Language Arts Books

I'm a glutton for books on education, and I can comfortably say that this is hands-down the most practical, entertaining, and useful book I read in 2008. While I was still reading the book I was able to implement some of Anderson's ideas in my own classroom. He's a middle school teacher but I adapt many of his lesson ideas for my third grade class. He answered every question and eased my discomfort about teaching structure in a fluidly structured environment like writer's workshop. Well done in striking the balance between squelching student ideas and squeaking by with any old slop.

I love sharing this book with fellow teachers. It is easy to read and the ideas can easily and quickly be incorporated into my work with students. I work with students in small groups and one-on-one and I can always refer to one of Jeff Anderson's creative ideas.

As the forward of this text suggested, this book IS engaging enough to read far into the night, despite it being about grammar and usage! It is packed with usable information, visuals, examples and stimulating ideas for writing teachers. I highly recommend it, for teachers and writers of all ages (middle school to college).

I love this book. I teach high school and I was never able to find creative and concrete ways to teach grammar concepts. Anderson takes the best of what we know about how to teach grammar (that is should be taught in the context of a student's own writing, that it should be active, that is should be scaffolded, etc.) and really focuses on how to make that happen. Look at his "sentence smack-down" and the "express lane editing" to really change how you look at teaching grammar. My kids loved it and I really felt like they were getting it and would use it again. The book is teacher-friendly and activity-based and includes copies of handouts.

This was a great read packed with real classroom experiences, creative learning activities, and terrific, easy-to-understand explanations of grammar and how to teach it.

if this book satisfies my sister-in-law who is the best teacher in Texas and probably in the United States, then it is great for my homeschooling.

This easy to read grammar book fit the bill for me when I needed to brush up on some basic rules quickly for an exam. There are plenty of examples to help cement each concept and the authors also use comic strips to emphasize each point. I highly recommend this book the anyone who wants to learn how to write a paper correctly.

On this cold, winter day in January, I'm reading More Nitty Gritty Grammar. Who would have thought that a grammar book could be entertaining? Edith Fine and Judith Josephson have found the perfect formula. Similar to their first book, Nitty Gritty Grammar, this one is organized in an appealing, accessible way. I actually enjoyed testing my grammar skills with the quiz. Their compilation of nationally-syndicated cartoons addressing grammar issues adds visual interest and levity. They explain the rules, state the exceptions, and give plenty of examples. It's an excellent resource guide for yourself or for a friend. I highly recommend it.

There has never been a friendlier invitation to master English usage basics than Nitty-Gritty Grammar until its new companion, More Nitty-Gritty Grammar. I recommend them for all my community college students. Not in the ivory tower crowd, authors Fine and Josephson are, however, astute observers of language ills and, if laughter is the best medicine, most-palatable healers. Their topics are relevant, their well-researched explanations straightforward, their examples fresh and funny. My students agree.

Better organized and more comprehensive than even the popular _Transitive Vampire_ series or _Woe Is I_, this second book by Josephson and Fine is whimsical and easy to use. It's packed with humorous examples that are current and uncontrived. This is the only book I've found to cover some of the finer points that have always bothered or confused me--such as when British convention differs from that in America. Indispensible!

I ordered this book for my boyfriend's son at a client's suggestion because he's expressed an interest in learning ASL. It looks like a good starter book, and it definitely got here quickly, now he just needs to use it.

This book is incredibly family friendly. I'd recommend it highly for homeschoolers and for families who are interested in a introduction to sign language. My children are interested in the subject and the excellent colorful photos keep their attention. It's wonderful!

Gave this to my 7-year-old for Christmas and her signing ability has simply taken off. Easy to read. Great pictures demonstrating the signs. Nicely organized so that kids can practice groups of related signs.

I wish I had this book 5 years ago with my oldest child. Signing is so easy to learn from this book. The colors are vibrant, the pictures of the kids signing are large enough to actually see, and the categories are relevant to kids(school, home, feelings, favorite foods, animals, etc).!! I would recommend this book to anyone, young or old, who is learning to sign.

The photographs in this book are much easier to follow that the drawings that I've seen in other books. This one also has more signs than other kids books because it's about sign language, not deafness. Best of all, it has a grammer section for ASL that is better than I've seen in ANY signing book, children's or adult's. An excellent choice!

Nancy Dean's book is a welcome addition for those of us who teach AP English Language and want to provide a valuable resource and strategies for passing the AP Exam.

I must admit that I was reticent to purchase this item because most books designed to help students become better writers have unnecessary or unusable activities. _Voice Lessons_, however, is different: organized by technique (diction, imagery, detail, etc.), each lesson begins with a passage from prose or poetry, moves into analytical questions, and finishes with applied practice. From there, it's easier for students to incorporate these techniques in their writing.

I teach grades 10-12 (including AP Language), and _Voice Lessons_ has helped all students in these grade levels improve their writing. They seemed to enjoy the activities as well.

I just got this Voice Lessons book, and, as I hoped, it is jam packed with reproducibles! Each lesson could take one class period or less, and there is a lot of variety. I was glad it wasn't primarily a book about theory. This is a take it to the photocopier and you have a lesson for the day book.

I teach a pre-AP class, and one of the major skills the kids practice is learning to recognize an author's tone through diction, syntax, etc. This book is a collection of excellent warm-up exercises that develop close reading and writing skills. I would highly recommend it; my copy is, in fact, loaned out at the moment to one of my colleagues!

This title was recommended to me by our AP English teacher and she was right. A few simple lessons from each section and my high school students had a much better understanding of voice.

This is an inspirational and practical book that will both help you be a better, more productive writer and make you want to write. Weinberg explains timeless techniques you can use to collect and organize your ideas effectively when you are writing about a topic you care about.

Jerry Weinberg's books have had a positive influence on my life as a technologist and manager, and with this book, he is now inspiring me to be a better writer. If you are a writer, or want to be one, you will want to read this book once for inspiration, and refer to it again later for it's exercises and advice.

I've been a big fan of Jerry Weinbergs writing (and he wrote a lot). A book about writing is exactly what I needed, so my expectations were high. However, I ended up slightly disappointed. I almost feel guilty about giving this just four stars out of five with all the other people writing reviews about how excellent this book is.

Weinberg on writing: the fieldstone method is a book about writing books. The whole book is build around the analogy between writing a book and building a fieldstone wall. Building a fieldstone wall takes practice and you have to find the right stones (ideas) and put them in the right place to make a great wall. Not all the stones fit, some need to be shaped and not all walls will be great.

For me, personally, the analogy didn't work well. I felt it was more confusion than beneficial. It's created very clever, nothing wrong there. It's just hard to see, plus normally an analogy is made from an easier domain to understand. I found the domain of building fieldstone walls not much easier than book writing. I'd preferred more direct writing and talking about e.g. ideas instead of stones.

The book consists of 20 chapter about writing. Most chapters contain really really useful tips. Weinberg (with 40 books) has lots of experience and, as always, has done his research. The book is written in a similar style as most of his books. Easy to read and full of stories. (a coal mine...)

To mention some of the ideas in the book. Don't write when you have to. Use your energy. Play solitaire with idea. How to gather ideas. How to store ideas. How to use outliners. And the list goes on and on. Many ideas, some conceptual, some very concrete.

Near the end of the book, Gerry very smartly explains the techniques he introduces on this book. He talks about writing, while writing. Though done very well, I found it somewhat confusing.

Overall, Gerald Weinberg did a great job writing yet another book. It's worth reading and contains a huge amount of advise. I'm sure this book is useful for every writer. Recommended.

Other reviewers have done a fine job explaining what this book is about, and extolling its many virtues, so I'll keep my comments brief.

Jerry Weinberg's "fieldstone" method is a powerful concept and technique, but what stands out most about this book to me is the way in which, between the lines, Weinberg addresses the *emotional* difficulty of writing, and the way in which things like buried memories of scolding grammar teachers and other childhood traumas can weigh down our writing efforts, or even prevent us from putting words on the page at all. I don't mean to suggest that this is some kind of self-help or pop psychology book--it is fundamentally a book about writing. But Weinberg's Fieldstone Method is not only an approach for getting things written; it is also a way of thinking about writing that makes it easier to overcome the many "invisible" obstacles, to forgive ourselves, to give ourselves permission to write.

Weinberg on Writing is well worth your time, no matter your particular writing interest.

This is THE book on writing. Short and sweet: in a thin paperback, Weinberg covers the entire spectrum from mechanics of organizing paragraphs to how to gather and integrate your ideas. Weinberg comes from the software field, but knows how to write a book I couldn't put down. It has automatically become one of my "toolkit" books -- one of a few I'll keep on my shelf to refer to regularly.

I attended Jerry's Writer's Workshop in 2004 and it increased my skills and confidence enough to go back to prose-writing after several years of "death by powerpoint" writing. I've now published my first book (CMMI Survival Guide: Just Enough Process Improvement) and finally took the time to read Weinberg on Writing. I truly wish I had taken the time to read it while in the process of writing my book. Not only did it remind me of things we did in the workshop that are useful; it also presented some new tools and gave background on some of the things we did in the workshop that enriched my understanding. I wonder how different my writing life would have been if my freshman English teacher in college had had access to Jerry's book as a text. I can't answer that question, but I can say that my writing life has been changed by Jerry in person and by Weinberg on Writing, for the better in each case!

The Writer's Toolbox is fun and engaging-- not only for me, but for our weekly writers' group! The group of six to eight of us come to the table with a variety of backgrounds and experiences. The Writer's Toolbox inspirational and fun exercises are relational and help us to jump 'write' in with our warm-ups! Thanks for sharing your fabulous ideas and instruction, Jamie!
Tanja Moriarty, "Encouraging Words", Haddam, Connecticut.

This is truly a wonderful product! Simply put, the Writer's Toolbox is a necessity for every writer. Who among us has not been faced with a blank page at one point or another during our writing careers? The writing exercises in this package are perfect for moving beyond "I want to write" to "I am writing." In fact, it was a writing exercise from Jamie Cat Callan that inspired me to write my novel, due for completion in August 2008. Kudos to Ms. Callan for a brilliant creation!

Jamie has been one of my most inspiring writing mentors, and it looks like she literally "picked up" her classroom and placed it into this clever and eye-appealing keepsake! How ingenious that she put her creative teaching techniques INSIDE a box in order to motivate writers to think OUTSIDE of it. The only thing missing from this toolbox is a badge that says, "I am a writer," as the person who utilizes her time tested techniques will certainly be able to make this declaration after using it!

As a homeschooling parent with a high school age daughter, I bought The Writer's Toolbox to use as part of our writing program. After years of focusing on sentence structure and grammar rules, I was afraid I had completely destroyed my daughter's desire to write. Jamie's toolbox provided the breath of fresh air that our writing life needed. With just the right amount of instruction and loads of room for creativity, the exercises offered quickly restored to my daughter the joy of writing. When we break out the Tool Box, the spinners, cards, timers and sentence starting sticks have us feeling like we're playing a game. When learning and fun are synonymous, both teacher and student are winners. Thanks, Jamie for this great writing tool!

I'm an English teacher and a part-time, professional non-fiction writer. I walked past "The Writer's Toolbox" in a bookstore this past weekend, sniffed at the creative packaging, and muttered, "All fluff, but no substance, I'll bet!" And yet, I found myself going back to it. Finally, I bought the damned thing, hoping to scratch the itch.

At home, I opened it, expecting buyer's remorse. No way!!! This kit is amazing. I plan to use it in the classroom next year, both during school hours with my writing students and after hours with my Writers Guild. I especially like the sample story -- in the directions -- that is essentially the result of the toolbox games.

My favorite device? The non sequiter sticks. I plan on using them to help keep some of my non-fiction writing dynamic. Of course, I'll have to modify the items to my own research and reality, but that strikes me as half the fun.

A very clever little box full of games, ideas, and methods for creative writing. Thanks!

Scott Snair

I really like this book. I have written short stories before, but I am actually writing my first novel. This book has been very helpful as far as style and writing. I was stuck on POV, and it really helped me through it. And then the fact that it is also written by a publisher is great for when I get to that stage. Most books for writing I don't like, but I recommend this one.

Finishing my first novel was a long, often painful, often exciting journey. But when it was done, what came next? I really had no idea.

Having accomplished one of my life's major goals, I was thrilled just to complete the darn thing. But would it ever get published? Would anyone ever read it?

I felt like Peggy Lee singing "is that all there is?"

I needed help. After taking a look at many of the resources out there, I settled on Ann Rittenberg's and Laura Whitcomb's excellent Your First Novel as my primary guide.

I'm so glad I did. Now, to be honest, since my book was already done, I didn't read Ms. Whitcomb's chapters, which focus on the writing process. Instead, I hungrily jumped to Ms. Rittenberg's sections on how to sell it.

And sell it I did. Following Ms. Rittenberg's very clear and logically organized advice, I was able to obtain an agent and a publisher. I knew what questions to expect, what objections I'd have to overcome, and how best to package and present my work.

I've looked at many books of this sort, and Your First Novel was the most helpful for me. In fact, now that I'm writing my second novel, I've started to read Ms. Whitcomb's writing advice. Hopefully, it will be as rewarding as Ms. Rittenberg's contributions were, and it will help me avoid the dreaded sophmore slump.

Good luck to you in your journey!

Scott Sherman, author, First You Fall: A Kevin Connor Mystery

I am so glad I bought this book! I write as a hobby and my goal is to become an author. A few years ago I quickly wrote a story, randomly picked a publisher off the internet, and sent it off with dreams of success. I thought it didn't need to be absolutely perfect--that's what editors are for, right? Won't they help me develop my story into what they want? After reading this book, I now know why 6 months later I received a cold, generic rejection letter. (I was probably lucky to even get that!) I unwittingly sent in a rough draft and an awful query letter that publishers/agents despise and toss in the garbage minutes after it hits their desk. Left to my own devices, I'm sure I would have sent another quick rough draft to yet another publishing company or agent and wondered why no one seemed interested in my work.

The truth is, publishing companies and agents are swamped with desperate pleas from new writers and piles of awful manuscripts, and they aren't going to look at anything that isn't the best. This book shows you, step by step, how to develop YOUR skills to write a terrific novel and revise and polish it to perfection. Lots of reviewers said they skipped this section, but I encourage any writer to read it. What writer doesn't appreciate great advice from another writer who has achieved success? The second section of the book actually left me scared and ready to give up in despair! So few manuscripts are even looked at by publishers, let alone go on to become a best seller, that it seems hopeless. However, the agent gives you valuable (and sometimes harsh) information that every author mailing out large envelops stuffed full of sloppy, rushed chapters and dreaming of the day they are rolling in royalties needs to know.

I feel like I now have insider tips into the world of publishing, my blinders are stripped off, and my novel will stand out from the others laying on an agent's desk. This book is invaluable to me, and I expect it to be worn thin as I write and attempt to publish my work.

This book is a great way for those who are struggling to even get started writing their first novels to sit down and map out the process. It is a step-by-step guide that helps give you ideas and resources about how to go about writing a novel. Be prepared to want to buy some of the recommended books the authors discuss!

This book was very helpful. I have just finished my first novel after a year and a half of work. I only wished I had read this book before typing out over 250 pages. Depending on your reason for writing, this book could either be a help or a major discouragement. When I read the second half of the book which was written by a literary agent I was shocked by how hard it is to even get a book considered, let alone published. She describes one agent who decides whether to read a manuscript by how much dialog is in the work. If there is too much empty page or not enough the manuscript gets tossed into the slush pile. One wonders how many great works of art have been passed over by such approaches. However, you can't hold the agents too accountable. Do you actually expect them to read each of the 20 manuscripts they get a day. So first and foremost, if writing is not a passion you would endulge in whether you became rich and famous, then proceed. If you think it is a quick and easy way out of your dead end job, you might find another hobby. According to these authors, the writing field is one litered with broken spirits and rejection. Nonetheless, there are a great many tips on both writing and manuscript submisssion that are very very important. You owe it to yourself to invest in this book. Good Luck!

i think this book give all the chinese accent english learner.
a possibleites to the correct english accent training.

thanks the author ,and the editor.

Better get the second edition, it's muuuuuch cheaper!

Excellent book and worth at least ten times of its regular price. Whoever studies the book will learn a lot from it.

I am so glad to give myself this book with the audio cassette. It is very informative. It trains me while listening to the tapes. I recommend that people who buys the book gets the tape too. It won't be effective without it. Believe me it is worth your money.Buy for yourself or for someone you love.

American Accent Training is really an amazing porgram! I love it! I will use it as the textbook in our English Club for advanced-level class! And by the way, the English Club is in National Sun Yat-Sen University, Kaohsiung, Taiwan. I strongly recommend this program to everyone learning American English!

I learned a lot about publicity, things I never even heard of. If you have a book to promote, this is your best investment.It more than pays for itself.

As an author, I'm always on the lookout for books that can help with publicity, marketing, and promoting. This book was a pure gem.

This book is worth the purchase price just for Chapter 11 (E-mail Blasts) alone. With tips for propelling your book to the top of the bestseller lists by e-mail marketing, this chapter takes you by the hand and leads you through the process step by step in a quick and painless way.

This book doesn't just tell you how to promote and publicize your book; it shows you with sample letters and action steps.

If you're ready to pump up your promotion and get your book noticed, then this book should be on your list of must-haves!

Author 101 Bestselling Book Publicity is what every author needs to promote themselves and their book. This is a very practical, easy to follow and affordable handbook. Get it now! You're missing sales!

While I own all four of the "Author 101" books by Rick Frishman and Robyn Spizman, I feel this one is the most valuable. In fact, I wish I had it BEFORE I started writing my first book. The information and helpful tips included from these industry insiders is worth a hundred-times the price of the book. I have met and spoken with both Rick and Robyn, and I will attest that what they tell you in this book is gospel truth.
After you read this book, you will gain insight into how best to plan the marketing and publicity of your book even before you write it. This is key information whether you are using a traditional publisher, or if you are self-publishing. In fact, if you are self-publishing, READ and MEMORIZE chapter 8 on Interviews -- this will be the primary source of your income.
I highly recommend this and the other three books in the "Author 101" series.

Happy reading and successful writing,

Stuart Gustafson, Author
www.stuartgustafson.com

As a fellow book publicist it's imperative for me to keep up with all of the great books and magazine articles being published about the book business. I've read dozens and dozens of such books and can recommend this book without hesitation.

One thing about the book marketing and book promotion business is that there are so many nice people in the business. I rank Rick Frishman as one of the top publicists in the U.S. not to mention he's a nice guy too!

His book, co-authored by Robyn Freedman Spizman and Mark Steisel, offers advice and insight about every stage of the publishing world. Using testimonials and commentary, this book lets authors, agents, and publishers alike show you the things you should and shouldn't do in promoting your book.

Scott Lorenz
President of Westwind Communications, a public relations and marketing firm that specializes in book marketing and author publicity.
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Loved the book. It arrived in a timely manner and was in the condition said.

This was my favorite book as a little girl, so when my sister had her first boy, I was anxiously waiting to buy it for him at the right time. This is a great book that will give both the parent and the child the giggles. The small size is wonderful, too! The one I had was oversized and didn't fit in the overnight bag, but this one is perfect for car trips and diaper bags!

My 1st grade teacher read all of Fred Gwynn's books to my class and I adored them. The eye-catching pictures were strange and fun, incapuslating our inexperienced understanding of the phrases that Mommy and Daddy say. Mrs. L then let us guess what Mommy or Daddy REALLY meant--the guessing was almost as fun as reading the book.

Examples: Mommy says not to interrupt her when she's playing bridge (the family pets walk across her as she bridges the gap between a couch and a chair) while Daddy says next time he paints the house he's going to give it two coats (maybe a tweed and a heavy winter wool one?).

Before I had children, I went back to the children's section of the library to enjoy them again. Now that I have children, I share my copies with them. The large full color pictures show the ridiculous picture that could result from taking a phrase literally--some of them will make you laugh out loud! Meanwhile, you can discuss what it really means and help children develop their analytical skills.

See also The King Who Rained (Stories to Go!) and Fred Gwynne: The Sixteen Hand Horse; The King Who Rained; A Little Pigeon-Toed; A Chocolate Mousse for Dinner

I love this book. I am a kindergarten teacher. The students in my class wanted me to read this book over and over again. I recommend this book to classroom teachers and moms. It is a funny story and the illustrations are amazing! I found it funny that "Herman Munster", Fred Gwynne wrote this story.

I love all Fred Gwynne's books for kids. The drawings are exceptionally well done, and the expressions on some faces are priceless. The book shifts our adult perspective a bit to remember what it was like as a kid to hear grown-ups use certain phrases, and the pictures they conjured up in literalist-child minds-- putting a wing on the house, or playing the piano by ear.