loved how Ms. Holt created the air of romance without (too much of, if at all) pre-marital sex. Call me crazy but i was sooo into her characters that long after finishing the book, i sometimes wondered how "Fabian and Drusilla are doing now, or how many children did they end up having...etc"

I rank The India Fan as one of Victoria Holt's best. Drusilla is an excellent narrator and as in Holt's best, the romance doesn't blindside you out of nowhere, nor does the "hea" seem incongruous because we're shown Fabian's growth and love for her through their interactions. And as is apparent in most of Holt's novels, The India Fan doesn't stint on the lush, vivid descriptions of Indian life and the massacre at Lucknow.

This is my second Victoria Holt book and it is so beautiful. Although I don't get why saves Lavinia so many times , although she does get rewarded. It's a good thing that Lavinia dies anyway.She defineitly deservered that.But this is a pretty story but not as 'The Silk Vendetta', which is a 10 times better than this . But still it is addicting. I recommend this to anybody who likes romance and mystery . But this one has more mystery and doesn't really tell about the Indian culture that well.

The central character of the book is Drusilla Delany. From her childhood Drusilla's life had been dominated by the Framling's - Lady Harriet, her son Fabian and her daughter Lavinia.

As a child Drusilla had played with Lavinia, and later they are sent away together to a finishing school in France. There Lavinia's wild and wayward behaviour leads them both into trouble.

After marrying, Lavinia leaves England for India, and later Drusilla accepts an opportunity to join her there as governess to Lavinia's children.

Arriving in Bombay Drusilla finds that Lavinia has not learned from her previous disasters.

The story moves between England, France and India and covers the period of the Indian Mutiny against the British in the mid 19th century. It is written mainly in the 1st person.

I didn't think this story would interest me, but I was enjoyably surprised; I think because the story is so well written.

Victoria Holt was one of the pseudonyms of Eleanor Alice Burford. After marrying she became Eleanor Alice Hibbert. Others she wrote under included Jean Plaidy, Ellalice Tate, Kathleen Kellow, Elbur Ford, Philippa Carr. She wrote almost 200 books under these names!

Her books are VERY addictive!

Sadly, most of her books are out of print at the date of this review. Some can be purchased on the Internet or from second-hand bookshops.

This book is AMAZING! Ms. Holt did a wonderful job decribing Drusilla's feelings and the setting in which the book takes place. It's about a vicar's daughter who gets forced into becoming friends with selfish Lavinia Framling and helps her out in many ways ( like helping Lavinia through her pregnency of an ilegimate daughter ). Drusilla is faced with many problems throughout the book. One problem, deciding if she loves Fabian Framlimg ( Lavina's older brother ) who has admitted his feelings for her! This is a book that you will only find once in a life time. If you like Victoria Holt and romantic suspense and mystery than this book is for you! I will read this book probably 100 times and NEVER get sick of it! Yes, that's how good it is! READ THIS BOOK!!!!!!!!!!!!!!!!

Joan Blondell was the eternal wise-cracking dame in so many movies that it is almost impossible to think of her any other way.

But, thanks to Mr. Kennedy's excellent novel JOAN BLONDELL: A LIFE BETWEEN TAKES, the screen image becomes flesh and blood. And quite a nice package as well.

Recounting her story in fast strokes and forgetting about sensationalism and second hand gossip, Matthew Kennedy manages to get all the details about both Ms. Blondell's personal and professional lives into the book at a quick, entertaining pace. After reading about Joan Blondell and her struggles and spunk, you walk away admiring her.

A great book and a definite credit to both the author and his subject.

Matthew Kennedy does an excellent job in bringing to life this lovely, but now largely unsung, Hollywood star. He writes, not uncritically, but also with great affection, of her career and her life, with all its ups and downs. His research is impeccable and he makes the reader wish that he or she had had the chance to meet and know Miss Blondell.

Joan Blondell was a perfectly serviceable actress who played by the rules, obeyed the studios, had an incredibly long career and is largely forgotten today. Matthew Kennedy's new book is well written and extremely well-titled. As illustrated in the biography, Blondell lived for her work, and then lived for her family. Neither was particularly rewarding. From singing her heart out in the early '30s with the Warner Brothers musicals co-starring with Ruby Keeler, James Cagney and future husband Dick Powell, through dishing malts in Allan Carr's Grease, she was a fixture in films for more than 50 years. Yet, by never complaining and doing everything the studios threw at her - and never demanding, let alone getting, a memorable role - she did herself an enormous disservice. Television ultimately offered the actress the best roles, but unfortunately these now exist chiefly in memory. Blondell's selfless personal life was likewise marked by what could be called a loving complacency, resulting in failed marriages with selfish, self-consumed husbands. She seemed almost to be a starter wife, as Dick Powell married June Allyson and Mike Todd married Elizabeth Taylor immediately after being wed to Blondell. If the story lacks intrigue, sex and violence, well, the author is being true to the material. Kennedy is able to tell Blondell's story "between takes" by piling up fact upon anecdote of what was a truly fascinating time. This isn't the most salacious Hollywood read of recent years, obviously, but nonetheless an interesting illustration of how luck and choices contribute to, and create, a career.

Matthew Kennedy's concise biography of Joan Blondell combines first rate writing, excellent scholarship, and both compassion and insight -- traits rarely combined in one volume. His interviews with members of Blondell's family touch on intimate and painful subjects, such as abortion, which Kennedy handles with sensitivity and tact. Since Blondell's career spans decades of entertainment history, we get a tour of American show business along the way. But it all goes down easy. Kennedy knows a lot,and has quite a story to tell. Like his subject, his book is fun to be with, and never boring.

Books on movie stars, and books that aren't published by the big commercial publishers in New York, often get overlooked. JOAN BLONDELL: A LIFE BETWEEN TAKES, is prize material, and Matthew Kennedy deserves big time recognition.

A few weeks after Christmas, my car was broken into. Only hours before, I took this book out to read on my lunch break. Thank goodness it wasn't stolen; it is quite a good read!

Joan Blondell was quite a fun actress, and that goes for the end of her career as well as the beginning. Why? Part of the reason is her work ethic. It sometimes got her into trouble. Her rough childhood made money an absolute necessity, and as long as she was getting paid, she didn't mind taking on several sub-par projects. She wasn't one to complain, and that sometimes kept her from great roles and the recognition she deserved, but she always gave it her all. Her participation in movies like Gold Diggers of 1933, A Tree Grows in Brooklyn, and Grease landed her in the hearts of many generations.

It wasn't just her screen career that was interesting though. She was married to three important and interesting men. She had a son named Norman with cinematographer George Barnes. He was later adopted by second husband Dick Powell, who then fathered Joan's daughter Ellen. That relationship didn't work out, and her last husband was Mike Todd, a man of many faces. These marriages left different marks on Joan who swore off men in the final years of her life.

Matthew Kennedy has done a good job of researching his topic, seeing all but two of her film and television appearances (and one, Convention City, because it is a lost film). He has also done a service to the film industry by celebrating Blondell; she is a significant piece of cinema history who has been largely neglected over the years. Unfortunately, this neglect has made it difficult to dig up information, so this book is not as satisfying as one might hope, but it achieves its goal to celebrate a bright star.

Okay, so you like Blondie, which by the way is a group. Making tracks reflects the band in ways that the fans and the public do not often see. Mostly Debbie is doing the writing here expressing her thoughts on everything from Peter Leeds to touring throughout the world. It is quite a tale especailly in the early days when the group was struggling. The book itself is what I would deem to be a work of art, it describes more than just the rock and roll business it describes on how Debbie and the band actually felt throughout. I as a huge Blondie fan would suggest that you add this gem to your collection.

Debbie's writing style (as ingested and regurgitated by Victor Bockris) is attractrively candid, humorously intimate, and appealingly self-effacing. Debbie tells her story simply and with no frills and no excuses. She lovingly describes details of the CBGB's music scene of the late '70's down to the last detail, with a touching respect for her peers and nary a bad word to say about anyone. includes exerpts from diaries Debbie wrote on the road as well as reformatted material from various obscure magazine interviews circa 1977-1981, but editor Bockris blends it all so well it reads like one coherent monologue. In actuality, Bockris has morfed Harry and Stein's voice into one here, so it's impossible in some areas to know who is speaking. In interviews, Debbie has made reference to a "third" person that she and Stein create when they're together. You might say that person is the true author of "Making Tracks". Travelogue-style photos by Stein skimp on glamour-Debbie but compensate by invoking the environment from which she and the band sprung!

This book consists of photos by Chris Stein-a fair to good amateur photographer-and text by Victor Bockris (a somewhat pedantic writer) of Deborah Harry's ongoing commentary, essentially, of her and her band's history from her childhood to the current state of the band when it was first published circa 1982. I can remember buying a copy when it was first introduced at a mall bookstore which is now a storefront church: I can even remember that the counter clerk's name was Lillian, the name of Debbie's character in the fine film "Union City". (She was less than impressed, commenting that Blondie was a terrible band and that no woman except for Janis Joplin should be allowed in the rock section in record stores. They were very much _record_ stores in those days-I had at that point never seen a CD.)

It's remarkable in that Debbie was as close to a major league rock star as she was ever to be in the United States at that point, and her observations-recorded when Madonna had yet to achieve any success-on fame and media attention are even more notable for the timeframe in which they were written.

The photos are the reason most fans, particularly males, bought the book. Debbie shows off her pert, teenlike assets (at well over 30 she had the body of a high school cheerleader, boyish compared to Jayne, Marilyn or Brigitte but very desirable nonetheless and far more feminine than, say, Jamie Lee Curtis, who was appearing in the altogether in films in that timeframe) brazenly, investigates the world (particularly Europe and the Far East) with curiosity and is shown with many of the rock and film icons of the past and then-present, including Chuck Berry (whom, Deb told this writer, attempted to finger her then), Robert Fripp, Ellie Greenwich, and others. Chris is with Pierre Salinger, Debbie-who never did get to meet her own primary idol Marilyn Monroe-wears a MM dress from "Some Like It Hot", which she bought at the time she and Chris lived in penury. (Sadly it was involved in a fire, it would now likely be worth tens of thousands of dollars-the gown Marilyn wore to serenade JFK sold for a seven figure (US$) sum.)

This book in short is a delightful piece of fluff from the era which still will fascinate fans of Blondie and the New York scene in those years. It's not a serious work and won't change anyone's life but anyone who likes the tasty rock music of Blondie, the underrated vocal and acting talents of Deborah Harry, or is fascinated by that place and time for edgy popular culture will enjoy this.

I purchased this book when it first came out in 1982 and am glad to see it's still in print. It was very hard to find back then. "The Rise of Blondie" gives an fascinating history of Debbie Harry-her childhood, what her high school years were like, how she moved to NY and began her music career, then meeting Chris Stein and getting together with the other band members. There are many unknown, humorous and interesting facts about the group's early years. The pictures are great, also. If you are a diehard fan, like me, this will become one of your favorite books. I highly recommend it!

"Making Tracks: The Rise of Blondie" is a unique book -- part road diary, part band memoir. Rock biographer Victor Bockris teamed with Debbie Harry and Chris Stein to produce this book, a quirky and enlightening view of Blondie's rise to fame. Good anecdotes, wonderful pictures, and an intimate look into what it was like.

Stein and Harry first give us a glimpse of their early lives and childhoods, and then the events that propelled them to the music biz, including early band stuff (like the Stillettoes). They lived in cold apartments run by very strange people (sometimes smoking even weirder stuff), were saved by the cats, performed in the legendary CBGB's, and swirled around the music scene with the Ramones, Television, the Kinks, and now-extinct punk journalists. Then they hit the big time, jetting across the world and clinging to their rough edges.

Harry and Stein have not a single bad thing to say about their musical peers, only pleasant camaraderie. Harry's quirky wit is an easily-acquired taste; she's straightforward and dryly humorous. The parts that are more clearly Stein are a little less vivid to read. At times it's easy to get lost in the prose and forget which is which, however. What's more, the stories are less focused on the perks of fame than on the day-to-day life in a band.

The only problem is that at times, it's necessary to skip back to figure out who the heck so-and-so is, and what connection he had to Stein and Harry. However, Bockris does an excellent job of slipping in articles and written anecdotes by Harry. While the result gets a little bumpy at times, it's overall a smooth ride through the years.

The pictures are a mix of stylized publicity shots (like the pouty "Punkmate" picture) and candids. The candids are wonderful, ranging from Harry wielding a hammer in Japan to a window riddled with bullet holes to makeup for a Giger-inspired music video (truly eerie). The pictures seem spontaneous and natural, and the grubbiness of some of them gives a better idea of what it was like to live there. (Not to mention posing with the Ramones, Nancy Spungeon, Bill Murray, Joan Jett and others)

"Making Tracks: The Rise of Blondie" is not merely for Blondie fans, but for fans of now-classic rock and good music. Witty and humorous, with dozens of great photographs, this is a treasure.

I have read many books on Mary Pickford but this one was by far the best. I was able to learn about tid bits that I have not seen published in other books. I also felt that while I was reading this book, that I was actually reading about her, herself, not just somone telling a story in order to sell a book. I would reccommend this to anyone who is a fan of hers or silent movies.

This book deserves 5 stars for the pictures alone. They are so big and clear of this beautiful motion picture actress from the silent screen. The text is what I was somewhat disappointed with. There was a lot of technology that was mentioned that I don't really care about. However, the author did bring in little anecdotal details about what was happening to Mary at the time she was making every picture. Picture details also were described-like the arm band her brother, Jack, was wearing indicated that his wife, Olive Thomas, had died. This was very interesting. This book is not a real biography; it is more a filmography and all of Mary's films are written about. My favorite part was the pictures and the picture details, however!!! Great book!

England's Kevin Brownlow brings to life America's Sweetheart, Mary Pickford, in this richly textured and insightful book featuring a myriad of lush and rare photographs chosen by Pickford expert Robert Cushman. Mary Pickford's contribution to cinema is seen in a new light here. Brownlow subtly makes the case that she not only was the most influential woman in the history of cinema, but a visionary force for the film industry itself.

It is difficult in today's climate of instant access to information to understand just how popular Mary Pickford was in her day. She was embraced by the entire world, and reportedly, every twenty four hours 12 1/2 million people saw her on screen. She perfected her craft in an era of film when very few people actually saw her natural acting style for the hard work and genius it was. George Cukor called her the first method actor.

Mary Pickford's career as an actress spanned decades. She did much for women with her strong business savvy and the roles she not only portrayed, but created. A very practical woman by all accounts, her films themselves reflected our better side as human beings and were often sentimental in tone. She didn't play weak characters as many of her contemporaries did. When people walked out of a theatre after seeing a Pickford film, they were often uplifted, feeling generous towards their fellowman.

Brownlow has done a wonderful job of bringing Mary Pickford to life as a three dimensional human being. With all the rare and beautiful photographs here to distract you it would have been easy to have an uninspiring text. But the introduction by Cushman and the lengthy and insightful comments by Brownlow, which includes commentary on each Pickford film, makes this a mesmerizing journey into a life, both on film and off.

There were many things about Mary the public knew, such as the famous Pickfair and her celebrated marriage to Douglas Fairbanks, as well as their friendship with Charlie Chaplin. They knew little, however, of a young girl who virtually had no childhood. Before her career finally took off she was poor in the extreme, sleeping in a chair so long it would take quite some time after owning a bed before she could sleep in any other position.

Some knew of her first marriage to actor Owen Moore, but few knew he was an abusive alcoholic who would drive Mary to seek comfort with actor and director James Kirkwood. They certainly did not know that in 1917, at the height of her fame, Mary almost committed suicide. Though these aspects of Mary's life are only touched upon and not dealt with in depth, it is admirable they are here at all, separating this from other coffee table books.

The photographs are so stunningly beautiful (some never before seen) you may have trouble concentrating on the text. Of particular note are photographs on pages 110, 65, 17, 12, 27, 154, 121, and 66. They are not to be missed.

This lush and informative book, filled with affection for its subject and augmented by rare and breathtaking photographs, is a must own for anyone who loves film. Its overall perspective of America's Sweetheart, and ultimately the world's sweetheart, Mary Pickford, is unmatched. Pick this one up today!

This book is not only a great coffeetable book, full of gorgeous photographs (proving yet again that b&w photography can sometimes be even more stunning than color photography), but also a valuable addition to one's personal library. In addition to all of the great photographs, there's a wealth of information on Mary Pickford--synopses of her films, information on the making of all of her features, information on how Mr. Brownlow came to meet Mary in the mid-Sixties, how these wonderful photographs came to the Academy Library, her career at Biograph Studios in the Aughts and early Teens, and information about her life off-camera. Although since this book only covers her film-making career and not her entire life (it's not meant to be a comprehensive biography), it ends in 1933, with her final film, 'Secrets.' There's so much fascinating information in here, facts that the average fan might not be aware of, like the fact that, even though she was famous for playing little girls and teenagers, she didn't play a little girl until 7 years into her career, and only played a little girl throughout a film in relatively few of her films, or the fact that the reason she wasn't able to have biological children was because of a scene in 'Caprice' (1913) where she had to drag a woman who was much larger than she out of a burning building, which caused serious internal injuries and a bad illness. That wasn't the only time she risked life and limb in pursuit of her art, in these early days when many actors literally put their lives on the line to do stunts or play certain scenes.

Although Mr. Brownlow does have an evenhanded approach to the films, praising them when he feels it's merited and criticising them when that is felt merited, while throughout demonstrating great respect for his subject, the reader shouldn't be made to feel as though these are authoritative opinions. I disagreed with his opinions on some of her films or some of the scenes in them, although generally his comments and personal opinions are kept very professional, not like an overly gushing fanboy or an extremely hard to please critic. One should also be warned that some of these film synopses do contain spoilers; it's one thing to detail the plots of her lost films, since we're never going to be able to see them anyway (though hope springs eternal), but it seems kind of unfair to give away crucial plot details or to basically describe the entire plot instead of just giving a synopsis. One might want to watch all of her major films before reading this if one doesn't like to have the endings or crucial plot details given away. That's a good idea anyway, since this book serves as a valuable companion to the films, providing more insight and background on films one is already familiar with or wants a deeper understanding of.

Like all of Mr. Brownlow's other books, this one too is wonderfully-written and is a great addition to one's library.

If you know nothing else of Mary Pickford just remember that she was an actress who's like we have never seen before nor since-someone without peer.
Born Gladys Smith in Toronto,Ontario,Canada she had a very tough childhood and in her very younger years found herself having to help support her family.These times were to steel her temperment and as she entered into show busines(on stage) her confidence grew as did her determination to succeed for her family and for herself.
In a few years time she had become very successful plying the "boards" of many major and minor vaudeville and playhouses in North America.When she stepped into the Biograph studios in New York City looking for "temporary" work between stage jobs and was introduced to legendary director DW Griffith,fate stepped in and Mary was to pretty much play out the rest of her acting career in front of the camera.
She was to go on to turn Hollywood on its collective ear obtaining more money,power and success no other woman before or since has ever achieved there.She could do it all and DID it; everything from tragedy to comedy and everything in between.
I recommend the reader purchase any of the DVDs now becoming available of her works.
In the meantime purchase THIS wonderful volume of her life in pictures annotated by film historian Kevin Brownlow.Handsomely bound and chock full of pictures dedicated to the first and best "America's Sweetheart".