Language Arts Books

Excellent reference.

However, I didn't like the idea of using MIX assembly language. Book would have been more readable if examples were in plain english pseudocode (even better would be 'C'). At least second edition should have taken care of this aspect.

I also suggest books from Cormen & Sedgewick on same subject.

This book is bible of computer programming.

It contains most detailed explanation of searching and sorting methods I ever found in a book. Contains all internal sorting and searching and external sorting and searching algorithms.

The only drawback of the book is that all algorithms are written in MIX - some kind of assembler, and because of that they are hard to read.

I just bought the book I needed out of the set. I needed to build a database that did not use any commercial package (this gives full access and no royalties). This book saved my bacon. I almost did not buy it when all I saw in it was math. But I was desperate and it paid off. Turns out you could not explain it any other way. This book goes way beyond binary, and bubble sorts. I use it primarily for balanced trees. I may try some thing more exotic later. I can not tell you about the other volumes but this one will defiantly pay for it's self.

First the basics: it's great, it provides wide-ranging and deep analysis, it shows many views and variants of each problem, and its bibliography is helpful, though not exhaustive. The historical notes, including sorts for drum storage, may seem quaint to modern readers. And sorting has been done, right? You just run a shell program or call a function, and tap into the best technology. Does it need to be done again?

Yes, if you're on the edge of technology, it does need to be done again, and again, and again. That's because technology keeps expanding, and violating old assumptions as it does. Memories got big enough that the million-record sort is now a yawn, where it used to be a journal article. But, at the same time, processor clocks got 100-1000x ahead of memory speeds. All of a sudden, those drum-based algorithms are worth another look, because yesteryear's drum:memory ratios are a lot like today's memory:cache ratios of size and speed - and who doesn't want a 100x speedup? Parallel processing is moving from the supercomputing elite into laptops, causing more tremors in the ground rules. GPU and reconfigurable computing also open whole new realms of pitfalls as well as opportunities.

Knuth points out that the analyses have beauty in themselves, for people with eyes to see it. His analyses also demonstrate techniques applicable way beyond the immediate discussion, too. Today, though, I have nasty problems in technologies that no one really knows how to handle very well. I have to go back and check all the assumptions again, since so many of them changed. If that's the kind of problem you have, too, then this is the place to start.

//wiredweird

As a previous review said: "This is a book about the science of algorithms. Algorithms are either right or wrong."

Knuth uses the MIX programming language throughout, and if you hope to learn programming by reading this book, you should look elsewhere. Maybe someday we'll have 2^32 registers, but we will still be trying to make our programs work faster on this, as yet, uninvented architecture. The fundamental concepts will remain the same, and people will still be reading Knuth to understand them.

A good reference for serious computer science students. Others should look at O'Reilly. They have some really good books on visual basic.

This is an encyclopedia of what is known about sorting and searching and what computers can do. It is nothing else.

Graduate students in computer science (especially those in theory, algorithms and the occasional compiler fan) will benefit. Hackers and script kiddies will probably not benefit from this book.

Prolog remains academic but still of great educational value. But to get to that value, you need to get past using prolog like a smart procedural language. This book and especially its last few chapters achieve this goal. For this reason I recommend it as a must read for any decent computer scientist.

I am currently working as a computer hardware design engineer. I have always been looking for new software methodology to improve my hardware design flow. Prolog, and especially its presentation in this book, shows me an interesting and powerful view of how computer programming should be.

Overall, I am a true believer in Prolog and logic programming after reading this book.

This, to me, is one of the 4 best books on computer programming. Unfortunately, it is hard. Not because the book is poorly written - it is like a wonderful story, but because understanding how to think declaratively after being taught something like C or Java is like someone giving you a pair of wings when you're a mudfish.

Thinking declaratively changes how you think about problems and how you write code. It's a career changing experience. This book leads the way.

Top 4:
* Structure and Interpretation of Computer Programs (Sussman, Abelson)
* The Art of Prolog by Sterling/Shapiro
* Introduction to Algorithms by Cormen, etc.
* Concepts, Techniques, and Models of Computer Programming by Van Roy and Haridi

Admittedly, this one tends to be a bit pricey. But, the content is pure gold for any programmer. Nowhere is the Prolog paradigm better conveyed than here. And, it is of little value to you if you attempt to learn prolog with a mindset of some other language. Prolog is unique and demands a unique way of looking at computer programming in general. It is dated a bit in that it does not cover all the latest developments in Prolog/AI research but no other Prolog books provide the foundational understanding that it does. Get this one for a solid foundation and then build on it with others. See my listmania list of AI Language books for suggestions of followup titles.

This book is a must for anyone starting to program in Prolog or interested in logic programming.

A downsize of the book (if any) can be that it could have detailed more in the respect of Prolog's applications. The pleasant style of the authors would have made a wonderful introduction into these fields.

A real pleasure to read.

This is a charming and wonderful book. I too am surprised that it did not get more "buzz" at the time it was published.

How fascinating it is to eavesdrop, as it were, on authors' musings about their life and art. The diary entries help me fill in a multi-dimensional picture of what Virginia Woolf, Kafka, Dawn Powell, and others were like.

But not all the diarists are famous. Ordinary people's journals tell us a great deal about what it was like to be a Londoner evacuated during the Nazi bombing, or a wealthy slaveowner in the American South just before the Civil War.

There are, to this American's taste, too many British diarists here and too few Americans. I would have loved to have read a U.S. senator or cabinet member's personal observations of some political dust-up, but alas, that is not here. So I read the book at least partly as a window into British civilization.

For a compulsive reader or diary-phile, I can't imagine a better day book to accompany you through a year. To take 10 minutes out of the day and read the wonderful (really--I wondered at some of the things that people would write in the diaries) selection of entries for the day will provide you with a refreshing start, bookend, or break for your day (your choice). Even the potted biographies of the diarists (found at the back of the book) are delightful.

The authors have provided some lovely groupings of entries. January starts off with three entries from Mahler's lover, stretched over three successive days, that made me laugh. More complex emotionally is the chain at the end of January: two different diarists record the death and funeral services of George V of England in 1936, along with the assencsion of Edward III. A few days later is a recollection of meetings between Charlie Chaplin and Edward III (now the Duke of Windsor after renouncing his crown for Wallis Simpson) in the middle of World War II. Towards the end of January, in the 1930's, Count Ciano records the advice he gives Mussolini--on the same day, but in 1943, a nurse records the arrival of refugee children evacuated from Italy.

Some small errors in the bios at the back that I noticed: Goebbels kept his diary right until 1945 (not just until 1941); Delacroix did start his diary at 24 but dropped it after 2 years and did not resume it until he was 50 (the bio suggests that he kept his diary continuously); Pepy's diary wasn't kept in code but written in shorthand (a contemporaneous book describing the system Pepys used has been discovered)--but these are hardly the point with this delightful book. On the other hand, I didn't think that Woodeforde's diary revealed author to be a glutton (as the editors suggest) but I may not have read between the lines sufficiently.

I found this book on the remaindered shelf of my local bookstore (a crime!) but it even made the price right for me: $7.00 Canadian.

Wonderful book.

January 1, 2003: Bought this collection of diary and journal entries based on a review that said it would be a great book to leave in the guest bedroom for visitors. Have resolved to read a day's worth of entries each morning, and finish the book in one year.

February 16, 2003: Have discovered that this book is much more conveniently placed in the bathroom, where I am sure to spend five minutes each morning, rather than the guest bedroom.

April 13, 2003: What a remarkable collection of fascinating historical figures! The featured diarists are carefully chosen, as are the selected entries. Together they span four centuries and at least as many continents.

June 1, 2003: Have started to develop personal favorites among the many diarists. Pepys, for his unrepentant lasciviousness. Chips Channon, for his loveable pretentiousness. Kafka, for being Kafka. Warhol, for being Warhol. Coppola, for her intriguing insights into the life of her film-making husband. Woolf, for her introspective moodiness. Gide, for his sarcasm and arrogance.

July 5, 2003: Have become utterly addicted to my morning routine with this book, and have now started reading ahead.

July 29, 2003: Have only two minor complaints so far. One is that the diarists are predominantly British - perhaps a more diverse selection would have been better. The second is that there is a disproportionate number of entries during the WWII time period. Without doubt a fascinating and important time, historically, so I guess this is understandable.

August 7, 2003: Finished the collection, almost five months early. Will now return this book to my guest room, where friends and family will be sure to enjoy it for years to come.

Fascinating stuff. The book progresses through each day of the 366 (leap year, too) calendar days. Excerpts from all the diaries are organized in chronological order (from earliest year to most current year) within each day.

The earliest you get is from the 1600s (usually Samuel Pepys) on up through Alec Guiness and others in the mid 1990s. The excerpts vary from only one phrase to about a page. The stuff from the 1660s is rendered with its own peculiar spelling and grammar. You really get an amazing sense of our shared humanity across the ages.

I deemed its only overall flaw to be a preponderance of British entries and World War II entries. Plus, two entries I wished I hadn't read: the artist Delacroix blandly witnessing the mistreatment of a horse, and some English guy shooting a heron.

The excerpts from Jewish diarists right before the Holocaust were chilling.

There were diarists who became my favorites:
Eleanor Coppola (a shy woman in a high-profile world);
Virginia Woolf (wonderfully perceptive about herself and her social class);
Noel Coward (often hilarious);
Alan Bennett (gentle irony);
Evelyn Waugh and H.L. Mencken (both funny like Coward but even more acerbic);
Andy Warhol (so banal); and
Katherine Mansfield (haunting).

There were other diarists I grew to dislike:
Goebbels (fanatically anti-Semetic);
Brothers Goncourt (misogynistic);
Alan Clark (also misogynistic);
Marie Bashkirtseff and Liane de Pougy (twits);
and Leo Tolstoy and Franz Kafka (both morbid and difficult).

Overall, a varied and fascinating window on the world of journal-keeping.

What a surprisingly marvellous anthology. I was initially put off by the arrangement - with wildly disparate entries for each day of the month, at first this seemed more like a novelty book than a serious exploration of diarists and their work. Yet I've found this eclectic approach to be absolutely perfect, not least because the entries for each day have been so thoughtfully selected: some amplify the themes of the others, while some offer instead a comic or tragic counterpoint. Indeed, comedy is one of the hallmarks of this edition: diaries are always "bitchy", to some extent - as the title suggests, the diary is like an assassin's cloak we wear while stabbing comrades in the back with a pen - and the dark, neurotic humour so typical of the diarist is here in spades. The Taylors have also been kind enough to package their selections with an insightful introductory essay, thumbnail biographies of all their sources, along with full bibliographical references and a comprehensive index by diarist. The only thing missing is an index by subject - but that would probably be bigger than the volume itself. This is a brilliant, must-have anthology for anyone interested in literature, social history, and the art of the diary.

If you want to make it as a screenwriter, you MUST read this book. Not only is it chock full of great info, inside advice and suggestions for strategies that will work for you... it is a REALLY FUN READ! The author does a great job of grabbing your attention, and making you want to hold on for dear life as he takes you inside the Hollywood system and tells it like it is, dirty laundry and all. By the time you get done with this book, you will know what to do, what not to do, and how to persuade others to see things your way in pitch meetings, that you are SURE to B$ A SCRIPT SALE! Filled with advice you can USE, information that will help you succeed, and strategies for B$'ing that will get you to where you want to be in less time, with less pain and aggravation along the way. A truly necessary resource for ANY serious screenwriter!
MARIE JONES, Screenwriter and Book Reviewer, ABSOLUTEWRITE.COM and BOOKIDEAS.COM

This ebook focuses on the best strategies on how to write a good screenplay to sell. It is comprehensible with up-to-date information and exceptionally inspirational. When you think on how to write a good screenplay a lot of things come to mind but Paul Sinor has compile for us the most important survival tips to win in this game. There is no doubt that this book will inspire anyone to be a screenwriter or to become a better one. There is an unbeatable combination that only Paul Sinor can compose for you to begin your journey at the same time that your own drive, ambitions and writing skill will expand like you never seeing it before.

Those who buy this book will be fortunate enough to learn about the screenwriting trade and expand their horizon whether it is for writing or just for education. Don't hesitate to get it today.

This is a great read... I think that it's a great book for a screenwriter to have especially when you don't live in a city that lives and breathes the film industry. It does give you a step up in a great direction and I highly recommend it!

Excellent book!!! A must read for anyone looking to get there screenplay into Hollywood. The entertainment business is tough but Paul Sinor makes it a lot easier and a lot more manageable with his new book. It covers everything you could possibly think of, from the role agents, managers and attorneys play to finding the right production company and negotiating a contract. The best part is, you don't have to live in Hollywood to get someone to read your screenplay. There's an entire chapter on what to do if you don't live in Hollywood. If you are serious about writing screenplays and breaking into the entertainment industry then this book is definitely for you!!

I am a screenwriter for over 10 years and recently I've just bought this easy download e-book "B$ Your Script Sale". Every single tip that Sinor mentions in the book is valuable! They are true to life tactics that I think every screenwriter in town should know to get the best deal out of their script sale. How I wish I have the book 10 years ago! Nice page design and layout as well. It makes the whole reading experience more fun and interesting!!! Two thumbs up!!

Now in an updated second edition, B. S. Detecting: The Flip Side of Success-Possible Communicating is a treasury of information everybody needs to know about how language (and other forms of communication, but language in particular) can be abused and misused, whether intentionally or obliviously. A simple color-coding of different types of speech (silver = verifiable facts, black = demands and orders, white = important truths that are left out, red = emotionally angry speech, brown = plain old B.S., etc.) is the precursor to an in-depth, layman's terms guide to language abuses ranging from misunderstandings to manipulations to pathological behavior. B. S. Detecting is more than simply learning to beware the high-pressure salesman threatening to take away the "limited-time" deal or the Isolator who lures new people into his group by excluding and villifying others (the worst Isolators include drug pushers and cult leaders); it also includes ways to focus on communication problems, and know when to make overtures or when to recognize that an individual is simply too disturbed to deal with. B. S. Detecting especially mentions solid advice for discerning whether a person will be a compatible and trustworthy mate (hint: if he won't give you verifiable details about his address, phone number, family, or job he's probably a con man or worse) but also applies to sifting through lies, manipulative dogma, and half-truths in every aspect of life. And when one is dealing with an honest person, B. S. Detecting gives practical tools to mediate disagreements - especially Operational Definitions (clarifying the initial definitions both parties are working from) and Anecdotal Reporting (a meticulous description of a series of actions, comments, and responses in order to discover patterns). B. S. Detecting is quite literally a self-help manual for dealing with the complexities of human beings. In a world where increasingly savvy con artists cannot be identified by their appearance or mannerisms, B. S. Detecting gives the reader need-to-know information to sift the truth from a line, and warns that no one can B. S. you as thoroughly as you can B. S. yourself. Unless you are a hermit with zero contact with any and all other human beings, B. S. Detecting is an absolute "must-read".

This is a defense manual for everyday life! The book's interactive, with each chapter's method of detecting and coping with words clearly and vividly explained. The concepts in it provide skills that empower the reader, and can improve your life!

To get us out of the "error messages and gobbledygook" we so often fall into, this book gives clear, practical, fun-to-read
specific guides to communicating more effectively. Among the 17
chapters, "What do you mean, he loves you?" "Says Who?" and "Who
started the fight?" Valuable reading for everyone! Highly
recommended.
Leon Fletcher, author of How to Speak Like a Pro,and How to Design and Deliver Speeches.

I purchased this book as a graduation gift for my granddaughter. Of course, I had to read it first, just to check it out. ;)

I wish I'd known before what this book reveals. Mz Thompson's behind-the-scenes knowledge of the ad industry, how to use and misuse words to entice us to "buy" what someone is selling, whether it's a product or just some B.S. was enlightening.

I hope she writes another one. I'd purchase that one too.

If you know a parent struggling with communicating with teenagers or preteens, this book would be a real help. And any
married couple would find it helpful in discussing decisions or disagreements without loss of harmony.
The book would also be a boon to a youngster. Remember all the difficult situations when you weren't sure what to say, or what to make of what was said to you? Imagine having a book that could tell you how to use words to help you progress in life, and how to deal with verbal abuse!

My daughter is 14 months old and insists on being read this book about 10 times a day. She'll pick it up and bring it to me, which is nonverbal communication that even I can understand. She can make all the sounds that the babies in the book make (except for "night night"), which may be why she likes it so much. She also likes seeing the babies and playing with the flaps of the book. She loves this book so much that I'm buying my third copy. She's destroyed the first two, not due to any fault of this sturdy thick cardboard-paged book, but out of sheer hard use, and the fact that most 14 month olds are engines of mass destruction. It's cheap and kids love it - you can't go wrong with this one.

"Noisy Farm," also from BK, is also a big hit in our house. Amazon often offers a deal when you buy both, and if you have a 1 year old, I would just go ahead and buy both. They'll both be a hit.

This was one of the first few books I purchased for my son because I read that babies like to look at other babies. He loves this book! Even at 3 months he would squeal at the pictures. At five months he was trying to lift the flaps. The pictures of emotions with the simple labels are now helping him to imitate sounds at nine months. I highly recommend this to moms looking for books for young babies.

My daughter has loved this book to pieces. The sturdy flaps are perfect for tiny hands learning to turn and flip pages, and what baby doesn't LOVE seeing other baby faces?! This is a great gift for new parents because it's enjoyable for all from day one.

Our son really responded to this book when we first showed it to him when he was, oh, I don't know 6 months or so. Since then, he has come back to it over and over and over, plucking it from his stash of board books which now runs 30 deep. Now at 18 months, he still loves it and says the simple words that correspond with each picture before he flips open the flaps. ("Hee hee" was the first one he said :)) Of all his books, this is the one we have counted on to keep him occupied and engaged while at restaurants, in the car, or as a distractor to head off a mini-tantrum. I am now buying a second copy of the book as the last page of our first one got soaked (juice? water?) and has warped. Actually, I'm tempted to buy a 3rd copy and keep it on hand for baby #2...

My daughter (and I!) absolutely love this book! So much, that it has had to be replaced a couple of times. She gets so excited to pull back the flaps and shout out what she is expecting to see. We started reading it at about 6 months - and now at 11 months, she knows it cover to cover!

This book is great! I used it as a high school, and college student, and now I refer to it as a college teacher. I like to remind my students when they write papers that there are resources like this available.

This book served me well through middle school and high school, and is now being used in college. Lucid, well-indexed, concise, yet detailed enough to be useful to students of all levels, this book cannot be recommended highly enough.

Unfortunately, it has not been updated in many years, and lacks information on how to cite electronic resources, etc. It's still worth buying if you can find a copy, though.

Basic English Revisited: A Student Handbook was a required resource by my english teacher when I was a junior in high school. Not only did the book prove useful for her class, but for my life even after graduation. The mark of a truly valuable book is one that keeps revealing information in new ways during the passage of time; you can go back to it, in other words, learning new information in new ways. "Basic English Revisited" is one of those books.

The book is designed to span all aspects of writing, from simple punctuation to the authoring of a theme paper. Every rule for every punctuation mark is explained, complete with examples. How many people do you know that really know how to write using semi-colons? Sentence structure are covered, as well as paragraph formation, bibliographies, etcetera.

This is a book worth searching for. If you can find a copy - even with a shabby cover - latch onto it and don't let go. You won't be sorry. I promise.

I have used this book as a reference for the past 15 years! I was hoping to get another copy for my office, as I was fearful of misplacing my ancient high school copy. What a shame it is now out of print.

This is an excellent book for students. It has been very useful & insightful not only for myself but also my son. I have had this book for over 14 years & have used it many times to help my son understand more about language arts. This book was first given to me when I was a junior in high school and I can't thank my teacher enough for the years of use it has given me. Altough I wish it was a bit more updated in some aspects I still love it. I'm sure my son will continue to use it and my young daughter will also enjoy it's use. It's like having your English taecher standing over your shoulder reminding you of all the rules & helping you when you forget.

This book is a magnificent addition to our book club! Reading through it I found many great ideas to implement into our group. I love the recommended reading with the reviews, and the recipes. I was especally thrilled with the ideas on how to turn the book club meetings into events that everyone really looks forward to.
I started using the book right away and it comes along now to every meeting! If you have a book group, this is a must have!

I bought this book a few years ago while browsing for book group picks at my local book store. I have to say, it has become a great source for suggestions for my book groups. While I may not actually use the grups for the meetings, a group meeting in members' homes might really wear this one out--with its recipes and themed meetings, and even tips about pet behavior!
I often just pick this one up when I need something to read myself. Indispensible.

I love books about books. I love books about book clubs. Fiction, or non-fiction. Diana got everything perfect in this Book Club Companion. I've been in a book club for 5 years. She addresses everything we've encountered except what to do when my birds want to sing through our discussion! I could not put this book down. The book reviews/suggestions are very helpful. I know this because my group has done many of the suggested titles and I have read even more of them on my own. Her handling of book group problems is candid and gracious. The questions she asked the authors were more unusual than most. Her scrapbook/keepsake suggestions are the only things at which I truly excel ~ I've been keeping a scrapbook since my group began and have just started a 2nd one because the 1st one popped its binding! What is really wonderful about this book is that I will never forget a title I'm interested in reading; all I have to do is pick this up. Thank you, Diana! I look forward to meeting you when you come to my library!

When I thumbed through this book, I discovered that many of the suggested titles were among my favorites. So I have been reading a number of books from Loevy's lists, some familiar and some unfamiliar, and I have grown to trust her suggestions. Although I belong to a book club, I am less interested in the recipes and some of the articles about book club etiquette, such as whether to have pets present at meetings or not. The entry on pros and cons of knitting during discussion brought chuckles from the knitters in my book club. They did agree that if a famous author were one of our guests, the knitting would stop!

This informative and interesting book is a great guide to many different books that most book clubs will love, especially if they have eclectic tastes. It also includes an amusing feature that lists what books were popular in book clubs in various decades past. Many books are profiled very well, and some are books that have recently come back into print.

My title says it best. Twenty-four hours with this book was like Manna from Heaven! It answered so many of my questions, yet managed to raise (and answer) questions that I didn't know to ask. Best of all, not only does the author advocate the POD-life, he lives it. Thanks to his insights and my additional research on the topic, my company will also thrive in the POD world! Thanks Bruce!!!

Author Bruce Batchelor, a publisher and consultant, has done a nice job of distilling his wisdom into 180 pages that spell out how an author can successfully market a book. Using examples from his experience as a publishing industry pioneer and the advice of many top selling authors, Batchelor provides the reader with a smart and sound format on how to market your book.

This is a morale builder, a practical and encouraging how-to for selling books in an industry completely transformed by digital technology. Most authors set out to be writers, not marketers, and, faced with repeated rejection of their work by a series of publishers, turn only reluctantly to self-publishing. While past guides to self-publishing have dwelt on the art of haggling with bookstore owners over credit for returned books (how much scuffing of the cover is too much, etc), Batchelor reveals surprising new opportunities, and shows how authors take advantage of the changing situation. He notes, for example, that publishers have traditionally rejected manuscripts on the basis that they are written for audiences that are "too narrow." The internet has turned that upside down by making it practical to identify and sell to niche audiences. Thank goodness! This book is stuffed with information about the changing structure of the publishing business, who does what, relative costs, how to figure out what to do, and then how to go about it. This is what the overwhelmed author needs to figure out a rewarding course of action. Good stuff.

It often comes as a shock when newly published authors discover that they must bear most of the burden of marketing their books to the general reading public -- even if they are fortunate enough to be published by one of the major New York publishing firms like Random House, Simon & Schuster or Penguin-Putnam. For self-published authors that marketing responsibility is completely theirs. Most authors are aware of the many 'how to' books that are available to them for the purpose of helping them master the craft of writing, There are also instruction books on turning raw manuscripts into finished books. What is not so obvious is that there are a number of excellent instructional guides for authors on how to market their books after they have been published. One of the best of these marketing manuals is "Book Marketing De-Mystified" by Bruce Batchelor, the man who founded Trafford (Canadian based and one of the larger POD companies servicing North America) and is widely acknowledged as the creator of the print-on-demand (POD) publishing process that has shattered the book publishing monopoly of the traditional publishing firms by allowing anyone to easily become their own publisher. This 167-page compendium of practical advice offers an especially 'user friendly' introduction to the art and science of book marketing because of its conversational style, it comprehensive coverage of book marketing issues, and Bruce Batchelor's unique perspective. It should be noted that the Midwest Book Review is positively cited (page 120) as a resource for authors and independent publishers. "Book Marketing De-Mystified" is especially useful in terms of its discussion of where to sell books, price/value setting, personal sales, paid advertising, sales promotions, publicity and public relations. Simply stated, every author and every small press publisher needs to have a competent marketing plan -- and Bruce Batchelor's "Book Marketing De-Mystified" specifically and effectively addresses that need.

Reading this book is like having the pieces of a puzzle come together! I started my book 18 months ago and after reading BMD I was inspired to finish it and make a marketing plan that reflects my goals and is actually achievable. Whether you are an indie POD author or working with a big name publisher, this book provides a wealth of information that helps anyone understand the publishing world. It is full of specific information, real ideas and examples and it really gets you thinking about how you might market your own book. A must have for any author.

Elisabeth Murray writes a wonderful and highly detailed biography of her grandfather, James Murray. Simon Winchester reintroduced many in this country to Mr. Murray in his book The Professor and the Madman, which told the story of Murray and an American living in an English asylum named W. C. Minor. This book was highly readable, but not comprehensive as a true biography of Murray.

James Murray, the first editor of the Oxford English Dictionary, was a gentle man of words who dedicated his life to the study of the English Language. His efforts are best understood in this book by the descriptions Elisabeth gives of his scriptorum, where Murray spent the majority of his life, and where Elisabeth worked as a young lady.

In reading about this man's life and the effort that was required to undertake the construction of this dictionary, one really gets a sense of the vastness and complexity of the English Language, the historical richness and the regional diversity. One also sees in florid detail the life of one of the great late-Victorian pedants.

I enjoyed this book for the most part. It really conveys the sense of martyrdom that Murray must have felt during the 30-some years that he worked on the Dictionary. After a while, however, it got a little old--chapter after chapter describing the horrible deprivation Murray suffered at the hands of the Delagacy of the Oxford University Press into which he was virtually forced.

Whenever there were "good years" the book would read something like "...and then the Delagacy let up on the poor guy for a while, but then so-and-so was named the new Secretary and he turned out to be an idiot." Then the author (actually Murray's granddaughter) spends another chapter detailing how so-and-so made Murray's life a living hell.

Like I said before, this gets to be tiring. It seems as if she has an axe to grind with the OUP after all these years and has made the main point of this book to be a crusade of some sort. She wants the world to know just how much pain and suffering dear old granddad went through. I couldn't help thinking that, in reality, he was just some kind of ultra-perfectionist nutcase and somewhat of a big crybaby.

Other than that, I recommend the book as being informative and interesting.

James Murray was a prodigy. He learned languages, geography, botany at an early age. He lived in Scotland. He was intrigued that his border language was identical to that of Northumberland and so that the English-Scots boundary had no linguistic significance. He was always learning, always collecting knowledge.

In two years at school he learned four languages. After school he was tutored in two more by a family friend, Italian and German. His family did not send him to grammar school at Melrose because there were other boys to educate. He became an assistant master when he was seventeen. By 1857 he was developing an interest in philology. Seeing Anglo-Saxon put him into a high state of excitement. He moved to London and started to work at Russian. He wrote THE DIALECT OF THE SOUTHERN COUNTIES OF SCOTLAND.

James Murray was respected by Morris, Ellis, Sweat, Skeat--men instrumental in revolutionizing the science of etymology. In 1868 at the Philological Society Murray encountered Frederick Furnivall. Furnivall was an inveterate founder of organizations for the study of English. Murray became an editor of the dictionary project of the Philological Society after the first editor, Herbert Coleridge, died. Borrowing the method of work from the Germans, Coleridge had started in 1860 with fifty four pigeon-holes. James Murray was named editor in 1877.

Ultimately there were sixteen thousand pages of the OED. Murray died in July 1915. The last portion of the dictionary appeared in 1928. Supplements to the dictionary were issued in 1933 and 1972. There are two appendices, notes, and an index in this very good book.

This is really two books in one: the life story of James Murray, first editor of the Oxford English Dictionary, and the tale of the dictionary itself. Both are lovingly told. It's a must read for anyone interested in dictionaries or linguistics.

Elizabeth Murray, the granddaughter of James Murray, who was the chief editor of the huge Oxford English Dictionary on which every serious scholar of English continues to depend, has written an excellent biography of the greatest English lexicographer, and done more: she has also given an insight into his personality, and, yet more importantly, into the whole scholarly world of philology, lexicography etc. in Victorian England, and the difficulties which beset the creators of the dictionary. I recommend the biography most highly, and feel that all fans of *The Surgeon of Crowthorne* (chiefly on Dr W.C. Minor) should read this - preferably BEFORE that book (so as to get a sense of context), but otherwise after. - Joost Daalder, Professor of English, Flinders University (see "More about me')