Language Arts Books

Chris Keane does it all. I've been fortunate enough to be in his group in Maui and am about to be in his class in Maine. Everything other reviewers have said is right on, but one more comment is needed. Chris Keane actually cares greatly about his students whether they are new to the craft or old hands. He listens intently and answers thoughtfully. Oh, and he actually knows what he's talking about and speaks from vast experience. No wonder he's in such demand all over the world as an instructor. He knows how to "get 'er done". Any and all of his books should be OPEN on your desk, folks.

Barbara Lord Mannewitz (Bury Thy Brother)

If you are looking to learn about what attracts attention in the industry, read this book.

Romancing the A-List: How to Write the Script the Big Stars Want to Make

Chris Keane has written an indispensable tactical manual for the aspiring screenwriter. He generously shares his wealth of insider knowledge and industry experience. I want to take a week-end off, lock myself away somewhere and re-read the entire book ... it is that good. That useful. I suspect that "Romancing the A-List" it will become a reference beacon for many writers.
-P. Packenham

A big star can sell a movie much more than any other aspect - someone may be a fan of Hugh Jackman, but few would be fans of David Hayter, the screenwriter responsible for one Jackman's big films in 'X-Men'. "Romancing the A-List: Writing the Script The Big Stars Want to Make" is a complete and comprehensive guide to attracting those big stars to your screenplay, for that star support in getting the script writer's movie made - and to assure it will get the attention it deserves. Deftly composed and a must for wannabe screen writers, "Romancing the A-List: Writing the Script the Big Stars Want to Make" is highly recommended for writing collections, as well as professional, academic, and community library collections dedicated to film making.

Romancing the A-List is begging for a spot on your nightstand. This book ideal for screenwriters serious about their craft and wanting to get into the business as well as people who are interested in the story process and how their favorite movies have gone from idea to the silver screen. It's informative and entertaining. I like to consider it a classroom in a book. Christopher Keane takes you through all the steps, from creating a mini-treatment to building a screenplay in three acts. He encourages you to think outside the box but also to understand form and structure and method. I don't think I've ever read another book quite like it. I learned more about development of the story form in general in this book than anywhere else. If you don't get it, you won't know what you are missing.

BUY IT BUY IT BUY IT! If you have a child coming up on SAT's or even in middle or elementary school, this is the best book out there! It was recommended to us by a reading specialist. I love to read the book just to see if I can recall words. Love IT so BUY IT!

This is a fantastic book. I am in 6th grade and got this and loved it. I would reccommend this for grades 6th -- 11th. The way it works: first it shows the word, say "copious". Next, it shows the definition -- in this case, "abundant;plentiful". Underneath, it shows a link word. For "copious", the link word was "cup". An amusing cartoon strip follows, such as the one for "copious" which showed a grinning man proudly holding a massive cup of coffee. The caption read, "A COPIOUS CUP of coffee". Then, there are three good examples. At the end of every ten words, there's a review to make sure you understand. This book is wonderful, and I reccommend it to everyone! I loved it. In total, there are 290 words.

This book is a delight! Both this and it's sister version (Vocabulary Cartoons 2) are wonderful vocabulary builder starters before you drift off into harder works like "The Wizard of Oz Vocabulary Builder." That book sounds easy enough, but it's actually geared towards 12th graders and beyond.

These books are wonderful for visual learners, although, others might get something out of them. Building your vocabulary is a process, but the time spent will be well rewarded. A strong vocabulary helps everything, including foreign language and math skills. As you delve into harder works, you'll be learning Latin and Greek roots which build excellent decoding skills for standardized tests.

These books are perfect for summer education. You want your kids to enjoy themselves, however, it doesn't hurt to move ahead academically either. These materials -- and ones like them -- are fun summer pleasure readers. And they'll learn something along the way. Adults will likely enjoy them too!

No one cares about your education more than you do. Fortunately, we live in the day and age where materials just keep getting better and better. So supplement, supplement, supplement. Have no fear: it can actually be fun. A+

this book was a simple, fun way to review vocab for SAT

This book has been one of my most valuable resources in my classroom. Each of my students owns a copy, and through class activities that incorporate the vocabulary into various literature lessons, I have seen results. One student recently took the SATs for the second time and reported a 210-point increase in his verbal score--an increase that he ascribes to this book. I highly recommend this resource to any literature teacher and college-bound student.

Not your typical how-to-write book, but rather as the subtitle indicates, how-to survive and thrive as a writer. As I read, chapter to chapter, there were numerous times when I felt as if the author was speaking directly to me. All of the time, I felt I was receiving sage advice from someone who had been there, done that and come out the other side; someone further along the path willing to take a moment and share from his own struggles and successes in overcoming the various problems writers encounter on their writing and publishing journeys.

This is book is going on my books-on-writing keeper shelf. I highly recommend it to anyone who writes or wants to write.

One of my goals is to read every book on writing. I'm into my fourth year. There are very few books now that catch me by surprise and say something different. Rogers' book,

Of all the books I've read on writing, and there have been many, this is the one that addressed my real problem; my fear of not being able to summon up enough self-desipline to write my story. If this describes you...read this book. With the loving approach of a kind-hearted surgeon, Rogers gently pulls back the layers of writer's angst to uncover the size and shape of your particular "tumor". He then gives you, not feel-good pep talks, but practical excercises that liberate you from your black mass. I'm confident I will finish my book and be published, and when I am, Bruce Holland Rogers will be listed in my acknowledgements.

Book from a professional fantasy-writer and teacher (creative writing). The book contains columns, with advice how to avoid the slushpile of daily chores and keep at it, keep following the serious urge to write. This book adresses the possible emotional and psychological needs of the would-be-writer who wants to endure and stick to his writing.
As this is a book of columns, pieces which appeared earlier in a serialized form, there are some minor points which the reader needs to remember when using Bruge Rogers book as a guide to a writers existence.. Writing as the ancient rethorians maintained is as much about grammar, logic and ethos as it is about pathos (emotions).
Many aspiring authors do not lack ideas, but they do not know how to express themselves, or have not gained mastery of language as a working tool.
A book to buy if you are not looking for a work on the art of writing, mastery of language, style and the logic of building a narrative.

As a beginner who has been trying to stop procastinating, and start writing - I'd almost given up hope. After two years and having read at least a dozen how-to books on the writing craft, I gained a lot of knowledge on how to write. After reading Word Work I finally gained the knowledge that allowed me to write. In Word Work, Bruce Holland Rogers takes your fears and concerns about writing and buries them. He explained why I was procastinating and gave me the techniques to overcome it. Rogers takes all the excuses we give ourselves about why we can't find time to write and he shoots them down one by one.

This book is a must for all of you who say: "One day I'm going to write a novel", and for those of you who have lost your way. I highly recommend it

If you want to write stories of any kind, you want this book. I borrowed it form the library, but I didn't want to return it. I bought my very own copy right away.

This book is great for anyone interested in writing for children, actually, it's great for anyone interested in writing fiction! It's an easy read and has loads of great information. I would definitely recommend this book to anyone.

Nancy Lamb's books explores most if not all facets of writing with a focus on children stories. Very dense, her book offers enough information in each topic to get you started writing and to understand story structure. An excellent primer for beginners, the books serves well for experienced writers as a refresher. Lots of golden nuggets in each page. It is a book that will not remain on your shelf collecting dust. It's not the end all book on writing but will save you time and money from buying poor quality how to books on writing. Her style is very straightforward. She offers good examples to make her point as well as exercises at the end of each chapter geared to either the writing of your story or an element that raises your awareness to good writing. Buy the book. You won't be sorry.

If you need a writer's guide , buy this one, no matter what you write or for which public. It's full of usefull and simple examples and exercises. The language is clear and humoristic. This book contens all you need to know about crafting unforgettable stories. I use it to rewrite my crime story manuscript and it makes rewriting something close to fun. And that is something unvaluable as you may already know. Buy this book, pick up your pen and join the creazy community of wannabe writers.

There is always more than one way to approach something; including writing. Nancy Lamb covers everything from writer's block to crafting your story. This is THE most valuable book on my writer's shelf and I refer back to it constantly.

I've used a lot of ideas from the book. I really enjoyed the section on getting endorsements for your book. And I contacted my local library after reading this book as well.

My copy of Carmen's book is dog-eared, underlined, highlighted and battered. I go back to it time after time for fresh ideas, as my first novel has just been issued and I need all the promotional tools I can get. Though some reviewers felt this book is "only for the self-published," they're wrong. These days, traditional publishers leave a LOT of the promotion up to the author. Don't fool yourself -- you'll need this stuff! In addition, there are so many great marketing ideas in the book and they can be used to make your next book proposal to a publisher really shine. They want authors who are willing to promote and who have concrete ideas how to do so. It could mean the difference between a contract and just another piece of wallpaper for your Rejection wall. I highly recommend it.

If I were self-publishing my book, I would give this book five stars. Only because I'm seeking a publisher I give it two. The book is well-written and full of ideas. I've met the author and she is sophisticated and experienced in self-publishing. I recommend it to anyone who publishes his own book.

You Can Market Your Book is designed to help you understand basic book marketing principles. No matter how your book was published, unless you are a superstar author, you are the main salesperson. Yes, you might be responsible for your own book distribution or with a traditional publisher, you might even have a publicist for a brief time, but ultimately it's up to the author. You need to be as aggressive as possible if you want to reclaim your garage or closets from the boxes of unsold books, or if you expect a royalty check from your publisher. Add this book to your marketing arsenal.

I sat down to read Carmen's book with a highlighter and legal pad in hand; from glancing through the book I knew I'd be writing down lots of great ideas for publicizing and promoting my new book. I was absolutely thrilled when, on page 23, I read, "As Christians, the first step in our marketing plan must be prayer." I've been praying for God's guidance throughout the planning and writing of my book, and was so happy to find that Carmen shared my Christian viewpoint and beliefs. She urges us to seek His will at all stages of book writing and promoting and marketing, and with everything we do. Godly encouragement is sprinkled through the book, and provided me with some much-needed encouragment.

At the end of every chapter you'll find very helpful resources, including author websites and references for more information about the subject of that chapter. Carmen covers a comprehensive range of topics throughout the book, taking the reader step-by-step through marketing tools like reviews, promotion, etc. Many/most of the ideas are inexpensive and simple, but I know will be effective.

By the time I finished the book there were pages dog-eared, sticky notes sticking out of various pages, and almost a legal pad full of ideas I will be using to market my previous books, as well as the one coming out next.

This book is a must have for any author!

If you are new to the writing profession, or, if you are a veteran who needs to re-charge, this book will help you in many ways. The 19-page chapter on writers' block alone will help you overcome procrastination. Her chapter on personal and professional writing also contains many useful tips.

Effective Business and Nonfiction Writing is full of practical steps and how-to's - you can see your progress toward better writing immediately. I will be a better writer because of this book.

Many non-fiction books have great content, are well-researched but are written in a poor style and in a language you don't understand. So what do you do? You put the book back on the shelf and it will never be read.

The author Jan Yager, Ph.D., teaches us to keep things simple and write so it's understandable to anyone. This is not just a book for a professional writer. This is a book for everybody who writes. Everything from e-mails to non-fiction books is featured and don't we all write non-fiction in our daily life? Think about that!

In `Effective business and non-fiction writing you'll learn about time management, how to get your writing published, how to overcome writer's block, researching, interviewing and much more. Furthermore, the book is filled with examples and exercises. This is really good work and the book is very well-written.

Many non-fiction books have great content, are well-researched but are written in a poor style and in a language you don't understand. So what do you do? You put the book back on the shelf and it will never be read.

The author Jan Yager, Ph.D., teaches us to keep things simple and write so it's understandable to anyone. This is not just a book for a professional writer. This is a book for everybody who writes. Everything from e-mails to non-fiction books is featured and don't we all write non-fiction in our daily life? Think about that!

In `Effective business and non-fiction writing you'll learn about time management, how to get your writing published, how to overcome writer's block, researching, interviewing and much more. Furthermore, the book is filled with examples and exercises. This is really good work and the book is very well-written.

Many non-fiction books have great content, are well-researched but are written in a poor style and in a language you don't understand. So what do you do? You put the book back on the shelf and it will never be read.

The author Jan Yager, Ph.D., teaches us to keep things simple and write so it's understandable to anyone. This is not just a book for a professional writer. This is a book for everybody who writes. Everything from e-mails to non-fiction books is featured and don't we all write non-fiction in our daily life? Think about that!

In `Effective business and non-fiction writing you'll learn about time management, how to get your writing published, how to overcome writer's block, researching, interviewing and much more. Furthermore, the book is filled with examples and exercises. This is really good work and the book is very well-written.

As I have been published in a weekly newspaper column for more than ten years, I probably fit more in the group called '...writers' rather than persons new to writing who are trying to gain traction.
Like most writers I hesitate to declare that I am one.I do however write, regularly, for publication.
Milli's book and guidance gave me a different direction to go in.I had reached a cross road and was stalled. Her book provided a stimulus and a challenge.It also provided a frame to work within.
Her list of topics and coaching were very useful, are valued still.
Had I not bought the book and read it, digested it in part, I might never have tried doing fiction.
This book provided a solid point of departure.It provided credible assistance along the route.
More than those things, it provided a place in which some of us may try different things, with firm but empathetic direction as we try.
Anyone who is serious about writing has recognizable milestones that are beside the path or trail they take or are shown.
I have a feeling this book Milli Thornton created may very well be one of those for me.
Respectfully Submitted,

F.S. Lentz

What I want to know is how Milli Thornton knew exactly where I was when I began reading Fear Of Writing: I was curled up in bed. She knew that, and she told me that I was not allowed to read her book in bed:

"To begin with, this is not a bedtime book. Just as you would never dream of exercising aerobically right before you go to sleep, this book should be strictly a daytime pursuit. . . . so don't read this book in bed (Thornton, 10)."

When I read this, I put the book down. But I was afraid to pick it up again. What else would Thornton know about me? Would she know that I hate everything I write as soon as I write it? Would she know that I often don't write because I know I'll end up hating my work-that I make myself fail before I even try?

I did finally conquer my fear of reading Fear Of Writing, though, and I am glad I did. Thornton's insights, anecdotes, and short stories are not only helpful, but are also fun to read. And her Fertile Material exercises stretch the imagination! I've written from the point of view of a mutt-hating Siamese cat, a cockroach-loving activist, and a jazz musician.

I love that Thornton gives her readers no pressure to write the perfect piece. She gives a prompt, and you can write whatever you want, be it a poem, a dialogue, a short story, or a stream-of-consciousness piece. You don't even have to finish the story! Just write something, anything, to get those creative juices flowing. You can choose to share your writings with others (I have found that sharing them with the Fertile Material group on Yahoo! is quite rewarding.) or keep them to yourself. You simply write for yourself-an audience of one. No fear there!

This is an absolutely wonderful book! Anyone plagued by the fear-of-writing bug should read it and use the Fertile Material exercises. You won't be sorry!

Milli Thornton's Fear of Writing has inspired me to write again, helping to end a lengthy 'writer's block.' I have enjoyed responding to the prompts.

I didn't really think of myself as a closet writer, or even a writer of any kind for that matter, until I read a copy of "Fear of Writing." Even though I had ideas for books "I want to write someday" swimming in my head, I never had the courage to embrace the idea of it actually coming to fruition until I read Milli's book. Her book changed my attitude and diminished my fear within the first few pages. "Fear of Writing" gave me instant inspiration and permission to write freely without worrying about making a mistake. Heaven forbid I make a mistake! I've been doing that in my everyday life, so why am I worried about it in writing? I love this book and I respect Milli for her courage and tenacity to make this book happen and her willingness to share her knowledge. If you have ever once considered creating a story of any kind, do yourself a favor and read Milli's book. You won't regret it.

Do I have a "Fear Of Writing?" You bet I do. I'm loaded with it.

And sometimes, before buying this book, I was paralyzed by my fear.

But then, I happened upon a magical book. I discovered Milli Thornton's "Fear Of Writing: For Writers & Closet Writers," and this wonderful book helped me understand that being afraid to write didn't make me a failed writer. Having a "Fear Of Writing" is a natural outgrowth of my own desires to become a better and more successful writer.

Did this book cure me of my fear? Absolutely not.

Instead, I've found that this text has given me the tools I need to continue to write in spite of my fear. I've learned that being afraid is okay. And, most importantly to me, I've come to understand that I am NOT a failed writer unless I allow my fear to control me and prevent me from writing.

Using a series of fun and imaginative exercises, as well as personal anecdotes and insight from other writers, Ms. Thornton has written a book that provides what individual writers need most.

Need the warmth of a hug to support you and get you back to your desk?
You'll find that hug in these pages.

Need a sprinkling of fairy-dust to call your muse back to your side?
This book will show you many, many ways to locate a muse that's gone missing.

Maybe you're like me, though.
Maybe what you really need is a kick in the seat of your britches.
Maybe that's what it will take to get you writing again.

If so, the author will give you a firm but gentle boot with the included "Fertile Material Exercises." These exercises are enchanting, silly, exciting, and most of all, they are fun. Plus, they are certain to kick-start your imagination and get the words flowing.

This is one of those rare books that deserves a spot on every writer's desk. Regardless if you're a seasoned pro or someone completely new to creative writing, this book will help you write more, write better, and help you overcome your "Fear Of Writing."

Ce livre est un chef-d'oeuvre que l'on déguste du début à la fin et que l'on apprécie de plus en plus à chaque relecture. J'adore Boris Vian et l'aurait marié sans même y penser après avoir lu ce qui coule de sa plume. Les mondes qu'il crée sont fascinants, et celui-ci est le plus beau de tous.

Ce livre est un chef-d'oeuvre que l'on déguste du début à la fin et que l'on apprécie de plus en plus à chaque relecture. J'adore Boris Vian et l'aurait marié sans même y penser après avoir lu ce qui coule de sa plume. Les mondes qu'il crée sont fascinants, et celui-ci est le plus beau de tous.

L'Ecume des Jours (or, John Sturrock's translation, Foam of the days) tells us a story of Colin and Chloé and their love.
Of love that - however pure, serene and (perhaps) unbelievable it may appear to our everyday eye - is very much innocent. Like the one that, at least some of us, have always wished to experience.
The whole story has, unfortunatelly, a tragical end. But then, it wouldn't be one of the nicest books I have ever read. Only to express myself better through similarity, it is Jamiroquai's "Falling" that makes me think of Collin's falling in love with Chloé - except that Collin's love is 'returned' - they both love each other dearly and very much.
The whole story is divided in two parts - two worlds where love stays the same (even grows!) only the encompassing world undergo (terrible) changes. It's the careless world of Colin's and Chloe's love before they get married, full of warmness that only two suns may produce, and of the world after their wedding. The moment they say final yes at their wedding, Chloe gets ill and the whole preceding atmosphere suddenly changes from "happy" to "gloomy." As I said, the love stays, even gets greater, but the whole story then leads to an inevitable tragical end...
In Vian's own words it's a history that is "...entirely true as I made it up from the beginning to the very end." ["...entierement vraie, puisque je l'ai imaginée d'un bout a l'autre"] I would not quite say it is wholly made up although it's only my opinion. Yes, the story is a bit unreal, perhaps exaggerated, but I think it needs to be in order to let us feel and (hopefully) realize, that as 'panta rei' (as Time flows by) we should pauper our friendships and, when being loved and loving ourselves, then we should love sincerely and happily.

This brilliant work of fiction, akin to a fairy-tale, combines science-fiction, surrealism, absurdism, lyricism...
One of the highlights of post-war French litterature, it has become somewhat of a cult favourite for teenagers, as it relates the lives of yound adults who refuse to accept the responsabilities of adulthood, preferring to live according to principles eerily similar to those held by hippies, refusing to temper idealism with the demands of reality.

It is a pity that Boris Vian has no name recognition in the anglo-saxon world. Much to blame is probably the uniqueness of his language and unconventional writing approach. This refreshing tale encompasses youth, love and the fleeting aspect of all that is precious in life.

In Screenwriting for Teens, Christina inspires young and old to dive into the film craft. The book's depth of information allows for it to transcend the high-school age group. One of the unique aspects of the book is the subject chapter exercises which prove both helpful and challenging. Participating in these exercises will enhance one's film craft. Highly recommending the book.

The idea of any kind of guidebook normally gives me the "ho-hums", but I must admit that this was a pleasant (and educational!)surprise. Christina Hamlett's Screenwriting for Teens is fun to read; it's pleasing and practical and comes across as more of an on-line chat with one's mentor than anything resembling a "how-to" text. And yet, this book is totally to be taken seriously!

Christina Hamlett knows writing, and she knows movies. She also knows how to speak to a young audience (though I feel this book would be invaluable to beginning writers of all ages). And, most importantly, she knows what it takes to make a good start as a writer. Her wise advice? It's all about you and your writing (and reading), NOT about how to make money, achieve fame, and create blockbusters.

Screenwriting for Teens is a nice visual package, as well, both structurally and graphically. I myself wish Ms. Hamlett had been my tutor in high school - she could've taught me how to do a proper outline! This book can be read effectively in its entirety, or section by section; the blocky layout is great for kids, who we all know can be (ahem) a bit impatient. Another plus for kids is the fact that Hamlett's voice is conversational yet professional, and not "teacher-ly". She's not trying to get young people to slog through yet another textbook, after all. This is about real world goals and practice.

Hamlett also offers great advice for beginning writers of all stripes, not just budding screenwriters. For example, she explains the differences between story and plot, how to write for various genres such as comdey, sci-fi, etc. And yet her advice for screenwriters is priceless - my own favorite Hamlett topic is "Characters Shouldn't Use Dialgoue to Explain Things to Each Other That They Already Know" (she proceeds to cite some dialogue from a Harry Potter film, but she's right so we must forgive her).

So, if you are a teen writer or an adult just fumbling around getting started, pick up this book, sit down, and learn, learn, learn! Screenwriting for Teens is enlightening, sensible, and FUN!

Screenwriting for Teens, The 100 Principles of Screenwriting Every Budding Writer Must Know, is an in- depth, yet easy to read book for writers of all ages. Christina Hamlett motivates any promising screenwriter, with her humorous writing style and detailed, informative understanding of the craft.

To call the book a complete "how to" manual would be a vast understatement. At the end of each chapter, a section called Brainstorming, provides writing exercises to reinforce the core concepts introduced in the chapter. Also included, is a Look and Learn section that references films, television shows, books and websites that highlight the focal points contained in the chapter.

Offering more than just helpful hints for those with the dreaded "writer's block", Screenwriting for Teens is a comprehensive guidebook that covers all genres. Whether writing a Drama, Comedy, Action Adventure or Sci-Fi Film, this is the book to begin or develop your skills.

It will be first on my recommended reading list for the Screenwriting Program that I will be offering at my local community college. Thanks a million, Ms. Hamlett, for your brilliance and encouragement, supporting all those with the courage and vision to put their pen to paper, move forward and to not give up!

Screenwriting for Teens is the quintessential guide for taking an idea and turning it into a film. The book stresses that it's necessary to understand the story process before you can understand the specific formatting of a screenplay. Christina Hamlett's no-nonsense delivery is refreshing as she instructs writers, newbies and veterans alike, on some of the basic concepts of writing a screenplay - though these concepts really apply to any kind of writing. Principles such as knowing your medium (and which one works best for your story), understanding high concept, knowing your characters and their voices, and understanding the art of dialogue are but a few of the many this book covers in detail.

Screenwriting for Teens also covers how these principles apply to us on a personal level and not just that they're the 'right' thing to do if we want to sell our script. A lot of experts talk about how making a script presentable by spellchecking and using the right font size is important, but not everyone explains the 'why' of it. Christina likens it to someone you've been interested in for a long time. They finally ask you out on a date and you spend the entire day fretting about your clothes and hairstyle. When the person arrives, not only are they late but they look like hell warmed over. The whole experience is rather deflating and frankly, disappointing. That's how directors, producers, and agents feel when they get a script from a writer that didn't take the time to polish it.

The book doesn't quibble with the fact that Hollywood is a tough business. Many writers spend their whole lives looking for that one big break while some get lucky their first time out. What's important to remember is that writing isn't meant to be a 'get rich and famous quick' kind of gig. It's about being the best writer you can be because that's what you want to do. If you want to succeed at writing, then this book is just the catalyst you need to get moving. After all, writers write. That particular maxim will be the most repeated advice anyone will give. Take it to heart, because practice (and Christina's book!) makes perfect.

Screenwriting For Teens is an extremely useful book written by Christina Hamlett. It breaks down the art of writing a script into easily digestible, little bit-sized morsels. It's incredibly jammed packed full of information yet its conversational tone helps to not overwhelm the reader. The book is broken down into 100 lessons, each starting with a concept. The author gets the concepts across by speaking in layman's terms, not making you feel like you are assembling Ikea furniture. She consistently sites examples that are up-to-date, making them easily recognizable.

In one concept, the difference between "reel" time and "real" time is being explained. She uses the example of the way reel time is used to condense days and years of characters' lives to keep the audience interested and, in contrast, how "real" time can increase agitation in the audience in such movies as Titanic, where we are living out the sinking of the ship, minute by minute, with the crew.

The second part of Christina Hamlett's lesson is "Look & Learn". In this part of the lesson you are asked to do mental exercises. To substantiate her idea of one of the key concepts "Knowledge = Credibility", she sites the opinion that lawyers don't like to watch TV courtroom dramas because the simple fact that they know courtrooms don't play out the way they are depicted on TV. Then she goes forward to test the readers' knowledge of the courtroom by giving a crime scenario and asking the reader to identify as many goofs as possible. The answers, thankfully, are at the bottom of the page so as not to drive the readers nuts, keeping us wondering.

The last sections of her lessons are called "Brainstormers". These are actual exercises that are expected to be completed. They are far from the boring ho-hum assignments that you would expect in a textbook. In one exercise where we are learning about Shorts, she gives the writer a scenario where they are to write a 60 second commercial advertising window cleaner, with no dialogue, the only actors being Paris Hilton and Darth Vader. How fun!

Although the title of the book gives a strong sense that it is a teen-only book, I am confident in saying that this book can be read by any beginning or novice screenwriter, whether they be 14, 26 or 75 years old. This book would also do wonders if it were to supplement any scriptwriting teacher's course of study. It is incredibly thought provoking and full of eye-opening knowledge.

One of the most humane and heartening books on the perils of the writing life I've come across, it's hard to recommend it highly enough. I'd give it more than 5 stars if I could.

Based on his own career as a writer and as a therapist, Palumbo knows all the secret agonies serious writers face; and he has, through experience, gathered wisdom for dealing with all of them. He imparts this wisdom in gentle, down-to-earth chapters that always stress the real over the theoretical.

I came across this book at just the right time (recommended, I think, in one of Elizabeth Lyon's terrific writing guides) and now I don't know how I ever got along without it. I have a copy next to the chair where I work; I will refer to it often, and recommend it heartily.

Just what the doctor ordered for writers who wrestle with the demands of the writing life, which is all of us. Palumbo is a healer, and this book now lives on my nightstand.

Palumbo is a writer turned psychotherapist. He saw all his own problems writing, and understood others also had them, and found his new voaction counceling other authors at various stages in their careers. As such the book differs from most other writer's guide books. He focuses on the internal processes of writing: self-doubt, negative judgement, hopelessness, loneliness, lack of ideas, etc. And he does give very valuable advice. Basically, he tells us to turn our weaknesses into strenghts. We can use anything in our writing, even our procrastination and depression. An idea that actullay goes back all the way to Nietzsche.
Thios book will not write anything for you, but it will help give new clarity to your thoughts about writing, and in that way help you with your writing.

Eric Maisel's "Living the Writer's Life" is one of the best books I've found on the writer's life, right up there with Rachel Simon's "The Writer's Survival Guide". Palumbo's, unfortunately, is not so spectacular, although it definitely has its merits.

One of Palumbo's best-conceived ideas is that in order to be happy with our writing, we must learn to enjoy the process for its own sake, not simply for external rewards such as sales and good reviews. I particularly like his view of writing as meditation, "a hushed, private space"--a calling more than a career. Palumbo talks about the problems all writers face, and it might help you to realize that you aren't so alone after all.

As much as I loved the good parts of Palumbo's book, however, there were definitely some parts I didn't like. For example, I took real issue with some of his claims regarding bipolar disorder, particularly his claim that bipolar is nothing more than an unhelpful label. As someone who HAS bipolar disorder (a genetically-inherited, biologically-based *illness*), and whose life was very much aided by the proper medication, I can say that such "labels" can be very helpful indeed! If you're worried about somehow losing your creativity if you medicate and calm your manic phases, I can personally testify to the fact that in many cases medication makes it much easier to actually sit down and take advantage of your creativity, rather than taking it away.

It is clear that Palumbo has some very strong feelings on certain matters, and every few chapters these feelings detract from the usefulness of the book. He bashes would-be writers who haven't yet written anything, comparing them to someone who says that they've always wanted to give heart surgery a try one of these weeks (the analogy holds merit in that writing requires skill, but falls apart in that writing requires more learning-by-doing, and can at least be attempted, explored, and practiced by the unskilled!). If there's one thing I took away from Maisel's book, it's that every writer was once a would-be writer. And the line between "wanna-be" and "would-be" isn't something we can assume just by looking at someone.

I don't recommend this book to the novice or "would-be" writer. Unlike Maisel's book, it's likely to give you a few skewed ideas about creativity and your own role in writing. On the other hand, it has a lot of very useful suggestions for writers who have some experience and are looking for help with the ups and downs of their craft. Palumbo has written lots of scripts and screenplays, so he has plenty of advice that is of particular use to those writers dealing with Hollywood.

For many years I experienced writer's block, lonliness, doubt, fear of rejection and just plain fear. Just like the summary on the back of the book. I am glad that I am not alone and it made me realize that is part of the the writing life. This book gives hope and support that yes you can make it as a writer maybe not the riches in terms of money but maybe to quench your thirsty soul. Dennis Palumbo doesn't give away all his secrets(of course he still has a practice to run as a psychotherapist) but enough answers to make you realize yes you are not nuts or crazy but simply a writer. A good reference book to keep by your writing desk whenever you feel down or have the inevitable writer's block.