Design Books

Everything from a Disney Nautilus to George Pal's Time Machine. Tons of tips and how to do casting, making molds, tricks for better details on models. If you like to scratchbuild, this books is chocked full of good information.

I picked up Cult's book at WonderFest with egar anticipation. What was contained in the book did not dissapoint. It was filled with great kits I never knew existed (& now want) as well as great ideas & tips on building them. I can't say enough about this book & how it will help me build a better kit.

If you love to build scale models from classic sci-fi movies, then this is the book for you. This book covers a wide range of subjects: plastic model kits that you would remember from your youth, some of the coolest offerings by the contemporary garage industry, and techniques for beginners and experts. Since no single project requires EVERY modelling skill (typical of the hobby), each chapter takes a classic movie robot or spacecraft and details the building process in its own unique way.

CultTVman's guide offers tips on building, painting, customizing, and displaying some of the more obscure kits out there - kits that are only offered in the "garage scene", never produced by a major plastic model company. It was a blast to see these familiar subjects built by some very talented people.

Few books devoted to science fiction modelmaking have punctuated the monotonous and predictable landscape of model building related books, and this one is a stand-out! "The Ultimate Modeling Guide..." covers a broad range of science fiction hardware and model making techniques. Excellent photography supports detailed and authoritative text. I've found it to be instructional and inspirational. This book is for anyone interested in modelmaking. And for the sci-fi specific modelmaker, you library is sorely incomplete until you get this book. I highly recommend it!

Reference books and how-to books for modelers are a small niche in the market, and they've been almost entirely oriented toward the military modeler. Now at last is an in-depth how-to book for the science fiction kit builder. We're not out in the cold any more! Steve Iverson has gathered a gaggle of the best sci fi modelers from around the CultTVMan internet community, and they've given us step-by-step articles on building and improving such kits as Polar Lights' Robbie the Robot and C-57D spaceship, Lunar Models' Proteus and Discovey, and many other mainstream and garage industry models. The book is capped off with a fascinating history of the filming model of the Starship Enterprise from Star Trek: The Motion Picture through its retirement, with some wonderful reference photos of the ship - worth the price of admission alone!

dada: zurich, berlin, hanover, cologne, new yorkk, paris

This book is wonderfully informative, plus it has so many full-color reproductions--the type of terrific catalog that inspires one to stroke its pages with a sense of seduction (works in my mind!).

Coupled with Hans Richter's: "Dada, Art and Antiart" and movement's philosophy and works are clearly understood. Graphics are truly great and commentary enlighten. It might be noted this book is German published as the Max Ernst book "Life and Work". Both with numerous colored plates of the highest quality. The Dada book though excels in text.

I have always had a weakness for Dada, and within this quixotic movement a special liking for Schwitters. So I visited the Dada-exposition in the Paris Centre Pompidou last year, and there bought both the Dickerman catalogue of the American exposition, and the (French language) catalogue of the Centre Pompidou itself, which differ in many ways. The exposition was wonderful by the way, and one of the best I' ve seen in many years. Thinking that a morning would be enough to see what I wanted to see, I changed my mind, decided to take dinner in the Pompidou, and stayed for the rest of the day. The immense amount of material was stunning. And the same thing really goes for both impressive catalogues. The American (Dickerman) version (520 pages) follows Dada by way of the cities where Dada developed, and does so in a more or less chronological fashion. Essays are excellent, photomaterial looks great. It is the sort of catalogue you would expect from an exposition like this. The European catalogue, more than thousand pages, printed on very thin paper, treats subjects, artists, and everything else connected with Dada according to alfabet. It seems to me that the catalogue has just about everything that could be seen at the exposition, with exception of the films of course. Although I felt a bit silly after buying both catalogues (spending some 100 euros), I was in the end very glad that I did. Everybody who buys catalogues now and then, know how disappointing these sometimes are. Well, these aren't. They are both superb, knowledgeable. And the people who made them have done a terrific job. In the end you wind up thinking: Hey, these guys (and girls) must have loved Dada as much as I do.

IF YOU LIKE ART THIS IS THE PERFECT MEAL.
BREAKFAST LUNCH DINNER AND SNACKS
I WISH I HAD ONE OF THESE BOOKS IN EVERY ONE OF MY ROOMS
OR ANYWHERE I VISIT WHERE THERE MIGHT BE FREE TIME TO LEAF THRU IT!

There are so many ideas in this book that I've dogeared nearly every page, and my friends and coworkers will have to buy their own copies because I'm tired of lending it out!

This book is a visual feast for the eyes. The pictures are warm and inviting. The author really knows how to put rooms together and gives you wonderful examples to follow. A good book for anyone interested in interior decorating/design. Plus, it's a lovely enough book to use as a coffee table book.

I am currently pursuing a correspondence course in interior decorating and thought this book would help to augment my course materials. Well, my expectations were far exceeded, this book takes you step by step through the elements of design i.e. pattern, texture, scale,color, etc. Next, it outlines each area of home decorating with examples and suggestions, including great photos. Next, it takes you through each type of room and explains the purpose and the main considerations for decorating it. Great suggestions, examples!! I do not regret this buy.

This book is an excellent resource, filled with creative and beautiful ideas for improving your home interior's appearance. Helps the reader see interesting ways they can apply her ideas to refresh the visual design of their rooms. Very creative and inspiring, but useful and do-able ideas. Good job, Heather!

My Decorating Idea Book has given me many ideas and good tips. It's on loan right now to a friend who just bought a house and is moving in! I will hopefully build later in the year, but I want to know what I want before I begin. This book has the information and pictures I need to help me make decisions! I like it!

I am an interior designer with a start up company. The Design Directory of Window Treatments is an absolute much- this is an invaluable tool to someone who really needs assistance with window treatments. The CD is also a great tool. I could not be happier with my purchase!

Fabulous! Most comprhensive in the window covering industry. Which does make it large and heavy. Highly recommend this book

This is a great source for interior designers, decorators or for Professional Workrooms. Any window treatment imaginable is available for the customer to view. Definitely a good investment.

Fast and simple, my title says it all. The book is well worth the cost, with wonderful sketches and terrific organization.

The Design Directory of Window Treatments is a must have! It is chock full of beautifully drawn window treatment sketches. The attention to detail is phenomenal. This should be used as a textbook in design school b/c of the sketches and all the written information about window treatments.

Book is informative, and full of images to go by. A great way to get new ideas.

I highly recommend this book for any designer, the book is filled with inspirational designs from around the world. It has a comprehensive study of the elements of design, as well as great tips for practical application.

Good introductory book on design. Since I've never had any sort of training in Graphic design, these concepts were really useful. Not done reading yet but so far it's been a good read.

I find this book to be well written, the examples are clear and to the point, and the layout is attractive. There are several good Graphic Design books on the market, and I would include this one in any list of that sort. The only criticism I have is an aesthetic (and for some of us) practical one. The designer of the book chose a very small font for the picture callouts (captions), and also chose light gray on white for the text color. For those us us in the "bi-focal" generation, that makes the picture captions rather difficult to read. I would recommend this book, but get out your little magnifying glass before you open it.

From the design elements of a unique placement of page numbers in the margin to very colorful representations of design elements, this book is well-worth the price. Far to often, other books attempt to explain color rendering and shape meanings without investing in professional demonstrations of the concepts. The mechanics of type, the texture of form and space, and composition strategies are well presented. A veteran graphics designer will find this book a refreshing creativity stimulant, and the new designer will find this book a genesis of ideas. I reach for this book whenever I need some brain/eye design candy.

Ok, the book was not perfect. My technical communication background is the source of my quibble with the author's choice to use a light gray type in the body text against a white page. When the reader struggles with the difficulty of the read, there is a reduction in the transfer of information. It is as if to say, look only at the color because all the information is in the graphics - yet there was good information presented in the body text.

Doris Lessing has led such an interesting life, and writing a diary all the time. She writes of a time completely foreign to me, living a history of the changes in Southern Afica. I find her autobiography a great read, and prefer it to her novels. Interesting and moving, and explains much about her!

I loved every moment of reading this book.

It begins with the story of how Doris Taylor's parents' met in the aftermath of World War I, in the hospital where her mother was a nurse and her father was recovering from the loss of a leg. With remarkable vividness she describes her earliest experiences, first in a country house in the mountains of Persia (now Iran) and then in the city of Teheran.

The Taylors then moved to a farm in Southern Africa. Except the farm wasn't actually there yet - when they got there, the land had to be cleared and the house built. Doris describes her father sitting and smoking with the native African foreman of the crew that was building the house, talking with great profundity but just a few words, while the little Doris played nearby. This scene stood out for me, because it seemed to explain why the young Doris always took it for granted that the indigenous people were human beings deserving of equal rights, when the society she was growing up in was based on the premise that they were not. Yet she never mentions her father, whom she also describes as criticizing her mother for speaking disrespectfully to the servants, as a positive influence in this area.

I loved the book's evocation of landscape; the plants, animals, earth and sky of southern Africa. The girl whose story this is seems a part of that landscape, a creature of bush and veld and vlei. She struck me as unflappable, irrepressible, sensual, and somehow larger than life. When she describes the first money she earned, by shooting some birds and selling them to the local butcher, I imagined her a bronzed Artemis, striding through the bush with a rifle over her shoulder. It seems this was her true home, which she loved passionately, yet where she could not live, because the exploitation of the indigenous people was intolerable and would have driven her insane if she'd stayed. She hasn't exactly described the loss, in so many words, but I feel it, poignantly.

This autobiography is also a remarkable piece of history, vividly documenting British colonialism in Southern Rhodesia during this period, as well as World War I and its effects on an entire generation, World War II, and the influence of colonial racism in pushing whites who couldn't stand the injustice into communism.

If you are a Doris Lessing fan, you must read this book. If you'd like a first-hand history of the first half of the 20th century, read it. If you're not a Lessing fan because you've tried to read her work and found it too wordy or intellectual, you might really enjoy this one. Loved it!

This is a hard-hitting piece of autobiography. Lessing looks at her parents and their world of colonial mastery from the point of view of her younger, increasingly disenchanted self. Lessing was gathering steam in those years, to emerge as one of the prominent novelists of the post-war era. In this, the first of a two-volume autobiography, she is beginning to grow critical of her parents, colonialism, white supremacy, men - her husband in particular - and just beginning to flirt for a short time with the great experiment in group-think of the period known as Communism. She falls for it for a time, but not for long. It will take her a while, but she finally emerges along with George Orwell as the most articulate critic of this mindless, toxic form of self-imposed mental slavery. She writes of her fellow-traveling, communist-sympathizing friends as silly people, which strikes me as as good a way to think of them as any. Lessing provides, along with her political autobiography, a lovely evocation of Africa, the landscape and people, about whom she wrote as a young novelist and to whom she has continued to refer throughout her long and continuing career as a writer.

This is a candid autobiography with as main themes love, sex (good sex, as Doris Lessing calls it, is a right for everybody) and politics in South-Rhodesia (now Zimbabwe) ruled by a blank minority.
It is a gripping, moving and realistic picture, wherein the author tries to find answers to personal and more general human questions: why was she so outspoken rebellious and, on the contrary, so strictly loyal to the communist movement?
Why are people fighting relentlessly each other, and on the other hand, striving for happiness?
Are the people of her generation all children of World War I? Why was her father a freemason?

This book is written like an irresistible waterfall. Not to be missed.

Under My Skin

Doris Lessing's autobiography traces her political and emotional development from her earliest childhood memories to her growing, overwhelming, disenchantment with provincial (as she saw it) small town life. "Small town" life for her was pre-WWII Salisbury in the (then) British colony of Southern Rhodesia. Salisbury was a complacent capital city of 10,000 white settlers in a country the size of Spain.
Lessing is quick to debunk the myth of the prosperous, close knit, white farming community - poverty was a real fact of life both for blacks and whites. Her most vivid childhood memories are of escaping from the family home and off into the limitless veld. The emptiness of the veld parallels her youthful emptiness and her growing convictions that the communist party represents a real hope for the world.
The book, a masterpiece of autobiographical writing, is brutally honest in parts and wilfully obscure in others. Some of her emotional mistakes are hardly glanced at (leaving her first two children, for example) but others (the joys of being part of a fast, hard drinking sect, embracing radical politics) are wonderfully engaging. Reading her thoughts you could be forgiven for thinking that the "party" was the only opposition to conservative white rule in Salisbury. This is what makes her book so appealing, her supreme skill as a novelist allowing us to enter the heady world of rushed meetings, leftist newspaper deliveries, drinks on the sports club verandah and back in time to find the cook still waiting to prepare supper. Naturally it couldn't last and Lessing is far too intelligent to think that that is all there is to life. The book ends in 1949 as she arrives in London, apprehensive and hopeful in the capital city of her parents.
This is more than a `who-did-what' from a long time ago, times and dates are (probably deliberately) rarely mentioned. It is the personalities and the ideas - most of all the ideas - sliding from youthful enthusiasm to mature realism which fuse the book with life and vitality. `Under My Skin', published in 1992, is that rare thing, a candid autobiography written by a consummate novelist with skills to spare. Doris Lessing is a national treasure.

"Roots Demystified" is a great read, which you wouldn't expect from a gardening/horticultural book about roots. Kourik gives amazing information that I'd never heard before, lining up his drawings with the facts about how roots feed the tree. I've already changed my method of watering and feeding a tree further from the root to make these roots spread out wider. There are many personal touches that make the book fun to read. I highly recommend. Barbara Baer, Forestville CA

Familiar with Kourik and with his work, I can honestly say this is my favorite of his books because it shows, better than any, the results of his many years working in the soil as a gardener and working at the typewriter and computer as a writer. Unlike many, if not most, writers about such topics, Kourik knows, from personal experience, what is best for both soil and soul, what to do and what not to do, with shovel and heart.

I found Robert Kourik's "Roots Demystified" to be a great gardening book! The information was very useful, the humor kept a potentially drab topic interesting and fun, and the additional tidbits and side discussions were all relevant to my gardening life. The book was also terrifically useful in conjunction with one of his earlier books, "Drip Irrigation For Every Landscape and Climate", reinforcing and expanding on many of the concepts of the earlier book.

Gardening expert Robert Kourik is the author of ten books addressing topics that have ranged from drip irrigation, environmentally-sound homes, edible landscaping, and lavender. Now he turns his attention to the necessity of health roots (and thereby healthy plants) for successful gardening and agriculture. Superbly written and thoroughly 'user friendly', "Roots Demystified" is profusely enhanced with twenty-five illustrative graphics showcasing extraordinary illustrations of excavated root systems in their entirety. A compendium of practical, comprehensive, and exceptionally well organized information, advice, tips, and observations that will benefit novice gardeners and seasoned professionals alike, "Roots Demystified" is an excellent and strongly recommended addition to personal, professional, academic, and community library Gardening/Agriculture/Horticulture reference collections and supplemental reading lists.

Roots Demystified: Change Your Gardening Habits to Help Roots Thrive, by Robert Kourik.

A good introductory book to the growth of tree, shrub, and plant roots. Has some material on other things that grow in the soil that interact with roots, and some basic soil science, including a brief chapter on fungus and symbiotic relationships. There are sections on vegetables, shrubs, and trees, how their roots grow and differ, with good planting and care advice. If you have other books with sections on roots, there is little new here. If not, it is a good book to start with. It has a good reference section of current books that we can actually purchase or borrow.

I have read the book, and thumbed through it several times more, and I am still not sure what the author's recommendation for changing my gardening habits to is, there does not seem to be a conclusion or summary. I think, I may be wrong, that he recommends double digging if the soil is poor or compacted, then move on to compost, mulch, and shallow tilling only.

The book is recommended by John Jevons, the "Grow Biointensive" double digging proponent, and it often mentions Ruth Stout, the no dig no work gardening advocate of thick mulching. He draws on the work of John Weaver in the 1920's and 30's, which is good, as Weaver's books are not readily available.

All in all a good book, easy to read presented with a dry sense of humor, solid information, a book I may go back to read again for inspiration, and a bit of reference.

I loved this book. I have many decorating books, but this is by far the best and also the most fun. I am already planning my pink and white checked bathroom!! So many ideas that I can't put the book down. Please Diana, write another.

This book is fabulous. Really gives you a neat perspective on the ease of covering walls and ceilings with dramatic fabrics. Also can make your rooms look like those of a castle! Just love it, used it to transform a relatively "vanilla" bedroom into a sultan's chamber!

I really enjoy this book every time I pick it up. I may not want to completely cover the walls of a room in fabric, (although now I know how) but I do want to make the most of a very small decorating budget in my pretty average home. Diana Phipps helps the reader to see how much can be done with a staple gun, some paint and imagination. I am now making over a powder room with an ugly floor and battered vanity. Instead of spending my money on replacements, I'll spend my time making them unique! Although Ms. Phipps' style is very traditional in most of the photos, I think the methods she uses could be applied to more contemporary settngs also. You do have READ the book as there are not as many photos as most decorating books published now. Well worth the small sum I paid--my house already looks and feels more beautiful.

Do you still remember the joy of a discarded refrigerator box? Cutting the windows and doors, stapling scrap fabric to make curtains, drawing a flower box on the side? "Affordable Splendor" describes creating dramatic, low-cost interiors that are actually play houses for adults.

Phipps' stone barn in Oxfordshire is a filled with trompe l'oeil such as faux stone tiles, tapestries, and even kitchen items painted on non-existant shelves. She's endlessly clever and can put together a canopy bed out of a swaths of fabric or make an alcove into a cozy nest. She offers line drawings, photographs and instructions on low-cost decorating that can't possibly be confused with mass produced furniture. Guaranteed: your neighbors won't have anything like it!

I've enjoyed this book for over two decades, and it's one I come back to again and again. Highly recommended.

You probably won't make your own lampshades, but Diana Phipps can show you how. She knows how to do everything - or at least, some version of it. She's modest about her considerable accomplishments, and her good humor makes this book enjoyable as well as useful. When last heard from (in Architectural Digest) she was back in the Czech Republic, refurbishing the family castle. But if Random House wanted to make a buck or two, they could reprint this book: it's timeless. If you like the look she gets (and I do, I passionately do) you couldn't ask for a more encouraging guide.

I got this book for Christmas and haven't put it down ever since. It really is an outstanding book, showcasing the talents of an international cross section of CG artists. The book is lavishly illustrated with screen grabs of some key steps in the creation of a piece, which greatly helps to understand the artists process/technique. This book, however, doesn't focus on specific techniques as much as on the thought process behind a piece. This book doesn't teach you how to create digital artwork, in fact most of the descriptions assume that you already have a good handle on 3D modeling/texturing/rendering concepts. This is not a tutorial. But the book includes enough information to provide insight into an artist's thinking process. If I may use a movie production analogy, this book is sort of the "behind the scenes" aspect of CG art creation.

The book is beautifully printed in color on good paper stock and the spine is stitched instead of just glued (which is the best way to bind a book).

CONS: There really are no serious downfalls with this book, however from an editorial stand point (I am not a expert at this but...) the book is full of typos and grammatical errors. It doesn't take an English teacher to see that the editors could have done a better job of proofreading and editing the book. I suspect the work was made more difficult given that for a lot of the artists, English was not their first language. However, I think this oversight keeps the book from being a perfect 10 and for a book written in English, this is almost inexcusable.

This is a great book, lots of artwork. Granted, about half of the artwork you could find with a quick google, but its nice to have something real that you can hold. Its also great for the upcoming digital arts apprentice like myself who wants to see how other people's art came to life.

I received this book as a Christmas present about 7 days ago, and havent put it down since. I find myself reading and re-reading the artists procedures and techniques, many of which I plan to try and incorporate into my own workflow. All of the images are masterpieces and have inspired me greatly. Anyone interesting in the realm of digital art, from seasoned artist to novice, should pick this book up for your personal library, you wont be sorry!

This book's 2d & 3d images are beautiful. If your looking for a book to use as inspiration or ref., then this is your book. If your looking for step by step processes on 3d & 2d digital art, then this isn't your book. Digital art masters is more on the theory side of explanations of why they created their art the way they did.

This book is a golden key. If u are an animator or a animation student, U have to read it. :) I bought it & LOVE it.

An Unusual Book, July 28, 2007
By Ray "A Reader" - See all my reviews

This book is a somewhat dated, but nevertheless gorgeous, panorama of product design Sony's way, and with their distinguished record of outstanding design work for some half a century, they are certainly in the position to tell us something about design. Never mind Sony's missteps and forays into the world of media and movies - this book tells us all about the Sony WE know, the company that developed the Trinitron television, the Walkman player, the MiniDisc recorder, and brought both cassettes and CD-ROM's into mainstream use (with its co-partner, Philips of the Netherlands). Digital Dreams tells us not so much about products, but how products are envisioned, designed, and ultimately walked through a lifecycle. It's a fun-filled story, filled with stunning graphic designs, gorgeous pictures and artwork, and even a little on how Sony viewed its business at the year 1999.

Though this book is not intended to do so, the book actually serves as a great case study for the field of Knowledge Management. For example, we learn a little bit about corporation logos, how they are best used to leverage their tacit value, and even thoughts on protecting them. We peek into the world of tacit knowledge and skills at Sony, and see how they are implemented in product design and even in marketing efforts. We learn about the creation of a CONCEPT that is materialized in a product (i.e., the MiniDisk recorder, the Memory Stick, the VAIO computer) which is as much about the psychology of human beings as it is the design of the product. As such, the text could easily serve as a supplemental text for a KM course, as well as it's obvious use in a graphic arts, products design, or business-oriented course.


Much of this information is now no longer of great interest to today's consumer due to it's release date of 1999, but it is remarkable to see the "timelessness "of the many designs in the book, and there is really not a dull moment to be found between the covers. In some ways, this was a great date to release such a book, because the VAIO computers were just beginning to hit the market, CyberShot digital cameras where just becoming available, and the Memory Stick was also just showing up, as well. If you can still get a copy of this book and you are interested in product design, graphic arts, consumer technology, and yes, even Sony itself, this book should be just what you're looking for.

Fascinating book that gives a very good insight into the create 'engine' of Sony. A must read for designers and business people alike.

Beautiful photographs and explanatory text help make this book a must buy.

But in no way does it sit on my coffee table - it's in my studio, in my home office - inspiring. The tight detail shots of real products to concept products make you wish all man-made objects had this attention to quality. This book is a must for designers because there are words that go with the pictures. They tell a wonderful story - whether you agree with the philosophy or not - it helps explain the design decisions, the strength of the Sony identity and their success. The timeline diagrams and text explaining the business trends of product entry to saturation really is a reflection of someone thinking and analyzing the system - something not really expected in pretty-picture books.

I can't believe the excellent price point too - most decent design books gouge you on cost. For those who appreciate beautiful form+function, get it.

This is a rare coffee table type book that you'll want to take the the bedroom or study, or wherever you do your serious reading.

You can easily enjoy the book simply for the wonderful images of the ingeniously designed products that Sony has and continues to develop. But what sets this book apart from most in its genre is that it provides the reader with a surprisingly rich context within which to view the design work, not only with regards to industrial design, but also the history of Sony the company.

Reading the text, one gains a deeper appreciation for the level of thought put into the design of each and every product throughout its entire lifecycle.

Finally, the book also provides a unique look into the future of consumer electronics, at least from the perspective of the leaders at Sony. It's a rare opportunity to see the future as defined by a company which has much to do with the shape of our present.

This is definitely a great buy or gift!

I am writing this as a sony evangelist, although the cover of the book is diffrent to the one which is shown here. the content of the book is amazing, The dazzling pictures and photography in the book is an eye opener, The book takes about the cluture and the art of the japanese sony designers. How they get their inspiration from stories and from the world around them. An extreammly good showcase of the arts and industrial developnment and design. The book is also rather new tackling subjects on memmory sticks and the newest Sony MD. However the most impressive part of the book was the chapters on the sony playstation and the sony viao subnote book computers. They explain such indept on how the designers used their inspiration and creativity to craft out wonders of high tech art. They also explained how sony tackled the many problems face when designing the playstation. Overall it is the best sony book i have bought. A wonderful inspirtational book filled with creativity which makes you "wow" at sony's design process and designs. "wow"