Entertainment Books

I have briefly looked over some biographies about Marilyn Monroe and have got upset, but this book is the most touching I have read. There is not much truth that is told about the great baseball legend Joe Dimagio and his love for Marilyn. However, it is the Hollywood industry that makes up lies and untruths about her in ruining her image. We need to give credit to the author for being a caring and generous man who deeply respects Marilyn's memory. She would be in approval of this book because it can help her rest in peace. People need to know the truth and should really get to know that she is a good lady.

More than 600 books have been written about Marilyn Monroe since her death in 1962. While most of them have focused on the theories surrounding her apparent suicide at age 36, author Gary Vitacco-Robles focuses his new book on the actress' last home. Cursum Perficio: Marilyn Monroe's Brentwood Hacienda/The Story of Her Final Months reframes and redefines Marilyn through the context of her efforts to establish a secure home following a childhood spent in a succession of foster homes. The author theorizes that the actress was trying to correct her past by putting down roots of her own. While several previous authors depict her final months as tumultuous, Vitacco-Robles provides evidence that suggests Marilyn was trying to pull her life together and give it some personal meaning. During the spring and summer of 1962, Marilyn embraced her newfound domesticity by pulling weeds in her garden, writing recipes in her copy of The Joy of Cooking and actually using the pots and pans in her kitchen. The book contains actual photographs of the house, interspersed with realistic renderings of the home by artist Brandon Heidrick. The author divides the photos and illustrations with floor plans for each room and includes pictures of an architectural model that depicts the entire property as it appeared in 1962. After she purchased the 2,300 square foot house, Monroe began extensively researching authentic Mexican design, landscaping and furnishings in an effort to slowly transform it into the home of her dreams. She arranged for an 11-day trip to Mexico where she painstakingly selected fabrics, tapestries, painted tiles, pottery and art. Monroe met the native artists who had made by hand the objects that she would later display in her home. Vitacco-Robles is donating a portion of the royalties from sales of this book to Hollygrove Children and Family Services, formerly the Los Angeles Orphans Home Society, where Marilyn Monroe lived as a child.

There has been some confusion about the second edition of this book and the sales information on this site. According to the publisher, Iuniverse, the hardcover edition offered here is actually a "second edition" released in October 2003, although the release date printed is still listed as 2000. This is because it is a "re-do" under the same title previously released by the publisher. The new second edition cover for the paperback and hardcover depicts Marilyn standing beside the gates of her home and sell respectively for $20.95 and $30.95. The first edition was only published in paperback with a different cover for $11.95. The publisher says that vendors will continue to sell the first edition paperbacks until supplies depleted. The second edition contains new images, new chapters, re-worked chapters and information not included in the first. Having seen this book, the quality of photo reproduction in this new version are far superior than in the first. It also includes professional, "photorealistic-style" illustrations by artist Brandon Heidrick depicting the interior and exterior of Marilyn's home and furnishings. The images serve as a "virtual tour" of Marilyn's last home similar to the author's website.

I've been confused about the second edition of this book and the sales information on this site. Having spoken with the publisher, Iuniverse, I learned that the hardcover edition offered here is actually a "second edition" released in October 2003, although the release date printed is still listed as 2000. This is because it is a "re-do" under the same title previously released by the publisher. The new second edition cover for the paperback and hardcover depicts Marilyn standing beside the gates of her home and sell respectively for $20.95 and $30.95. The first edition was only published in paperback with a different cover for $11.95. I understand that vendors would continue to sell the first edition paperbacks until supplies depleted. I have both the first edition and second. The second edition contains new images, new chapters, re-worked chapters and information not included in the first. The quality of photo and illustration reproduction in this new version are far superior than in the first. All around, it is a better product and a great, new look at a lasting legend!

When I first received my copy of Cursum Perficio: Marilyn's Brentwood Hacienda, I wasn't sure what to expect. Much to my surprise, I was enthralled and fascinated by the details of Marilyn's final months, so eloquently chronicled by Gary Vitacco-Robles. Void of any media hype and speculation about the cause of her death, Vitacco-Robles explores how Marilyn searched and found the perfect place to call home...a respite from the choatic life she led in the media spotlight.
You will journey with her as she went on shopping sprees for furnishings and ornaments in a quest to make the only home she ever owned a reflection of herself.
The book contains a vast collection of actual photographs, as well as impressive photo-recreations of the home's interior as it looked in 1962 and now.
I applaud Vitacco-Robles for a superb testamant to the woman so many longed to know. This book reveals a whole other side of Marilyn that has never been revealed.
A MUST HAVE for any Marilyn enthusiast!

Good Book, I wish it were updated & re-released!

Finally after all these years we have a book that tells us everything we ever wanted to know about the queen i love my copy since i got it a few weeks ago i've read it fron to back and found out some truly interesting things that i never even knew...hell i always thought i was an expert on Madonna but after reading just a few chapters i realised how little i knew about one of the most contoversial, and diverse women in the business today all the info in this book just go to show there will never be another that could come close to filling her shoes or have the global impact shes had
there never has been, never will or could be another MADONNA!!

Okay. So I bought this back when it came out in 1995. I remember reading it and thinking, "SO, there IS a fan out there that knows almost as much as I do about Madonna!" Although there is a lot of opinion expressed throughout the book and some missing detail, it is a book worthy of your shelf or coffee table. It may be outdated since Madonna has morph like fifty million times since this book was published. It still is a great book to ahve around, even if for camp purposes.

There are literally thousands of books that have been published over the years about everyone's favorite Material Girl. Regrettably, the vast majority of these books are incredibly sloppy and aren't even worth lining my birdcage with. But the "Encyclopedia Madonnica" is very unique. This is the most accurate book ever written about Madonna which is also the most informative and detailed. The author, Matthew Rettenmund who wrote this for fans from a fan's prospective speaks to the reader in both an entertaining and enlightening way. You will learn so much about a woman who everyone already thought they knew. My only complaint is that this lists the documentary "Blast 'Em" as part of Madonna's filmagraphy. I'm not sure why the author did that because "Blast 'Em" is not a Madonna movie or a movie that she agreed to appear in. It just includes clips of her being stalked by photographers and as a fan I looked for this movie for years simply because I wanted to have every single movie that she appeared it. When I finally got it I was very disappointed to learn that it was not one of her movies and perhaps it was simply an error on the author's part. If you're a fan who wants to read about Madonna there are really only 3 books you need to get. Besides the "Encyclopedia Madonnica," I also highly recommend I Dream of Madonna & The Madonna Scrapbook.

Matthew Rettenmund certainly has done his research. Encyclopedia Madonnica is the most informative book about the Material Girl that has ever been published. After reading this book, you will truly know everything there is to know about the most famous woman in the world. Well-written and organized, it's also chock full of often hilarious tid bits and witty rejoinders. Mr. Rettenmund should do an updated version of this book, to cover the years 1995 to the present. If you love Madonna, then you simply must own this book, along with Michael D. Craig's "Who's That Girl? The Ultimate Madonna Trivia Book!

My 2nd bio this month on Grant. I had seen some recent favorite movies of his. I'm certainly not an unbiased Grant fan; I have always loved his movies. I liked this book because of so many direct quotes by him. Assuming thsee are factual it gives you a great insight into his shy character which I had missed some of in the first bio I read. He was a great actor but had a sensitivity side that I had never seen. Nicely laid out. I'm more a fan now than I was!

"Evenings with Cary Grant" is the most incredible book. A sort of documentary on paper, Nancy Nelson uses an interview/intercut format and cleverly weaves a narrative through the most revealing and often amusing anecdotes. Cary Grant talks and then Gregory Peck. Katherine Hepburn says something, and then we hear from Audrey Hepburn. As one reviewer said, "When you get to the end, you feel as though you've lost a good friend." Nelson uses no conjecture or supposition. All her sources are primary. An announcement in a recent Sunday "New York Times" said that Nelson will speak about "The Cary Grant Few People Knew" at The Metropolitan Museum of Art on June 15. I've got my ticket!

Like other reviewers, I'm a big Cary Grant fan. I usually hesitate to read about the personal lives of actors because they often lead disappointing lives. But Nelson's collection of stories and personal accounts from Grant's friends introduced me to the wonderful man behind the handsome movie star. I'm looking forward to watching his movies again after reading this book -- there is information from him and co-stars about some of the films that will make it fun to watch them again.

I absolutely love old movies,old stars, new movies and their stars, but I LOVE Cary Grant!!! So I wanted to get a book about him and I always check up on the author and how much they knew about the person they are writing about,and when I saw this book and I had to get it.This Book shows the life of Archie Leach (we know him as Cary Grant)his life growing up,and his rise to stardom,his love life,his friends, and his wonderful sense of humor.I was so happy to find out that the man we all fell in love with was the same in real life that he was onscreen.I don't want you to have to read a long review but I just wanted to say how much I love this book and the writers style.Every body should own this book.It's worth reading more than one time.

It is no easy thing to become so successful in one's career and yet be universally loved and respected as Cary Grant was in his lifetime.

Thanks to the author for focusing on the good of the man and ignoring the rest. He was a good man and that is enough. Ms. Nelson does a good job in giving us an idea of who the man really was--a gentleman who was loyal to his friends, if not his wives...but in the end, even THEY still loved him after it was over.

My only disappointment (not the author's fault) was to find out that Cary Grant hated "Arsenic and Old Lace," one of my favorite movies.

Lamb Chops...What do lamb chops have to do with this story, well everything! Lamb Chops is the vaudeville routine that brought fame to this comedic duo in the late 1920's. I have the link to a You Tube movie short that was filmed in 1929 for this popular routine here. ( http://www.youtube.com/watch?v=kzFcsdgkg54 ) In this clip and others that I've seen with Burns and Allen, I think Gracie is the reason that they had so much success. She was so natural in her role as the "ditzy dame". She was good if not one of the best funnymen to a straightman role. This book takes the reader back to the waning days of vaudeville and the beginnings of film, radio and television as the new media for bringing entertainment to its audiances. George Burns takes us back down memory lane with a personnal love story that lasted nearly 40 years. His memories include many places and friends that I as a reader enjoyed visiting. I don't read love stories usually, but this love story is one that I enjoyed and won't soon forget.

In our disposable transient society of today, it is a refreshing change to see a love and a marriage that lasted so long. As time goes on, it is becoming an even rarer event.

In this book, Mr. Burns fondly remembers his wife, Gracie Allen. The stories that he tells about her, how they met, and how they managed to stay together so long were interesting to read and entertaining.

I would recommend this book to all ages. It is easy reading and also tells somewhat of the history of vaudeville, radio, television, and movies.

If you love old Hollywood, read this book. If you loved George & Gracie, read this book. If you want to read a true life love story, READ THIS BOOK. I just love the inside scoop on the old Hollywood that George dishes out. I never knew Cary Grant sold neck ties before becoming a screen idol. Harpo Marx (the quiet one) wanted one child in every window to wave goodbye or hello when he pulled up in the drive. George wasn't all that impressed with Marilyn Monroe.

This book is an easy read and so hard to put down.

Growing up, I really only knew Goerge Burns for the occasional television special he would host. Other than that, and his "Oh, God" movie (which came out when I was very young), I was relatively unfamiliar with him.

In the mid 80's, when I was about 10 years old, I found that a local radio station would run old time radio comedies from 8-10pm, and as such, I used to fall asleep nightly listening to the like of Jack Benny, Fibber McGee and Molly, and, of course Burns and Allen.

I finally just purchased this book from and Amazon bookseller about two months ago, and honestly, it's as good a $2.95 as I've spent in a while.

As other reviewers have said, many times bigraqphies can be a bit on the dull side, but George really did well with this. It is an easy read... a page turner. It's very interesting to get more insight on what a great performer she was, and how natural it came to her. One always got the feeling that even though she was delivering her "dizzy" Gracie charater, that underneath that was a very smart, clever person. This book certianly backs that up, and it backs it up with all the warmth and affection George Burns had for his wife.

I thoroughly enjoyed this not only for the story of Gracie, but also as a way to look inside the life of an entertainer at that time. I neverquite understood before what it was to work the vaudeville circuit, but there is a ton of insight in this book.

This is a must read for even the most casual fan of old time radio and the celebrities of that era.

I glanced at the reviews here to see if my opinion of this book was just a fluke, but they pretty much bear me out. I didn't expect this book to be nearly as good as it is. On second thought, though, it's not that surprising. This pair was magic and it was seen in everything they touched, the prime and lasting example being the without parallel Burns and Allen Show.

Burns and Allen successfully weathered many storms, making the transition from Vaudeville and stand-up comedy to radio and later to television. The earliest TV shows are the only ones available on DVD, but in later seasons they really hit their stride. In this hilarious and ground- breaking show, George would turn on the TV in the den to see what Gracie was doing, and regularly chat with viewers about events in progress. Gracie would walk in the wrong side of the set and regale viewers (or listeners) with non-stop comedic patter, malapropisms and surrealistic humour (ala Ernie Kovaks) with George as the straightman and pinnacle of style puffing his ever-present cigar.

Even as an octagenarian he could still act (Oh God, You Devil) but as a nonogenarian (92) he could still write. This marvelous memoir is not only the most delightful reading I've had in a long time, but makes me all the more want the Burns and Allen show on DVD. This book was a bestseller in hardback, but is now unaccountably out of print. Yet many readers would love this book, and would enjoy making the acquaintance of the remarkable Gracie Allen.

Don't look at this with the eye of a photo critic or you may miss the magic. This is an intimate glimpse into the life of Sammy, his family, friends, and acquaintances as only someone "on the inside" can capture.

A wonderful book!

an amazing collection of photos that serve as a historical and entertaining view of the times he lived through.

This book is so fun. It has so many candid great photo's, really intresting history on Sammy Davis Jr. and his relationship's. I really enjoyed this book. Great coffee table book.

I originally picked up this book as a curiosity and found its links to a bygone era utterly fascinating. The subject matter, i.e., rat pack photos were wonderful but the photographic mastery of Davis Jr. is, I think, equally as stunning. A look into Davis Jr.'s remarkable life is given by him in the way, like other great photographers, he insightfully choses to document and communicate with his subjects through the lens. Again, like many great photographers, the images are powerful and soft, crisp and dazzling. More talent revealed from a man who had more in his baby finger than most of us have coursing through our entire bodies.
Bravo. Well done.

Few have personified the phrase "self-made man" as did legendary entertainer Sammy Davis, Jr. (1925-1990). The world remembers Davis for his varied and extraordinary accomplishments as an actor, singer, musician, dancer, and comedian.

But hardly anyone outside his circle of friends and family has been familiar with his photography--until now. With this hefty book, interspersed with reminisces by longtime friend Burt Boyar (who co-wrote Davis's autobiographies Yes I Can and Why Me?), his old fans and a new generation can revel in hundreds of images that reveal yet another significant facet of Davis's far-reaching talents.

Though Photo lacks the singular thematic focus of books published by such photographer-celebrities as Dennis Hopper and Gerry Spence, that's no drawback for this posthumously published volume. Rather, it pulls the reader into the exciting world of nightclubs, casinos, and Beverly Hills homes in which Davis moved, mostly from the late 1940s through early '70s. A voracious shutterbug, he took his photography seriously: his compositions are strikingly iconic, employing sophisticated use of line and form. Yet, his pictures are mostly snapshots--in the best sense of the word: they capture their subjects spontaneously, and his joie de vivre suffuses his work. Think of it as a highly stylized family album packed with candid portraits of "Rat Pack" pals Frank Sinatra, Dean Martin, Joey Bishop, Peter Lawford, and Shirley MacLaine, as well as other famous friends like Nat "King" Cole, Tony Curtis, Janet Leigh, Sidney Poitier, James Dean, Marilyn Monroe, Jerry Lewis, and Bill Cosby.

Among the more touching aspects of this book are the portraits of his actual family: his parents, his second wife May Britt and their children, and his third wife (and widow) Altovise Gore Davis. The most poignant are the many shots of actress Kim Novak, the first great love of Davis's life, who was forced by Columbia Pictures studio chief Harry Cohn to break off their relationship (interracial relationships were strictly taboo in 1950s Hollywood, not to mention in society generally).

One photograph, despite its matter-of-fact framing, is particularly chilling. Through the window of a passenger train en route to Miami, Davis snapped a picture of an elderly white gentleman on a station platform holding a cigarette, standing before a pair of double doors over which the foreboding phrase "WHITE WAITING ROOM" is painted. Davis's photographic abilities and inclinations were such that we see a mostly glamorous world through his eye. Thus, when we arrive at this jarring image, it's impossible not to apprehend it from his point-of-view--and also not to feel the sense of injustice that he must have experienced in the Jim Crow South as he clicked the shutter.

As Davis's show business career took off, many venues--even north of the Mason-Dixon Line--were happy to let blacks perform onstage; but the same headliner artists weren't even permitted to drink at the bar, use a dressing room, or occupy one of their hotel rooms. Photographs from Rev. Martin Luther King, Jr.'s 1963 "I Have a Dream" speech at the Lincoln Memorial, and portraits of politician friends Senator Robert Kennedy and President Richard Nixon, give silent witness to Davis's largely forgotten achievements as an outspoken civil rights advocate.

Photo is a coffee-table book that won't spend much time on the coffee table if your houseguests are anything like mine. Because of a car crash in 1954, Sammy Davis, Jr., was left with only one eye. But what an eye this cat had!

"Right Ho Jeeves" was first published in 1934 in the UK, though was first published in the US under the name "Brinkley Court". The book is set in England and features Wodehouse's best known creations : Bertie Wooster and his valet, Jeeves. Bertie is the book's wealthy, good-natured and rather dim narrator. He's a member of the "idle rich" and, rather than having to work for a living, lives off an allowance provided by his uncle. He spends much of his time in the bar-room of the Drones Club, is fond of the occasional wager and has an appalling dress sense. Luckily, Bertie has Jeeves, to look after him. Without Jeeves, Bertie's life would be a mess : he makes an excellent hangover cure, his bets usually win and is intelligent enough to rescue Bertie from nearly any situation. He disapproves of Bertie's more garish items of clothing, and will - occasionally - take it upon himself to deal with the offending item.

The book opens with Bertie's return from Cannes, having spent two months on holiday with his Aunt Dahlia, his cousin Angela and Madeline Basset - Angela's best friend. Arriving back at his flat, Bertie is surprised to learn that Gussie Fink-Nottle has been a frequent caller in his absence. Gussie, an old school-friend of Bertie's, is something of a reclusive character : he doesn't drink, looks rather like a fish, prefers country life to the city and is a noted newt-fancier. Gussie has apparently fallen in love, and has - wisely - taken to visiting Jeeves for his advice on how to win the young lady's heart. However, following a disagreement with Jeeves about a white mess jacket purchased in Cannes, Bertie decides to take over Gussie's case.

By sheer coincidence, the object of Gussie's desires is none other than Madeline Basset - who, after the trip to Cannes, has returned to Brinkley Court (Aunt Dahlia's stately home). Bertie sends Gussie off to the stately home in question - though his motives aren't entirely noble. As well as spending time with Madeline, Gussie will also be delivering a speech at the local grammar school's prizegiving day - a job Aunt Dahlia had intended for Bertie. However, when word comes through that Angela has brokern off her engagement with Tuppy Glossop, Bertie and Jeeves race off to the countryside to offer their support. Naturally, Bertie's attempts to ease smooth things over land everyone in a great deal of bother.

A very easy and enjoyable read.

If there's one thing Bertie Wooster should never do, it's make elaborate plans to bring estranged lovebirds back together.

And he demonstrates just why in the second full-length Jeeves novel, a screwball disaster saga that sees Bertie confidently trying to fix people's lives. Of course, things go horribly wrong, and Wodehouse's arch, nutty look at what happens next is an absolute gem.

When Aunt Dahlia summons him to Brinkley Court for a prizegiving, Bertie sends his newt-fancying friend Gussie instead -- especially since Gussie is enamoured of a girl staying there, the soppy Madeleine Bassett. But when Bertie hears that his cousin Angela has broken off her engagement to Tuppy Glossop -- and his aunt is in need of money -- he rushes down to assist all his relatives and pals by advising them to feign such sorrow that they're unable to eat.

Unfortunately his plan falls through, and they manages to enrage the cook Anatole to the point where he storms out. Even worse, the prize-giving is a disaster and the wrong people end up engaged -- and pursued by homicidally angry exes. Only Jeeves' formidable brain can somehow save the day -- and Bertie's behind.

P.G. Wodehouse made a pretty good living off of spoofing the upper crust of England, and the subtlely intlligent servants who bail them out. "Right Ho Jeeves" is a prime example of his writing -- some small mistakes rapidly balloon out into a crazy tangled mess, which only an intelligent manservant can rescue Bertie from.

Much of the book's charm comes from its complex plot and series of disasters (such as Tuppy's homicidal rampage). And as usual, poor Bertie finds himself the object of young ladies' affections -- in this case, the appallingly goofy Madeleine thinks he's madly in love with her, when she's not rambling about fairies and bunnies. If there's a flaw, it's that Jeeves' final solution is a bit limp.

But Wodehouse's writing is what really makes the book timeless. It's arch and wry, whether he's describing basic actions ("He leaped like a lamb in springtime"), or goofy dialogue ("But if you were a male newt, Madeline Bassett wouldn't look at you. Not with the eye of love, I mean").

Jeeves and Bertie are the perfect comic team -- Bertie is proud, goofy, and not terribly bright, while the quiet Jeeves is a towering intellect with wry wit. And they're backed by a colourful, small cast of nutty aristocrats, schoolboys, sharp-tongued aunts and cousins, newt-fancying fish-faced men, and a girl who talks about how "every time a fairy sheds a tear, a wee bitty star is born." Yech.

"Right Ho Jeeves" is a hilarious, tangled farce of love, money, jealousy, dinner jackets and the mating rituals of newts. Absolutely priceless, from start to finish.

got the blues? melancholia got you in its grip? the prospect of death got you down? jeeves to the rescue! nothing like a good wodehouse read to cheer one up. problem is, the man wrote just short of a million books, and not all of them are good. so where to start? right here, with this book. of all the wodehouse books i've read, this is my favorite, the most consistently entertaining. just what the doctor ordered to smash you in the funny bone and get a smile going on the old face.

If you love Monty Python, Faulty Towers, and the like, you'll love RHJ. The glowing reviews on this page are spot on. This is timeless stuff. And Cecil's reading (if you incline towards the recorded version) is terrific. Laugh out loud funny. I adored every moment!

It is rare that I derive such pleasure from a book, but Right Ho, Jeeves, gave me a delightful surprise. Not only does Wodehouse make an art of the satirical novel, but in the process wraps the reader up in the witty speech of Bertram Wooster and his strange arrangement of friends, family, and butler. Bertram, or "Bertie," as he is commonly known, stumbles through the entire novel with the idea that he alone must bear the weight of being the sole aid to his friends' problems. Despite several attempts at a kind reprimand from Jeeves, his personal servant, ("I beg your pardon sir... What I intended to say, since you press me, was that the action which you propose does seem to be somewhat injudicious."); Bertie continues to give it his best. Among other things, Wooster implements the best intentions while attempting a match between old friends, but with little success: "All he had to do was propose." "Yes, sir." "Well, didn't he?" "No, sir." "Then what the dickens did he talk about?" "Newts, sir."

Despite the playful banter, colorful characters (such as a sensitive French cook), an inept yet lovable narrative voice found in Wooster, and of course, Jeeves, behind all is an incredibly clever satire on the "upper crust," so to speak. Although, admittedly, many readers cannot associate directly with the early-middle twentieth century, one cannot help but feel the idle, privileged and somewhat clueless lives of the English aristocracy seep from the pages of Jeeves. Wodehouse does a wonderful job of capturing the lives of people who have nothing better to do then dabble about ridiculously in the lives of one another.

Indeed, Wodehouse does much to reflect the over-privileged lives to which Bertie and company cling to so humorously. However, what might have become a novel filled to overflowing with hilarity and drama is brought back down to a more substantial level with the constant subtle humor and patronization brought in by Jeeves. "Jeeves, don't keep saying `Indeed, sir?' No doubt nothing is further from your mind than to convey such a suggestion, but you have a way of stressing the `in' and then coming down with a thud on the `deed' which makes it virtually tantamount to `Oh, yeah?' Correct this, Jeeves." The nature in which Bertie and the rest are virtually ignorant to Jeeves' little jibes such as this shows clearly the statement of Wodehouse, how the aristocracy is too self absorbed to notice even the slightest. In short, this is a wonderfully clever novel, which keeps the pages turning with quick wit and snappy humor. I highly suggest it.

Yes, it is a fantastic book even for us outside the U.S. with limited insight to how Hollywood worked (and works) in the '50s and early '60s! I'm from Sweden where the Lassie shows were on the air week by week and sure was very popular with us kids!
Jon Provost and Laurie Jacobson is a perfect team making this book one of the absolut best biographies I ever read! The book is so fascinating that I really had to force myself letting it go for some sleep in the evenings! Especially the early years with the Lassie series, is close
to me - giving an direct emotional telling how it was like to be this little boy, completely left out in a adults' world with very limited freedom of playing and having a "normal" life with family members and friends of your own age!
Even though you may get the impression that he was forced to do this acting all the time (by his mom in particular), I can sense that she wanted all the best for his son!
The book is also densly enriched with pictures from those days which makes it extra fun! Also the "timelines" is a plus, establishing the stories in their original time!
Thank you, Jon and Laurie for this achievement - this book is a must in every American home! (and European as well!)
I'll give it a 5 star rating of course!!!
Chris Lindstrom in Sweden!

I found "Timmy's in the Well" to be a fascinating read. It brought to my consciousness the Lassie TV show's innate moral values which, watching it every week for years, had a positive formative impact upon my character (there's a positive for the power of the media!). It was then fascinating to see the oftimes contrast between the appearance of the show and the reality behind it: particularly chilling was the instance when Jon was applauded for his "performance" of drowning, when he actually almost had. Interesting also was the impact that Jon's career had on his siblings, another "reality" behind the scenes. In this autobiography, co-authored by his wife, Laurie Jacobson, Jon's recollections are balanced by many quotations of his family and friends; their statements often give different perspectives to the same event, and thus give a three dimensional depth to his story. The reader is left with some work to do, some conclusions to draw, which is analogous to the process of reading a great novel.

While this book covers the life events of Jon Provost's life, it is also a powerful statement of the social climate of the 50's and 60's in this country. It was startling to realize that it was less than fifty years ago that racial prejudices were so severe that Lassie's sponsors were afraid that they would lose business if a famous black sports figure appeared as a guest on the show. Later in this autobiography, the "highs" and the "lows" of the 60's scene are brought to life in a realistic accounting of those days of "free love." Laurie Jacobson did an excellent job of presenting Jon's life within the context of the times.


But the real value of this autobiography for me is that it is an exploration of love between all the members of a family struggling to cope with their roles in this unusual and unreal life. Despite the tensions, conflicts, jealousies, and inherent misunderstandings, each Provost family member managed to arrive at a place of mutual respect for each other. And any book, or any life, that can achieve that goal, is an inspiration for us all.

This is well-written, filled with many quotes from famous kids of the time on tv.
And best of all, there are pictures on almost every page!
The only downer might be Paul Peterson (can he EVER say anything nice about anything?), but all the rest of the contributors are excellent.
GET THIS BOOK!!!

luv, miss josh emmett

This book is absolutely terrific, not just for movie and TV fans, but also for any adult who might be preparing for, or currently struggling with, success, challenge, frustration, or failure. Do you enjoy Hollywood movie history, or info about legendary stars and classic TV? Or perhaps when growing up, you watched a favorite child star perform and dearly wanted to be like him or her, thinking life would be so fun, rosy and glamorous to be so popular, cute, rich and famous. Perhaps you dreamed it would bring fast cars, beautiful living, smart clothes, endless friends and gorgeous dates. Well, now's your chance to personally experience what all this might have been like. But beware. Things are not always what they seem. Sometimes they are more.

In this very special and unique autobiography, you'll become a member of Jon Provost's family, past and present. You'll feel right at home, following the young actor through all the ups and downs, hopes and dreams, thrills and chills (not to mention pains and strains), of a childhood spent working in 50's and 60's movies and television. You'll be transported into a wonderful, yet sometimes strange and even downright dangerous world of wild success, fame and fortune.

Fame does bring great stuff, attention and privileges. It's all here in this book, with amazing, wonderful, unbelievable, incredible times. You'll meet many famous adult and kid stars backstage and in real life, as well as numerous regular friends and coworkers, too. Their impressions and perspectives, both positive and negative, are quite candidly included. Family and off-camera photos on practically every page help to set the period and mood.

But fame and success bring even more. And the extra stuff is often not so good, seldom anticipated, or even understood, not only by the person at the center of the maelstrom, but also by family, friends, employers and fans.

In this book, Jon Provost and his entire family circle confide their personal lives with a most rare honesty and openness. It's a deeply personal journey toward success of a different kind. You'll find it hard to stop reading. I recommend it very highly. Just as his character "Timmy" did on Lassie, Jon Provost is still teaching us valuable lessons about life, but this time through his own.

From: [..]

"Timmy's In The Well" is an amazing accomplishment. If you ever watched Jon as Timmy Martin in "Lassie," you must get this book.

It's not a book for kids. Provost vividly evokes the sweeping social changes in America from the staid 50's, through the swinging 60's, and beyond. This is a real insider's view of growing up in Hollywood, with many revelations about the life of a TV child star.

All of the wild fun, the hard work, and the bitter pain, is told candidly, with total honesty and utter sincerity. There are many quotes and comments from Provost's colleagues and friends in the entertainment business, and although the photos are small, there are a lot of them, conveniently integrated into the text.

I am still reading the book and have been quite pleased with all the details of Mr Sylvester James Jr. Life, I am sure when a read the final pages it will be as smashing as the life he lived!! I also found a DVD, Filmed in San Francisco, in 1985 or 1987 when he celebrated his birthday, the video is grainy and not what I expected which was Him and the Famous (Two Tons of Fun,) what I have is Sylvester in his what I call break out years his voice was not as vibrant during this period but to have anything of him suits me just fine. He came into his own he perfected his voice and character, I still miss his presence on earth just as I do all the Great Ones.

Sincerely,
LEE

At last, a beautifully-written book about a beautiful artist - Sylvester. I have been waiting for this book to arrive for years and, finally, here it is!

I was hooked by the opening chapter which tells the story of a young boy named Tiki Lofton who sneaks out of his bedroom window at night and over to a friend's apartment where, in 1960's South Central, with the help of a young Sylvester, he transforms himself into a "Disquotay." The Disquotays were a group of boys who liked to dress up as sophisticated ladies. And Sylvester, or Dooni as he was known then, was in charge of the wigs.

"The first Disquotay bash that Tiki went to was over on 120th and Athens, at Etta James's house, sometime around 1965. Etta, who would later be inducted into the Rock and Roll Hall of Fame (largely on the strength of her 1961 hit "At Last") and the Betty Ford Center (largely on the strength of her smack addiction), was already a recording star and a friend to many local Los Angeles drag queens . . . The house, with its swimming pool and fireplace, had stunned her. Women, drag queens, and guys, all sending joyful noises in Tiki's direction; the music had been jumping; Walter Jackson's version of "Lee Cross," Jr. Walker & the All Stars' "Shotgun," "Nowhere to Run" by Martha and the Vandellas, Fontella Bass singing "Rescue Me." Gay kids all perched on gigantic speakers, singing and carrying on . . . Tiki had said to herself. "This -- honey, where is this world?" Within months, she would be a full-fledged Disquotay, made-up, bewigged, bejeweled."

Joshua Gamsom recreates this world vividly in that first chapter. Simultaneously, he introduces us to the members of Sylvester's family. His beautiful and beloved mother and grandmother. His twin sisters, Dette and Dean. The quotes are full of heart and expertly placed and the story unfolds like a fine silk fan. I can't help but think that Sylvester would be very pleased to read this biography.

I had the honor of meeting with Sylvester to discuss a project a few years before his death. It was mid-afternoon and he was sewing sequins on something, which was his favorite pasttime. He was always sewing, a talent he picked up from the women who raised him. He walked over to the turntable and put on Patti LaBelle's "If Only You Knew" and said he was dedicating the song at his One-Night-Only concert the following night to his fans and supporters in San Francisco, the city in which he always felt most at home. That night, with Martha Wash at his side, they performed that song together, bouncing their voices off each other inside the Castro Theater. Those two powerful voices, the acoustics of the Castro Theater, and the magical spell he wove with Patti LaBelle's song was something to behold.

That Sylvester could hold his own with the amazing Martha Wash is a testament to the power of his falsetto. He didn't have a thin, reedy falsetto. His was full-bodied, gravelly even, and very much in evidence on one of his biggest hits, "Do You Wanna Funk."

"So when I tell you, that you're really something, baby, will you stay, or will you go away."

Joshua Gamson captures the essence of Sylvester's personality, the diva fits as well as the immense kindness and sensitivity, and wraps it all together into an highly readable book that I wholeheartedly suggest you pick up. Although some have faulted him for not having an encyclopedic knowledge of music, Gamson lets experts like Joel Selvin provide insightful commentary.

It is my hope that someone has optioned the book for a movie and we can expect to see this wild individual portrayed in all his glory.

John Waters wraps up "The Fabulous Sylvester" pretty well in his cover blurb: "A well-written, touching, dignified biography of a gay black diva who never really fit into any minority but managed to achieve his dreams of stardom. Now that's what I call a man."

Five Stars. Great Read.

Magic happens where reality and fantasy overlap. It's a space that dance music star Sylvester effortlessly occupied during the outrageous and flamboyant club scene of the mid-70s to early 80s, when those lines were happily blurred on a nightly basis.

Gamson does an excellent job of showing Sylvester's `six-degrees of separation' influence - he worked with emerging stars like Bette Midler, Patti LaBelle, The Weather Girls ("It's Raining Men"), American Idol judge Randy Jackson and Patrick Cowley (Megatone Records).

By focusing mainly on Sylvester, Gamson gives the reader an inside look and feel of the gay club scene that was a mix of Broadway and Bowery Row. Sylvester epitomized that drama and contrast with his falsetto voice but powerful vocals and androgynous but commanding stage presence. He created a propulsive musical genre ("Do Ya Wanna Funk?" "You Make Me Feel") that defined the era's manic, raw and pulsating energy.

AIDS turned the party lethal, killing off both his audience and the mood for high energy music. Soon, Sylvester, along with hundreds of others in the arts and entertainment community, was dead. There are lots of devil-may-care musicians whose audiences escape through their lives and music, but there will probably never again be a time when the audience and the artist were so intimately in synch, both feeling and living the beat.

The Fabulous Sylvester is a fascinating recounting of the life of Sylvester, the dance scene and Sylvester's career. This book explores the life of Sylvester from his early childhood days to his development into an international dance icon. This book does not sugarcoat any part of Sylvester's life. It is detailed and honest and shows us all aspects of his life and career. This book is as interesting and fabulous as Sylvester was.

Joshua Gamson took the reader on a magical journey of Sylvester's glitter world of music, sex, and drugs with the abandonment that was the time of the 70's. Sadly, there was no gold at the end of the rainbow and we, like Sylvester, saw the decline with terrible retribution.

I highly recommend this book; it's a quick read and you won't be able to put it down.

Let's face it, we know the ending when we start. But, once into the book, you are drawn into the world at the NIC unit. You see what is happening as if you were there experiencing it. To see the raw emotion, experience the day to day happenings is to fall in love with the little life that is so fragile at this stage. Then on the other level you see how much love is shared, how everyone is drawn to this family. And yes, it is a family just like any other. I keep going back to the book and reread passages - when after a bath, little Jackson has a breathing problem, you read the "prayer" that BD Wong has going through his head. You get so imvolved that you actually feel emotionally exhausted after you put the book down. I so hope for more books by this particular author! Bravo! I am a Foo Follower for sure!

So, after finishing the wild ride/read on 3 different plane trips and stops at several coffee shops. I was crying, laughing, experiencing a roller coaster of emotions and everything else of this intense, personal family story. I kept having to stop to wipe away tears or suppress laughter in the very pulic spaces that I read the book. I guess B.D. can write as well as act. All of us can thank this family for sharing their experience...and making us all realize that alternative or traditional families are the same. A new Foo Follower.

This book is remarkable. I could, literally, not put it down and then was disappointed when I finished it. It is a real life, soul revealing, sad, funny, inspirational story. I feel that my life is richer for having read it. I am quite picky when it comes to how I spend my time, especially with regard to reading and I would read this again without hesitation.

I was recommended it because I just lost someone close to me through death and this book allowed me to grieve openly and fully for my loss and for all loss.

This book made me proud to be human. I await more from B.D. Wong.

a perspective, from a single woman, with no children-yet:
Believe it or not, this book is one of my birthday presents to myself, to help improve the quality of my life.

BD has helped me become a better woman. Hopefully, I will also become more responsible, as well. Hopefully, I will be better to cope with life's emotional issues, and handling them better.

That's what drew me to the book.

You see, while growing up, many, many people automatically assume that any given person should be able to handle anything thrown at them. You ask those around you for help, or you are impacted by something trumatic, and those around you automatically assume that you're tough enough to go through it, by yourself. Many a time, I would go through life, and not tell of my problems, because I felt that those around me would make the problem worse - or blame me for it.

Some of us have a harder time getting through things. To say "get over it", is a cruel thing to say. I feel that sometimes, those saying such a thing, are really digging deeper into the mess, and allow for things to continue to spiral downward.

I feel that this book allows people to communicate, in ways that go beyond the core scope of what the book was essentially written about.

I find it ironic that 2 men, sharing their account of parenting, pregnancy, and love with the world, including me, would have more of an impact on me, than that from any woman, since I have never received this type of insight from women.

I shouldn't have to get this type of insight about childrearing, etc., from men. However, I am indebted to BD and Richie, nonetheless.

You see, women have this thing out there, where they feel that they don't like sharing, esepcially when it comes to things like child-birth and pregnancy. It's like this secret, kept to hurt those women coming up in the world. Growing up, you ask your female relatives about such things, details inolved, and those female relatives keep quiet!

Women do not share everything, contrary to popular belief.

Needless to say, this is one of the first things that has impacted me, while reading the book.

The other is, of course the trauma, and roller coaster that BD talks about.

Some of the things mentioned, bring me back to the trials in my life.

I am thankful for the book, and the impact that the book has on my life.

When I saw this book, I just had to read it. Not because of who the author was or that he was gay, but because he LIVED what I was LIVING. Mr. Wong's book is the ONLY book about NICU babies that I would suggest as a MUST READ for critically premature parents! It doesn't help you understand the medical terms, it helps you understand YOU, as a parent of a tiny ray of life in a plastic box.
I lost a premature daughter (Mary) at 23 weeks, eleven months after that my second premature baby (Julia)was born at a whopping 28 weeks. I still was grieving Mary's death while trying to stay "upbeat" and "positive" about my Julia in the NICU. I joked, I laughed, but I hid A LOT of emotions. Everybody tells you how strong you are, what a brave person you are, while inside you are screaming "WHY MY CHILDREN!?!". You feel like you are the ONLY person in the world who feels that way.
Well, Mr. Wong's book is the ONLY book I have read that made me feel like I wasn't going crazy. He not only addressed the issues of being a parent of a NICU baby, but losing a child, and the realities of coping with that loss while being exatically happy your child has made a huge accomplishment (She either pooped, or ate half a teaspoon of breastmilk... major things in a NICU).
His humor at the most critical of times is very similar to how I dealt with things when the dr.s would say... "Well, Julia had a good day today, she only stopped breathing twice, and oh, by the way, her blood levels show she may need a transfustion, etc."
Life in the NICU is like constantly waiting for the shoe to drop! And when it does, it is usually a size 15 triple E!

I would love for Mr. Wong to do a follow up to his book, maybe "Following Foo, The Early Years". Julia is now 18 months old, and we are dealing with Early Intervention, Boston Children's Hospital, Weight issues, and Mom (or Dad) going nuts trying to keep it all in check. I would dearly love to hear some advice. Plus, I fell in love with his adorable son in this book and would love to know how he is doing!

If you have not had the chance to meet Frankie in person this is a great way to get to know the man who many swing dancers as myself has grown to love and admire. In person you would not see a 93 year young man but someone who is full of life! He always greets you with a smile and has a beautiful sense of humor. I have learned so much from him and admire him for being an example of how to live a full and wonderful life!

It's definetly a book I recommend for you to read even if you are not a swing dancer. And if you aren't one when you start reading the book, I won't be surprised if you start taking swing dance lessons after reading the book!

I made personally Frankie Manning and he is a sweet guy. Being myself a swing dancer, I enjoyed reading his unique journey through time. It is not a fiction, but a true view of swing dancing from a master. if you like the book like I did, read also books from Norma Miller (one of his partner). Thank you Frankie !!

If you love dance or swing music read this book. I even had Frankie sign my book at a dance in NYC. Well written and fun....the real deal.

If you have ever met Frankie Manning then you know that his sheer joy transcends his own physical presence to the point that it can fill a whole room! Frankie is truly an amazing and beautiful individual. Luckily for the reader this makes for a very inspiring book, which aside from being autobiographical in natures and having biblical stature in the Lindy Hop community, it's extremely entertaining to the dancer and non-dancer alike.

My only complaint is that it was so good that i never wanted it to end!

I love a guy that is still dancing at his age. Great stuff from the past and great photos. Frankie is not a glory hog or braggart - he gives credit when credit is due. Enjoying this book like no other.