Design Books

My professor used the 5th edition in the Digital Elec class many years ago. I write software but have been trying to make the transition to logic design ... picked up the latest edition for refresher

Great book

You can gain the basic digital logic design knowledge using this book in no time! that is not always sufficient for people who wants to get A grade rather you can just make it your introduction and so soon move to part two (that is up to your current course).
My advice is : get this book unless you have passed this level!

This is the best book to understand Digital Electronics with clear and simple explanations. The salient feature of this book is that it has lot of applications sprayed throughout which keeps the reader attentive and interested. A "Must Read" for graduate/undergraduate students in any university in the world.

I used this book for a course on Digital Electronics. Its great. The book has a great typeset, clear and crisp fonts that go easy on the eyes, well structured (such that you read what you need in order to understand the next chapter). The book is illustrated with apt diagrams. I would consider this book to be beginner-intermediate. This book is a good starting point for learn digital stuff, and a good reference after you learn digital stuff. Its hard to find a book as good as this one.

This is the best book to understand Digital Electronics with clear and simple explanations. The salient feature of this book is that it has lot of applications sprayed throughout which keeps the reader attentive and interested. A "Must Read" for graduate/undergraduate students in any university in the world.

Anyone interested in making any kind of a table should get this book. This book covers it all. There are so many things you think you know but are not aware of. This book shows how to design and make tables with ease. I read it and went on to make a table. This is a must for every woodworker.

I bought this book to learn about dining table construction.
The instructions are clear and concise and includes ALL the steps required to make 9 tables.
Kim Carleton Graves is obviously a very good teacher and it really comes across in this book.
I found this book a great learning aid and I'm sure I will refer to it time and time again.
Please publish a book on chairs.

Dining room tables are different in complexity than smaller tables, so its apropos that Taunton chose to put these tables in a separate book from their Tables book. I have both, and have built projects out of both. The Dining Table book deals has a nice layout and design section in the beginning where it describes the minimum and ideal dimensions for tables built for certain numbers of people.

The book contains a nice selections of projects, including a trestle table (pictured on the front cover), a shaker style kitchen table (which I built), various expandable tables, and a boat table constructed using a torsion box.

I would also recommend reading the Tables book by Taunton, as it has a dining room table designed by Frank Klausz which is awesome.

Taunton puts out great books with great authors, this book is no different. Great layout and information.
I can't add much to what was already stated in the earlier reviews except that Kim Carleton Graves was easy to contact through email. He responded quickly, professionally and was very informative.
In summary, buy the book you wont be disappointed.

I bought this book looking for a design I could use for a dining room table. What I found was not only a design that I loved, but clear step-by-step instructions, drawings, and great photographs. The section on table building basics which covers table size and clearance, wood movement, and torsion box construction was extremely informative.

This is a great reference for drawing hands. Most beginning artists, like myself, find that the hardest part of a person to draw is the hands. This breaks down the hand into its basic anatomy and details every single thing about the hand you might want to know. Very useful for in-depth detail work with deep shading, and can be easily adapted to other styles such as cartooning and painting.

Like other Hogarth works, the hand is represented as stylized, over muscled, and predominantly masculine. If you expect that from the beginning, then you will find no disappointment in this book. I loved this book, as the stylization helps with understanding the shape and movements, the anatomical structure of the hand. It gives you an idea of how to draw proportions, angles, forshortening, etc. without the use of a model. As I prefer to draw from memory, this book was just my style.

This book is very detailed and gives a wonderful view of the human hand. There is help for different ages and different ranges of art experience. Would recommend this book to anyone wanting help drawing the human hands!

Dynamic Hands is the ideal book to learn how to draw hands and understand the structure of the hand and how it works in all positions. Well drawn hands and feet are extremely important for finished paintings and illustrations. I am a commercial artist and designer, but have worked for many years on non-figurative projects. I am focusing on figurative work again, primarily in the game, fantasy and science fiction field. My goal is to draw entirely from imagination without having to use reference material, and this book by Burne Hogarth and his Dynamic Anatomy is helping me to reach this goal. The illustrations are very well done with several important hand positions and range of motion diagrams. I highly recommend it.

Good book, when trying the hard art of drawing a human hand.

I've been working as a flower designer for a while and decided to get this book mostly because it looked pretty and comprehensive. I was not disappointed. The book is fabulous and it has a little bit of everything, including tools. I like it a lot and highly recommend it for anyone interested in Flower Design.

This book is simply a must have in your library. Malcolm Hillier is one of the most talented in the industry. beautiful book!

The plant directory was extensive, but I would have liked a little more information on the growth cycle of the plants or the zones in which they grow. The basics are all there and I would suggest to anyone buying the book that they do read the introductory chapters. The floral arrangements are absolutely beautiful and the author also gives alternatives to the arrangements to suit your taste. Very nice.

This is a very wonderful book, which the Floral Design Institute uses as a supplement "textbook" to their syllabus. It is rather heavy but well worth every page as the book is packed with beautiful arrangements and spilling with creative ideas. There aren't a lot of step-by-step instructions on mechanics, but the book gets the point of selecting different material colors and textures across - which, in my opinion, is a significant factor to consider when it comes to floral arranging.

This is a gorgeous book, with gorgeous flowers. However, it's less of a learning tool, then a recipe book. While it does grace upon a few floral design basics, it doesn't spend a great deal of time on it. The raw information it conveys is pretty light, having more to do with warm, neutral, and stark colors, as well as a few techniques on drying flowers and taping them (etc). The bulk of the book is taken up by pictures of arrangements, and little "recipes" on how to make them. A good book for someone who doesn't want to learn the mechanics of floral design, a good book for the coffee table -- but ultimately, not a good book for someone who wants to study design on a more advanced or technical level.

I own many of the Better Homes and Garden books and have never been disappointed in their style.

This book, as the title states, is about "Garden Style. It is a hardback book filled with many colorful photos.

The book is divided into different areas regarding either living with the "garden style" or creating the "garden style" in your home.

There are a few BEFORE and AFTER photos included in the last chapters, but mostly, this is a pictorial book showing how to use garden accessories, and/or garden structures in your home , your porch, your shed, and/or your garden.

I have a single favorite place for soul restoring. It's a local plant nursery, but this one is more than that. The owners frequently change and update and relocate plants, garden items, things that hang on walls, in trees, nestle against fences, dangle from ceilings, embrace the earth, cozy in planters with fellow plants and dazzlingly different plants. The place has so many cubbyholes. After I wander this fairy world of greenery and flowery boudoirs, I leave refreshed, my mind ready for more of the knocking about that the world outside brings.

A second choice is a book like "BH&G Garden Style." I can sit with a book like this and imagine life in one of these pictures of garden comfort, inside and out. This is not plant gardening but the comfort of resting and entertaining and playing next to a garden, in a garden setting, just being outdoors or indoors with the ambience of outdoors. I have numerous books like this, but "Garden Style" is really special because it has such rich, imaginative, calming, creative rooms inside and out that are "garden style."

The important selling point for a book like this is how doable are the looks. There are actually affordable decorating tips here. Let me show you what I mean. Randomly opening to p. 38, I find a wicker chair with a side wooden stool, simple design, with a potted pink geranium and a colorful birdhouse. These items are available at local do-it-yourself stores or as is in others. Then surrounding the chair and stool are containers and containers of more potted pink geraniums, pink petunias, junipers, broadleaf plants--all in blue or white or clay pots, creating a calming scene to sip tea and read a book.

Here's another on p. 79. Take a small drop-leaf table, paint it white, put it in a nook or empty corner or wall, add matched botanical prints, two mismatched but coordinated chairs, and top the table with an assortment of plants for a quiet garden look in the midst of indoors.

One more: a mini-greenhouse in wrought iron filled with potted flowering plants set against a large window, anchored by two wicker chairs upholstered in green and white. A lovely garden look (p. 105).

I am currently creating a cottage garden outside my patio where I feed the birds. Some of my ideas come from this book. See you later outside for tea and Pennyroyal dumplings from my herb book, or maybe herb scones from a scone book.

This inspiring book is a wonderful guide for incorporating the pleasure of nature and garden accessories into a welcoming home decor. The author provides a wide range of possibilities to blend with the wishes and desires of any home decorator. Within the pages of this beautiful resource, the reader will uncover whimsical, country, cottage, mountain, old world, British Colonial, and a bounty of other styles that are adapted to the nature lovers vision of tranquility or fun. The interiors of the vistas that have been photographed are each the product of real people who have opened their homes to the author. The author also includes a visual display of home gardening boutiques and shops from around the country which present their lovely wares to assist this enchanting approach to home decorating.

This has quickly become one of my favorites. Every vignette has ideas popping off the page. I'm a designer in a small design firm and we have used it with clients. The other designers got excited about it as I did. Clinets are asking us to bring the outdoors in and indoors out. This book is loaded with ideas that are practical and don't break the pocketbook.

This book has inspired me to redo many of our rooms usingsimple and easy to find garden-style accessories. ............... the fabulous sequel to this book, Garden Style Projects. I may need a new house now so I can keep using all these ideas.

The Gilded Edge is a beautifully comprehensive explanation of American period framing. Not only is it informative, but includes detailed pictures of the frames it describes. What an educational account of the bond between the frame and the art it surrounds. A must have and wonderful gift for anyone interested in art or framing!

A wonderful reference book. The frame and painting have never looked so good together.

This is a great addition to any library. It is a truly eye-opening publication about the rich history and art of framing over the years. You'll never look at a painting the same way again.

As a painter I have always loved art, but I never gave the frame much consideration due to the fact that my, as well as many of my contemporaries', paintings are unframed. Upon reading "The Gilded Edge" I realized not only the importance of the frame throughout art history, but also the importance of the frame in terms of the paintings themselves. There are lots of gorgeous photos of frames as well as their respective paintings. Also featured are detailed descriptions of the methods of construction as well as the reasoning behind the aesthetic criteria of the frames. This book has opened my eyes to the importance of frames as well as their beauty. It's a must buy for anyone interested in art.

With unparalleled insight from key contributors, this is an exquisite measure of a book. The Gilded Edge is a celebration of the rarity and awareness of American period frames. Eli Wilner blends the perfect amount of knowledge with striking visuals to leave you wanting to learn more. The Kuehne frame on page 43 is one frame among many that will open your eyes to the depth and magnificence of the history of framing.

Christopher De Hamel's "A History of Illuminated Manuscripts" (now in its second edition) is certainly the definitive history for lay readers, but it is probably the best starting place for aspiring professionals as well. It is well-written, faultlessly researched, and copiously illustrated. I happily use it in my university course on illuminated manuscripts together with Ingo Walther's "Masterpieces of Illumination" (published by Taschen)--in my opinion, the perfect companion piece.

The second edition of De Hamel's book is structured as was the first: an informative introduction is followed by chapters which divide and discuss the manuscripts according to their intended users (missionaries, emperors, monks, students, aristocrats, everybody, priests, and collectors); an extended bibliography precedes several useful indexes. This Phaidon paperback edition is a beautiful book, with a white paper cover adorned with a full-color dust-jacket. Many new illustrations have been added, and there are many more color illustrations than there were in the first edition. More importantly, the text has been updated to reflect ongoing research in the field.

My only complaint about this edition is that many of the important full-color and full-page illustrations in the first edition (to which I often referred in my classes) have either been reduced in size or eliminated entirely in the new edition. There are also significant (and inexplicable) differences in the color reproduction of illuminations between the first (David R. Godine, Publisher) edition and this second (Phaidon Press) edition--sometimes the differences are so radical that only a close inspection (or a familiarity with the actual documents) reveals they are photographs of the same manuscript. And since many of these manuscripts are from private collections (to which Mr. De Hamel apparently gained access by reputation or through associations established during his tenure at Sotheby's), it would be impossible for most readers to know which of the differing reproductions are the more accurate. My own experience would suggest that not all the changes in the new Phaidon edition are indeed improvements.

Publishing faults aside, this is a fine book by a scholar with impeccable credentials and a gift for clarity and sensibility in his writing. I highly recommend it.

The title explains exactly what is in the book. It is very infomative and has tons of color illustrations of illuminated manuscripts.

I am thoroughly impressed with this book. Its scholarship is impressive and helpful in my preparations to study medieval history at Oxford. And the thoughtfully written bibliography and through indexing of the manuscripts illustrated assist further studies. Even though it's not on my official reading list and is certainly not a light nor compact book, I'm packing it and taking it with me.

But, as scholarly as this work is, if one simply wants an attractive coffee table book on the subject, this can certainly be one. If one wants a very readable, engagingly written, well illustrated introduction to illuminated manuscripts, this is for you as well.

There is even some helpful guidance on collecting the more available manuscripts such as Books of Hours. And as the Fellow Librarian of Corpus Christi College, Cambridge and with his 25 years experience in evaluating manuscripts for Sotheby's, Dr. De Hamel's knowledge is not just theoretical.

Yet the price is extremely reasonable for a book of this quality.

Simply a treasure in print, Christopher De Hamel's work on medieval manuscripts is an enjoyable and fact-filled romp through the Middle Ages as if no "darkness" in the period ever existed. Focusing on a descriptive narrative that is as delightful as it is informative, the text leads the reader from one interesting setting to another, belying the breadth and scope of its coverage. One meets the educational reformers in Charlemagne's court, the scribes of the cathedral schools of Laon and Chartres, the workers in English scriptoriums, and many others in this highly researched, but clearly and engagingly written book. The reader feels as if he is simply touring the European countryside from one location to another and watching the patient and unrelenting work of scribes, copyists, and illustrators as they seek to develop the most enduring artifact of the period. Underpinning the entire work is a series - no, a PLETHORA - of beautifully reproduced and highly detailed medieval manuscript reproductions, many of them full-page, to the extent that one finds himself questioning why the text doesn't cost three times the price. A rarity in that it contains both outstanding prose as well as stunningly reproduced photographs, this text should be in every medievalist's (and art lover's) own scriptorium.

I loved this book! I used it for a graduate course on Illuminated Manuscripts, and it was one of the main textbooks we used, but I used it often after the course as well. I really enjoyed reading it, and found that it was unlike most of the typical text books I had formerly used. For any art history student, it is an outstanding resource. For anyone who loves illuminated manuscripts, book arts, or the Medieval period in general, this is a wonderful resource. It is a book that I consider an indispensable resource in my personal library. It is very well written and easily accessible for anyone. Although some of the terminology may be unfamiliar, it isn't so esoteric that it is beyond the scope of general understanding. It is clearly one of the best resources on the subject that I have ever come across!

This is a wonderful introduction to Italian Renaissance art, completely accessible and scholarly at the same time. Not to be read in one sitting though. An hour at a time is enough. Good for use as a college text as well. Don't feel you have to read every page. If your interest flags, go on to another section where you find the art more appealing.

Gave it to my husband for Christmas. He likes it very much and he is very fussy about books.

Its a subjective opinion "Good as New" - I would not give this description to the book I received. It was in Good condition, but definitely NOT "Good as New" - The book looked well used but not abused - Oh well, its a great book and will be well used again and again and again.

Frederick Hartt wrote the original book The History of Italian Renaissance Art however, he is now deceased. David Wilkins, Professor Emeritus Art History, University of Pittsburgh and recognized expert on this important period of world art, has authored the recent History of Italian Renaissance Art books.

I don't give 5-star ratings very often. I reserve them for only the best, and this is indeed the best Italian Renaissance book. I received my undergraduate degree in art history and this was the text used in my Italian Renaissance class. Now, I am completing my master's and we are using the same text, updated edition. It does not read as a textbook for those considering leisure reading. It reads like art history books by Marilyn Stokstad. It is written in easy to understand language, with chapters being grouped by years. There are a TON of pictures! I would say 50% of the book is pictures and 95% of those are in color. There are a few B&W pictures but they are of obscure sculptures or paintings. The book was originally written by Frederick Harrt who was one of the 'Monument Men' in World War II who went around Italy documenting art, missing, damaged, or otherwise. He has passed away but David Wilkins has kept up on the new editions with the current scholarship being done in Renaissance Art. Whether you get this as a textbook for a class, or leisure reading, a coffee table book perhaps, or even a Christmas book for a hard-to-but-for relative, it is well worth the money.

Jeffrey Caldewey and Chuck House's Icon: Art Of The Wine Label is also a highly recommended, distinguished guide which offers a collection of work by the modern masters of wine label design who have for decades helped define global wine label design strategies around the world. Icon is a collection of some of their best works, providing both an artistic assessment of the art of iconography to examples of 120 wine labels and bottle designs complete with their distinctive branding qualities.

This book was not only interesting to read, the artwork and dedication to all aspects of wine was unbeleivable. This is one I will read over and over again. Ok, maybe I will be just looking at the pictures...

This is a great book for any wine enthusiast. It is the ideal coffee table book to have out when your friends stop by. The book is interesting and a great conversation starter. I really enjoyed this book. Of course, it didn't have every wine label I was looking for, but it did contain many of them. This book would make a perfect gift for anyone.

A designers must have! Great inspiration on pushing the envelope in packaging design. Jeffrey Caldewey and Chuck House are the top of their field and it shows in every design. A great gift for the upcoming holidays. Everyone from wine connoisseur to artist will enjoy this book.

ICON - the embodiment of spirit, matter, and time. In Einsteinian terms, ICON would be the equation that sums time, space, matter, and ideology.

ICON is a tour de force, a signature piece representing the extensive body of work by two of the wine industries brightest stars, Jeffrey Caldeway and Chuck House, package designers.

One once told me that the contents of a barrel, brown bag for a label, sans introduction, sipped from a coffee cup in your kitchen, will defy distinction by most and keep both the wine and the consumer most honest.

But we of sophistication desire more than honesty, and more is ours in ICON. To the vast universe of wine, the package brings order to chaos, diminishes chance, dispels mystery, stamps a caste, creates distinction, and strokes your ego and those of others. We assume the package as an intimate expression of Self, much in the same way one would don a designer creation. Albeit, a label does nothing to alter the wine.

In this treatise of wine package history, we are reminded that necessity is the mother of invention. Order to chaos produced the first labels. Labels of origin, distinction, and personality followed. It wasn't until recent times that ego drove the package, and Ego is the stuff of ICON.

This book reveals both Jeff and Chuck as modern day alchemists, intently stirring their witches brew of ego, dream, soil, anxiety, money, sweat, clone, ambition, microclimate, and desire, distilled into an amalgam of glass, cork, paper, and ink which will transform total of Past into the largesse of Future . . . a responsibility from which all but the most tempered would shrink.

And whom amongst us do we charge with this lofty responsibility? It must be entrusted to those select few who have the creative talent, skills, will, and ability to lift mere grape juice to the pedestal upon which it currently resides. Package designers must do for others what they are incapable of doing themselves.

Jeff Caldeway and Chuck House are gifted Iconoclasts, challenged with creating an artistic expression which will herald not only the product but, moreover, the totality of the person, the sole of the winemaker, the beast that lies within. We find the authors delving into a very intimate and complex process of discovery. Needs. Wants. Values. History. Family. Dreams. Hopes. Fears. Stuff. From all this they must derived a package that projects not only the person and the product, but also an expression that potentially becomes a fulcrum on which success and failure balance.

Drawing from ancient beginnings, Jeff Caldeway and Chuck House have successfully bred charm and aristocracy into the great wines and spirits of present day, inscribing pedigree after pedigree that will endure. Page after page brings to mind another example of success that can be directly attributable to the profound influence their package had on the wine selection process.

The depth and breadth of their body of work clearly place Jeff and Chuck at the forefront of the wine package business for more than three decades, leaving a legacy most others could only hope to achieve. ICON secures their place amongst the elite who's creativity exceeded all those before them, who's work will not soon be eclipsed.

Art, beauty, and finesse abound. ICON elicits something that is deeply satisfying, much like a well-turned ankle or great music. Printing, inks, paper, photography, binding are all first cabin. ICON is a calling card, a testament, and an example of excellence that the authors expect from themselves and deliver to others.

We are blessed to have such a fine compendium to grace our lives, the likes not often achieved. It is a gift, a reference, a history, a conversation maker, and a commanding centerpiece for any lover of wine and art. I would recommend you add ICON to your collection and see how long it stays on your coffee table! I hope you enjoy it as much as I do. Share it with a friend.

I must admit that I am not too keen on this book. Although it doesn cover the basics of fashion illustration I just don't think its a great illustraton book. Its a great referance don;t get me wrong but I know for a fact that Bina Abling's Fashion Sketchbook (the most recent veersion) has a heck of alot more than this book and it may be a bit pricer (just buy it used!) but The Fahsion Skecthbook it well worth it. TRUST ME!

Illustration Fashion: Concept to Creation appears to be popular with a wide range of students who are both beginners, intermediate students and advanced designers. This book offers a step-by-step approach to movement of designs from the croquis (base, working sketch) to the final copy. It has references to designs for facial and body features and it has detailed illustrations of a huge range of different pieces of clothings. Stipelman explains as well as gives examples of ways to successfully convey the mood of an outfit.

Overall - it's very handy. For advanced students, however, bear in mind that it would probably be more of a reference for you than anything. It wouldn't be a bad idea to have a look at other books available here on Amazon.

I found this book to be extremely helpful and useful, far superior than some I have encountered.

I did not realize how resourceful a book this was until I actually sat down and looked through it. I had this book and another fashion illustration book (by Kathryn Hagen) for six months and all this time, I was referencing the other book only to gain insignificant knowledge of fashion illustration. While the other book contains beautifully drawn illustrations, it did little to enlighten me to the techniques, which is important when learning.

I didn't look through Steven Stipelman's book before because I deemed it boring and uninteresting based on a brief flip through. When I actually sat down to start reading it, it all seemed to make sense. What Mr. Stipelman does that other books on this topic fail to really do is to talk about technique and concepts. He outlines standards for drawing croquis (working sketch) in steps, which is a must because a croquis is a foundation for fashion illustrations and will eventually lead to a final drawing.

He also applies the step by step explanation of how to do different poses and how clothing rests on the body in different ways. A big bonus is that he also provides a historical background wherever he can to each section because each period of time had its own ideal for "the" silhouette or body type. It really just ties in well because you get a broader understanding of fashion's past and its relation to the current ideals of fashion.

Whereas some fashion illustration books merely display pages of illustrations done by the author or professionals in the fashion industry, this book is written and arranged in such a way that you feel you're actually in the classroom being taught one-on-one all that it takes to illustrate fashion effectively and beautifully.

I am intrested in fashion design and this book has helped me to learn how to draw the figure and face, etc. If you are a beginner in fashion design this should be your first book to get. This book is a keeper!!