Language Arts Books

The book explains a simple method to analyze and rewrite a sentence. The first fifty pages felt redundant, but slowly changed my view of writing. I now don't look at copy the way I used to. I'm using the method to write this review. The typical author can cut down copy by more than 50% to clearly convey a point, while respecting the reader's attention. I found the book in the bibliography of the Nuts and Bolts of College Writing, another outstanding book.

I have the 2nd Edition with the $8.00 price tag still stuck on it. 20 years ago, this was a required text for Technical Writing. Now I'm writing my first technical book, and picked it up the other day. What a shock! It's still relevant, quick, funny, and very inspiring. How many college texts hold up that well?

Here's the thing. Revising Prose practices what it preaches. It shows how to mercilessly cut filler, sharpen your opinion, and ultimately to say what you really want to say. That it does this in much, much less than the usual 300 pages shows that it works pretty darn well.

Let's face it. You pay much more for a small diamond than a big piece of cubic zirconium. This is a true diamond of a book.

I'm working toward my MFA in creative writing, and ran across this book during editing classes for my BA years ago. It was a required text, and I wish I'd had it much earlier.

While ostensibly for business, academic or technical writing, I've found it very useful for fiction and creative non-fiction. If nothing else, it illustrates clearly how combinations of particular words create certain effects for the reader (examples of how to best confuse, bore, or torment a reader are always useful!) I've bought it as a gift for other writers, recommended it to collegues at work, and use the ideas in the Paramedic Method to "get the lard out" of all my writing. This book is useful to anyone who wants to write clearly. Like most of the better books on writing, it's also short, precise, and occasionally funny.

I teach college rhetoric and composition, and I ultimately decided not to order this book for my classes. The information and explanations are as good as any I've seen in a writing handbook, but I cannot justify asking students to pay this much for a book that is essentially a supplement to another textbook. The book is short and small, and I can only imagine the students' reactions when picking up the slim little volume in the student stores and seeing the price tag. They'd be too mad to read the darn thing. I give it five stars for content, but 1 star for price. Where is the price coming from? There are few copyrighted items reprinted and no color illustrations. It's just original prose in black and white in a tiny paperback. It's absurd to charge that much! I'll be placing it on reserve.

I have the 4th edition of this book, which is about 50 pages less than the 5th edition. The first two chapters and the appendix are excellent. The rest of the book is very repetitive, although periodically interesting. The author offers unique advice. I now wish I had ordered the 5th edition to see if the other 50 pages contains new information.

I have received but not started his "Analyzing Prose" book, which is very substantial and appears to contain similar material.

John Dunbar
Sugar Land, TX

This book provides an excellent step by step approach to the rewrite process. No matter how good your script is, this will improve it or confirm that it is as good as you think it is.

I began studying screenwriting by taking Robert McKee's Story course back in '04. While it was a good introduction to the craft generally (maybe "academically" is a better word), Paul Chitlik's course in the UCLA extension program really got me started on the road to becoming a professional. Paul goes straight to the heart of the process from the very first session of class, and holds a true line to the end. I was fortunate to be a runner up in the UCLA Screenwriting Contest in 2007 with a story I wrote for his course, and did well in a few other contests, including Nicholl. Had I turned in the draft I've written recently using "Rewrite," I think I would have had a better shot at winning. If you want to be a screenwriter, and have a good story in you, Paul can help you get it on those hundred odd blank pages, and make it great in later drafts. Take his course. He's the guy.

The title of this book is "Rewrite" but save yourself a lot of work and read this book BEFORE you start your next script.

Paul Chitlik is an amazing instructor at UCLA (under his tutelage, my second screenplay ever went on to win the prestigious UCLA Professional Screenwriting Contest) and he has distilled his teachings into this concise yet comprehensive book.

This book is a "must have" for any screenwriter. I have a feeling that I'll be rereading it every time I finish a rough draft.

As a screenwriter and a professional editor and writing coach, I highly recommend this book. It has already helped me personally in a quick turnaround re-write I needed to do. The book provides clear guidance while not prescribing formulaic cliches. The examples are excellent and the information invaluable. Chiltlik strikes a balanced tone of the work required in rewriting and the humor required in getting oneself to do the work. A true gem of a book.

At the paltry price of a paperback, Paul Chitlik's REWRITE guides you, step-by-step, to revise your screenplay with the attention of an experienced script doctor. The book's tone is amiably authoritative -- the author has many years' experience teaching MFA workshops in screenwriting. Here are samples of the "To Do" items, chapter-by-chapter.

1. Clarifying Story and Structure for Impact. "To Do: Briefly outline your story in terms of seven points" (p 11): Ordinary Life; Inciting Incident; End of Act One; Midpoint or Turning Point; The Low Point; The Final Challenge; The Return to (the Now-Changed-Forever) Normal Life. Next "To Do" is to write a beatsheet or list of the scenes in your screenplay. The appendix presents an excellent example of a 67-item beatsheet with subheadings corresponding to the seven points.

2. The Powerful Protagonist. "Write your premise now. Do not tell the story, only the idea of the truth you want to prove." Does your protagonist help prove your premise? If not, adjust his profile. Ten more "To Do" items include the protagonist's apparent goal, what the goal changes to at the midpoint, and the personality flaw.

3. The Worthy Antagonist. "Write one line saying what your antagonist wants" (p 43).

4. Ensuring Dynamic Scenes. "Go through your beatsheet and examine each scene for conflict. Write what, exactly, is the conflict of each scene under your description of the scene. If there is no conflict, there is no scene. Sometimes you'll need to group several beats to make a whole scene, so not every beat will have conflict" (p 47).

5. Making Descriptions Leap Off the Page. "Go through the descriptive paragraphs in your screenplay and see if you can take out all the adverbs and as many adjectives and nouns as possible. Shorten your sentences. Shorten your paragraphs" (p 61). "To Do. Find a scene that is heavy in dialogue and try to express it completely in action and description" (p 62).

6. Life Support for Your Protagonist. "Go through your story an identify the supporting characters who are most important. Beef up their screen presence by giving them a quirk of some sort. Make them stand out. Have the quirk relate to their personality or function regarding your protagonist or your antagonist" (p 67).

7. Paring It Down. "Choose a ten-page excerpt from your script that you think is pretty tight already. Now cut a page from it. Use any tricks you can think of, but get it down to nine pages" (p 72). Chitlik presents an example from his own screenwriting: an 11-page excerpt pared down to 9 pages.

8. Where Am I? The "To Do" item asks you to complete the suggested Script Status Report on your rewrite.

9. The Right Look. The "To Do" items include standard formatting, correcting grammatical errors, and culling out camera directions.

10. Finishing: The "To Do" item is to go back and rewrite. How many rewrites? "A professional writer might revise a script 30 times.... In fact, a script isn't done until the final cut is made, an it goes into wide release. Even then some writers would like to do more" (p 111).

An eminent script doctor in paperback, Chitlik's REWRITE merits five shining stars.

-- C J Singh

Gave this to my 7-year-old for Christmas and her signing ability has simply taken off. Easy to read. Great pictures demonstrating the signs. Nicely organized so that kids can practice groups of related signs.

I wish I had this book 5 years ago with my oldest child. Signing is so easy to learn from this book. The colors are vibrant, the pictures of the kids signing are large enough to actually see, and the categories are relevant to kids(school, home, feelings, favorite foods, animals, etc).!! I would recommend this book to anyone, young or old, who is learning to sign.

I am mom to a toddler, aunt to a 12 yr old girl and 8 yr old boy, and reading tutor to three kids ages 6, 11, and 15. We all love learning from this book. Heller's Baby Fingers Teaching Your Baby to Sign board books for babies and toddlers have also been great for my toddler.

I love this book. It is a great begining sign language book. I bought it so my 19 month old daughter and I could learn together. The combination of the photos and the descriptions of how to make the signs helps even a beginner pick it up.

The photographs in this book are much easier to follow that the drawings that I've seen in other books. This one also has more signs than other kids books because it's about sign language, not deafness. Best of all, it has a grammer section for ASL that is better than I've seen in ANY signing book, children's or adult's. An excellent choice!

Mark Ortman's "simple guide" is an easy to read, comprehensive look at the various aspects involved in self-publishing, including preparatory steps (copyright, ISBN), printing, marketing, and distributing. He offers lots of references to resources which will be useful, and he provides some tips as well.

Brevity is the chief positive attribute of this book, and it is also a weakness. You might want more about each of the subjects that Ortman raises. Another problem with the book is that much of the information involving technology is outdated, although most of the rest of the book is up-to-date.

Not everyone will want to read this book. But the beginning writer can certainly benefit from it.

Back in the late 1980's I had the privilege of attending a self-publishing workshop with Mark Ortman, the author of this excellent how-to guide. I purchased "A Simple Guide to Self-Publishing" and used the knowledge I gained to successfully publish and market my first book. I've recommended this book many times over the years, since it provides a perfect introduction to the topic. I'm happy that Mark has kept the book up to date, and that the Third Edition includes helpful information on On-Line Publishing.

This book may be a handy ADDITION to your publishing library, but it is definitely not "the" source book for marketing. In fact, in the rapidly changing world of publishing, I found that most of the information I did want to use was already out of date.

This book helps you compare regular publishing with self-publishing to see if it's right for you.

Three main questions underlie the process:
Why do you want to publish your book?
Who is your audience?
What makes your book different or unique?

Chapters cover such topics as:
Learning about the industry and preparing the manuscript
Printing
Announcing your book
Distribution
Creating a demand, touring, marketing--by far the longest chapter

This book has lots of great suggestions, but he doesn't go into any very deeply. At only 62 pages, this is useful as a handbook. It is geared toward writers who needs an overview of the process, particularly those wanting more traditional paper publishing for their books.

This simple guide is exactly that, the bare bones basics for those who don't want to wade through hundreds of pages. You can get more than three times the information for only twice the price in a book like Dan Poynter's The Self-Publishing Manual, but more is not always best for everyone. If you are the type of person who wants "Just the facts" this book could be your ideal introduction to self-publishing.

A couple years ago I just happened to be browsing the music section of my local Borders, looking for some inspiration, and stumbled upon this book. It is truly great, and has had large effect on my outlook (and skills.) I read through it regularly, write in all the margins, and should really be putting more effort into mastering these ideas. Buy a copy if you can, even at the current used price of $45. It's worth it, if you can only see the knowledge it contains and truly adopt this performance outlook for yourself.

If you want to "entertain" an audience, Liv can tell you how to do it. This book is concise, entertaining, and a MUST read. The author provides some real-world reality checks, shows you how to engage the audience, and does it all with humility and good humour. It is truly unfortunate that the book is out of print. It shouldn't be.

Buy it, if you can find it. Borrow a copy, check the library, but definately READ this one! It is short, to the point, and it is even a FUN read! I would sell my copy to you, but I want keep it so that I can read it again!

RHB

I have seen Liv live on a number of occasions. He is an amazing performer - not as technically proficient as, say, Vince Gill, but he never claims to me. One walks away from his concert feeling as though their emotions have undergone Ty-Bo.

He mixes grace, humor, and modesty in a way that few have managed to master. For the new (or experienced) performmer, this book is a great way to begin that Mastery process.

Highly recommended, to say the least.

Excellent, engaging, compassionate, humorous, with lots of useful information on myriad facets of the music business. This material is the fruit of 30 years of experience, and is laced with gritty, funny anecdotes that bring each of Taylor's "lessons" to life. I'm buying another two copies for friends.

Liv Taylor's book is an excellent resource for all musicians and performers who engage in live performance or touring. As a writer, Taylor brings the reader into his Berklee College of Music Stage Performance Class, where assorted characters (based on real students) receive coaching and wisdom Liv has garnered from his 30+ years of performing and touring experience.

Taylor's primary message is one of cultivating a sensitive and attentive relationship between the performer and his or her audience. He also presents useful thoughts on stage presence, performance anxiety, audience interaction, life on the road, and the requirements for maintaining a viable performing career.

Though Taylor's book is primarily targeted at young, aspiring popular musicians at the beginning of their careers, more experienced artists, musicians from other disciplines, and even actors and public speakers can benefit as well.

-Doc Wallace, Faculty, the Juilliard School

It is an amazing and helpful book. It really is a guide to using contemporary Russian. The best book I purchased in 2007. I use it often. It is one of the five important books for learning Russian. What do I list as the five book? Wade's A Comprehensive Russian Grammar, Wade's Using Russian Synonyms, Beyer's Pronounce it Perfectly in Russian, a dictionary and this book.

If you want to master Russian as a secound language, this book is a major help.

There's not a whole lot I can say about this book that hasn't already been said. I noticed, however, that most of the reviews were written before the second edition of this book was published. Rest assured that Mr. Offord has made a great book on Russian even greater.

Perhaps the most useful part of the new edition is the section on computer and Internet terminology in Russian, a lexicon that is conspicuously absent from most of my other Russian books. Thanks to the revision, this volume is now every bit the contemporary usage guide its subtitle indicates. And if you want an idea of just how authoritative the book is, the Schaum's Outline of Russian Grammar (which has earned five stars practically across the board) lists "Using Russian" as its source for the entire chapter on Russian prepositions. And the prepositions section of "Using Russian" is only a tiny fraction of its rich repository.

The only drawback to this book is that it is a bit expensive, especially for a paperback, but it will reward you with a constant return on your investment. No serious Russian student's reference library should be without it.

I've always had my command of the Russian language complimented by native speakers. Not only do they praise the refineness of my speech, but also the varying degree of registers and different applications of style of my spoken Russian. My written Russian has gotten no less compliments; it has always been compared to that of an educated Russian - well-refined, very correct and very upscale, with a nice touch of colloquialism to spice up the writing. When chatting with Russians of my age (21), I will often resort to colloquial speech. As a result, what people compliment the most about my Russian is not only my command of the language (which does get its fair share of compliments), but also its 'flexibility.'

However, this is not a review on my fluency in Russian, but what has become of my Russian after reading and studying this book.

Not only does it take your command from advanced to proficient, it also covers different aspects, styles and registers of the Russian language; something which is often ignored in other conventional Russian textbooks. I have books of the same series focusing on different languages (i.e. Using German), and none of them was as in-depth as the Using Russian textbook. It even covers aspects of the Russkiy Mat - or Russian swear words, that other, more "politically correct" textbooks are often inclined to ignore. Russian swear words are an essential part of Russian colloquial speech, whether we like to admit it or not. This book, unlike other Russian textbooks, acknowledges this issue and dedicates a small, but detailed, section about the Russian swear words. That's only a small part of it.

While it does explain the grammar at some points, this book is primarily focused, as the book title suggests, on the APPLICATION of the language, and different circumstances that require different registers. It also gives the varying dialects and different words used across different styles (from colloquial to elevated) in order for the learner to add more flexibility to his command of the language.

In sum, I cannot say anything but agree with what every other review has said about this book. It is simply awesome and truly helpful to those learning Russian.

However, I would disagree with those who say that Using Russian substitues Wade's "A Comprehensive Russian Grammar" because both books are important and both books are invaluable to the Russian language learner. The only difference is that both books have two DIFFERENT FOCUSES, where one is more concerned with the grammar and fundamentals of the language, and the other is more concerned with the actual application of the language. Both books, in essence, compliment each other.

As a speaker of several languages I tend to collect these sort of grammar text books. I have textbooks of Russian written in German for example - and very good they are given that for a substantial part of the German population it had been a compulsory language and a whole host of quality text were published to that end. However, in the couple of decades I have been studying languages this is still about as good a reference guide to the secret intricacies of any one language I have yet to come across, although books similar to this do exist for other languages.

All sorts of secrets are unveiled here but to give just one example I would mention the highly useful list of different forms of a person's first name - not just the usual informal but also a whole host of forms such as the hypocoristic informal - even the vocative forms appears in a table. It became clear to me why someone was calling out to catch her friend's attention saying 'Tan!' (the vocative form of the formal 'Tatiana') rather than the usual informal 'Tania'. Tania it turned out had majored at university in Slavonic languages and when I pointed out my new found discovery of a vocative case (the lost seventh case that exists in remnant form only in select instances) in Russian, even she was surprised. This is so typical of this insightful book which is crammed full of linguistic insider tips of a sort that have a grammatical basis but extend into the very heart and core of Russian culture and socio-linguistic etiquette. In short - these are all the sort of things that make learning a language so much fun and such a wonderful lifetime's adventure.

While I agree that even though a good basic grammar text with tables of cases endings, conjugations and so on will still be necessary along with a good dictionary, I nonetheless think anyone who has read this book would wholeheartedly agree that this is a textbook that you unconditionally MUST have if you are seriously considering learning Russian. I strongly recommend it even to absolute beginners in Russian as well as to the most advanced of learners. This book is a lifetime's investment for learners of Russian as a second language, so you might as well get it right at the beginning because it will serve you for a lifetime.

A classic and indispenable textbook. Don't hesitate - just buy it!

Mr. Offord has done an amazing thing by developing this book. I'm not exaggerating when I say it has clarified the language and helped me speak it more than did living for months in Russia -- or maybe the combination of the two was the trick. I can't wait to see what he's added for the 2nd edition.

The book -- and the others in the series (German, French, etc) -- will appeal especially to those who enjoy learning language using a formal approach, organizing topics into e.g. registers, augmentative suffixes, homographs, modal particles, etc. Don't be afraid! It all adds wonderful clarity. His English equivalents of words and phrases with subtle meanings are very well done.

After having studied it, I still enjoy picking it up and looking through a random section. Don't hesitate to get it if you enjoy Russian and are past the basics.

I just got this Voice Lessons book, and, as I hoped, it is jam packed with reproducibles! Each lesson could take one class period or less, and there is a lot of variety. I was glad it wasn't primarily a book about theory. This is a take it to the photocopier and you have a lesson for the day book.

I teach a pre-AP class, and one of the major skills the kids practice is learning to recognize an author's tone through diction, syntax, etc. This book is a collection of excellent warm-up exercises that develop close reading and writing skills. I would highly recommend it; my copy is, in fact, loaned out at the moment to one of my colleagues!

This title was recommended to me by our AP English teacher and she was right. A few simple lessons from each section and my high school students had a much better understanding of voice.

This book is good for a class warmup. It probably could benefit from more indepth questions or more complex examples built on the
basic ones in the book, but it is very easy for the students to
comprehend. It might be a bit too basic for anything more than
grade level classes. The questions and answers are very obvious
for my Pre Ap students. I think it is a very good start!

Voice is perhaps the hardest of the 6 traits to teach. With my sophomore core English students, I would do 1 voice lesson each week for their warm up and it was amazing how much more accessible that vague idea of "voice" came to both myself and my students over the school year. The whole English department at my school uses Voice Lessons...9th grade teachers do a certain number, 10th grade, etc. By the time a student graduates, they will have done all the voice lessons. I wholeheartedly recommend this book to any English teacher or teacher who teaches writing (and which teachers don't?!).

A Writer's Coach: The Complete Guide to Writing Strategies That Work is a practical and comprehensive writer's companion for beginners, professionals and anyone in between.

Whether you write non-fiction or fiction, Hart offers examples of strategies and techniques for eliminating procrastination, breaking through writer's block, establishing and narrowing focus, and developing a voice-all vital components in any writer's toolkit. Also included are sections on the rhythm of words, and the mechanics of writing.

Hart, a former professor at the University of Oregon, and editor at large at The Oregonian, explains his method in a clear and concise manner easy to comprehend. Mastering the art of language is a process achieved by understanding and utilizing key strategies to expand your skills as a writer.

After reading A Writer's Coach, I have a better grasp on how to assemble my thoughts into a cohesive and focused structure, and convey them for better reader clarity.

Armchair Interviews says: A must-have book for writers at any level!

I found Hart's book to be incredibly useful. As a professional editor and writer, it was refreshing to read a text on writing that was so well written. I also bought it for my father who is writing a book.

It reminds me of a good college text book, but with real-world examples and stories.

A key text for anyone considering writing a book, or for anyone who wants to improve their writing in general.

Of all the writing guides out there, this one stands out for its balance between passion, precision and technique. You'll find some real gems tucked nonchalantly into the most unassuming paragraphs. Most helpful are the check-lists at the end of every chapter.
As a novelist, I gleaned a lot of wisdom and encouragement from this book. If you want to build a library of master teaching, add to this Stephen King's On Writing, and Donald Maass' Writing the Break Out Novel. These three are spot on.

Hart not only knows more than most of us will ever know about writing, he knows who else has written a helpful book. "A Writer's Coach" is full of useful and insightful information. Anyone who has to do any writing,whether for work or just letters to relatives, should read this book.

Books on writing often reiterate the same advice we learn over time, the reader sometimes lucks out in using a tidbit or two. Realistically, no one has time to study the advice and put it to practice. Thus, it's not a bad thing for a book on writing to cover the things we've read before. The more we read about it, the more it stinks in.

But you can't read A Writer's Coach in the same way you read any other writing book. This one goes deeper meaning a reader may absorb the information better by reading one chapter at a time to understand and practice the concepts. Coaching an athlete to improve at something doesn't happen overnight. Thus, this book targets the serious writer who needs to move beyond the basic books on writing in order to take writing to the next level.

I try to avoid writing general reviews that tell the reader nothing, but Hart is a master in explaining the concepts of method, process, structure, and everything else he covers. It's difficult to capture them into a little review when I try to avoid long reviews.

Business and life coaching grows more popular because they're effective in helping people change behavior and improve. In thinking about coaches, I reflected on my childhood years when I played sports. The best coaches point out the right way to swing a bat, serve a volleyball, or shoot a basket. They also help players review their weaker moves so they can fix their form rather than let them continue using bad form, which will hurt them in the end. "Coach" is a fitting word in the title because Hart takes the coaching approach in showing the writer the right form for taking an idea from start to finish.

The book speaks more to journalists and non-fiction writers. However, much advice works across all writing genres -- so those who thrive on telling stories can glean a few valuable lessons from Hart. Expect to find high quality content that you find in the best college textbooks -- except subtract the stiff and convoluted writing. Hart's writing style makes the reading easy. A Writer's Coach contains smart, clear and logical guidance that will take a writer's writing skills to the next level.

I've worked in publishing for over a decade and thought I knew it all when it came time to get my own books published. Not by a LONG shot! I bought this on the suggestion of an editor and I bet I've referred to it 32 times since I got it. It helped me get through the first and second steps of the process. Now if my agent can just get my books sold!

Great coverage of markets and their needs. I recommend this highly if you are a writer for children. Do not go very far without this book!

2002 Children's Writer's & Illustrator's Market is a very highly useful and authoritative guide for both aspiring authors and artists to getting their work published in the specialized area of children's books. From finding the best markets, to writing effectively for the age index of one's choice, to preparing professional submissions, 2002 Children's Writer's & Illustrator's Market is packed from cover to cover with solid wealth of tips, tricks, and techniques on how to stand out in a highly competitive field. 2002 Children's Writer's & Illustrator's Market is an absolutely essential reference, especially for new writers and novice artists looking to break into the children's book market.

This is THE book if you want to get published. 2002 Children's Writer's & Illustrator's Market shows over 800 editors and art directors who want to buy what YOU write or illustrate. I am planning to try get publihed. And this was my resource! I've already found tons of publishers! If you want to get published, then this is your book!

Great coverage of markets and their needs. I recommend this highly if you are a writer for children. Do not go very far without this book!

For intermediate to advanced phonics, Bishop's text is a great resource, but it's not for every reading teacher. It should be particularly valuable for reading specialists, speech therapists, and anyone looking to develop curriculum material.

How have I used the text? It's helped me adapt and develop materials for a junior-high student who reads 3-4 grades below level because of dyslexia. He hates the skill-sheets that were so obviously developed for elementary students. Now I can adapt or create materials easily.

What does the text offer? It generally gives 20-40 examples for every spelling-sound pattern, and explains the situations that lead to the exceptions. Entries are cross-referenced to examples that follow similar patterns. Bishop points out differences you probably haven't thought of noticing before (for example, when the featured spelling-sound pattern is stressed or unstressed, voiced or not voiced. Each of these distinctions comes with a separate set of supporting examples.) Bishop offers clues that help readers know which pattern to follow when sounding out a word that "sounds" equally like two different spellings.

This book far exceeded my expectations!
It unravels the mystery of the so-called unexplainably strange ways of spelling so many of our English words. Clear & concise format.
EXCELLENT for young children learning to read & spell...it answers any questions you might have about the rules of the way letters are put together in words & pronounced.
A must have for any home library...

This book is fascinating and will it will be highly valuable in planning spelling lessons. It is the ultimate resource for the wisdom of teaching phonetics.

Seldom is it possible to find an extensive list of specific 'unusual' information about our language. The ABC's and All Their Tricks contains a list of the number of times phonograms appear in English words.
As an educator of children and adults, specializing in spelling and grammar, I needed this information at my fingertips. Using the book as a reference, I find it easy to explain the consistency of our language and dispel the myth that English is too irregular and difficult to learn. Amazon is the only place I could find this book, as it was not available in Australia.

I liked the information this book offered, particularly because I believe it would be helpful to anybody teaching children--educators, parents, tutors, etc. You don't have to have a certain curriculum package to make this work. I LOVE having resources around that you don't have to read cover to cover. This is one that you can look up what you have questions on. Sometimes, when a student doesn't "get" something, it is only because it isn't presented in a format they understand. Often, the educator just needs a different tactic than what appears "obvious" to them, but not to the child. A great reference.