English Books

No mystic's library is complete without the Book of Mirdad.

The path to dissolving the self-conscious ego and beginning a new life free of faith, doubt, separation from existence and all other troubles is laid out in the form of an extensive zen koan as a novel. It gives the general ideas on finding rest for everyone who was caught up in the "normal" world finding their happiness in others, things, and situations, but being pained by the lack thereof or the loss of what one's reality was based on. It steadily points one in the right direction to finding oneself. Not the self one thinks one is because of where one is in life, or what one has, or who one has, but the original you.

It begins with the arrival of Mirdad in the monastery, much like Jesus in Jerusalem, finding fertile spiritual ground in the laity but having to fight with the leader of the monks who is mad with power and traditionalism, who under the cloak of piety has become filled with greed of profits, pride on accomplishments of material natures and other degenerate vices. Slowly but steadily the monks awake from the life they were living and begin to become at one with Mirdad and not just blind followers.

I needn't say more about the delightful work, simply buy the book and read it with an open heart.

This book is very nice, it has universal philosophy, it has good explanation of in each chapter, it is best story. Language of this book is nonparallel. It is worth to reach such book and get inspiration.

By far, this is the best book I have ever read! I loved it so much the first time I read it that I went out and bought 10 copies and gave them to friends and family. Unfortunately, and to my greatest surprise, not everyone got the profound message in this treasure of a book. Too bad I don't have a few of those copies to sell today seeing how much the going price is for this book. In truth, although I understand the high price since this is a priceless treasure of a book, I believe it should be priced for everyone to easily obtain a copy of it.

My wife and I have read it numerous times over the years and we held it as our primary book of wisdom for our morning discourses together for years.

There is no book like this. It takes you on a journey from the first sentence and peaks at the very last word, only to continue with you changed forever for having finished it.

This book is rare and mysterious. The more one reads it the more one gets enthralled how such a work can exist. Its a lighthouse for those on the path. I myself read it innumerable times and still I can read it again.
It is universal,mysterious and does not belong to any particular ideology. Its beauty is in its mystery. Its sweetness is in its love. Its depth is in the secrets its contains. I give it five stars and more. If you are lucky the book will find you.

Apparently the author appreciates his early upbringing as a Christian who was immersed in the Arabic Bible. From there he patterns his new "gospel" in which he preaches reincarnation, transmigration of souls and all the New Age stuff. He tries to get Mirdad, the hero, to mimic Jesus' teaching style but here everybody is a god and god is everybody, mesh-mash. I enjoy some of the sayings in Arabic, some challege me to see beyond what is my longstanding faith, while others just make me shake my head. In some ways, I felt that the author is trying so hard to mimic the style of Jesus but in order to show how New Age is superior. I personally would prefer to listen to Jesus Christ in His own style and in His own words, and never to a parody of his teaching. timothyabraham@gmail.com

The true value of this book is the insights that author Cullen Thomas offers into South Koreans and their unique culture.

Cullen's story is also compelling, without any of the fluff and navel-gazing that is so often found within the pages of so many 'true life stories.' Even after being imprisoned in South Korea for nearly four years, he still regards his jailers in a positive light. He also readily admits to his guilt at the crime for which he was convicted.

The one thing I found disturbing about Cullen's book was the fact that he was laboring on behalf of South Korean automakers while he was in prison, assembling circuit boards for dashboards. This doesn't seem quite right, although he bears no ill will towards anyone, and in fact, considered working to be something of a blessing, far preferable to being locked up in an isolation cell twenty-four hours a day.

Loved this book. As a prison memoir, it does not shock or scare. Korean prisons, despite their lack of heat, cannot compete with Thai, Turkish or American prisons on the fear scale. This book delivers much more; it is the best that I have ever read on the subject of foreigners negotiating, stumbling, fubmbling and bumbling their way through South Korea. Thomas captures the maddening dualities, how he is constantly faced with both special treatment and petty humiliations. One minute, he is in awe of the maturity, cohesion, the genrosity, gentleness and, above all, the charm of Koreans. The next he is driven up the wall by their uniformity, closed-mindedness, bullying, brutality and pride. Every foreigner that has lived in Korea on Korea's terms has lived Thomas's story. Obviously, few have lived as much on Korea's terms as Thomas. And fewer still have written about the experience with more intelligence, even-handedness and wit.

The most touching and disturbing part of the book deals with the author's friendship with a character identified only as Green. Green, married to a Korean prostitute, is serving time for murdering his own half-Korean children. Upon his parole, Green is deported and immediately relocates to Koreatown in Los Angeles, finding a home where outsiders are not supposed to have a place. Why would he choose to get as close as he possibly could to his former captors? After reading Thomas's extraordinary book, you will understand why.

This book is riveting. It chronicles a worst nightmare come true with a tone that is wise, witty and utterly accessible. I can't recommend it highly enough. I was entranced by the various transformations of optimism that this author traipses through on his seemingly horrific yet 'can't look away' journey.

This book is incredible! I agree with the other reviewer who pointed out that one particular negative review on this book seemed grossly uninformed. To sum up just how that review errs, this book is not at all "uneventful"; the entire point of the memoir is just how humbled Thomas *did* feel by his experience; and while he does comment on ethnic diversity in the prison, he by no means sees his fellow convicts as "losers." Please don't do yourself a disservice by assuming that this book is nothing more than some whiny, poorly adjusted, rich boy's lament.

As for my own reactions to Brother One Cell, I feel that everyone can take something from it. While receiving a prison sentence is obviously no small deal, the appeal of this book is broader than many might assume. Some readers who never had to deal with a jail term may still find that it strikes a chord, have they ever found themselves faced with a prolonged set of difficult circumstances far away from home. The soul-searching that Thomas does, the way he articulates his pain over being kept apart from his loved ones, his insistence on "going it alone" despite his feelings of isolation, and his discussions of the fear of losing himself (on a fundamental and psychological level) are all of universal interest. He talks at length about the internal change that leads him to value the most mundane of acts -- things that he does not have in jail -- such as reading whatever he wants, looking at members of the opposite sex, walking around outside, and so much more.

I feel that there are probably a number of people out there who could relate to the types of emotional and psychological changes explored and documented in this book. He even mentions (in varying amounts of detail) experiences such as phantom pains, flashbacks, and his unique relationship with Korea and feelings about the time he spent there. The author starts off by showing us the aimless vagabond he once was, allows us to accompany him very intimately through his periods of rage and depression following his arrest, and concludes with a sense that Korea is now very much a part of who he is.

I would recommend this book to anyone interested in the following
-prison memoirs
-unique glimpses into seldom-seen aspects of Korean culture
-anyone familiar with Korean culture who is interested in outsiders' impressions of it
-stories of self-discovery
-culture shock
-autobiographical accounts of the profound personal changes borne out of unrelenting hardships faced in relative isolation (as well as the changes in an individual's perspective on said hardships as time wears on)

The latter reason to read this book appeals not only to those who have been forever changed by circumstances that their loved ones will never truly know, but it could also be of immense help to anyone trying to understand their loved one's experience and the depth of the impact it has left.

Brother One Cell is fascinating--this book is raw, yet compassionate and, above all else, honest. Just as other reviewers have noted, I too can see this book taking a place on required reading lists; it is only a matter of time before it becomes a classic.

First things first. If your name is listed in red ink, and almost everybody else's is in black, it does not mean that you've won a prize. Do not try to collect your package from the window. Cullen did and he wound up serving 3 and a half years in a series of Korean Houses of D.

Ever since I read a Giant Robot article about Asian and Asian-American inmates stockpiling ramen, ketchup packets, soy sauce packets and other odds and ends to create ersatz versions of the dishes they craved, I've been fascinated with prisoner resourcefulness. In this respect Brother One Cell is a very satisfying travelogue. Cullen is a big, unseasoned foreigner, not yet fluent, completely inexperienced as a criminal, who must learn to survive as a prisoner - how to talk to people, how to make sure he gets his mail, how to deal with mosquitos, extreme cold and fluorescent lights that stay on 24 hours a day...

Even more satisfying is the transformative mental and phillosophical journey upon which the author embarks, at first unconsciously and then with growing determination. The appreciation and grace at which he eventually arrives is a good reminder for those of us who've been spoiled by taken-for-granted freedom, cooshy living conditions and Get Out Of Jail Free cards we didn't necessarily deserve.

Loved the book. It arrived in a timely manner and was in the condition said.

This was my favorite book as a little girl, so when my sister had her first boy, I was anxiously waiting to buy it for him at the right time. This is a great book that will give both the parent and the child the giggles. The small size is wonderful, too! The one I had was oversized and didn't fit in the overnight bag, but this one is perfect for car trips and diaper bags!

My 1st grade teacher read all of Fred Gwynn's books to my class and I adored them. The eye-catching pictures were strange and fun, incapuslating our inexperienced understanding of the phrases that Mommy and Daddy say. Mrs. L then let us guess what Mommy or Daddy REALLY meant--the guessing was almost as fun as reading the book.

Examples: Mommy says not to interrupt her when she's playing bridge (the family pets walk across her as she bridges the gap between a couch and a chair) while Daddy says next time he paints the house he's going to give it two coats (maybe a tweed and a heavy winter wool one?).

Before I had children, I went back to the children's section of the library to enjoy them again. Now that I have children, I share my copies with them. The large full color pictures show the ridiculous picture that could result from taking a phrase literally--some of them will make you laugh out loud! Meanwhile, you can discuss what it really means and help children develop their analytical skills.

See also The King Who Rained (Stories to Go!) and Fred Gwynne: The Sixteen Hand Horse; The King Who Rained; A Little Pigeon-Toed; A Chocolate Mousse for Dinner

I love this book. I am a kindergarten teacher. The students in my class wanted me to read this book over and over again. I recommend this book to classroom teachers and moms. It is a funny story and the illustrations are amazing! I found it funny that "Herman Munster", Fred Gwynne wrote this story.

I love all Fred Gwynne's books for kids. The drawings are exceptionally well done, and the expressions on some faces are priceless. The book shifts our adult perspective a bit to remember what it was like as a kid to hear grown-ups use certain phrases, and the pictures they conjured up in literalist-child minds-- putting a wing on the house, or playing the piano by ear.

There are some sequels that are poorly written and badly thought out.I am extremely happy to say that that is NOT the case with this book! Clan Ground is even better and more thought provoking than Ratha's Creature was. The suspense never let up,and I had to be almost literally torn away from it because I couldn't put it down! This book,although short in comparison to other stories,is very deep. It is a harshly realistic example of how power corrupts even those with the purest intentions,and one of the best books I have ever read.It teaches important lessons.Read this book-you will love it,and you will learn from it.

I don't know what age this book was written for but let me say I am well over 40. I ordered this book because of its cover and knew nothing about the author or the story. When it arrived I noticed it was the second in a series so I ordered the first book (Ratha's Creature)and put this one aside. I have been hooked for several years on the Warrior serices by Erin Hunter, and this is equal to it with a lot less neames to remember. It is just a great story that keeps you turning the pages until you are finished. I have the next two books already and have pre-ordered the fifth one. I just hope the author keeps them coming like the Warrior series.

I read this book when I was a kid, but had almost forgotten it. When I saw it was going to be re-released I was very excited. It's a great book for all ages.

"Ratha's Creature" is a marvelous piece of genre writing. It certainly was wonderful to find that author Clare Bell keeps the saga flowing so smoothly with the follow-up publication of "Clan Ground." I find CG to be as engrossing, exciting, and as well-written as the original. I couldn't wait to crack the 3rd book in 'Tne Named' series after reading "Clan Ground."

I think I am slowly becoming addicted to Clare Bell books. She is someone who has somehow made the concept of prehistoric kitties absolutely brilliant. This is the second in her series of "The Named" and is a thoroughly fine adventure of her feline heroine Ratha. Ratha and her clan are strugging to keep up their new life using fire until they are challenged by a newcomer who has other plans for the fire. Bell's writing is simple but well-crafted with plenty of attention to detail and emotion. Besides the evident adreline-pumped storyline, Bell deals with an ancient way of life and the struggle between mercy and the harshness that keeps this clan of sentient cats alive and the battle between physical and spiritual. And this is all told via a story of prehistoric cats. Brilliant. This is a fantastic book for anyone who loves a thought-provoking adventure.

As an ESL instructor for over 13 years, I have found this book rich with wonderful prompts generating creative and engaging dialogue amongst my ESL students. In my private tutoring groups Compelling Conversations produces lively group discussions that exercise the students' linguistic and cultural muscles.

Michael Cannon ESL Instructor
University of Southern California

COMPELLING CONVERSATIONS fills a real niche in which I have been teaching for some years now. It suits the needs of advanced-level ESL students and clients as well as native speakers of English who need to improve their communication skills. The book's questions and quotations are just as useful for writing exercises as they are for speaking exercises.

I have found the material in the book to be very accessible to highly accomplished adults without insulting their intelligence. The questions are much more thought-provoking than the ones generally found in standard ESL textbooks. Concrete thinkers can enjoy all the detail while abstract thinkers can go off on tangents inspired by the proverbs and quotations.

The format of COMPELLING CONVERSATIONS is very flexible and readable. The three- and four-page chapters are easily broken down into parts, which can be a godsend when filler material is needed for intensive ESL classes. I am already a big fan of this book, and expect to become an even bigger one the more I use it.

anyone can run out of ideas when teaching students from a non-English background... this will help you get right back in to reach out where you were loosing touch..

In my experience, adult learners tend to be wary of spending any more of their precious time on grammar lessons. Instead they want a chance to use what they already know to express themselves, and to learn more about other cultures. "Compelling Conversations: Questions & Quotations on Timeless Topics" provides just such opportunities, in an engaging and teacher-friendly format. The 45 chapters are arranged by topic to address universally relevant themes such as "Your Life" and "Modern Times". Each chapter takes a semi-structured approach by providing open-ended questions, targeted vocabulary, proverbs, and quotations. There are no rigid lesson plans here, only springboards to lively personal and inter-cultural exchange. From my own background in classrooms on three continents I can say that this rich collection of material would be an ideal addition to the toolkit of any teacher still inspired by the notion of free speech.

Super duper!! The quotes are outstanding: well-chosen & thought-provoking. The questions really do help my students get the ball rolling . . . to have compelling conversations of their own. Truly one of the most useful resources I have ever come across. Now, if I could only get my administrator to pony up for a set of 25 copies!

All too often, pairing a CD with a book comes across as gimmicy. Not so here, for HERE it is ESSENTIAL.

The HG Wells novel is a fine piece of fantastic literature, but to combine it with a recording of the Orson Welles radio broadcast that panicked a nation, & to add a very well written scholarly text on that panic, is brilliant!

Well-illustrated with ample photographs, maps & drawings, the reader/listener gains a full understanding of the novel, the broadcast, & the cultural significance of both.

One can gain insight into the effect that news of terrorist strikes has on the public by careful, thoughtful reading of this text.

Highly recommended.

After finding this book in a local library and checking it out, I soon realized that I had to have my very own copy. So, I jumped onto Amazon and thankfully found one! For those who love classic War of the Worlds, this book is a huge slice of wonderful. I was thrilled with the CD that came with the book, too. This is a great resource and it would make a fine product for a Sci-Fi literature and / or media class.

Martians everywhere! The Invasion comes to you in the book and in the sounds. Worth the price!

i bought this book as a gift for a war of the worlds fan and he liked it a lot. The CD was good and the book contained both the script and original HG Wels novel. So all in all the book was a good purchase that contained everything that you have ever wanted to know about the beginning of War of the Worlds saga.

I ordered this book after hearing the 1940 radio interview where both H.G. Wells and Orson Welles appeared together. That was an amazing program as both men discussed the war that was looming in Europe--and that they felt would soon envelope the United States. Orson even mentioned that he was working on a movie called Citizen Kane.

Unfortunately, only about two minutes of that hour-long interview is contained on the CD. The same is true for Orson Welles' press conference where he answered some of the controversy about his broadcast--the CD only has a couple of minutes of it. This was a major disappointment, because both recordings are fascinating and I was left wondering why we only get to hear short soundbites from them rather than the entire thing. Seriously, why bother at all?

The book is much more comprehensive and worthwhile.

With Spielberg's new film adaptation of WAR OF THE WORLDS in theatres, more attention is being paid to both the original Wells novel, and the infamous 1938 Welles radio broadcast. If you're interested in both, why not treat yourself to the best presentation of either version available today?

THE COMPLETE WAR OF THE WORLDS is an excellent book. It reprint the complete, unedited novel; prints the entire script to the radio play; and comes with a CD containing the entire radio play broadcast, plus archival materials such as the only interview Wells and Welles did together on the topic. [The recording sound quality is the best I've ever discovered for this play, BTW.] In addition, the book has lots of great historical and biographical material, including articles looking at the lives of both Wells and Welles; the story of the radio broadcast and the panic it caused; and a survey of the many incarnations of WotW in literature, film, and television.

If you have any curiosity about the book or the radio play, do yourself a favor and buy this book. It's worth it!

Adrianne Byrd has taken me to a whole new level with her book "Controversy". She takes you on a wild journey of a sister who is a known prankerster and is familiar with overnight stints in jail for some of her pranks. Now she is ready to celebrate the divorce of her husband with her sisters. Which in turn lands them in some very wild type of situations. Lies and Love....does it mix??? There's an off the hook twist in the novel. Let me tell you, when I say my mouth hit the floor, it hit the FLOOR!!!! LOL Adrianne also uses some unique names for the Adam sisters. Michael (main character), Sheldon, Frankie & Peyton. Yep, ALL FEMALES!!!

Great job Adrianne!!!

This is by far one of the best books I have ever read!!!!!!! The end was simply amazing!!!! Go buy the book......You will not be dissapointed!!!!!!

The cover of this book totally hooked me. Handcuffs and a sexy black man! But this story was so well written and so unexpected! Adrianne Byrd has written a winner! In Controversy, we find Michael Adams, the queen of revenge schemes, is in trouble. The police think that she killed her ex.
Police detective Kyson Dekker knows the last thing he should do is get involved with a suspect. But there is a difference in knowing what's right and wrong and doing the right thing. There are more twists in this book than a wild ride at Six Flags. And just when you think you got it all figured out--BAM--another twist. Giving it away in this review would do a disservice to everyone because this book is a MUST READ!

You are such a wonderful author. I eagerly wait for all your books! The ending was awesome. You will not regret this purchase! This is a must buy!

With each book Ms. Byrd get's better and better. In this one we meet another Adams sister. We meet Michael who is newly divorced a slighly bitter and wants to get back at her husband but of course it's all talk or is it? And this is where the funny, hot and crazy story begins and Ms. Byrd takes you on this ride and leaves you wanting more. Did I mention funny. Those Adams sisters can get themselves into some mess LOL! And of cours there a point where Ms. Byrd tries to get you with the tears. You get to catch up with the rest of the Adams clan and meet the sexy dective Kyson. Definite recommendation!

Excellent selection of fine writing about crime and vice - another winner provided us by the LOA. It's early era merely extends it's charm into a time past that's as vibrant as if it were set in the last decade, allowing us a nostalgic glimpse into our own literary birthright.

One, entitled "The Big Clock", is about the highly sophisticated and competitive world of big city publishing and involves a murder committed by it's top executive who is losing his ability to cope; a uniquely arranged set of chapters detailing the thoughts and actions of each player through their own individual eyes and each written in the "first person" which adds another layer of intrigue and dimension to it. An innocent man, fearing he will be the prime suspect, becomes enmeshed in an incredibly intricate plot trying to keep himself out of it, wading in deeper and deeper even though he has had nothing to do with the actual murder, but definitely has knowledge of certain of the events that will bring his family - that means his wife - into it which must be avoided at all costs.

In "Thieves Like Us", a gang of bank robbers is on the run through the Oklahoma countryside, living by their wits and for the day because tomorrow may never come; the doomed rampage is prolonged by the lack of law enforcement technology of the era. The visual image projected into the mind of the reader is vivid; of 1930's automobiles, dust and sweat, of desperate, reckless men who have nothing more to lose except their lives, which have never been good anyway - to them, for them or because of them. The old phrase of "Honor among the Thieves" becomes duly recognizable for a few chapters, as does the necessary bonding, and uneasy, false friendship that was tantamount to survival. This, due to it's very nature begins to unravel just when dependence upon one another is needed most; and the loser's urge to "do just one more job" to compensate for the money that seems to run through their fingers like sand through an hourglass overrides any thought process any of them may have had. It has it's anti-hero in one man who seems straight enough to maybe make it if he can just manage to split from his bad seed influences; but nothing can alter his headlong rush down the lonely path to perdition, taking the one lonely person who actually cares about him down with him. He has known nothing else; he has never been nurtured, never been taught the good lessons of life to offset the problems of it; he simply reacts to stimulus; the once child of clay has hardened to brittle nothingness.

Highly recommended for anyone enjoying mystery and suspense in it's finest form.

Before reading this handsome, well-made volume of six crime novels, I tended to consider 'noir' a movement, one of both style and period. I now know that noir is also and more generally an atmosphere and pertains to a wide variety of literary styles, characters, plots, motivations -- but all informed by a dark and often depressing overall mood. Ultimately, these six novels are character studies and although they are offhandedly described as 'pulp novels', their qualities of description, dialogue, and even basic construction techniques such as gradual disclosure and story arc far exceed most recent crime novels I've read. And although classic noir undoubtedly exposed the dark recesses in the minds and hearts of its contemporary audiences, these stories today confirm that there is very little that can shock us; the beauty and longevity of these novels is in their exposition and description of characters and surroundings and the significance of a single, seemingly insignificant event building to an inexorable, devastating climax.

Rather than recount each novel's plot and characters, I will only add that again, each of the representatives of the noir genre present in this edition illustrate a wide variety of settings and styles, places and characters. From what most of us probably consider classic noir represented by Cain's classic "The Postman Always Rings Twice" with its classic highway settings and passion, to the suave, biting, and sardonic wit of Fearing's "The Big Clock" reflecting the unusual structure of multiple first-person narration around a single, main protagonist in an urban, corporate setting, to the Oklahoman grit of a group study in gang crime via serial bankrobbers in Anderson's "Thieves Like Us", to the more explicitly horrifying, psychologically penetrating and depraved "Nightmare Alley" of Gresham, this edition is like a menu of various aspects and directions noir can and did take.

As other reviewers have stated, there is not a weak novel here. I found "The Big Clock" the most singular in structure, setting, and style and in certain aspects, it defies categorization as 'noir' except perhaps only in mood. In fact, it is the novel that for me most broadened the definition of the genre. I found "They Shoot Horses, Don't They?" the most depressing because it appears to be the least fanciful, most truthful and thus the most devastating of the set. In this sense, "...Horses..." comes closest to rivalling truly great literature not so much for its details, but for its overall impact. In my opinion, Woolrich's "I Married a Dead Man" is the least successful because its exploration of mistaken identity (first mistaken, then deliberate) is somewhat banal and after finishing it, I wished Woolrich might have explored the contrast of genteel facade and grasping desperation a bit more explicitly. It is in many ways the most subtle and emotional of the set as well as the most modern (it is chronologically the last), but suffers a bit from the repetitive description of Helen/Patrice and the strain of her external and internal duality.

Several reviewers have found Anderson's "Thieves Like Us" the weakest of the set, but I disagree. The description of a gang is necessarily different and unlike the other novels, Anderson manages to accomplish what the other authors are unable to do (save perhaps McCoy): Describe the criminal as a legitimate, objective individual who deserves our sympathy and even our allegiance. Bowie, the central character, is described as taking a far more relaxed view of his own criminal activity and isn't portrayed in dark, tortured terms. In this light, Bowie has either the weakest conscience or the strongest depending upon how you choose to read him and in either sense, he and together with his cohorts provide and excellent example of the Anti-Hero.

"Nightmare Alley" is the longest and the most absorbing of the set. It is also the most violently and sexually explicit, has the largest cast of important and varied characters, and best succeeds in addressing the big questions concerning truth, faith, relationships, society, etc. Who are the real freaks -- carnival oddities and tricksters, or respectable society members seeking spirituality? Those with mere physical abnormalities or those who deliberately develop intentional differences? What is deception, particularly self-deception? "All the world's a carnival" might be a nihilistic worldview, but Gresham's portrait of an intelligent young carnival magician's development from a sensitive, impressionable boy into a full-blown 'spiritualist medium' whose only desire to trick the vulnerable out of their money (and who ultimately is tricked by one who lacks his ultimate weakness -- his conscience) is devastating. Although I predicted the ending, this truly nightmarish journey down Stanton Carlisle's alley is the point of the book. The true ending is, in fact, never reached and is a brilliant literary stroke.

I highly recommend this set of novels.

This collection of novels from the 30s and 40s was terrific fun and an outstanding introduction to the genre. You can debate whether they're all noir (at least what I expected noir to be); but nonetheless they each convey a distinct impression and view of the time. Without getting into lengthy reviews, I enjoyed Woolrich's "I Married a Dead Man" the most--from his eloquent style to the actual story-line. You know you're reading a master story-teller. Second was Gresham's "Nightmare Alley;" although sometimes I thought he could have expanded on some aspects of the story and shortened other passages (i.e., a little bit of editing would help). But each novel was distinct and enjoyable. Highly recommended.

First of all, the Library Of America collection provides the reader with some of the most beautiful hardcover editions available today. That said, the selections chosesn for this edition are all first class; for someone just getting into hard-boiled fiction, this is the ideal place to start. If you're like me and have been reading this genre for many years, this is a perfect volume to add to one's collection.

Noir emerged in the early 20th-Century from Pulp paperbacks published for mass consumption. Highlighting in gritty and sensationalistic detail the sordid undercurrents of Western society, Noir became an artistic force that became the medium for the representation of the down and out segment of the populace. Whether set in the impersonal grime of urban reality or at the deceptive simplicity of rural picturesqueness, Noir in Film and Literature revealed the odyssey and travails of lost souls whose misguided characters bore too much of the weight of their selves and their pasts to break from the shackles of their present.

"Crime Novels: American Noir of the 1930's and 40's" is the American equivalent in prose of the influential and enduring genre. The grim and unforgiving tales of the dejected cast of mid 20th-Century American life are openly depicted ("The Postman Always Rings Twice"; "They Shoot Horses, Don't They?"; "Thieves Like Us"; "Nightmare Alley"); vicissitudes of fate ("The Big Clock"; "I Married a Dead Man"). Whether set in scenic California, the vast and open Midwest, or a high-rise office in Manhattan, these novels uniformly render a panorama of blighted dreams, twisted turns of fate, and the sad recurrence of misfortune in desperate individuals doomed to tragedy.

None too substantial in content but highly readable, this edition is the first of a handsome 2-Volume anthology on American Noir fiction published by the venerable Library of America. Edited by Robert Polito (Poet, writer, anthologist on Noir Lit. and author of a biography on Jim Thompson), these stories enduring relevance are seen in various forms of contemporary society: from the writings of James Ellroy, Brett Easton Ellis, Lawrence Block, and Robert Bloch; in films like "Scarface", "Pulp Fiction", "Fight Club"; and in everyday life.

What kid hasn't listened in on the telephone? Bill Davidson's children did just that, but didn't realize they hold the key to their father's killer.
Alan York loves racing and left home in South Africa to follow his dream. When he emerged from the fog of a steeple chase race he didn't find his friend a winner, but dead in a manner that was no accident.
Greed and fixed races were behind Bill's death and leave Allan the owner of Admiral and fighting for his own life.
Dead Cert is one of the riveting reads of a long career. Enjoy!
Nash Black, author of SINS OF THE FATHERS and QUALIFYING LAPS.

I never know what to expect when I begin a new Dick Francis novel - but I always enjoy the ride. This one is no exception.

This is the first Dick Francis mystery and I like it the second best. I like "Nerve" slightly better, but only slightly. This "Dead Cert" contains several impressive scenes. The most impressive is the climax in which the star horse "Admiral" plays an unexpectedly spectacular role. It is definitely THE MOST SPECTACULAR scene in ALL Francis mysteries. Highly Recommended.

I was amazed to learn after reading this one that it was Dick Francis' first novel. Francis was a very successful jockey--racing for the Queen Mother in the 1950's--and after a career-ending injury, he penned his memoirs. Following that success, he developed and incredibly successful second act as a novelist.

I discovered Francis' work last summer--and I have plans to read everything he's done. In the 3 books I've read, his heroes are all gentleman sleuths--full of character, empathy, and wits. In Dead Cert, the trend continues with Alan York, a young amateur jockey trying to uncover the mystery of why a copper wire was intentionally hung to trip his fellow jockey. York is on his own resolving this caper, having failed to fully convince the police that this was anything more than an accidental death.

The writing is of a high caliber, the characters are wonderfully drawn, and I always learn a thing or two about horses--and England--when I read Dick Francis. There's also something quaint about reading a book set in an age before computers, cell phones, and DNA evidence. Grade: A-

In yet another gripping story of mystery, murder and British steeplechasing, Dick Francis continues his amazing streak of hit novels.

His real appeal is not racing or mystery however, it is his ability to create characters who are admirable, honorable and self-reliant. If you're looking for troubled, self-loathers who "somehow" overcome their weakness and become unwilling and unwitting heroes, don't look here. Francis' heroes revel in their abilities to withstand evil, overcome it, and end up smiling in spite of it all.

Kudos once again for Dick Francis and Dead Cert!

this is a very charming tale of this mean girl who adopts this boys cat when his dad develops an allergy.he misses the cat so much he goes over to thier house all the time.one day dinky hockers[WHAT A NAME!]cousin same over and the boy and her fall in love.her name is natalia line.shes a schizophrennic who rhymes all her sentences and words when under stress.its a wonderful story that has a "to kill a mockingbird" like charm to it.not the bad stuff but the parts where the kids are just bein g kids.i fell in love with this story right away.it will always have a place in my heart.

It has been seven years since I was assigned to read this book for my eighth grade class and I stll think about it to this day. The book has a way of drawing you in to their everyday routine. I am sure I still have the book somewhere in my room, but I just can't find it.

I read this book when I was in junior high school. That was over 30 years ago and I still remember it and how well I could relate to the struggles of teen life. If you are a teenager considering this book or a parent considering buying it for your child, do not hesitate. After all, though I am a pretty smart and well educated person, this is the only book (I'm serious here) that left a lasting impression on me from the K-12 years. It's gotta be special.

Books written by adults for adults that talk about politics usually want you to pigeonhole them. Once you understand the gist of the book�s take on life and liberty you can decide whether or not its politics are the same as yours, thereby allowing you to instantly love it or hate it without even reading it. Books written by adults for children or teens that talk about politics also usually want you to pigeonhole them. So went my thinking until I read "Dinky Hocker Shoots Smack!". Ladies and gentlemen, I have just changed my worldview on politics in children�s books. And it�s all thanks to this little number.

A plot synopsis. This is a story about Tucker Woolf, his family, his friends, and his friends� families. In New York city, Tucker is fifteen years old and for the first time in his life he�s seriously interested in a girl. This interest isn�t without its complications. The girl, Natalia, attends a school for the mentally imbalanced. And her cousin, Dinky Hocker, has issues of her own. Dinky is overweight, an unsurprising fact when you consider her negligent, often cruel, parents. From this unlikely set of characters comes a story about dealing with the problems of others, as well as yourself. Kerr could have easily taken the easy route with this book. How simple it would be to turn this plot into an After School Special, complete with everyone a little older and wiser at the end. Instead, the author meets such ooey-gooey sentiments head on, challenging the hypocrisy people exhibit every day. Along the way, other issues are brought up as well. Originally conceived and published in 1972, the book deals with politics. Everyone�s parent is a liberal of the 60s, though how they display this political leaning differs per person. When we meet the radical P. John, Dinky�s brief beau, the reader is suddenly shown a human being that doesn�t fit neatly into any real category. P. John is conservative, racist, intolerant, and honest. To read his character is to question everything the book is saying about the political climate of this country. But if you really read this book, really examine what�s it�s saying, it�s clear as crystal that there is no single political stance taken in this story. People are not all one thing or another. Not all liberals are whining wimps waiting for a handout. Not all conservatives remain unchanging and unsympathetic. I can see how people would love this book and how people would hate this book. All I ask of you is that you find yourself intrigued by this review and decide to actually read this book. Draw your own conclusions. Decide I�m insanely wrong or absolutely correct. The point is, this book should never be forgotten. It is so well written, so interesting and full of great points that I can�t even give you a glimpse of what it really means. You�ll just have to find out for yourself.

This book starts out as being the story of Tucker Woolf, self-apointed expert on libraries, and cronicler of strange existences. But it soon turns out that it is actually the story of four young teenagers, and, on a broader scale, their parents and their entire society.
Tucker has to deal with having a faher who cares too much about apearances, and drills Tucker into only revealing parts of the truth when dealing with strangers. Tucker is feels somewhat out of place wherever he is, and when he finds a stray cat he imediately bonds with it. When his dad turns out to be allergic, he has to give the cat away. It is this cat who, directly and inderectly, brings him into contact with the other characters. It is adopted by Dinky Hocker, a tragically overweight girl, whose parents completely ignore their daughters problems, in favour of helping drug-addicts and othe worthy causes. Her cousin Natalie, and a boy who shares Dinkys rather enormous problem, together form the core of the story.

The book is funny, the characters quirky and the situations somwhat absurd, but the real fascination of this book comes from seeing how the parents of these children forget them in favour of either their own problems or the problems of strangers. The thing that struck me most is that Dinkys charity-mom is actually one of the most selfish people in the world. I would recomend this book to anyone, even though it is technically a YA-novel. Its a good read, all the same.