Design Books

Miss Johnson shows the humility, the kindness, and insight: All three traits imbibing her as the Professional photographer of The Traverse City State Hospital. She has done justice for those gone; future generations shall grasp a better understanding of the hollow halls of antiquity.

I was excited to receive this book as a present as I lived in Traverse City for several years and visited the grounds of the state hospital where the photographs from this book were taken quite often and have a great interest in the architecture of Thomas Kirkbride. I was especially hoping to be able to finally see the inside of Kirkbride's Building 50 (one of the most complete Kirkbride main buildings still standing), the gothic building that graces the cover (the building was closed and inaccessable while I lived in Traverse City). While there are photographs of the buildings on the ground prior to their recent conversion as multi use/mixed housing, most of the photographs were reprints of historic photographs, not the lovely work of Heidi Johnson and the pre-renovated buildings. There also were many pages of just words without any photographs (while the detail of the first 20 deaths of patients is "interesting" I would have enjoyed Ms Johnson's work a bit more). I was also a bit dissapointed by the size of the book. It appears to be a coffee table book but is quite a bit smaller. All in all, the book is quite lovely but for someone interested in the Kirkbride asylum architecture this book was disappointing.

The somewhat haunting photographs of the interior of the asylum makes one try to imagine how life was for those souls who lived there. The beautiful architecture of those majestic buildings and well-manicured grounds is a testament to an era of compassion. There is one photograph in particular that caught my attention, on page 185 that has what appears to be a ghostly image of a man standing in the doorway of room 50. A book you can look at over and over again and see new things in the detailed photographs.

This book should be required reading in Psych 101 classes. Photography classes as well.

The author gently uses her camera and prolific writing style to tell a story that both inspires and shocks you at the same time. There are incredible amounts of patient and staff histories both touching and surprising. The book inspires one to ponder the life of each person profiled.

One can only hope that Johnson continues along the same lines and creates another masterpiece like Angels in the Architecture.

"Angels in the Architecture" is a first-rate homage to a former asylum, the Traverse City State Hospital of Michigan. Heidi Johnson has masterfully combined her hauntingly beautiful photographs with both archival material and first-hand reports from the trenches. The result is a powerfully compelling journey into the soul of a once vibrant institution that provided care to thousands of its wards.

this book is great, it takes you through all the big moments in architecture and explains why it happened and how it happened. Great pictures and its easy and fun to read.

This book is 5+ years old now, but it doesn't show it, besides possibly missing some of the most recent developments in the field - the book starts with a brief introduction to modernism, and moves quickly to the iconic photo of the felling of the Pruit Housing project in St. Louis- symbolizing the end of modernism. Post-modern examples quickly give way to the best of contemporary architecture around the world. As other reviewers have mentioned, gorgeous, ALL COLOR photographs in large format dominate this book, as any book about the visual and contextual aspects of architecture should. As another reviewer also points out, the writing is more critical art-historical than typical coffee-table book banter, and makes for a coherent review of architecture, who's size and strenth make it a piece of architecture itself. 5 stars - surprised I'm only the 10th reviewer.

James Steele has assembled an impressive compendium of contemporary architecture up to 1997. The photographs are glorious and rightly dominate this book. The chapters correspond to various currents, more or less stemming from Modern Architecture, which is given a rather cursory review in the first chapter.

The aim is to help readers chart the often tempestuous waters of contemporary architecture, as it branches into numerous streams of thought that seem to grow ever more divergent. Steele's chapters are a little too tidy in that they encapsulate, rather than expand on the attitudes of the architects. One's appetite is barely wetted before Steele brings a chapter to a close.

He offers some alluring examples of Green Architecture of both the hi-tech and lo-tech sort, illustrating the different attitudes that emerged in the 90's. This seems the direction architecture is heading as sustainable development becomes an ever more pressing concern. It is a sharp contrast to the various intellectual movements covered in this book that deal almost exclusively with abstract architectural ideas. Steele also takes in the various popular movements such as historic revivalism, contemporary vernacular, and the theme park architecture of Disney and Las Vegas. I was drawn to his concluding chapter on "World Cities," in which he discusses the urban impact of globalization, a recurring theme in the book. He touches on some of the current popular theories on urbanism, various urban renewal projects and the unchecked sprawl of Asian cities like Shanghai.

James Steele is a committed writer who has published numerous works. I particularly liked his book on Los Angeles Architecture, which is given a chapter in this compendium. Although a Modernist at heart, he offers an even-handed treatment of the various approaches to architecture, including the ever-contentious Post-Modernism.

James Steele's mammoth compendium of modern architecture is as definitive as can be imagined. The book combines fascinating text, highlighting his years of professional knowledge, with amazing color photographs, to yield one of the most breathtaking large-format architectural books I have ever seen.

Most stunning in this book is the photography. The breadth of buildings photographed is amazing, and all developments in modern architecture including minimalism, post-modernism, European rationalism, and deconstructivism are well covered. I particularly enjoyed the sections on megastructures, world cities, and populist architecture. I noted that London seemed a tad over-represented, but I didn't mind as the examples showcased (The Ark and The Circle, for instance) were so interesting. Also displayed heavily is the deconstructivist Bernard Tschumi, whose Parc de la Villette is modestly interesting, but who otherwise seems a bit more conventional than his reputation would tend to indicate.

My favorites in the book include all the works by Michael Graves, particularly the Benacerraf House Addition, and Ken Yeang's Menara Mesiniaga Tower in Kuala Lumpur, which is a peculiarly skeletal, yet overstated building. Of course there are many other wonders in this book, and I highly recommend that anyone with an interest in contemporary architecture buy it today.

I had James Steele for many of my architectural professional classes at the University of Southern California. He has a monochromatic voice, funny cold humor and is very knowledgeable as a professor. This book is set up very similar to some of the subjects he teaches at USC and in somewhat the in same chronological order. This book is complementary to Trachenberg's "Architecture: From Prehistory to Postmodernism." which was also a very thick and insightful book. As an architectural student I had to get Trachenberg for a class, but flipping through Steele I knew they were both on the same highly written quality. Where Trachenberg left off describing architecture of the past, Steele brings us up to speed with the architecture in the modern era.

Steele explored many of the architectural style architects fall into today like: Deconstructivism, Vernacular, Expressionists, Minimalism, etc. He smoothly stratifies how architectural ideology emerges from evolving from on another and sometime on its own. The project he uses for his reference are many well-known and some less popular, but all bench mark in architectural innovation and important. Steele's descriptions of architecture are helped from outside references. He cross-references architecture with the community, pop culture, people, philosophies that shapes, influences and constitutes architecture over time. The photos are of high qualities with good angles. Some are small and some fill up a whole page.

I used this book for references in many of my writings at USC. This book is a great insight into architecture and Steele leaves few stones unturned. For the price, knowledge and pictures, this is one off the best architectural book out there.

Tons of great beading techniques & some history lessons to go with. No need for me to repeat in 2008 what others have been writing since 2005! :)

I do want to point out this book is unique in my collection because it's the only one I know of to cover polygon stitch. Not only is it covered, the instructions are easy and there is a FANTASTIC chart to go with it so you can resize it, change your bead counts/rows and weave this hollow tubular rope in any number of ways. I'd like to hug the author for publishing that chart alone! :)

This is a truly beautifully organized and presented book. It appeals to a wide audience, not only those who plan to create the beaded jewelry from the detailed instructions given. It is excellent from a historical basis, and those who just want to look at the lavish photos will be richly rewarded!

This is an interesting book, filled with history about beading. I do wish Ms Hector had given specific instructions for her "big bead" Japanese beads (shown on the back of the book).

I have been doing beadwork, writing about beadwork, researching beads and beadwork, devoting my master's degree work to beadwork ... everything I have ever done these past 10 years seem to relate to beads ... even vacations with my wife center on going to specific bead stores, collections and museums.

This book is PHENOMENAL! There are things in this book that I could never have dreamed about. The photography, illustrations and explanations for the projects are first rate. Linking them to traditional pieces is brilliant.

This is the one book that will change the face of beadwork to come in the future.

Beadworkers have traditionally received less volume and detail in their guidebooks than quilters, but the genre is growing and has been enhanced by the addition of Valerie Hector's The Art Of Beadwork: Historic Inspiration, Contemporary Design. Valerie Hector is a famous jewelry designer who invited several artists to use a piece of beadwork from another time or culture as inspiration for creating a new piece: The Art Of Beadwork celebrates this effort, blending history and an overview of cross-cultural beading traditions with artist profiles and fun projects for creating necklaces, earrings, pins and more. With the world as its inspiration, The Art Of Beadwork features inspirational pieces from around the world, with diagrams and easy project notes assuring relative newcomers will be able to duplicate the polished results.

This book is worth more than it's monetary cost. Simply by the historical content so hard to find. I enjoyed reading it. The pictures are great and the fine examples are totally mindblowing. I definitely recommend this book to anyone who is interested in learning of "boots".

Howdy, For all of you boot fanatics around the world, Jim and I will be serving up a new helping of bodacious beauties in the form of "photographed boots" in an upcoming book, which will complete our boot trilogy. Start hollerin' and stompin' and callin' 1-800-748-5439 to demand what is rightfully your!!!! The book will be published by Gibbs-Smith Books in 2005.

I live for boots,so I've bought that book and I have to say this is the best book about boots I've ever seen,a must for every bootaficionado.

Howdy, For all of you boot fanatics around the world, Jim and I will be serving up a new helping of bodacious beauties in the form of "photographed boots" in an upcoming book, which will complete our boot trilogy. Start hollerin' and stompin' and callin' 1-800-748-5439 to demand what is rightfully yours!!!! The book will be published by Gibbs-Smith Books in 2005.

"The Art of the Boot" is informative, interesting and fun to read. The photos are outstanding. This is another outstanding book from this duo. I had the good fortune to recently meet Tyler and his lovely wife, Theresa, when they visited our shop. I can honestly state that I have never met a more interesting guy! Anyone interested in wearing, knowing about or just looking at boots will love this great book. AND it looks so cool on the coffee table!

This product was in perfect shape and I received it in no time! I was very happy with this transaction!

I strongly recommend this book. I read "set phasers on stun" and thought it was very good. The author has done even better this time.

Fascinating stories on human stupidity, negligence, incompetence and lack of common sense that ends up costing people's lives. Anyone involved with Engineering, Sciences or Maintenance needs to read this book. Actually everyone should read this book to understand human failings and why no one should ever take safety for granted. Every day people die needlessly and this book details how and why.
I really commend the author for bringing these stories to print and hope that it may save some lives.

I just finished reading "The Atomic Chef" and found it difficult to put down. I simply couldn't resist finding out what unexpected consequence or turn of events was around the next corner.

This is an absolute must read if you are in any way involved with the development of new products or services. Sometimes things don't go as planned despite everyone's best efforts. Like the bumper sticker says, "stuff" happens. This book gets into the stuff to reveal what really happened. The author painstakingly researches and recounts the real story behind mismatches in people and technology.

If you like fairy tale endings this may not be the book for you. However, if you are interested in learning the true details behind real world events, I highly recommend the Atomic Chef. In contrast to more traditional Human Factors books or case studies, the Atomic Chef presents enjoyable and eminently readable accounts of actual events.

Little things can make a big difference, I'd recommend The Atomic Chef's cautionary tales to any student or professional interested in learning more about the relationship between people and technology.

This anthology of 20 brilliantly written true stories should be of special interest to anyone dealing with technology management or product development, but it also would be enjoyed by any lay reader. As a well-known expert and writer on human factors engineering and human error, Steven Casey has obviously selected these stories because each subtly educates the reader about the role of the user interface in system failure, but also because each is tremendously interesting.

Although each chapter stands solidly on its own, a few stand prominent in my own mind due to personal interests. "Rhymes and Reasons" is a beautifully written story of musician John Denver's fatal flight in a new aircraft. Although an accomplished pilot, Denver's piloting skills were no match for a confusing set of aircraft controls and displays in his just-purchased home-built plane. The story makes the clearest case possible for the importance of good user interface design and ergonomics, and like all the stories in the book this one is thoroughly researched and referenced.

In addition to aviation and aerospace settings, the stories address transportation, maritime, medical, and various everyday events in contemporary life. Particularly poignant is "Event Horizon," a disturbing accident involving a child and an MRI machine in a New York hospital. In hindsight, the reader understands the procedures and barriers that must be in place when dealing with powerful new technologies like this.

Casey throws some truly hilarious stories in the mix to break up the pattern of predictability inherent in a book on error and disaster, and this approach works well. But, overall, be forewarned: the author is skilled at putting the reader in the "pilot's seat" to experience the confusion, shock, and terror that can occur when technology and human behavior conflict. I highly recommended this book.

After days of a dry spell, in trying to figure out a design problem; I started to flip through this fabulous book. Maya Lin's Boundaries; is a book that is food for the soul of an architect. Ironically, the title of the book is Boundaries, but the whole essence and poetic journey allows for one to see the world with out "Boundaries".

Traveling through each project, Lin is able to take us from her thought process through a complete execution on each project. She is so delicate in describing each event, from growing up, the Vietnam memorial, to her goals in the future. The reader can travel with her, through each process, struggle, and creating architecture that is able to resonate within it's setting.

Thinking with her hands, Lin describes each event, each challenge, and solution, allowing for the the reader to gain an inside, touching the souls of what every architect and designer needs.

This book accomplishes for me what Maya Lin set out to do - it provides a well of knowledge that I keep coming back to. I have shared her philosophy with friends and family providing a direct and intimate dialogue with her work.
I first came across 'Boundaries' while doing research on public controversy and sculpture. I felt that I was listening to Lin's voice and began to understand why she depicted the works as she did. I was drawn to the simplicity of her designs that left space for human participation. When the book had to be returned to the library I had to have a copy for myself to continue my understanding of her works.
The aesthetic set-out of the book draws the viewer into the designs with more understanding. It is not just a coffee table book, but one that encourages one to rethink and revalue ideas.

Maya Lin's "Boundaries" is both creative and stimulating.

This book is not an autobiography and it is not an art book, but rather an extension of Lin's work. Many know Lin for creating the Vietnam Veterans Memorial and like the memorial "Boundaries" provides a medium-both public and private-to observe and interpret what we sometimes don't even consider.

If you like photography, architecture, or simply wish to know more about an idea behind one of Lin's works then this book is for you. I love the format. It is easy to read and the pictures are of high quality. The pages are numbered from 1:00 to 12:00 and each chapter starts with a new hour. "Boundaries" is refreshing- it's truly unique and inspiring.

Sometimes I felt really sad that I don't have enough money to bring this book home.Maya lin should be an architect who can be also known as a good writter.Her writting had combined both beauty architecturally and verbally,like a stream of purity norished readers'heart,explained her designs with pleasure of sights.She got similar passion as her famous aunt lin huiyin,composed a melody of life,mastered the way a human being might uneasy to see.I am appreciated her way of representation.That she inheritaged from Lin's family.She absolutely knew that poetics in their family traditions,a symbol of very special abilities.

There are two ways to read this book, as Lin points out in the preface. First is just as a coffee table picture book. In that role, "Boundaries" gives a photographic tour of many varied monuments and installations. Lin is best known for the Vietnam Veteran's memorial. At the time, it was an unprecendented look and a deep controversy. Since then, I think it has become what Lin had hoped: one of the most personally involving war memorials ever. Lin has moved on since then, and this book shows many of her more recent works.

Although her family heritage is Chinese, Lin identifies herself as American. That gives her the freedom to use concepts from many Asian traditions. Many of her later works show a sense that I see as Zen-like. They are centered on stone, water, earth, and light. Like that first memorial, they invite the viewer to touch and become involved in the work. "Waves", for example, is a large-scale earthwork to be explored, offering surprising privacy in an open, sunlit lawn.

The second reading of this book comes from its text. It explains Lin's approach to her work. I was quite surprised to fined out how important collaboration is for her. Most of her installations are undertaken with archtitects, writers, or preparators of various kinds, quite opposite the 'lonely artist' stereotype. I was also surprised to learn that her first conception of most pieces is narrative, not pictorial. To me, translating word into image and structure is a complete mystery. My own thoughts work in the other direction. That difference intrigues me.

The book itself is a pleasant artifact. It's well printed, well organized, and displays some thoughtful, unusual typography. It's a vehicle well suited to the material it carries.

"Boundaries" was printed in 2000. That means that the catalog of Lin's work has developed since then. More of her work surely exists that was locked out by the publication date. I look forward to the next book documenting her work, and I look forward to her future development as an artist.

"There was a time when the sun never set on the British Empire. From Ceylon to the Americas, England ruled, bringing her lifestyle to Crown colonies around the globe.

Being stationed in India or Egypt, however, was no excuse to relax the standards of living to which British Army officers were accustomed. Living 'under canvas' did not mean roughing it. Instead, they brought their homes with them, packing cunningly constructed, portable furniture suitable for any elegant tented dinner.

Today, campaign furniture's elegance and simplicity have made it a must-have item for decorators and antique lovers. Nicholas Brawer's new book British Campaign Furniture: Elegance Under Canvas (Abrams) provides a fascinating history and a guide to collapsible decor."

I just had to have this book. The subject matter was unusual and touched on the social aspects of camp life in the British Army.
The pictures are fabulous.

This is an excellent review of British Campain Furniture.

Each piece is photographed in colour and/or Black & White, discussed and given brief measurements. The "disembled" photos are of great use to anyone who wishes to reconstruct any of the items from the book, as well as satisfying the just plain curious. Some of the gadgets are fantastic.

Unfortunately, like most books of this type, the author is limited by the pieces that he can access within a year or two. I know there were 'Campaign' folding rocking chairs, and I an certain that there are other examples of furniture, with other systems of assembly ( Louis Vouton made a folding-bed-in-a-trunk for the Brazza Expedition in Africa in the late 1800's which survives - there is a single picture in 'Treasure Chests').

I can only hope that the author will be encouraged to keep looking & photographing, and that we may see a second volume in years to come.

Sorry Amazon, you just don't have enough stars........

"If you were a British officer during the 18th or 19th century, your home had the look of a proper English residence, with desks, chairs, sofas, chests and fancy bedroom suites--even if you lived in a tent.

'The only real difference between fine household furniture and its campaign counterpart was that the latter could be quickly folded up, packed away in boxes, transported, and--without the use of nails, tacks or tools--reassembled...,' Nicholas A. Brawer writes in British Campaign Furniture.

How the furniture can be taken apart and stored is fascinating. One dining table and set of four padded chairs and a chaise lounge can be broken down into pieces that fit into two small crates.

There are pictures of the furnishings set up and stored. Often officers lived better overseas than at home. One cartoon depicts a British officer and his wife dining in their home overseas, with a half-dozen servants waiting on them, and then dining at home after retirement, with only one housekeeper.

Nearly half the book is a portfolio of the furnishings and detailed descriptions of manufacturers and furniture makers."

This book is a must have for anyone interested in English antiques, social, military, or naval history. I have never seen another book on this subject and it is filled with very interesting "before" and "after" photographs of dozens and dozens of pieces of campaign furniture "assembled" and "disassembled." I imagine this book has been a great hit in London.

This is THE book that you want if you are starting out as an experimental physicist.

It includes key information on optics, electronics, vacuum techniques, machining,...

The information in here is the "lore" that you often only learn after working in a
lab for many years; its not taught in school.

Every graduate student in experimental physics should get this book on their first
day in the lab. I don't know how to say it any stronger than that.

I have a library of nearly 500 books on optics and this falls in the top 5. But this book not only covers optics (theoretical and practical, lens design to thin-film deposition), it also include topics such as vacuum physics (better than standard texts such as Harris), electronic design and mechanical design considerations.
Any inventor, systems engineer and instrument builder must have a copy of this book.

I recently purchased the updated edition of this book, after having owned the previous edition for many years. It is concise, well-written, expertly illustrated and thoroughly referenced.

The book covers a number of areas, all of which I've had occasion to use in my career as a materials scientist and chemist. The book is aimed at the practical aspects of design, construction and use of apparatus, primarily what might be termed "physics apparatus", but the principles may be applied to many scientific fields. It provides sufficient theory and mathematics necessary for an understanding of the designs, as well as pointing out common pitfalls.

When I am designing and building equipment this book is never out of reach.

excellent

this is a great book to design and build instruments. It will give you a quick background on pretty much every thing you need to know for instrumentation. I'm a physicist by training, but I realized that when it comes to build stuff, there are many gaps in my 'tech' expertize. This book helps me fill those gaps.
LLG

I've been looking for a book on private structures, not public buildings or houses by famous architects but living places of everyday people. I couldn't imagine anything this amazing. Dwelling from all over the world. Places you would never see unless you traveled to the far reaches of our earth. I am thrilled to have found this book.

For a number of years, Yoshio and Eiko Komatsu have been travelling the world taking high quality photographs of traditionally built homes. At first view, many of the photographs while though pleasant are not especially remarkable. However, what makes these many photos special is that they are combined together to tell a story about houses are traditionally built around the world.

The photographs are gathered together in short chapters dealing with building techniques. For example, the first three chapters are entitled, "Hand Coiling or Coursing Wet Earth", "Earthen Blocks", and "Compacted Earth". Along with a cursory explanations of the building technique are numerous color pictures from around the world illustrating the different techniques.

What makes this such a great book is the sheer number of interesting photographs of vernacular architecture. In a sense, this book is a momument to the creativity and artistic talent of the world's people. These photos stimulate the imagination.

Finally, keep in mind this is a photo collection and not an academic text on vernacular architecture. This is not a book on how to build by hand but a creative homage to what people can make with locally available materials and ancient know how. Highly recommended.

superlative book; pictures are top; as I've not enough money to travel in so many places and anyway I'dont want anymore take planes and contribute to pollution that will may kill us; I'm happy to travel with this book and the wonderfullest Dwellings from Paul Oivier. together with too HomeWork from Loyd Kahn, You get the best to study dwellings all over the world and maybe going back to more simplicity and built healthy powerful and sacred places as all dwellings should be !

As books go this one makes it to my top ten. People are always using the word venacular out of context, this book puts it right back. The pictures in this book speak a thousand words. Use whats local, works with materials found around you. I live on an Island on the West coast, lots of rain. There are so many people on this Island building 'green houses' with straw bales. There are so many people who are going to have mouldy homes!!! Venacular learn the word. Live in a home made of the materials around you! Buy this book, and learn.

Owning quite a few Vernacular Building type books, I would say that this rates up there with the best of them. I will not say it is the best though, the reason being is that all of these types of books have their own unique photos that you won't find any where else.

This is a very well produced, easy to read book. It is broken up into 18 sections, with lots of full colour photos from around the world. Each photo also comes with a short explanation.

With 469 pages of beautiful photographs not only showing the architecture, but also the people living in these dwellings, this book is a must have for your Vernacular Library.

Hmmm... I'm looking at the book right now and see that the glue has not done it's job and the binding is falling apart!!! Beware!

As some one who took an unguided path into C programming, I can really appreciate how much of a difference this book would have made if I came across it earlier.

This book elegantly lays down the structure and parts of the C language. It presents the reasons behind various features of the language.

This is the book that will teach you to think about programming in an intuitive way.

I have read the second edition and recently bought this third edition that has ANSI standard C in the main body of the work, rather than K&R C. I am using it to brush up on C that I have not used in a while. It is still a great book.

I have read the other reviews from December 1997 through February 2004. I do not have much to add to what has already been said, other than what the others write is true. I wish all technical books were this well written.

The perfect balance of complete, useful information on ANSI C. All technical information (data types, operators, declarations, pointers, arrays) is there. It it all explained in sufficient, readable but not wordy detail. It is remarkable in its efficiency.

It's all in there - the preprocessor, railroad diagrams showing the syntax of each statement, code snippets where they useful. Data structures, starting with the bit datatype, then defining and explaining more advanced concepts of unions, structures, and the user-defined types using _typedef_. Then full examples tieing it together with linked lists, then doubly linked lists.

A brief section on software engineering concepts showing the importance of design and test, and finally a complete working C interpreter.

What really sets it apart though is its complete reference of the most-used standard library functions - formatted and file I/O, string and memory manipulation functions. Effective use of the proven library functions is one of the marks of the software professional, and the outer framework of most useful real-life programs is getting data in and out.

The book begins with a very high-level overview of programs to establish its context, but this is NOT a how-to-program book. If you already understand the fundamental concepts (arithmetic and logical operations, looping) and you need a comprehensive book on how to use C, this is the one. There are lots of books in the "this is a reference, not a tutorial" class (e.g. K&R) and lots of wordy tutorials that never get to the difficult parts (like 'how do I pass a pointer to a multidimensional array.'). This is one book that is sufficiently organized to be a reference, with enough clear explanation that you'll learn how and why things work.

I've had my 2nd edition of this book since it was new in 1991 and recently purchased a copy of the reviewed edition for a friend. It's still excellent, with improved coverage of new features and extensions, and removal of the obsolete adjective "new" when referencing the ANSI standard that's been ratified for a good long while now.

There is no mention of C++ - this is a C book. Good ol' ANSI C is still the language of choice for many if not most embedded projects, even new design. I believe a solid foundation in C will serve any C++ programmer well - under the 'object' layer of C++ lie member functions that actually do the work, and those functions look a lot like C...

Like most good technical books, this one's not cheap, but it's a quality Springer-Verlag binding on acid-free paper that will last a career if not a lifetime. And considering the depth, breadth, and clarity of the content, it is a bargain.

A must-have.

15 years ago I came across this book accidentally in a second hand shop primarily selling Springer books.
I already had K&R because it was best known, but was not really satisfied with it as a transitioner from Fortran.
This book had all I needed, especially on pointers (see all other reviews).
I always enjoyed reading it. It's not about becoming a C obsfucation contest winner,
but about C as a tool for software engineers.
Combined with Harbison & Steele's "A C Reference Manual" and Hanson's "C Interfaces and Implementations",
which are my other most referenced C books, you will have a solid basic library to rely on as a C programmer.

I've been using a previous edition for about 10 years now. This is the best C book I've encountered. It is also an excellent general programing (software engineering) book. It gets back to the basic principles of good programing, something that is often lost in the syntactical complexities that many books/courses concentrate on. Good programing is a mindset and collection of (good) practices which this book goes into. The fact that is focuses on C rather than C++ is nice because the additional baggage (syntax) of C++ would obscure the priciples they are getting at. I am a software engineer for a large computer company. My wife selected this book when she taught an introductory programing course at U. of Illinois, Urbana-Champaign in the early 90's.