Language Arts Books

At school my whole class read this book for read aloud! It was a very good book. Frida was very good at art. She had five sisters but it seamed like they didn't pay attention to her! She was always lonely and she was bored.But atleast she had Imaginary friends to comfort her. One day she got in a horrible bus accident! Read this book to find out how Frida turned out after her pain. Reccomended for people who may want to learn how to turn pain into beauty.

I own the Spanish version of this book, and I love it. So do all my students - I teach Preschool Spanish (ages 3-6). My 5 year old daughter is an artist and she loves the vivid colors and imaginative characters that follow Frida through her life. The children I teach do not know Spanish, but they are able to look at the pictures and understand the story. They regularly request this book and enjoy looking for the 'spooky' characters.

My son and daughter could really relate to another person's life thanks to this well-written and cleverly illustrated book. Frida was, as they are now, someone who wasn't always able to have her mother's attention. She lived out fantasies in her mind, just as they do. She used her imagination even when she was unable to move her body, just like they do before they fall asleep at night. Frida's quotidian and extraordinary experiences spring to life thanks to the inventive illustrations and sympathetic writing.

More than once, creating art saved Frida Kahlo's life. Even though she had five sisters, she was almost always lonely and sad. When she was infected with polio and she was very sick, even her imaginary friends couldn't cheer her up, but painting and drawing rescued her. Most of her life, she was in heart-breaking pain after being in a horrible bus accident. Read this book to find out how art saved her once more. Recommended for people who want to learn how Frida Kahlo turned terrible pain into beautiful masterpieces.

My mom read me this book and I saw that art is important and special, it can save you and allow you to express your imagination even when times are tough

As a writer of character-based novels, I found this book to be a veritable fountain of perspicacity, chock full of pithy analogies and examples. As someone who was an actor before a writer, I really appreciated new insights presented by Brandilyn, an accomplished writer of gripping novels who practices what she preaches. This is not a book you read and donate to Goodwill but rather one that should take a prominent place on your bookshelf so it can be easily found and accessed for a refresher course.
Donald James Parker
Author of Reforming the Potter's Clay

It's true, writers often say it rather than show it. This book helps you take a look at a character and like an actor would show their action gives writers tips on how to make your characters look believable. The book also gives some very good suggestions on the use of color (emotional that is) and rhythm. Some of the book's material may be exactly what you knew before but then it never hurts to refresh you memory. I liked the book more as a look at acting and since plays are one of my favorite hobbies, it gave some nice tips on how to spot bad acting. I would recommend the book for all writers.

I don't usually write reviews, but I found this book too enlightening to not. Getting Into Character is full of excellent ideas and excellent examples. I am in the process of editing my National Novel Writing Month novel using Collins' ideas. Her examples are clear and illuminating. The recommended reading at the back of the book is extensive and well-explained.

I would have liked a little more on creating a good "Level A," but that is my only complaint.

If you write and are in the market to raise your writing to the level of such literary greats as Twain, Austen, Tolstoy, Dickens, Siddons, Dumas, Hugo, Mitchard, Foster, Waller, Martini or Saul, then this is a must have for your research library. From the fingers of Brandilyn Collins comes the experience of a best selling novelist and her adaptation of Method acting director/instructor, Stanislasky's words. Included are samples of contemporary and classic novels teaching you how to push your writing higher. You can learn how to draw the reader to your characters as their story unfolds. Don't miss this one!

The reviewers have said it all, and yet I feel the need to add my two cents as an author and a 'how-to' book collector.

I struggled with my characters from the beginning and since reading Brandilyn's book I can understand why. Never before have I read a book that gives such explicit examples of how to create characters of depth and motivation.

My copy is dog-eared, highlighted, scribbled, and has lovingly earned a spot on my shelf as a book I could not write without. I can't recommend GETTING INTO CHARACTER enough for new authors and those who think they have nothing more to learn.

I have received excellent services nfrom Amazon in the purchase and delivery of the book under reference.
I have made other prior purchases from Amazon and my experience is that Amazon makes her services better every day.

I purchased the book looking for help with charitable fundrasing letter accross broad categories. The book is very detailed, but has a strong focus on direct mail for fundraising. This is the author's background, and the book is very technical with that focused topic.

Outstanding. Reminded me of everything I'm supposed to be doing in my fundraising letters but have forgotten over the years. It's the bible for fundraising letters!

This is a wonderful tool that allows you to ask for donations "nicely." I really recommend this book to all who assist charities for a living whether on a professional level or as a volunteer.

If you ever think you will have to write a fundraising letter, you NEED this book. Too many people think it is just like writing any other kind of letter but it isn't. There is a rhyme and, more importantly, a reason to it. Don't write a fundraising letter without reading this book first.

I remember these books from when I was a kid, and when I read them now I still conjure up the same not-quite-right images. The fun illustrations and simple text remind us all what it's like to be a kid in a grown-up world. My toddler loves these books because they're silly, and I love them because they give me a chance to be silly, too.

Excellent book for young students who are exploring language and homonyms. Colorful illustrations grab attention and nearly every page gets a reaction.

This is a very fun book for children of all ages. It is fun for teens! Enjoy reading it together, over and over and enjoy the laughs.

I knew about Fred Gwynnes'writing and artwork in children's books. This was the first one I bought, what a delight!.. I'll be back for more!

Yet another fine book of play-on-words from Fred Gwynne. Kids love the pictures that literally illustrate the text, and these books usually have us a giggling hysterically. I'm on the lookout for "A Little Pigeon-Toad" and "The Sixteen Hand Horse".

I love the selections from Ovid in this book! I like the slow start, using words very similar to their English equivalents, and the series of exercises that follow the selection. I even enjoy the discussion of etymology at the ends of the chapters.
My only complaint is the lack of answers at the back for the exercises. I'm trying to learn Latin on my own, and having the help of seeing answers would make my task somewhat less daunting. Still, taking enough care, and looking back at the examples and reading excerpt, I think I'll learn Latin well enough to read it on my own. Eventually.

I learned Latin using Wheelock's textbook, studying with an engaging instructor. That is an excellent text but, as many have noted, it is very dry. This book is more entertaining: less philosophy and more blood, sex, and other agreeable topics. Can't recommend it highly enough.

I found this book very useful and, if I were learning Latin from scratch as a youngster I expect it would have proved more interesting than the volumes I did work with. Of course, being American, the declensions are in the "wrong order" but this is a minor nuisance. Interesting exercises and additional information on Roman life and mores, mythology and magic.

This is a great book to learn latin at your own pace. I have been studying it for almost a month now. The explanations are clear, and the examples meaningful. I highly recommended it for anyone who wants to learn some latin.

Goldman's text is wonderful for someone desiring to learn Latin on their own. From the second chapter onwards, all the readings consist of revised excerpts from Ovid's Metamorphoses. As you are taught more grammar and vocabulary, she gradually introduces more and more of the original into the readings until you are reading what Ovid actually wrote. And although there is no answer key, the excercises (of which there are plenty) are usually of just the right difficulty: just hard enough to help you in learning Latin, but not so hard that you can't figure them out on your own.
I would also recommend the accompanying workbook, which is a little more difficult, but does include an answer key.

It covers everything you need to know if you don't have time to read the book.

One Hundred Years of Solitude is one of those few novels that is magical, beautiful and can capture the very kernel of mind to wake you up from the reality of Latin American world. The writer questions the propriety of the superstructure of the governance of mankind and the whole lot of theories and principles which are supposed to deliver the mankind from the drudgeries and miseries but which do not.To read this novel is to experience darkness and the failure of mankind.

To read Gabriel Garcia Marquez's masterwork is to confront one's demons and one's devices in a monumentally singular reading experience. What does that mean? I have no idea, but I thought it sounded good when I wrote it.
Seriously though, you could do worse than to read this book. Although, it is overrated, and at times, you will think it is pretentiously boring. Still, there were enough good stretches of narrative beauty to overtake the sometimes tiresome ponderousness of the story.

This was really the best book I ever read. The non-standard use of time and space concepts is amazing. I read it in two languages (both translated) and I started to study Spanish just to read this book in original. Everytime I read this book it gives me a completely different view.

In 10,000 years, when most of the world's literature is lost and forgotten, this book will still be read. Like "A Tale of Two Cities" and "Les Miserables", I will read it again and again until my eyesite fails. Then my childen will read it aloud to me. Then I can die.

I absolutly love this book! It provides you with so many creative ideas and incorportes the skills that you are trying to teach your students. I teach 3rd grade and my students love it when I pull this book off the shelf. I also absolutly love her Dynamite Writing Ideas book. It was very helpful with getting organized and creating a writers workbook with the students, although my kids call them their author books. They really have found a love of writing with these skills and the way that they are presented!

As a writing teacher, I am looking for practical ideas not philosophies. This book is nothing but terrific. It has immediate lessons and handouts. Every 4th-8th grade teacher needs this book.

This book is great! I love the plays the kids can act out and also the way the lessons are laid out makes it easy to teach and for the kids to understand. The activities are fun and my class doesn't moan and groan when I do activities from this book!

This is a great book for any teacher. It gives great ideas for teaching writing in an exciting way! I recommend Melissa's other books as well.

After borrowing this book from a colleague, I decided I had to have my own copy. It's a resource I keep going back to each year. My sixth graders love the activities, which are fun and easy to follow. Melissa Forney knows how to motivate students to improve their writing.

This book is a very helpful guide for everyone, who wants to study Shakespeare. I am not a native english speaker and it was perfect for understanding the necessary terminology. I suppose that the content of the book is also precious for native english speakers. The book contains:
1) A very important chapter which contains the most frequently used words, and proves to be valuable for quick reference.
2) Words which still exist in the english language but with a different meaning.
3) Words which vanished through the years.
4) Several chapters describing the structure of several shakespeare's works.
In all cases the meanings of the words are simply stated and well clarified providing a perfect guide for every intermediate reader.

the book is great, if your'e an actor, or anyone who deals with shakespeare-get it yesterday!

I must have spent two hours reading reviews of Shakespeare lexicons and dictionaries before settling on this one. I am so pleased with my choice. It is simple to use and so far all the words I have needed have been listed, miraculously along with the verses I am reading! Please note that the price of this one is so affordable! The best thing was, when I opened the Amazon Box, the first thing I saw was Kenneth Branagh's name. He did not create the book, but he recommends it in writing on the front cover.

As an added bonus in the back of the book there are detailed maps of all the story plot lines, indicating the relationships between the characters. All in all, very helpful.

What an awesome idea! To put into one place definitions for the hard-to-understand Elizabethan English that one runs into in Shakepeare! Whether it be "prithee" or "forsooth" or "prating mountebank," the dictionary will help give the Shakespeare novice or pro the information needed to decipher the Bard's often-complex writing.

In addition, there are frequent collections of definitions that gather together words in a single theme -- say, words related to politeness, or swear words. These colections give the reader a chance to compare many words of the same genre and gain even more insights into Elizabethan usage.

The defintions are somewhat sparse, but that's probably necessary given the sheer volume of words being defined. However, each word references the play or play in which it it used.

Marry! -- that is to say, "By Mary!" -- a wonderful accompaniment to anyone interested in Shakespeare!

This is a wonderful book for all people who love Shakespeare and want to come to a better understanding of his insights into living.

As an author, teacher, and concerned world citizen, I am awed by the depth and compassion woven into this highly-readable anecdotal book. Don't let the stories fool you, though. This book will enhance your interactions with others. If we practiced Storycatching, Christina-style, there would be so much more joy and justice in our world.

I've always believed that each life has a very important story, even those that at first glance don't seem glamorous or adventurous. In fact, my favorite memoirs, biographies, and oral histories tend to be more about real people who never consciously realized the importance of their lives.

Perhaps that is why I have always kept a journal. I am ever writing and editing the story that is my life. Trying to figure out how my experiences have made me the way I am. Looking to create the story that I want to be told to my grandchildren.

For those who haven't yet found the power of personal story, Storycatcher is the answer. In each chapter the author shares accounts of individual and family experiences. Then, at the end of these sections, she includes a number of questions to get the reader started on his or her story.

"We are the story-making creatures," says Christina Baldwin, and she goes on to inspire readers to locate, articulate, and celebrate their story-making process. Storycatcher is deeply informed by her rich experience as a writer and a teacher of writing. She weaves personal story into collective story seamlessly and beautifully--pointing the way for writers of all stripes. Whether your interest is essay, memoir, novel, genealogy, short story or poetry, there are prompts a plenty. Above all, this book is a companion--the best kind--wise, kind, honest and fun. What a gift to all readers and writers!

I learned of this book through a professor's suggestion and thought that I would put it on a reading list for a later time. Having always been drawn to the power of story, I found myself ordering it and opening the pages earlier than planned. Baldwin's genuine storytelling ability left me smiling throughout the day and hopeful about the benefits story can create in connecting strangers, friends, and enemies alike.

If you've ever sat down at a kitchen table in awe of the stories that are told around it- this book is for you. You will see that storycatching is more than just a pleasurable experience, it has potential to change hearts and minds.

In one section, Baldwin talks about her experience with posing a question about an individual's first memory of coffee while standing in a long line at a coffee shop. The discussion this created was wonderful- so next time you are standing in a long line trying to pass the time, I would encourage you to take her suggestion. Pose a question and you will be amazed at the results.

This is one of the best reads of the year- prepare to be inspired.

"Every person is born into life as a blank page - and every person leaves life as a full book" (p. xi). This sentiment from the preface of Christina Baldwin's new book sums up the overall theme of this wonderful look at the power, creativity, and uses of story.

Broken into ten chapters, this book is chock-full of amazing insights. Nearly every page contains at least one nugget of wisdom. Baldwin focuses on how story connects us, the art of storycatching, why we make stories, creating a story of the self, and finding our place in the order of things. Along the way, she addresses healing, the spiritual, power in organizations, personal growth and power, and ever so much more.

This book speaks to the heart and soul of what makes us human: the ability to tell stories, both orally and in writing, and to share wisdom, make sense of our lives, and move through our time on earth with meaning. "Story is a search for community that allows us to share, build, and learn from each other... We choose whether we want to live in hopefulness or despair. Storycatchers choose hopefulness, knowing that story has the power to change our lives" (p. 236).

The writing here is lyrical and sure, her prose evocative. She's annotated it and included a reading group guide. Baldwin writes with a deep knowledge and wisdom most of us can only dream of being able to describe, and she does it with the grace of an angel. This is a book that should become a classic. Highly recommended to readers, writers, thinkers, and dreamers everywhere. ~Lori L. Lake, Midwest Book Review

In the case of Jane Anne Staw's Unstuck, what matters most, is that the author has written the bible for writers who are blocked. I appreciate her lack of usage of the "B" word, but at the end of the day--Blocked is blocked and sometimes we all need a bit of fiber to get things moving! Make this gem a part of your writing resource library. You simply can't go wrong.

I've had a serious three year block and have tried desperately to get out of it. I had looked at several books about writer's block and all of them were feel-good garbage or throwaway 101 Tips to...

Staw's book is the best I found dealing with the subject. As one reviewer noted, it's difficult to even take time to read a self-help book, because you tend to feel that it's one more case of avoidance or procrastination and the hour it took to read could have been spent writing. But Staw has some salient, psychotherapy-based points about those feelings--guilt and avoidance. She emphasizes kindness to oneself instead of listening to the inner hypercritic, and while this might sound like feel-good nonsense, the way she writes about it makes sense and this technique pretty common in counseling. Her examples of patients experiencing writer's block range from mild to extreme--which made me feel better. This guide by no means got rid of my block, but in some ways it gave me (or allowed me to give myself) permission to write sloppily. There's no way I can write as well as I'd like to, certainly not while experiencing a block, and I feel that Staw really nails it when she points out how counterproductive this drive for perfection can be. I've since loosened up enough to start writing small things without caring so much about the outcome (these reviews for instance)--and it's been a pleasurable step in the right direction.

I'm using this book right now and it's a healing and compassionate book for writers. I was already writing again, but the book is helping me to go back and heal the gaps from decades ago when I quit writing. I hadn't realized that I needed to be healed as a writer. The need to write never went away even though I tried not to write. This book is helping me to understand many things. I can't say enough. It's a valuable book if you have ever felt hurt or discouraged as a writer. The author is perceptive and knows of what she speaks.

I am posting this review for a long-time friend and exceptional writer: "UNSTUCK offers us a mother lode of authorial insight, inspiration, and encouragement. Dr. Staw, the ultimate writer's empathist, speaks with the authority of an unblocked writer herself, making this handbook of discovery and recovery both an indispensable road map for overcoming writer's block and a trusty guide for avoiding its recurrence."

As a near-life-long collector of books on the art/craft of writing, I treasure them not just because of their professional wisdom but also because, well: they're so well written. I've placed UNSTUCK within the top part of that latter characteristic. Thank you for writing it. -- Larry W. Bryant

Unlike most books for writers, this one assumes that you are already a writer of some kind, and treats you intelligently and sympathetically, exploring the various fears that are common among writers and are at the root of writer's block, and ways to work through them. The book assumes that all writers have their own backgrounds, their own way of working, and their own individual quirks, so it does not prescribe a set program that everybody should follow. Instead, it talks about how to use your own personality and techniques to get you past the block and put your butt back in the chair.

Some of the examples seem pretty extreme. There are successful writers out there, apparently, who develop such a strong block that they have panic attacks when they sit down to write, or even just look at their computers. I figure if Dr. Staw's approach can help them, it can help me. I don't really fear writing (or do I? the book made me think about that), I just have trouble getting to it. Several times I read what she writes and thought, that's not me, then realized hours or even days later that the writers she describes aren't as different from me as I wanted to think they were. It gave me a lot of insight into the way I approach my writing, how I think about it, how I think of myself as a writer (a not-quite-real writer--there's a whole chapter about that).

The funny thing is, I realized early in the book that I was actually using the book as an avoidance technique to help justify not writing. After all, if I was reading about writer's block, then obviously I was doing something about it, so that's almost as good as writing. Of course, the best thing I could have done was put my butt in my chair and my fingers on the keyboard, even if only for a few minutes, rather than keeping my nose in a book. But I'm glad I read it anyway.

If you want to understand your writing mind, your fears about writing, how to get past that inner critic, and so on, the book is worth the time it takes to read it, and the time it takes to digest what you've read.