Design Books

I love that I can just skim through this book & find the information that I need. It is really basic - clearly written with great examples. After being away from work for 8 years & being out of school for almost 20, it was a great refresher! Besides, Max proves that even geeks can have a sense of humor!

As a student finishing my B.S. in Computer Science, I very badly needed something to liven up my CPU architecture and discrete math classes, which were horribly boring.

This book not only did a GREAT job of clarifying the finer points of boolean logic, but somehow managed make it interesting. I would recommend this book to anyone trying to understand the nuts-and-bolts behind what makes your computer tick.

Maxfield's book is unique, both in format and in content. And I'm not just talking about the gumbo recipe at the end.

The first section, almost 150 pages, is "logic lite." It starts with transistors, both MOS and bipolar. From there it works its way up to simple latches and such, and scratches the surface of state machines, with side trips to boolean arithmetic and such. The breezy, informal style will work for people put off by more academic treatments, but the logic design content stops way short of what any other basic logic text would present.

The second, longer section covers material sorely missing from all other logic texts I know. It starts with the simpler parts of silicon fab process, then goes through all kinds of printed circuits and hybrid packages giving a fair tour of the basic printed curcuit (PC) processes that were current when the book was written (1995). It even goes into gutsy stuff like the copper patterns in PC processes that have to do with heat flow during soldering. All those real-world facts earned this book an extra star. The "far out technology" chapter at the end is an interesting read, too, with its discussions of nano, optical, and molecular computing.

The book's weaknesses are significant, though. It would work well with any of several companion texts that would cover what this misses. That includes more advanced logic techniques, like alternatives to gate-level implementation and all the fussy bits of state machines. A standard logic text (e.g. Katz) would fill in those blanks. Going in a different direction, it does only a little towards talking about how PC layout interacts with logic design. More about ground planes, guard rings, power decoupling, RF emissions, etc. would fit well with the detail presented here, espcially when you see how much time and effort it already spends on "vias" vs. "holes." The little bit of analog discussion from the front would help here - why inductive effects matter at high frequencies, why distributed capacitance is different from lumped, why you'd have a high-value and low-value capacitor in parallel, and why that ceramic cap near the power input has a saw cut in the edge. A third possible direction would be the way Wirth's book on circuit design for CS students went: into the higher levels of design, letting tools attend to the lower levels. The biggest flaw is in treating FPGAs as exotic, out-there technology - by 1995, they were well into the main stream, and have very nearly killed off discrete logic and ASICs in many areas.

If you just want a light-weight intro to logic design and to the physical circuits that carry it, this is OK. It could have been better in all directions and, at this 2005 writing, you should check it's sell-by date. I gave it the fourth star for addressing PCs and mounting at all, not for addressing them well.

//wiredweird

Considering this book deals with what I consider to be rocket science at best and black magic at worst I think it does a really good job of explaining things. I'm still working through it and it still makes my head hurt but I recommend this for anyone like me who wants to understand this stuff and has zero background to do so.

I grew up watching my neighbor, a mechanic, work on cars and it helped me pick up the basics. When I would try to take apart a transistor radio and figure out how it worked I was left with an assortment of colorful bits and no clues. This book is the remedy for my total ignorance of things electronic. Just how good it is I do not know due to my lack of knowledge in the field. I reccomend it to any interested beginners.

I bought this book in the Louvre Museum in Paris, where we were able to see some of the originals. They're compelling and just draw you in! This book allowed me to bring the paintings home, and study them. It's easy to read, and goes into detail explaining not only about Bouguereau, but also explains a lot of the detail and symbolism that he used in his paintings. So now I can enjoy them on a whole new level. I'm not a big art buff, but I know I'm drawn to his paintings, this was just a perfect book to cut my teeth on, and help to develop a better understanding of some very famous paintings. Buy the book. You won't regret it!

Adolphe-William Bouguereau (1825-1905) is in many ways the French equivalent of the British Victorian class of figurative painters - Lawrence Alma Tadema, Lord Leighton, JW Waterhouse - and had he lived in England rather than in the Impressionist laden France, he would be much better known today. Not that Bouguereau is unfamiliar to collectors and museums: in his time his portraits and luxurious paintings of shepherdesses and mythological creatures in a world of eternal beauty were popular and were added to important collections. It is only now with the new respect for the figure in painting that his name is becoming more recognizable.

Fronia E. Wissman has written a concise and illuminating text for this monograph and her style of exposition matches her subject. The book is filled with magnificent illustrations of Bouguereau's paintings with details and full-scale works allowed the prestige of excellent color reproductions. This is a fine monograph and one that belongs in the libraries of collectors and art historians who remain fascinated with the fin de siècle schools of painting. Highly Recommended. Grady Harp, September 05

Wissman did a great job providing a fair and balanced view of French painter Bouguereau's career. And it's a good thing too! Everything else related to the artist is either out of print or a flimsy postcard book. How could this be? Well, the unfortunate stereotype of Bougeureau buffs is that they "don't know much about art but know what they like." It may be that many editors assume that if you like Bougeureau's paintings, you aren't the type to read a serious art book. I like to believe this is wrong. I enjoy Bougureau's art very much and am glad that someone published a reasonable paperback history and criticism of the artist. I hope that one day, others write similarly good books about other "forgotten" 19th century artists.

Yes the reproductions are great and deserve full stars yet there is much fault with Wissman's ignorant statement that Bouguereau did not use (paint from) photographs. This comment potentially questions the creadability of what otherwise would have seemed to be a very good analysis. For alternative comments, see "W.B" - Montreal Museum's '84 publication for a traveling show. It offers more "behind scenes" info. about the production of his work and their authors more credibly state, he "actively collected photographs" but "he almost never worked from photos" which is still an understatement. Included are photos of him in his studio painting and with another photo of Mich's. Pieta in background. I found a used copy here on Amazon, ISBN 2-89192-047-3 Mr. B. was a transitional figure in art history, caught between early 19th C. "tail end" classical art and late 19th C. art when photorealism began rearing its evil head, destroying classical art and bringing this "ism" to a point of extreme today. It is impossible to determine what extent he used them, yet it is clearly evident to a more trained eye, that he used photos, particularly with some of the complex children/cherubs he incorporated. This occasionally created a quality which, no doubt, helped to inspire criticism (noted in Wissman's bk)regarding the overly polished, sometimes cut-out and outlined aspects of some of his figures. He was able to get away with it for the most part because he had a more proper training as a student prior to exposure to photos. (I myself am a painter/sculptor studying classical art - I admire B. greatly yet to say he was a purest would be false since he clearly had an opportunist streak about him as many others did, and to a certain extent I can't blame him. But he helped to start a terrible trend which has turned classical painting and sculpture into a virtually lost art).

The art of Bouguereau is stunning. It stirs a beauty from deep within us that blooms in recognition of a beauty made visible by the stroke of his brush. So full and intoxicated with passion, his work seems an extension of gratitude for life itself. Through the canvas of this fine French Academic Artist, we witness how love is truly more persistent than time.

I am so taken by the art; I have yet to read what Wissman has written about his life. I think his art speaks with such clarity; he must have been a man with a great capacity to fully embrace the nature of the life he was given.

This is a well written book. It does an excellent job of starting off with basic chair designs and moving on to more advanced designs. A lot of good photographs show the process of chairmaking. The gallery of chairs from other woodworkers is great - inspiring.

Jeff Miller starts you out with the most basic chair ever and then leads you along to more and more complicated designs step by step. By the end of the book, you feel confident in starting to build an arm chair. Great book.

An excellent overview of different types of chair designs and production of each. Not over the top for anyone that would like a guide to building chairs.

Chad

Excellent and clear book with very good detail on the techniques for the more unusual shapes and angles. A good series of projects starting with basic disigns and progressing onwards.
Chairmaking & Design

I looked all over the Internet for this book a while back and couldn't find it. Used sellers are charging way too much (over $100), so I finally just checked it out of the library (very available and no cost).

This is a good book, and is the only one I know of with general chairmaking info that covers different chair types. The other chairmaking books I've seen seem to be specific to Windsor chairs. I would like to see more books like this ... until then get this one from the library.

This book was purchased for a college research project and it was just perfect. It talks of Kandinsky's color theory and how music and color co-exist. The seller was professional and I got the book when it was promised. I would order from this seller again...definately!

Wassilly Kadinsky was a 20th century painter and his CONCERNING THE SPIRITUAL IN ART provides a blend of philosophical, spiritual and artistic reflection as it examines the premises and presence of spirituality in art. This new edition is a recommended pick not just for art students of modernism, but for readers of spiritual works: it includes letters between Kadinsky and Sadler, unpublished prose poems, and a fine attention to artistic reflection and analysis.

Diane C. Donovan
California Bookwatch

I enjoyed reading the book. At times it was over my head,but still it was worth the effort!!!!

Kandinsky throws his ideas out in a slightly esoteric manner. It make take a few rereads to really grasp the quality of discourse he presents. But, in the end, his commentary shines brightly through his comparisons of music to painting. The spiritual triangle is comparable to Maslow's Hierarchy of Needs. It is important to remember that Kandinsky is not using the term "spiritual" in a religious sense.
This book is a very good read for anyone feeling slumped in their art making. And for anyone who wants to expose themselves to ways of thinking about art. By the third time I had read the material I had underlined and highlighted almost every line and filled all the margins with notes. The book is fantastic. It is especially good when paired with Hans Hofmann's essay "In Search for the Real." Although the ideas in the two books do not parallel. In fact the lines aren't even on the same page. Kandinksky's critiques of other familiar artists are very interesting too. Names like picasso and Cezanne pop up quite a bit.
I'll stop rambling now. Read the book, it is very good.

Kandinsky had risen to positions of influence in other disciplines (political science/economics and law) before directing his considerable intellect to painting. His insights extended into the historic 'meta' trends of the arts and sciences, including the physical sciences, and had his interests been directed more to the history and philosophy of science instead of the history and philosophy of art, he might have written Kuhn's observations regarding paradigm change a half century before Kuhn did: "Here and there are people with eyes which can see, minds which can correlate. They say to themselves: 'If the science of the day before yesterday is rejected by the people of yesterday, and that of yesterday by us of today, is it not possible that what we call science now will be rejected by the men of tomorrow?' And the bravest of them answer, 'It is possible.'"

Instead, Kandinsky extended the frontiers of painting and authored philosophic writings on the future of art that are among the most important of such works. M.T.H. Sadler, who translated this work into English, was a friend of Kandinsky's and was among his early admirers. The notes he has written in the front of the book (Translator's Introduction) are therefore more helpful than could be the opinions of many other critics, including myself:

"Anyone who has studied Gauguin will be aware of the intense spiritual value of his work. The man is a preacher and a psychologist, universal by his very unorthodoxy, fundamental because he goes deeper than civilization. In his disciples this great element is wanting.

"Kandinsky has supplied the need. He is not only on the track of an art more purely spiritual than was conceived even by Gauguin, but he has achieved the final abandonment of all representative intention. In this way he combines in himself the spiritual and technical tendencies of one great branch of Post-Impressionism.

"The question most generally asked about Kandinsky's art is: 'What is he trying to do?' It is to be hoped that this book will do something towards answering the question. But it will not do everything. This--partly because it is impossible to put into words the whole of Kandinsky's ideal, partly because in his anxiety to state his case, to court criticism, the author has been tempted to formulate more than is wise. His analysis of colours and their effects on the spectator is not the real basis of his art, because, if it were, one could, with the help of a scientific manual, describe one's emotions before his pictures with perfect accuracy. And this is impossible.

"Kandinsky is painting music. That is to say, he has broken down the barrier between music and painting, and has isolated the pure emotion which, for want of a better name, we call the artistic emotion. Anyone who has listened to good music with any enjoyment will admit to an unmistakable but quite indefinable thrill. He will not be able, with sincerity, to say that such a passage gave him such visual impressions, or such a harmony roused in him such emotions. The effect of music is too subtle for words. And the same with this painting of Kandinsky's. Speaking for myself, to stand in front of some of his drawings or pictures gives a keener and more spiritual pleasure than any other kind of painting. But I could not express in the least what gives the pleasure. Presumably the lines and colours have the same effect as harmony and rhythm in music have on the truly musical. That psychology comes in no one can deny."

Some aspects of Kandinsky's color theory are dubious, at best they cannot be universalized, and Kandinsky sees this. But other of his ideas and arguments are widely accepted among artists, even as being self-evident. Stating that "there is no 'must' in art, because art is free," that is, free to address external representations OR "the inner need," to merely chase after material 'objects' OR to wrestle with the mysteriously spiritual, to somehow meld the two visions OR to stay purely to exploration of the spiritual high ground, Kandinsky absolutely rejects the materialistic expectation of an art "explanation" that has been articulated by EO Wilson in his unfortunate daydream 'Consilience' (Wilson knows ants better than he knows humans, and is given to understanding humans to be essentially ant equivalents).

Anyone interested in art history, painting of the past century, or the relationships/correlations/divergences of the various arts (visual, musical, literary), as well as anyone interested in the meaning and purpose of art, or in the philosophy of aesthetics, should read this important book, perhaps more than once.

As a software developer, you know that one of the critical period in a project is when you try to make integrate your code in the overall application and push it towards the final user. It is sometimes a long process that you would like to accelerate so that you could obtain a quicker feedback on the quality of your code. This book written by Paul Duvall, with Steve Matyas and Andrew Glover, will help you improve the way you build and deliver software.

After a initial presentation of the continuous integration (CI) concepts and objectives, the content of the book goes far beyond the simple "continuous build" aspect to cover all disciplines concerned by CI: risk management, configuration management, database evolution, software testing, inspections, deployment. It is clear that CI is just not installing a suite of tools, but is mainly changing software development practices and process. Each chapter is well structured with practical examples related to real life situations. The book reach also nicely the objective of maintaining a balance between a somewhat tools- and language-neutral position, but still giving enough practical advice so that you could quickly adapt the advice to your own software development environment. Final appendixes give valuable information on CI resources and evaluating available CI tools.

Finally, you can get more and updated information on continuous integration and download book's chapter two from the Web site associated to the book: http://www.integratebutton.com

Any software developer who has spent days in 'integration hell' handling a complexity of software components will appreciate the invaluable information in CONTINUOUS INTEGRATION: IMPROVING SOFTWARE QUALITY AND REDUCING RISK. From the initial concept of CI and its practices to over forty CI-related practices from database integration to development, this book covers the entire cycle of CI development and surveys all kinds of events, repetitive processes, and more. An outstanding guide any serious software development library needs.

This book is a good one - it has lots of well stated reasons for doing a continuous integration system of some sort, including all sorts of little conversational snippets that help make the point. For example, "Jim: hey, the test server isn't working. Joe: Ah yes... I forgot to 'svn add' one of my source files." Doh!

He suggests using one of those ambient orb gizmos to provide visual feedback on failed builds. That's probably a better idea than a sound alert - I found that having one of those go off every once in a while was just annoying. You can cut an email to everyone when a build fails, although that risks folks just routing them to a folder and letting them stack up.

I was happy to see that the section on static analysis included lots of suggestions for using PMD and CPD. CPD, especially, is a handy tool; the ability to find duplicated code across a large codebase is very nice.

One of the hard things about a book on CI is that CI touches so many different parts of a system - the database, scripting, code, tests, code analysis, etc. It's not the sort of book that lends itself to one big example; instead, you have to have a bunch of little config files and scripts and examples to help a person get rolling down the CI road. I think they did a nice job here of having a good mix of theory and practical code samples.

So anyhow, I think this book is a good 'un. Go get it!

As an aside, I was a technical reviewer for this book, so there's probably some bias there. But not too much!

As Martin Fowler says in his foreword to this book, all of this information is available on the internet. However, that should by no means demean the value of this book. This is an extremely readable and well-organized presentation of this important development practice. Often the organization and comprehensive analytical thought are themselves important contributions to a given topic, and that is what Duvall, et al deliver here. Highly recommended.

This book is an excellent overview of why Continuous Integration is important and about more than just compiling frequently. The book helps you to understand why to do CI, what you can do beyond building, and how to do it. In addition to general principles, the book points you to some excellent tools and resources. This book is an excellent companion to Software Configuration Management Patterns: Effective Teamwork, Practical Integration; it provides teriffic information that support the build patterns in that book. You might already know some of the information in this book, but it is worth buying if you need to encourge CI in your organization for the clear discussion of why CI matters and the for the detailed advice on how to implement it.

Not only have I learned an amazing amount from this book, it has truly saved me from making very costly mistakes in selling vintage clothing. I adore period costume but good research books, especially when you are just beginning...are VERY hard to find. This book offers measurements, construction details and puts smaller accessories into context. Many times I would purchase a large box of antique clothing at auction that contained smaller items which would have me baffled. Countless times I find them in her illustrations. Pretty pictures are great, but her details will truly educate you. Thank you for this great reference. I wish you would do one entirely on personal accessories.

I bought this as a gift but I want a copy for myself. Can I say better?

Excellent reference for illustrators and animators. However, "Costume in Detail" only covers women's costuming, which is unfortunate considering the attention the author paid to the material.

the best of its kind. library copies constantly used by local stage costumers. a brilliant piece of work!

I would have loved to had seen the pieces of the garment drawn in their pattern shapes, but otherwise an excellent book with much detail written about each garment. Only other problem was that sometimes the writer's handwriting about the details on the drawings were a bit hard to decifer.

If you decide to buy this book take a good deep breath. You should be good enough in algebra, and you should be quite comfortable with some six sigma basics. This book gives a good explanation in TRIZ and in the DFSS algoritm.
The axiomatic design could be better (lack of examples). It is well written.

This is a book with a lot of information. Each chapter can be used as a starting point for a specific six sigma technique. However, this is the worst edited book I have ever read. You can hardly find one page without errors/typos.

While the concept of six-sigma is a very popular one, it is not often that one can find such a comprehensive yet clearly-written volume devoted to the most important topics of six-sigma. A book that contains so much information and not just hot air is especially hard to find. Yang and El-Haik have successfully written one of the most impressive and useful reads I have ever encountered within this field. Especially intriguing and novel concept of TRIZ. A very worthwhile book, in any case.

I have not found such a comprehensive book for design of six sigma. I started using this book for advanced experimental design and taguchi methods, but ended understanding the complete roadmap for design of six sigma. The systems approach allows an enthusiast reader to start anywhere, without having to spend time refering back to earlier chapters. The relatively newer trends as TRIZ and axiomatic design have also been nicely dealt with.
Overall, this is a very nice and easy read book, with excellent and well defined examples. A must for everyone who wants a quick refresher on the design principles of six sigma.

This is an outstanding DFSS book for production development. It contains integrated information and some of which you could hardly find anywhere else, thus with one book in hand, you have all the tools to get to your destination. This is also a easy to read book providing the reader with a solid understanding- Concepts are clearly defined, real world examples/ case studies are fully described and the chapters are well organized. It can serve as a textbook for students/beginners and also can serve as a handbook for experienced engineers.
The title says it all- this is a roadmap for you to find the way correctly and easily. I am reading the book right now, and the book is really beneficial to me.

Not that detailed but great if you are not going to sit down and read an involved design book. Quick tips.

Most of the books of the same kind, you'll find 500 pages just with theory, things that you should do and you shouldn't. This one is just plane and simple, if you are an expertise graphic designer, it will show you really cool and fresh ideas.
If you are a designer with no background education, it will guide you step by step in the process of creation.
For the price you pay and the content you get, this book is one of its kind.

I've read literally hundreds of design books and frankly find most of them to be long on theory and have precious little to offer by way of concrete learning and real-world usability. This book (and The Design-It-Yourself Newsletter also by Chuck - which I also own) doesn't overburden the reader with "fluff." It's a pleasure to find a book that tells me what I should know and need to know rather than what some "expert" wants to tell me. These books are practical, useful, clear, and easy-to-follow. Do yourself a favor and invest a very reasonable sum in this book (or any of Chuck's books for that matter), and you will be a better designer for it.

Who is this book for? Non-designers trying to design their own logos, letterheads & businesscards.

How good is it? It's the best I've come across. And I've gone through hundreds of them. This book helped me design a logo and stationary for more than one business, got my creative juices flowing, gave me a lot of ideas - that I would've never thought about otherwise - and to top it all, gave me STEP BY STEP instruction on how to achieve simple but very elegant, clean & professional results!

The design of the book itself makes you want to buy it the very first time you look at it - very well organized, simple, elegant. Inspires confidence.

Does it deliver the goods as promised? SURE!

Another of Chuck's books that I read ages ago and is highly recommended and valuable even today: The Desktop Publisher's Idea Book. It still sits on my desk/bookshelf, and I go back to it often to get new ideas.

Finally, Chuck's web site - ... - is equally impressive, a treasure chest of ideas & resources for budding or amateur designers exploring the world of design.

Request to Chuck if he reads this - please let us have more of these in a series - Design It Yourself Logos 2, 3, 4... etc. PLEASE!

Bharat Suneja

I recently purchased this book at a local bookstore on my lunch hour. It was so difficult to eat lunch with my new treasure and then have to return to work. Right after dinner that evening I sat down in a comfortable chair and just read and read until I went through the entire book. I just couldn't put this book down. It was wonderful, interesting and very informative. The recipes were great and I will incorporate their use in my at home graphic design business. I have been doing graphic design for about 8 years and cannot get enough to read on the subject. I am self taught and this is just the kind of book that will help those who are just like me, or even give fresh new ideas to those who are experts. Thanks Chuck! I need more of this -- got any more like this coming?

I was mainly interested in the MES implementation part and I found those chapters quite inspiring. We are usually lead by "common practices" which form our experience and we'll use them throughout our work. But formalizing and being able to communicate a technology is always an issue (unless you're going to di it all by yourself).
Excellent.

"Domain Specific..." is another excellent book from the "Fraemwork collection". It is a set comprehensive reference books as well as a authoritative textbooks by experts in this growing research field.

The description of practical experiences as well as more conceptual descriptions, are usefull to understand the complexity of achieving high levels of software reusability.

Managers and academics, will find a lot of material to help them decide if this is the way to go. Our research group in Web Engineering at the University of Sydney (weg.ee.usyd.edu.au) will us it extensively to improve our development practices.

An almost indispensable 3-volume reading to understand the success of framework technologies in today's software systems. The books include most of the top
articles on the subject, providing a thorough insight in both design and implementation issues regarding frameworks, also complemented with practical experience
about framework usage. Although the work is mainly concentrated on technical aspects, the articles are comprehensible enough to be taken as reference material by
a broad community, for example, software engineers, programmers, or technology managers. The books are useful for anybody planning to include
framework-based techniques in software development processes or planning to improve current object-oriented practices. It is also an excellent source for graduate
courses.

Volume 1 lays the fundamental concepts supporting object-oriented frameworks, and describes the problems and challenges that this
technology raises in software development. The book covers topics such as domain analysis, development concepts and approaches,
documentation, and management, among others. Of course, the compilation of articles makes some parts little redundant, but this is a minor detail compared with the
fruitful contributions made by the book. In particular, the articles on reusing hooks, hot-spot-driven development, composing modeling frameworks in Catalysis, and
composition problems, causes and solutions, are a sample of the outstanding level of this work. Each chapter adds at the end a number of related questions and
student projects aiming to reinforce concepts and promote further investigation. As a comment, novice readers should take the sections concerning hooks and
hot-spots carefully because these topics are presented in a slightly confusing way.

Volume 2 focuses on specific framework implementations, dealing with existing frameworks for different application domains, such as businesses, multi-agent
systems, languages and system software. In this book, the readers will find a level of detail much closer to specific implementations issues than in the previous
volume. Nonetheless, the writing style remains mostly clear and accessible for a quite broad audience. The case-studies and experience reports described by the
articles show an attractive industrial perspective of the framework approach, and more important, they go an step forward in the road of a more mature discipline for
software development. In addition, a
CD-Rom with concrete examples of these applications is included with the book.

Volume 3 completes this series with a number of domain-specific application frameworks developed by industry, showing how to apply the concepts and ideas of
the previous books in software products. In this line, it includes very interesting frameworks for manufacturing systems and distributed systems, among others. It also
goes through concrete software scenarios, illustrating the benefits of combining domain knowledge and object-orientation expertise. Although the level of the articles
is rather odd, the volume certainly provides the readers a realistic picture of the problems of building and adapting frameworks by learning from others' experience.
A CD-Rom is also included with this book.

Overall, these framework books collect the state-of-the-art on framework development, offering a comprehensive and
easy-to-understand guide for both academics and practitioners in the field. It is clear that framework technologies will not solve all the problems (perhaps they rise
more challenges than current approaches), however, taking advantage of the framework possibilities can make your development process more repeatable,
productive, and also less painful. The gains of this retrain are no doubt a good investment.

A great reference and compilation of timely material. For anyone interested in frameworks targeted to specific application domains, this book surveys a broad spectrum of example systems while providing detailed in depth information concerning the particular requirements and features necessary for each domain.

This book in conjunction with the books "Building Applicaton Frameworks: Object-Oriented Foundations of Framework Design" and "Implementing Application Frameworks: Object-Oriented Frameworks at Work" are a series of three books that constitute a complete and necessary guide for the design and implementation of application frameworks. They are based on multiple academic and industrial contributors experience building a wide range of domain-specific application framework. These books are very easy to read and understand and you can learn from them not only what a framework and an application framework are, but also how to apply this technology to real world domains, like manufacturing, health care, distributed computing, real-time systems, simulation environments, ...

First book, "Building Application Frameworks: Object-Oriented Foundations of Framework Design" introduces application frameworks, their benefits and problems. It addresses all the fundamental concepts behind OO application frameworks and provides guidelines for OO application framework development. It is organized in eight parts. Part one provides a complete overview of OO application framework technology describing what is an application framework, what are the problems and benefits of application frameworks and how to use, develop and evaluate an application framework. Part Two presents some historical application frameworks and discusses some general guidelines to increase the reusability of application frameworks. Part Three describes how to build a framework analysing a concrete domain. The rest of the book provides all the necessary information to completely build an application framework. It presents all the concepts managed in framework development, which are the different development approaches, how to test the resulting frameworks, the problems derived from integration and a question sometimes forgotten but very important, the framework documentation.

This book, "Domain-Specific Application Frameworks: Frameworks Experience by Industry" is focused in the experience of industrial and academic contributors in the development of OO application framework in different domains. Each chapter covers step by step the complete development of an application framework in manufacturing, distributed systems, real-time systems, telecommunication, multimedia, chemistry and data visualization domains. It includes the motivation developers founded to choose application framework technology, the problems they had to solve and the final solutions they developed.

Third book, "Implementing Application Frameworks: Object-Oriented Frameworks at Work", shows step by step how to implement application frameworks in different domains. It is organized in six parts covering examples about i) Business Frameworks with different examples in sales and administrative domains, ii) Artificial Intelligence, iii) Agent Application Frameworks, presenting interesting frameworks for speech recognition, neural networks and agents. iv) Specialized tool frameworks, v) Language Specific Frameworks, vi) System Application Frameworks, which present and analyse the application of OO frameworks in combination with other methodologies as component-oriented programming, language constructs or constraint programming and vi) Experiences in Application Frameworks. This last section is very useful because analyse the lessons learned using the application framework technology.

If you play golf and want to get a flavor for the vision of how a destination like Bandon Dunes became a reality, this is a must read. Bandon is one, if not, the most special golf location in the world. I have played in Scotland and Ireland and Bandon has a purity that few other locations can replicate. It feels like it has been there for hundreds of years and the book explains how it came to be. You will not be disappointed.

I have not read this book, but my Dad is raving about it. He is reading it prior to his trip to Bandon Dunes and he has never thanked me more for a gift. For the golfer in your life who is impossible to shop for--this is the gift for them.

Fantastic story, very well written. A must read for not only golfers, but for environmentalist and landscape architects also.

This book is the perfect gift for your favorite golfer. Even non-golfers and golfers who don't normally read will enjoy this story of dream golf.

We purchased this book for our son for Christmas, and it was a big hit!! He's already finished it and is loaning it out to friends and family. It's a wonderful book for any golfer with a love of the game, whether he/she has been to Bandon Dunes already or is perhaps dreaming of the day....