Language Arts Books

This is a great book for idioms and understanding what they mean. It's written in easy to understand plain english. It's a really fun book to read, you'll enjoy it.

My teenagers LOVE this book! It is a must have for word lovers. It is not just for younger children.

This book really comes in handy in the classroom, especially if you have ESL students. Use it all the time!

I really would LOVE to recommend this book for all of people who are learning English as a second language and hope to know English idioms. I am from Korea, but now I am staying in N.C. to learn English. I was looking for some books that could helps me to understand the meaning of idioms because sometimes it was too difficult for me to figure out what they mean. This book has more than 700 idioms with examples, meanings and origins. The origins help me to remember the idioms easier. After I read some, I finally understand why people use idioms in particular situations and I feel like I will never forget them. It may not really helpful for academic courses or daily conversation, but it is easy to read anytime and it is good for FUN! Unless I am older than twenty, this book is fun enough! And especially, this is cheaper than others. So, I'd like to say just buy and read. I am 99% sure that buying this book is going to be a good choice!

I work at a library in Brooklyn, and I purchased this book for a friend coming from Japan to learn English in NYC. This is a fun way to learn the language. I enjoy the descriptions of the origins of these idioms. I can't recommend this enough!!

As a writer myself for over ten years, I've studied writing as much as time has permitted me, and I very much enjoy reading pieces which bring me fresh and inspiring insights into the philosophies and methods of writing. While I've read many books and articles on writing, only a few, like Zen in the Art of Writing by Ray Bradbury, or Word Painting: A Guide to Writing More Descriptively by Rebecca McClanahan, have served to get me excited about writing by reminding me of the reasons why I write.

Bruce Holland Rogers' piece is one of those rare gems, and whether you are a veteran writer or one just starting out, I highly recommend that you read Mr. Rogers' essay. I learned much from it, and you will too.

- Gregory Bernard Banks, author of "Phoenix Tales: Stories of Death & Life", plus other books and Amazon Shorts.

This is a quick read that would be perfect for a little inspiration when trying to come up with some ideas for a short story from complete scratch. The first part is a valid, informative, and amusing view of the writer as a a cranky perfectionist. The second part divulges the authors personal techniques for coming up with short stories off the top of his head. The ideas are solid and I have no doubt they'd be useful in that particular situation. For novel writing or for brainstorming short stories with characters or settings lacking a plot , you'll probably want a different read. Also, the marketing tip that is given as the reason for coming up with these techniques is worth the price alone.

...since most of the reviewers below me have done a stellar job of covering the precise contents of scribe Rogers' "short-short" article, I'm not going to get into that. Please scroll down to some of the colleagues below for their insights on the cleverness of Mr. Rogers' suggestions for breaking out of the temporary writing doldrums.

There was something in his this writer's bio that I actually found quite fascinating -- the connection between how psychology and writing interconnect (this is something he and his spouse are interested by).

** Is there something unique to the writer's psyche which makes them writers?

** Or -- in perhaps yet another take on this -- can *anyone* be a writer? As in, is it a skill which can be learned?

** Moreover, are Rogers' techniques for cracking out of a writer's slump actually applicable, for example, to non-writers? As in, follow these five easy steps, young woman/man and you too will be able to write yourself into a tornado?

Rhetorical questions, all, perhaps...

I was inspired by his note about how the publishing industry has always been a tough one to break into -- and any writer looking for a hard and fast rule about how to get in there -- and stick there like, um...molasses? -- is demanding something that hasn't been invented yet. Kudos for that one. Persistence, we love.

Would be keen to come and check out a writer's forum in Greece, however. Curious to know when the author actually gives those...

This two-part essay is a look at the nuts and bolts of being a writer. The first part examines the nature of the writer's mind and why writers always seem to be trying to outrun failures nobody else can see. The second is a list of applied tactics to produce work on a tight deadline.

Part one, "Why Writers Are Cranky," starts from the presumption that writers, as a class of people, are dissatisfied with the whole world, themselves included, and are trying to do something right. Why else, the author suggests, would we expend so much effort trying to make up for past shortcomings? We are our own worst critics, always trying to do better than last time, always trying to leave the world a little better than we found it. Professor Rogers' insights into the source of this spur are by no means definitive, but they are strong and incisive.

Part two, "Five Emergency Tools," is a selection of tactics Professor Rogers has personally used to get short stories out under the deadline. I've only used two myself so far, but if they are representative, I can tell you two things. First, they work. Second, they only work for short stories or scenes; if you are looking to write a novel, you'll need to go with a different set of tools, or else use these to build your book scene by scene.

Combining both the insightful and the handy, this article is one that will speak to writers right where they live. Keep it close at hand, because you'll read and use it more than once. And what greater compliment can you give a writer than that his article will be read and used?

Bruce Holland Rogers offers up a humorous, yet real world, assessment of the perils and pitfalls of writing, as well as insight into the worth of writing as a process. The first half of this Amazon Short deals with the general attitude of writers, specifically, why are they so cranky? His insight is keen and, I think, accurate. I believe the ability to re-read your previous work without the ability to improve it is the key factor in authorial crankiness, and a vexation unlikely to disappear anytime soon. The viewpoints Rogers shares on his personal likes and dislikes of the literary profession are right on the money, and are probably held by the vast majority of writers, even when they may not be conscious of them.

The second half of the article deals with five techniques to help writers of fiction begin projects that have impending deadlines. I have written nonfiction almost exclusively (and that only for small audiences in very specialized areas), but even so, some of his creative techniques (especially "a crowbar") have applications outside of fiction. Regardless of what you write, or for what audience, the five tips he presents are entertaining and thought-provoking.

For writers, would be writers, or people interested in the writing process, this is a great Amazon Short, and I recommend it.

The shipping was slow but well worth it once I received the book, a very thorough and professionally prepared work!

Mr. Britton writes a scholarly and fairly much complete analysis and history of the secret agent/spy genre on television. Not even that, but the review is fun and enjoyable to read and not burdened down with academic jargon (a definite plus). In the opening chapters, there is a readable history on how this type of adventure series evolved from the earlier pulp literature of the twenties and thirties, and in the conclusion an examination of the "why" are the spy series so popular?

The author even mentions some of my favorite but short lived favorites such as "Spy Games" and the seventies "Hunter" series (wish they would come out on DVD).

However, favorites such as "I Spy," "Mission Impossible," "Get Smart," The Avengers," and even "The X-Files" are given a chapter each to discuss each of what the series brought to popular culture. Again, highly readable.

I encourage all (serious) TV fans and secret agent afficiandos this text a try.

Now, if someone can just help me find the exact titles and authors of the rest of the Praeger Collection on Television?, it would be appreciated.

Sincerely,
JThree
[...]

Dr. Britton's Spy Television is must reading for any nostalgia buff. If a person thinks that all TV is garbage, he or she should read this book and find out otherwise. In a smorgasbord of informatively well-written chapters, Dr. Britton has reminded those of us who remember many of the shows featured here that once upon a time, TV spy shows were better than rock concerts and modern sitcoms and soap operas. Finally, one can read in one volume: what The Prisoner was really all about; how The Man from U.N.C.L.E. paved the way for this genre and its influence lives on. Even The Bionic Woman gets encyclopedic coverage. The Avengers is given a delightful treatment and one will never view the series in the same light again after reading this book. Dr. Britton has conducted personal interviews with Robert Vaughn (U.N.C.L.E.) and Robert Conrad (The Wild Wild West) to relate their intriguing retrospectives upon their own fame and series. One will want to purchase DVDs or blow dust off VHS boxes and go down memory's mansion of wonderful spy TV.

I loved the chapter on I Spy and Sheldon Leonard. I Spy was my dad's favorite show when I was a kid. He enjoyed the on-location sets in Hong Kong, Japan, Europe and Latin America. We got to see contemporary life in those countries, not the stereotypes (Chinese can't speak proper English; they're subservients or gangsters; women were either prostitutes ("World of Suzie Wong") or cunning Dragon Ladies. (Remember, the only Chinese then on TV were "Hop Sing," the manservant in Bonanza and the housekeeper in The Courtship of Eddie's Father.) I Spy dealt with stereotypes by ignoring them. It had the nerve to show Culp and Cosby with regular business people, competent police officers, family folk, etc. who just happened to live in Hong Kong or Japan or Mexico. In one show, gangster Martin Landau tried to buy the services of a Chinese waitress. She rejected the money and his "offer," and I expected him to explode. Instead, to my surprise, Landau looked at the waitress with respect and said something along the line of "you can't be bought. I like that in a woman," and he backed off. Wow! Very heady stuff in the 1960s! I now watch the DVDs with my kids. It was interesting that I had to explain some of the racial stuff because it's not so obvious nowadays and/or we've made advances along the way. Thank you, I Spy, SL, Bob Culp and Bill Cosby.

This book also covered more obscure and hard-to-find shows such as Bergerac, the Sandbaggers, and Return of the Saint. And, of course, there were lots of silly or just plain awful programs as well. Fans of the Man from Uncle, Secret Agent, etc. will find much to enjoy, though. Great read, especially when you want an escape from watching TV.

From the early 1960s, TV spies were presented in light of anti-Communist propaganda, and through the years this model has developed to cover murky motives and adventures fraught with international intrigue. Spy Television considers how both popular and obscure spy shows came to TV, analyzes how and why the shows either succeeded or failed, and examines how fact and fiction have been incorporated into the genre. Britton earned his Ph.D. in American Literature and his penchant for uncovering sources and roots readily shines.

This book provides a resource for teachers of phonics or struggling readers. The presentation is user friendly so busy teachers will want to use it. This has excellent information on phonemic instruction. It has great resources like lists of prefixes, words, roots etc. This book is a tremendous time saver.

This book is an excellent resource for teachers who teach reading to all readers, but especially those who are struggling to understand "the code."
Word lists are very helpful, as are the activities and teaching strategies presented. Only wish there was an index!

As a first year fourth grade teacher I have found this to be an EXCELLENT teaching resource. I highly recommend it to anyone who wants to learn how to use phonics to improve reading and spelling - it has helped me both on a personal and a professional level. The information is in-depth and yet presented in a very user friendly format which has been logical and easy for me to build upon and REALLY USE!

Teaching Phonics And Word Study In The Intermediate Grades by WILLY BLEVINS

Author Willy Blevins has created a very sophisticated introduction to Phonics, but this books is also a WORD STUDY TEXT, emphasizing:

p. 51 Most Frequently Used Words in English Language.
p. The Dolch Word list (250 words)
as well as words classified according to suffix, prefix and word types, and Greek and Latin word Roots.

The Phonics instruction is in the first 50 pages and it is very complete. The entire book is designed with large pages and there are a number of exercises in the book that can be cut out or photocopied.

The book is directed at the elementary school student between the Third Grade and Eighth Grade. I got my copy to use in tutoring a single adult male from Mongolia.

I looked at nearly 20 books on this subject in the store, and bought several. This is the best of all the books I found. It is a complete course within itself.

This book is GREAT for anyone who has a difficult time teaching phonics. It is very easy to understand and gives the teacher in depth knowledge of phonemic elements.
I highly recommend this book!!!

I read this book in one sitting, which included the time during my daughter's orchestra concert. I'm ashamed to admit that I was more interested in the book than the concert. After I read it, I immediately xeroxed off several pages to give to my teaching friends who I thought would enjoy the poems as much as I did and I was right, they did! Something about the selections really spoke to my heart. It felt like the poems were meant to nourich me during those days when I was running low on fuel. I highly recommend this book to any teachers out there.

I bought two copies of this book, one for myself and one for my supervisor. The poems are well chosen and the book is well organized into different categories having to do with vocational discernment. What makes this book unique, however, is the personal testimonies from teachers describing the meaning of each poem in their lives. Since I received this book I have used it extensively, not only for my own enrichment but also for the enrichment of the patients I work with,

I bought this book a while back for my oldest daughter who teaches high school English and Art. It was so awesome that I kept it for myself. (I have a naughty habit of reading all the books I buy as gifts before I give them away....does that make them used books?) My copy is quite dog-eared and worn.

If you love poetry, you NEED this book. The poems are varied and inspiring and enlightening. I discovered many new poets whose books I just had to own after reading their poems here. It's an amazing anthology and would make a great gift to give any friend or loved one who enjoys poetry.

At first glance you might think it's just another "teacher book" but it is so fullfilling. As a teacher who loves poetry, literacy, and teaching children to love the written word this book touched me deeply. The poems can be read in the classroom, the narratives are rich and moving and they made me realize I was not alone in feeling I was called to the teaching profession. This book was a Christmas gift to me, one I have deeply cherished. The book gets to the core; it brought tears to my eyes.....tears of joy.

I absolutely treasure this book! For several years now, everywhere I give talks or do workshops on service-learning and civic education in higher education, I find an excuse to read a poem or two from this compelling collection of poetry. I think educators are yearning for renewal, and the combination of each poem along with a teacher's note on the meaning of the poem, strikes a chord. I know this, not only from audience reactions to my reading from the book, but also because I always get asked for the citation! I am always happy to recommend the book--(no one in higher ed has said to me they were not interested in the book, when I tell them the poems were selected by K-12 teachers). Suggestion for gift-giving: whenever it fits the occasion, it is a great present. It is also perfect for end-of-year giving for groups (appreciation gift for graduating seniors, recognition of teachers, thank you to participants in service-learning and community involvement programs, etc.).

I feel like I am in a Master Class and teacher's pet! Ellen Sandler provides a friendly and in-the-know work guide in how to write TV scripts. She offers exercises that had me laughing hysterically at my OWN details/specifics that will be used for my characters. The 7 deadly sins became that evening's "dinner topic" with a group of journalists that not only livened up the night but provided MORE embarrassing, sensitive and humiliating inspiration. I have more to read and to study but I knew I was in wise and experienced hands from the first few pages. HIGHLY RECOMMENDED!

This book was in excellent condition and arrived quickly. What more is there to say.

I've been using Ellen Sandler's book as a guide for the last few weeks, and I feel I've done much better work in that short time than I did all last year. The book is mainly geared towards sitcom writers, and for those interested in writing a comedy spec, this book is the one to get!

But for the sake of those wondering if they should purchase this or not, I will try to find some. YES, YOU SHOULD BUY THIS! How is that? :) Putting aside the fact that Ellen has written for some of the best TV I've ever watched, I don't see how anyone couldn't benefit from the generous advice she offers in this guide and so inexpensively! Be warned though, this book is not one that you just read. I guess you could, but I would honestly recommend trying the things she suggests. I tried most of her exercises and the differences in my spec script definitely stood out. This book is priceless, in my opinion.

This is by far the BEST TV writing book I've ever read and I have nearly all of them. Sandler doesn't just tell you the steps necessary to write a fantastic spec script, like all these kinds of books do, she guides you through the creative process of mining story material for it. And she tells you how to fashion subject matter that has the most emotional meaning for you, the author--which is the benchmark of great writing. It was a concept that until now, that no matter how many books I read, or how many harsh notes from execs I received on all my previous specs (or so I thought, now I FULLY understand their notes!) that I didn't grasp until now. TV Writer's Workbook, has provided the creative lightbulb I needed to get me out of my sucky spec script darkness. Highly recommended!

Ten years later, this book still comes in handy! Everything from accent reduction to improving the quality of your speaking voice is covered in Dr. Crannell's text. I highly recommend this book to anyone who uses his/her voice often- particularly for work. Voice and Articulation would also be extremely useful for a person studying English as a second language. This is one book you need when it comes to the voice and how it is used/misused.

This is an outstanding step-by-step guide to voice improvement. Each chapter includes clear explanations and instructions, illustrations, and loads of practice sentences to help one develop "career" speech. I have used this book as a student, instructor, and actor for many years with great success. Although most people may use this textbook to improve vocal tone and articulation, it is also an outstanding resource for actors who need to acquire an accent or dialect for a role. The large section on stage dialects and foreign accents shows the appropriate sound substitutions needed and includes practice exercises for each accent; actors will find this particularly useful. So, whether you want to improve your voice, or instruct a course in voice and diction, or prepare for the stage or screen, this is the one book you must have.

If there is any one book that can help anyone improve the quality of sound and articulation of the spoken word,this is it!If you apply yourself to practicing along with the tapes you will notice a difference in making your communication more effective. If your in any college studying voice and articulation and do not have this book go and purchase this text and share it with your classmates and professor. You will be glad you did!

If there is any one book that can help anyone improve the quality of sound and articulation of the spoken word,this is it!If you apply yourself to practicing along with the tapes you will notice a difference in making your communication more effective. If your in college studying voice and articulation and do not have this book go and purchase this text and share it with your classmates and professor. You will be glad you did!

This text has become the guide and standard that other authors are using in updating their books on the same subject! Crannell's analysis and exercises for accent reduction have been especially helpful to me in my work with international clients. The additional material on voice and presentation is of great value for everyone looking to improve their oral skills. The format of the book provides "lectures", vocal exercises, listening skills and practical homework to habituate new skills. This is a real gem for educators, performers or business communicaton professionals.

Reading The Way of Story is like having a talk with a trusted, intelligent and interesting friend. The writing style is friendly, easy to read, and inspiring.

The personal anecdotes and quotations Jones uses to illustrate her points are brilliantly chosen.

In The Way of Story, Catherine A. Jones shares lessons learned in becoming an award-winning writer.

The script is the first basic building block of any film, theatre, or television project. "The Way Of Story: The Craft & Soul Of Writing" by award-winning playwright and screenwriter Catherine Ann Jones offers aspiring authors an integrative approach to writing all the various forms of narrative storytelling. Laced with anecdotal stories and personal insights from her own professional experiences as a writer of scripts, Catherine Ann Jones persuasively argues that craft alone is not enough for success in this highly competitive, highly volatile business. There must be an effective integration of storytelling technique and experiential inner discovery as a writer in order to produce scripts that are commercially viable and persuasive when it comes time to pitch them to producers. Of special note are the wealth of practical tips for writing a successful script whether it is for a play, a movie, or a television show. "The Way of Story" is especially recommended reading for anyone who aspires to writing a screenplay, and will provide invaluable insights into both the process and the marketplace.

Catherine Ann Jones work puts all the elements of good writing in perspective, especially the importance of theme in producing a good story.

It was the subtitle of this book about writing that drew me to it: The Craft and Soul of Writing. The use of the word "soul" in connection with writing stopped me in my tracks. I too believe that good writing comes from the soul, yet my writing always has sounded more like a lawyer's brief than a soulful memoir or story. And so I wondered... Might this book free me from my mental prison? My hopes soared when on the first page, I read, "The whole of life can be a meditation, even writing." Clearly, I was in the hands of a philosopher as well as a writer. Here was a book which combined practical guidelines with spiritual experience.

I left the bookstore, looking at the book's unusual cover--a picture of an elderly fellow seated in a large old rowboat, its empty space in the rear crowded with colorful flowers. He uses a single wooden oar to paddle through the wide open sea as sprays of watery foam hit his face and obstruct his view. I see this as a metaphor for the obstacles and endlessly murky situations humans encounter as they row their way through each and every day, experiencing both the beauty they enjoy and the unpredictable vicissitudes that inevitably become obstacles along the way.

Numerous brilliant, relevant quotes by famous people appear on every page of The Way of Story. They remind the reader of the importance of soul to writing, of the path that writing must take in order to include the elusive soul. I read the profound and unique philosophies of such luminaries as Winston Churchill, Rimbaud, Harold Clurman, Lao Tzu, and many more, all of whom guide us to honor the soul. And we honor the soul by listening, by being still, by believing passionately in ourselves. "Passion," Jones writes, "must come first, then craft. The essence of Art is to use the outer form to convey an inner experience. This sacred thread, your innermost being or Soul, binds you emotionally to what you write, and if given respect, will lead you on to the desired end. Stories written from this center will move mountains--and even create livelihoods. Years ago, when interviewed by the New York Times about my approach to teaching, I was quoted as saying, 'We've become lopsided living only in our heads. Writing, in order to serve the Soul, must integrate outer craft with the inner world of intuition and feeling.'"

This book has become my bible because I am among those who are lopsided. And for all those writers who believe they are lopsided, Jones offers excellent guidance. Among the numerous suggestions she offers is a remarkable exercise called Soul Dialogue, in which she guides us to envision our soul, to learn from it what it wants, what it truly wants, and sincerely wishes to communicate to others. This message pervades her book. One of the many quotes I will always remember comes from another spiritual teacher--Butoh, a famous Japanese dancer: "The Soul is the important thing. Form will follow."

Form is the craft; soul, the art and passion. The author insists that the goal of writing is to reach the essence of feeling. She shares stories revealing how she has achieved this. An example was a day when Jones was in an acting class with the famous teacher, Uta Hagen. Jones was playing Ophelia. Having already played Shakespearean roles for a well known director in England, she felt confident that her improvisation was a good one. Until Ms. Hagen shouted, "I want you to play an Ophelia I believe goes to the bathroom!" At the time, she was stunned by her failure, but she carries this lesson over to writing. "Characters," she reminds us, "must be three-dimensional, grounded, and not just an extension of the writer's projected aesthetic imagination."

The essence of the author's advice is to dare to be personal. Jones reminds us that how we remember is how we give meaning to our lives. Lao Tzu asks, "How do I know about the world?" His answer: "By what is within me"--five important words I have placed on my mirror where I can see them each morning before I begin my day.

Catherine Ann Jones does not overlook the supreme importance of craft, and she is nothing less than inspiring in her chapters delineating the various genres. She covers the more obvious and less interesting ones (to me) such as structure, rewrites, outlines and dialogue. But her book is about so much more--about the voice of character and how to convey it, the unexpected synchronicities of writing, the resource of memory, the writer's voice, discovering your personal myth, one woman's remarkable story. She believes we must pay no attention to what will happen to the work, whether it will succeed in the marketplace, whether it will even reach the marketplace, quoting Robert Frost... "All the great things are done for their own sake."

There is no way to do this book justice in a brief review. Like most things in life, this book must be experienced to be fully known and appreciated. I can promise any student of writing, experienced writers, and anyone merely interested in learning more about the craft that this book will make you glad you did not leave it behind in the bookstore.

by Duffie Bart
for Story Circle Book Reviews
reviewing books by, for, and about women

The Way of Story may appear as a deceptively simple memoir/manual, but it is not. Catherine rockets you into the essentials of craft, as well as urging you to dig deep into yourself and transmit your emotions to the page, and the story.

Few books simultaneously pay equal attention to both the architecture AND the soul of the story. Finally, I think the book offers gems to both novice and experienced writers, including advice and a bounty of challenging exercises to get the ideas out of your head and onto the page. I wish I'd had this book when I started!

Few writing books get right to the point. Most take the long route with fluff, long exposition, winded prose that forces you to find insight buried deep.

Not this one.

The Writer's Book of Wisdom serves the main course from the start and tells it like it is.

If you love writing, you'll love this book. It will teach you critical understanding you need to know, will always use and remember. This small book requires a place on every writer's shelf. It delivers critical information to the point without any preamble.

I loved Rule #6. That one rule came at a pivotal moment in my writing - the nasty, stalker critic - and it sang.

Worth every penny.

Wolfe

Great little book to read one rule a day for inspiration or just to think about.

I've read this over and over again. Anyone who lives in a 'writer's world' will be able to relate to this book. From living in a vacuum to believing in your writing even when no one else does - this book will keep you going whether you are writing fiction or non-fiction. A few of my favorite chapters include: Embrace the wisdom of opposing views; Ultimately content matters more than craft; Get used to despair; Fail; Write to be great, not rich, and Trust the muse of revision. Writing is the vehicle of truth is another one that I loved. I recommend this to anyone who is in or is entering the world of serious writing.

101 writing rules are presented in short and straight to the point format. Each 'rule' is 1-2 pages. Fun and useful snippets of information and ideas for each chapter(rules).

The book is interesting and attractive with color and designs and on every page. This is a nice little book to have in your collection. I think it's a great little motivator, or something you'd pick up to get yourself refreshed and ready to go again. There are lots of quotes throughout the book. This features a very wide range of writing topics. Advice like 'Work in an inspiring environment, Resist distractions, Don't overuse negatives, Trust the power of your own voice, Art shows up in rewriting' -and loads more! I liked the appendix which is an evaluation guide that has questions to ask yourself about your work.

"Your manuscript should invite the reader in and constantly reward him for his time." -from Rule #99 on Submit a Professional Manuscript.

I've perused the shelves of Barnes & Noble many times, absolutely convinced that some day I would find a book that would give the boost I felt that I needed to become a writer. Recently, I found that book. Did it give me the boost I needed? Wow. Did it ever.

The Writer's Book of Wisdom by Steven Taylor Goldsberry put so many things into perspective for me and really helped me see things in a new light. This book is the PERFECT balance of motivational and educational, being that it is split into three sections:

1. Approach: Mainly intended to just get you motivated to start writing.

2. Language: Grammar and use of words/punctuation/etc. This is naturally my least favorite part, but some of it, I realize, I just need to know.

3. Style: I guess this would be the section that discusses finding your "voice" as a writer. This section really helped me realize how ignorant I've been on my quest for my "narrative voice", shining a new light on the entire issue.

So, in conclusion, whether you're just looking for something to get you motivated and inspired, or if you're looking for something technically educational, this book is just what you need.

The Writer's Friend is one of those books that should be on your shelf so that, when you are suffering from 'the rejection blues,' you'll be able to pick yourself up and begin again, using the information between this book's covers as a guide to solve your problems. The talented authors show you how to take an idea for one article aimed at one publication and turn it into several articles written from several points of view for as many different markets. They point out the pitfalls of ignoring an editor's instructions or submitting an article to the wrong market. The Writer's Friend gives you a thorough look at the other side of the writing field, that of the editor working for a publication or publisher. Here you will find advice on the many points most new writers will ignore while they focus on getting their work published; that of contracts and rights and learning your market before submitting. Invaluable information and tips on how to aim for a particular audience and market are included as well as help with the query process. The authors draw upon their own experience to guide you around the roadblocks to success. The Writer's Friend will serve you long and well, and you'll find the more you use it, the more of a friend it will be come.

If you are desiring to write magazine articles then this is the book for you. I've read several books about getting your magazine articles published and the Writer's Friend is truly the best. This book is comprehensive in that it covers what you need to know about writing query letters, doing research, understanding legal ramafications & contracts, targeting your market and so much more. I now feel prepared to begin submitting my queries to magazine editors. Honestly, this book should have been called The Writer's Best Friend.

This excellent little book is a giant in its field. It is more than interviews with editors, it is a wealth of advice with practical and workable examples. If you want to see your work published follow Kyle,Gregg and McAlary's profound visions on the process. Their tips and sage advice help you establish sound, publishable writing and if you follow them, will give you an edge in the publishing world. I highly recommend this magnificant book as an absolute must have for any writer's book shelf.

This imminently readable book takes an inside look at exactly what editors look for in writers:
Do your homework
Know the magazine
How to prepare a successful query
Grabbing an editor's attention by slanting your topic to fit the magazine of your choice

The Writer's Friend also includes valuable information for technical writers looking for assignments.

Reading this book and knowing what editors look for, paves the way to success.