English Books

definitely one of the best spoken word poetry books out there. a lot of mind blowing subjects. great read especially for 20 somethings up. not that suitable for young adults as this does have some pretty grpahic stubjects such as beastiality

I have had this book for ten years now, i read it once a year at least and am finding i get something new out of it each time i read it. I just bought this as a gift for a friend of mine who is big on poetry slams ( i didn't have the nerve to loan him mine). It is in my top five of my all time favorite books (and i own thousands of books!!) It pulls at my heart strings, makes me cry, and makes me laugh out loud.

I have read this book over and over and over. Every time I read this collection, the more I like it. Very unique. I recomend anyone who loves poetry and likes something different, to pick up this book.

"Verses that Hurt" is one of the best collections of poetry I've read in a long time. Ideal for people who don't really like poetry, because it's not structured and very free-flowing, and people who DO like poetry as well, because hey, we love free-flowing expression too.

Some of the poems describe sweet happiness, and some capture the essence of hate and anger. Sexuality is a constant theme in some of them. One of my favorites is "Please Master" by Allen Ginsberg. To me, this captures the very essence of sexuality. And not just gay-male sexuality, I'm talkin' the whole picture, ALL sexuality, even though the terms use seem to allude to the first.

Definitely a good read.

A few years ago a voice mail was set up in New York City, and poets were called in every month to read a new poem everyday onto the message. Then the public could call in everyday, listen to the poem, and respond after the beep with anything they had to say. The poems were recorded on an album, and the best printed in this wonderful book.

The book came out in 1997. The phone number they have listed in the introduction is either wrong or changed, I called it twice and kept getting the voice mail to someone named "Kika." The poets in this book are: Penny Arcade, Tish Benson, Nicole Blackman, David Cameron, Xavier Cavazos, Todd Colby, Matthew Courtney, M. Doughty, Kathy Ebel, Anne Elliot, Janice Erlbaum, Allen Ginsberg, John Giorno, John S. Hall, Bob Holman, Christian X. Hunter, Shannon Ketch, Bobby Miller, Wanda Phipps, Lee Renaldo, Shut-Up Shelley, Hal Sirowitz, Sparrow, Spiro, Edwin Torres, and Emily XYZ. All the poets get at least three poems, and very good portraits by photographer Christian Lantry. The poems are short enough that you can probably get through this in one sitting, or read a poet a day.

Penny Arcade starts the book off with a bang, using some really incredible verse. Tish Benson is next with poems that read like lazy blues songs, but filled with so much detail and activity, you can almost hear Billie Holliday gruffly whispering this in your ear. Nicole Blackman and her section is also incredible as she seems to speak for so many women who cannot find their own voice except hers. David Cameron's writing, while readable, is a little bland, like a freshman creative writing class. Despite his obvious emotion, I felt he was holding back on his own writing. Xavier Cavazos's section is slightly better, except for an entire poem that slams Rush Limbaugh. It may have been very clever when written and read, but it just give conservatives like Limbaugh more ammunition to go after art that they do not believe in. Why not a poem about Parkay hawking corporate monkey Al Franken, who had so much success slamming Limbaugh? Or Dennis Miller, whose rants against everybody was quickly dashed by asinine long distance ads. Nothing worse than a sell out. Todd Colby does better work with paragraph poems than traditional verse poetry. Matthew Courtney reads like poorly written Allen Ginsberg, full of "shocking" imagery and without a point. M. Doughty's work is scary and involving, and not your traditional stuff. Kathy Ebel left me with no response. I read it, I was done, and I was not terribly moved. Anne Elliot reads like poorly written Matthew Courtney. Janice Erlbaum is wonderful, filling a sonnet and sestina with modern situations, turning antiquity on its ear. Ginsberg is Ginsberg. Being a little familiar with his work, I expected to see poems about gay sex, followed by verses about a frog. Ginsberg is so Ginsberg. John Giorno's two poems are shocking, about more gay sex, and taking drugs. He seems to be shocking without TRYING to be shocking. I guess you could say his shock is natural.

John S. Hall also seems to be writing without getting to the heart of his point. His verse is so much posturing. Bob Holman is a bit of a bore, with quite a few poems here. Again, none stuck with me. Christian X. Hunter takes me into his world and it was hard to get out. He is probably my favorite poet here. Shannon Ketch reads like John S. Hall. Bobby Miller's very personal poems made me nostalgic for a time I could never experience. He writes about his first homosexual experience, and protesting Vietnam, so vividly, you swear you are there. Wanda Phipps opens with an angry poem, and never lets up. She is not threatening, but she has a lot to say. Lee Ranaldo also did not do it for me, his listed words seemed glossy and packaged. Shut-Up Shelley is fun because she is so different. Her changing font size on the page just screams at you, yet her photograph by Lantry shows her so whimsically. She is my second favorite poet here. Hal Sirowitz is my third favorite poet here, writing deeply personal poems about everyday things that had an obvious effect on his life. He is a blast to read aloud. Sparrow is weird. His first poem, involving possible sex with a cow, is a hoot, and his possible middle names for Bill Gates is a riot. Spiro is also very funny, especially his opening poem about heroin addiction. Edwin Torres also had me scratching my head for a while after I read him. His poetry is not hard, just inaccessible, and I was not interested enough in what he was saying to dig deeper. Emily XYZ reads like good Edwin Torres.

The 26 poets here are quite a variety, and I recommend this tome to any poetry lovers. I also repeat my mantra to read more poetry and keep buying those little chapbooks you might see in used bookstores or at flea markets. There is always time in your day to smarten up.

This does contain a lot of profanity, drug references, and sexual content, so giving it to your five year old to practice reading may not be a good idea.

Wonder Woman: The Complete History is a delightful book for fans of the character, even if you only know her from the old TV show. The background of her creation by a clinical psychologist was very enlightening.

The illustrations throughout are excellent and all in all, it's terrific book, exceptionally well written by Les Daniels.

Not only do you get hte nostalgic book with the history of this heroine, you get the figurine that you can display and become the envy of all your friends! The statue is of classic Wonder Woman, the one from the 50's. She's still wearing the skirt.

This is truly rare. It's fantastic for all collectors and a MUST-HAVE for all die-hard fans!

I have always enjoyed Les Daniels and his carefully researched books of comics history, but everyone has a blind spot. Wonder Woman is obviously his. This book, beautifully designed as it is, fails to capture what has made Wonder Woman such an enduring character and icon. It's clear on almost every page, Daniels is unimpressed by her. It's fine if he doesn't like her -- no one character can be everyone's favorite -- but it does make for a frustrating read at times when one wishes to celebrate Wonder Woman's unique place in comics history. His fascination with her creator is evident to the point that it seems clear Daniels would much rather write about Marston than Diana. His heavy emphasis on the bondage subtext of the Golden Age incarnation undercuts the more postive surface elements of those stories. Indeed, he sneers at Gloria Steinem's endorsement of those early years, casting great disbelief that there could be anything of substance taken from them.

Also, as another reviewer points out, Daniels gives short shrift to George Perez's post-Crisis revamp. Widely acknowledged by fans as the high point of her modern career, it's strange to see Daniels blandly note the support Perez got from female collegues in overhauling Wonder Woman's character and deride it by calling the later issues akin to ADVENTURES OF MENOPAUSAL MOM (I'm paraphrasing but only slightly). Daniels here suffers from the same fanboy syndrome that infuses the industry these days -- the idea that if HE doesn't appreciate it, it must be terrible. Meanwhile, Mike Deodato's art is viewed favorably, despite that being universely considered a lower point in the post-Crisis stories.

At the end of the book, it really seems as if Daniels only reluctantly churned it out because of a contractual obligation. His Superman and Batman books are excellent and filled with total respect for the characters and their appeal. If only he could've retained enough objectivity for the Wonder Woman assignment. Despite it all, it is a beautiful book and the history is thorough and still fascinating if somewhat subjective. Good for historical nuts, not so good for WW fans.

Les Daniels' Wonder Woman: The Complete History is the third book in a 3-volume series (the first two addressed Superman and Batman). While not without its flaws, it's overall a well-researched and enjoyable treatment of the character.

Wonder Woman first appeared in 1941, the brainchild of Dr. William Moulton Marston (writing under the pen name Charles Moulton), by any standard a bit of a weirdo who's remembered today for two things: (1) he invented the polygraph, (2) Wonder Woman, of course.

I could pick a few nits with Daniels' text. In places he does reveal an ignorance on certain topics. For instance, when speaking of Marston's World War I U.S. Army service, he states Marston "rose to the rank of second lieutenant." False. No officer (and I can't imagine someone of Marston's high educational level ever being an enlisted man) "rises" to Second Lieutenant because that's the absolute lowest officer rank.

Daniels is extremely opinionated. How much space is allocated to any of Wonder Woman's creative teams over the decades is very much controlled by how much Daniels likes their work. Obviously the Marston stories, with artwork by Harry G. Peters, are his favorites thus receive the most attention, though he devotes surprising time and positive comment to the generally despised stories written by Robert Kanigher. This is fine. Half the fun of a book like this is getting the writer's likes and dislikes on the character and her creators. Where I part company with Daniels is his low opinion of the George Perez stories of the mid-1980s thru early '90s. Daniels devotes an entire chapter to Kanigher's creation of such fascinating (hah!) characters as Glop (a "shapeless mass of grinning goo from outer space [which] absorbed everything in its path including 100 rock 'n' roll records"), Wonder Tot ("Mommy be proud to see me now!"), and Egg Fu (a Chinese Communist agent inexplicably shaped like an egg the size of a house, who used his mustaches as weapons and had a Charlie Chan speech pattern). After that, it was more than a little disappointing to have the Perez stories, considered by many Wonder Woman fans including myself the character's finest hour (especially the stories on which Perez did the artwork in addition to scripting) dealt with in a mere seven text pages, much of that explaining how they weren't really all that hot.

The only truly major flaw in this book involves its layout. These days, book publishers are terrified of the Internet. And well they should be. However, instead of focusing their efforts on what books do better that the 'net - provide one, continuous, uninterrupted stream of information - publishers' response has been to make their book pages look as much as possible like web pages. Lots of bright colors, lots of sidebars. I hate sidebars. I don't appreciate having to flip back and forth between pages, sometimes reading blocks of text in four or five different locations, to get all the info. More to the point in this particular book, choice of color on some of the sidebars is extremely poor, so much so it's difficult to read the text. Black lettering against a dark blue or dark red background just doesn't make it.

With those few negatives out of the way, this book is a delight. It's all here: a biography of Marston, on to the creation of Wonder Woman, all the creative teams of note and their storylines up til this book's publication date (2000), the Cathy Lee Crosby made-for-television movie, the Lynda Carter TV show, Wonder Woman merchandise, her appearance on the cover of Ms. magazine's first issue, etc. This book is a must-have for fans of one of the 20th/21st Century's most fascinating fictional creations.

First off, loved the book. It was nice to read the comments from Lynda Carter and see the multitude of changes that WW has gone through. But I did notice two things, the actress that played Wonder Woman's mother in that tiny demo in the 60's was named Maudie Pricket and the photo of Ms. Carter's costume says it is from the first season and it's not, it's from the CBS years as are the bracelets and tiara on the following page. I know Ms. Carter preferred the CBS years updated costume but the original on worn while fighting Nazis in the more humorous years will always be my absolute favorite! Thanx...

I bought this book in 2004 and I still use it to this day. It's witty and a fun read, not to mention inspiring. It isn't that I have a shortage of ideas, but I have a hard time putting it on papaer... and this book definately puts things in a new perspective for me!

Jack Heffron's "The Writer's Idea Book" is a very good specimen of a book of writers' exercises. It mixes "prompts" of various sorts (more than 400 of them according to the cover, and I believe it!) with short riffs of practical advice on a wide range of writing matters. While Heffron is a professional editor and does give advice regarding methods that he believes work best, he concentrates on writing for yourself in this book rather than trying to get published. This is just the idea phase after all--check out his later book, "The Writer's Idea Workshop," for practical advice regarding taking your idea from raw ore to refined metal.

There are many prompts meant to help you mine your own experiences for ideas and plots. (As well as your likes and dislikes, your family, your home town, places you've visited, "public moments," secrets, dreams, and more.) There are prompts to help you explore different forms of writing, structure your story, and more. There are even good solid hints on dealing with openings and endings. The huge number of prompts in this book guarantees that you should be able to find something to spark your creativity no matter what mood you're in.

In fact, about the only thing that bothered me about this book was the lack of the unusual. I love genre. Horror, science fiction, fantasy--I love the strange, and this book had a very "literary" feel to it. That'll make it perfect for many other writers out there, but it left me a little flat. I like to have a certain otherworldliness come into play when looking through lots of writing exercises and warm-ups. This book is meant to push you into finding inspiration from the ordinary rather than the extraordinary; I would have liked a better balance.

It's certainly a fun book, however, and definitely a kick in the inspiration department!

A great book with a lot of writing prompts. Perfect for the fiction author, however as a writer of non-fiction I felt there was a lot of character development exercises. The trick for me was to try to turn the ideas into ones that would fit into non-fiction. The surprise was this book got me back into writing fiction which I had not done for many years.
My recommendation is if you are looking for writing prompts for fiction, definitely buy this book. If all you do is non-fiction, this may not be the book for you, but it never hurts to look it over.
It was quite well written and Jack Heffron certainly presented some good idea generators.

With over 400 prompts in this book there is one to suit every mood and these will not only encourage you to write regularly but get your creative juices flowing. What's more each of the prompts target specific areas of your writing such as story endings, developing character & plot. It also addresses nonfiction, poetry & screenplays...and I am using it to improve my blog writing.
I own a number of books on this topic (including "What If? Writing Exercises for Fiction Writers") but find the format and content of Jack Heffron's Writers Idea Book to be the most practical, inspiring and effective. Thanks Jack!

to add to the other reviews, I like this book because I'm the type of writer that needs an "assignment" to make sure I don't keep writing about the same things. With this book, it's easy to follow along and take out what you need and go back later to the other prompts the second or third time around. I'm a firm believer that a person should go through a book like this two or more times to get the full benefits.

"In Writing the TV Drama Series, Pamela Douglas lays out one of the most clear, step-by-step plans for crafting your series concept and following a plan of pitching and selling it, including a month-by-month breakdown of how the TV business operates. Filled with inspired and inspiring interviews by TV greats, this is a must-read for anyone serious about writing series!" -- Derek Rydall, Screenwriter, Best-Selling Author, "I Could've Written a Better Movie than that!" "There's No Business Like Soul Business," Founder, ScriptwriterCentral.com, EnlightenedEntertainer.comThere's No Business Like Soul Business: A Spiritual Path to Enlightened Screenwriting, Filmmaking, and the Performing ArtsI Could've Written a Better Movie Than That! : How to Make Six Figures as a Script Consultant Even If You're Not a Screenwriter

I have both editions of this book and want to add a special plug for the most recent edition. The "Guest Speaker" interviews with established and talented TV writer/producers are fantastic, and this new addition is worth its weight in TV gold. So for example, if you are writing a Dexter spec, as so many of us are right now, there's an insightful interview with "Guest Speaker" and exec producer Melissa Rosenberg that you will find extremely helpful in structuring your script. There's also great advice from David Milch ("Deadwood," "NYPD Blue") Ron Moore ("Battlestar Galactica") and Steven Bochco (all hail!).

The other thing I absolutely love about this book is that it has an actual sample of an outline. It's shocking how few of the TV drama books contain these. For a beginning writer, an actual sample of a beat sheet and outline to copy is really, really helpful.

I also love this book because it has a ton of advice that will help you spec and write for the pay cable series. A lot of the older books are geared towards network series, so if you want to write for HBO or Showtime, it's great to have a lot more updated info on the very different structure of those shows.

Buy this book - you will find it extremely helpful!

1.) The interviews in this book are invaluable. Interviews from both film students and professional in the industry.

2.) First 32 pages of the book, in my opinion, was hard to follow, learn and understand due to choice of words. If I hadn't of read "Crafty TV writing" by Alex Epstein, prior to reading this book, I would have been lost. THis book is for beginners, but Alexs book is for the beginner of beginners.

3.) Nice grids on pages so that you can do some training at home.

4.) This book is extremely analytical. I liked it, but some people may not.

Overall a good book.

This is a very helpful and useful guide.

I will expand my review later.

I've read many, many books on writing for film and television, and this is one of the best ones. Worth twice the cover price!

It was almost as lovely as the first one that was given to my children when they were very small....a gift from their great-aunt who was a Catholic nun with a degree in Library Science...I tried to locate one exactly like the original which was received in about 1964. It was about half the size, hard cover with the most beautiful artwork and my 5 children loved it. Somehow it was lost in one of our moves, but I bought this one for my oldest daughter (now 51) who always wanted a copy..She loved reading it to her younger siblings. She loved it and so did I, so we consider it a wonderful little book.

The familiar poem from childhood paired with beautiful illustrations makes the perfect bedtime read to share with your grandchildren.

Captain Kangaroo sang this song on his show many years ago. I was fortunate to have
the leather bound edition of children's poems by Eugene Field that included this poem.

I sang "Wynken, Blynken & Nod" to all our children and all the children I have loved. The original
is a bit different and has more lyrics but the feel is the same. The color pictures
are beautiful. The song is a wonderful bedtime routine and the imagery is lovely. Also,
it is appropriate for either a boy or girl. This book makes a wonderful addition to any children's library.


We will be gifting and singing this poem to the children of the many children we
love.

Eugene Field spins a marvelous bed time yarn with Wynken, Blynken, & Nod. Wonderfull Illustrations by Johana Westerman enhance this century old tale. It was my favorite bedtime story as a child, no violence, no villians, no nightmares. A fantasy delight that will send all young children off to dreamland with vivid and happy thoughts. Highly reccommended to parents and teachers, or anyone who cares for a child.

I was thrilled when I discovered Wynken, Blynken & Nod was still being printed. I believe of the two books I have saved from my childhood (I'll be 65 next week), this was one of them.

I treasured this book. It's a classic.

Today I found it has arrived. I am so sure that my grandchildren, 4 and 2 will love it as much as I did, that I bought it for them.

I found this book touched me in a profound way... I read it while holding myself in a lover's embrace. Jack's knack for crack and all that is wack made me want to come back with my gack. It's hard to find a better book than this if you run out of dunny roll.

This is a really short book.

I was browsing the old bibliotek for some food for my noggin when I stum-diddly-umbled accross Jack Dotson's 67 Feet in the Air. I thought it was about the anointing of the 67 Feet of the Kalamar so I naturally picked it up. "Gotta keep up with the Kalamar" I always say! It really knocked my socks off (figuratively speaking of course). So I took it home to the old "Casa de Flanders", braced my spec-diddly-ectacles on the bridge of my sniffer and settled in for a good read. Well it wasn't long before my better half came by with a de-iddly-icious glass of ice-cold lemonade. It had more pucker than St. Luke at the altar of Magaldemine. Anyhoo, that book was so good I just couldn't put it down. I had to close down the Leforium for the day just to fin-didly-inish the last chapter. Then Homer came by to borrow the lawn mower.

This is the originator, chief inspector, first supervisor, overlord of way cool speaking, and Jack Dotson is right on top of where it's at for the midwest mothers of invention. His jargon-free verse forms transform the average reader who needs some serious advice on how to be cool (ain't that right?) into the living likeness of just above freezing. So the next time you're sittin' at home, mindin' your own funky business, tryin' to figure out just how you got this cool, stop for a minute and give my man Jack Dotson his due. The man's earned it.

Whassup, G's. Yo, check this out: Ever since I be testifyin' about how I be tha Stone-Cold Hardcore Mack Daddy of book reviewin', all y'all wanna be part of my review posse. Thas cool, but if you wanna run with tha H-Dog, you gots to have skeelz, know what I'm sayin'? And I knows you ain't gots the skeelz I'm lookin fo. This book is wack. Da bomb and all that. Read it or you'll get a cap in yo...

Accidental Genius is a quick read, but has a series of ideas that will keep you reading your favorite author (yourself!) for a long time to come.

This book is about using private writing to sharpen your own thinking. This is not a book about written communications. If you're looking for written communications skills, you can't do better than The Pyramid Principle by Barbara Minto - which is considered The Bible among consulting firms.

If you're like me, you would have noticed that your typing fingers have a mind of their own - ideas start forming *after* you've started writing about them. Words starting forming on their own, and before you know it, you have a fully formed idea staring back at you on the computer monitor. This book writes out a few ways you can actually use this writing momentum to your advantage. The writing you would do as a result is meant for your eyes only. Writing in free-form and then reviewing the text makes the ideas present themselves to us in black and white (literally!), allowing us to refine them until they're ready.

I travel on long flights, and have found the approaches in this book extremely useful in clarifying my thinking, and passing time.

How many times have you looked at a new idea or invention and said "I thought of doing that once..." How many times have you forgotten things because you didn't write them down? Answers: lots of times, lots of times.

Now ask yourself "How many good ideas have come to me pure, shining forth with no clutter around them, precisely when I needed them?" The answer is likely to be "Never."

Accidental Genius tries to capitalize on these truisms by suggesting that the mechanism of writing can liberate the mind and allow the good ideas to pour forth - amid lots of debris, even nonsense. "Write fast, as close to the speed of your thinking as you can," says Levy, and with a timer (one that doesn't tick). And be relaxed while you do it.

The private writing log, which is Levy's main tool, can contain a journal, jottings on a problem or a wish, conversations with self or imaginary interlocutors, fantastic scenarios ranging from phenomenal strokes of good luck to horrifying catastrophe.

During the time you assign yourself you pour it all into your log, which only you will see and use. Later, perhaps much later, you will look over what you've written and try to extract the gold nuggets. For the price of a pencil and a pad of paper, you have built yourself a personal brainstormer.

Thought-logging has a long tradition among writing; many writers cannot survive without a notebook. Too many character sketches, images, details, dialogue and states of mind would be lost forever. However, the stated purpose of Levy's method is not to become a great or even a publishable writer but to keep a record of your thoughts for revisiting and future profit. The book is aimed at businesspeople but, at least in theory, anyone could benefit from the Levy method.

First, the method, which seems inspired by meditation techniques -- paradoxically, it replaces mind-quieting with page-filling --, requires a relaxed state of mind before starting a thought-logging session. Thus, the practice will be much easier for experienced meditators than for people who constantly carry unacknowledged tensions, fears, or other obstacles.

Someone capable of quieting his mind and relaxing may find it disconcerting to subject himself to a fast-paced exercise in free writing. Indeed, such a person may not want to get good ideas in this seemingly crass and haphazard way. Yet, in principle, the Levy exercises are no more absurd than practicing archery or repeating mantras.

True, the tone of the book is boosterish, the author being almost too eager to tell you his secret recipe -- but as in food recipes, literary polish matters little and the results are everything. Wonderful things can be done with cabbage, raw fish and snails (ants and cockroaches, too).

Despite its rough surface, this brief book has the bones of a fine meditation manual for businesspeople and a possibly useful tool for removing mental obstructions and even promoting a degree of self-knowledge in the age of commodity and show -- Levy's tacitly assumed and accepted scenario (whether the acceptance is reluctant or not, we don't know).

Talking to yourself in writing cannot be a substitute for the lost art of civilized conversation, but it will likely be a useful exercise. At worst, the technique can work as a placebo or not work at all, in which case you have lost nothing (think homeopathy).

At best, it can inspire you to pay attention to your thoughts and to develop an eye for good ideas, as well as good work habits. And if it teaches how to be comfortable in your own company, this book will have been not just a good buy but a steal. Good bones.

Many people have preconceptions about how the writing process goes. Grueling, frustrating and aggravating are just a few. This book shows you how to let go of your inner editor using private writing to let those unpolished gems come to the surface. Writing is work, but there are ways to make it easier and this book gives numerous useful strategies for moving past writing blocks and barriers when you have to write. It is very clearly, creatively and humorously written. Leavy illustrates many of his concepts with examples from his own writing. The most useful thing about this book is that it demystifies the process of writing and shows you multiple ways to create new ideas, strategies and perspectives. These are real, useful strategies, not "learn our new system and you will be successful" systems that are so complicated that you never use them after you read the book. I started using them when I was a quarter of the way through the book and produced 20 pages of single space material in one day. Not all that was great, but I was surprised at how good some of it was. It turned out there were a lot of good ideas in my head just waiting to get out. We are moving toward a knowledge society and most companies get their best value from ideas. This small, potent book will pay you back many times over by helping you get your ideas onto paper and into the world.

Accidental Genius: Revolutionize Your Thinking Through Private Writing )
by Mark Levy

I have had this book for quite a while & I have also reread it several times. I have been attracted to the book in the first place by what the author writes in the Introduction:

- Every recognized innovation has, in some way, been a product of human thought. It stands to reason, then, that the thoughts appearing in your mind have an enormous, potential value to you & the world;

- Sometimes your best thoughts must be coaxed out, & played with, before they reach their fullest potential;

- The world's most progressive companies have sophisticated infrastructures just to develop, and protect, the kinds of thoughts that you've already had or are capable of having;

What does this book do, in a nut shell: it teaches you how to get at what you're thinking on paper, so you can convert the raw material of your thoughts into something useable, using an energising body of techniques called 'private writing'. It entails examining all kinds of work/life situations & creating solutions for them through personal reflection and free-form writing.

The chapter on 'Extracting Gold from a Business Book' is my personal favourite.

For me, I have often used the author's writing techniques as a catalyst to guide my own best thinking on paper. I use what I often like to term as my 'scratch pad', foolscape-size, spiral-bound, 100 pages per pad, 100 gms weight, similar to the type artists use, in conjuction with a multi-colour/multi-utility pen from Rotring. At one point in time, (for about 3 years) I used the Bienfang spiral-bound note/sketch pads until the only local supplier went out of business unexpectedly.

On many occasions, I have astonished myself by being able to wrestle with the valuable business & life insights from my own seemingly disparate 'private writing' pages. I have translated many of my valuable insights into pragmatic projects. One of the sideline projects is writing reviews on amazon website.

I have noted that one of the most outstanding results of 'private writing' is honing my own critical & creative thinking processes.

Because of my personal interests in visual thinking, I often incorporate the 'rapid visualisation' & 'deliberate doodling' techniques I have picked up from Kurt Hanks as well as Joy Sikorski into my 'private writing' processes. As most readers may know, Kurt crafted the classic book, Rapid Viz, among many others. Joy crafted the following three marvellous doodling books, which I also own:

- How to Draw a Cup of Coffee & Other Fun Ideas;
- How to Draw a Radish & Other Fun Things to do at Work;
- How to Draw a Clam: A Wonderful Vacation Planner;

I have drawn phenomenal power from my purposeful integration of 'private writing' with 'rapid visualisation' & 'delberate doodling'. That's why I always use a multi-colour/multi-utlity Rotring pen in my work. My scratch pad is always a visual smorgasbord of relatively heavy text, mystical doodles & logical illustrations (thanks & no thanks to my engineering training!).

To conclude my review, Accidental Genius, is a real, rare gem. I strongly recommend this book to any reader who wants to explore powerful insight generation, &/or to apply some structure & purpose to - & at the end, extract some value from - all those notes you've been writing to yourself.

This is a great book. It's short, easy to read, and entertaining. But it's also a very powerful book that will change the way you approach creativity and learning.

It's not just about "private writing", it's about how to generate creative ideas and increase your learning and retention of what you read. It's also about how to clarify your thinking. The book has more than enough ideas to improve your life than what you would expect in his 141 page book.

I give it an A+ in my rating scale. This is a MUST READ for those who want to increase their learning, creativity and retention.

John Dunbar
Sugar Land, TX

I bought this book for a doctoral level class I am taking. It is outstanding! The information in it is practical in the classroom and simply makes sense. I highly recommend it.

This is a great overview of literacy instruction for any elementary classroom. The book is reader friendly and offers many different ideas that could be applied to the classroom the next day. Many primary ideas could easily be adapted for intermediate, however, overall the authors did a great job of presenting ideas that were usable in every grade! The vocabulary, reading, and writing lessons/activities are fun for students while continuing to challenge and develop their thinking. The practical nature of the book is ideal for any teacher!

I just got into this book in my class. What I have seen so far of it it is a good book. great for Methods classes for Education Majors.

This is a must have book for elementary school teachers. It gives great insight and ideas for teaching children how to read and write.

This is a must read for all elementary classroom teachers. It offers research based lessons to implement a balanced literacy program. It's an easy read. I highly recommend it!

I bought this book for one story but it turned out all of the stories were great.

Marjorie Kinnan Rawlings always makes me cry. The other reviews of this book here describe it so eloquently and throughly that I don't feel the need to add to that aspect. The book has a strong emotional pull that made me cry and made long to go to Cross Creek and see it for myself. Rawlings is one of my all-time favorite writers, ever since my seventh-grade teacher read the newly published book The Yearling to her class, a chapter or two each day after lunch.

Wonderful view of an isolated place in FL (near Gainesville) circa 1930 written by a brave, independent woman.

Cross Creek is a series of entertaining if perhaps embellished anecdotes relating to Florida in the years preceding World War II told from the perspective of a educated emigré from the North. Some of the language, which was typical of the times, would no longer be considered politically correct and might be offensive to some. The book, however is totally delightful and gives some insight into life in rural Florida at the time. An excellent companion read is Tom Glisson's The Creek, which gives a native's view of the same time and area. Both books are a must read if you live or are interested in North Central FL.

Rawlings explores the lives and interations of the odd assortment of people living in Cross Creek, Florida in the early 1900s. It is often assigned reading for teens, but I doubt that most of them can appreciate it. Her accounts of neighbors feuding and subsistance living gives us many lessons in human behavior.
The lyrical descriptions of wildlife and the orange groves and wild landscape are very appealing. Your mouth waters as you read her essays on downhome foods like hush puppies. She turned those into a cookbook which I'll have to try out.
Modern readers squirm uncomfortably at her use of the N----- word and her characterization of blacks as irresponsible, drunken, immoral, etc. It is probably a faithful representation of common thinking at the time it was written, so recognize it as a snapshot of the times. Then move past that to luxuriate in the beautiful passages in the book. (I deducted 1 star for this)
The reader becomes absorbed in Rawlings' love of the land and the creation of a home. It gives much the same feelings as A Year in Provence or Under a Tuscan Sun.

I lost sleep last night to devour its last page...I love a night like last night where a book keeps me awake like a lover.

This collection is the juice of a cool of mango on a scathing summer day, I tasted radience in the words!! I immediately got more to give as presents to friends in love.

This collection is a falling in love with life and shouldn't be missed!

I started to read this book with skepticism, because I think that it is impossible to translate Neruda in his exact sense. However, I had a very good impression of the book, and I think that the author did a great effort understanding Neruda's poems. Obviously, if you really want to know Neruda, you need to read his work in Spanish, but still it is a good approach to introduce you in his poetry.

It's difficult to read Neruda and remain intact.

"Of all that I was, I bear only these cruel scars,
because those griefs confirm my very existence."

I got The Essential Neruda when it came out in 2004. I already loved Neruda, and have the old Selected Poems edition (which unfortunately ends at 1968, and some of the translations are just plain flat) plus the 20 Love Poems, Residence on Earth, Canto General, and some of the odes. But the translators here (former US Poet Laureate Robert Hass just won the Pulitzer!) just bring Neruda so alive, and the selection of poems just captures his whole range of 'the many Pablos'. So when I came here today to buy one as a gift, I'm pleased by the reviews of how great an introduction to Neruda it is, but I want to stress how great it is as a book to keep going back to again and again. Actually, to quote the great writer Ariel Dorfman on the back cover of the book:

"What beter way to celebrate the hundred years of Neruda's glorious residence on our earth than this selection of crucial works - in both languages! A splendid way to being a love affair with out Pablo or, having already succumbed to his infinite charms, revisit him passionately again and again and yet again."

Gorgeous work. Neruda is my all time favorite. A beautiful book to give as a gift or to get some started with Neruda.