English Books

"Men in the sun", a novel by Ghassan Kanafani, is one of the most breathtaking realities that the Palestinian people lived in the modern history we know. "Men in the sun" is neither a story about Yasser Arafat`s legacy and his PLO's sense of politics nor a debate on Oslo or Madrid agreement. The novel is a piece of art that visualized the Palestinian tragedy from an aspect of extreme reality that has been forgotten or marginalized at any time and place frames.

It is the story of three men's quest for a better life. They plan to migrate from the occupation cage to a new "promise land" where they meet the promised demise in the desert, the home of the original Arabs and Bedouin.

The dream of the three Men is the dream of every man who loses the feeling of being at home at some time. The work to achieve that dream requires a struggle with harsh acquired values of life. The result is not guaranteed.

Struggle, suffer, dreams, hope, fatigue, thirst, and death will form an amalgam that would describe the Palestinian identity which has been evolving during the last decades.

I wanted to write more about the details but you would like to read it yourself. The symbolism in this story is just intriguing. In fact, the trends can symbolize the migration of any man to any "self-imposed exile", where "enforced dreams" replace the simple -but lost- passion, love and happiness to form a complex and bitter reality.

The novel ends with a beautiful and so influential paragraph that tries to raise the question of why the 3 men (main figures of the novel) did not try to knock on the walls of their symbolic "prison" (Empty tanker) or at least shout to ask for help.
"Why? Why? Why?", The "Why" of Kanafani while concluding is: why did not some of the oppressed people reject the abject reality? Why did not they fight for their life and freedom? Could it be that they were so hopeless and tired, or were they so afraid from going back to the occupied home? Did they prefer death to losing their dream?. The questions were asked by Kanafani in the past to project on present exprience and to reflect the suffer of the palestinean-age on the future memory.

This book gives you an idea of the suffering and neglection of a nation, on the watch of the whole civilized world.

This collection of short stories is a brief, but poignant look into the life of people living in Palestine. At the same time, the stark writing illustrates many universal themes forcing readers to reevaluate life as they know it. The writing is plain and easy to read, but ultimately, deep and impossible to dismiss.

The stories were great. Well written, poignant, the most so being the one involving the tank.

Written and published in the 1950s and 1960s, this slender volume of stories by Ghassan Kananfani speaks of the displacement of Palestinians in ways that are timeless and still fresh today. They speak of loss more than hope, and although the author was an activist and spokesman for the Palestinian Popular Front, he seemed in these writings to simply bring attention to the human cost of political struggle in the Middle East. He himself was killed by a car bomb in Beirut in 1972.

The most compelling of these stories is the novella "Men in the Sun," which tells of the efforts of three men being smuggled into Kuwait from Iraq and the truck driver who has offered to help them across the border. The fierce desert heat represents the terrible odds against their ever being able to escape the consequences of war and loss of homeland. But this is only one theme among many, as Kananfani explores traits of Arab character which seem to intensify inner conflict and erode the ability to act purposefully. The story "If You Were a Horse" concerns itself with superstition, fear, and overwhelming regret that divides father from son and leads to misfortune. The book includes an informative introduction by Hilary Kilpatrick.

As a book of fantasy, MoonQuest will absolutely keep you glued to turning the pages to find out what happens next. However, Mark David Gerson steps beyond the fantastic as he weaves messages into the text that are very pertinent to life in our own world and to personal growth. Gerson's creative talent is very apparent in his ability to write stories within the main story, while still maintaining the smooth flow of plot and text. Also, his setting and scenic descriptions tap directly into the readers' imagination and quickly transports the reader to the land of the MoonQuest. Not only is this a great book for fans of the fantasy genre to read, but it is absolutely suitable and enjoyable for anyone, no matter the preference in genre.

Some thoughts from the book I enjoyed was the mixture of adventure, friendship and imagination. But in the end of the book it was more trust and courage. A lot of symbolism and colorful descriptions- loved the colored horses. I liked the fact that the four finally dreamed but their dreams were bad dreams. Yet they shared and by sharing they healed. It took you away to a land of magic and other times to reality. But the most important thing is to have song in your heart and stories( which is imagination) to live your life as the very reason for Prithi the creator meant for it to be. If no stories or songs than life is not a happy or meaningful one and darkness prevails.

Reviewed by Cathy Yanda for Reader Views (1/08)

Mark David Gerson is a craftsman with words and weaves a very fine tale of four unlikely friends as they come together on a MoonQuest, a journey that will end the domination of a cruel king. Toshar, orphaned at a young age and raised by his grandmother, is destined to be the Elderbard or storyteller of his people. As he dreams, things come to be and advice is given.

Gerson dispenses wonderful life advice, woven amid the prose of the story. In one of Toshar's dreams in which he speaks with his father, he asks his father to hold him. "His father shakes his head, "Not hand-to-hand as I did once, but heart to heart. Know that as you travel, wherever you travel, my heart holds yours. Draw courage from that, Toshar, and from the heart of all the bards and Elderbards who have ever lived and died in Q'ntana. We all watch you. We all stand with you...Be your strength, no mine, my son...Do what you must. Listen and know - not to my heart but to yours..."

As Toshar and his friends travel they encounter friends and foes alike, often having to determine which is which. They traverse unfamiliar lands and face many dangers. In the end, I'm certain that Toshar's father, and the other bards and Elderbards, would have been proud of Toshar. The best piece of wisdom Gerson imparts is given to Toshar near the end of the story when he is to be named Elderbard and is questioning this because he is so young to assume such an important role..."The number of years means nothing. It is how you have spent them that has value. It is what they have taught you, what they have earned you, that matters." This is true for all of us.

"The MoonQuest" is a book for people of all ages except for a brief sexually graphic part of the story that may limit it to older teens and above. Let's hope that Mark David Gerson brings us along on many more travels with Toshar and his friends.

I was enchanted by The Moonquest. I usually read books very quickly. This one was too delicious. I wanted to savor every morsel! The vivid imagery was beautiful and captivating. I enjoyed all of the wonderful twists and turns of the plot. I fell in love with the colorful characters and experienced the journey along with them. It was truly a delightful read! I didn't want the adventures to end!

The first thing that draws me to a book is not the cover, but the originality of the author's concept ... or idea. And Mark David Gerson certainly had a "whopper" of an idea when he wrote The MoonQuest. It's an unusual, fascinating fantasy adventure about a fictional land where the light of the moon is extinguished. Since the moon symbolizes creativity, stories, music, and other forms of art are forbidden and those practicing them are put to death.

The citizens soon become oppressed, and as every good story must have its heroes, Gerson creates some of the most likable, courageous protagonists I've ever met. I was so into this story that when the young Toshar sets off to "light" the moon and save the land, I "Woo-Hooed" so loud that Tigger leaped off the bed and ran for cover. My heart and soul joined him and his friends in their search ... as though it were my own world that needed illumination ... needed creativity to be restored.

Though fictional, this world became my world due to the author's excellent description and realistic characters ... characters that drew me to them as easily as if they were my next-door neighbors.

Who is the leader of the black-clad armies that terrorize the country? Why does Toshar, a young storyteller, risk his life to come out of hiding? What is an Elderbard and how does Toshar qualify? What is the prophecy about the MoonQuest? What do stories have to do with the quest, and why is the line between vision and reality so unclear? Why does Toshar take on the quest and how does he hope to reignite the moon to save the land? What personal truths must our hero discover?

Gerson's writing is so clear, he carried me through this exciting tale with ease. Through magic, music and universal truths masterfully woven into this gripping tale, I discovered some personal truths and other readers will too.

Yes, The MoonQuest spoke to my heart and will speak to it for many moons to come.

I heartily recommend this book for mid-teens to adults, and look forward to more tales from this fine wordsmith, Mark David Gerson.

I love the storyline, It was easy to relate to the characters. Not one pimp,prostitute, sorid sexual escapades. True God given love. Awesome!!!!!

Kendra has done it again....definitely another great addition
to the Grace series. Kept my attention entirely and I didn't want to put it down. She is definitely an author on her way!~~

More Than Grace is the final installment of Kendra Norman-Bellamy's BET Grace Series.

Dr. Gregory Dixon and his wife, Jessica Grace Dixon, are excited about life as they raise their son Julian. Greg's career as a surgeon is booming and his superior abilities land him a temporary position at a well-known New York hospital. Despite Greg's hectic schedule which includes traveling to New York periodically to work, he and Jessica are still able to maintain the love and passion they had as newlyweds. However, unlike Greg and Jessica, their best friends, attorney Derrick Madison and his wife, Sherry will experience turbulence in their marriage. One of them desperately wants to have a second child while the other fights against it throughout the story. Will this once loving and vibrant couple allow this disagreement to destroy their marriage? Sherry at times will become discouraged and turn to Greg for encouragement. How will Jessica respond when Sherry goes to Greg for comfort? How will it affect Jessica and Sherry's friendship?

The ever-comical Mattie and Lena, (the mothers of Jessica and Greg respectively), have some major parts in this story as well. Both of them are keeping secrets that will be revealed throughout the story. These revelations will have major effects on their children. Will it bring the families closer together or tear them apart?

Meanwhile Derrick has to defend a young teenage boy who's accused of murder. Derrick tries to figure out why the boy, who's father is a wealthy businessman, would kill a woman for a watch. Did the teenager really do it or was he framed?

Again, Mrs. Norman-Bellamy paints a dynamic picture of prosperous Christian men and women who are faced with difficult decisions, but trust God to handle them. The story is filled with great surprises and it keeps the reader wanting more.

Great ending to a great series!

"More than Grace" opens with Gregory, Grace's husband, filling in at the prestigious Lenox Hill hospital in the absence of their top surgeon. Although this is an opportunity for Greg to flirt with his dream job of all time, his dream would cause him to make the decision to leave his position at Robinson Memorial where he is respected as being their top surgeon and love by many. When the position is offered and Grace and Gregory share what appears to be a blessing from God with the rest of the family, it is Grace's Mom who cannot bear to see them leave; she goes into a deep depression concerning them living in New York.

In the meantime, Grace and Gregory's long-time friends begin to go through serious marital problems of their own; their battles touching the lives of their closest friends, but nothing seems to help them get past their troubles to reconcile the strong marriage they always had.

As if this is not enough, Grace comes to find a piece of a missing puzzle in her life that will have an effect on her as well as her mother, as they work through this juncture in their lives.

What I like about this story is the fact that each character comes to a place of change and yield to what God wants them to do in their lives. The events intertwine, overlap and have links to the past that touche their present, but God brings them out victorious as they face these issues head on.

In this wonderful story, we find the characters of Norman-Bellamy's Grace Series at another level in their lives. There is a need for more grace as they each come to terms with something that requires they give more of themselves.


Review by Sharel E. Gordon-Love
Apooo Book Club

As I began reading this book, I couldn't help but wonder where Kendra Norman-Bellamy would take these charaters this time. Afterall, we have lived with them for the past few years or so. What else could we learn abou them? Would I be as intrigued with this book than I was with the first two?

MORE THAN GRACE was more than I thought it would be. The book is aptly titled because there is so much going on with all of the characters. I am sort of sad that this is the final book of the series. However, I know that Kendra will continue to write MORE books that represent family and most importantly (to me) books that represent the brothas.

this is a great book and i received it just like i expectd to receive it.

We have read this book repeatedly, and my first-grader enjoys it every time. Now he enjoys reading it to me. Great for beginning readers.

WHAT A JOY THIS BOOK IS. THE STORY IS FUN AND SO CUTE. ONE OF MY ALL TIME FAVORITES TO READ TO THE CHILDREN.

This is one of those that is an absolute delight to read to and with kids. A mouse, minding his own business is caught by a weasel who of coure plans to whip up a batch of Mouse Soup. Our fast talking little mouse simply talks his way out of the dinner by telling the weasel four delightful stories, thereby distracting the weasle and at the same time, teaching the weasle a good lesson. The illustrations are great the the story telling is of the highest quality. Cute is a word that is over used, but in this case I have to use it because it fits so well. This work is almost along the same lines as the famous Uncle Remus tales, but in many ways is more appealing. I liked this one and do highly recommend it. The art work alone is worth the price of the book.

I have to bow to a superior opinion in rating this book. After reading it to my 5 y.o. son, I had come to the conclusion that the subset of stories were pretty lame and uninteresting. I mean one of them is about two rocks that get lied to by a bird (or so the rocks think). And another is about a rose bush growing out of a comfy chair.

But my 5 y.o. informs me that I don't know what I am talking about. This book is great, he told me. And he convinced me that this was true by doing something his active little self seldom does: he went and got the book off his shelf and dragged his father over to the couch so that dad could listen to him read the stories. [Could have knocked me over with bookmark.]

The AR Reading level for this book is 2.4 which means that the Accelerated Reading committee, and it's software, suggests this book for Second Graders in their fourth month of school.

[The AR designation is a general "guide" that rates books on a relative scale of difficulty. Children can certainly read at levels above or below their group range, so that this number should only be used as a aid to help choose books that are appropriate and not frustrating.]

Four Stars. This book has a mouse cum Scheherazade premise: A weasel captures a poor little mouse and the mouse plots to get out of being eaten by telling stories. The stories the mouse tells didn't appeal to me, but my five y.o. son sure liked them. The AR reading level indicates the book is suitable for Second Graders.

The best part was the account of the expeditions to the Andes to collect blues, it brought a much-needed real world element to the book, to counter the strangely third person stance, and musty approach. The combination of taxonomy and a dead author's research just lacks much punch, though the authors make a valiant effort. One of the authors frequently refers to himself by surname, which seems odd; it happens maybe a hundred times or more in discussing the recent research into Blues, and how it intersects with Nabokov's work. The book is part primer on biodiversity, taxonomy, field biology, and part homage to Nabokov's genius. It must be unique in it's attempt to combine these elements. I love butterflies, South America, and am a biologist, but I found it overwritten, just too many words for what it was trying to get across. The style was also a problem, it needed to have more verve, less reserve.

At first blush this book appears to be a footnote to a writer who had an eccentric hobby. Since Professor Boyd's definitive biography some may consider that there was little else to explore. The scientific achievements of Vladimir Nabakov were not lost but perhaps overwhelmed in the literary story.
Nabakov's Blues does more than just dust off the lepidoptry papers. The book is in the final assessment a celebration of how science and research are never a sterile academic exercise but a reflection of greater issues of the beauty and elegance of intellect at work.
During the course of shedding light on the under recognized research we are reminded that the mundane work of classifying and sorting often underpins more glamorous tasks, but are also given insight into the many quiet achievers in science, who often take considerable personal risks to complete research which is part of a greater whole and leaves them only as a name in a arid catalogue.
We are too prone to identify the heros and not those who without clamor or boasting actually do the work.
Nabakov himself never "promoted" his science although he made it clear that his butterflies were an integral part of his life. We grow to specialise and those who can travel in literary circles as well as science are rare. The authors Johnson and Coates do themselves demonstrate that they too can travel the literary salons and the research laboratories, and write an elegant supplement to Professor Boyd that transcends that status to become a commentary on the man who was in many ways a true renaissance figure.

NABOKOV'S BLUES

Nabokov's Blues: The Scientific Odyssey of a Literary Genius. Kurt Johnson, Steve Coates. Cambridge, MA: Zoland Books, 1999. Pp 372 $27.00

In his Field Guide to the Butterflies of North America Alexander Klots wrote of the genus Lycaeides that "the recent work of Nabokov has entirely rearranged the classification of this genus." The response of Vladimir Nabokov, the acclaimed author of Lolita, Pale Fire and Ada or Ardor: A Family Chronicle, was "That's real fame. That means more than anything a literary critic might say."

Nabokov was born in April 1899 and his reputation as a leading literary figure of the century he was almost born in seems secure; the Random House Modern Library proclaimed Lolita the fourth greatest novel of the century and the memoir Speak, Memory, the eighth greatest work of non-fiction, thus Nabokov was the only author to feature in the top ten of both lists. It is well known that Nabokov had a strong interest in lepidoptery. Often however it is dismissed as mere dilettantism, or seen by academics and critics as a source of Freudian symbolism. Nabokov himself detested such phenomena as the crass observation that "insect" and "incest" are anagrams, and attacked "the vulgar, shabby, fundamentally medieval world of Freud, with its crankish quest for sexual symbols." Full-time lepidopterists were either ignorant of Nabokov's work or regarded it as amateur dabblings; perhaps they also felt resentment at this part-timer who was nevertheless dubbed "the most famous lepidopterist in the world."

Kurt Johnson is a lepidopterist associated with the Florida State Collection of Arthropods, while Steve Coates is an editor at The New York Times. This, their first book, fights on many fronts; it tries to restore Nabokov's scientific reputation and give some account of lepidoptery's place in his life and literary work; pleads for the oft-ignored discipline of taxonomy, more important now than ever in the light of the crisis in biodiversity; and is an exciting scientific adventure story ranging from the "incorrigible continent" of South America to the squabbles of the world of academia.

Nabokov's scientific work belongs in every sense in a different era; he represents one of the last of the gentleman naturalists. Lepidoptery was an interest inherited from his father, a prominent Russian liberal assassinated in Berlin in 1922. It remained constant throughout the upheaval of the Russian Revolution and exile in Cambridge, Germany and France. On coming to the United States in May 1940 he soon visited the American Museum of Natural History in New York City with certain puzzling specimens from Europe. In Autumn 1941 he visited Harvard's Museum of Comparative Zoology and found the collections in disarray, and first as a volunteer and then as a part-time research fellow in entomology he endeavoured to straighten it out. This was typical of the war years; considerable lacunae existed in academia and were filled with available workers with little regard for their professional training.

Nabokov's paper Notes on Neotropical Plebejinae is the key in the reassessment of his position in science. It was a pioneering classification of the Latin American Polyommatini, a diverse group of Blue butterflies with members from the tip of Chile to the Caribbean. This paper established a broad framework of genera for later researchers to insert new species. In 1948 he left the Museum of Comparative Zoology to become Professor of Russian and European Literature at Cornell University. This marked the end of Nabokov's formal association with the world of lepidoptery, and with the publication of Lolita Nabokov's fame became a two-edged sword as far as his scientific reputation was concerned.

In the 1980s a series of expeditions to Las Abejas, a jungle enclave near Dominican Republic's Haitian border, began to turn up new specimens of what were known as Blues. Over the next decade and a half, Johnson and other lepidopterists travelled all over South America, becoming increasingly aware of the crucial relevance of Nabokov's classification system to the multiplicity of new species they discovered. In these chapters the authors make us aware of the biodiversity crisis which means species are becoming extinct faster than science can ascertain their existence. The humble place of the taxonomist, seen by some as a drone of biology, is scarcely deserved, considering the importance of this work. The authors are also at pains not to judge Nabokov by the standards of today; some of his beliefs on mimicry and evolution appear scientifically unorthodox, but reflect that when he was working these issues were still being resolved.

This book will provide both enjoyment and enlightenment to any reader interested not only in Nabokov but in the relationship of the arts and sciences, the current state of natural science and the biodiversity crisis. The crucial question for Johnson and Coates is "Was Nabokov a true scholar of Lepidoptera, or merely a dilettante whose contributions were remarkable?" The casual observer might wonder how "mere" a dilettante would make "remarkable" contributions, but the question is deeper; seeing Nabokov as a scientist gives the understanding of his life and works a whole new dimension.

The authors seem to suggest that a healthy relation between CP Snow's "two cultures" requires not a facile "unity" but a deep appreciation of both the humanities and the sciences. Nabokov's quote "Does there not exist a high ridge where the mountainside of 'scientific' knowledge joins the opposite slope of 'artistic' imagination" is often quoted in this context. Far from an airy abstraction, this refers to a specific example; Nabokov's 1952 review of a book centred around the drawings of John James Audubon; Nabokov found Audobon's butterfly drawings inept, and wondered "can anyone draw something he knows nothing about?" Nabokov considered a knowledge of natural science indispensable for a truly cultured sensibility; he was shocked when his literature students at Cornell University were ignorant of the names of local trees and birds.

We see Chekhov and William Carlos Williams as doctors and as writers; we see Primo Levi as a chemist and as a writer. Johnson and Coates convincingly try to persuade us that Nabokov should be seen as a writer and as a lepidopterist. Nabokov himself said "whenever I allude to butterflies in my novels ... it remains pale and false and does not really express what I want it to express, what, indeed, it can only express in the special scientific language of my entomological papers."

I picked up the paperback of this book because I'd heard about it when it was in hardback. For anyone who is fascinated by science, literature, history, sociology and much more, they will find the blend of story, information and insight in this book satisfying and enlightening. Its never gets dull because you're reading about a historical literary figure, and his biography, tons of information about science and exploration, the scientists who completed the formative work Nabokov began at Harvard before becoming famous after Lolita, and how this all fits together in todays biodiversity crisis and squabbles over whether Nabokov was really a bona fide scientist or just an boyish aficionado. I felt I had learned a great deal from this book but also enjoyed it. It is a great blend of historical fact, new stories, and insight the into world's environmental dilemmas. I also had no idea of the complex ways in which Nabokov interwove butterflies and their images and symbols into his novels.

This book is a fun read for anyone with an interest in the personal histories that shape authors, in biology and/or in the environment and ecology. It provides great insight into the scientific passion that moved one of the more interesting figures in literature, and nicely weaves the tale of Nabokov's first passion, lepidoptery, providing many interesting biographical details (including his wonderful sense of humor!), and the modern day story of the scientists who continued his work and discovered that his scientific legacy was truly as important and inventive as his literature. It discusses the science in a way that is interesting and easily understood by the non-scientist, but does not diminish the nature of the scientific information conveyed. In addition, it shows how the science impacted the literature. How interesting that a butterfly-gathering trip would provide the backdrop for Lolita! I found this book to be very interesting, informative and entertaining, and I highly recommend it.

Have you ever considered the advantages to having your nose on your face? Or what life is like for a boneless chicken? Or lamented a night of homework? Then this book is for you! Jack Prelutsky's collection 107 poems are silly, catchy, and classic. Readers bounce from poem to poem, carried along by James Stevenson's squiggly illustrations. Though this is a fast read, Prelutsky's odd characters, like the Underwater Wibblies and Drumpp the Grump, will keep you giggling.

These quirky poems will entertain readers both young and old. Prelutsky's poems are made for reading aloud, and audiences will enjoy listening to the made-up names and punchlines. Stevenson's artwork, which can also be found in The New Yorker, fits perfectly with the singsong style of the poems. The black and white drawings wobble and flutter around the text, interacting with it. Prelutsky's work, combined with Shel Silverstein's, makes for an excellent introduction into the world of poetry for young readers.

This is a great book to share with friends and families because it is funny and a lot of the poems seem true to what kids are thinking and feeling. Some of our favorites were, "An Alleycat with One Life Left," "Homework! Oh, Homework!," "The Nothing-Doings," and "I Wonder Why Dad is so Thoroughly Mad." This is a great book for everyone!

My child came home from her gifted/talented school requesting the book. She loved it in her classroom and has already read most of it.

This book introduced my son to poetry at age eight and he became an avid fan. He became so enthralled with poetry that he began to write poetry himself. He even wrote a very insightful poem as one of his college entrance essays. Prelutsky retains his inner child and writes from a child's point of view--hard for children to resist. A must have for your home library.

I think that this a great way to introduce poetry to kids that may believe it to be boring or stuffy. My son would ask me to read these to him over and over. We did a lot of giggling over some of them.

Stanley Lombardo has done it again!

His Odyssey is as fast-paced, lucid, poetic and punchy as his Iliad, but this time with a human feel, a warmth that the story calls for.

He brings real thoughts and real emotions to the characters...the like I've never seen! (I must have compared around 10 different translations).

...Lombardo has said that the "Iliad" is like the Sun blazing at its peak in mid-summer, whereas the "Odyssey" is like a setting Sun as fall sneaks in...

The best modern translation available! Get it with his amazing Iliad!

Cheers!

The Odyssey is mandatory reading for my freshman English classes and it has been quite difficult to teach. This literary work can be a very dry read for those who do not enjoy poetry reading (most freshmen). For this reason, I began a search for a translation that would make it easier for my students to understand. I read the previous reviews before buying it and I must say, I am glad that I did. Lombardo does an excellent job of making the translation understandable without dumbing down the text. My students this year have enjoyed this story much more than previous classes because of this. If you are looking to gain better understanding for yourself or to teach this text to others, this is the translation to get!

Stanley Lombardo's translation has brought back the original "feel" of the ancient Greek epic. Classical and Koine Greek are both what you call "earthy" languages, a tone lost with many established and contemporary translations. Lombardo restores the drama and the linguistic edge that the epic poem possessed in its original tongue. The Lombardo translation is quickly becoming standard among university professors and students of classical literature.

Lombardo's translation of the Odyssey, as well as his Iliad and Aeneid, receive much-deserved kudos as the most readable translations available. He writes with poetic and colloquial English that makes it easy for the lay person to understand.

Unfortunately, many of these same lay readers bash Lombardo's translations because they assume the personable nature of the writing makes it inaccurate. People expect a classic to have a certain formal diction to it, in the vein of Shakespeare and the King James Bible. In fact, nothing could be further from the truth. The King James Bible, despite having the most formal prose, is certainly not the most accurate translation of the Bible. Similarly, verbose translations of Homer do not mean it is more true to the text. Lombardo's version of the Odyssey preserves the immediacy and hard hitting nature of Homer's original Greek poetry. You will notice in other reviews that readers disapprove based on what they imagine Homer should sound like. Trust me, they haven't read the original texts. Classical scholars, some of whom I personally work with, have given universally excellent reviews to Lombardo's translations. This translation proves you can have your cake and eat it too. It is highly recommended.

One reviewer here took umbrance at some of the language used by the translator. One point he made was the use of the word "chow". Another was about the language used by a Goddess. He asked if Homer would really have used such vernacularisms. I say: YES! Of course he would have. He wasn't trying to live up to some modern readers' clueless perceptions of "high art". He was trying to tell a good story, like any good storyteller. And like any good storyteller, he would have used techniques that enabled his audience to identify with his characters. In this instance, sailors will be sailors regardless of the times. Also, the gods of the ancient greeks did a lot of things that wouldn't have been done by God as we commonly percieve him. Now, take Shakespear for example. He wrote for the Everyman of his times. It is only much later that elitists turned him into an acquired taste. I think ostentatious readers need to understand that 200 years from now critics, looking back on our literature, will probably have long forgotten the pseudo-intellectual whinings of the Kurt Vonneguts and consider as classicists solid storytellers like Dean Koontz. The problem here lies in the fact that there is absolutely no way to translate literally from the greek and retain the original impact. I would strongly recommend reading Lattimore's translation as well if one wants a more literal interpretation, but remember that something will be lost that way. Lombardo has translated more than just the words, he has translated Homer's intentions, and that is the important thing.

This is an absolutely fabulous product, but if you are not used to listening to audio books, I should give you a warning. This product is 11 CD's of one person speaking for about 13 hours. Can you imagine sitting down in the morning at home and staring at the wall for 13 hours while same voice goes on and on, all day and into the night? No, that won't work. So you at least have to break up the experience into chunks. Also, you might need to be doing something else as well, like walking or driving, so you don't drift off. What I did was listen while driving and intermingle other disks so I would not tire of the same voice. I would listen to one disk of the Odyssey, then I'd listen to a disk of music or a non-fiction lecture, then I'd put in another disk of the Odyssey.

However, the last 4 disks were so gripping I listened to them one after the other and could hardly wait for the next disk. Part of this was Ian McKellen's excellent, nay, masterful, enunciation and inflection. Part of the excitement is the climatic end when Odysseus returns home. Can you imagine a gripping 3 hour long buildup to the climatic moment when he reveals his return? Nothing else can compare!

I probably identified with the climax more now that I am middle-aged, with a home, a wife, and children approaching adulthood than I could have if I was a teenager listening to this or reading the book. There is little as primal to a mature man as the defense of his home and family.

It is astounding to experience a story this exciting and know it is about 2,800 years old.

I listened to this story on audio CD because I realized that I would never read this story because I have gone so far into my life without reading it yet. I'm very glad I listened to it instead of trying to read it. For one thing, how could I begin to pronounce so many Greek names? If you have started reading the book and put it down, try reading it by following along with this audio book. The audio book is abridged, but it is 13 hours long so I'm sure you would have a lot of text to follow along with.

If you think you know the story of the Odyssey because you've seen a movie based on the story, I will say the story by Homer is much grander and more full bodied than what has been depicted in movies. I'd go so far as to say the movies miss the real point of the Odyssey.

Robert Fagles has also translated the Aeneid and the Iliad. I've listened to those on audio CD as well and liked them all. I am a big fan of Derek Jacobi, who narrated the Iliad. I liked the Odyssey best of all.

Really liked this, the reading was outstanding and great translation by Robert Fagles. My son really enjoyed listening to it on a long road trip after plus it added to his understanding while he was reading it for English Class. I highly recommend this product.

For thousands of years this story has been told and retold.
The reason this story is still being told and still being heard is because it is so exciting and so very compelling.
It never grows old.
I have read and enjoyed this story from a leather bound book, but it is best heard spoken from a human voice. Ian McKellen is qualified as a modern day bard.

Unlike most movies and books of today, once will not be enough.
Those who listen to it will not be disappointed.

I'll not waste any time of yours with long and deserving praise for this telling of an ancient story, other than to say that should another day pass where you have stolen from yourself the opportunity to listen to this master storyteller lead you through a story written by a master, then only the Gods can forgive you.

Sir Ian Mckellan's performance is measured and beautiful, and there is no shame in a tear falling at the meeting of father and son for the emotion that comes through this practiced orator. I can say with a fair amount of confidence that the bards of old must have sounded like this - masters of their craft and able to bring the imaginations of their audience to life.

Not a moment longer - a treat awaits you...

The Trojan War is over and one of our hero kings is lost. His son (Telemachus) travels to find any information about his father's fait. His wife (Penelope) must cunningly hold off suitors that are eating them out of house and home.

If he ever makes it home Odysseus will have to detect those servants loyal from those who are not. One absent king against rows of suitors; how will he give them their just deserts? We look to Bright Eyed Pallas Athena to help prophecy come true.

Interestingly all the tales of monsters and gods on the sea voyage was told by Odysseus. Notice that no on else survives to tell the tale. So we have to rely on Odysseus' word.

Many movies took sections of The Odyssey, and expanded them to make interesting stories those selves.

Not just the story but the way in which it is told will keep you up late at night reading.

Old Mother West Wind was a gift for grandmother, who read her children stories from this series when we were young. Happy stories and illustrations for young elementary children. Good entertainment, useful for K-3 school. Loved it!

These stories were first told to his own children by Thornton Burgess. Then they were read to me by my mother over 60 years ago. They were long out of print when my own children were of the right age but they are back for my grandchildren. They are highly recommended.

This book was a gift to my 6 year-old grandson. He loves it; both the stories and the pictures. This is a book my mother read to me when I was little boy. My favorite character was Bobby Coon.

Thornton Burgess was a naturalist and the stories of animals in Old Mother West Wind are wonderful. The characters attitudes and behaviors are true to the animal portrayed. A wonderful way to get acquainted with nature. Perfect book for an adult to read to a younger child.

A book of short stories about animals who talk, _Old Mother West Wind_ is enjoyable for a child of about five years to about eight as a read aloud (or older, if your child isn't terribly worldly.) These short tales often attempt to explain "how", as in how the skunk got his stripe, and have, in addition to the animals, characters such as Mother Nature and the Merry Little Breezes.

Many of these stories attempt to teach a moral, though often it is not obvious due to the author's skill. These are old stories and they reflect the values of the time they were written in. My ADHD eleven year old read the book himself and enjoyed it and is looking forward to the sequel.

Here are the stories included:

1) Mrs. Redwing's Speckled Egg - Mrs. Redwing has just laid a beautiful new egg and the Merry Little Breezes must help keep it safe from Tommy Brown.

2) How Reddy Fox Was Surprised - When Johnny Chuck wanders too far from home, Reddy Fox decides to play a trick on him. But the joke's on Reddy Fox.

3) Why Grandfather Frog Has No Tail - Grandfather Frog tells the Merry Little Breezes why Mother Nature took away all frogs' tails.

4) Why Jimmy Skunk Wears Stripes - When Mrs. Ruffed Grouse's eggs are destroyed by "a pair of eyes," the whole forest seeks the culprit. When Jimmy Skunk is found out, his days of night camouflage are over. (This was my son's favorite.)

5) The Willful Little Breeze - When one of the Merry Little Breezes stays in the Green Meadow after Old Mother West Wind has gone home behind the Purple Hills, he foils Hooty the Owl and Reddy Fox's plans to eat Mr. Bob White and his family.

6) Reddy Fox Goes Fishing - While Reddy Fox sleeps, he dreams he can fish as well as Billy Mink, but Reddy Fox just ends up all wet.

7) Jimmy Skunk Looks for Beetles - As Jimmy Skunk looks for beetles, he doesn't make any friends, but is rather selfish and destructive. However, the adventure really starts when Peter Rabbit decides to help.

8) Billy Mink's Swimming Party - Billy Mink invites Jerry Muskrat and Little Joe Otter to a swimming party at the Smiling Pool.

9) Peter Rabbit Plays a Joke - When Peter Rabbit tries to play a joke on Johnny Chuck and Reddy Fox, the joke back-fires.

10) How Sammy Jay Was Found Out - When Happy Jack's store of nuts disappears, Old Mother West Wind forms a committee of the whole to solve the mystery.

11) Jerry Muskrat's Party - When Jerry Muskrat throws a swim party, many of his guests aren't having any fun. Then, Little Joe Otter comes up with an idea that saves the party.

12) Johnny Chuck Finds the Best Thing in the World - When Striped Chipmunk hears Old Mother West Wind tell the Slender Fir Tree that she's found the Best Thing in the World, everyone starts to search for it--and everyone imagines it as something different.

13) Bobby Coon and Reddy Fox Play Tricks - When Bobby Coon and Reddy Fox trap Johnny Chuck inside his home, Jimmy Skunk helps Johnny Chuck surprise the two of them.

14) The Tale of Tommy Trout, Who Didn't Mind - Though Tommy Trout's mother tried to warn him of the dangers outside of their little pool, Tommy Trout didn't listen.

15) Little Joe Otter's Slippery Slide - When Little Joe Otter, Billy Mink, and Jerry Muskrat build a mud slide on the bank of the Smiling Pool, Peter Rabbit's curiosity gets the best of him.

16) Spotty the Turtle Wins a Race - When Peter Rabbit, Reddy Fox, and Billy Mink decide to race to see who's fastest, Peter Rabbit teases Spotty the Turtle that he should join. Spotty the Turtle does, and uses his mind to win the race.

This is my first ever James Bond novel, I can't remember if I saw the movie. This is a thinking person's spy story with few gimmicks but great finesse and ingenuity. Fleming fascinated millions with his suave 007 personality and his missions against villains who were larger than life and twice as nasty.
The pace is slow, a good armchair read with a briar pipe in hand. An entire new generation will find the foreshadowing deep and miss the absence of the now classic action adventure. But Fleming's astute writing style will continue to attack new fans who enjoy a good story well told.
Nash Black, author of TRAVELERS and SINS OF THE FATHERS.

James Bond is still hunting for Blofeld. After a year Bond thinks he is useless, and wants to quit. In Italy he saves a girl who was trying to kill herself. This leads to a relationship, and Bond learns that she is the daughter of a high ranking Italian gangster.

He has info on Blofeld. He is in Switzerland running a finishing school type or organisation, after having undergone plastic surgery. It is really a brainwashing organisation to get women to basically be terrorist weapon carriers.

Bond infiltrates Blofeld's organisation, gets out of there, and here Tracy helps him out.

He asks her to marry him, and she agrees.

Bond, with some of Tracy's dads' men, assaults Blofeld's organisation, but the supervillain gets away again, and has a nasty surprise waiting at Bond's wedding.

This is definitely one of the better Bonds since, like CASINO ROYALE and FROM RUSSIA WITH LOVE, the more formulaic elements are so well integrated in the story.

What I loved about FROM RUSSIA WITH LOVE was that the obligatory romance was the actual scheme of SMERSH to ensnare and kill 007. The characters were well-drawn and Bond doesn't come off as such an indestructible superman. His heart is broken in CASINO ROYALE, confused in FROM RUSSIA WITH LOVE and then shattered in ON HER MAJESTY'S SECRET SERVICE. (It's also very cool that we learn that Bond annually visits the grave of Vesper Lynd as well as still checks into Casino Royale as well).

We meet Ernst Stavro Blofeld again, not because of some grandiose world-conquering plot, but because he wants the respect and nobility of a title. The College of Arms angle of the story should be the dullest part of the story but Fleming actually makes it interesting by revealing the desire of everyone--except James Bond--to be "somebody."

The biological warfare passages may seem dated but I like revisiting the 007 books while keeping them in context: they must have been fantastic reads in the 1950s and 1960s. These books really anticipated the very modern threat of what Fleming referred to as "the man with the suitcase"...which contains an atomic device. Blofeld's plot in this book to attack England through its livestock with a virus is certainly something to think about in this day of Mad Cow and Bird Flu epidemics.

Although I'm only quibbling, I wished there had been more development between Bond and Tracy, the only woman to ever become Mrs. James Bond. After reading the novel, I felt as if I saw more of her in the movie! (The movie version of OHMSS is also one of the best).

I recently started reading all of the Bond novels and overall have enjoyed them a lot. While Flemings writing style is consistently solid the plots and characters differ greatly. On Her Majesty's Secret Service (number 11 in the series) shares with Casino Royale the title of My Favorite Bond Novel.

The plot is interesting and not *too* far-fetched (for a bond book - some are very cheesy), the characters are very likable and Fleming really nails the mood of "European decadence". This book, like Casino Royale and a few others metes out a healthy serving of bond's classic vices laced with action.

If you like less-than-serious action novels, then I would highly recommend this. Perfect for a long flight or drive

Among the titles of Ian Fleming's James Bond novels, I'd have to say that On Her Majesty's Secret Service is my least favorite, with neither the brevity of a Dr. No or Goldfinger nor the plot descriptive nature of The Man with the Golden Gun or From Russia with Love. Even if I dislike the title, however, this is one of Fleming's best Bond books.

The story opens around a year after the events of Thunderball (the intervening book, The Spy Who Loved Me, is not even mentioned). The villain in that book, Ernst Stavro Blofeld, the mastermind behind SPECTRE, has been in hiding and James Bond is trying to seek him out. It is a more-or-less futile assignment and Bond is disillusioned enough to consider quitting. Before submitting his resignation letter, however, he takes a break at a casino. During this mini-vacation, he performs a chivalrous act to save a beautiful countess from embarrassment; she in turns, rewards him in her own special way.

This countess, familiarly named Tracy, is also the daughter of a genial but ruthless mob boss who Bond winds up (pardon the pun) bonding with. The boss, Marc-Ange, realizes that his daughter is troubled (in fact, suicidal), but that Bond may be able to help her by marrying her. Bond is not willing to do that, but is willing to see her again after she gets treatment. In the meanwhile, Marc-Ange gives Bond a lead on Blofeld.

Blofeld has holed himself up in the Swiss Alps, where extradition is nearly impossible. Bond goes undercover, hoping to lure Blofeld into Germany where he can be arrested. While there, he stumbles upon a strange plot that seems to involve young women seeking treatment for allergies. What Blofeld's scheme is goes beyond Bond's expertise, but the superspy will have more immediate problems as his cover is threatened.

Eventually, Tracy gets back into the mix, which adds another level to the story. Bond versus Blofeld is good, but at long last, Bond meets a woman who he can truly love. Since the first Bond book, Casino Royale, when Bond found himself betrayed by a lover, he has never been willing to truly risk emotional attachment. This time he does, and this adds an extra depth to this particular novel.

On Her Majesty's Secret Service is the middle part of what I think of as the Blofeld Trilogy, which started with Thunderball and concludes with You Only Live Twice, so it may not be the best Bond book to start with. For Bond fans, however, this book is a treat and one of the very best that Fleming wrote.