Titles Books

This was ordered as a Christmas gift for my grandchildren. It looked great when it arrived. I'm sure they will love it.

Full of imagination and creactivity that book is realy great and full of many impressive pop-ups. As I said one of the best I've seen. Highly recommended

Incredible pop up art. My 3 yr old son loves it but need supervision to avoid tears. IT is very special - a great unique gift for 3-7 yrs.

this masterpiece is simply testing the limits of paper engineering. you'll be astonished and surprised every time you open the book. over and over again. even for the 20th time.

The intricacy and engineering of this book is amazing. Each page is a masterpiece.

It's true that you will remember this book for a long time. I first read it 27 years ago and I still fondly recall the lead character and her ability to overcome the hardship of being a teenager struggling with blindness. This is a great story for any juvinile struggling with hardship or "being different." Also it would help foster empathy in those without such difficulties. I think adults would still enjoy it, they would just find it a bit of a quick read. The sequal is also very good.

This book is about a girl named Cathy, who has severe glaucoma. She has surgery and it makes the problem worse than it already is and makes her blind. Throughout the book she copes with the blind lifestyle. She gets a seeing eye dog named Trudy who leads her around everywhere. This book teaches you a lot about the morals of life. I highly recommend this book because it also makes me appreciate not being blind and having 20/20 vision.

I read this book when I was in fifth grade, and I absolutely fell in love with it. I am now in ninth grade, but I can remember the stroy perfectly. Kathy's struggles have made me see that I am so lucky to be healthy, and the book has broadened my perspective on life. My teacher recommended this book to me, and I cried when I read it. This book will have a lasting effect on your life, and you will remember it forever. I am so glad I had the chance to read this book.

I am near sighted and one of my worst fears in this world is going blind. This book, however, showed me that most of our fears are only fed by the society we live in. Cathy's triumph in overcoming this obstacle is a sure way of showing anyone the true meaning of living. Enjoy this book and cherish it...Share it but don't give it away. I bet you'll need it again some day!

I read this book when I was in junior high school, and loved it. When I was recently diagnosed with glaucoma, I remembered the book, and re-read it. Even at age 44, I still loved it!

"Men in the sun", a novel by Ghassan Kanafani, is one of the most breathtaking realities that the Palestinian people lived in the modern history (that we know). "Men in the sun" is neither a story about Yasser Arafat's legacy and his PLO's sense of politics nor a debate on Oslo and Madrid agreements. The novel is a piece of art that visualizes the Palestinian tragedy and extreme reality.

It is the story of three men's quest for a better life. They plan to migrate from the "occupation cage" to a new "promise land" where they meet the "promised demise" in the desert, the home of the original Arabs and Bedouin.

The dream of the three Men is the dream of every man who loses the feeling of being at home at some time. The work to achieve that dream requires a struggle with harsh acquired values of life. The result is not guaranteed.

Struggle, suffer, dreams, hope, fatigue, thirst, and death will form an amalgam that would describe the Palestinian identity which has been evolving during the last decades.

I wanted to write more about the details but you would like to read it yourself. The symbolism in this story is just intriguing. In fact, the trends can symbolize the migration of any man to any "self-imposed exile", where "enforced dreams" replace the simple -but lost- passion, love and happiness to form a complex and bitter reality.

The novel ends with a beautiful and so influential paragraph that tries to raise the question of why the 3 men (main figures of the novel) did not try to knock on the walls of their symbolic "prison" (Empty tanker) or at least shout to ask for help.
"Why? Why? Why?", The "Why" of Kanafani while concluding is: why did not some of the oppressed people reject the abject reality? Why did not they fight for their life and freedom? Could it be that they were so hopeless and tired, or were they so afraid from going back to the occupied home? Did they prefer death to losing their dream?. The questions were asked by Kanafani in the past to project on present exprience and to reflect the suffer of the palestinean-age on the future memory.

This book gives you an idea of the suffering and neglection of a nation, on the watch of the whole civilized world.

This collection of short stories is a brief, but poignant look into the life of people living in Palestine. At the same time, the stark writing illustrates many universal themes forcing readers to reevaluate life as they know it. The writing is plain and easy to read, but ultimately, deep and impossible to dismiss.

The stories were great. Well written, poignant, the most so being the one involving the tank.

Written and published in the 1950s and 1960s, this slender volume of stories by Ghassan Kananfani speaks of the displacement of Palestinians in ways that are timeless and still fresh today. They speak of loss more than hope, and although the author was an activist and spokesman for the Palestinian Popular Front, he seemed in these writings to simply bring attention to the human cost of political struggle in the Middle East. He himself was killed by a car bomb in Beirut in 1972.

The most compelling of these stories is the novella "Men in the Sun," which tells of the efforts of three men being smuggled into Kuwait from Iraq and the truck driver who has offered to help them across the border. The fierce desert heat represents the terrible odds against their ever being able to escape the consequences of war and loss of homeland. But this is only one theme among many, as Kananfani explores traits of Arab character which seem to intensify inner conflict and erode the ability to act purposefully. The story "If You Were a Horse" concerns itself with superstition, fear, and overwhelming regret that divides father from son and leads to misfortune. The book includes an informative introduction by Hilary Kilpatrick.

excellent photographs of collection of royal family of england ,from1840-1940.some of the pictures i've seen before ,but there are alot of new one's not seen before.

This is an excellent resource as well as enjoyable reading and viewing. Queen Victoria had a large, illustrious family. This book not only humanizes and personalizes the many family members, it also helps to make sense of the extended family connections - particularly with the included family trees in the back of the book.

I have perused through this book many times, and have recently given one to a friend, who absolutely loved it. This is not a history book that will just sit on a shelf. It is a required addition to anyone interested in the history of Queen Victoria and the Eurpoean monarchies.

Absolutely remarkable. Charlotte Zeepvat takes the reader into the lives of Queen Victoria and her family with the amazing photographs, both candid and formal. The pictures are rare. They are well organized and have excellent captions. Zeepvat is a great writer/historian and I recommend her books to all.

for those interested in royalty. While some of these photos can be found in many different books, some of them I've seen for the first time. Queen Victoria's decendants are so numerous and belong to so many different royal houses. Definitely a worthwhile purchase!

There are certain photos that I simply expect to see when perusing volumes about European royalty. However, upon receiving Zeepvat's book, I was thrilled to find so many rarely seen photos of some of the more obscure descendants of the "Grandmother of Europe." If you're a royalty buff like I am, you can spend hours immersed in this marvelous book and its detailed family trees.

The Testament of Devotion is a gentle invitation to slip into the divine centre amidst the whirlwinds of competing demands, incessant noise, superficial crowds and breathless hurry. Thomas Kelly, a Quaker writes as one who has stumbled upon the hidden treasure, the pearl of great price for which he would trade everything for - a life that grows out of an inner place of calm, peace, clarity and centredness. This divine centre, this inner peace is available to all who would pause and breathe deep and slip gently into it. It does not require the straining of the intellect, or elaborate rituals but humble obedience - a surrender to the 'Hound of Heaven' that offers us this gift of quiet, trust and rest. This place is where you learn to trust the Creator, the Savior and the world's true Lord and know that all is well, all manner of things is well.

What we have here is a distillation of Quaker spirituality where the doctrine of the Inner Light of Christ can be realized in the lives of ordinary people and not just the super saints in all the routine and vagaries of modern living - a simple, gentle book that has the power to change us from deep inside. Be warned!

"The problem we face today needs very little time for its statement. Our lives ... grow too complex and overcrowded ... in frantic fidelity we try to meet at least the necessary minimum of calls upon us. But we're weary and breathless. And we know and regret that our life is slipping away ... in guilty regret we must postpone till next week that deeper life of unshaken composure in the holy Presence, where we sincerely know our true home is, for this week is much too full" (89-90).

Originally published by Quaker author Thomas Kelly in 1941, these words from A Testament of Devotion have never been more applicable than today. We live in a time of unprecedented complexity and confusion. Our high tech culture is obsessed with novelties, gadgets and an endless variety of "time-saving" electronic devices. The world has never known a society with more leisure time on its hands, and yet, we are among the most chronically exhausted, stressed-out people on the planet. There must be a better way!

"For over the margins of life comes a whisper, a faint call, a premonition of richer living which we know we are passing by ... we have hints that there is a way of life vastly richer and deeper than all this hurried existence, a life of unhurried serenity and peace and power. If only we could slip over into that Center!" (92).

Thankfully, the author offers hope for those of us who continue to struggle against the forces that would keep us from "slipping over into that Center" of Divine Love, out of which we are enabled to love others as we have been loved by God. The hope Kelly offers us can be found not only in the words he writes, but in the life he, and others, lived. Citing the examples of prominent Quakers such as George Fox and John Woolman, Kelly highlights those traits that set these spiritual leaders apart as passionately devoted followers of Jesus Christ.

The greatest insight for me, however, came through my reading of the biographical memoir written by Kelly's close friend and colleague, Doug Steere, which is attached to the end of the book. Here we discover that living out of the Divine Center came late in life for this intellectually restless, professionally ambitious, Harvard-trained, Quaker scholar. According to Steere, the pivotal event took place sometime in the autumn of 1937, during which time "a new life direction took place in Thomas Kelly. No one knows exactly what happened, but ... a fissure in him seemed to close, cliffs caved in and filled up a chasm, and what was divided grew together within him" (118). A year later, following a summer visit among Friends in Germany, Kelly himself testified to Steere, "It is wonderful. I have been literally melted down by the love of God" (120).

Could it be that each of us is not so different from Thomas Kelly, not to mention George Fox, John Woolman and every other prominent spiritual leader who has gone before us? Could it be that the quickest way to the Divine Center is to recognize and renounce our tendency to live on the fringe of God's purpose for our lives? Could it be that the only way for the spiritual fissures in our lives to close is by allowing the retaining walls we have built up around our souls to cave in? Could it be that the best antidote for "frantic fidelity" is a "holy meltdown"?

Thomas Kelly's A Testament of Devotion is a nugget of solid gold, carefully refined in the furnace of God's purifying love. As such, it issues a call for each of us to surrender our own lives to this same holy fire, with deep confidence that the One who melts and molds us is utterly trustworthy and has our best interest in mind. In the process, we are relieved from the burden of "frantic fidelity" and we can find rest for our weary souls as we recognize that it is God's work, not ours, that will stand the test of time:

"Thus we have begun to live in guidance. And [we] find He never guides us into an intolerable scramble of panting feverishness ... for after all God is at work in the world. It is not we alone who are at work in the world, frantically finishing a work to be offered to God ... we need not get frantic. He is at the helm. And when our little day is done we lie down quietly in peace, for all is well" (100).

I read this book 25 years ago and find that it gives me a feeling of the Inner Light and grounds me in what the spiritual life is all about. It is deeply Christian and yet can resonate with anyone who feels God as a living reality in all religions or no religion. It also touches upon what the Quakers call "consensus", how to let the guiding of the Spirit lead people into an understanding filled agreement about how to live, to heal, and to forgive. I have read other Quaker books, but it seems everything is here in this book. It uses less words than all the others and says everything.

What a beautiful book!! It you are into contemplative prayer, or have devoted a significant part of your life to meditation on God's purpose and direction, this book summarizes your life. Kelly has an amazing ability to describe the joys of inner peace, sifting the things of the world beyond through the sieve of the world within. Inspirational and delightful - enjoy.

Not many books cause me to want to be quiet and small. Welcome to reading Thomas Kelly's A Testament of Devotion. Simple, profound Kelly invites us to an inner journey into the presence of the holy. Words fail-buy it

This is such a precious book! It's one to read in small bits, because it is so chock full of simple wisdom. Love it!

Andy Murry has a close relationship with his Lord and Savior, Jesus. He makes the point that we can only experience Christ by accepting that Jesus paid the price IN FULL for our unclean natures. Keeping rules of conduct is only a product of our FAITH. We are saved by GRACE THROUGH FAITH IN CHRIST. GRACE IS AN UNEARNED AND UNDESERVED GIFT FROM GOD THROUGH CHRIST. AMEN!

Review by Richard W. Kelsey, PE and Author
Search "Powerful Wisdom for Powerful Writing,"
Amazon.com or AuthorHouse Publishers

Outstanding treatment on communion with Jesus. Very practical, accurate, useful in helping disciples to walk daily with the Lord.

I am a great fan of great devotional writing and Andrew Murray's "Abide In Christ" is one of my top choices along with a few, time-tested others (Testament of Devotion by Thomas Kelly, The Depths of Jesus Christ by Jeanne Guyon, The Spiritual Guide by Michael Molinos, The Pursuit of God by A.W. Tozer).

I know of no other lesson that is as crucial to every child of God than learning to "Abide in Christ." And yet there is nothing easier than drifting along on a thousand other spiritual currents than "the one thing that is needful." Our lives can thus be so fragmented and parceled among so many competing demands that we have lost sight of Jesus Christ. And to no longer fix our eyes on Him is to lose sight of everything.

One of our greatest lacks today, both individually and corporately, is authentic, intimate, sustained encounter with Jesus Christ. We think all things are well as long as we are continuing to learn more "about" Him rather than "from" Him.

The bible itself has become an obstacle rather than an avenue to greater intimacy with our Lord. Again, we think all things are well as long as we are continuing to learn more about the bible rather than the One whom the bible writes. We think learning biblical principles for living is somehow adequate and what we are called to. But this is not the call of Jesus Christ on our hearts. "You search the scriptures," He said, "thinking that in them you have eternally life, but you won't come to Me that you might have life." But in many instances, just like our forebears, we think it sufficient to eat from the tree of the knowledge of "good and evil" rather than coming to Jesus, our tree of life, our bread of life, our water of life, our "all in all." And on the road to Emmaus, Jesus "pointed out to them all things in scripture that pointed to Him." In all of our bible reading, do we fix our eyes on Jesus?

The deepest longing of Jesus Christ is for closeness with us. In one place it says that Jesus cried with a loud voice saying "Come unto Me all you who labor and are heavy laden and I will give you rest!" We need to be reminded of this, often and daily.

Murray writes:

And observe especially, it was not that He said, "Come to Me and abide with Me," but, "Abide in me." The communion was not only to be unbroken, but most intimate and complete. He opened His arms to press you to His bosom; He opened His heart to welcome you there; He opened up all His divine fullness of life and love and offered to take you up into its fellowship to make you wholly one with Himself. "There was a depth of meaning you cannot yet realize in His words: "Abide in me."

Just what is this "depth of meaning?" What is this "unbroken, intimate, and complete" fellowship with Jesus Christ? What is this call to "inner communion" into the heart of our Lord? Do read this classic devotion "Abide In Christ" and discover some of the answers. Rediscover the ultimate call and central message of Jesus Christ to all those who have lost their way.

This was one of the greatest books on living in Christ I've ever read. Though tough reading, it still influences my prayer life today. If you haven't read it, you must!

The life - project of Pessoa in his making of multiple poetic alter egos, reminds of the life - project of Kierkegaard who explored various aspects of the religious life through use of alter egos often representing different faculties, approaches and moods of life. But if Kierkegaard's aim is to bring the reader to realization of what it might be to be in true connection with God, Pessoa's seems to be more to dissipate the notion of unique identity completely out of existence. Thus the fragments he shores around his own ruin and attributes to alter ego , heteronym Bernard Soares have within them a strong nihilistic self- and - world denying element.
Yet and here is the contradiction and the deeper truth they also reveal a kind of beauty both in perception and in the varied motion of the mental life itself. Lonely solitary lost fragmented Pessoa knows no human sacrifice like that of Kierkegaard with Regina, knows no dedication to his father's task of doing God's duty in the most ultimate way. He instead seems to reveal hidden realities as he conceals that beyond them all may well lie an eternal nothing. Kierkegaard is the many- selved servant of God, and Pessoa the many - selved servant of nothing more holy than human poetry.

Poetry often speaks to us; we see something in it, something recognizable, and it's like we are shown a piece of ourselves that had been hidden for a lifetime before. Finding Pessoa's *Book of Disquiet* was like finding a piece of myself. In the pages of this poetic novel you will find honesty, often self-disparaging, and you will find beauty in the smallest observation. However, be forewarned, this is not a book that should be picked up with the idea of light reading in mind. In fact, you may find that you have to put it down, repeatedly, to get away from it, to think, but you will always, always come back to it. Keep it close to hand.

"If i think, it all seems absurd to me; if i feel, it all seems strange; if i desire, he who desires is something inside of me."
Sums up the book perfectly. Pessoa explores one of his many personalities. "The Book of Disquiet" explains, in complete depth and faith, the beauty of a lonely, existential, moment by moment life. He explains the beauty that people forget. He explains the world, his perception, as if every moment were the last.
"The book of disquiet" is one of the most insightful books a person can read, but only if one has imagination and an ability to let go. Bernardo Soars, Pessoa's personality who wrote the book, is extreme and eccentric. It isn't easy reading, and it won't affect you if you can't overlook the fact that life doesn't go on like Soars'; that there is more in thinking, dreaming, and desiring than Soars admits. What makes the book so special is how Soars can forget everything but the thought and the moment, and how he can analyze and critique and put into words something that most of us forget to remember. "The book of disquiet" reminds me, at least, of how to appreciate my own mind. It is the only philosophy-like book that i enjoy (as yet) because it is the real thing and encompasses a forgotten part of real life.

Fernando Pesoa's genius lies within who Pesoa was as nil and not. He wasn't anyone. Only somene who continually writes in "disquiet" his persona's variable exegesis. The writing is in the book but the author who wrote it, Fernando Pesoa does not "feel himself" as actually being who he is. So, maybe he's actually a different author, with a different name who begins to write a different book. There's all of the writing there, its genius evident in the mystery of the writing itself. All the writing invested with absolute revelation of numinous absence. The absence is that of the author's presence. Magic? Truly. The author is not there. But he must be "there" because he has no choice but to write. What's the answer for the author who is finds himself as absent? He must undertake the creation of the abent author's presence. How? By literally creating a utterly unique form of literature. A literature whose grammar is of being literal by making it possible to write of the absence of an author to himself into a presence to be known as the once absent identity. Writing through a textual hermeticism capable of transmutation through written words of the emanation of an author as "logos," or the Word. "In the beginning there was the Word." Through the Word as logos, all identity is created in the appearance, ex nilho, of the writer mediated solely through himself in this the new logos of writing itself. Pesoa is not himself. He's a man who achieves glimpses of a unmanifest self-referential identity only through his books. In the work of writing these books, this identity is made manifest as the author's anamnesis. Seemingly he finds out (remembers) he is, and always was, a certain author he now "remembers" as himself as a manifested presence. An absolute genius manifested as the author himself being (repeatedly) annihilated through radical self-doubt. Only later remembering who he was as absolute presence never to be lost again. Until this is accomplished all of the laborious, literal negotiations must of necessity begin anew, and are written as literature whose search arises from absence's discontent becomes the new discourse as the art and improvisation of real identity forged in the alchemy of narrative. This peculiar narative reaveals itself as a lived experience of self-discovery. One man of many parts dismembered in his own identity become self-inflicted and religious. Pesoa's own holy inquisition seeking and finding the indentity he is spurious, a phantasm of derealized personality perpetually guilty of having a persona found lacking, Wriiten out in texts as being found guilty of the "heresy" of having an identity. Never before Pesoa has an identity crisis of infinite magnitude been witnessed in Pesoa absence made real presence in some of the 2OTH century's finest writing and poetry. of the 20TH century in The writing of a man named Fernando Pesoa. A man lost to himself, in search of the "person" underneath the name. Personality and identity as reality grounded in a mystery only to be known by itself: self found through words that are the artifacts of the self discovered. A genius lost to himself and calling his absent identity into gradual existence by a person's absence fading into a personality that's presented in multiple, shifting Heteronyms, or cases of terminal identity lost and regained.

there are few poets able to assume so many diferent personalites as Fernando Pessoa. But Bernardo Soares is not a diferent personality, is just the other side of his personnal mirror, an escape to his tortured soul. Probably that is why The Book of Disquiet is so universal, a portait of the human fears, an example of a lonely man,travelling across his own mind, looking at the world through the most ironic eyes. Fernando Pessoa was able to understand dissapointment and regreat in a intemporal way, as a natural part of human nature. So, this book has the ability to make you look inside yourself, guide by one of the best poets of all times!

A WONDERFULLY TOLD CAT-TAIL! THE ILLUSTRATIONS ARE LOVELY AND APPROPRIATE TO THE PLAYFUL THEME OF THE BOOK.

This is a fantastic story. It sparks children and adults (I'm 53!) the imagination and creativity that will help make the world a more beautiful place. I hence started to write my own children's stories. Amy Tan is my inspiration, and I hope she becomes yours.

I am the mother of 2 boys and have little knowledge of "girl" books. I bought this book for 2 little girls ages 4 and 5. The parents of each girl said their daughters were thrilled with the book and asked that it be read to them twice the day the book arrived. I bought the book because I love Amy Tan's novels and assumed that a child's book would be just as engaging. Amy Tan's story and the beautiful illustrations did not let me down.

The most exquisitely illustrated book I've ever owned! A fun, fictitious way to describe how white siamese kittens get their colors.
It's a bit long for a bed time story, but really fun! Kids ages 8 or 9 and up may be able to read it themselves, but the beginners may have a hard time.

I've read Amy Tan's "Joy Luck Club" and "Kitchen God's Wife" and had no idea that she's a wonderful children's author as well. I learned about this book from watching the same titled PBS series. The series is cute for kids, but the book is a wonderful story, rich in history and beautifully illustrated. Tan is a gifted writer that children and adults can appreciate.

Some readers might find some parts slow going, but this classic work remains an excellent introduction into how and why our understanding of the heavens (and ourselves) changed so radically following the work of Copernicus. Those interested in reading Kuhn's seminal and more famous "The Stucture of Scientific Revolutions" will enjoy reading "Copernicus" to see how his thinking grew from this earlier work.

I asked my son when he was 4 years old why the Sun moved across the sky over the day. He answered me "because the earth turns". This seems like an obvious answer even for a 4 year old, but 400 years ago his response would be meet with ridicule and even worse would be considered heresy. Thomas S. Kuhn is able to beautifully and logically describe from a scientific perspective the ideas and discoveries through the ages that lead to the enormous conceptual leap from a geocentric to heliocentric world. This alone makes this book a great read. But what I valued more from the book is Kuhn's revealing of the impact of the "Copernican Revolution" outside the scientific world. It's influence on religion, society and the entire scientific process is still felt today. The idea of a heliocentric universe was not only a great scientific theory, it was really a turning point in the human race and how we see ourselves in the universe. I would also recommend "The book nobody read" and "Galileo's Daughter" as more modern follow ups to "The Copernican Revolution".

Kuhn's The Copernican Revolution was written as a text for an undergraduate course in the intellectual history of science. As such, its approach is focused and temporally expansive. The drawback of such an approach is the deficit of analysis in key areas. The analysis of the Church's role in science during the late middle ages and Renaissance was rather one-dimensional, but this obviously is not Kuhn's focus. Instead, he would like the reader to realize that any set of data can be modeled to an infinite number of paradigms (in anticipation of Structure of Scientific Revolutions). The heliocentric argument solved some qualitative problems but was largely Ptolemaic in articulation. Its aesthetic and geometric harmonies were extracted by astronomers who could could apply a mathematical rigor to it, in a post-Ptolemaic tradition (Kepler and Newton).

Kuhn challenges the reader's imagination to decipher the heavenly phenomena in the same way Ptolemy might have, without being hampered by the technical minutia of astronomy. He writes so lucidly as to pick the reader up and drop him or her under the ancient sky, and to follow a long, through time. Paramount to Kuhn is the practical importance of astronomical data and the logic of its categorization.

Perhaps the most persuasive analysis that Kuhn endeavors is that of the progression of the Renaissance neo-Platonics: Brahe, Galilei, Kepler, Descartes, and the mutation of the Copernican system into Newtonian synthesis. In one sense, his analysis is very non-Kuhnian as it can't point to a singular moment, and involves more of a patchwork of adopting new features (that is until Newton).

A concise introduction to the evolution of astronomical thought from antiquity to newton and a compelling classic.

This is a great overview of the development of the Copernican system. The main text is very clear and readable and the "technical appendix" has good expositions of key mathematical arguments. Nevertheless, I think Kuhn's interpretation of "the Copernican revolution" has some shortcomings. Kuhn wishes the Copernican revolution to conform to his idea (as presented in his book The Structure of Scientific Revolutions) of a revolution brought on by a crisis: "[Copernicus'] famous preface still provides one of the classic descriptions of a crisis state" and "Ptolemaic astronomy had failed to solve its problems; the time had come to give a competitor a chance." But Kuhn does not support this position very well. For instance he writes: "When Copernicus listed the aspects of contemporary astronomy that had led him to consider his radical theory, he began, 'For, first, the mathematicians are so unsure of the movements of the Sun and the Moon that they cannot even explain or observe the constant length of the seasonal year.'" Here Kuhn is using a rather underhand trick. He is implying, of course, that this calendar issue was Copernicus' primary motivation, but fails to address two crucial counterarguments. First, Copernicus' preface is addressed to the Pope and he is clearly interested in emphasising that "my labors contribute somewhat even to the Commonwealth of the Church, of which your Holiness is now Prince," mentioning specifically how the calendar issue was a concern for Leo X, etc. Second, when Copernicus says "first...", he does not mean "first" as in "most important," for he continues with a "second" and then reaches "the chief point of all." This chief point of all is the fact that the Copernican model has a beautiful implication: the planetary distances. A geocentric model cannot give such information because we could scale the orbit of Saturn, say, to make it twice as big and it would still look exactly the same seen from earth. But in a heliocentric model the distances are determined because if we scaled the orbit of Saturn then it would look the same seen from the sun but different seen from earth. So with the earth in the center we cannot determine planetary distances because we are the center of scaling, but with the sun in the center we would notice scaling and thus the planetary distances are locked, or, as Copernicus puts it, "this correlation binds together so closely the order and the magnitudes of all the planets and of their spheres or orbital circles and the heavens themselves that nothing can be shifted around in any part of them without disrupting the remaining parts and the universe as a whole." Thus he can claim triumphantly that earlier astronomers "have not been able to discover or to infer the chief point of all, i.e., the form of the world and the certain commensurability of its parts. But they are in exactly the same fix as someone taking from different places hands, feet, head, and the other limbs---shaped very beautifully but not with reference to one body and without correspondence to one another---so that such parts made up a monster rather than a man." (I'm using the translation from Goldoni's excellent article in the Mathematical Intelligencer.) Kuhn admits that the Copernicus' determination of the planetary distances is "crucially important" but dismisses it as the main reason for the acceptance of the theory: "'Harmony' seems a strange basis on which to argue for the earth's motion... Copernicus' arguments are not pragmatic. They appeal, if at all, not to the utilitarian sense of the practising astronomer but to his aesthetic sense and to that alone. ... New harmonies did not increase accuracy or simplicity. Therefore they could and did appeal primarily to that limited and perhaps irrational subgroup of mathematical astronomers whose Neoplatonic ear for mathematical harmonies could not be obstructed by page after page of complex mathematics leading finally to numerical predictions scarcely better than those they had before." The correct reading---beauty before truth---is staring Kuhn in the face but he refuses to recognise it, opting instead to dismiss Copernicus as "strange" and Kepler as "irrational."

"The Copernican Revolution" tells the epochal story of how the earth-centered cosmology of Ptolemy was replaced by the sun-centered cosmology of Copernicus and Kepler. The book is a classic. Kuhn understood how ideas influence each other and hang together in a system. He could write with equal erudition about observational astronomy, medieval theology, astrology, and Aristotelian physics.

"The Copernican Revolution" is a trove of historical and intellectual insights. Perhaps the main lesson is that scientific progress is not a simple matter of theory being adapted to observation. Multiple theories can account for the same observations, theories have complex non-observational bases of support, and extra-theoretical assumptions provided by "common sense" (such as the immobility of the earth) can be highly contingent products of a culture. Scientific progress is never guaranteed. Erroneous theories -- such as the theory placing the earth at the center of the universe -- can hold sway for centuries and generate a vast body of supporting evidence, only to fall out of sync with new observations and a new climate of opinion -- at which point they can hang on tenaciously, or collapse "suddenly" over the course of a generation or two. It all comes down to history.

Kuhn's great contribution to thought was to situate the history of science within the history of ideas -- he treated scientific theories as the products of cultures, institutions, and sheer accidents, not as deliverances of pure logic. "The Copernican Revolution" is fantastic and should be ready by anyone who enjoyed and learned from "The Structure of Scientific Revolutions." It's become fashionable to bash Kuhn lately but his books have a secure place in the canon of history and philosophy of science. Six stars!

This book has some of my favourite illustrations (in stiff competition with 'Everyone Knows What a Dragon Looks Like' also by Mayer).
It is perplexing to me why we don't see more works like this from him. Instead, we are apparently meant to suffer thru such works as 'Little Critter: Merry Christmas, Little Critter!.' It's not that they are so bad, but when you have books like the former, they seem like kind of a waste.

As a child, this book was my favorite. At the time, I was too young to realize that among all its virtues as a storybook (a mythologically-gripping plot and breathtaking illustrations) was a finely woven thread that spoke of the bravery it takes to right a wrong, how adversity reveals character, and how perserverance, fearlessness, and strength are characteristics valued in girls, as well as boys.

Like any great fairytale, the morality is subtext and wrapped in beauty and magic. If I had to choose only one fairytale to give my daughter, this would be it.

This was a book that I received at a very young age and has been treasured for many years. Now that I am shortly going to be a mother I can't help but want to pass this magical book down to my daughter. Today, I purchased as many books illustrated by Mercer Mayer that I could and hope that his works are never forgotten and live on, at least in my family.

This is a telling of love and promises. You will be transported to a place of beauty and harsh reality. i read this story to my daughter for many years. The excellent drawings set a picture in the mind. I have told this story as a spoken tale to rapt audiences, at such diverse settings as an extended family thanksgiving dinner, to an on the job construction crew ( having to use a very loud voice ) none of whom ever would let me not finish the entire telling.
This story transcends the boundaries of child-adult prose.

Hi! My name is Elizabeth. East of the sun and west of the moon is a very sad but wonderful book. THis book is about a faird maiden whom is so beautiful but yet so intellegent. All of the men would like to be wed to her. later on her life takes some sad twists and turns and now she must travel east of the sun and west of the moon. When she gets there she already knows that she will not find a warm welcome within. But soon everything changes and she meets the man of her dreams! And now any traveler wil know that " Eaast of the sun and west of the moon... where you will find a warm welcome within!"