English Books

I have nothing to add to the reviews below except to note for scholarly interest that the essay 'The Work of Art in the Age of Mechanical Reproduction' included in this collection is not Benjamin's final version. (Neither is this title a good translation of the German: 'Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit'. Zohn's translation in the selected writings is better: 'The Work of Art in the Age of its Technological Reproducibility'.) The text in this collection is the 1935 manuscript, as originally published in 1936; the text collected in the Selected Writings, Vol. 4 is the final 1939 version that, as far as I can tell, was not published in Benjamin's lifetime. The difference between the two texts is slight, consisting mainly of some additional sentences here and there and some changed words. At least one of these revisions is, I hypothesize, the result of Adorno's criticisms of his letter to Benjamin of 18 Mar 1936.

Otherwise, for most purposes, this is the best collection of Benjamin's essays available for an introduction to his thought. This volume collects some of the best of his essays that are otherwise spread throughout the selected writings published by the Harvard U.P.

Benjamin is arguably the twentieth century's most important thinker--if there is anything left to say about our lives, it is surely in this book.

The depth of Benjamin's pessimism has, I think, been underestimated.

"The story is told of an automation constructed in such a way that it could play a winning game of chess, answering each move of an opponent with a countermove. A puppet in Turkish attire and with a hookah in its mouth sat before a chessboard placed on a large table. A system of mirrors created the illusion that this table was transparent from all sides. Actually, a little hunchback who was an expert chess player sat inside and guided the puppet's hand by means of strings. One can imagine a philosophical counterpart to this device. The puppet called "historical materialism" is to win all the time. It can easily be a match for anyone if it enlists the services of theology, which today, as we know, is wizened and has to keep out of sight." Walter Benjamin, First "These on the Philosophy of History", p 253.

One can measure how far the contemporary Marxist (better said, the post or semi-Marxist) left has fallen by how many books have appeared, since the fall of the USSR, enthusing over the radically Universal and allegedly 'Progressive' nature of early Christianity. Walter Benjamin, who was first to place the wise but ugly dwarf (Theology) in the beautiful puppet (Historical Materialism) would be amazed (or perhaps not, see the letters between Benjamin and Scholem) to learn that puppet and dwarf are on the verge of switching places! That is, now the ugly dwarf (historical materialism) wants to hide in (and of course direct) the beautiful puppet of Christian theology. ...Crazy, you say? But even Habermas, the Keeper of the Flame of Critical Theory, has on occasion made somewhat similar noises. The best place, btw, to start reading about this new 'political-theology' probably remains Jacob Taubes.

But perhaps this emergent trend is really not so crazy after all. The only reason the Church became so cozy with Capitalism was its fear of Atheism. The collapse of the Soviet Union ended that fear. Now Christianity faces Capitalism alone. Or not, if the detente being proposed between the left and the Church is actually consummated. But every detente is a conspiracy of enemies to destroy an even greater enemy. The Church was with Capitalism because it had to defeat atheism. Now it is likely that the Church will join (a moderate) Socialism in trying to contain the 'soul-destroying' ravages of capitalism. This is only another move on the chessboard of History. ...But what did Benjamin think of History?

"A Klee painting named "Angelus Novus" shows an angel looking as though he is about to move away from something he is fixedly contemplating. His eyes are staring, his mouth is open, his wings are spread. This is how one pictures the angel of history. His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. This storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. This storm is what we call progress." BENJAMIN, Ninth Thesis on History, p 257.

Picture this Angel, wings pinned back by the wind, shoulders forced back because of that - the Angel of History is almost in the position of the Crucified Christ; except that this crucification does not end. It is this tone of almost ontological despair that was new to the left. This Crucified Angel is the perfect image of the left-wing theoretical pessimism pioneered by not only Benjamin but also Adorno and Horkheimer that split the intellectual left into two camps: the revolutionary and the cultural. And though no one is likely to admit it, the cultural left has quietly come to think of revolution itself as but another 'progressive' force piling up bodies.

It is one of the little ironies of history that this despairing fantasy described contemporary reality exactly. The Angel of History is the image of dialectical knowledge. Rather than seeing disconnected events this Dialectical Knowledge grasps History as One (single catastrophe). Always facing the past ('the owl of Minerva takes flight at night', Hegel said; meaning that dialectical knowledge is retrospective) the 'contemplating' Angel is overwhelmed by historical action - the storm that has been blowing since the expulsion of humanity from paradise - and can never Himself achieve effective action. His knowledge grows in lockstep with the accumulating horror, but each new historical event only results (i,e., gets 'caught in the wings' of our Angel) in more contemplation. So we see how theory (our Angel) is 'irresistibly' propelled into the future. And we also see that the Knowledge dialectical theory gains is precisely equal to the debris the storm hurls at our Angel's feet. With an irony that strives to be equal to the wind blowing from Paradise Benjamin ends this meditation by calling this storm progress.

This is perhaps why Benjamin insisted over 50 years ago that the dwarf Theology must guide the puppet Historical Materialism. Theory can never be equal to action; circumstance piles upon circumstance so rapidly that theory cannot effectively act, and if it does act (presumably) it only adds to the debris. Thus theology (myth) must guide materialism's hand because theoretical knowledge is powerless to help. Benjamin quotes the following remarks of Willy Haas, with approval, in his large Kafka essay;

"'The object of the trial', he writes, 'indeed, the real hero of this incredible book is forgetting, whose main characteristic is the forgetting of itself [...] The most sacred ... act of the ... ritual is the erasing of sins from the book of memory.'
What has been forgotten - and this insight affords us yet another avenue of access to Kafka's work - is never something purely individual." (Benjamin, Franz Kafka, p 131.)

(The last sentence was Benjamin's own.) Theology is a non-individual forgetfulness. Thus myth (theology) is the only forgetfulness worthy of the name. What needs to be forgotten by all of us is the unsurpassable fact of the futility of theory...

It is difficult for most to look such despair in the face.

In 1940 Walter Benjamin committed suicide at the Franco-Spanish border fearing that he would be unable to escape the grasp of Hitler's regime. He left behind perhaps one of the finest collections of literary theory of his era, complete with lucidly brilliant essays on Kafka, Proust, Baudelaire, and general Marxist theory.

In this wholly excellent collection of essays, a remarkable introduction to Benjamin's life and work is provided by the late philosopher Hannah Arendt, who overviews his political formations and literary output. It's a model form of critical essay writing.

Perhaps the most famous essay in this collection is Benjamin's `The Task of the Translator,' widely regarded as one of the most important and thoughtful contributions to the field.

"No poem is intended for the reader, no picture for the beholder, no sympathy for the listener."

He argues that translation is a mode, and that the translatability of the work is the primary concern in the process.

Also included is an analysis of the philosophy of history.

I picked up this book primarily for the purpose of reading Benjamin's critically acclaimed essay "The Work of Art in the Age of Mechanical Reproduction", as well as for his darkly poetic - and even apocalyptic - "Theses on the Philosophy of History". These essays are among Benjamin's most highly esteemed and are the last two selections in the book; regardless of whether you start with them or with the first essay, "Unpacking My Library: A Talk about Book Collecting", you are likely to be drawn into Benjamin's literary world quite quickly.

In many ways, Benjamin's writing style is quite unassuming; reading even his most profound insights is like reading a letter from an old friend. His writing comes in layers; one must make time to savor his presence. This book covers a range of subjects, from critical literary essays (the aforementioned "Unpacking My Library", as well as essays on Kafka, Baudelaire and Proust), to more hermeneutical reflections ("The Task of the Translator"), to straight up philosophy/theory ("The Work of Art in the Age of Mechanical Reproduction" and "Theses on the Philosophy of History").

The 51 page introduction by Hannah Arendt is absolutely fantastic. It does not simply provide an overview of Benjamin's life, but sets that life within the culture of early 20th century Germany, focusing especially on the time between the two World Wars. She notes the influences of Zionism and Communism (and Marxism) on Benjamin's thought, as well as the broader cultural influence of a quasi-secularized Judaism in a culture where non-baptized Jews were still kept out of university teaching posts. Her introduction, like Benjamin's own writing, contains deep touches of the intimately personal (she selected the various essays that make up this volume).

In many ways, Benjamin was a deeply religious thinker. A friend of Gershom Scholem's (the founder of the modern-day study of Jewish mysticism), Benjamin and Scholem corresponded for a number of years. Although this particular volume pays little attention to his religious thought, "Theses on the Philosophy of History" (the final selection in the book which, in light of Benjamin's suicide, gives Illuminations a bit of a haunting finale), witnesses to Benjamin's poetic-religious insights:

"The soothsayers who found out from time what it had in store certainly did not experience time as either homogenous or empty. Anyone who keeps this in mind will perhaps get an idea of how past times were experienced in remembrance - namely, in just the same way. We know how the Jews were prohibited from investigating the future. This stripped the future of its magic, to which all those succumb who turn to the soothsayers for enlightenment. This does not imply, however, that for the Jews the future turned into homogenous, empty time. For every second of time was the strait gate through which the Messiah might enter."

Highly recommended.

It's hard to believe how long ago this play was written, as the wit and sarcasm used by Wilde back then can easily be understood and appreciated by today's readers. If you're looking for a quick but highly entertaining introduction to the world of Oscar Wilde, read this play. One of his absolute best.

I recieved this script within three days of ordering. Well packaged inside and out this book was without even a dent (being paperback).

The script itself is fabulous! Very witty and entertaining. Keeps the audience interest and the ending is very satisfying.

Thanks! Very happy with my purchase!

The play's protagonist Jack makes up an imaginary brother called Earnest, who he uses as an excuse to get out of town and do what he likes, but is too embarrassed to admit he likes.
Jack and Algernon are best friends, who amusingly get tangled in the web of being mistaken for Earnest and falling in love with women who are mesmerized by the name Earnest, which as Jack's object of affection Gwendolen puts it: "it inspires absolute confidence".

The ladies, despite their fixation with Earnest's name, accept their loved ones, but will these two men give up the dream of being Earnest, and if they do, will society and other people accept the lie they made up?

As expected, a forcibly happy ending will reveal an unexpected surprise about Jack and the made up character.

If it wasn't Oscar Wilde's play, I would've asked, what are the odds? Given the playful plot and the masked serious topics like deception, double lives, hypocrisy and mainly the nature of marriage, I can accept some deviation from reality.

The importance of being Earnest is a fun read, and a special sarcastic way of dealing with Victorian morals and values as Wilde perceived them. The play absolutely deserves all the attention it got and still gets.

this is a novel always on fashion. hte dialogs are simply brilliant. oscar wilde picture a great variety of original personalities

I listened to an audio performance of this hilarious farce. Even over a hundred years after its original publication, this tale of mistaken identities and silly social interactions continues to entertain.

Jack Worthing and his irreponsible friend, Algernon, both pretend to be named Earnest as they pursue love with Gwendolen Fairfax and Cecily Cardew.

When the four lovers visit Jack's country home at the same time, the proverbial s**t his the fan. But never fear, a convienient twist resolves matters to everyone's satisfaction.

Surely, if this man had any other surname, this novel would have received the acclaim it deserves... the cloud!

"Reading some of the reviews I notice a few individuals reading much further than the words on the pages - a word for those Millionaire virgins... try not to do this until say, your 5th or 6th read. It may interfere with your enjoyment "
- ME, just then

To think I stumbled on it by ACCIDENT, attracted to a 1984 re-print with a compass on the cover, having recently read a half entertaining nautical adventure! A read so enjoyable I'm almost relieved it did not receive its due - over-analysed masterpieces and authors often get spoiled through the process, or on occasion battered into a film... the silver lining! Enjoy!

"An Innocent Millionaire" is a bitter book and quite obviously the work of an angry man. Vizinczey gives vent to his hatreds on just about every page of his novel. Some of his targets are well-ventilated already: lawyers, taxes, junk culture, greedy corporations, etc. But it is his two main hatreds -- women and New York City -- that cause him to lose perspective and damage an otherwise rather impressive novel.

First the misogyny. Vizinczey's dislike of women leaps from every page of this book. Most of the women in his story are just the tools of the rich men in their lives. Almost all of them are faithless. The few successful women all slept their way to the top. Take, for example, the female character who publishes and edits a prestigious fashion magazine. Before we have a chance to waste any admiration on her, V assures us that she is no more than an ex-fashion model whose married lover bought the magazine for her just to keep her happy. Another successful woman whom V takes pains to keep us from admiring is the Chief Valuation Officer for the Bahamian Ministry of Finance. Despite the fact that the woman has earned a bachelor's degree from the University of South Florida, a masters from the University of Toronto, and a doctorate from the London School of Economics, V dismisses her as "Nassau's top she-bureaucrat" (note: none of the male bureaucrats in the book is ever referred to as a "he-bureaucrat") and assures us that she is nothing more than an overeducated secretary who acquired her government position by sleeping with her boss. As the main characters are leaving this woman's office, they deride her with an anecdote one of them believes is worthy of "Playboy" and dub her "Miss Passionate" -- a reference to another secretary they all disdain. In fact, V seems to have a special distaste for female secretaries. In a later scene, after the main character concludes his business with a female secretary who has never been anything but pleasant with him, V concludes: "If there is a hell, there must be a special pit reserved for nice, sweet, charming intelligent secretaries who have spent their niceness, sweetness, charm and intelligence on covering up for their bosses."

But even more than women, V hates, despises, LOATHES New York City. The last third of the book is nothing more than an extended diatribe against New York lawyers, New York art dealers, New York politicians, ad nauseum. It's a shame, too, because this bile poisons the book just as the shipwreck story is beginning to get interesting. But the shipwreck and its history pretty much vanish once V sets his sites on his real target: NYC. In fact, in many ways, the Note From The Publisher appended to this edition of the novel by the University of Chicago Press (and which, by the way, reads as if it were written by the author himself) is a small analog of the novel itself. The Note starts out interestingly enough by telling us that Vizinczey is a difficult name to pronounce, leading us to expect that somewhere before the Note's end we will learn that pronunciation, just as in the book we hope that somewhere near the story's end we will learn the final fate of the shipwrecked Flora. But, alas, the promise is never kept and the Note, like the novel, devolves into another cliched rant against NYC, which is taken to task for failing to fully appreciate Vizinczey's genius. Although we are assured that the book was reviewed favorably by the NYTimes Book Review when originally released, we are expected to share the author's outrage that it was reviewed in brief and apparently not given the kind of consideration that a major literary work deserves. We are told that when the author's first novel was published in 1966, it received so little notice in New York that it had to be remaindered after three months. As if New York City itself is responsible for the fate of every author who doesn't become as well-praised as, say, Graham Greene. Tens of thousands of novels get published in this country every year. Just to get mentioned in the NYTBR is a rarity for most writers.

At any rate, I for one had no difficulty understanding why the culturati of NYC (or anywhere else, for that matter) might have been underwhelmed by An Innocent Millionaire. For one thing, it is burdened by the author's blatant efforts to evoke the reader's memory of Heinrich von Kleist's tale "Michael Kohlhaas," a much better story of justice denied. Kleist's name is evoked about twenty times during the course of the novel, just in case we don't get the connection. It is almost as if V had been trying to write his own reviews of the book and became bitter when the NYC reviewers wanted disagreed with his self-assessment. This heavy-handedness combined with the author's troubling misogyny and blind hatred for NYC torpedo what could have been a really great novel. At one point in the book a character derides such schlocky plotboilers as Colleen McCullough's "The Thorn Birds" and Sydney Sheldon's "A Rage of Angels." V is a better writer than either of those two populists, but his novel is only slightly more worthwhile than Sheldon's and not nearly as well-realized as McCullough's. Ironically, it is V's hatred of NYC that does him in. He seems to be insisting over and over again that NYC isn't worth the consideration of any decent person, much less a true artist (one of his Ten Commandments for writers is "Thou Shalt Not Worship London/New York/Paris"). But if NYC is so beneath his consideration why does he fume so over the fact that his work hasn't been better received there? He should have stuck with his shipwreck story and left his hatred of NYC for some other venue.

Stephen Vizinczey (sp?) is, in my estimation, the greatest living author I've read. Or at least my favorite. He is also a great hero of mine, and I do not have many heros.
Why is this? The man tells the truth. He isn't concerned with the consequences of revealing his thoughts to all comers. A previous reviewer accused him of misogyny, but I don't believe she's read "In Praise." I think what she was pointing to is a quality I regard as a virtue in Mr. Vizinczey. He is brutally honest in all things, and for a man playing at being omniscient, he does a pretty good job. One of these things he is honest in is the role that appearance plays in our thoughts and interactions. Some people use sex appeal outside of the bedroom. Sometimes the social progress people make in life is tied to their attractiveness, and sometimes this is not the case. Mr. Vizinczey is not the only one who finds this remarkable.
Mr. Vizinczey has also taught me a great deal about life. To get any lasting knowledge from a book is noteworthy, but the roles that two of his have played in my life seem more like the work of the Hand of God. I read this book at the age of 24, working my way up the economic and social ladder in NYC, and at the same time, hating the goals of success. The first 200 pages confirmed my beliefs about the cannibalistic nature of success, and then, as I contemplated giving up on my idea of success, my fictional alter-ego's luck got better. He met a lawyer who took on the case he had previously lost all hope in winning, and still was not quite convinced that it was worth trying. Mark Niven said something like, "The world is evil!" To which his attorney replied, raising his arms and looking at the sky, "But there is also chance."
Damn, that was a valuable lesson.

I read this book once in high school and once in my third year of college. When I first read An Innocent Millionaire I was intrigued by the adventure. As an adult I found that the book was really about life , of tragedy and the state of the world we live in. This book is a must read.

In difficult times we like to turn to books, especially to novels. But it would be a mistake to think that only light and syrupy stories bring us relief. On the contrary, we need the company of authors who, thanks to their perceptiveness and creative vigor, describe the world as it is, without false embellishment. We sense that these writers are able to face the worst of all possible worlds because they keep alive in themselves the promise of peace and goodness. For this reason we are moved by their vision.

Vizinczey's Innocent Millionaire brings us such a subtle solace. The novel is an enthralling roller-coaster of fortunes and passions, full of striking dialogues. It even manages to say something new about the birth of love. Marianne, the heroine of an ultimately tragic love affair, is one of the most lovable woman I have ever encountered in fiction, surpassing even the desirable and generous ladies of the author's previous masterpiece In Praise of Older Women. But this is a very different novel. Here the author weaves a tragic love relationship into the story of a fraud, showing how small and ridiculous are all those stupid and greedy people who make our life miserable or dull. If you are satisfied with the world as it is and approve its values, you will scorn this book. But for the dissatisfied reader, it is a rare treat and a unique source of comfort.

In general this is a very good book to learn Italian. Other reviewers have commented on how it is organized and layed out, so I won't repeat that here. Comments to add though are that it does build nicely upon itself, so in Unit 10 for instance, it will re-emphasize something important that you may have forgotten from Unit 7.
I really like the crossword puzzles as I find that a very effective use of really testing my comprehension. Unfortunately there are the occasional errors in the answers, or the crossword puzzle will spell a word wrong in the cross so that there is 1 fewer box than actual letters for the word. These errors are very few though.

The book has an Italian-English and English-Italian translation in the back. I think it could be improved by adding the page number, or at least Unit number where it is discussed. For instance, I can look up "parlare" (to speak), but it doesn't say how to conjugate it. So I have to flip through the book to the unit that it is discussed it to find out. And there is no index either.

But I still think it is a very useful and comprehensive book.

Well I just began to study Italian by myself at home and I bought this textbook. Its a very good starting point to learning Italian. Learn basic expressions, pronunciation, and grammar. I recommend anyone who wants to start learning Italian to buy this textbook.

I started learning Italian by myself using the Pimsleur (listen only) method and reached a point where I needed to learn how to read and write Italian and also grammar, etc. I tried a few books, but Italian Now! is the only one that I stuck to. It is fun, the lessons are organized in a very effective way; it makes it easy to memorize new information and understand the grammar, without seeming overbearing.

I'm currently half way through this book, I hack away at it bit by bit in 1hr or 1 1/2hr segments everyday day or so. I'm an Italian destination specialist that is moving to Italia in one year. So of course I must learn the language. I do agree with another poster that on its own you can't learn the language with this guide. I started learning Italian August 2006, with the Rosetta Stone level 1&2, that took me 9 months to complete. It took me so long because I hand wrote and translated each and every lesson in addition to the audio learning software. I finished that in May 2007, I then started re reviewing Rosetta Stone little by little. But I found I couldn't get all the grammer correct. Rosetta Stone dosn't teach grammer all that much. Rosetta Stone has me speaking Italian but getting alot of grammer wrong. After returning from Italia again this August, I decided to futher my studies. I picked up this book along with the complete big yellow grammer book about a month ago or so. This book has really helped me grasp grammer and past/present/future/plural tenses so well and I'm only half way through it! My boss speaks Italian, so we together work over everything I don't understand on my own. But this lesson book is great. I'm so glad on a whim I just bought it! Cause I'm glued to it just about every evening for a little bit. Overall and excellent additional learning source

I was looking for an Italian language resource that was both introductory in nature, but not so rudimentary that it could not serve as a building block for future mastery.

Italian Now! is an entry level/college-high school first semester course designed to give the Italian student a solid foundation/introduction and a springboard to intermediate study.

I was impressed by the facility with which the dialogues utilize the vocabulary and the applicablity for daily life. I'm about a 1/4th through this book; I feel that I will be ready to speak this beautiful language when my wife and I travel to Tuscany late next year.

This important book reveals another dimension to Tolkien that remains obscured by his monumental storytelling. Tolkien was gifted with a many-sided creativity, as most artists are, and his visual creativity casts as vivid a vision of re-enchantment as his written work.

This book is much better than I thought it would be. Mostly I was curious to see more of Tolkien's art, but the text that goes along with it is wonderful. Christopher Tolkien asked the authors to write this book to showcase his father's art, and they do a wonderful job of describing the pictures, pointing out details that I missed, and putting them in context of when and where and why Tolkien drew them. Several versions of the same pictures are shown so you can see how Tolkien worked through a problem until he found the best final product. Plus the inspirations for some of the pictures are also shown, to show that Tolkien copied others sometimes, but in the end put his own mark on it. By copied, I don't mean plagarized. He drew his eagle from a book of birds to make sure he got it right, or was inspired by other artists particular works. Highly recommended if you are a Tolkien fan. If you are just into art and not a Tolkien fan, then I don't think this will interest you.

This book is a great way to collect some of Tolkien's best works of art and to get a glimpse behind the scenes of one of the greatest literary figures of the 20th century. Highly recommended.

Lleno de ilustraciones color, y algunas en blanco y negro. Me gusta porque es lo que Tolkien imaginó para sus obras... eso es lo que lo hace más hermoso. Además demuestra que Tolkien era un alma muy sensible, amante de la naturaleza, y esto se refleja no solo en sus libros sino también en sus dibujos. Me gustaría que estos dibujos estén incluidos en sus obras, no solo los dibujos de otros artistas. Hermoso, hermoso, para todos los admiradores de Tolkien.

This book features many of Tolkien's ink, watercolor, pencil, and colored pencil works. The detailed descriptions of each drawing include history, explanations, and dates. Quite a few maps are included, as well as illustrations for The Hobbit and The Lord of the Rings. It is wonderful to see how Tolkien imagined Middle Earth and its inhabitants. The colors he used are very earthy and lovely.

My favorite drawing in this book is "End of the World" done in pencil and colored pencil on a sheet of notebook paper - you can actually see the lines of the paper. It is so simple; yet, the story it tells includes subtle intricacies and complexities similar to those in his writings. I also love the pencil and colored pencil drawing, "The Tree of Amalion," which obviously blooms with the flowers of Tolkien's imagination since they do not resemble traditional flowers. Finally, the hand drawn Christmas cards are beautiful mini-stories with dancing bears and penguins, and Father Christmas making deliveries.

This book is truly exquisite, full of details and surprises for those of us who didn't know Tolkien was an extremely talented artist. It is a worthwhile purchase in my opinion.

J.H. Sweet, author of The Fairy Chronicles

This is a wonderful tool to be able to share the gospel with our Japanese friends.

The English and Japanese texts run alongside each other, with the English at times spaced out so that the two translations of the same verse in the two languages are lined up as much as possible. That makes it easy to jump back and forth between the languages.

I do sometimes use a magnifying glass to read the furigana (hiragana pronunciations in extra small print directly above the kanji). As I am learning the symbols more and more, however, I am using the magnifying glass less. The book itself is smaller than I had envisioned -- comparable to my English study Bible.

I am very pleased with this purchase -- it is exactly what I was looking for!

This is an excellent Bible. My bone to pick is that it is very large and heavy. We give it as a gift to our Japanese exchange students while they visit the U.S. It is invaluable in helping them to understand their visits to church. The problem is that it uses up a lot of their 50 lb. checked baggage weight limit, when they fly back to Japan. We worry that it is the first thing to go in the garbage at the airport when their bags are overlimit. There is another bilingual Bible, in small format, with no helps in back, but I haven't been able to find one since 2004. We bought it for $25 back then. Please email me if anyone has a source for it. Now, this version is the only one we can find, and it is cheaper straight from the International Bible Society [...].

The Japanese-English Bible is so wonderful. I am a native-English speaker and am learning Japanese so it is wonderful to see English and Japanese translations of the bible side by side. The NIV is my favorite translation of the bible as well. it's hardcover so the bible last forever. there are two cloth bookmarks attached to the bible. i think every kanji has the furigana pronunciation above it. i was a little disappointed when i read "tomodachi" and only the "tomo"'s kanji was given since I have since learned the whole word's characters, but it is still good for me to know the pronunciation and what part of the word each kanji makes. this is a fascinating buy and it's something i don't regret!

If you are a native English speaker living in Japan or studying Japanese, and if you need the WHOLE Bible with side-by-side translations on each page, with furigana over the Kanji to show you how the Kanji is pronounced, then this is the Bible for you.

Leigh Branham has done an admirable job writing a practical manual for keeping good employees. I believe any employer will find scores of proven tactics they can apply at once. As Joe Bosch of Pizza Hut says: "If a company implemented just four or five of these practices, they would be significantly better at retaining talent." Gee. Making more money because your employees are motivated. What a concept.

Doni Tamblyn is author of Laugh and Learn: 95 Ways to Use Humor for More Effective Teaching and Training and The Big Book of Humorous Training Games (Big Book of Business Games Series)

I read the book as part of an MBA mid-term project and would recommend this to any line manager or human resource practitioner who wants real, proven ideas and thoughts about attracting, retaining and developing quality employees. The book is very well structured and easy to read, yet a no-nonsense approach and in depth look at retaining valuable people.

Finally an employee retention resource from an outstanding consultant that combines practical step by step instructions with theory AND excellent examples from top companies. Keeping outstanding employees should be a top priority for every business, but unfortunately retention often runs a distant second to recruitment. Leigh Branham takes the mystery out of keeping top employees by providing business owners, managers and consultants proven retention tips. After introducing each retention practice, Leigh provides a questionnaire to evaluate your company's effectiveness. Plus the appendix is filled with surveys, checklists and evaluations you can start using today! As a consultant and coach, I am using Leigh's material with companies and individual clients and getting excellent feedback.

Keeping the best employees is a goal that is not often met in today's changing and fluid new economy. Leigh Branham introduces four key strategies designed to help an organization keep the employees it wants. These solid practices are designed to have a positive impact on an organization's best workers by increasing motivation, performance and satisfaction. These four key points are organized in parallel with an employee's life cycle in an organization:

Key #1: Be a company people want to work for.
The leadership of the organization must create an environment where three essential elements are put into place: adopt a "give and get back" philosophy, measure what counts and pay for it, inspire commitment to a clear vision and definite objectives.
Key #2: Select the right person in the first place.
Poor recruiting decisions today result in the poor performers of tomorrow. An organization must claim responsibility for recruiting to ensure it not only chooses the right candidate, but also stays connected to the external business community, and thereby having access to the full diversity of the talent pool.
Key #3: Get them off to a great start.
Knowing that between 50 and 60 percent of employees change jobs within the first seven months, it is seasoned experienced manager and leaders that focus on this critical period to the organization keeps its best employees. The keys elements during this period: communicate how their work is vital to success, get commitment to a performance agreement, and give autonomy and reward initiative.
Key #4: Coach and Reward to maintain commitment.
To sustain an employee's commitment to the organization, his relationship with his manager is a critical element. It is said that 50 percent of satisfaction at work is determined by an employee's relationship with his or her manager. Managers should: proactively manage the performance agreement, recognize results, and give employees tools to take charge of his or her career.

If at all possible, this book should be read in combination with Branham's subsequently published book, The 7 Hidden Reasons Employees Leave: How to Recognize the Subtle Signs and Act Before It's Too Late, and preferably read first. That is desirable but not imperative. Either book can firmly stand on its own merits and both are "must reading" as competition for talent becomes increasingly more aggressive. That said, the subtitle of this earlier book correctly indicates what it provides: "24 ways to hang on to your most valuable talent." Branham carefully organizes his material within eleven chapters and focuses on four "Keys," providing with each several "retention practices." Too many business books are bloated with theory but wholly impoverished in terms of practicality. For that reason, I commend Branham on the fact that he devotes most of his attention to explaining HOW to establish and then increase the appeal of an organization that people want to work for, how to hire the right people in the first place, how to get new hires off to a great start, and how to use effective coaching and appropriate rewards to sustain their commitment. Well done!

This book was first introduced to me by Lewis Meyer, a local bookseller in Tulsa, OK who was a local institution and a refreshing change from the lackluster corporate bookstores that are as commonplace as Wal-Marts. I still have my original hardcover edition Meyer sold to me back in the mid 1980's. It was a pleasant surprise to find a book filled with many gems of wisdom or words of encouragement that weren't tinged with a underlying message of condemnation. Though a bit heavy on religion, that is easily overlooked, even for an atheist like myself. I highly recommend this book as a gift for anyone looking for a book that makes attractive, light reading.

I have given approximately 50 of these books as gifts during the last 25 years. Everyone has expressed gratitude and reported that it had become one of their favorite books also. I am so excited that they are available again after not being able to purchase them for many years!

Sal Salyers

Touches your heatbeat,freshens your outlook on Life. This book is a friend by your side 24/7

I love the stories behind the inspirational poems in this book! For example, learning the story of William Ernest Henley author of the poem "Invictus" makes the poem so much more poignant. The author includes poems addressing courage, happiness, faith, confidence, fear, self-discipline, family, peace of mind and the future. This is a keeper and a wonderful gift.

This book has helped me during dark days and helped my mother face the challenges of Parkinson's.

I give this as a gift to anyone I think will be helped by spiritual positive messages found here.

I've been coaching Little League for five years now, and loved reading this account of Little League from about 20 years ago. The stereotypical depictions of coaches that Geist uses are still dead-on accurate, as are his descriptions of how bad the catching equipment is, and how to hide a bad ballplayer that you have to play in the infield. This is a priceless look at Little League ball that anyone who has ever coached should enjoy.

There are lots of laughs to be had, and you'll find yourself sharing parts with other coaches you know.

I am sure the book is great-the book was purchased for a gift.

I do a ton of reading and just went back and re-read this book. This is probably my favorite all-time book. This book has to be the funniest one I've ever read. Geist is not only a gifted writer, he tweaks all the right people and no irony goes unnoticed.

The humorist columnist Bill Geist had many years of experience coaching his son's little league baseball and kids basketball and his daughter's softball team. He relates his experiences with his usual wit, sarcasm and humor. The book focuses on a particular season of little league baseball where he was able to work with his son Willie's team and actually win the league championship by upsetting Knavery's team in the final game of the season. The tale tells how he bends the rules (though not as much as some other) in a way that still allows the weak players to have fun and yet stay competitive. There is a large degree of truth to the various caricatures of players, coaches and parents that he presents in this tale. But some of the stories are so incredible and it seems like fiction is mixed with reality but clearly it is based on real experience. I relate to many of the issues he brings out. ...
In the epologue Geist confesses that he want his son Willie to be a star player but was satisfied that he made the high school varisty teams. In the end no matter how good or bad they are in little league they all eventually stop playing to do other things that interest them more or they find to have more success and rewards.

To illustrate the humor in the final game losing 12-4 Geist gives the kids sugar treats to pick up their energy. A rally starts but thinking ahead with the worst hitter Monique likely to come up with two outs, Geist gets a 40 ounce drink and gets her to leave on a bathroom break. ... This book has short easy to read chapters and integrates Geist's softball and basketball experiences in the theme of the little league season whereas Dunow had long chapters going back and forth from little league with his son to his childhood experiences with his father. Both books are good in their own way. But this one is much easier to read and more light hearted.

At least, I'm half of Mean Gene Huffman. Gene Ret and I were conglomerated into one large, gawky intimidating Little Leaguer. Who was the more large, gawky, and intimidating is one of the great debates of our time.

Great story. I never knew my drunken high school antics were witnessed by Bill Geist until I got to the end of the book. Geist saw me crash through his bushes and play some sloppy basketball with his son and friends for a few minutes while reminiscing about the old Little League days. And, he parlayed my mishap into a convenient parable on lost youth to wrap up his story.

Well, he's just lucky they were playing basketball that night and I wasn't trying to unload my ferocious fastball or swing a bat. Stay young, eat flax, and long live the glory days of Little League.

My 2 year old son got this as a gift. Of course, being two he's already tore off half the tabs, but so what! He still loves it! It definitely won't last until his sister is old enough to enjoy it but we've already gotten our money's worth in the short time we've had it. I plan to buy another copy soon.

My 5 year old grandson loves the moving parts in the book and like to pretend while he looks at it. Enjoys it alot.

Another big vote for this book. As a small red plane pilot, I've given out two of these books to friends kids, with very positive results. 90% of the activities are amazingly accurate, from "chocks away" to refueling.

I agree that it is a little fragile, as some of the cardboard effects are a bit ambitious, but worth it for the detailed appreciation of flying.

Captain Brian says "take off!"

I am writing in response to the reviewer who said that the book is especially great for boys. (let's not gender-type!) This is our daughter's favorite book. She is 13 1/2 months now and it has been her absolute favorite since we started reading it to her when she was just a few months old and we just ordered a second copy because hers is so tattered from use. Highly recommended for girls as well! :)

My two-year-old son loves this book but he has already destroyed more than fifty percent of it after two months of use.

This book has many interesting features, from radio sets connected by string, to "radar blips" on a screen in a cockpit, little planes "flying" through the sky, to a steering wheel that changes the view out windscreen as you "come in for a landing--and that isn't even half of the activities in the book.

The problem is that it requires a high degree of fine motor skill to operate many of the activities. The "radar blips" were difficult for me to spin, for example, and the steering wheel kept getting stuck until mommy tore it in one of her many attempts to "Fix it!" under pressure. My son also removed all of the little "flying airplanes" in less than a week of play.

Don't get me wrong--my son still LOVES this book, despite the fact that it is now falling apart! He has a blast using the things that still work, and explaining to me how the things that are broken used to work.

I would recommend waiting until a child is at least four before buying this book for them unless they are very careful players or there will be parental help all the time it is in use.

And, I would like to add that the girls in my son's playgroup loved this book as well--it is DEFINITELY not just for boys!