Language Arts Books

Great supplement to your textbook. It has material relevant to the examination. It includes a list of vocabulary the teacher can give to students and exercises to prepare them for the AP Spanish 4 examination.

This workbook, which our AP Spanish teacher provided us, was extremely helpful in preparing for the 2008 AP Spanish exam. All the activities, including the narratives, dialogues, reading passages, speaking conversations, and speaking presentations, were very similar to those on the actual AP test. This workbook also has extensive reference material, such as commonly used verbs, idiomatic phrases, conversational phrases, grammar rules, that also help in preparing for the Spanish exam. If your teacher does not use this book as a supplement to the class like my teacher did, I would buy the answer key and the audio CDS seperately to obtain the maximum benefit from this book. If you do the majority of the activities in this book well, you will most likely earn a 4 or 5 on the actual exam!

The newly updated (written in 2006 or 2007) version of this workbook, which our AP Spanish teacher provided us, was extremely helpful in preparing for the 2008 AP Spanish exam. All the activities, including the narratives, dialogues, reading passages, speaking conversations, and speaking presentations, were very similar to those on the actual AP test. This workbook also has extensive reference material, such as commonly used verbs, idiomatic phrases, conversational phrases, grammar rules, that also help in preparing for the Spanish exam. If your teacher does not use this book as a supplement to the class like mine did, I would buy the answer key and the audio CDS to get the maximum benefit from this book. If you do the majority of the activities in this book well, you will most likely earn a 4 or 5 on the actual exam!

This book has been fully updated and reflects the changes made to the 2007 AP Spanish Language exam. In this book, Jose Diaz gives you ample practice for each section of the new exam.
For the multiple choice section: The listening practice is comprehensive with numerous long and short audio selections. There are more than 40 reading sections to practice and perfect your reading comprehension skills. The questions reflect the new item types that will be part of the new exam.
For the free response section: There are several pages of fill-in practice for both fill-in sections: with root words and without. Several prompts are given for the email/letter test section (32 to be exact). There is also ample practice (17 total) for the new integrated skills essay, where students read 2 articles and listen to an audio source. For the speaking sections, there are 20 practice sections for the new directed dialogue/phone conversation test items and 20 for the new simulated in-class presentation--here students must read an article and listen to an audio source combining the two in their 'in-class presentation' of 2 minutes.
This book is really all you need to be well-prepared for the AP Spanish exam starting in May 2007.

What are the drawbacks to this book? Unless you buy the Audio CD's, sold separately and from the publisher, you can't really practice the audio sections. Without the teacher's guide, also sold separately and from the publisher, you won't know if your answers are correct for the multiple choice and fill-in sections. If you're not in a classroom setting, you won't know if the essay or short letter you have written or if your dialogue and in-class presentation are on track for the score you want. The latter is true of any other test prep book on the market.

All in all, I would say that buying this program is well worth the money; especially since this is one of the few test prep books that has actually been changed to reflect the new 2007 AP Spanish exam.

This book is one of the best preparation materials and definitely worth the price, but there are no answers- anywhere. Also, the audio CDs do not come with it.

I have nothing to say except thanks.With the help of this book,my skill of java problem had been improved to a higher level.I will recommend it to my friends who are studying java and also are meeting the problems that I met.

I enjoyed tinkering around with the code examples in the book. Lots of neat ideas and the book filled in the gaps where I was curious about how some things work.

I've never quite been able to figure out why this excellent little book never caught on. Over the years, Herbert Schildt has been one of the most excellent writers on computer science and programming that I have found, and this book is no exception. Both the narrative and the code are excellent.

The only thing that I can figure is that because this book does not target a particular audience - say those interested in enterprise applications for example - that it never really sold well. It is true, Mr. Schildt is all over the map in his applications - with such varied subjects as a recursive descent parser and also a language interpreter from programming language theory, from the world of web applications a download manager and also a web crawler, and from the world of artificial intelligence a problem solver. To me, though, that is part of this book's appeal. However, if you did not have an academic computer science background I can see how you might not be interested in the programming language and AI parts of the book.

I highly recommend this book for anyone who wants to become a better Java programmer and does not mind spending some time looking at applications that might not be of immediate need to them. Especially if you have an academic computer science background and already know something about programming language theory and artificial intelligence, this book should be very interesting and very helpful.

I've buyed the book today ( in spanish ), and, even not being a skilled Java programmer, I've enjoyed the first chapters. It resembles me the excelent work that Herbert Schildt does in Dr. Dobbs Magazine, a lot of years ago ( sorry, Herb ), and when I saw the getToken() method into the code, this inmediatelly remembers me the "Build your own C interpreter" article, which I've loved it. After five years of "boring" network's administration, I've make the decission of to get more involved into Java developement, and take the Herbert and James's book was the right choice to me. By the way, this is not a beginner's book, but with a little effort, and a middle knowledge of Java and OOP, you are on the way. The best money I've spended.

What I liked about this book was the fact that the author not only implemented the back end code, but showed how easy it is to put a quick Swing UI on it. The ability to write a complete, good looking application is often missing in most books. I think this should encourage more people to write quick UIs for the various utilities they code in Java. It encouraged me to go back to some old command line programs I use and throw a quick UI on them. Of course, that's not the point of the book. His intention was to show how Java can solve traditional computer science and IT problems. He succeeds at that.

My only complaints are:

1. the book hasn't been updated to Java SE 5 yet.
2. the use of Swing by the author is incorrect in my opinion. I think there's a few times the author doesn't handle the event dispatch thread correctly. This could send people off in the wrong direction with Swing.
3. the coding style doesn't exactly match the Java Style Guide published by Sun. Some people might like this, but I think it's a problem with many books.
4. The code in the book is not syntax highlighted. Most editors do this quite effectively and I think more books should start doing it.

This could be the only book you may need on the topic of public speaking. While the author, Jeff Davidson, says that he is no a speech coach, he certainly has vast experience as to what makes successful presentations and he lavishly shares his experiences, observations, and training with his readers. At $14 this is one of the best buys you will encounter.

If you speak at all in the course of your professional or private life, get this book. You can't help but become a better speaker with it. It is like a complete guide, reference book, and speaking coach rolled into one.

The book Public Speaking by Jeff Davidson, was written mostly for professional speakers and not necessarily for classroom use. Our professor did not approve of the book for college students. The information presented can be used as an example.

If you speak at all in the course of your professional or private life, get this book. You can't help but become a better speaker with it. It is like a complete guide, reference book, and speaking coach rolled into one.

The Complete Guide to Public Speaking is a complete guide. I was quite impressed with the array of topics covered in this book. There are almost fifty chapters in all! I didn't get this book because I am nervous in speaking. I got it because I want to be a better speaker than I am. I feel that with this book, I will be. There are really good chapters on getting prepared for a speech, dealing with the audience, and even handling what goes
on after your speech. The chapters progress in a very quential, logical fashion. There are lots of exhibits, charts, and helpful lists that the author uses himself in his career as a speaker. While I don't aspire to be a professional speaker, I think that anyone who wants to advance in their career recognizes at one time or another that you're going to have to do some kind of speaking. To that end, this book will help a great deal.

I bought this book because it received high ratings in one of my magazines: sort of half as a joke and half because I did feel like I was cussing too much.

This book was hilarious and not at all preachy. He used humor very effectively for deterring cussing. He's right, when you think about what you are ACTUALLY, literally saying...a lot of cuss phrases sound really stupid.

The personal narratives were also really effective. Not only did you see how this kind of negativity hurt others but sometimes...when you actually see the cussing in print it's embarrassing. What I am saying is, when you read it you realize that you may be being a little irrational.

A great book...a humorous look at working towards a behavior change. Good fun.

Ooh, this book made me cringe. I recognized myself more times than I cared to. I bought this book for the specific reason to help me curb my cursing and not only did it curb it, it has pretty much eliminated it.

Mr. O'Connor does an excellent job keeping the reader's attention. I appreciated his explanation of the two types of cursing: causal and casual. I have been able to eliminate casual cursing from my vocabulary and for the most part do very well with causal cursing even to the point of hopping around shouting 'shoot, shoot, shoot' when I stumped my toe recently.

I wish this book were required reading in public schools. My son's junior high is rife with colorful language. I know his language must have been just as bad as everyone elses. I had him and his buddy read through the book, and even through faked shocked giggles at the list of 'dirty' words the book got the point across to them and I've noticed that their language has cleaned up. I've even seen a dramatic decreases in the "Oh Gods" and "Gods" they say. They both said the book made a point of letting them know how ignorant they looked when their language was peppered with foul words. No, I didn't get them to read all the book but enough to make a difference.

Who am I? Well, suprisingly enough, a middle class college educated housewife with a strong religious backing who had found her language filled with the 'f' word and the cursing habit seemed ingrained and hard to break. Until I read Mr. O'Connor's book. Cringe, cringe, cringe....but it was worth the squirming hard look at myself to break this habit. I have been relatively curse free now for three months. The lessons learned in this book are not easily forgotten!

I first learned about this book when I saw the author (and two imposters) on the game show "To Tell the Truth". One of the panelists, comedienne Paula Poundstone (besides picking the wrong guy as the REAL James V. O'Connor), seemed to have a problem with the very idea of people encouraging others and themselves to clean up their language. After all, she curses and even allows her children to curse. Well, Paula, I think even you might enjoy this book if you actually read it. Far from advocating censorship, this book can be a valuable help to those who want to curb something that is as much a bad habit as smoking. Plus it is very entertaining, even hilarious in some places.

O'Connor is assuredly no stick-in-the-mud. There are probably more bad words used in this book than in 95% of the books out there, but they are there to make a point. When you read how these words are used, you can see how ridiculous they really sound. Plus, he gives many ideas for word substitutes, but he goes beyond that. Differentiating between "casual" and "causal" cursing, he suggests that it is easier to get rid of casual swearing. As for the causal, he attempts to attack it at the root, which is often anger and frustration, and points out that an attitude change is what is needed. If nothing else, this book makes you more aware of your use of language and how it affects you at work, at home, and, yes, in traffic. I know a guy who read this book and his cursing was curbed almost immediately because he was more aware and alert to it. (What, do you think I'm talking about myself? Hey, someone who knows me might be reading this right now, so keep your doggoned mouth shut!)

I was in the bookstore yesterday and the title of this book caught my eye. My first thought was "Why the @*!# should I control my cursing? That's when it struck me that my language has gotten a bit um...colorful lately and I bought the book. I'm happy to say that it's entertaining, clever and it makes it's case. Will it make me curb my salty tounge in the future? Well, for a little while anyway, yes.

A surprisingly entertaining read with a lession for all of us.If you want to clean up your mouth-or clean up your act-I strongly recommend Mr. O'Connor's highly original book.

Then I read this book and applied a few of the very simple exercises into his everyday routine. Last year he received his MFA in photography and experimental animated film from the California Institute of the Arts. He now has a job at USC and is excited that one of the benefits it offers is free classes. He wants to pursue a degree in Civil Engineering! Most importantly he is happy and proud of himself, with good reason.

This book saved his life!

This book is a fantastic resource for activities on right-brained learning. Vitale's format is very easy to follow. The lessons are practical and easy to use. I have used this book in my classroom and have found that the lessons engage students and help them to understand difficult concepts.

I read this book twelve years ago. As a homeschool mom it helped me understand the ways I needed to work with my child. Now, as he approaches graduation...he is a musician and speaks two languages fluently. I will never forget the day this book fell into my hands!

This book gives a basic description of a right brained visual learning style and some very easy to implement strategies for helping right brained learners.

about brain mysteries and learning. Her book helps to make a dent in that pathway of mystery. She gives practical advice as well as personal stories to support her point of view. This is a must have for any teacher.

Fiction First Aid, by Raymond Obstfeld, is packed with practical, no-nonsense tips for troubleshooting a manuscript that "needs something." It's organized simply, with chapters about plot, characterization, setting, style, theme, and the writer's life. Each chapter has sections describing symptoms, the ailment, diagnosis, and treatment. Because the author's approach assumes that the reader has already written a manuscript, I wouldn't recommend Fiction First Aid as the very first "how-to" book for a novice. But this one is high on my list of favorites.

I was looking for a writing guide that dealt more with plot and characterization as opposed to really technical issues (grammar, syntax, etc). My grammar is fine, but sometimes I need a reminder as to why my character isn't working or the plot is flat.

Instead of teaching about why a sentence seems off, it tells you why the story seems off.

This book is easy to read, well conceived and incredibly helpful. Obstfeld knows his stuff and he writes from the perspective of one who has been in the trenches and knows what writers need to know. Highly recommended.

I've read many other fiction writing helping books (2!), and I can solemnly swear that this one is the best. Instead of destroying your dreams of being a writer by constantly reminding you that writing is a hard business to get into (as if I didn't know that), it offers you hope. The author obviously is experienced at writing fiction, as he teaches a class. This book is well garnished with many interesting and helpful anecdotes. The problems he adresses are things that I've been concerned about in my writing, but had not been able to find answers to in other books. It's written in a very easy to read and noncondescending manner, and has good eamples. I wholly recommend this book!

I'm an editing book junkie, and this is hands down the best one I've ever read. It gives specifics on trouble spots and what to look for, and actually tells you how to fix them. So many books I've read just advise of what to do, but never show you how. I read through the pages thinking, "I do that. Yikes, I do that too." My work has improved trememdously since I read this book. I think every writer who wants to polish his work or give it a final once over before submission should read it.

This book has great content for use with a home school speech and rhetoric program. Not to lengthy, it is an interesting and easy read.

I recommend this book for anyone who would like a few more clues on the many ways masterful sentences are put together. If you have the soul for good writing, but need a little more concrete guidance on how powerful phrases from the Bible to Virgil to Shakespeare to Churchill are constructed--this book will be a delightful little teacher.

I was impressed by the lighthearted and humble approach of the author. Although he gives the formal (and quite forgettable) names for the figures of speech, he says he doesn't expect readers to remember the names, but rather to "taste" the examples he cites, and to get a feel for how to apply these patterns in their own writing. He repeatedly stresses that knowing how to use words and rhetorical patterns is far more important than memorizing their names or even agreeing upon their proper classifications.

The author also cites classics ancient and modern in making the unconventional and refreshing point that we need not slavishly follow the dictates of the now-popular rules of usage as promulgated by Strunk and White and other like-minded authorities. For example, while contemporary authorities repeatedly (yes, ironically) stress the importance of avoiding any unnecessary words, the author of Figures of Speech cites many passages from the Bible, Shakespeare, and other sources of distinction, that clearly do not follow such strictures--and choose elaboration and repitition over spare economy.

Overall, the book is informative, accessible, generous-spirited, and, in places, even humorous and playful.

When I got to the end of the slim volume I found myself wishing there was more.

Short, easy to read. Full of great examples. Will make you a better speaker and heighten your appreciation of great literature, as well as showing you the techniques used by playwrights, poets, politicians, lawyers, clergy, and all others who earn their bread with their tongues. An eye-opener.

Professor Quinn's slim volume is perhaps the best treatment of the subject of rhetorical devices that I have ever read. I say "best," not because it is the most extensive, nor because it is the most detailed coverage of the subject. I say "best" because I feel it is the most *useful* coverage I have ever encountered.

In concise fashion, Professor Quinn takes the reader through many of the most common figures of speech, tells us the formal names, and provides numerous illustrative examples.

It is true that simply knowing the name given to a particular turn of phrase will not guarantee that one can effectively employ it in one's writing. Nevertheless knowing the
forms and having names to identify them makes it easier to see them in use in the writing of others. By thus making them memorable, they also become a more ready part of one's writing toolkit.

The engaging and entertaining style which Quinn uses throughout the book makes even the most daunting technical terms readily accessible. His well-chosen examples are also entertaining and informative, and most are quite memorable. I can't be certain that merely reading this book will improve every reader's writing, but I believe that most folks will benefit from reading it.

"Fair is foul and foul is fair."

"Circumstances rule men; men do not rule circumstances."

"Ye have not chosen me, but I have chosen you."

By now, you may have noticed the similarity among these three phrases: an inverse repetition of words. But you may not know this style has its own technical term (epanados). Figures of Speech: 60 Ways to Turn a Phrase, a tiny tome, lists and explains the technical terms of 60 such style devices.

Rooted in Latin, these terms are not important in that each and every one should be memorized. In fact, the author himself notes the foolishness of such a pursuit. But writers (and editors!) should know how to recognize them, and, ideally, experiment with them in their own writing.

Arthur Quinn does a solid job of explaining how to use these figures of speech. He provides brief definitions and illustrates them by listing examples from eminent writers and the Bible. However, I do have a few complaints. Sometimes Quinn glosses too quickly over a term, not giving it a full definition. He also often does not explain how his examples show a particular style device (it would be nice if he bolded them, when possible). Sure, sometimes the examples are self-explanatory but for the confusing concepts it would aid comprehension. His glossary is also a little erratic, sufficiently explaining one term while insufficiently explaining another.

Overall, however, Quinn has created a valuable resource for creative writers. It's a gem of a book in its brevity, and I wish another edition would come out to renew people's interest.

Took a workshop with a teacher of the Linklater method. I was hooked. A former singer and actor, a car accident left me with a permanent trach and very little speaking voice. These exercises are helping me to recover volume and expression in my voice. I watched the effects of the exercises on "normal" participants and was blown away.

Don't try to reinvent the method- give it a real try as is. I think it would be extremely valuable when working with new actors. Teaching projection can be tough but this leads right to it.

While nothing can compare to the real deal of a professional Linklater voice instructor, this freshly updated and expanded 2nd edition (from the 1976 inaugural printing) brings with it 20 years of Kristin honing her voice exercises, and it truly shows in the meticulous explanation, improved illustrations and the careful word choice.

And when the book cover says expanded, it isn't kidding. Many warm-ups have been extended with additional exercises, and one useful feature is the commentaries at the end of exercises, which manage to put the exercises into a real world perspective that makes easy sense.

This book's language never gets caught up in intellectual logic. Instead, the text is so well laid out that exercises move from explanation to actual practice, and then to the next exercise before you realize it. The text is a definite improvement from the 1st edition, and that says a lot considering that when it first came out in the 70s, Freeing the Natural Voice became a staple in the voice acting industry and in many American acting curriculums.

When read, the text feels like Kristin is there having a conversation with you, and that is impressive considering that it is an exercise book, though so much more than that. It should be used as a helpful reminder and refresher for every instructor and student of acting (not just voice), as I myself intend to refer back to it on a regular basis.

Another thing that should be said that the text and exercises make the whole warm-up purpose simple by breaking down the body-emotion-voice connection to its most basic level. If you pay half-attention, you'll learn more that you could possibly be prepared for about not just your voice, but more importantly about your body, and how common habits of tension and emotional restraint truly affect everything you are.

This book is about the deconstructing of the physical and mental self-made blocks that inhibit the natural voice and the natural body - seeking to instead rebuild a direct emotional impulse essential for great acting.

This new and expanded second edition is a gem. Hundreds of pages of clear, easy to follow exercises and commentary are presented in a step-by-step format that allows actors (and speakers in general) to progress at their own pace no matter what their level of experience. The vocal exploration is made even more enjoyable by the lighthearted and effective drawings found throughout. This is required reading for anyone interested in developing a more free and expressive vocal instrument.

As a teacher, I
find this new edition invaluable for students of all levels. It is complete, available and thorough. After working with many different books on voice, this book is the one I keep coming back to. My students love it.
The exercises are specific and continually return the student to the purpose of developing their voice- communication and the revelation of thought and feeling.

As a theatre director, I have read a lot of books about other directors and stagecraft, and far fewer about the intimate work of the actor. I never got around to making a close study of voice until now, and FTNV has been a wonderful revelation for me.

Not only is Linklater's work imagistically strong and physically clear, but the thoughtful and careful way she approaches "release" seems a metaphor that extends well beyond the borders of the voice. It has inspired me in all facets of my artistic work. Wonderful, insightful, highly recommended.

This has been a fantastic addition to my 6th grade Language Arts classroom! I'm amazed at how well my "reluctant" students are doing with it and surprised at the general enthusiasm to continue the "story" each day. It allows the students to have a consistant "bell ringer" that isn't just busywork. It is also a great way to interact with the students on an individual level and assess needs as far as GUM (grammar, usage, mechanics) goes. I love the CD--I put the daily Caught 'Ya it on a Power Point and have a seperate slide for each period so I an correct in each period without having to rewrite.

This was a great buy and I can't wait to see how it works through the year!

I have used another Caught Ya for several year, but have moved from high school to middle school. I am really enjoying the Caught Ya specifically for middle school. I can tell a difference in my students' writing, especially in the area of punctuation and more varied sentence formation.

Sara Sherrill
Hurricane Middle School

My gifted class will not sit still for a traditional (boring) grammar lesson, but their writing skills aren't keeping pace with their creative ideas. The "Caught'yas" in this book keep my kids focused on doing their grammar...everyday! The lessons help them with their writing and introduce $100 words into their vocabularies. With the included CD, I don't even need to type or write the "Caught'yas." I just copy and paste into a powerpoint and put the daily work on the projector. Truly a great find!

The service I received was excellent. I received the book within 3 days in perfect condition.

This is the third "Caught 'Ya" book I've purchased - my kids LOVE this idea, and they are LEARNING!

Kate Bloomfield, a Canadian teenage girl, records her thoughts and feelings through a series of poems and vignettes. The very first page quickly sets the tone of Kate's story - she announces her arrival to the World, but when she gets no response, her Self celebrates with somersaults. The World had its chance, but now it's Kate's turn! Simple stories, like not being able to eat parsnips or being proud to be Canadian, are mixed with longer portraits of Kate, her friends and family. Kate struggles with becoming a teenager and learning more about her parents and neighbors. The reader gets an intimate portrait of Kate and may discover a kindred spirit.

Kate has already appeared in two book, Kate and Look Through My Window, but Hey World, Here I Am! certainly stands on its own. Little's writing style capture the teenage voice perfectly, without any of the angst or drama found in so many other books with a teen protagonist. Kate is caught between a world where she is old enough to have experience and reflect on her opinions, but still new to the world of adults. Truesdell's illustrations, wobbly black and white drawings, are both silly and sentimental. The drawings interact with the poems, somersaulting around the words. Not only will younger readers find a companion in Kate, they will be introduced to poetry and the short story format.

This is my very favorite book. It was delivered in a very timely fashion and it is so great. The main character grew up in Canada and is Jewish and I'm Hispanic and in Southern California, but I so get her!!! The style that she writes with is so simple, understandable, and creative; it's poetic. It would be a great book to read at bedtime with your child or by yourself.

This is such a great book! It's perfect for any young girl. The book has short poems and stories told from Kate's point of view. It's fun, it's happy and it's sad. It talks about friendship,parents and life. I cannot recommend it enough! I read it when I was in middle school, probably. Rereading it reminds me of how much I enjoyed it. Really a great read for anyone at any age, but will speak to a young girl's inner voice. GET IT!

I purchased this book at a library book fair in the second grade. After one reading, I fell in love with the goofy pictures (I like Kate's hair and messy bedroom) and poetry. It combined poetry and pictures, my two favorite things in a book at that time. Over many years, I have gotten rid of the old books of my childhood, but I have never parted with this one. I take it off the shelf about once a year and read it (since I was seven I've read it ten times). I can empathize with Kate and her love of books, spats with her mother, and her dislike of interpreting poetry. Even though I am not Jewish like Kate, after reading the Diary of Anne Frank like her friend, I felt Jewish too. I also write poetry, but they are usually about my cat and nature. After reading this book many times, my love for Hey World, Here I Am! has never faded.

I was about eight years old when my mom first brought this book home for me. I was so thrilled because I shared the name of the character in the book, Kate. I absolutely devoured the book, enjoying it more for the humor Jean Little displays impeccably in her writing, and the utter appropriateness of Sue Truedell's wonderful illustrations. Later, when I was a teenager, I went back and read the poems again because they seemed to describe the utter tumult and solitude that I felt during such a trying time. Poems like "Today," "Alone," and "Yesterday" capture perfectly feelings and emotions that nobody ever thinks to capture, yet Ms. Little does it in such a fabulous way that one instantly understands just what kind of mood she is describing. Now that I am a young woman, near to having a family of my own, I treasure my battered old copy of this book, nearly worn to pieces from repeated readings. Even today I can still find wisdom in every poem and piece of prose. The writer, Jean Little, is blind; I can only say it has sharpened her other senses and her intuition of basic human emotion powerfully. Bravo!