Design Books

I would have to say this is by far THE best book I have found for designing authentic traditional style homes. Say goodbye to cookie cutter - every designer should have a copy of this book beside them when they design, or else memorize it!
I am not a HUGE reader, but I was so enthralled with this book, that I read about 125 pages in my first and second sitting. Ok, it has a lot of pictures, but still that is pretty good for me. I usually lose interest quickly. :)
Don't hesitate to buy this book. It is a deal at any price. It WILL help you "Get Your House Right", save money and increase the value of your home tremendously in the process.
This should be standard issue at all technical schools, colleges and anywhere that teaches how to design good quality authentic buildings that are pleasing to the general public.

This book is a refreshing antidote to the sea of mediocrity being built all around us. It fuses classical design principles, so long lost by architects and the building industry, with practical applications to everyday home design and construction. It's easy to understand by layman and architects alike and is a fundamental primer to building your new home.

I've purchased additional copies and sent them to friends about to build their new homes to share with their architects. It has become one of my book shelf treasures.

I bought this book about a month or so ago. I have read through it once. While I will skim it again, from time to time, I'll be keeping it as an irreplaceable reference manual for home design or purchase.

The illustrations are gorgeous and pure genius. Most of them are NOT CAD drawings, but honest-to-goodness pencil illustrations, which all have a definite artistic flair to them.

The premise is simple: the Greeks and Romans got it right, and modern home designers try to ape their aesthetic without doing the requisite homework make awful looking houses. Once you read this book, you'll never be able to go into a rich new suburban development without easily being able to point out the painfully obvious design gaffes that abound. That's the downside--you're an instant architectural snob after one read. But the upside is that when it is time to YOU to buy or build, you'll know precisely what to look for and what to avoid.

Marianne Cusato has proven her genius with the "Katrina Cottage" design, which will probably set her for life financially. I hope it does, so she can focus all of her energies toward the classicist movement. I'd sure love to hire her to design my next home (if I could ever afford her now).

The modern architectural ethic of the last century, emphasizing a lack of details, machinelike designs, and a material driven ethos (steel, glass, and concrete) is absolutely put to shame by the Greek and Roman orders of proportion, balance, and detail. Hopefully, Ms. Cusato and her classicist colleagues can put the last few nails in that coffin. I could live the rest of my life quite well without having to view another gawd-awful building that looks like it was designed by Fisher Price.

This book is a masterpiece.

This may be the best handbook on traditional design published since the 1920s, informative for both layman and professional alike.

If you wonder what makes today's so-called "traditional" houses look so ugly, Marianne Cusato provides answers in a guidebook that walks you through "how things go wrong" (avoid) and "how to do it right" (use). In meticulously-drawn illustrations, she charts the course of design from first concepts to fine details, providing pearls of wisdom on things that can make or break the authenticity of a new old house. Notations accompany each drawing, describing essential building elements and how they go together.

Never before have I seen a more comprehensive or practical guide through the minefield of traditional design. Clear, insightful directions make "Get Your House Right" the perfect learning tool for builders at all levels, whether novices or those needing a refresher course. This book should become the primary text to teach architects the fundamental building blocks of the classical tradition.

I live in Naperville, IL, the McMansion capital of the Midwest. I have watched new multi-million dollar houses go up, and I thought most of them were just plain ugly. Over-done, or pompous, or something. Yet they sell, even now, and they keep going up.

I started to think maybe it was just me.

Then I picked up this book, and there, just above the AVOID label that adorns many of the design examples in the book, was a pencil sketch of what could be a typical new-construction Naperville street.

Having read the book through -- and several parts twice -- I now understand what it was that was causing the rejection of this architecture by my inner voice: bad design. I have nailed down the specific elements in many actual houses that hurt the appearance of the house, that make it less -- much less -- than it could be.

And -- surprise! -- I found that the few houses I did like of the newer construction were properly designed to classical principles.

The book is an incredible achievement. Well-written, accessible, and with hundreds and hundreds of beautiful pencil sketches that clearly demonstrate the principles. Marianne Cusato is a young, brilliant and well-educated designer whose vision has been shaking the architecture world for several years. And she's all of 33 years old!

So get this book, read it through, and then have some fun. Start scanning front elevation drawings on house plan sites and see if you can spot the issues that keep each from being as welcoming, as home-y, as they could be.

We are embarking now on designing our own new home, and this book is by far the most important acquisition in our burgeoning design library.

Thanks, Marianne. We all owe you.

A superb look a the Greene Brother's masterpiece ultimate bungalows. It includes some of the best Greene and Greene photography I've ever seen, and has a very good look at the details of the architecture, and the internals of the Greene and Greene houses. This book focuses more on the houses themselves, and the fixed appointments therein, rather than the furniture itself. Influences on the Greenes are coupled with a well laid out timeline give you a real view into the evolution of their style.

Excellent! The best book on this subject I've ever seen...

Superb photoraphic illustration depicts the design genius of the Greene brothers. A comprehensive study of leading architects of the Arts & Crafts movement...a high compliment to the monumental craftsmanship of those who executed their designs.

The book is beautiful, filled with both architectural ideas and furnishing ideas for items done in the craftsman style. I purchased the book for these ideas and was delighted with all the pictures. Some of the stonework illustrated is breathtaking in its beauty.

We were very disappointed at the quality of printing, inferior paper stock, and lack of clarity in the photographs. At the "coffee table" price we were expecting much higher resolution in the color photographs and better quality paper.

I have a virtual calculator called the DIY Calculator that accompanies my own book "How Computers Do Math" The Definitive Guide to How Computers Do Math : Featuring the Virtual DIY Calculator.

I recently added a "Conundrums, Puzzles, and Posers" section to the "Programs and Subroutines" page on my DIY Calculator website ([...]) and I've started to build a collection of simple puzzles for people to play with.

One of the first problems I posed was to count the number of ones in the 8-bit accumulator and to present the result as a binary value. I thought I had discovered the best-possible solution, until someone pointed me in the direction of the "Hacker's Delight". (In this context, "Hacker" refers to a hero who is manipulating code; not a nefarious rapscallion who breaks into other people's computer systems.)

I immediately ordered a copy from Amazon, and took delivery just yesterday as I pen these words. This book is fantastic - I kid you not - on the first page of Chapter 2, for example, I discovered at least five or six capriciously clever tricks that blew my solutions out of the water!

I highly recommend this book.

My first introduction to binary operators wizardry was in a 1st year, 1st semester course in Digital Systems at the Technion, IIT. I thought it was fun. While I was trying to write a computer program to compute Karnaugh Maps for me, I run into performance problems, and then some binary hackery helped me get back on the horse.

Since then, whenever I come across some binary trick I write it down with a few examples of usage and sometimes with some reasoning why it works.

Then came "Hacker's Delight" and I felt compelled to buy it.

I wasn't disappointed at all! Not only it contained all of the tricks that I have collected, but also it contains a lot more in depth examples of how these tricks can come in handy when trying to squeeze performance from an implementation or save a few more bytes and bits.

The book also gave me a fresh perspective on the implementation of some well known algorithms with the twist of binary arithmetic. This was very enlightening.

I read the "BASICS" chapter (chapter 2) with a single breath of air, and just couldn't leave it down. Not only it was nice to have all these tricks summarized in one book, but also I liked some of the reasoning and the "so-called" proofs.

Remaining chapters were, as I mentioned before, a fresh look for me on known algorithms. This fresh look was through the glasses of binary arithmetic.

I'd recommend this book to anyone who feels comfortable with binary arithmetic and/or computer organization -- even just for the fun of it!

I'd recommend the book to developers who don't necessarily have a sympathy to this topic, but would like a Copy&Paste solution to some problems they have to tackle.

I really enjoyed reading this book, and I will probably reference it from time to time.

The term "hacker" in this book means someone who enjoys making computers do interesting tricks regardless of whether it turns out to be useful, not someone who is intent on circumventing computer security. Plus, how relevant would those kind of tips be coming from a book that was written in 2002? Don't let the author's definition of a hacker fool you, though - the tricks in this book are very useful.

This book is a collection of small programming tricks on various subjects. The presentation is very informal, and the methods use very basic computer math. You should know your binary number system backwards and forwards before you start this book. Either C or assembly language is used to demonstrate the hacks in code form. When assembly language is used, it is that of a fictitious machine that is representative of RISC computers. That is because the tricks are meant to be platform independent.

After disposing of basic arithmetic operations early in the book, the author turns his attention to more complex math problems such as calculating square roots. His discussion of the subject is both complex and simple. First, he explains Newton's method of computing square roots through a page full of equations that require some effort to follow. Then he gives an implementation that requires fewer than twenty lines of C code. This is followed by another method that is longer and more cryptic but executes faster, by using a binary search algorithm. Whether you are interested in the equations or merely need the C code to do your job, these solutions are efficient and elegant.

Other topics addressed include Gray codes, the Hilbert curve, and prime numbers. Gray codes are a method of arranging the integers from 1 to N in a list so that each number can be visited exactly once by flipping only one bit at a time. The Hilbert curve is a similar idea expressed geometrically: a single continuous curve which, given a space divided into a grid of squares, touches every square exactly once and does not cross itself. In each case, both the mathematical discussion and the code to solve the problem are provided.

The chapter on prime numbers is the most challenging mathematically but also one of the most interesting. It starts with a concise overview of various mathematicians' efforts to devise ways of finding prime numbers. The author is one of those people who periodically become fascinated by some problem and devote themselves to learning more about it and searching for a solution. The chapter ends not with the usual code sample, but instead with an invitation to continue the search for interesting solutions to the problem.

Clearly, the author views this book not as a finished collection, but rather as a snapshot of work in progress. After decades of interest-driven research, the author has amassed a collection of studies big enough to fill a book, and it is fortunate for the rest of us that he has written one.

They don't make them like this anymore. Amid the "Learning XXX in 21 days" and various other computer book for which depth is almost non existent (and are read like eating peanuts), this is a refreshing book that talks about solutions to sometimes common (IMHO) coding problems.
If you enjoy programming gems, or remember that beyond your C code there is a machine that executes your program, this is the book for you. For example, think how would you count the 1 bits in a 32 bit integer - the book has an elegant solution in log(n). Aside from this, the book has about 50 or so problems, with their solutions (and proof).
Bottom line: fine book, worthy to be near my Knoth, R&K and Stroustrup books.

This book is an absolute essential to the right reader. That right reader is either a low-level coder, a high-level logic designer, or someone who builds tools and libraries for same. In other words, not a lot of people. This is hacking at its bit-level finest, though. If you're among those few, or think you might be, or want a good laugh at the people who are, dig in.

It's good for things like counting the number of 1 bits in a word-length integer (hint: if you count the bits, you're doing it the hard way). It's good for things like fast division by an integer constant, or mod to a constant integer modulus (hint: if you perform division by dividing, you're barking up the wrong tree). If you can look into a 32x32 bit multiplication and see a convolution going on, you're way ahead of the game. The only tricks I know that didn't appear here are A) for purposes that almost no one has or B) for machines that almost no one has.

Warren presents the coolest collection of slimy coding tricks ever collected, with full attention to the number of machine cycles and the compiler-writer's unique needs. I've seen a lot, and this is by far the biggest and coolest collection around. I have two complaints, though, a small one and a really big one. The small one is that the author didn't score a direct bullseye on my somewhat offbeat needs. Well, he never tried to - that's just me griping that he didn't write a different book. The big complaint is that pages, lots of them, just fluttered out of this pricey book and onto the floor. GRRR. This takes nothing away from the content of the book, until some critical page flutters off never to be seen again. Still, if you can keep a rubber band around it, this will be one of the deepest mines of coolness in your uber-geek library.

//wiredweird

all of my rocket scientist friends (literally rocket scientists!) say this is the best, bar none, intro to Aero book on the planet.

This is a very good read, for an engineering textbook. It uses a rare combination of technical and historical explanations that holds the reader's interest enough to effectively provide him/her with the basic concepts of the subject it teaches.

This book is definitely for serious aero engineering students. Very in-depth, very detailed. Don't expect light material for those who are with no background in some physics, statics and dynamics. Wish it had more examples for working on to better understand concepts, and more illustrations. Interesting book nonetheless.

5 Stars.

Introduction to Flight, by John D. Anderson, is the ultimate introduction to flight mechanics and aircraft performance for engineers. Much of the content is also applicable to pilots, although some may find the math to be excessive at some points.

Anderson's writing reflects an excellent grasp of the subject matter, as well as an obvious talent for teaching complex content to those new to the field. Whether you're using this book as a primary or secondary text, for self-instruction, or as a professional reference, you'll find it up to the task.

Also recommended are Dr. Anderson's other titles, including:

- Fundamentals of Aerodynamics

- Modern Compressible Flow with a Historical Perspective

- Introduction to Computational Fluid Dynamics

"Introduction to Flight" is an excellent book on the fundamentals of aerodynamics, and the history of flight. The book gives a comprehensive coverage of a wide range of topics including aerodynamics, aircraft design, aircraft control, propulsion systems, supersonic and hypersonic flight as well as structures and materials.

The author did a good job of taking the otherwise complex subject of flight into a clearly explained and illustrated subject making it interesting and easy to follow by anyone with a high school level of knowledge of physics and mathematics. The book is well written with easy to follow explanations and worked examples. The reader will find the book simple to understand due to the author's generous use of diagrams and graphs.

The book is recommended reading for aeronautical engineering students, flight enthusiasts and pilots.

First off, the paper and print is very good. Some of the posters in this book are great, specifically the Sean Connery "From Russia with Love" posters (which there are a lot of). My only issue is really that many of the Bond posters are awful. Specifically the Roger Moore era... The posters are so bad that they are in some cases comical. Overall, there's enough content to please fans, but I think it would be great if there were even more classic and foreign posters.

I purchased this for my James Bond fan and he loved it--much larger than I expected and a very cool collection of posters and images.

I bought this book as a present for the huge James Bond fan in my life and it was perfect. He really enjoyed looking at all of the classic posters from the various movies. If you have someone who really is a Bond fanatic, this is the way to go!

I bought this for my husband's birthday, he's a HUGE Bond fan...he was really excited about this book, and i was impressed with the large format and the posters from around the world for the different Bond films. Definitely worth buying, even as a book to leave on the coffee table for people to flip through.

This is a wonderful collection of James Bond Movie Posters. The illustrations and quality of the images are outstanding. They are crisp and sharp and very colorful. This book covers Bond posters from all over the world. The composition of the Japanese posters are quite eye catching and innovative. This is a wonderful and essential book for James Bond enthusiasts.

When I gave this as a gift to cat-loving friends I knew I was doing the right thing. It has been received with great appreciation, not only for the subject matter, but for the beautiful way it was written and illustrated. Judy Chicago is a master at what she does.

This book is exquisite: well-researched, superbly-written, and the art is incredible! I love cats and love art - she has done a masterful job capturing the feline essence, and the relationships she and Donald have with their cats.

I've been sharing my life with cats for twenty years, and thought I knew feline behavior and physiology pretty well. She taught me things I never knew before.

I plan to give this as a gift to many of my friends. I am proud to have it as a part of my personal library. It is a true treasure that I will always cherish. Every time I open it, I find something new to marvel at. Her feline companions are very lucky to have found her; her love of, and understanding of, those she has made a part of her family, shine through on every page.

Bravo, Judy!

As an artist and an animal person, I treasure this exquisite book. Not only is it beautifully painted (in the challenging medium of water color no less!) but it has a rich feel of the Medieval with its purples, golds and parchment divider pages. Hence the sub-title, "A Feline Book of Hours." I share my home with several cats as I have my whole life. This book honors cats by not just showing one's daily routine with them, but also shows the dignity, courage and humor cats possess. It also shows, from the artist's perspective, the joys of daily life in the companionship of cats and the tragedy of inevitable loss.
It is a joy to see cats represented as the unique creatures that they are by one of the most gifted and brilliant artists of our time.

Kitty City: A Feline Book of Hours caught my attention because of the author's name, Judy Chicago. I have always admired her work in the world of fine arts. This book is a wonderful surprise. It is beautifully illustrated and truly influenced by the illuminated Book of Hours treasured during the Middle Ages and the Renaissance. The pleasing illustrations are enhanced by the use of gold and vellum.

To my delight, the reader is allowed a very intimate look at the life of the artist with her husband and their feline family. The day-to-day joys as well as life's harsh reality in the loss of a loved one.

Kitty City makes a great gift for anyone that has ever loved an animal or is interested in feline history and feline facts of life. Little known tidbits about cats and their place in the world add to the uniqueness of this book.

If you are familiar with Judy Chicago's work, you know that endless hours of research precedes each project, and this one continues in that tradition. The text is lively and informative, and the illustrations prove once again what a fine artist Judy Chicago is. Her sense of color is just amazing. Even if you're not a cat lover, this book is a treasure.

This book stands as the best introduction to one of the best comic strips ever produced. Not only is it packed with hard to find "Krazy Kat" strips, but it also includes a biography of the artist, George Herriman. Some consider Herriman the first African-American mainstream cartoonist. His colleagues didn't know his ethnicity (and Herriman didn't tell them) so some called him "the Greek". He felt he had to hide some of his features from the public. For example, he kept his very curly hair closely cut and hidden under a hat. Not only that, his birth certificate shows his parent's ethnicity as "colored". The prejudices of the time likely would not have allowed an African-American the mainstream status and freedom allowed to George Herriman. So through "Krazy Kat" we get a glimpse of what early 20th century American culture may have missed out on due to its racial myopia. For "Krazy Kat" stands as an absolute masterpiece of its genre.

Herriman found some modicum of fame in his lifetime. William Randolph Hearst (the newspaper magnate) loved Herriman's work and rewarded him with a lifetime contract (according to the biography in the book, Hearst once read a "Krazy Kat" Sunday page and immediately demanded a raise for the artist). Herriman's success didn't come quickly, however. His first big break came in 1897 with the sale of a sketch to the Los Angeles Herald. Around 1901 he landed his first job as a "Staff Cartoonist" (a person who literally reported to the office every day and rattled off strip after strip; very different from today's cartoonists). Between 1901 and 1916 Herriman penned numerous strips (the book includes samples of many of these strips - many in color), including: "Musical Mose" (this strip's overt racial humor would not fly today), "Professor Otto and His Auto", "Acrobatic Archie", "Two Jolly Jackies", "Major Ozone's Fresh Air Crusade", "Home Sweet Home", "Baron Mooch", "Mary's Home From College", "Gooseberry Sprig" (considered to be a direct forerunner to "Krazy Kat"), "Alexander the Cat", "Daniel and Pansy", and finally, in 1910, "The Dingbat Family" (which changed its name briefly to "The Family Upstairs"; it was Herriman's first hit). It was in a "Dingbat Family" strip in 1910 that a mouse first "beaned" a "Kat" with a projectile (in the "running boards" of the strip). Eventually the Kat and mouse sideshow surpassed the main strip's popularity, and "Krazy Kat" debuted as a daily in October 1913 (the famous Sunday pages began in 1916). Herriman kept experimenting with other strips through 1923 when he finally placed his focus squarely on "Krazy Kat".

From roughly 1913 to 1944 (when Herriman passed away leaving a week's worth of unfinished Krazy Kat's on his drawing table) "Krazy Kat" developed from a "Kat" and mouse game (filled with puns, misunderstandings, and musings on the imperfections of language) into a complex love triangle between Krazy (the "Kat"), Ignatz (the mouse) and Offisa Pupp (the dog). Ignatz's entire being revolves around "beaning" the "Kat" with a brick, and Krazy interprets this as an act of love (unbeknownst to Ignatz). Offisa Pupp loves Krazy (in a fatherly sort of way) and his obsession revolves around catching Ignatz in the act and jailing him. Three obsessions collide in an almost jazz-style derivation of themes. Herriman developed this theme brilliantly over 30 years of strips. But overall it defies analysis: the strip can only speak for itself.

Sadly, though "Krazy Kat" counted such dignatiries as e.e. cummings, George Gershwin, Gilbert Seldes, James Joyce, and other literati, as fans, its popularity waned dramatically throughout the 1930s (as it became more surreal, esoteric and unabashedly uncommercial). It was kept in print by Hearst himself. The book does not cover the frustration of Hearst editors at the inclusion of the strip in their papers. They rebelled against it in some cases. Many simply tried to remove it from circulation only to find Hearst himself yelling "keep it in!" So we have, of all people, the controversial William Randolph Hearst to thank for the continuation of "Krazy Kat". By the end of its run "Krazy Kat" only appeared in some 30 papers.

The main focus of this book lies in its numerous incredible strips. The book includes daily strips (most dating from 1938 to 1944) and Sunday pages (dating from 1916 to 1944 with some in color; it also includes both the first and last Sunday pages). If one reason exists to purchase this book, here it is. The strips retain their amazing character even after decades of aging. And the artwork remains astounding. Not only that, the book includes samples of hand colored drawings of Herriman's, and photos of Herriman and his family. All in all, this book opens the door on one of the comic strip medium's most celebrated strips. Those that get hooked should continue thier obsessions (in the true spirit of Krazy, Ignatz, and Offisa Pupp) with the Fantagraphics' series of Sunday pages, and the Pacific Comics club's reprints of daily strips. Someday every Krazy Kat strip Herriman drew will finally appear in printed form. We can hope, at least.

This is a wonderful book for Krazy Katz fans to own. It is large, colorful and very informative on one of Americas great cartoonists. The delivery through Amazon was fast and effortless. The book, a treasure to own. Worth the lower price through Amazon.

This is what all popular art forms should be. A social commentary as love poem. And poem this is. There is very little that someone can write about the Krazy experience without treading in the same terran as this wonderful book. This is were your Krazy love afair begins. And unlike Ignatz you don't show your love with a brick.

This is a wonderful introduction to George Herriman's great comic strip Krazy Kat that ran for several decades in the early twentieth century. This introduction provides biographical background to Herriman's art, a survey of some of his influences, and a very healthy dose of Krazy Kat panels, both color and black & white. It also discusses the way that Krazy Kat became a cultural phenomenon, easily one of the most highly regarded comics of the century, and permeating many other arts as well.

The Krazy Kat strip is utterly insane, surreal stuff. Here is the premise: Krazy Kat (who is usually female but is sometimes apparently male) is in love with Ignatz Mouse. Ignatz loathes Krazy, and to prove it konstantly kreases that kat's krown with a brick. Incredibly, Krazy sees this as proof of Ignatz's affection, and falls even more deeply in love (many panels show hearts rising from Krazy's heart when she is hit by one of Ignatz's bricks). Officer Pup, the town constable, is in love with Krazy and frequently throws Ignatz into jail for hitting Krazy, which causes Krazy to pine for her would-be lover. This is merely the barest sketch of this weird and wild world. The town of Concocino is populated by a host of equally outrageous characters, though the focus continually comes back to the three principals.

Though even the most recent of these strips are over sixty years old, Krazy Kat has stood up magnificently over the years. Part of the reason surely lies with Herriman's enormous gifts as an illustrator. The Sunday strips in particular are things of great beauty, with the frames arcing around the page in spectacular designs of considerable innovation and complexity. The content of the comics reflects a genuine wit and substantial intelligence, while the bizarre love triangle possesses endless possibilities for both humor and pathos. This truly is one of the most unique comics in the history of the medium, and even those who do not usually respond to the genre are apt to find this enormously entertaining.

When I noticed that many of my favourite cartoonists have said that Herriman's 'Krazy Kat' is the greatest comic strip ever, I decided I should check it out. It didn't take long before I agreed with them.

George Herriman is one of those rare individuals who genuinely deserves to be called a genius. That's a word that gets thrown around a little too casually perhaps, but in Herriman's case it is almost an understatement.

He was a brilliantly inventive artist, but his writing is what really sets him apart. A lot of the dialogue is written phonetically in bizarre dialects, a tricky thing to do, but he uses it to great effect.

Whereas space restrictions force cartoonists today to avoid using more words than is necessary, Herriman would often use a lot more, and much of the pleasure of reading 'Krazy Kat' comes from the sheer virtuosity with which Herriman uses language.

That a comic strip could be as funny, as intellectually stimulating, and as beautiful to look at as 'Krazy Kat' seems to me to be some kind of miracle. This book is a great introduction to Herriman and his work. There's a generous helping of 'Krazy Kat' strips, as well as some of Herriman's other work. Anyone who loves comics should have it. I cannot recommend it highly enough.

As an Art History professor, I am very impressed with Leonardo's Notebooks. This oversized book contains Leonardo da Vinci's detailed sketches, many of which are new to me. In addition, this book provides commentary written by the artist himself on his theories, inventions, plans for artwork, and philosopohies. I've referred this text to fellow professors as a remarkable resource for philosophical beliefs presented by the original Renaissance Man.

The only thing keeping this book from top grade is that the author didn't help with a deduction of Leonardo's letters where it surely was needed - in the anatomical studies for example.
This makes it hard to understand the meaning of the drawings compared with the translated text, because Leonardo's letters(in the drawings) doesn't look like anything from the Roman alphabet. So when the meaning of the letters that appears in the drawings are mentioned in the text, you can't understand what letters goes with what in the drawings, because the text ONLY use the Roman alphabet(and NOT Leonardo's letters as seen in the drawings).

In other words, to fully get the whole meaning of Leonardo's writings and drawings you do need a "Leonardo - Roman alphabet" dictionary.
This is a major set back, and the worst is that the author could have avoided this so easily.

Other than that the book is amazing.

If you are a book lover, adding this to your collection is a must.
The illustrations are well formatted with clearly written text. It is a book I keep on display and refer to often. When people visit, they cannot help but stop to thumb through the book.I have to remind them that dinner is getting cold!!

Not one single problem with this book, I would recomend buying it for anyone anytime

This is a great book that I had been looking forward to getting for a while. The images and writting is good, although a bit hard to understand at times. The ONLY problem I have with this book that gets it a 4 out of 5 stars for me is the fact that it is so tall and wide. Granted it makes looking at the pictures much easier but it also makes storage of this book MUCH harder. The book is to tall to stand on any but the top shelf on all of my book shelfs and it is so wide that it protudes from the edge of the shelf.

Don't let this distract you from getting this book however. It's detailed pictures are wonderful considering the orginal size of the works and the translations help with the reading. There's a section for each catagory, such as anatomy and lighting, which really helps if you want to look at certain types of works. The greatness of these pictures will have you looking at each page for hours, just to see all the details.

I would suggest this book for anyone from an art lover to a history fanatic. I use it as a reference book for one of my drawing classes. It's a great buy for anyone and everyone.

This is another good book of logo ideas. Great for inspiration. Nicely laid out and the pages are of good quality glossy paper. Very nice book for my collection.

This series is a must have for any designer. Not only is it great for ideas, but a nice tool to have when a wishy-washy client just isn't sure what they want. If you are a serious designer, you must own all the Logo Lounge books.

Always a fan, the assemblage of brands from every corner is impressive and helpful. The Lounge has always been and continues to be a wonderful resource for jump-starting logo block.

Great book for inspiration and search for the right ideas. This time RockPub. is making few more pages showing how the logos work in the graphic design environment.

I was excited to see foreign companies using the latest styles in advertisement, like the russian phone company "BeeLine."

Wold highly recoment this book for a graphic design major and advertisement.

Whether you are fresh out of college or a seasoned Senior designer, you will find this book an amazing resource of ideas, trends and just plain good design.

We actually have purchased every volume and they keep getting better and better. Logo Lounge 3 is no different in terms of the unique talent chosen to be showcased in this edition.

If you need a design spark look no further, this is the book of choice.

[...]

Medieval Calligraphy; Its history and technique, is a comprehensive book on the whys and wherefores of Medieval Calligraphy.
It covers the development of different scripts and letterings. It gives a bit of background on each script, how it was used and when it was used. It then gives details of each letter and some variations as well as how to form the letter.
As well as the focus on calligraphy itself this book puts scripts into context. It gives individuals the tools to use the scripts to complete a project with a medieval tone and flavour. It talks about page layouts, how to alter scripts for capitals, additions of ligatures and numbers. The book also covers materials that can be used to produce a completed piece that looks very close to medieval without going to all the bother of making the inks and other items yourself- although this too is covered.
This book is fantastic for anyone with a serious interest in calligraphy in the middle ages.

The book provided an excellent history of the evolution of letter formations used in medieval manuscripts. Especially interesting was the impact that the Emperor Charlemagne and a Benedictine monk had on standardization of text forms throughout much of Europe.

Pros: Nearly half the book covers the history of calligraphy as well a selection of various scripts. The other half covers basic technique and specific instructions for 13 different scripts plus numerals.

Con: No colour images of period examples.

Great for SCA/reenactor

This is an excellent book with the exception of the glaring lack of colour in the photos.
Great explanations, good connnections between the different eras and styles, but again, if one is depending on a book for colour suggestion, this is not the tome.

Medieval Calligraphy by Marc Drogin is comprehensive and historically informative, certainly worth having in your collection.