English Books

Each time I teach Boethius' Consolation of Philosophy in my Medieval and Renaissance Philosophy course, I'm struck by what a wonderful text it is. There are at least three reasons for this.

First, it's as good an introduction to the worldview of the late antiquity/early medieval periods as one's likely to find. That worldview is likely to strike contemporary ears as foreign--Boethius' conflation, for example, of the good, happiness, and God in Book III--but it's well worth attending to.

Second, reading Boethius is an education in good argumentation. One can disagree with the premises upon which his arguments rest while still admiring and profiting from the rigor of the arguments themselves. Boethius himself tells us that his method is to "unfold" conclusions "without the help of any external aid"--tradition or authority--"but [instead] with one internal proof grafted upon another so that each [draws] its credibility from that which preceded" (p. 82). And he lives up to his word.

Finally, the existential questions Boethius explores in the Consolation are astoundingly vital today. Here's a guy who was once one of the most powerful men in the Roman empire fallen from grace and facing a very messy death. In writing the Consolation, he tries to come to terms with the fickleness of fortune, the problem of evil (why do bad things happen to good people), the secret of happiness, the issue of free will, and the meaning of human existence. Boethius finally concludes that he, like most humans, had been suffering from what might be called philosophical amnesia. He'd allowed his fast-paced lifestyle to induce forgetfulness of who he was and the way he should live his life. In those final months of his life, living in a solitary jail cell and pondering his own mortality, Boethius begins to remember. Reading his wonderful little book can help us, fifteen hundred years later, to awaken from our own amnesias.

Of all the translations of the Consolation I've read, Victor Watts' is my favorite. But be forewarned: his Introduction to the book will tell you almost nothing about the contents and issues of Boethius' book.

"Consolation of Philosophy" was on the syllabus for a "History of Philosophy" class I took my senior year in college. To say that I loved it would be an understatement. I still have the copy I read back then (academic year 1980/1981) and I have re-read it several times over the years. I treasure this book like none other.

I looked through my copy to type out a passage that I find particularly inspiring, but found that I couldn't because there are so many. I've recommended it to literally dozens of people, and every one to took me up on my suggestion thanked me for it.

Boethius, in his "Consolation" written in prison shortly before his death, turns to the pre-Christian philosophers and the tradition of Rome and Greece for aid and comfort. The work is one of the most historically important works ever written: it is through Boethius that we had knowledge of Aristotle during the middle ages.

The work takes the form of a Platonic dialogue, mixing prose and poetry as the author slowly convalesces with the aid of Philosophy, his "nurse." This literary style has been imitated many times since.

The work ought to be read not only for its historical and literary appeal, but for its arguments, which are as cogent as they were nearly two thousand years ago.

I don't read a lot of philosophy texts, but I read this one after my father died and was surprised to find it very meaningful and truly consoling.

The Consolation is a philosophical treatise written by Boethius (c. 480-524 A.D.) while awaiting his execution after being imprisoned by the Gothic emperor Theodoric. The first time I heard of Boethius and his most famous composition was, as so often is the case, when I was reading another work. The work in question is A Confederacy of Dunces by John Kennedy O'Toole. The main character of O'Toole's novel, one Ignatius J. Reilly, had based his entire life and worldview around the philosophy of Boethius and his assessment of Fortune. A great work in its own right, A Confederacy of Dunces left a lasting impression in my mind and, when by chance I came across a copy of the Consolation in the used bookstore I jumped at the opportunity to see for myself what Boethius had to say.



The work is composed of five books beginning with Boethius struggling to make sense of his imprisonment and pending execution. Confronted with a fate that is seemingly at odds with the virtue and faith with which he has conducted his life, Boethius is about to succumb to the sorrow that is filling his thoughts. Just then he notices the presence of a woman in his cell, the awe-inspiring Philosophy. She bemoans that Boethius, once such an avid student of hers, is now about to abandon all that he had previously gained. Thus begins a journey of reason and contemplation between the two until Boethius in the end finds the consolation that he had almost given up upon. Interspersed between the dialogues of Boethius and Philosophy are a number of poems that range in subject matter and content. More numerous at the beginning of the work, the poems often times serve as transitions between arguments or help to put difficult concepts into a clearer light. Thus a remarkable harmony is reached between prose and poetry that can be appreciated even in an English translation, a rare feat indeed.



It is perhaps significant to understand the time in which Boethius lived a bit better to gain a more accurate reading of his work. Living long after Constantine's conversion to Christianity in the 4th century A.D., it is widely accepted that Boethius was a Christian and believer of the tenants of the Catholic Church (at a time when the Gothic emperor Theodoric, also a Christian but belonging like all Goths to the heretical Arian sect that believed that the father and son were not of one substance). One must find it a bit peculiar than that at no point in Boethius' text is Christianity mentioned in any overt context. To find a believer in his last days before death turning not to theology for comfort, as one might expect, but rather to philosophy has raised many questions about the nature of Boethius' belief. But one only has to look to the title of the work to see that Boethius is choosing philosophy for the subject of his work and could very well indeed have thought theology a better consolation, although one that would be and should be treated in an altogether separate treatise. With this in mind, Boethius draws on the works of the great philosophers and thinkers of antiquity; Homer, Plato, Aristotle, Cicero, Seneca, St. Augustine, the Stoics, and the Neo-Platonists. This feat being all the more remarkable because Boethius apparently relied on his own memory to produce the arguments and passages seeing as he had no access to any literary sources while imprisoned.



Boethius has rightly been called the last classical man. Indeed his thoughts and works can be seen as forming a bridge etween the classical world and the Middle Ages. The Consolation influenced countless numbers of theologians throughout the Middle Ages and direct references are to be found in the works of masters such as Dante and Chaucer. His lonely contemplation of good and evil, fate and free will, fortune and the nature of happiness certainly still have an allure to inquisitive minds to this day.

This is the most complete Spanish/English I have ever found. It can be used for Business, School or Personal purposes. It has all idioms and phrases that you could ever need.

This is a terrific dictionary used in conjunction with the Oxford Duden Pictorial Spanish and English Dictionary for hard to locate technical words. The Cassell's Spanish Dictionary can lead to a lot of imprecise translations in your readings, but it's useful in composition as a thesaurus.

This Oxford Dictionary is a true gem. It is the best general English Spanish dictionary written to date. In addition to having excellent meaning discrimination, it often includes the informal register in its explanations as well as the formal registers.

It is a tremendous resource for really understanding the nuances and shades of meaning between different synonyms and expressions.

As a translator, professor, and bilingual lexicographer, I am truly deeply impressed with this masterpiece.

This is by far the best dictionary I own. Not only does it specify a term's area of usage, but it also translates numerous idiomatic expressions. It is a bit bulky to take to class (but not impossible-I manage to), but the contents make it perfect for doing Spanish composition homework as well. Overall, the perfect bilingual dictionary

Excellent resource! I highly recommend this dictionary as it appears to have EVERYTHING in it! Even "kitchen" and "sink"... jokes aside, I find this book to be the perfect answer to all my spanish/english definition problems... What makes this dictionary unique is not only its exhaustive collection of words, but also the correspondence writings in its middle. It tells you precisely how to write a correspondence in Spanish (and English) including dates, openings, closings, how to address the envelope and more... It even has examples and instructions (with pictures) of how to create a professional job application, how to write a letter of complaint, how to write a check, how to request a catalog... This dictionary has everything! A must have for language students!! Too bulky to put in your backpack, but not too big for a bookshelf!

This book explained and gave amazing and insightful information about the development of the medieval worldview and mindset.

It is difficult to praise "The Discarded Image" too highly. It can be read with profit many times. Other reviewers have told you why.

That said, I would like to say something to those who have read and enjoyed the Space Trilogy, especially "Out of the Silent Planet" and "Perelandra." In writing those excellent stories, Lewis decided that the medieval outlook on cosmology, however incorrect from the scientific standpoint, would provide a marvelous-and to most of us-unfamiliar backdrop for tales of imaginative fiction. I promise you that once you have finished "The Discarded Image," you will reread the fictional works pleasantly fascinated by how the medieval image informs the novels.

To begin with, it must be acknowledged that the subtitle of this work is apt to be misinterpreted. Lewis's last book of his own initiative, which but for some late corrections would have been published in the final months of his life, might be better understood as a 'preface' to mediaeval and Renaissance literature than as what is now most often meant by an 'introduction'. For his stated purpose is not one of identifying, summarizing, and expounding major works, but of explaining the world-view or Model of the universe which informed any educated writer or reader of the time.

Lewis is concerned that a student may succeed in achieving a semblance of comprehension yet be wholly mistaken in his or her grasp of mediaeval literature through projecting onto it either very modern ideas or, perhaps worse, modern misconceptions of what our ancestors believed. While he does touch on authors and writings familiar from the average undergraduate survey course, he dwells far more on, and digs more deeply into, somewhat obscure examples which he feels better represent the mindset of the era. Boethius and his THE CONSOLATION OF PHILOSOPHY get particular attention and are alluded to repeatedly throughout. Lewis then proceeds to outline the mediaeval picture of the universe's structure; of the inhabitants it held; and of the psychological, philosophical, and metaphysical aspects which integrated the whole system.

All of this gradually reveals a cosmology far more sophisticated and a civilisation rather better informed than they are often credited with being. Understanding of the nature of the universe was not so erroneous as is now generally supposed; and where it was indeed wrong, it was nonetheless remarkably insightful as well as internally consistent. The mediaeval era emerges as the vital and extraordinary world it was, and as a fertile ground in which the so-called 'Renaissance' took root and flourished.

Lewis concludes with a cautionary reminder that our own notions of the universe and of 'Reality' itself remain comparatively incomplete and are certain to be superseded one day, not merely by new discoveries but by the ever-shifting philosophies and tastes which determine what questions are asked and thus what answers are found.

This is a book I genuinely hope to read again. Parts of it, I confess, were a bit beyond me, if chiefly because I had too little acquaintance with what was under discussion. Even so, Lewis's characteristic wit, conversational style, and contagious enthusiasm succeeded in making me wish to improve my familiarity with his subject. And to inspire such interest is surely a teacher's purpose even more than the mere passing on of information.

Highly recommended for students of history as well as literature. A product of C. S. Lewis's day job at Cambridge, this volume helps the reader get inside the mind of both the common man and the writers of this period. They had a different view of reality and the world than modern man. To understand, let alone appreciate their history and literatue, you need to know how they saw things.

Broader and more scholarly that Lewis' "Studies in Medieval and Renaissance Literature" (Canto, 1966), I recommend "The Discarded Image" over it.

By the way, though not intended as such, it's also a great source of trivia on the origins of names and expressions.

C.S. Lewis is just such a pleasure to read. And this book is simply a joy. I am a PhD student in medieval history and have read an awful lot of books on the medieval mind and this is by far the best. There is a slight tendency in Lewis' writing to see philosophy as the sole motor of history--but this is to be expected from his generation and it doesn't detract from the picture he paints. The best part about this book is that when I was finished reading it, I loaned it to my mother, who has absolutely no formal medieval training, and she loved it too! It's such a relief to escape the arrogant jargon of academics, that just masks their ignorance and inane analysis, and explore the world of ideas with such a master of clear and honest language.

I've used it for about three years and it's very helpful. I refer to it constantly and use it to teach my students.

An extremely helpful, easy to understand grammar reference guide to be used alongside any Spanish program.

If you are studying Spanish, this is a great book for teaching Spanish grammar. I found it very helpful when taking a second semester college Spanish class.

A student in my college Spanish class a few years ago introduced me to this little treasure. I was so impressed by the way it was written and designed that I asked the college bookstore to make it available. It was quite obvious that 90% of my students did not know English parts of speech nor syntax therefore handicapping them if they wanted to learn a foreign language. I used the excercises at the end of mny of the chapters as part of quiz and test reviews. Since I retired from teaching I gave my copy to a friend who teaches high school Spanish, and recently recommended this book to another friend who is teaching Spanish in an adult learning center.

This grammar book is very good and is a great help to me. I recommend this book to anyone learning Spanish Grammar. The book explains English Grammar and for someone like myself that does not have a a clue regarding grammer it helps alot with clear chapters on each possible subject and then of course its use in Spanish.

I recommend this book, as it has been the most helpful out of all the grammar books I have used.

This book is truly an excellent resource for secondary English teachers. It's replete with great teaching strategies you can easily implement in your classroom. Great lesson ideas as well! I have been teaching for 9 years, and found the book refreshing. It's not that expensive, so what do you have to lose? Try it out!

This is the perfect book for anyone going to school to teach English or already teaching. I wish I had discovered this before I started. It has valuable information in it.

This book was recommended to me by many people--professors in my master's degree program and English teachers. I borrowed a copy and I knew right away I had to have my own. This book has it all--sound theory and excellent examples of practical techniques in action. It even discusses how to get a job. The portions on class room instruction were especially interesting to me because I see discussion as the most important thing that happens in an English class. This book is The Book to get if you're going to teach English (especially high school English). I have enjoyed all of Burke's books and I hope there are more to come.

This is a really good book with lots of great information and good ideas for teachers both new and experienced. However, you'll have to get by his "look at me" pompousness and the many errors. It looks like Mr. Burke decided to edit the book himself, as he's so good at what he does. While I'm sure he is a really great teacher, all writers need a really great editor. The deficiencies can be overlooked because of the variety of quality information. Putting his picture on both the front and back of the book was a bit overdone, though...

Full of Jim Burke's years of experience and his insightful ideas. The writing is very personal, entertaining, and truthful.

In these by times highly emotional essays written in the 1930s and 1940s George Orwell gives us with in depth analyses his personal viewpoint on the literary, political and socio-economic scene.

In literature, he sees the novel as `a Protestant form of art, a product of the free mind, of the autonomous individual.' Orwell's aim was to `push the world in a certain direction: a battle against totalitarianism and for democratic Socialism.'
In his criticism he searches for the essential (hidden) message of the author.
Dickens's rather naïve creed is: `If man would behave decently, the world would be decent.' His ideal is `a hundred thousand pounds, a quaint old house, a sweetly womanly wife, a horde of children and no work.'
Henry Miller's books are `a passive acceptance of decay and evil.'
H.G. Wells dreams of a utopian World State.
R. Kipling is a jingo imperialist, but he didn't understand that `an empire is primarily a money-making concern'.
W.B. Yeats is in essence a defender of feudalism, `a great hater of democracy and of human equality, of the modern world, science, technology and the concept of progress.'
A. Koestler's main theme is `the decadence of revolutions owing to corrupting effects of power.'
P.G. Wodehouse's real sin is to present the English upper classes as much nicer than they are.
In `Gulliver's Travels', J. Swift delivers a frontal attack on totalitarianism and shows that he is a disbeliever in the possibility of happiness.

Orwell's view on world matters is rightly `no Law, only Power'.
Nationalism is inseparable from the desire for power.
The concentration of the media in the hands of a few rich men puts the freedom of the press and intellectual liberty under attack. The `very concept of objective truth' is lost.
The Spanish war showed him the essential horror of army life.
He is extremely severe for the British establishment: `The British ruling class thought that Fascism was on their side.' For them, `it is better to inherit, than to work.' `In an England ruled by stupidity, to be `clever' was to be suspect.'

But his solution is also naïve: `common ownership of the means of production. The State, representing the whole nation, owns everything, and everyone is a State employee.' In other words, he pleads for a massive bureaucracy.
But he contradicts himself when he complains that `everything in our age conspires to turn the writer into a minor official!'

These essays contain also vivid memories of his public school life (`irrational terror') and of his Indian life ('Shooting an elephant'). He comments on sports (`war without shooting), detective stories (J.H. Chase), poetry (`the most hated art form'), mildly pornographic comic postcards (`a harmless rebellion against virtue') and ends with a superb portrait of Ghandi.

These remarkable essays, written by a fearless superb free mind, a fighter for justice and a true `révolté' (A. Camus), are a must read.

I believe the other reviews of this book to be quite accurate; rightfully noting its annoyingly bad layout(lacking index, missing page headings of what you're reading, etc). Disregarding these shortfalls, Orwell's writing itself easily makes up for--and surpasses--were the publishers have blundered. I read these essays with child-like Christmas morning joy; finding pleasure in them as if peeling away the wrapping paper from the presents, leaving me engulfed with intrigue over Orwell's subjects, prose and opinions. This book is a real treasure trove for all those who enjoyed Orwell's most famous, if not cliche, works of 1984 and Animal Farm.

What distinguishes George Orwell from every other political writer in history is his pitiless intellectual honesty. It is true that Orwell hated imperialism, fascism and capitalism, and that he spent the majority of his career stumping and scrapping for democratic socialism, but no political ideology ever swallowed more abuse from one of its own. For every positive word Orwell scribbled or spoke about socialism he threw in at least a paragraph of denunciation, insult and mockery; indeed, in THE ROAD TO WIGAN PIER he so ridiculed the pimply, sniggering, ivory-tower intellectuals who were the public face of the movement that the Left Book Club, which had commissioned the book, added an introduction that basically disowned it. Orwell was quite simply something that doesn't exist nowadays: a man who didn't let his political opinions interfere with his observations. He spoke the truth, or what he saw as the truth, without any respect for the party line, and if he brassed off his own side in so doing, that was just too damn bad.

ESSAYS is not like the other Orwell books on the market, which featured pieces selected by an editor - THE ORWELL READER, A COLLECTION OF ESSAYS, etc. It is a massive, hardbacked, dumbell-heavy compendium of every single essay he penned in his entire career, spanning the period 1928 - 1949: letters to newspapers (some of them unpublished), BBC broadcasts, the innumerable "As I Please" columns, famous works like "Such, Such Were The Joys" and "The Lion and the Unicorn", innumerable book reviews...in other words, 1,360-plus pages of acid observation, scourging honesty and gallows humor, delivered by a master at the top of his form.

Obviously, you have to be a pretty hardcore fan of G.O. to lug this miniature telephone book out of the store, but it's a bargain at any price. Orwell's special genius was that he could tackle something completely ordinary - a ponderous scholarly work on political trends, a second-rate gangster novel, American comic books, magazines devoted to young boys, a government White Paper, even ordinary British postcards - and unmask the hidden, inner motivations which lurked behind them. His ability to see through dishonest arguments, expose hypocrisy, trace twisted motives to their roots, and draw timeless conclusions from seemingly trivial political and pop-culture events is rivaled only by his willingness to say the unsayable. Who but Orwell could get away with a such a brutally frank discussion of the motivations behind everything from anti-Semitism to pro-Communism, the allowance for the possibility that British Imperialism was worse than Nazism, or the statement that the root of Hitler's appeal was that Fascism was psychologically more sound than its alternatives, because it played into the fact that humans want struggle and sacrifice as much as pleasure and saftey? The answer is nobody; nobody else would have dared. Or would dare, now, when nearly every sentence written by politcos Left, Right and Center is either intellectually dishonest, partisan hackwork, or so filled with political, racial, and sexual correctness, with platitudes, with clichés and buzzwords, with stupidity and cowardice, that they essentially have no meaning?

In "1984", Orwell coined the term "duckspeak" to describe those who chatter unconsciously, unaware of the meaning of their own words but certain of their conformity to the party line. Well, you can love Orwell, you can hate him, or you can disagree with him to the middle of your bones, but one thing is absolutely certain: nowhere in the wrist-straining tome that is ESSAYS will you hear a single quack.

George Orwell: 1984 and beyond


The futurist novels 1984 and Animal Farm are George Orwell's primary literary legacy. He contributed the phrase "Big Brother" to the language, and is remembered... if at all...as a novelist and social commentator.

But Orwell was much more than that - during the Second World War he worked for the BBC as a commentator, essayist and writer. He was a consummate professional, a brilliant satirist, and an indefatigable correspondent. He volunteered in the Spanish Civil War and wrote "Homage to Catalonia" from his experiences.

What is more surprising is that Orwell ...who died at 46... left voluminous essays, letters and reportage which have been compiled in four thick volumes by Sonia Orwell and Ian Angus. * (George Orwell: Collected Essays, Journalism and Letters; Volumes 1-IV, Nonpareil Books, 2000), and in his Collected Essays.

. He lived as a tramp for a while, got arrested for being drunk, worked low-level jobs and wrote "Down and out in London and Paris" from his experience. Orwell struggled personally and financially; his first marriage ended with h is wife's death, his second was short, and he was usually broke. That changed with the publication of l984 and Animal Farm...the latter a satire on the Russian Revolution. Ray Bradbury's classic "Fahrenheit 451" owes a debt to Orwell. His BBC broadcasts during the War were classics.

In his short life, Orwell produced a huge body of work: his Collected Writings run to 20 volumes, and his essays fill four books. He is one of the major figures of 20th Century English writing.
Major Works

Down and Out in Paris and London
The Road to Wigan Pier
Nineteen Eighty-Four
The Orwell Reader: Fiction, Essays, and Reportage
Homage to Catalonia
Burmese Days

As a lit major very interested in politics, I find this collection to be fascinating and instructive. Mr. Orwell's views on what corporations would do to the news media and the stifling effects of politically correct speech are vital today, and should be required in civics and political science classes.

Mr. Orwell managed to anger and inform both liberals and conservatives by exposing hypocrisy and dull-minded dogma. His writing style is sharp and free of tiresome twists and turns. In fact, "Politics and the English Language" (954) targets academic writing that is puffed up for no reason other than to hide the fact that the writer has little to say. (And this article should be required reading in graduate literature classes!)

The power of his insights and imagery can be seen in "How the Poor Die," a sad, upsetting essay that made me want a shower and a drink when I finished reading it. (Again, this is current today with the horribly neglected and virtually unregulated "assited living facilities"--and even the Walter Reed outpatient scandal.)

So few writers have had such vision that it is worth repeating the cliche: George Orwell was a social prophet--a genuine one.

Because of Mr. Orwell's deep understanding of political systems and human nature, his excellent style, and the breadth of his subject matter, I think it would not be over-praising him to say that this volume ranks with Montaigne's collected essays.

This volume is lovely, both in binding and text size; however, as other reviewers have pointed out, the publisher should have taken the trouble to include an index at the end of 1363 pages of essays! (Write to Knopf/Random House to complain!)

I'm going to contact my county library to arrange donating a copy of this; it is a shame this book isn't on the shelves!

Frog and Toad where helpachful to eatchather.There storys where creatav.I like Frog best.He teaches Toad alot of things.Frog and Toad spend all year together.

I was at a wedding where the minister was a very good friend of both the bride and the groom. When it came to the part of the service where the minister imparts words of wisdom, he started to read the Frog and Toad story of "The Surprise." It is all about how one October when the leaves had fallen from the trees Frog decides to go to Toad's house to surprise his friend by raking up all the leaves on his lawn and Toad decides to go to Frog's house and do the same thing. The minister read the story, showing the surprised groom the pictures, and when he finished the story he explained how it was all about thinking of somebody else before you think of yourself. All I was thinking is that I have to get my hands on this story.

"The Surprise" is the fourth of the five stories that make up "Frog and Toad All Year," a Level 2 (Reading with help) "I Can Read Book." The stories begin and end with winter, starting off with "Down the Hill" as the two friends go sledding and end with "Christmas Eve." In between Toad finds that Spring is waiting around "The Corner" and buys some "Ice Cream" cones for he and his friend to enjoy, before it is time to rake the leaves. Lobel's stories have an exquisite simplicity that should really resonant with young readers. I know that frogs and toads are both amphibians, but I had to look up the biological differences: toads have brown skin that is dry and leathery because of convergent adaptation to drier climates and environments than frogs. So there is a reason why frogs are green and toads are brown. What that means to kids is not evidence of convergent adaptation, but rather than Frog and Toad are alike and yet different. In the end what is most important is that they are friends. Whether you think of yourself as a frog or a toad, you still need a friend and friendship is what these stories are all about.

"Frog and Toad All Year" was originally published in 1976, the fourth of Lobel's collections of stories about these characters. It follows "[[Frog and Toad Are Friends" (1970), "Frog and Toad Together" (1971), and comes before "Days with Frog and Toad." Each has five stories and if I think this one is the best it may just be because it was the first one I happened to read. If you have the soundtrack to "A Year with Frog and Toad," the musical adapted from Lobel's charming stories, you will find that three of these stories end up in Act II. "The Surprise" becomes "He'll Never Know," "Down the Hill" retains its title, and "Christmas Eve" becomes "Merry Almost Christmas." I mention all this because once your young reader reads one of these books they are going to want to read the rest, and when they find out that there are only four books you might need something else to keep them happy and the musical is out there to be enjoyed as well.

Frog and Toad All Year continues in the delightful and thoughtful tradition of Arnold Lobel's books. It has stories for each season and as always they are deceptively simple but actually full of love, truth, good values, and humour. My daughter's, 3 and 5, love them.

Frog And Toad All Year


Hi, if you are a fan of Arnold Lobel's books, and you have not read Frog And Toad All Year, then you might want to read it.

If you like ice cream, then you should read page's 30-42. It is about Frog and Toad sitting by a pond Frog wishing for something sweet like ice cream. Toad thinks that is a great idea, so he gets some but before he can make it back it melts. They both go and get more ice cream. But instead of going back, they sit under a tree by the store. I like this chapter is because of the ice cream melting.

I liked this book because of the lessons like the lesson in chapter Ice Cream and the lesson is never travel with ice cream on a hot summer day.

If you are scared of being alone, well, you might pick Frog and Toad All Year by Arnold Lobel. Find out if Toad will ever learn how to be alone.

In the beginning, Toad was so nervous to be alone in the sled. So Frog was behind him. There was a big bump and Frog fell out. Toad was still on the sled. And he went by himself all the way to the bottom. Toad learned that being alone is not that bad, and you don't have to be scared.

If you like this book you might pick others in the series. There is Frog and Toad are Friends and Days with Frog and Toad.

I'd first heard of Karl when I got the Ricky Gervais podcast from a friend for my birthday. His book comes across just like he does on the podcasts. It's a collection of his travels around the world from his Parents' house to Los Angeles to Ibiza. Some are written in story format, others as journal entries and sprinkled liberally throughout are poems and comic strips of "friend-of-friend" tales.

It is a mix of non-sequitur and absurdism. It's as if Karl stops thinking after the first thought that crosses his brain. Sure, I might have had the same thought, "hey, if my head were on backward, I'd be able to face the audience if I were a pianist." But then, being normal, I would follow that thought up with all the other side effects of having my head on backward.

Pilkington, however, does not move past the first thought of childlike wonderment of having his head on backward and doesn't seem to realize there is anything much past that initial thought. The end result is absolute hilarity.

I can't sum it up any better than what's in the title of this review. I wish I could be in a room with Karl, Stephen and Ricky...I think I'd die laughing.

Just like Ricky Gervais said, "I've seen him blossom from an idiot into an imbecile." Karl has such a different way of viewing the world and it's like no other. Maybe it's because he's borderline retarded, yet extremely observant and curious. This book is HILARIOUS!!!

P.S. WE'RE ALL WAITING FOR SERIES 4 OF THE PODCAST, KARL. HURRY UP AND FIX YOUR DAFT BOILER AND GET BACK IN THE STUDIO WITH RICKY AND STEVE.

Great book. Karl IS a genius, Ricky is the idiot, I know this cos im a genius and if Karl isn't one then im not, but I am, so he is, so there. Love it!

Karl is the king, but he has become a lazy king, and his subjects are getting restless. MORE PODCAST NOW YOU ORANGE HEADED MONKEY FREAK!!!!

...And there better be new monkey news included in the podcast...I'm just sayin'....

But about the book....Great book. Karl's an idiot, but strangely, his book creates a very enjoyable read. I esp. liked when he talked about the squirrles in Carmel, CA. I live by there, and I've seen those squirrles, and I want to go back and see if they've been traumatized by meeting Karl.

I came across this novel quite by accident, having seen a Steven King review of one of Goddard's other novels. King praised Goddard so I decided to check out his work. I settled on "Into the Blue".

The book has been well reviewed by 20 others here and I will just add this: Goddard is quite literate, but never boorish. The story is intricate but well told. His characters are well developed and his telling of the tale is superb. It's a tale of mystery, murder and international intrigue. I will definitely read Goddard's other novels.

As to the Kindle edition of the book, it is superb. There was not a single typo or error of any kind. The text flowed smoothly and flawlessly.

I highly recommend the novel itself and I highly recommend the Kindle edition for you Kindle owners.

This was the first novel by Robert Goddard I read. After that, I was completely hooked. I rate Goddard as the best suspense novelist I've ever read. His plot twists are incredible; as a long-time reader, I'm used to being able to predict endings. It's depressing, really, how few can surprise me. Well, Goddard can! And his are true plot twists, all the information is planted early in the novel, but you can never quite see which little nugget of information will end up being the crucial one! Delightful! As for _Into the Blue_, I felt like I had visited Greece along with Harry. And Harry rates as one of the most likable characters in suspense fiction, too. Not all Goddard novels will hold the same interest, but they are all very well-plotted.

Harry Barnett lives the life of an Englishman on holiday on the Greek island of Rhodes where he is the care taker of the Villa ton Navarkhon belonging to his powerful friend Alan Dysart. He lives peacefully in the shadow of a past disgrace until Heather Mallender, a guest at the villa, disappears on a walking tour on Profitis Ilias. Harry becomes the number one suspect. While a Greek detective tries to catch him, and the British newspapers accuse him of murder, Harry's conscience is his worst enemy of all. What happened to young, beautiful Heather Mallender? Who took her-and why didn't Harry realize that something was amiss?
Suddenly Harry, a man steeped in failure, finds a purpose: retracing the strange, twisting route that led to Heather's vanishing. But the more he learns, the less he knows. Until Harry finds himself at the heart of a dangerous puzzle whose pieces are scattered everywhere: in the realm of British politics, in the beds of adulterous lovers, in the past, the present, and most of all, amid the secrets of an unsuspected killer....
A nicely designed plot with plenty of twists and turns and a sympathetic protagonist are the strengths of one of Mr Goddard's most entertaining adventure stories.
Paul Shelley reads "Into The Blue" for BBC Audiobooks. A very good performance indeed.

You'll like Harry Barnett. He is in Greece, on the sunny sunny island of Rhodes, house-sitting there for a rich British member of parliament. Harry smokes, he drinks, he likes food, he likes women, especially the attractive young woman named Heather, who befriended him a few days ago. Heather is much younger than Harry's overweight middle-aged self.

Heather persuades Harry to take her on the half-hour drive up a nearby mountain for the view. They stop, get out of the car, and climb for a while. Heather decides to continue walking up to the summit. Somewhat winded, Harry says he'll sit and rest for a little. Harry waits and waits and waits, and no Heather. Heather does not return. Where is she? Where did she go? Was she waylaid? What happened? He finds her scarf, and loses it.

Harry goes to the police, who question him, begin their own meticulous search of the summit, dutifully find the scarf, but quickly begin to suspect himself, that he may have murdered her and done away with the body. She has disappeared Into the Blue.

The book involves Harry's search for the young woman and what happened to her. A most engrossing and vivid read. This is Goddard at his best. A few months ago, local bookstores did not have any of his novels; he wasn't even listed in Books in Print. Amazon did not have him. You had to go to Amazon.co.uk. Goddard writes wonderfully. We must all be pleased that his excellent novels are now easily available.

Goddard does it again! In this novel we meet Harry Barnett, a fiftish failure with a past. Harry's life is immersed in failure; its only positive aspect being Harrys unlikely friendship with Alan Dysart, an Undersecretary of State at the Ministry of Defense. While house sitting at Alan's villa in Greece, Harry is drawn into a perplexing and bizarre puzzle involving the disappearance of a beautiful, young houseguest.

These are only two of the several plot threads that textures this story and weaves it into compelling whole cloth. Goddard's writing invites you to walk in Harrys shoes as he attempts to utilize the one clue in his possession to solve a mystery whose pieces are scattered from Greece to England to Switzerland.

You may think you have the solution.....but don't be too sure!!

Kindergarten readiness isn't about age, it's about readiness to learn in a formal setting with a group of children and from an authority figure. Taking that into account, and reading together Let's Get Ready for Kindergarten!, you will set up your child for an enjoyable and successful experience. Remember, this book is recommended for ages 2 - 6, so don't expect a 2 - 3 y/o to know all this stuff, but for those on the cusp of Kindergarten, I highly recomend this comprehensive book. And be sure to read the Parent and caregiver tips on the back cover.

Another helpful book for parents of young children, The Birth to Five Book: Confident Childrearing Right from the Start

This is an easy way to review material your child should know for Kindergarten. It's a good addition to our other educational materials we use.

I've been using this book everyday for months trying to prepare my son for kindergarten, making sure he has all the needed skills to begin school and this book has been WONDERFUL. However, the only complaint I have is that I would prefer to have it in Hardback Cover because this one has been torn apart easily and falls apart with just regular usage. Would love to see on the market in hardback soon for my other children in the future.

This is a wonderful little book that informs you of what you specifically need to teach your child before Kindergarten. It is beautifully illustrated and has all the concepts your child will need to know in a single book. As an added bonus, 10% of the profits are donated to literacy programs.

This is truly a great tool for parents and children. With my first child entering kindergarten, I really did not know what was expected. This book outlines all the things that most schools work on during the kindergarten year and it's in a format ready to sit down and work on with my daughter. It even has helpful tips for the parents throughout the pages. The wipe off pages are wonderful as this book will outlast her and probably end up being used by her brother as well. Many of the other books I looked at have rip out pages so you get one use for the same money. This book is high quality and a great deal. I'm still going to check with the school program to see what exactly their focuses are, but I'm sure that whatever they are is covered in this book.