English Books

This is one of the best memoirs I've read. Broyard is brilliant, an elegant writer, and his story is interesting. Anyone in love with New York, or just in love with good memoirs, should read it.

Returning from World War II, Anatole Broyard, a young man of New Orleans Creole stock who had grown up Brooklyn working class, took advantage of the GI Bill to jumpstart his fortunes. Manhattan beckoned across the river, and upon enrolling in The New School, he fell down the rabbit hole and into the Wonderland that was Greenwich Village. At The New School, he sat in the classes of the major intellectuals of the era, many of them from Europe. He had only just begun when he met artist Sheri Donatti, a protégé of Anais Nin, who instantly provided him with a place to live and a relationship that would come to define the entire mad scene, where everyone read Kafka and modern art was It. The old rules, whatever they were, were out the window and where Sheri was in command, the rules changed daily. Broyard, who paints himself as an outsider has enough access to the epicenter of the action and thinking of the place in this time frame to be its ideal interpreter.

This memoir covers just a couple of years, but that's enough to get down the Bohemian culture of Greenwich Village a few years before Keroauc appeared on the scene and nearly a couple of decades before the sixties would recast their own version. Broyard went on to become for 3 decades an admirable book critic for The New York Times and to live a happy, domesticated family life in the suburbs. His lucid, literate and witty style shines in KAFKA WAS THE RAGE. He was working on this memoir when he died of cancer in 1993.

One brilliantly sunny day in July, I decided to head out to the lake to bask in the sun and read. Unforuntately, I realized halfway there that I hadn't bought anything to read. So, I trotted over to my local used bookstore and began browsing their recent acquisition table. This little volume immediately gained my attention. It looked like fun, it looked like it would be a quick read, and it was short enough that it wouldn't keep me from continuing in any of the other books that I was already reading. So, off to the lake with this book in hand I went.

KAFKA WAS THE RAGE was quite a nifty little read. I had read a fair amount about the Beats at one point, so this had some of the same post-WW II Manhattan atmosphere, but that was set more in the area of Columbia University, so this shifted the scene further south. There is no real story to tell here. Broyard merely recounts in a more or less anecdotal form a number of events and individuals from a particular moment in time. He has a gift for summoning up particular moments in vivid detail, and a talent for the brilliant line. An example of the former is his recounting of an adventure in which he took Delmore Schwartz, Clement Greenberg, and Dwight MacDonald to a Spanish Harlem nightclub. Another is his description of his art professor Meyer Schapiro.

Some great lines:

"I thought that being a Communist was a penalty you had to pay for being interested in politics."

[on Dylan Thomas] "To him, an American party was like being in a bad pub with the wrong people."

[on Delmore Schwartz] "Like Samuel Johnson, whom he resembled in many ways, Delmore was not interested in prospects, views, or landscape. He had looked at the city when he was young, and saw no need to do it again."

[on a painter friend] "His voice was soft, deep, and cultivated and his manners were a history of civilization."

As one might expect (and hope for) in a memoir set in such a vibrant era, the book is marvelous for its incessant name-dropping of famous individuals who pop up briefly as characters: figures as diverse as Erich Fromm, Maya Deren, Anais Nin, Caitlin and Dylan Thomas, W. H. Auden, Gregory Bateson, as well as the previously mentioned Schwartz, Greenberg, MacDonald, and Shapiro.

My first reaction was, I wish I had been there too. As he said, the public was visually hungry at that time. Now the public is pretty much jaded in mho, but also, there are probably many more visual artists per capita than in 1947.
Other quotes I liked: pp129 On Delmore Schwartz, he was like the grammar-school bully who rips open your fly buttons. It was Delmore who helped me to understand what I came to think of as the malice of modern art.
pp134 The social history of the world is, in some ways, a history of censorship.

If you're expecting an overview of the 1940s Greenwich Village scene, adjust your expectations. This is for the most part an account of Anatole Broyard's life, as he lived in Greenwich Village in the 1940s. The focus is on Broyard's concerns of the time and his particular perceptions. It is a distinct difference.

That acknowledged, I'd like to say that I recommend the book anyway. Broyard's account is valuable for its loving criticism of the 1940s art world, for its honest recognition of the stupidity of youth, and for its meandering remembrances, repleat with similes and earnest attempts to find meaning in the past. The book is valuable because of its examination of life, an examination that is all the more interesting for the time period and the location of the subject.

I said that Broyard's account was more an account of his own life than of the times. But it is also an opinion of mine that one life tells a lot about a time period. The setting for the memoir is New York just after WWII--the whole city is glad to be alive and glad to be carefree for the first time since the beginning of the war. And Broyard's account of himself and others in the period is fascinating for that reason, for the way this made people act. Need another reason? Broyard's memoir is peppered with chance meetings with prestigious artists and writers of the time. He exposes the mentality they all lived with--the way they lived with art the way other young people live with football or pop music. He exposes the advantages and disadvantages that that presented. Most of all, he exposes your youth--your own youthful pretensions, and stupidity, and wisdom. It's the account you would write if you had the time... And the insight.

This book is a great tool to help siblings, other family members and non-relatives (including teachers and students) to understand some of the world of kids with autism. This is a very touching story deserving of the acclaim it has received and more. Schools systems would do well to include this book in their libraries. Great story and illustrations! Great work!

Author Marvie Ellis, pediatric speech-language pathologist, founded Speech Kids Texas Press in 2005 for to publish children's storybooks on communication needs. Kiesha's Doors is a bilingual storybook in which English and Spanish text appear simultaneously on the same page. This technique reinforces to children and adults alike the multicultural nature of the modern world we live in, and seeing other languages on the same page may encourage children to explore secondary languages. I think this technique is superior to the alternative of publishing two separate translations. Children's brains easily learn multiple languages, so why not give them as much exposure as possible?

In Kiesha's Doors (Las Puertas de Keisha), 2 year-old Kiesha has stopped communicating with her family, become a picky eater, and taken to a favorite rocking chair. Kiesha parents and her older sister Monica (age 9) learn that she has autism, and they must adapt their communication style to reach Kiesha (to "open her doors"). The story is not just about Monica's adjustment to life with Kiesha, but about the Mom and Dad's journey to get a diagnosis and learn how to relate to their child. It is truly a family story, and it raises important diagnosis questions as well as coping skills. The illustrations are vibrant crayon-style (I loved the way the eyes and faces glow!).

Every library should invest in a copy of this book, and every child and parent should read it at least once, to learn about dealing with people who communicate differently from ourselves.

This is another wonderful tool given to us by the author Marvie Ellis and the illustrator/artist, Jenny Loehr. The author uses a little girl, the older sister of an autistic child, Keisha. This is very effective! The author certainly has a way of taking a very complex subject, and through her use of words, bringing that subject to the level that a child is able to understand. I loved her concept of "closed doors" and "opening doors." This is quite understandable to a child, and indeed, an adult faced with this devastating condition. Well done! The author takes us step by step through the process of identifying the condition, its treatment and, again, does it in a way that a young person can well understand.

I was delighted, and in fact thrilled, to see this work presented in both Spanish and English, together between two covers. Over the past five years our area of the country has gone through a change with the influx of Spanish speaking people. Our resources were, and are quite thin, and I am sorry to say, quite limited. Books such as this go along way in correcting this situation. My daughter, a first grade teacher, is faced with this language (and indeed, autistic children) problem each and every year, and works such as this are most helpful.

I personally found the illustrations in this book, by artist Jenny Loehr, quite pleasing as I like her method and style. She has the ability to capture so much with her simple facial expressions. The color choices certainly appeal to children and are quite eye catching in a subdued way. The illustrations go perfectly with the text and each, the text and the art work, complement each other perfectly.

Children have as much of a struggle understanding this devastating condition, even more than most adults. The author has done a wonderful job, in the way of explanation, at their level. I might add that any adult will also find this work quite informative. This is another valuable tool and should be included in any school program or home library were applicable. I, as a fully retired individual, do a tremendous amount of substitute teaching at our local schools. I fully intend to read these books to my younger classes. Ignorance is a horrible thing, and this book and the author's other book, Tacos Anyone?, go a long way in stamping it, the ignorance, out. Well done Ms Ellis! I highly recommend this one!

I have a son w/autism and I purchased this book because I haven't seen any af/am profiled in autism related childrens books before. I enjoyed the book very much. Kudos to the author!

Marvie Ellis is providing a great service to a significant number of people with her Autism Story Books. If you're like me, you know less about autism than you think you do - unless and until someone in your life is born autistic. And if we adults don't really understand what autism is and is not, imagine how hard it would be for a young child to understand it all. Keisha's Doors is told from the perspective of just such a child, a nine-year-old girl who doesn't understand why her three-year-old sister Keisha won't play with her or speak when spoken to. When Keisha is diagnosed with autism, we are there with her family as the doctor and therapist explain what this means and begin to teach them techniques for establishing better communication with the little girl.

The conventional, knee-jerk reaction to a diagnosis of autism would probably be one of alarm and grief, and I'm sure one of the author's purposes in writing this book is to dispel such notions. Here, Keisha's condition is described in terms even her nine-year-old sister can understand: Keisha has certain mental "doors" that are closing her off from some of the people and things around her, and she just needs help opening up some of those closed doors. Rather than tearing the family apart, the situation actually brings them closer together. Now, even Keisha's sister understands why Keisha is different - she even knows a little bit about how to go about helping her expand her awareness.

This is a very positive, heart-warming look at a family caring in the proper way for an autistic child. The story itself is printed in both English and Spanish, while Jenny Loehr's beautiful illustrations speak volumes in and of themselves. Put it all together, and you have a wonderful book - perhaps the only one of its kind - designed to reach as many different people as possible with its important message. I learned something about autism myself in these pages, and I'm sure anyone with any kind of connection to an autistic child will benefit from this book - and Marvie Ellis' succeeding Autism Story Books - immensely.

This is not to say a thing against either of the two TV two versions of this play, which I saw and loved, but to say that when I first heard the play it was on a recording with the voices of John Gielgud, Penelope Browne, and Richard Burton.

I thought I had never heard words spoken by human voices that was so alluring they were close to opera. Hearing them was like getting drunk on words. I can't find that audio tape now that I used to copy the library recording, and I wonder if there is any way of tracing that performance and getting another copy? I remember Gielgud's way of expressing tedium of the party that was to mark the last night of his life and Jennet's. "Tedi-UM, Tedi-UM, Tedi-Um, on a falling scale, or naming the party "ice bath of pleasure." Yet he was in love and bordering on desperate when he told Jennet that when she had rejected him after a brief pause: "I'll chalk that hesitation all over the walls of Hell."
And about the future, which they didn't think they had: "I can give you generations of roses, here, in this wrinkled belly," He murmured, putting a rose hip in her palm. Wonderful, indeed.

Centering around the notion that two antithetical people are nonetheless in the same kind of predicament makes an interesting subject for a story, comedy, or otherwise. What makes this play such an entertaining read, play, and piece of literature, is also what keeps it from being an enduring classic. Language can be a beautiful but it can also be ruined by needless toying and that's exactly what the lead character, Thomas, does for large portions of this play. The two leads are so conceited about their lives and goals and proving things to others. I guess that's the reason the play is both laughable and exhausting. The characters in the play concede to truths and judgment not by reason, they can just ignore it no longer. Everyone in this play, with the exception of Richard, is unsensible and their actions are unpredictable in tradional terms, but the one thing you can count on is that they won't do what someone else wants them to do, they will always do the opposite unless it's already what they set out to do. This is classic comic folly, however, it doesn't come out that way because of Fry's language taking center stage.

As a previous reviewer put it "not everyone will enjoy reading "the lady's not for burning" I'll take it a step further and say that not everyone will find it essential, because I don't. Although I enjoy it and am thankful I read it, I think it's a disposable play, that depends on virtuosic acting and an uncanny knowledge of the English language.

I had the pleasure of seeing John Gielgud and Pamela Brown in "The Lady's Not For Burning" when I was teen-ager. It has been a pleasure to relive the joys of this delightful play once again.

It's 14th Century England and Thomas Mendip is tired of the world. He just wants someone to hang him so he can leave this life for good. He keeps telling people that he's the devil himself and the only way to send him back to Hell is to kill him. But the village leaders have bigger problems to worry about. The daughter of a local deceased alchemist, Jennet Jourdemayne, is certifiably insane and the townfolk think she might be a resident witch. It doesn't help that on the day that Thomas begs to be hanged, the beautiful Alizon Elliot is arriving to greet the son of the mayor to whom she is engaged. Thomas and Jennet are forgotten while the preparations for Alizon's arrival take place and that night during a ball for Alizon, Thomas and Jennet meet. The fates collide and they fall in love. But Jennet's supposed to be hung. What is a devil to do?

THE LADY'S NOT FOR BURNING is hilarious, but the comedy takes a backseat to the witty wordplay. The characters are secondary performers and the real star of the show is the language. One would probably assume that THE LADY'S NOT FOR BURNING was a product of the English Renaissance, perhaps even a missing play written by Shakespeare himself. But it's just good ole Christopher Fry's twentieth-century version of a Shakespearean-type comedy written in grand form.

Not everyone will enjoy reading THE LADY'S NOT FOR BURNING as the delightful language might be too much for some to understand. However, if you like Shakespearean comedy or just have a love for the English language, then THE LADY'S NOT FOR BURNING might be something worth your reading.

Charles Williams once yelled something to Christopher Fry from the top of a London bus. I forget what he yelled but I'm surprised they couldn't communicate psychically, for Williams and Fry were soulmates in more ways than one. Critics find both obscure and obtuse, overly given to purple prose and awkward phrasing. Readers who want to be banged over the head don't like either author, but those who enjoy sublety and coaxing a text to give up its secrets often enjoy their whimsical wordplay, even if they find their works overly freighted with ideas.

Both writers are given to many-layered interpretations. One writer found in Fry's play A Phoenix Too Frequent an almost allegory of St. Paul's contrast between the "law" and "grace" in the book of Romans (in a full allegory everything corresponds to something else, which is not the case here). Charles Williams' plays are works in progress that are worked out dramatically on the stage. His most famous novel, Descent into Hell, develops the story around the attempt to put on a play.

Charles Williams would find nothing odd in these resonances between himself and Fry, both members of what he called the confraternity of poets, or between author and reader, whom he would say were linked in the web of souls. This language yearns to be spoken, almost as an incantation, and this potential energy longs to turn to kinetic action on the stage. Our age, given unto despair, finds both writers alternately too somber and too flippant. But for readers who, like Fry and Williams, find themselves out of step with modern (or post-modern) sensibilities, these plays may be just the thing. Maybe that's what Charles Williams was shouting from the London bus.

Six million seconds adds up to about 67 days. This novel takes place in the 67 days leading up to the British hand-over of Hong Kong to the mainland Chinese government in 1997.

I won't go into all the details about Inspector Chan, etc. because other reviewers have done a good job of that already; but let's just say that this exciting, perceptive and often grisly novel satisfies as great crime fiction and as incisive commentary on the changes taking place in the "new" China.

Wherever there is money, there is greed and corruption; and the oligarchs (former Communist generals) who run mainland China have no qualms about using whatever means at their disposal (bribery, extortion, slavery and murder) to control their newly won prize. This is the force Inspector Chan has to reckon with, and since he is Eurasian, I take it that Burdett is letting us know that both East and West will have to reckon with the powers-that-be in China -- whether they like it or not. The Chinese oligarchs have the ability to influence world affairs just as the European Colonists once did. And, as Burdett's story testifies, the Chinese know full well what's at stake and have no fear about having to play hardball to come out on top.

Burdett has an insider's understanding of a world few uninitiated Westerners understand (he was a lawyer for a British firm in Asia for many years). He provides readers with the perfect guide to the crossroads of East and West -- the Eurasian Inspector Chan.

A fun and absorbing read. A must for any Burdett fan.

Burdett shows alot of the promise that is even more evident in his later books based in Bangkok. Excellent pre-handover thriller. I'd have liked to see some more Charlie Chan books.

The Last Six Million Seconds is a marvelous combination of engrossing mystery and the drama of Hong Kong's transition from a British colony to the control of a Chinese dictatorship. Throughout the story, one of Burdett's strengths is his ability to capture the intangibles of culture. Consider this insight:

"In the beginning was the Word. But it was sung, not spoken. Prehistoric humans from Peking Man in the East to Cro Magnon in the West used the full range of the vocal scale to sing instructions for the hunt, sing guidance to their children, sing reverence to the gods that provided the mammoths. They would have despised the flat, dead speech of modern times for the tuneless whitterings of ghosts.....the oldest language in modern usage is also the most musical. With nine tones to condition meaning, Cantonese can present a challenge to a tin ear from the Bronx." (p.283)

Burdett uses Richard Hughes' formula of 'a borrowed place living on borrowed time' to explain the psychological challenge Hong Kong residents face during the last six million seconds before they return to Chinese control.

The criminal activities of the People's Liberation Army, including their willingness to use violence and intimidation to create rigged enrichment for a small handful of Generals, are described in accurate details. Burdett even uses official United Nations reports to enhance the sense of realism. He also manages to weave through all this the issue of the Laogai--the prison/slave labor system by which 50,000,000 people live lives of enslavement in China, according to Burdett.

Burdett's protagonist is a driven Chinese-Irish policeman seeking answers to the brutal deaths of two Chinese men and an American girl. The journey is worth the read. Indeed I am beginning to believe that anything John Burdett writes is worth reading.

I am a fan of Burdette's, having read his Thailand books. Based on Amazon reviews, I 'had' to buy this even though the lowest price was way more than I usually spend. It was worth it! The previous reviewers have echoed my sentiments; I just wanted to add one more 5 star rating and to say I wish he would write more.
-Martin Freifeld

Hey, I think I am going to give another synopsis of the story....nah!

Others have already done that better than I could so I will just support their thesis: This is a must read. Granted it has faults: It isn't redundant. Its not obvious. It is well written. Its written for for clever grown ups who don't like to be horsewhipped with the same old cliches and knit-one-pearl-twos. If you can get around those faults, this book might keep you glued to your chair.

I received this book the evening before departing on a trip. After settling in on the plane the woman who was seated next to me asked, "What are you reading?" I showed her and was greeted with an immediate "Oooooh.... ugghh." I must admit that I understood her reaction. Although I have steadfastly slogged my way through them, many translations of ancient works have left me wishing for the touch of a modern bard. This one, however, did not (or perhaps it had, indeed, benefitted from such a touch!). Ford was my companion on both the flight out and the return trip. He was informative, entertaining, insightful, and (I am told by others who would know), quite accurate. I recommend this book highly.

I work a lot with Welsh Gods and I have to remind everyone, this is THE source of what we know about Welsh mythology. I am not sure if persons not interested in deciphering the stories would enjoy them, but if you want the mystery and challenge, buy this book. Too many people claim to worship Rhiannon or know all about Ceridwen, and have never read the original sources of what we know about them which drives me nuts.

Patrick Ford's translation is the best that I've read. It appears to be the most accurate translation and the easiest to read and understand. Anyone who is interested in Welsh mythology or mythology in general should read this book. The tales themselves are interesting and entertaining. They give us a great glimpse into the world of the ancient Welsh people.

An excellent and accessible translation of most of the stories normally included in the Mabinogion (minus the three Arthurian tales, Macsen Wledig, and Rhonabwy), plus "The Tale of Gwion Bach/The Tale of Taliesin" and the hard-to-find "Cad Goddeu". Includes introductions, a glossary of proper names, and an index.

How does the handsomely bound new rendering by Sioned Davies, Chair in Welsh at Cardiff, compare with the standard version often used and widely praised, Harvard professor Ford's? I consulted my 1977 copy as Ford's new printing has not yet been published. Will his "30th Anniversary" U of California paperback reissued edition find itself in a dead heat with Davies? The race may prove a photo finish!

I compared their translations of a favorite passage of mine early on in the First Branch, Pwyll's tale. Arawn's just been reunited with his queen after the year's test by unwitting yet steadfast doppelganger Pwyll. She wonders, post-coitally after a long year's lapse, why it's been so long since her husband made love with her.

Here's Ford (1977 ed., p. 41) first at the starting line.

"Shame on me," she said, "if from the time we went between the sheets there was even pleasure or talk between us or even your facing me-- much less anything more than that-- for the past year!"

And he thought, "Dear Lord God, it was a unique man, with strong and unwavering friendship that I got for a companion." And then he said to his wife, "Lady," he said, "don't blame me. I swear to God," he said, "I haven't slept with you since a year from last night nor have I lain with you."

And he told her the entire adventure.

"I confess to God," she said, "as far as fighting temptations of the flesh and keeping true to you goes, you had a solid hold on a fellow."

"Lady," he said, "that's just what I was thinking while I was silent with you."

"That was only natural," she answered.

--You can feel the hesitant insertion of the teller's dramatic pauses implied with the "saids." These intensify rhythms of the poet's strong, confident prose. A few contractions and the well-placed dashes quicken the dialogue's pace. The language avoids the flowery exactitude and chivalric diction that marked Gwyn and Thomas Jones' 1949 Everyman edition. But, neither does Ford choose an entirely modern register. He keeps a slightly elevated style while emphasizing verve and a gently sophisticated voice for the couple.

--Compare and contrast Davies (2008 ed., p. 7). As in other pages I spot-checked, the two professors run neck and neck and overlap considerably-- a sign of how both scholars channel what Ford calls the "restraint" in this passage as well as its humor and tension.

"Shame on me," she said, "if there has been between us for the past year, from the time we were wrapped up in the bedclothes, either pleasure or conversation, or have you turned your face to me, let alone anything more than that!"

And then he thought, "Dear Lord God," he said, "I had a friend whose loyalty was steadfast and secure." And then he said to his wife, "Lady," he said, "do not blame me. Between me and God," he said, "I have neither slept nor lain down with you for the past year."

And then he told her the whole story.

"I confess to God," she said, "you struck a firm bargain for your friend to have fought off the temptations of the flesh and kept his word to you."

"Lady," he said, "those were my very thoughts while I was silent just now."

"No wonder!" she said.

--Davies in her preface emphasizes the "performative" qualities in her edition. In this passage, she appears to let the lines go longer rather than reining them in to English syntax. They drift away slightly before coming back to us. Perhaps this echo demonstrates Davies' own scholarship in the medieval Welsh interplay between orality and literacy. The author of two books on the Mabinogi, she stresses the "interactive" nature of the manuscript to be read aloud for the "acoustic dimension" embedded in the Welsh texts and through alliteration, tone, and beat, she tries to give us a feel for this tempo, albeit imperfectly conveyed perforce into our clunkier English.

--Both Davies and Ford include the four branches: Pwyll, Branwen, Manawydan, and Math. Both include Lludd & Llueyls. But, reflecting textual differences in the original manuscript anthologies, they also differ. Ford's tales attributed to Gwion Bach & Taliesin, Culhwch & Olwen, and his appendix on Cad Goddeu do not appear in Davies. She provides Peredur, The Dream of the Emperor Maxen, The Lady of the Well, Geraint, and Rhonawby's Dream.

--Both editors explain their textual choices and open with prefaces. They both add glossaries, pronunciation guides, and bibliographies. Ford situates the tales in Indo-European contexts and Davies delves into their delivery as recited stories. Ford begins each tale with a short introduction; Davies adds explanatory notes in a detailed appendix, keyed to asterisks in the body of the text. Davies keys her "Index of Personal Names" to pages in the text while Ford does not. For study and teaching, it looks like the competition may result in a dignified and spirited draw. Most serious readers doubtless will want to consult, as I have, both fine efforts side-by-side.

(This review's, fittingly, also at the Davies listing on Amazon US. May both translations flourish.)

If you appreciate an 'old fashioned' tale free of graphic intimacy and violence, if you appreciate vivid description, romance and intrigue this is for you. I read all but one of Mary Stewart's books in my early twenty's through late thirties. Now, nearing seventy, I am rereading them and cherishing the stories I read in my young years. I have divested myself of hundreds of books. Mary Stewart's remain a constant. Though I prefer some over others "Madam Will You Talk" is one of my favorites. It tells of a young widow vacationing in Southern France who accidentially stumbles on murder, betrayal and intrique. Of course there is a romantic touch, but who is the object of the heroine's affection? Good read...

Yes, yes, yes to all the earlier reviewers! That's why I put Madam, Will You Talk? on my listmania list of favorite romances - along with my alltime Stewart favorite: Nine Coaches Waiting. They both hold all the essential ingredients for a good read - not the least being excellent writing. It's all too true that most contemporary love stories, suspense thrown in or not, are written at an elementary school literary level. I've submitted 3 manuscripts to Avalon, all of which were returned with comments that my writing was excellent and my characters engaging but I spent too much time on plotlines and peripheral characters outside of the central love story - which is exactly what I prefer in a story! Thank goodness Stewart never followed Avalon's "Rules for Writing"! Unlike some other reviewers, I lost interest in Stewart with her Merlin series. It's her early first-person narratives that enthralled. Her sense of place, plot, and people cannot be beat in this genre! Sad to say, my local library does not carry a single one of her early romantic suspense novels, so I'm on a quest to build my own Stewart library. I don't reread many authors - but Stewart just gets better with time. Madam, Will You Talk? holds a line I've never forgotten over 30 years: "Who's Johnny?" Not what I expected the hero to ask in that scene but what an impact! Read the book and see if you agree. Lily's Sister

First Sentence: The whole affair began so quietly.

WWII war widow Charity Shelbourne whose holiday in France becomes life changing. It starts with a large dog and a young, clearly troubled, boy in Avignon and progresses with a suspicious step-mother, an Englishman who reads poetry and a way-too-handsome Frenchman via a thrilling car chase to a man who had been accused, but acquitted, of murder and is desperate to connect with his son in spite of others desperate attempts to prevent it.

I love Mary Stewart's pre-Merlin books. The story starts off placidly but you are told things are going to quickly change as all the players are in place. Stewart's writing is incredibly visual. Her sense of place is vivid to the point that you feel the heat and smell the flowers. Her use of analogy is wonderful. With only a few words, you know who these characters are. Her protagonist is strong, smart and very capable. Her friend, Louise, plays a minor role but is memorable in her own right. I don't always like the way children are portrayed but, again, Stewart has drawn a lovely character in the boy, David. Stewart creates and builds the suspense, but adds just a subtle, mostly off-scene, dash of romance to make a wholly satisfying read. Even the chapter headings add to the story. My only personal nit-pick is the use of portents, which is just a personal irritant for me, but so minor when compared with the rest of the story. This book was an absolute pleasure to read.

I first read this nearly 30 years ago (yikes), and it left such an indelible impression that when I recently started visiting this genre again, I had to have another taste of this story. There are a couple points where it's obvious this is an early work, but they are few and do not detract from the vivid descriptions and characterizations. By the end of the novel, I have been to Avignon and Marseilles, and I'm quite fond of Charity and her friends. Even Louise, a minor character, is well drawn and you feel you know her.

Time to revisit all of Mary Stewart's books, I think. I remember the Merlin series fondly as well. If you like this genre, you may also like the works of Victoria Holt, Susan Howatch, and Phyllis Whitney. And if you liked the Merlin series, I highly recommend The Mists of Avalon by Marion Zimmer Bradley.

Mary Stewart writes great romantic suspense. This novel has the beautiful settings, fast-paced mystery and charming protagonist of all her suspense novels, plus an edge-of-your-seat climatic car chase that will leave you wanting to rush out and get her other books.

Anne and Lynne present the importance of networking in today's corporate world by teaching that networking is more than handing out your business card. By teaching people about your Character and your Competence, you will build a relationship. Your "Contacts" will "Count".

The book starts from Assessing your skills then to presenting the benefits of Networking.
Then step by step, it teaches you how to build a relationship, a connection with your contacts so that they think about you when the need arises for someone in your field.

Buy it! It is worth it.

In "Make Your Contacts Count," Lynne Waymon and Anne Baber have created a networking bible for today's professionals - in any profession or life stage. Reading chapter after chapter, I was able to identify both short and long term strategies to build and nurture my network. In addition, I was struck by the number of practical, simple tips which can be easily learned and practiced in all my interactions - professional and personal. The book provides current real life examples, as well as theory behind authors' recommendations. As a baby boomer with over 30 years of professional experience, networking was something for sales and marketing types. Professionals in private practice or business - lawyers, accountants, consultants - called it rainmaking. For most of us, it was something we only thought about when we were job searching. While job searching is addressed in one chapter, the book is really about how to build relationships - six stages described and how to strengthen. I'm convinced ..... networking is the essential career survival tactic and a core competency for today's leaders.

As a career counselor, I spend a lot of time and energy persuading clients to network who are not naturally good at it. Now I can make better use of my time by recommending this book. There is something for everyone's risk level. No reader can walk away unchanged after perusing this book.

This new edition of Making Your Contacts Count hits the bullseye. The authors state that networking is the essential professional competency in today's business world. Clearly, this book is the essential guide to ramping up your networking skills. Making Your Contacts Count provides substantial practical actions. For instance, strategic advice like how to plan your "agenda" for conversations is interspersed with tips like how to remember names(ex. repeat the first name and introduce that person to someone else..it works!) In our study of organizational success, Shaping Your HR Role: Succeeding in Today's Organizations we found that effective networking was a tactic often used by those who achieve results. I recommend this guide to all people who need to influence others in today's complex organizations.

I just finished reading "Make Your Contacts Count, Networking Know-How for Business and Career Success," by Anne Baber and Lynne Waymon and it is a must-read for anyone who wants to be successful in the business world.

"Contacts Count," gives you all the tools you need in an easy-to-use manner to get out there and become successful in the business networking arena.

I have already started using some of the techniques that Anne Baber and Lynne Waymon share in their book and I am finding that it is easier to describe my business and my value to others.

If you keep showing up to business networking events and leaving empty-handed and non-connected, buy this book, read it and start implementing the many practical ways to connect with others, build lasting business and personal relationships and watch your business grow!

The product came to my attention during the Christmas Season.
I could not be happier with my decision to purchase it.
I have read it twice and I cannot count how many times my wife has read it.

If you are familiar with this song and realize that it was written by Mark Lowry then having this book also written by him and him performing the song is just great. He puts as much thought in this book as is in the song. They go hand in hand.

The words to this song is the story of the real Christmas. Such a talented man is Mark Lowry. I understand that it is the only song he ever wrote...with one like this one, who needs another one!

I bought this for myself and then went back and ordered more for Christmas gifts. Everyone who received it has commented on the story and the music. It is also a special treat for me to listen to every Christmas season. I just love it.

This CD and book is THE most beautiful and meaningful gift I've ever received. My husband heard the song on the radio and went searching for it at music store where he found the Mark Lowry book/CD. I couldn't stop crying the first time I heard it. To read the birth of Christ through the eyes of His mother, the most Holy Theotokos, brings a new perspective to this great and holy holiday. I encourage everyone reading this review to purchase one for yourself and one for someone you love.

This book was an easy and comforting read. I can highly recommend it if you are caring for someone who is terminally ill. It gives a very gracious and encouraging picture of the final months and days. The analogy of "May I walk you home" will stay with you long after you put the book down. It's also a great read for those who support the caregivers who support the ill.

I chose this book for two reasons: Joyce Rupp is my favorite author of spiritual materials, and I was in the process of walking my daughter home during her final year of life.

The stories and prayers helped me feel that I was not alone in this journey. That others had experienced it before and lived through it to tell the tale gave me strength to do the same. I know that my daughter had a better quality of life through this process of dying from cancer and being in home hospice care because I was better prepared to companion her.

I highly recommend this book to clergy, family members, and other caregivers. It is full of 'hope' as well as practical suggestions gleaned from others' experiences of companioning the dying.

A wonderfully comforting and uplifting book for caregivers and
those they care for.

Author relates how she comforted terminally ill people with compassion and love. Prayers for each situation are excellent.

The prayers and Meditations were so helpful that I purchased extra for those I knew were experiencing this journey. The price enabled me to afford this gift.

This is an amazing series! I first read it in the early 70's as a fifth grader and as teacher I read it every year to my third, fourth and fifth graders. They love it.

I remembered reading these books in the 70's and got this book for my son. My "reluctant reader" fifth grader loved the entire series. A great pick for kids who are more interested in straight fiction "real" characters and plots, as opposed to fantasy/science fiction (which can confound less strong readers). I wish the entire series was in print.

The third book in the series has mighty big shoes to fill but it lives up to expectations very well.
Other reviewers have expressed concern over the lack of stories with the main character (Tom), but this book is true to it's title and deals with the younger Fitzgerald in very well.\

I applaud the author for taking time to focus on the troubles of a younger sibling when his older (and more conniving) brother is absent.

I enjoyed this book very much when I was younger, and still enjoy it now that I am an adult and father.

This series is one that I hope to share with my children as they grow up, and I hope they will get as much pleasure from the stories as I did.

This book presents a very nice change of pace in the Great Brain series. The Great Brain has gone off to boarding school, and J. D. thinks that he will fill the Great Brain's shoes and try to swindle the kids in town. All of J. D.'s plans backfire, and he learns that swindling people is not something that is to be admired or done. The main focus of the book is on J.D.'s family's adoption of Frankie, a little boy whose parents were killed in an accident. It's a very heartwarming portrayal of a family's acceptance of a new member, and it is not at all lacking in comic relief. Mr. Fitzgerald's humor is not at all lacking in this book, and perhaps is even better than in the rest of the series. I definitely enjoyed this book.

Overall grade: A

I read these books as child by checking them out of a library. Now almost 20 years later, I have decided to reread them all starting from the beginning. In this book, J.D. decides that he can fill the Great Brain (T.D.)'s shoes, while T.D. is away at the Academy in Salt Lake City. It turns out to be a humbling experience, thus the title, Me and My Little Brain. While some people may tell you that this book isn't as good without the presence of the Great Brain, I found this book just as entertaining as the rest. The storytelling is as superb as the rest. You don't want to miss this book because it introduces the character, Frankie, who allows this book to still be about brothers. Towards the end of this book, we find out that J.D. can still do some amazing stuff even though he has a little brain. This book and The Great Brain at the Academy are parallel books, which describe events happening at the same time, however, you should read this book first to have things make sense.