English Books

For me this was an amazing discovery. I read a review of it in a literary magazine in the waiting room of my optician and when I got home I immediately ordered it from Amazon.
What caught my eye in the review were the names of the inhabitants of the February House - Auden, Britten,McCullers... in that amazing year. I knew of their work individually but to read of them living under the same roof was a revelation.What a cauldron of creativity! All against the background of the war in Europe and the period leading up to Pearl Harbour.As I read the book I felt as though I were there. I hope that someone will make a documentary about it or better still a dramatised reconstruction. The two Truman Capote films have blazed the trail.

A friend just recommended this book to me and it's fabulous!!! I live in an artist bldg and it's nothing compared to the energy of Middagh Street. The book is a great read and the research is most impressive. I cannot wait to read the one she's writing about the Chelsea Hotel!

Thomas Wolf once famously said "only the dead know Brooklyn." There might be some truth in that, but some of us know Brooklyn, N.Y.,U.S.A., pretty well,and are still very much alive. Quite a few people are aware of Brooklyn's brownstone belt, that swath of historic houses stretching from the East River to Prospect Park and beyond. Many of these people would declare Brooklyn Heights the ultimate Brooklyn brownstone neighborhood. It's beautiful, and gets scenic views of Manhattan. It's got history galore--an important Revolutionary War battle was fought here;and it's been, and still is,home to a lot of well-known important people.

One little-known fact is that a number of celebrated people shared a house on Middagh Street, in 1940-41, right in the middle of the Second World War. That house, which came to be known as February House-- a number of its residents had February birthdays-- has long since been torn down to make room for the Promenade that provides storied views of Manhattan. But among occupants of February House were poet W.H.Auden, writer Carson McCullers, writers Jane and Paul Bowles,composer Benjamin Britten, and stripper Gypsy Rose Lee.

Writer Sherill Tippens has produced an interesting, pleasantly gossipy book about the house's residents and their accomplishments. Jane Bowles began "Two Serious Ladies," her only completed novel here. The young lesbian Carson McCullers had just tasted, at the age of 23, great success with her novel "The Heart is a Lonely Hunter." She began two other great successes, "The Member of the Wedding," and "The Ballad of the Sad Cafe," between drinking bouts, right here on Middagh Street.

Auden and Britten, both homosexual, but not involved with each other, were being raked over the coals at the time by the British press for choosing to sit out World War II in the U.S. But they were working: they collaborated on the opera "Paul Bunyan,"not critically well-received. Auden who continued to live in the Heights, on his own, to pursue his lifelong, unrequited love for the young American Chester Kallman, was working hard in the interstices of his personal soap opera: He produced "The Double Man" in February House. Britten produced "Peter Grimes;"considered one of the great masterpieces of 20th century opera. Meanwhile, he pursued his own personal soap opera: many critics believe this opera echoes developments with his partner, tenor Peter Pears, at the time.

The most unexpected resident of February House would have to be Gypsy Rose Lee, burlesque artiste. She was talked into joining the fun by George Davis, homosexual himself, fiction editor of "Harpers Bazaar" magazine, whose idea February House was, and who worked hard to keep it alive. Davis had published some of his own writing, but he was best known for the talented writers he kept on discovering.

In Gypsy Lee's case, she brought some money, a lot of common sense,and a cook to Middagh Street. The house's residents needed all the above. Her reward for her support: George Davis, great editor, midwifed her book, "The G-String Murders," a publishing sensation for many years.

George Davis continued to live at 7 Middaagh Street after its time as an artistic commune had passed. After Kurt Weill's death, Davis married his widow, Lotte Lenya, and devoted his life to introducing America to Weill's great works,such as "Three Penny Opera,"from which we get "Mack the Knife."

There are some informative photographs, extensive notes and acknowledgements in February House. Tippins evidently did a lot of primary research, but she managed to organize the voluminous results in a very readable style. February House well rewards the reader.

Sherill Tippins has done an amazing job of finding the significant narrative threads in the chaotic convergence of creative lives that occurred in the months before Pearl Harbor when Harper's Bazaar editor George Davis and British expatriate poet W.H. Auden rented a brownstone on 7 Middagh Street in Brooklyn Heights and actively recruited other creative artists to live with them. Among the co-renters were Carson McCullers who had recently published her highly acclaimed first novel, "The Heart Is A Lonely Hunter," soon-to-be famous British composer Benjamin Britten and his parnter, singer Peter Pears, unpublished novelists Paul and Jane Bowles, Broadway set designer Oliver Smith, writer Richard Wright and his wife, and burlesque sensation Gypsy Rose Lee, who it turns out was the most reliable in the rent-paying department and joined the little "creative commune" on the condition that she could bring her own cook and maid. Her fiscal reliability and drive along with Auden's willingness to take on the unpleasant role of house disciplinarian (collecting rent and other "dues" and establishing and enforcing many house rules) are probably sufficient explanation for why this menage managed to last the two or three years it did.

Tippins wisely focuses her attention on the leading figures (without neglecting to name the many others who partied but did not reside at 7 Middagh--Salvador and Gala Dali, Lincoln Kirstein, George Balanchine, Erika Mann and her brothers Klaus and Golo, to name a few). One passer-through, Anais Nin, christened the dwelling "February House" because so many of the residents had February birthdays. Tippins has a good knowledge of the works of these creative people and is able to see how one of the artists intentionally or inadvertantly influenced a subsequent work of one of his or her co-residents. For example, McCullers was struggling with the novel that would later become "The Member of the Wedding" when she was able to appropriate an experience from Chester Kallman's childhood to explain her heroine's profound sense of alienation and abandonment (Kallman was Auden's lover).

Tippins other great achievement here was her ability to slice through history and palpably recreate the political atmosphere in pre-war New York and to do so in a way that reflects on both British and US perspectives. She takes a good hard look at the criticism expatriates like Auden, Christopher Isherwood, Britten, and Pears faced from the British press and fellow artists who chose to remain in Great Britian during the war. She is similarly insightful in her analysis of the role the Mann family had in trying to get an apathetic America to respond to the European crisis. A lesser writer might not have bothered with these issues and chosen to report only the salacious and saleable anecdotes about the goings-on of the February House residents.

I highly recommend this book to anyone even passingly interested in one of the artists who lived at 7 Middagh Street (you're sure to learn something new), to anyone who ever wondered how great works of art come about, or to anyone interested in knowing how history and art intersect. I'm sure I'm going to use Tippins's Selecte Bibliography as a basis for future Amazon.com purchases.

Sherill Tippins' volume fills a tantalizing gap that fans of Auden, McCullers, Britten, and Gypsy Rose Lee have long wished could be filled. Most overdue is Tippins' portrait of George Davis: failed literary wunderkind; editor extraordinaire (who "discovered" McCullers and got much-needed writing jobs for her and W. H. Auden in the lean months before Pearl Harbor); husband to Lotte Lenya and the catalyst that re-invented her for American audiences in Marc Blitzstein's staging of Weill's "Threepenny Opera"--the list goes on and on. Davis and Auden are central to Tippins' account and to the amazing colony of artists who called 7 Middagh Street in Brooklyn Heights their home in 1940-41. But Tippins gives everyone in that circle his/her due. Her depictions of Auden's rocky romance with Chester Kallman, of Benjamin Britten's coming to terms with his artistic destiny in England, not America, and Gypsy Rose Lee's ability to charm and disarm everyone she met are more than engaging--they are extremely moving.

Tippins' research is exhaustive and impeccable, and she lets her characters speak naturally and eloquently. I could not put this book down and practically read it at one sitting. I was hungry for the kind of information Tippins delivered, and I finished the book with the deepest satisfaction. Gracefully written, carefully organized and researched, and extremely relevant: this book wins on all counts.

It was a timeless story.I was quite upset cause it wasn't all about horses.

This is a very good book. Although it features horses it is not completely about horses. It is a strange--in a good way--study into human nature, from Uncle's disturbing rage to Will's defiance.>>Summary<<Where will Christina fit in at Flambards, the once-prominent foxhunting stables? After riding a horse named Sweetbriar, she loves foxhunting, but life at Flambards isn't easy.}This book is excellent, for anyone. It is not a novel for children young than YA, for some scenes are mildly violent, and contains mature situtations. This is not to say the book is bad, it's just a warning. ;)...ps, I'm really 15, the adult form doesn't work.

I first read this trilogy 18 years ago, shortly after I had seen bits and pieces of the series of the same name on PBS, and I was unable to put it down. Although the books are geared towards young adults, do NOT let that hinder you--adults of any age will find these novels appealing because they are well-written, the characters are fully developed and engaging, and the storyline, with its triumphs and tragedies, is timeless. They are the stories of Christina, a young orphan who is sent to live with her uncle because she is an heiress and he needs her money to continue the lifestyle he is accustomed to living. The story progresses as Christina grows up, learning to both love Flambards, the ancestral home, and yet despise the backward-thinking ways of her uncle and his eldest son, Mark. It tells of the rivalry between Mark (the favorite) and William (the second son) not only for their father's love but for Christina's as well. It illustrates how life was changing in England at the time (just before WWI), and the hope that those changes brought to many who felt restricted by hide-bound Victorian (& Edwardian) rules. I think that readers will be able to relate to Christina, William, Mark, Dick, Sandy, and Dorothy regardless of their age, or where you grew up. I do suggest reading them in their proper sequence, beginning with "Flambards", continuing with "Edge of the Cloud", and finishing with "Flambards in Summer". I have read these novels again and again, and have loaned out my copy of the trilogy so many times. The author has a rare ability to truly take you back to an Edwardian county estate and to draw you into that world through Christina and her cousins. The books are very emotional, and have touched me in ways that other books depicting this era do not. I think that the best word for them is "haunting". It is too bad that they cannot be rated as 10 stars.

I'll admit it....I'm a Flambards Fanatic. I read this book in the early 80's, after seeing the series on television. I found the book at a local bookstore, loved every word, reread it immediately, ordered so many copies that the bookstore owner started calling me "The Flambards Lady". I was thrilled to be able to get another copy here at Amazon. This book is sometimes considered to be a child's book, but I think adults enjoy it very much. It's a marvelous, unforgettable story of love, loss, and picking up the pieces (or reins) and moving ahead. The series is available on VHS and DVD. I own both but prefer the DVD.

This moving story of the struggling relationships between Mark, Christiana, William and dick will touch the hearts of anyone who reads it. I finished reading the whole series a few days ago and i cannot forget the effect that these books had on me, i admit that i did cry at times. The book tells the story of christiana, an orphan, who is sent to live at the crumbling Flambards. It tells of her life and loves in the old manor. An excellently written story and a must read, especially for a country lass like myself!

Loved the book and the game! Thanks Skirmisher for bringing HG Wells back to the masses!

Maybe it's not the first of the civ building type games, but it's the first rule set for those games. Played between H.G. Wells' kids, with him as moderator, this nation versus nation in combat and comerce game is still fun to play. It's very family oriented and a good way to bond with parents and kids. Since everything is physical there is no ambiguous rules to be misinterpreted, this helps belay blow ups between siblings. A fun fun game for all!

I am long-time gamer and also a great fan of H. G. Wells. When this reprint came out, I knew I just had to have it. It is really neat. Thanks to Skirmisher Publishing for making it available again!

If you haven't read H. G. Wells's "Floor Games" (and the later but better known "Little Wars") you owe it to yourself to check them out. They're funny, creative, insightful, and elegantly written--a century-old testament to Wells's genius. Kudos to Varhola and Skirmisher Publishing for rescuing these classics from obscurity.

I must admit I had not heard of "Floor Wars" prior to reading "Little Wars". The book predates "Little Wars" but is often considered a companion to the other book. It focuses more on the collecting and building of settings than actual wargaming. The books compliment each other well. "Floor Wars" sparked my imagination even more...taking me back to the little countries and armies that I used to think up in my youth. It was amusing listening to Wells go on about how good figures for certain periods and ranges were not available. I guess nothing really changes after all!

At school my whole class read this book for read aloud! It was a very good book. Frida was very good at art. She had five sisters but it seamed like they didn't pay attention to her! She was always lonely and she was bored.But atleast she had Imaginary friends to comfort her. One day she got in a horrible bus accident! Read this book to find out how Frida turned out after her pain. Reccomended for people who may want to learn how to turn pain into beauty.

I own the Spanish version of this book, and I love it. So do all my students - I teach Preschool Spanish (ages 3-6). My 5 year old daughter is an artist and she loves the vivid colors and imaginative characters that follow Frida through her life. The children I teach do not know Spanish, but they are able to look at the pictures and understand the story. They regularly request this book and enjoy looking for the 'spooky' characters.

My son and daughter could really relate to another person's life thanks to this well-written and cleverly illustrated book. Frida was, as they are now, someone who wasn't always able to have her mother's attention. She lived out fantasies in her mind, just as they do. She used her imagination even when she was unable to move her body, just like they do before they fall asleep at night. Frida's quotidian and extraordinary experiences spring to life thanks to the inventive illustrations and sympathetic writing.

More than once, creating art saved Frida Kahlo's life. Even though she had five sisters, she was almost always lonely and sad. When she was infected with polio and she was very sick, even her imaginary friends couldn't cheer her up, but painting and drawing rescued her. Most of her life, she was in heart-breaking pain after being in a horrible bus accident. Read this book to find out how art saved her once more. Recommended for people who want to learn how Frida Kahlo turned terrible pain into beautiful masterpieces.

My mom read me this book and I saw that art is important and special, it can save you and allow you to express your imagination even when times are tough

This is one of the sweetest books for children. The messages are simple, heartfelt and ones that adults can benefit from as well.

I started reading this book to my daughter at 2 months old, she is now almost 6 months. If she is being fussy or crying because she is tired I simply say, "Give Me Grace...Monday...Monday make me good and kind..." and she looks up at me and smiles and I read it to her. It's the most amazing thing to see. The book is great, the illustrations are lovely, and the messages are wonderful.

This is one of my favorite gifts for a new baby. Beautiful pictures and message. Cynthia Rylant is always wonderful!

My year old granddaughter Grace LOVES this book. She will pick it out of a pile of books to be read to her everytime. The prayers are simple and sweet, and I am sure she will have them memorized by the time she starts to talk clearly. I highly recommend this book

This book is simple, eloquent, beautiful... something I read myself even without the kiddo. Great introduction to prayer.

This Bible has great projects that help reinforce the history and lessons. Great as a kids Bible or as a teachers resource.

Bible in great condition. Was delivered very fast. Wanted it for a Christmas gift and received it in plenty of time. The child that received it loved it so much and will be using it in Sunday school and Awanas. Thanks so much for this product:):):):)

Hands-On Bible (Bible Nlt)This is a great easy to read Bible for Children-The helps are great and go with our Group Literature.

Thanks! I got it when you said I would and it was in good condition.

This is a great bible for older elementary aged children. The captions and activities are very interesting. If you want your kids to READ the bible, you need to give them one that will hold their attention. The Hands On Bible will do that.

I am still digesting "Ulysses." I read it while walking around Dublin a few years ago. It was marvelous to trace the steps of Leopold and Molly, and to see what they "saw," but the novel remains a distant pleasure to the reader. I must admit it is not the most accessible book ever written, but it gets four stars for its intent ... and that it is better than "Finnegan's Wake." Be warned: This book is not for the casual reader. But this annotated edition makes it all worthwhile. You'll get genuine, comprehensible guidance. If you must read "Ulysses," this edition might be most helpful.

This book was a shock to me. It's not just a book of annotations, it's also a history of Ireland, literature, language, and nearly everything else Joyce decided to allude to in his masterpiece. I never would have guessed that just reading the annotations (without the source text) would make good reading, but that is certainly the case here. You do not by any means need this book to enjoy Ulysses, but it does give remarkable insight into the mind behind it

Gifford's book offers fascinating glosses and contextual annotations for Ulysses, but was not quite what I was looking for to help me with my first attempt at the book. The annotations are mostly disjoint explanations of specific allusions and references.

There are other guides to Ulysses that are better suited for the novice Joyce reader, helping the reader to keep track of the plot, the progress of the Odyssey and Hamlet corelations and explaining the shifts in style through the book. This kind of hand-holding may be unnecessary for more sophisticated readers, but for my first read, it was essential!

Just a heads up that this is NOT an annotated edition of Ulysses (as I mistakenly thought in purchasing)(duh). It is 600-some pages of notes only and does not include the text of the novel.

When I first tucked James Joyce's ULYSSES under my arm, Don Gifford's ULYSSES ANNOTATED was tucked under the other. (My biceps became very well developed because of this.) It took me an entire summer to read the books side by side but how worthwhile it was. Gifford's essential line by line, almost word by word, guidance made ULYSSES less overwhelming than if I had tried to tackle it alone. Once I got through ULYSSES the second time (the following spring) I was able to go to the more overarching analyses of Joyce's masterpiece. Stuart Gilbert's ULYSSES and Richard Ellmann's ULYSSES ON THE LIFFEY were particularly helpful.

Author, and Jane Austen scholar Maggie Lane's lushly illustrated and thoroughly delightful volume on Jane Austen's life, times and works is one of my Austen favorites in my library.

I gravitate to this lovely volume on my shelf when I need a quick Austen escape. Its large coffee table format allows for lush color photographs and period illustrations on each page, and author Maggie Lane was cleverly arranged the keynotes into five chapters, representing important aspects of Austen's world; Who was Jane Austen? Daily Life in Jane Austen's England, Society and the Spirit of the Age, The Visual World, and The Immortal Jane Austen. This volume also includes a well written introduction, chronology, helpful index and author's acknowledgments. Here is an example of the first topic in chapter one...

Chapter One: Who is Jane Austen?

The Woman: We learn about Jane Austen's birth, family and home environment that nurtured her genius. Her physical appearance, character and personality are described and exemplified by Lane's thorough research, aptly including insightful quotes from her letters and family reflections.

"Her unusually quick sense of the ridiculous inclined her to play with the trifling commonplaces of everyday life, whether as regarded people or things; but she never played with its serious duties or responsibilities - when she was grave, she was very grave." Anna Austen Lefroy

Inevitably, comparisons of Austen's personality lead to the paring of her attitudes and personality with the characteristics of her own heroines. Even though each of her heroines is highly individual, Lane hints at similarities in the characters of Elizabeth Bennet, Emma Woodhouse and Anne Elliot, and though I agree for the most part, I was amused to see how one can find what they need to suit, by reason and ingenuity.

The chapters are broken down further by topics and continue in chapter one as follows; The Writer, Beliefs and Values, The Letters, The Portraits, Family Background, Home at Steventon, The six brothers, Some female relations, Love and friendship, Family visits, Bath and the West Country, and Return to Hampshire.

Even though Maggie Lane is qualified to write a scholarly treatise, she knows her audience, and her light style is approachable and engaging. She includes enough biographical and historical detail to introduce us to the subject, and not weigh it down with heavy language and minutia. The photographs and illustration have been thoughtfully selected, significant to the topic, and important historically. Her scholarship is exemplary.

This is my favorite Austen book to give as a gift as an introduction to Jane Austen, and as eye candy to the indoctrinated. It has never failed to please, and I hope that we shall see many additional editions for future readers.

Posted by Laurel Ann, Austenprose

This is an enjoyable flip-through for Jane Austen and Regency lovers, but because the format limits the length of any entry, it is a rather abbreviated overview without a lot of depth. Many of the entries had me yearning for more information, especially those items about social mores, society, relationships within the family, etc.

This is a really great book. I'm a fan of Jane Austen and have read all her novels but there were many things in them that I didn't understand because I didn't know the culture, customs and history of that time. Just one small example--Mr. Darcy hands his letter to Elizabeth Bennett instead of mailing it. Apparently unmarried men and women did not correspond with each other unless they were relatives or engaged to be married. Another example--balls and dances were a primary way for unmarried people to meet and socialize and one of the few ways they could talk alone to each other (while on the dance floor). So the balls/dances in Jane Austen's books are much more significant than I realized.

I would highly recommend this book for anyone who wants to understand Jane Austen's novels better.

These days many books come along that discuss specific influences on Jane's writing such as poets, other authors, politics and social customs. This book allows a return to the overview of her story. The hard cover book is 8 x 11 in. which makes it easy to be a coffee table presentation or to read in a comfortable upright chair or even in bed (Yes, I do it!) Six well written chapters choronical her life, who she was, what it was like to live in Regency England, the society and spirit of her times, what her country was like, and her influence through the ages especially via her six novels and in the recent movies and television productions. For the old timers who have followed Jane Austen for some time or for the new comers wanting to know more, this is the book for you.

This books is so informative! Easy to read, lots of information about the Georgian and Regency Eras, very informative. It goes into depth about Jane Austen's time and her life. It talks about everything from the Army, to everyday life, to the madness of King George, fashion, etc.. So much info! If you're into history or Jane Austen, you'll like this book.

this is a great story, both to read out loud and to read alone. it's about a girl whose mother wants her to clean her room, but her friends come over and they end up playing instead. her mother tells her a few times to go clean her room and she seemingly goes to do it, but she takes her friends with her, as well as her baby sister, and they get distracted by their imaginations, so we get to see them pretending to be a bunch of different things. at the end though her mother puts her foot down and tells jillian to clean her room, so she tells her friends to come back when her room is neater.

the book rhymes, which is amazing for reading out loud, or for singular readings, the flow is nice. the illustrations are great too, the characters look like they're having fun. the way they're drawn conveys a lot of energy and excitement, and yet the drawings are simple... i guess they kind of remind me of children themselves, not a whole lot to them, but invest your time and you'll have more than your share of fun.

this whole series is great. i recommend.

This was one of my favorite books as a little girl, and now my two little nieces can't get enough of it. I'm actually buying a replacement book now because the one we have is so worn out from reading it again and again. I definitely recommend it for the kids in your life.

Awwww I feel like crying! This was one of my all time favorite books as a child! My favorite library teacher let me have it in 1st grade and I read it over and over until i knew the words by heart

This was my favorite book as a child. When my mom found out she was pregnant with my sister, my parents allowed me to choose her name if she was going to be a girl. I decided to name her Jillian after my favorite book. When I was in 3rd grade I memorized the book and brought in my sister for show and tell. Anyway, this is the best book ever.

This was my favorite book as a child, and in fact, my mom still has the book stashed away so that I will always have it. Being 21, I don't have any children of my own, however I will be sure to buy a new copy for them to enjoy since my own copy is definately worn out due to the millions of times I read it. Overall, this is the best book of all times and I will never forget how much fun I had reading this with my mom and reading it on my own.

The Kalevala is the result of Elias Lönnrot collecting and commiting to paper the oral traditions of the Finnish people to produce an epic tale.
This translation has captured the poetic delivery of the original Finnish as perfectly as these two opposing languages could.
The poetry weaves the tales of Väinämöinen, an old seer and the younger Joukahainen who wishes to challenge him. This angers Väinämöinen who chants him deep into a swamp, a meadow and a heath!! To get himself out of trouble Joukahainen offers the old seer his sister Aino as a bride. Väinämöinen thinking he has been offered a house keeper accepts. Aino is quite taken with being his bride but Väinämöinen has other ideas and heads North to woo the maiden of the North. He can marry her if he forges a Sampo, which is a magical machine that churns out salt, flour and money! He can't do that but he knows a man who can, his good friend Ilmarinen the blacksmith. He has to trick Ilmarinen into going North but he makes the Sampo. Then the marriage requires another task and so the maiden remains unmarried.

Meanwhile, another character Lemminkäinen decides to go North and try his luck winning the maiden. He is given tasks in order to win her hand, capturing the elk of Hiisi and the swan from the river of Tuonela. The latter task nearly kills him and he gives up.

Väinämöinen is now making himself a boat to head back up North but he runs out of spells so he has to go and find Vipunen, a giant who knows all the spells. He gets his spells, finishes his boat and heads North but he is seen by the sister of the blacksmith and the blacksmith rides like the wind on his horse and catches up with him. The two men make a pact that they will let the maiden choose between them. The maiden choose Ilmarinen because he forged the Sampo but her mother still wants more tasks done and she orders Ilmarinen to plough the field of vipers. Ilmarinen finds this easy with his armoured boots and cape and so the crone of the North sets him the task of capturing the giant pike of the chill north sea without line or net!!Ilmarinen forges himself a giant eagle and captures the pike. Now the old crone is satisfied and the wedding takes place. Väinämöinen makes a kantele from the jaw of the pike which produces sweet voiced music such that tames the beasts and even causes the sea king Ahti to rise from the depths. He and Ilmarinen use the sweet music to soothe the beasts of the North whilst they take the Sampo for themselves and set sail for home. Louhi, mistress of the North casts a fog spell to stop them, which Väinämöinen conjures away so Louhi unleashes a terrible storm which sweeps the kantele from the boat whereupon Ahti the sea king thinks it is a present to him and he calms the sea. The crone turns herself into an eagle and attacks Väinämöinen's boat and in the struggle the Sampo is broken into pieces. Some of the pieces are washed up on the shore and from the fragments Ilmarinen makes amulets and rings thinking that perhaps there is still some magic left in the pieces. Each resident of Kalevala wears a magic piece on special occasions, wishing for a peaceful life.

Now I've just condensed an epic piece into a few short paragraphs...for which I apologise but it's a great tale and maybe this will encourage folk to read it themselves.

The Kalevala has a flow to it that makes the plot/ idea easy to follow. If English is your second language you will struggle with some of its vocabulary. The stories and the essence of this epic poem are captivating. I didn't want to put the book down at night. This is a good way to get to know Finnish culture.

This review is in two parts:

THE TRANSLATION: When it comes to reading ancient literature there are often numerous versions and translations. Unless a story is REALLY good, I only want to read it once. So it only makes sense that one should want to read the best version/translation available.
Thankfully, the Keith Bosley translation of The Kalevala is the most reader-friendly, very much like Seamus Heaney's translation of "Beowulf".
The Kalevala does not rhyme, although there are a few instances of alliteration scattered throughout. Each line is usually a handful of words comprising an even larger sentence, but it's done in a tasteful way so that you won't feel like you're reading a James Joyce run-on sentence like in "Ulysses".

THE EPIC:
The Kalevala bounces around telling tales of several major characters, which is fortunate, considering the length of the work. Without giving anything away, the characters do things like get married, steal precious relics, sing magical songs, go to war and build many more precious relics.

There are lots of good "Chapters" in The Kalevala and I was surprised that a few of my favorites had little or no action in them (according to a guy's definition of action, at least). One of which was the marriage sequence of Chapters 21-24. If you've ever heard the advice, "Don't get married", this is probably one of the sources where such advice comes from.

It is also noteworthy how much influence The Kalevala has had on Fantasy and Metal. If I remember correctly, Tolkien's "Silmarillion" starts off with beings singing things into existence, much like the characters in The Kalevala do.
The Finnish metal band "Ensiferum" has songs that are inspired straight from The Kalevala, such as "Old Man" which refers to Vainamoinen.
There are many other bands in the folk metal genre, that, although they don't specifically cite The Kalevala as an inspiration they clearly have songs that are similar to The Kalevala's oral tradition. Some examples (in my opinion) would be Korpiklaani (Finnish), Metsatoell and Raud Ants (Estonian).

Overall, I liked The Kalevala much more than I thought I would, given its length and I have to admit: I found it more interesting than Beowulf.

There is an elegant, powerful simplicity to this epic tale, no matter what language you read it in. The symbols transcend both language and time. There is nothing contrived here. Such a tale could not be counterfeited by a modern mind.At the center of the entire epic is Vainamoinen, the singer at the world's dawn. Here is the archetype for the wizard- the first and greatest among shamans. Before Merlin, before Taliesin, before Math, before Manannan, there was Vainamoinen, Eternal Seer.Something real and vital carries over even in translation. Reading this book on a cold winter's night you can taste the sea and smell the forest. You can identify with the characters even though they have godlike powers, because they also have trades that they live by (Vainamoinen is a boatbuilder, Ilmarinen a smith, Joukahainen builds his own crossbows, etc.) These Godlike beings lived simple lives close to the earth. And simple wisdom is powerful wisdom. Yet, there is also so much more of the old, deep legends and symbols buried in these lines. You can tell that they were preserved long after the long lines of singers had ceased to know their original meanings.The ancient Finns believed in the power of words, and the greater power of songs. There is still power here. Or as the epic says:

Words shall not be hid

nor spells be buried;

might shall not sink underground

though the mighty go.

I enjoyed this epic story of Finnish mythology. It was a musical, delightful collection of heroic stories that didn't overwhelm me. I could keep track of the characters and what they respresented quite easily.

I was delighted by this book! I hope all Finnish children are exposed to the exciting yet fun depiction of their mythological heritage.

I know that scholars want to read everything and disect the stories for deeper meanings -- which is just fine -- but I can really see this as a set of stories being told to small children while the whole family sat around the fireplace.