English Books

Sir Nigel is the tale of the early adventures of Nigel the future commander of the White company, from his early squire hood culminating in his knighting on the battlefield and successfully winning his lady love.

In many the morals and world view of Sir Nigel clash with my own. Nigel is one of these simple strong souls who never see the relative nature of the world. To Nigel everything is black and white, good or evil without any shades of grey, Honour is all and fear is an unknown concept. Yet I enjoyed this story immensely. Why? Perhaps because it takes me back to the simplicity of childhood, that state of perfect heroes and right and just causes.

Also this is Conan-Doyle the author who bought us Sherlock Holmes so the quality of the writing is first rate as is the quality of the historical research and accuracy providing idealized visions of characters such as Prince Edward and John Chandos and events such as the Battle of Poiters.

You're a Sherlock Holmes fan, right? Yes, of course you are. Everybody is. Look at the zillions of reprints of these stories. Every year there's another one. And who is the writer? Why, Arthur Conan Doyle, of course.

Or maybe you're a science-fiction or fantasy nut. The books you love best are those in which a very imaginative author conjures up a remarkable, detailed, complex world, puts human-type characters in it, and sets them in motion, reacting to the forces around them. You'd crawl through mud to find a book like this.

So why oh why oh why don't you give this neglected masterpiece, this Sir Nigel--and with Doyle as the author--the acclaim it so richly deserves? No, it's not fantasy or science-fiction, but it begins in England in 1348, and can you possibly imagine a time and place more foreign than that?

To briefly summarize, the story is about a young squire, Sir Nigel, and his quest to perform noble deeds so that he can win the hand of his love, who waits patiently for him to complete them. If you want nothing more than adventure, this book has it. He begins by rescuing a damsel from a scoundrel who would besmirch her honor; there is a small then a large sea battle against the Spanish; there is a journey to a cruel, pirate-infested island, and the revenge exacted on its leader; there are jousts, one on one and thirty on thirty; and in final there is a large, desperate battle between huge armies of French and English where much glory and blood is to be found. Large and small, adventures abound, and I haven't even mentioned half of them. And nothing here stretches credibility. Yes, Nigel is a hero, but he suffers setbacks also--some really embarrassing--and in fact misses most of a set-piece battle he was looking forward to when he almost gets his brains bashed in at the beginning of it.

Like all of Doyle's creations, this novel is rich in small details also. For example, forks hadn't been invented yet. It was considered good manners to hold your meat with your thumb and middle finger while cutting it; to do otherwise was bad form. When you're done with the meat, you toss the bone behind you for the dogs. Once a week, the whole mess was swept out and more hay is laid on the floor. He shows a great knowledge of weaponry as well, talking about the relative merits of the bow and the arbalest, the heavy stones heaved by mangonels, and of course the use of swords and shields and lance. These are just a couple of examples. Practically every page reveals insights as to the way of life in those times, not the least of which is the portrayal of the chivalraic code by which they all lived.

Lastly, it is beautifully written, almost lyrical. Nigel comes upon the fair Edith, "whose face had come so often betwixt him and his sleep." Is there a more economical or descriptive way to put this? And later, marching in war-torn Brittany: "As the darkness deepened there came in wild gusts the howling of wolves from the forest to remind them that they were in a land of war. So busy had men been for many years in hunting one another that the beasts of the chase had grown to a monstrous degree, until [even] the streets of the town were no longer safe . . ." Descriptive? Indeed, chilling.

This is exciting, informative, first-class fiction, and warrants a much larger audience than it has apprarently been getting over the years. Do your part!

I wasn't quite sure what to expect from this book. I very much enjoyed Doyle's Sherlock Holmes books, but there is quite a difference between detective stories set in the present (or at least what wast the present at the turn of the 20th century) and adventure books set in the Middle Ages. I am pleased to say that Doyle is just as good at adventure as he as at mystery, which is saying quite a bit.

I will refrain from explaining the plot to you once again, as that has already been done several times in previous reviews. What I wish to note in particular is the incredible realism Doyle mixes with outlandish chivalry. I find this difficult to explain, but the best I can do is briefly compare it to the Arthurian novels of the great Howard Pyle of the same era as Doyle. Pyle's books are the embodiment of boyhood ideals of chivalry. Knights fight for honor, and live in something resembling a fairy-tale land (though not quite as preposterous). Doyle's world, on the other hand, is the real world. It is a place of suffering mixed with joy, and the cunning of worldy men alongside the chivalry of others. It is a place where a man is actually liable to be crushed by a blow, whereas in Pyle's world a hero would seemingly have to try very hard to incapacitate himself. Doyle's world is actually meant to be historically accurate, and he took great trouble to research what he was writing about. This explanation is but one aspect of the "realness" of Doyle's style, but I find it impossible to adequately explain, and you will simply have to read the book to understand.

In truth, I prefer Pyle, but Doyle is not far behind. The difference would be largely made up for if Doyle's book contained excellent drawings and superb archaic english like Pyle's do. If you like Pyle, I imagine you will be delighted to find another author who writes Medieval adventure with so much skill, especially in so unlikely a figure (at least, to those of us used only to thinking of him as the author of the Sherlock Holmes books) as Sir Arthur Conan Doyle. I'm very much looking forward to finding the sequel.

Overall grade: A.

I don't have much time to write this review, but if I did, it would be a long one full of words of praise. I read this book in its Spanish language version(only about 15 times). I found it really exciting and interesting. It is the classic story of the undersized fighter who at the end gets all the glory. The story is full of surprises and it will capture anyone's imagination (it got mine). Read it! -

The book just grabbed me from the very first paragraph. I knew that Sir Arthur is an excellent writer but I didn't know that he is that good with medieval adventures.
Everything he writes is very true historically and that makes the book even more enjoyable. His sense of humor and the story made me feel almost being there with Sir Nigel. The story itself is simple but full of surprises. If you are a kid or if you are one of those grown up kids like me you will love this book.

My husband got a copy of this when he was younger, and we have it here at home and have read it to our 3 children countless times. It has great poems, and makes a great bedtime reading book since you can just read a short poem or two instead of a huge story book. Jack Pretlutsky is wonderfu, he is very clever and his poems are all so cute. I recommend everyone get a copy of this book! Its the top rated book in our house

My favorite book is Something Big Has Been Here by Jack Prelutsky. It is a very very funny book of poems. My favorite is "My Fish Can Ride a Bicycle." It is about a fish that can do almost everything. If you like funny books, you'll like this book.

I first read this book when I was about 10 years old (I'm now 22.) Though I haven't even laid eyes on this book in at least 6 or 7 years, I can still recite by memory several of the poems, including "Something Big Has Been Here", "The Early Worm" and "I Wave Goodbye When Butter Flies."

As a child I loved poems, but often felt Shel Silverstein's were too morbid (especially some of the drawings.) Though I'm a huge fan of his now, at the time Something Big Has Been Here was a wonderful, more mellow book of poems that really got me loving cleverly written poems.

The best thing about the book, in my opinion, is that even though it's written for children, it never talks down to them or oversimplifies emotions or actions. And it's funny enough that even adults can get a snicker or two.

This is an awesome book. The poems are very clever, funny and appealing to kids, along the lines of Shel Silverstein. The difference is the very sophisticated vocabulary that Prelutsky uses. I use a poem per week from this book for my remedial middle school students for oral reading fluency, plus I create our weekly vocabulary word list from words from the weekly poem.

This collection of Jack Prelutsky's silly and goofy poems is a must-have in any self-respecting poetry collection. The subjects of the poems range from mask-wearing earthworms to a room-trashing robot; from wishes to be bigger, to fishing in the desert. Children will laugh at the fearsome pirate "Captain Conniption," terror of the seas, who always obeys his mother. Many will sympathize with the longing of the boy in "My Brother is a Quarterback" who yearns to be a great athlete like his brother is.

"I Wave Goodbye When Butter Flies" is an excellent example of the oddities of the English language. The poem turns such common phrases as "pocket change" and "coffee break" on their ears and makes them into something new. There are subtle puns on condiments in "We're Fearless Flying Hotdogs" (can you find the one for saurkraut?). The emptyheadedly happy expressions on the five flying franks make the whole idea even funnier.

James Stevenson's line drawings accentuate the levity and absurdity of the poems. His artwork for "An Elephant is Hard to Hide" demonstrates even better than words the impossibility of stuffing an elephant into a dresser drawer. The expression of glee on the face of the boy reveling in "Mold, Mold" is identical to expressions seen in mud puddley schoolyards.

This volume is a treasure for both children and adults. It's a great way to spend some time laughing with a child (or by yourself).

I Love this writer. There is nothing dated about these absorbing tales from one of the English language's greatest adventure writers, regardless of Hollywood's love of his fictative works; and regardless of the time and venue in which men were men and heroes were conquerers of the elements.: M. Gann's achievement has been to see himself, daringly or humbly pick his way up the ladder of seamanship, and evoke,with humour and narrative storytelling, among the fleet of all us fellow lovers of the sea and ships, delightful fascination for the vessels of a now-passing era.

I read as many sea and sailing stories as I can get my hands on. This is one of the best. Read the other rave reviews here of this book--they pretty much say it all.

I would just emphasize that this is one of the few contemporary sailing books that has a lot about sailing square rigged boats.

Also an interesting twist is that Gann's Albatros is the boat that Sheldon lost in White Squall.

Ernest Gann has written a memoir of what happens when you hear the Sirens singing and follow them. I loved this book as the sea-going counterpart to his marvelous memoir of flight, Fate Is the Hunter; there's the same wrily witty, compassionate observations on the vicissitudes of the sea and those who sail upon it, particularly himself, the same amused humility in the face of the perversities and miracles of chance, whether they be a failing engine at the height of a tempest, intransigent bureaucrats of the Panama Canal, a balsa raft costing less than sixteen dollars which can leave a scientifically designed catamaran in its wake, or a wild voice singing in the Greek Islands. Whether recounting desperation in a great storm off the Oregon coast, or the nostalgic reminiscenses of his earlier sailing boats and shipmates, or the languid monotony of a long tropical ocean passage, or the nature and the workings of what he terms the 'Dock Committee' (which has membership worldwide), even the time he was masterfully conned by a crafty old sailor on the wharves of New York, Gann maintains a close and humorously affectionate eye on the sometimes clear, sometimes problematical, but always interesting relationships between the mundane acts of everyday and the greater universe which lurks behind every common act and thought.

Above all, there is in Sirens, as in all his books whether fic or nonfic, a love of the sea, of boats, of living fully in and of the world and of us frail, fallible and funny humans in it. In Fate Is the Hunter, it is the world of the air and those who fly; in Song of the Sirens, the sea. A wonderful read.

I've read several book by Ernie Gann and being a pilot I was in awe of Mr. Gann's story telling ability in "Fate is the Hunter" and thought this is surely the best autobiography ever written. Now having read "Song of Sirens" I have to re-evaluate this opinion. It makes you want to run out and buy a boat!

Ernest K. Gann is, quite simply, a great writer. In Song of the Sirens he writes about his adventures aboard the many ships he has owned. His writing skill takes the reader, even a landlubber like me, along with him to experience what it is like to ride out a storm 50 miles off the coast of Oregon in a fishing trawler or to sail across the Atlantic Ocean with an old, rusty, leaky training boat with a suspect engine. The book is slanted more for the boating afficionado. While he does explain some of the technical terms, a lot of them are obviously for someone who knows sailboats. There are no pictures, either. Pictures of the ships (not boats because, as he explains in the book, a boat is carried by a ship)would have been helpful. All in all, though, this book will greatly appeal to Ernest K. Gann fans, those who enjoy adventure stories, and those who enjoy sailing stories.

Just because we Americans might not live in England, some of us still get the word play. Geography does not necessarily dictate misunderstanding of dialect, but I digress. This book is like the title in the ingenuity of the word and sentence structure, and this book also does show that John had a truly great brain.

John Lennon was undoubtedly a very complex man, and he had a marvellous sense of humour. The spoonerisms in some tales are magnificent - some stories are real laugh out loud material. But there is still a streak of the dark and brooding Lennon, which occasionally cuts into the comic genius, and makes you look at him in a different way. This is a valuable book for anyone who seeks to understand one of the great musical influences of our time, and also one if you're looking for a good giggle!

I read this book and thought it was one of the funniest things ever composed. I highly suggest the pieces: 'The Fat Budgie', 'The Wumberlog' ,'Mr. Borris Morris' and 'The National Health Cow'. It can be a bit controversial, shocking even in places, but why should that stop you? But if you like things (or indeed 'pidgers and writty' as Mr. Lennon said)about people's uncles eating budgies, or 13 year old girls waiting outside in boxes until they were 21 (as stated in thier uncle's will) and wondering if they were going to get the key of the door, but then realising they were getting the whole house, or indeed milking a cow who's milk comes out in bottles, then this is the book for you.

I think that John Lennon is a genius. I wish I had the money to buy all of his books. I love how he plays with the language. He is truely going to live on forever. I recommend this book to anyone who loves things to think about and even if you don't just for the fun of it.

Words flow out like restless wind inside a letter box, they tumble blindly as they make their way across the universe. Lennon forever!

A wonderful book for little ones just learning to read. Compelling illustrations of jungle animals (including a sweet baby elephant) and repetitive words make this celebration of splashing in pools of water a joy!

This book is an absolute treat. My son loves the pictures and it's a very simple subject matter. Hot weather and cooling off. Easy to read and will be memorized, word for word, by your child from day one.

We didn't find this book in the local library until my oldest was almost too old for it, but that didn't stop her from loving it. Vibrant colors and expressive illustrations always draw me in. Usually it's the meter of the words that keeps me there (and makes me willing to own it, knowing I'll never get to use the excuse that the library needs it back for a while!). In this book, it's the interaction rather than the meter -- simple enough for the smallest, fun for everyone as we pretend to squirt each other. The different size of different words (corresponding to the reading volume) even helps reinforce that it's the words on the page that you're reading. The very best part of the whole book, though, is that it was the "happy, cool, clever" baby elephant that figured out what s/he and all the other big, competent, grown-up animals needed on that hot, hot day. All babies should have this book for the summer nearest their first birthdays! Don't expect to put it away come winter, though.

The board book edition of Splash!, adapted from the award-winning picture book by author/illustrator Flora McDonnell, is the perfect book for babies and young children.


The elephants, the rhino and the tiger are hot! All the animals are hot until they go to the watering hole to splash, play and get relief from the sweltering heat.


The story is engaging for children. My toddler runs to me with Splash! saying "hot, hot". As we read the story, she looks forward to telling me when the animals are "hot". She giggles when the animals are splashing in the water and kisses the baby elephant at the end. I appreciate the interactivity this book stimulates, as well as the fact the hero is a baby.


The illustrations play an integral role in telling the story of Splash!. You can tell how miserable the animals are just by looking at them. When you see the bold yellows and oranges, you can almost feel the oppressive heat, while the water's refreshing coolness is evident in the clear blues and greens.


With its vibrant colors and fun words, Splash! will quickly become a favorite among any baby's or preschooler's growing library.

This is easily one of Helen's top three favorites, hands down. She loves the elephants and all of the animals splashing around in the water after the baby saves the day. A parent that can produce a credible elephant trumpet can score some major points with the kids when this book is being read.

Horror, of horrors, it looks like Gussie Fink-Nottle may have finally broken off with Madeline Bassett and there is little or nothing that even Jeeves can do about it. Diets, steak and kidney pie, mute lutes. Add Spode who will take anybody who makes Madeline cry and tie them into a painful knot and you have the makings of a tragic ending for poor, poor Bertie. Or do you? Either way, there is tons of fun from the first page to the last and lots of twisted plot lines, weird happenings, and buckets of hard drinking.

This was the first Bertie and Jeeves' book I'd ever read. If you're interested in British humour, exquisite-snobbish language and witty puns, or in bizarre but classy situations, this is just the book for you. Wodehouse possessed this wonderful characteristic of balancing an unfortunate situation with a good dose of modest humour. The title says it all! Thoroughly recommendable.

What could the Nobel Prize for literature signify if PG Wodehouse not only didn't win one, but never made the short-list? Good grief. What other writer living or dead, in Nobel's own words, "help[s] dreamers, as they find it hard to get on in life."

Take STIFF UPPER LIP, JEEVES, for example. If you want to read a book that'll grab you by your lapels and hoist you out this mundane, dynamite-scarred world, try this one.

Crisp dialogue, intricate plotting, witty wordplay, amusing situations, and distinct characters make this book satisfying to read repeatedly. In fact, it is astonishing that STIFF UPPER LIP, JEEVES and many other Wodehouse creations seem just as fresh the second, third, and even seventh time around.

I would liken reading this book to drinking one of Jeeves's famous pick-me-ups "and their effect on a fellow who is hanging to life by a thread on the morning after." Wodehouse writes: "For perhaps the split part of a second nothing happens. It is as though all Nature waited breathless. Then, suddenly, it is as if the Last Trump had sounded and Judgment Day set in..."

If heaven's half as delightful as reading PG Wodehouse, (should I get there) I'll be in paradise.

Just as we believe some actors were born to play a certain role or a singer was born to sing a specific song, I'm convinced Jonathan Cecil was born to read P. G. Wodehouse. The British accented Cecil voice delightfully inhabits the personas of Jeeves, Bertie Wooster and sundry other characters with charm, humor, and distinction.

My first introduction to the talents of Cecil was with his stunning reading of "Jeeves and the Mating Season." Since that time no other voice will do for the born to the purple Bertie and his long suffering butler.

P.G. Wodehouse is quite another story. Obviously, one of the greatest humorists to ever take up pen his tongue-in-cheek take on the British upper classes is pure laugh provoking perfection. With "Stiff Upper Lip, Jeeves" we find Bertie returning to Totleigh Towers, a place he had hoped never to see again as it is the domain of Sir Watkyn Bassett, who lined his pockets with fines he collected. Bassett's daughter, Madeline is always on the prowl and Bertie wants no part of her.

Fortunately, Madeline has fallen for and captured another - Gussie, a friend of Bertie's. Now, Madeline is not only a huntress but she is also passionate about changing her quarry to suit her own tastes. In this case, the word "taste" may be taken literally as she wants to change the meat loving Gussie into a vegetarian, which is where most of the trouble begins. Bertie, as usual, finds himself embroiled in this sticky situation.

Alas, once again it's left up to Jeeves to come to Bertie's aid.

Wodehouse has been dubbed a "comic genius;" Cecil is his full partner in this splendid reading. Enjoy!

- Gail Cooke

This unabridged audio version of "Stiff Upper Lip, Jeeves" was wonderfully read by Cecil. This is not my typically genre of book and I was pleasantly impressed and surprised by this book. I have not read the prior books in this series and had no problems following along so the priors are not a necessity. In a nutshell, this book is about a dim-witted Bertie and his attempt to keep from inadvertently becoming engaged to a sappy Madeline. The dry, British humor of this story is excellently portrayed by Cecil and I would highly recommend this book to anyone looking for a refreshing change of pace!

Upon encountering this book in Foyles on Shaftsbury Ave I picked it up and dusted it off. It was discounted so I bought it... it has been invaluable to me in the past and I thank myself for finding it almost everyday.

Inside the book are all the classics of bad thinking analysed -- everything from the common red herring argument, to argument from authority and the classic Popperian argument that an argument must be weak if it cannot be proved wrong (something amazingly the vast majority of people just do not seem to get).

All of the beliefs that lead to much of the misery in the world and the poor allocation of resources to solve the worlds problems are all here... indeed if people were to read this book the malaise of mysticism, faith-based healing, religious fundementalism, bad science and even worse political reasoning would be avoided...

Oh... and if you're a business person, like I am, you will immediately benefit by avoiding 90% of the rubbish that passes for wisdom in the business/ self-help section of your bookstore.

Treasured.

In my biased opinion, this ranks as one of the finest books on the subject of critical thinking. Unfortunately, it is highly priced on Amazon.com, but one can find cheaper alternatives on the internet. Thouless focuses a lot on how social proof, and other biases do impede one's ability to think rationally, especially when facts are not conclusive, or when there are more than two plausible arguments in a given scenario. Good for policy makers, students, regular folks, and people who routinely make decisions under uncertainty.

I last read this book about 15 years ago as a student and the lessons of the 38 dishonest tricks used in arguments detailed in the book have left a life-lasting impression on me. It is an invaluable book which is still relevant today as it was when it was first published in 1930. Could the copyright owner(s) please reissue this book or better yet, contribute to the public domain?

Reading this book opened my eyes to exactly how badly crooked thinking runs our society today: how little emphasis we place on actual evidence and argument, what kind of dishonest argumentation our politicians and news providers use, etc. The only thing I didn't like about this book is that I had to go to a used bookshop in Perth, Australia to find it! Why isn't this masterwork still in print? We need it just as much now as they did in the 1930s!

Although written at the end of the 1930's, the book is amazingly relevant today and one of the most clearly presented and well thought-out books of its kind that I've ever read. It is well worth your time.

The author Peter Tremayne obviously has a great knowledge of Ireland in the 7th century and also on the Irish Law of the period. His Sister Fidelma book are attracting what can only be described as a cult following, but they are of interest to anyone who likes historical novels or mysteries. This series of books are set in Ireland in the 7th century, a time when there was total equality for women. The lead character is the beguiling Sister Fidelma. She is a brilliant scholar, a leading authority on Irish law and the sister of a king. This is also a period in history when celibacy was not yet a part of religious life.

In this the fourth book in a must read series of Irish mysteries, Sister Fidelma is called to investigate a murder at a remote abbey. But when she arrives there that is not the only mystery that awaits her. There is also the strange disappearance of a ship and all its crew.

I read this 300-page book in one day, which says something about Peter Tremayne's ability to keep the story moving with plenty of twists and turns. Tremayne artfully evokes the landscape and social setting of 7th century Ireland, and is adept at creating visual imagery to take us back to that world.

His heroine, Sister Fidelma, is the proud forerunner of today's special prosecutor, assigned to investigate evil deeds throughout the Emerald Isle. In this case, she ponders the grisly beheadings of two women at a monastery on the Southwest Coast, a mystery which soon becomes entwined with political intrigue and a threat to the kingdom.

Sister Fidelma is very much a modern woman in an ancient setting, and this will be appealing or offputting according to the reader's predilections. If the book has a fault, it is in Tremayne's gratuitously injecting his views on various theological controversies into a murder mystery. In the same context, others may question the historical accuracy of some of his claims.

These caveats nothwithstanding, the book is a page-turner that will not go half-read. Stodgy conservatives such as myself might be irked by this or that historical point, but we will nonetheless have had ourselves a good read.

To put it succinctly: this is a solid, well-written, nicely plotted mystery set in seventh century Ireland, where women had greater rights than they probably have today. Historically accurate (within reason for a mystery novel), this is about as good as the genre gets.

I'm not a fan of modern murder mysteries because I can too easily translate it into paranoia, and stay awake at night worrying about my own safety. But the setting of the Sister Fidelma mysteries is far enough removed from my own reality to just be a great escape. I'm also interested in Irish history, but I'm not one to just sit down and read a history book. I was delighted to learn that in Sister Fidelma's time in Ireland women often were on an equal level with men in many ways, perhaps even as much as today.

This story is the second of the Sister Fidelma mysteries I have read. Another reviewer mentioned the preferred sequence to read them, but I have not done so. You can pick up one and still know as much as you need without having read any of the others.

The Subtle Serpent is very difficult to put down. Even with kids fighting in the next room or my eyes begging me to let them close at night, I found it difficult to not go on to the next page. Sister Fidelma is a bright, bold, brave, compassionate, and likeable young woman who is called to figure out why a headless corpse has been found in the well of the Abbey of the Salmon of the Three Wells. You meet some very interesting characters and some interwoven plots while Sister Fidelma goes about solving this murder.

This fascinating historical mystery is set in Ireland in the year 666 AD. The author uses actual historical events as a backdrop for the story of Sister Fildelma, who is dalaigh, an advocate for the courts. In this capacity she is sent to investigate a murder at an abbey on the southwest coast of Ireland. During her investigation, several more murders are committed and Sister Fidelma becomes aware of local tensions and political machinations, as well as inappropriate behavior at the abbey.

This is a story that benefits from the excellent scholarship by the author who has thoroughly researched this historical setting. The time and place are vividly portrayed with lots of relevant and interesting details. The author is a capable writer with a talent for characterization and ability to build suspense. In addition, despite the fact that I have read none of the prior books in the series, I didn't feel lost by jumping in at the fourth book. However, I am intruiged enough to want to go back and start at the beginning!

This is a really wondeful collection of stories. Two-Rivers takes us from Sapawe, Ontario to the streets of Chicago with stories that are immediate and from the heart. He is a terrific writer who takes us on a great journey of distance, time, and emotion.

I have thoroughly enjoyed this book that brings back fond memories of my own Ojibwe upbringing. Two Rivers writes with a style that is raw and true to his Anishinaabe people. Gchi Migwetch Eddie!

I have known of E. Donald Two-Rivers' work since he started the "Red Path Theatre Company" of Chicago, and am glad he found the time in his busy schedule/career to write a book on short stories based upon the Native American experience(s).

Good Luck E. Donald; and may the you always stay in the Gods' favor for Poety & Muse.

David Andrew Shawanokasic, Menominee

I knew Harold Ball. I wasn't his friend because, as this book explains, for most of his life he drove people away. I wasn't at the party that changed his life, but I know some who were. In fact, I know everybody in this book. Set in the city, on the rez or on the road, these stories read as real to me as the last time I stepped out the door or walked into a truck stop. Each person has his or her own fully realized voice. But what recommends this book most to me are the narrator's voices.

Many writers talk about cultural conflict, the Relocation Act or going back to the reservation, but few express it in more than one voice. Eddie Two-Rivers has the classic short story writer's gift for implication: "It was mid-afternoon-the time of day for sighing. That second when everything is just right and silence slices through time. A slight wind rustled the leaves of a nearby tree and the moment was lost to the past." (p. 54) He evokes nostalgia: "Timber supported the town and everyone in it. I remember it as a green, blue, and brown place: forest, sky, water, and sawdust everywhere. A great place for a kid." (p 221)

Yet he also has that educated awareness that summarizes whole decades in short, sociological parapgraphs: "Bill and Glenda thought of themselves as second-generation urban Indians. Their parents had moved to Chicago's South Side during the 1950s in accordance with the Relocation Act. They met at Red's, a blues bar on Thirty-fifth and Archer Avenue. It was love at first sight. They dated a couple of weeks then decided to live together. Their families disapproved so they moved to the more liberal North Side. Both had been raised in working-class homes. Both regarded their families as being provincial, not with the times." (p. 144)

But Eddie Two-Rivers also understands deeply the power of writing to heal communities and make each of us whole: "Everybody got something they do to make themselves feel better. Writing is my medicine." (p. 83)

You may see it in other writers; you can hear it here.

Ed Two-River's book Survivor's Medicine is an important contribution to the literary world both for Indians and non-Indians. The stories unfold to present a fresh perspective on the human condition in general, and the reality of American Indians specifically. As an educator, the collection of stories explores a spectrum of issues and themes that makes it a dynamic book for teaching in the classroom. Each story broadens the reader's perspective about the reality of American Indians' experience today and challenges the reader to consider and question his or her own perceptions. It grapples with history, politics, and culture in a way that is accessible and poignant to audiences of all ages and backgrounds. Survivor's Medicine can be used with students of all academic abilities. The story "Slow Walker: Hero of the Mud Flats Battle" which tells the story of childhood lessons and lifelong memories fought out in the bush in Canada, can be read to a third grade classroom or in a college literature class. I highly recommend this book for educators at all levels and encourage Native educators across the country to use this book with their students. Mr. Two-Rivers is a wonderful and rare role model for young Indians today. I anxiously await his next book.

Over 50 years ago I read these books in Swedish (original language)and now I read them in English. I just love them, to me they are the best fairy tales ever written for children and for adults. Jan

Tove Jansson's tales from the Moominvalley are fascinating reading for adults and children alike. Although I read my first copy in Finnish, the English translation is equally enjoyable. I am surprised that Disney has not yet bought rights to the series that would make wonderful animated movies.

This is not exacly a book for kids and much as I liked some of the other Moomin books, I used to hate this one. Only after my visit to Finland this year and seeing the museum of Moomins did I re-read all the books.

I fell in love with them. Totally and permanently.

If not for anything else, get this book for the story of the Hemulen who loved silence. I actually had tears in my eyes when reading it.

Beautiful, warm, mature and full of hope, like all the other Moomin books.

I picked up this book because I thought I hadn't read it before, wanting to see the Moominvalley books through adult eyes - not to have my childhood memories of favourite books tarnished. As it turns out, I had read "Tales from Moominvalley" before (the fungus-covered granny was the trigger for my recollection), but I was really relieved to find that Tove Jansson's books are just as good as I remember - and there is, I think, even more for the adult to appreciate and enjoy than there is for the child.
I generally dislike the short story genre, but not when it's done like this. Every short story is simply that, a short story; not a contrived literary exercise with the obligatory "twist in the tail". Jansson's stories are charming little gems, full of wonderful moments and images, thought-provoking and touching. Her characters are often the lonely, the lost, and the troubled, and she makes you feel for them and understand them, without ever becoming ridiculous or sentimental. The tales about Snufkin and his tune and the Fillyjonk who believed in disasters are shining examples of this. But Jansson can write humour and happiness just as well, as the tales of the invisible child and the fir tree show.
I really can't speak highly enough of this book. Jansson's wonderful insight into people, her spare, deft prose, and her brilliant imagination make a great combination. Buy it for your children or for yourself.

As many readers have noted, Tove Jansson's Moomin books may be appreciated by adults as well as children (particularly children who are of a quirky, thoughtful bent, in grades 4 and up.) The "Tales" is a late collection of short stories and not a complete novel like most of the other ones (beginners should start with "Comet in Moominland" instead), but it contains all the characters we know and love from the series. As usual, Jansson deftly captures the exact mood of the time of year portrayed in each tale, as well as the complicated inner workings of the misfit characters, with a few deft words. Two of these stories are absolute masterpieces. The first is "A Spring Tune," in which the fiercely independent Snufkin is prevented from writing a melody by a lonely, talkative squirrel. The other is "The Fir Tree," which comes at the end of the book and is perhaps the finest Christmas short story I have ever read, which is praise indeed. (Were ever layers of irony so superb? All writers take note of this one.) In between we get an offbeat collection of curious tales, not as memorable perhaps as the novels but jolly good fun, and emotionally pure like all of Jansson's amazing body of work. How else to describe it? Read for yourself.