T Books

This is a great book for anyone who has ever worked with the mentally challenged or Knows someone who is mentally challenged. It shows the true hearts of the clients and the realities they experience in thier every day lives.This is one of those books that A person picks up to read,and doesn't put it down untill it is finished.Very emotional,yet very funny book.A book that truly warms your heart.

Highly recommend this well written hillarious tale of Richard, the "rubber room resident". This is a great read for anyone and would make an awesome gift this holiday season.

Not long ago, during a time where the mentally ill and the mentally retarted were often housed together, Richard Ulysses is encouraged by an uncle to "become committed" to one of these institutions (as a health care professional?) As we read his entries to his journal, we witness the feelings he has toward his fellow "inmates" as he gradually makes them his family. Don't let the sophomoric (and sometimes stomach-turning) humor mislead you, this is a very touching story that will get you thinking about the institutions we all live in, and, like Richard, "Do I really think I'm any better than they are?"

If you have ever worked in the human services field, you'll love what your reading. If you have ever worked direct care with mentally handicapped individuals, you'll love it even more!
I could relate every character in the book, to an individual with whom I have worked. Stellar Job Wally, KEEP UP THE GOOD WORK!

I enjoyed this book, found it to be funny and entertaining. Very good reading won't put you to sleep so don't bother reading before going to bed.

Dynamite comes in small packages, they say.'I Don't Want to be Your Guru, But I Have Something to Say'
by Joyce Shafer only has 54 pages, but it contains the punch of a parcel of dynamite!

The really catchy title struck a chord immediately I read it, because there are far too many superstar gurus
around today. When I started reading, I kept thinking: "Yes, good point! I'll mark this page." Then I'd say the
same thing on the next page, and the next. I soon realized that there is a gem of wisdom on virtually every
page. Many had more than one!

What I really liked about this story is the easy conversational telling. Here we have a really clever use of
fiction to get really important messages across very effectively, devoid of the dogma often attached to books
teaching important life-lessons.

This conversation combines age-old teachings with quantum physics making it an up-to-date manual for life.
Absorbing Old Bill's philosophy into our own lives is sure to bring greater happiness and joy.

However you use it, you need to read this book. My suggestion: Get it. Read it. Think about it. Blend these
principles into the foundation of your being. Repeat as necessary.

Like Old Bill says in this book, there's a difference between a trip and a journey. This one is definitely a journey worth taking. I took my time reading this because I wanted to savor the wit and wisdom between the pages. Each bit of knowledge was like a bite out of the warm apple pie that weaves its aroma throughout the book. Whether you rush through or sit around a while, this is one story not to be missed. I'm going back for a second helping.

> 'You will find this book to be one of 'the most'
> amazing books you've ever read. What Joyce has done
> in this masterpiece can only be accomplished through
> intuitive, spiritual genius. As you read this
> 'sure-to-be' classic, you will feel, as I did, the
> change that is taking place deep inside. I found
> myself taking deep breaths as I soaked and marinated
> my soul with this profound yet simple story. Joyce
> communicates to you quantum truths in a manner that
> anyone can grasp, understand and be transformed by.
> I sat and thought of all the friends that I wanted
> to call immediately and tell them 'get this book
> now'. If you can experience half of what I
> experienced while devouring this short book, you
> will look at your life, others and the universe in a
> way that not only makes perfect sense but with a
> since of purity, optimism, understanding and great
> love.'
>
> Michael Murphy
>
> Author of 'Powerful Attitudes', professional
> speaker, creator of Instant Success Immersion
> e-course and positive, personal encourager to over
> 150,000 people around the world with his
> 'E-Courager' ezine
> [...]
>

This book is a little gem. It's short and sweet. It is a wisdom book that compares well with "Tuesdays With Morrie" and even the Carlos Castaneda books, although considerably shorter. It is easy and fun to read and will help everyone who is interested in improving and elevating their life and becoming happier. The information is presented in a conversation between an avatar and someone like you and me who meet in a chance encounter. It is wise, sound, but never preachy. I recommend this book for everyone interested in living a fuller, richer inner life, plus it'll only take you an hour or two of your time to read and digest it.

Reviewed by Narissa Johnson for Reader Views (6/07)

"I Don't Want to be Your Guru, but I have Something to Say" is Joyce Shafer's gift to me. This book, short and easy-to-read, makes me realize that other books, sharing wisdom that I have read, were merely building up to this book. The book could be read in one afternoon, but why would you want to? I took my time reading this book and intentionally did not mark in it, highlight or flag any part of it. I want to read it again before I really pull the lessons out of the text.

Through an easy going conversation in a cafe, lessons about how we view ourselves and the world around us are shared between two people. Each lesson is one which I want to savor - like a delectable amuses-bouche. An amuses-bouche is bite-sized morsel served before the first course of a meal. And its intent is to tantalize (or amuse) the mouth and indeed tease the diner with what the chef has prepared for the following courses. "I Don't Want to be Your Guru" serves up an array of amuses-bouche - each lesson teasing me with the possibility of how my life could be altered, bettered, lifted by integrating these lessons into it.

In "I Don't Want to be Your Guru," the loose story which surrounds these lessons is a young woman named AJ (though I suppose it could be a man, but as I am a woman I suspect Ms. Shafer intended me to view AJ as a woman) who is returning to the site where she had this life-changing conversation with Old Bill. She is returning ten years after the conversation - and I suspect that of everything she learned in her conversation with this "guru," it could take ten years to really integrate and reflect on these lessons as part of your everyday life. And I, for one, can't wait to get started!

It's been over 10 years now but I still remember passages of this book and how it helped me get a grip on my pride and need for control. It confronts so much more than the obvious - even meddling in why I feel uncomfortable in social situations. This book should be reprinted and revisted every 10 years or so because it should be right next to the bible for anyone who even THINKS that they just "like things a certain way." :)

A friend gave me the book to read a few years ago. It was great! It helped me to see the controlling part of my personality. I didn't know how damaging it was to me and others. Now, I need to share it with others who are struggling with the same issues, but I can't find a copy. Please let me know where I can find this book.

I have used this book with many clients and their families. It is a great resource tool in understanding controlling personalities. However, I loaned by book to a client and never got it back. Does any one know where i can obtain another? chastainjb@aol.com.

Perhaps 70 percent of my clients have this book assigned as part of their required reading. In virtually every family there is need for this book to bring balance. Don't miss a chance to secure a copy for your own library, find it in any condition! It's a keeper.

I learned from this book how one of my greatest strengths in controlling circumstances at work created problems with relationships with those i loved the most when i used those same techniques at home. i also learned ways to change my behavior for the better which has made life at home much more harmonious for all. i have loaned this book to so many others that have found it extremely helpful that my copy is now dog-eared. Please let me know if anyone has info on how to purchase additional copies, since i would like to have them available to give to others. badges@gate.net.

Legendary journalist Theodore H. White (1915-1986) always wrote with great eloquence, but never more so than in this superbly moving autobiography. White begins by describing his impoverished boyhood in Boston's Jewish ghetto and his undergrad days (on scholarship) at Harvard in the 1930's. He then writes with great passion about his years as a correspondent in war-torn China (1938-1945), which included working for Time Magazine, reporting on China's leaders, and helping to curb a famine. The author's attachment to the Middle Kingdom has doubtless inspired several readers (including myself) to visit that enchanting yet tragic nation. White also describes his career in post-war Europe, and his days as a returned U.S. journalist during the prosperous 1950's and beyond. Readers get a first-hand look such notables as Dwight Eisenhower, Mao Zedong, Chou En Lai, Douglas McArthur, Chiang Kai-Shek, Joe Stillwell, Konrad Adenauer, etc. We also get an intimate look at John F. Kennedy's bid for the Presidency, and his brief tenure in office. White concludes with a bittersweet account of returning to his once-tranquil boyhood home in the 1970's - now encircled by ghetto blight and violence.

Theodore H. White was one of the top journalists of the 20th Century, and perhaps best known for his MAKING OF THE PRESIDENT series (1960-1972). Very few writers have ever matched his eloquent prose, which is abundant in this superbly moving 1978 memoir.

.......how a young man's decision to add Chinese to his college curriculum changed forever his life, placing him at all the pivotal points of history in his time....meeting the men with the visionary ideas........and writing of this journey so exceptionally we all experience the intimacies of every moment.

I really LOVE this book, have read it several times! I can't believe one person was able to do all of these fascinating things and tell about it in such an engaging manner. The material in China in WWII is probably the most fascinating and tells stories about the Chinese leadership that most westerners don't know. The McCarthy era and the Kennedy campaign and assasinations also were riveting.

This is one of those rare authors that can make an exciting history jump off the pages at you. And White was lucky: he saw some of the most interesting events of the 20th century, up close and with access to the principal players. The latter part of the book, where he describes the inner circle of the Kennedy camp on election night, 1960, is one of the best passages I have ever read.

Theodore H. White (1915-1986) is widely regarded as one of the greatest journalists of the World War Two "G.I." generation. TIME magazine once called him the "godfather of modern political reporting", and he is best known for his classic "Making of the President" series of books. From 1960 to 1980 White covered every presidential campaign and observed the political leaders who participated in them. He became so well-known that candidates from John Kennedy to Jimmy Carter and Ronald Reagan gave him unprecedented access to the inner workings of their campaigns. White's first book in the series - the bestselling "Making of the President 1960" (which covered the Kennedy-Nixon contest) earned him the pulitzer prize. Yet White was far more than just a political reporter, as this marvelous memoir proves. By 1976 White had grown both tired and bored of covering presidential politics, and so instead of doing another book on the '76 campaign, he decided to write his autobiography. In "In Search of History" White offers a superb chronicle of his remarkable life and career. Born and raised in a poor Jewish slum in Boston, White came from a family of intellectual Jewish immigrants who nonetheless experienced grinding poverty. In his youth White was in many ways a child prodigy - he was both brilliant and energetic. He sold newspapers to help his family pay the bills, attended Harvard University on a scholarship and became fluent in Chinese. In 1938 White, only 23, flew to China to cover that nation's heroic resistance to the Japanese invasion. He was soon hired by Henry Luce's powerful TIME-LIFE magazines to be their Asia correspondent, and for awhile he was Luce's star reporter. White vividly describes his experiences in China and Asia during World War Two, from a devastating famine to his meetings with legendary Chinese leaders such as General Chiang Kai-shek (whom he despised) and Communist leaders Chou En-lai and Mao Tse-tung (with whom he formed a wary respect). He also met the great American generals of the Asian theater of the war, such as Douglas MacArthur and Joseph Stilwell. White seems to have been present at a vast number of great historic events, and among his best descriptions is that of the Japanese surrender aboard the USS Missouri in 1945. After the war White moved to Europe, where he covered that continent's attempts to rebuild and unite and America's efforts to help. In the fifties White began covering American politics, and then in the sixties he both covered and became a close friend of the Kennedy family - thus becoming (as he reluctantly admits) emotionally closer to his subject than he should have been. White's closeness to the Kennedys was dramatically revealed in late November 1963, when Jackie Kennedy personally chose him to discuss the intimate details of the assassination in Dallas and to write a "final word" about JFK. It was White's "Epilogue" (published in LIFE), that created the legend that Kennedy's Presidency was "Camelot" - a word which Jacqueline Kennedy insisted be used in describing her husband's administration. It is apparent from "In Search of History" that White led an extraordinary life and had many adventures (and misadventures) along the way. He is an engrossing writer, and despite the book's length I never grew bored or restless. Among the thousands of journalists of the twentieth century, White almost certainly belongs among the top ten, and this autobiography proves why. Highly recommended!

I knew the players but I never knew how they played the game. I was truly moved and inspired by the dedication of the forensics students and motivated by their determination. This book isn't uniquely for teachers but for students of all ages because as we go on in life, we can always come to know, as the book states, that "class is never dismissed".

Karen O,lead singer of the Yeah Yeah Yeahs, gets it: "It's important for kids to feel bigger than they usually do. We're trying to make you feel a little bit cooler than you might actually be." Many American teachers don't get it. A lot of teaching today is either boring [2/3 of classroom time is talk and 2/3 of that is the teacher talking] or painfully judgemental[grades, the red pen, do and don't instructions]. It doesn't take a genius to see kids natural talents and creativity are being stifled.
Enter McCutcheon and Lindsey--Lindsey is a MacArthur Foundation Genius Grant recipient--with their Five Truths. These "Truths", explored in a clever anecdotal style,are a summation of what the authors discovered during years in the trenches of high school teaching.
But undergirding all the truths are the authors strong commitment to finding value in each student, understanding each student's interest or problem, and chalenging each student toward full potential by helping each student to feel special. McCutcheon and Lindsey get it and now every teacher and parent can too.

This book is for parents as much as it is for teachers, and it is for students as much as it is for teachers. Heck, it is for any and all people whose lives aren't what they had expected. Or it is for people whose lives are going swimmingly, but want to read a marvelous book.

The fact of the matter is: there is only ONE Tommie Lindsey, there is only ONE Randall McCutcheon, but there are millions of people who could have used a teacher like either of these guys. This encouraging, readable, positive book offers simple advice to many of the seemingly complex questions in life.

Both teachers write well and provide great helpings of How They Did It, and the anecdotes by their students would make a worthy book even if they were published separately.

By the way, teachers should read this book, too. All of them.

While this inspiring book tells us that "it doesn't take a genius" to help students succeed, passage after passage show us how these two dedicated educators manage to bring out the genius in each of the students whose lives they touch. This is powerful testimony to the commitment, passion, wisdom, and strategies of skillful teachers who, first and foremost, believe in their students and honor them as human beings, thereby enabling them to attain excellence, not only in high school but also in life. This is a must-read book for teachers, parents, and others who might be moved by stories of student success against all odds posed by living in an inequitable, race-based society.

This book is a fascinating mix of direct and indirect communication. The book's basic points are made directly
by its coauthors and then exemplified indirectly by the vignettes provided by an interesting assemblage of their
former students. The coauthors' arguments are clear and unlittered with academic jargon. (For example, what
academics would call "intertextuality" is discussed without invoking the guild's current buzzword.) Many of the
brief student contributions are surprisingly moving.

In characterizing one of Tommie Lindey's emphases, a student writer (Joseph Riley Whitfield Jr.) in fact aptly
describes the book: "...a complex message delivered in common language [that] does not lose its sense of
the profound."

My advice to readers would be to read each of the "five truths" sections, breaking off reading after each to ponder
what it means for them. Considered and pondered, the book has practical and uplifting messages that have made, and will make, a difference.

This isn't an exhaustive book, with instructions on all culinary techniques. I wouldn't recommend it for beginners. And yet it isn't a high-level work of recipe porn from which you'll never actually prepare anything.

Ash is a Californian, and cooks with an Asian accent and an emphasis on fresh produce. I didn't have trouble finding all the ingredients here on the other side of the country, though I suspect some may need to order a few items online.

Some recipes require many ingredients and look fairly involved, but the techniques are seldom hard. What I like best is the first section, with chapters on salsas, pestos, marinades, sauces and vinaigrette, all of which have myriad uses. Two other chapters you don't see in many books include one one oven drying fruits/vegetables to enhance their flavors, and another on tofu/miso/tempeh.

I looked for a long time in all the wrong places for a book that would teach me how to cook, not just by piling up recipes, but by showing me basic adaptable techniques and how to approach different main ingredients. My search was so frustrating that I gave up on my other condition, that the book feature modern, interesting food. This book does exactly that.

He shows you, for example, different types of sauces, then shows you how they are related and how they can be used to build your dish.

The reason I give this an edge over volumes like How to Cook Everything or the All-New Joy of Cooking is that Ash gives his lessons concisely--it's a far slimmer book than those two--and with beautifully motivating illustrations. This book will take you very far in relatively few pages.

Amazon is at this moment offering this book with Molly Stevens' All About Braising. This is a brilliant combination, as Stevens' book goes into great depth on this elemental technique, and both give you a perfect balance of classics and new and/or exotic flavours.

My husband and I have attended two of John Ash's cooking classes in the last several years. If you ever have a chance to go to his class, don't miss it. He teaches with a wonderful sense of humor while passing on all kinds of good information. He usually makes the circuit at the Central Market in Austin, Dallas, Houston and Ft. Worth, TX. We attended in Austin but unfortunately don't live there anymore. His cookbooks are wonderful and are filled with very interesting, different, and excellent recipes. This one is good.

This is marvelous new approach to teaching culinary techniques. It is very similar to Ming Tsai's new book: "Simply Ming" in that they both provide a new technique, e.g. how to make a marinade, a vinagerette, a sauce, souffle, braising, etc., then provide recipes which use and build and modify this basic.

While Ming is into East-West fusion, here Ash is into inspiring even the one who feels they are not very good in the kitchen to delve into the fun world of great cuisine. Ash is a proficient educator who truly believes in dialogue as a prominent learning tool. Here he aptly anticipates questions and answers them.

His selection of topics is contemporary and popular, as evidenced by his starting point: salsas. This is topped off by a wonderful "Fresh Cranberry and Tangerine Salsa." I really appreciate that each topic provides "VARIATIONS", which stimulate each of us to consider taking off in varying directions depending on our taste likes and ingredient leanings.

Try some of these, which are not difficult once you've began mastering the technique: "Roasted Eggplant Salad with Charred Tomato Vinaigrette;" "Cold Cream of Red Bell Pepper Soup from the juicer"; "Couscous Risotto with Oven-Dried Mushrooms and Tomatoes and Pecorino Cheese"; "Herb and Pistachio-Stuffed Veal Pot Roast"; "Twice-Baked Goat Cheese Souffles with Watercress and Oven-Dried Tomatoes"; "Poached Chicken Breast Salad with Curry Buttermilk, Apples, and Pecans";

There is also a section on Tofu (not one of my favorites) and Simple, Sophisticated Desserts. A wonderful, informative brief section on wine, both for cooking and for matching up with food is well done, as well as a Glossary and Pantry. Only thing missing here is Sources.

The writing is superb as is the color photography. A cookbook to start with, improve with and cook with for a long time.

This cookbook is wonderful in that it uses fresh ingredients and it allows piees and parts of meals to be prepared ahead of time.

The idea behind the book is great, but it lacks the satirical bite of The Wandering Jew. As a "realistic" novel it suffers from the fact it has only one source, the Bible

This is another masterpiece from Stefan Heym, the pseudonym for Helmut Flieg. The author is an East German/American Jewish writer, known for his controversial political standing, and as an advocate of "real socialism" he has been a victim of totalitarism and western democracy alike. In "The King David Report," Hyem has retold the old biblical/legendary/historical story of King David. The main character, who personifies the author, is Ethan of Ezra, a wise, truthful man who has been entrusted by King Solomon to write the official version of King David's life and deeds. Ethan is the intellectual who must face the conflicts of time and who is tormented by the limitations which are set to his writing the truth, who soon realizes that learned men are an annoyance to the people and a bother to the servants of the King. To what extent should he expose the truth of King David's life, who setting aside his political glory can also be accused of being a murderer, adulterer, and a machiavellic leader? How does history deal with a King whose only purpose was power, who only loved himself, whose God was made exclusive to himself and justified his crimes in the name of the Holy One? Ethan soon realizes that the outlaw will cover his tracks rather than leave behind accounts of his exploits, and a high price is to be paid by those who are willing to bring forth the truth.

How are we to deal with historical undesirable matter? Tell it all, tell it with discretion, or don't tell it. Heym's intention is to extrapolate the story of King David to events taken place in our recent history, something that comes out quite easily for the reader. But despite oppression, torture, false witnesses, perversion of the facts, plariarism, and the death of the innocent, the author is a positive, optimistic thinker. He believes that it is impossible to entirely divorce history from truth and expect it to remain credible. "As the sun breaks through the clouds, truth will break through words..."

"The King David Report" has a complex structure, a well-documented background, and a clear ironic transparency. It is a well-elaborated piece of literature, which must be seen as a historical novel, a biblical account, and a political satire.

An amazing portrayal of an honest man caught in the forces of a history driven by less-upright minds.

An eminent scholar is asked by King Salomon to write a true - nothing but the truth - biography of his father King David.
The scholar's research reveals a not so quite divine portrait of the late king. It is heavily stained by incest, sodomy, treachery, lechery, manslaughter, bloodbaths and opportunism. In one word, it exposes a satanic character.
King David followed the advice of his counsellor: 'In order to reign you should have but one goal: power, and love only one person: yourself.'
The scholar discovers also some very compromising facts about the present king.

He recognizes all too well that he lives in a split world: 'I do not say what I know; I say what I don't think; I think what I don't say; I want to say what I should not think. I am a dog turning around and around trying to catch a flea on my tail.' 'Truth is the daughter of ill fate.'

His report becomes a tohuwabohu: a rewrite of a rewrite ... until he looses his job.
The king's command of a true biography turns into an order for censure. There should be a yawning abyss between reality and what his subjects should believe: 'Do as I say, not as I do.'

This novel was (and is) an extremely intelligent attack on the 'newspeak' of one party-communist regimes, which wield(ed) complete control of the communications sector.
But the problems it tackled are even more actual and widespread today. Our world is dominated by big media monopolies, which are controlled by the powerful, who in turn control the government. These powerful people are not interested in the truth, only in 'their' truth.
Sabotage or direct liquidation of free objective journalism is rampant all over our planet.

This novel is an extremely clever and magisterial exposure of the all important 'the media and the powerful'-issue.
A must read.

Being the account of the life and times of the Biblical King David, this historical novel, masquerading as an official report from King Solomon's designated historical interpreters, shines a brilliant light on the Biblical David as well as on the process by which fact becomes "historical truth". Imagining the court of King Solomon, a somewhat small-minded, self-seeking, albeit reasonably clever, Near Eastern potentate, Stefan Heym here conjures for us a picture of a reluctant scholar sucked into the maelstrom of politics and revisionism by which governing bureaucracies have historically secured their rule. Called to Jerusalem by King Solomon to help glorify the memory of his father, David, and establish the regime's bona fides, Ethan of Ezra, an actual Biblical personage credited with writing one of the psalms, must seek out the varying threads of King David's life from those who have survived him and meld these with the official records and documents of Solomon's court, all with an eye toward creating a legendary king who will give legitimacy to the rule of the petty tyrant, Solomon. Ethan does this at continued risk to his own life and to what is his, driven by an insatiable desire to ferret out and preserve some semblance of truth. All the while, he must find ways to compromise and get away from the court intrigues in one piece. The King David he discovers is not a particularly lovely specimen of humanity and it is Ethan's challenge to preserve a glimpse of this true David, through the smoke and mirrors of the official history he must write. Satiric and ironic by turns, the tale has one real flaw: its characters, though sharply realized, remain aloof from us, people we see but do not greatly care about. However, the book is so well written otherwise, the ancient world of the Bible so brilliantly evoked, that this deficiency does no harm to the book itself. This one is finely wrought as it lays out a convincing tale of how the Bible we have may actually have come to be and of what must really lie beneath the surface of the confused and folklorish tale of David that has come down to us from its ancient authors.

SWM The King of Vinland's Saga

Such extremes of emotional manipulation as are encountered in King Lear would antagonize me if I encountered them in an ordinary work of fiction or a film. There is such a degree of unreasonable pettiness in King Lear's attitude; there is so much gratuitous malice in the evil designs of the older daughters and the Duke of Cornwall;such despicable treachery on the part of Edmund,etc.,etc,. Obviously the play transcends melodrama through Shakespeare's marvelous use of language. Instead of seeming two-dimensional, the characters take on a larger-than-life aspect through their undiluted manifestation of such strong emotions. The dramatic devices might seem a little contrived but the dialogue and those periodic observations made about life,it seems to me, are what this play is really about. The ironic penetrating mockeries of the Fool and the tragic blend of madness and wisdom in the later Lear were, I thought very important elements which contributed in making the play a masterpiece. I don't pretend to be an authority on Shakespeare; these are just the opinions of an admirer. The Folger edition was very helpful to me in getting the meaning from old words and words whose meanings have changed.

I have reviewed several current editions of King Lear and other Shakespearean plays, and was somewhat disappointed in the Folger edition of King Richard III. Nevertheless, the Folger Shakespeare Library edition of King Lear appears to be both accessible and scholarly, with solid reasoning behind its balance of the First Quarto with the First Folio versions of this intense and telling tragedy which we do well to revisit now.

My first love will always be Prof. Tucker Brook's redaction in the The Tragedy Of King Lear (The Yale Shakespeare) which against the academic preferences of the time chose the First Quarto over the First Folio. The reasons given by the Late Prof. are compelling, and brought about a generation of conflated editions which combined the two versions. The Quarto came first in publication, of course, and is longer; the Folio is later and does not contain several lines present in the Quarto (I believe about three hundred) yet introduces several (perhaps one hundred) of its own.

And so we have a generation of productions which sought to combine the two. For instance we have an early recording of Paul Scofield as the King using a conflated edition and a later recording from his eighties in which only the Folio is used: King Lear (Naxos AudioBooks), following as it states the The Tragedy of King Lear (The New Cambridge Shakespeare), a strictly First Folio presentation. The greatest available recording is of course the Branagh - Gielgud production King Lear (BBC Radio Presents) which must be purchased and repeatedly heard, as it is real. Be certain to get the accompanying brochure.

Be that as it may, with this brief description of the history of this tortured text, let me state this present edition from Folger presents solid reasons for its always arbitrary choices. While stating their preference for the First Folio edition, they actually publish here a conflated version, with variant readings in a variety of brackets and poiinted parentheses, with explanations. They have produced therefore something here of great value, yet at a small price and therefore accessible to any classroom, production company or reader.

As usual the Folger diverges from the usual Critical Edition format of a third of a page of text, a strip of variorum and a third of a page of notes to the text above. Folger correctly fids more readable a diptych approach. In opening the book to the play, the reader discovers on the right hand page the text and on the left hand page notes. Further specific notes are discovered in the back.

In short (if it is not too late to write that) this book may approach any other critical edition, and passes many (let us not mention the unfortunate Joe Pearce's attempt). It presents a thorough examination of Shakespeare's life and theatre, suggestions on reading "his" language, and on reading Lear, this great tragedy for our times. A critical essay by Susan Snyder is included in the back, as well as suggestions for further readings. I find this edition in brief very useful for any new scholar of Lear, and I only wish I could now afford the new King Lear: New Critical Essays (Shakespeare Criticism), or even Critical Essays on Shakespeare's King Lear (Critical Essays on British Literature), and the rest.

King Lear`s fatality cannot be invocated as a divine curse. When Lear renounces to be at charge of his kingdom wrought with the ferocity of his soldiers and irrigated with the blood of his troops, begins his own fall, because you cannot be king without a kingdom.

The nature denied Lear the possibility of a male inheritor, so under the perspective of his imminent death, decides to bet in the unpredictable roulette of the emotions a test of love to find out which one of his daughters loves him more.

Betrayal and deception because his favourite daughter replies him with flippancy and without any signal of sincere gratitude. This fact will untie his repressed anger, proceeding to disinherit her. This is the decisive spark that will ignite the stage in the primary plot.

In the secondary but no least important dramatic tie, Gloucester will believe in Edmund's eloquence and juridical device supported by a false letter in which Edgar claims unsaid ambitions. Gloucester will lose himself at the moment he has preferred to believe his illegitimate son instead his legitimate Edgar.

Betrayal and distrust; jealous and rivalries; perversion and immorality will convey to all these personages into a fatidic whirlwind of predictable consequences.

All tragedy traduces and reaffirms the aspiration of the human being to enhance himself through an act of unexpected valour, to acquire a new level of his grandness in front of the obstacles, the unknown that finds in the world as well as the society of his time. Andre Bonnard

One of the most important works of this colossus of the dramaturgy. A must - read.

Lear starts his tragedy with a lie. He has divided his kingdom into one larger and two smaller equal parts and promises to give the larger part to that of his daughters who vows the strongest love for him. Yet after Goneril speaks he immediately awards her one of the smaller parts, instead of listening to her sisters and then deciding the fate of the largest bounty. He thus negates his word and turns the auction into a formality for his pre-arranged plan of giving Cordelia the largest part and her sisters the two smaller parts. The whole scene is crass and the king is doubly crass (once for the auction, once more for the lie). He gives his word on the auction on line 52, breaks it on line 69 and forgets about his lie on line 193 where he rages at Kent for urging him to renege on his allegedly never broken word.

Lear starts his tragedy a crazy man. Cordelia's attempt at expressing that she "obeys, loves and most honors" the king only earns her being disowned half a page later. This precipitous fall from being the favorite daughter slated to receive the largest part of the kingdom to the one who "better ... hadst not been born" is incredible.

Most of all, this is a tragedy of detachment. Lear and Cornwall obviously do not have a relationship with their children and know nothing about their children's true feelings for them. Lear does not hear Cordelia and Gloucester does not try to hear Edgar out. Both have to face devastating atrocities before they see their children for who they are. "To willful men the injuries that they themselves procure must be their schoolmasters". They both suffer when they feel unloved by their offspring, they both die before they can enjoy their children's love. The suffering of the two old men is unrelenting, and in this sense "Lear" is as heartbreaking as "Macbeth" is macabre and "Othello" is insidious.

The balance of power, 4:4 (Cordelia, Fool, Kent and Edgar against Gonereil, Reagan, Edgar and Cornwall, with Lear and Glocester in the middle and Albany largely on the fence), is tilted towards the higher ranked evil four. In a game of chess, the former four would have been pawns, knights and bishops and the latter queens and rooks. In the end, Kent and Edgar, a knight and a pawn, save the day.

And yet, the end of the play offers no redemption. The two old men are dead. All those devoted to them are either dead or despondent. The Fool, his spirit giving out as he urged Lear to go back to the two evil daughters and ask their blessing, disappears from the play without a grace. Kent is preparing to follow Lear into the world of shadows. Cordelia is murdered and Edgar predicts an uninspiring future for himself and the young that remain. There is no consolation for dead or living.

I recently re-read KING LEAR prior to attending The Denver Theatre Company's performance of this play. Shakespeare (1564-1616) wrote this emotionally-moving tragedy between 1603 and 1606, and it was performed for the first time in 1606. With its insights into the nature of human suffering and kinship, and its theme of human blindness, it is regarded as one of Shakespeare's greatest tragedies.

KING LEAR is based on the legend of King Leir, a king of pre-Roman Britain. It tells the story of King Lear's decision to abdicate the throne and divide his kingdom among his three daughters, Goneril, Regan and Cordelia. In a moment of vanity, Lear decides to divide his lands according to how much each daughter demonstrates her love for him. Because Cordelia refuses to engage such a contest of flattery with her elder sisters, Lear divides his kingdom between Goneril and Regan, banishing Cordelia. Despite her disinheritance, the King of France marries her. Soonafter abdicating his throne, Lear discovers that Goneril and Regan's feelings for him have grown cold. Meanwhile, Goneril and Regan also have a falling out with one another while defending Cordelia's army from France, sent to restore Lear to his throne. Goneril poisons Regan, then stabs herself.

In a subplot, involving the Earl of Gloucester two sons, Edmund concocts false stories about his legitimate half-brother, Edgar, who is forced into exile. Edmund then aligns himself with Goneril and Regan, and his father is blinded by Regan's husband. Edgar, disguised as a lunatic, finds his blinded father out wandering in a storm, trying to find his the way to Dover.

In Dover, Lear, who has gone raving mad, is reunited with Gloucester, Edgar, and Cordelia before the battle between Britain and France. When the French lose, Edmund orders the execution of Lear and Cordelia. Edgar, still in disguise, reveals himself to Edmund before killing his evil half brother. Although Edmund stays the execution of Lear and Cordelia, unfortunately, the reprieve comes too late as Lear enters the scene carrying Cordelia's dead body in his arms. Then he dies.

As a tragedy, KING LEAR is appealing for its nihilistic conclusion that human existence is essentially meaningless, and that life is devoid of a true morality.

G. Merritt

This remarkably scholarly book by Colson combines both his profound knowledge of Christian ideals with a well-versed political understanding garnered from his years in the problematic Nixon administration. Colson's own experience in government and his rather unlikely conversion to Christianity gives the book credence even to those who may not fully agree with his arguments. Colson judiciously inserts historical fact amidst modern day arguments, and my husband said of the book, "Every time I think, `I'd like to hear that backed up' he provides exactly that in the very next paragraph."

Colson's wide range of sources make him a pleasure to read. He cites works ranging from Cicero to Nietzsche, C.S. Lewis to Augustine. He quotes from Supreme Court decisions and references the Bible. Each chapter is heavy with both footnotes and endnotes, and Colson also provides a list "For Further Reading." This is a great read, perfect for academics and the casual reader alike.

Although not strictly a scholarly work, Colson draws enormous breadth and integrity of expertise into this epochal exposition of the relationship of church to state.

I must confess that it took me 20 years to pick up this book, and that only on a whim. I had no desire to read Colson, having little belief in the value of celebrity or notoriety in lending value to a man's words. Though not a hater of things American, I am not starry-eyed about American mentality, especially when it comes to politics, and rather turned off by the way Americans (and others) confuse the domains of religion and politics, not just on the political right but at all points of the political spectrum. That Colson had been a special advisor to Richard Nixon during the Watergate scandal had pretty well put him off my radar.

I could not have been more wrong about him.

This book is the first I have read in which a comprehensive exposition of an appropriate relationship of church to state is laid out. Colson cannot be accused of confusing the two domains, yet he is clear about the valuable relationship between personal, and collective, faith, and public domain politics. A man highly qualified to speak about both, and his education in the school of hard knocks has paid off in spades. Though some reviewers appear to regard the book as a vilification of the religious and political right this is quite unfair -- Colson is balanced in both domains and his writing reveals little pandering to partisan interests. He could equally address a Republican Convention, or a Democrat one, or stand aside and offer telling criticism of both parties. The same balance is evident in his theological writing. I am reminded of the angel leading an army whom Joshua met and asked, "Are you with us or with our enemies?" The angel replied "Neither. I am for the Lord".

As for the book itself, it has an engaging style. The chapters are short, mostly in the form of parables. The first is an account of a fictional American president whose religious zealotry leads the world to the brink of war, a cautionary tale. Other chapters are straight retelling or dramatizations of the lives of men and women who held in their hands the keys to major world events of the 20th Century, retelling in gripping form the rise of the Third Reich, the behavior of the Church in Germany, the weak response of Chamberlaine, slippery dealings in the hallowed halls of American government, murder, redemption and forgiveness in the Phillipines and Northern Ireland, and much more.

The weakest point is a short digression into science and cosmology early in the book, a subject Colson would probably to best to leave untouched in his writing. It's the only blemish I can find on what is otherwise a masterwork.

Although written to the current state of the world 20 years ago, prior to the Fall of the Soviet Union, the Tienamen Square massacre and the First Gulf War, and the rise of globalized Jihadism in its current form, the book is strikingly current and insightful. Perhaps it is because the context of his writing is merely context---he does not write for it, but he draws on that background to write timeless wisdom.

I highly recommend the book not only to Christians but to anyone interested in answers to the unsolvable political and religious conundrums in the world. Although Colson offers few answers beyond Christ, it is perhaps enough to note that the answers he does offer are rock solid, and his book is more of an arrow in a direction than an 'X' marking the spot where treasure is buried.

When reading this book back in 1989, one had to assume Colson was thinking of Pat Robertson's run for the White House when he wrote this book. Eleven years later the American people elected a born-again Christian as President in George W Bush. Some of the things Colson warned about have now come to pass.

Although the events of 9/11 were out of the President's control and demanded action, there is little doubt that his Faith has shaped his view of world events.

"Kingdoms in Conflict" is a warning that God's Kingdom is not of this world and it cannot be forged through politics or war. Man's kingdoms and God's Kingdom are in conflict.

Colson's time in the Nixon White House and his born-again experience has allowed him to see the dangers of using politics to advance a religious belief. This book is more relevant today than it was in 1989.

Like Colson's other books, Kingdoms in Conflict challenges you to think deeply about what and why you believe.

The title focuses on the precarious balance Christians experience between heavy involvement and no involvement in politics. Colson's thesis seems to be that Christians need to maintain a balance - being in the world while not being of the world and Christians must be a light to the world and salt of the earth.

Colson uses the examples of Christian involvement (and lack of) in resisting Hitler, Marcos, and other brutal figures in history to illustrate the importance of Christians being involved in the political process without being consumed by the power that goes with politics.

Read and be encouraged to be rightly involved in politics while remembering that ultimately we are citizens of another kingdom to come that will last forever!

Colson takes a topic that has been discussed by Christians ever since the disciples questioned Jesus about it when He was in Galilee with them, i.e., the role of God's kingdom and that of man's. Colson contends that the kingdom of God is within a person. It is not an external means of control exercised by political power. In the Epilogue he cites Winston Churchill's last words, "there is no hope." But Colson counters that statement by explaining that spiritual things are not based on the circumstances of this present world.
On the other side of the coin, however, Colson presents specific examples throughout history where Christian have actively been involved in politics and government because of their belief in the eternal, unseen kingdom of God within. Having an awareness of things eternal, while contributing in this life is the balance he is seeking to describe.

The adventures in The Last Voyage of the Cosmic Muffin take the reader on a Pacific Ocean voyage in a small sailing vessel; this was not a pleasure cruise. The author shares her memoirs as the sole crewmember/passenger aboard with no previous sea experience. Her sense of comedy gives relief to tense moments during rough sea storms or tender moments of love between herself and the captain. The author shares with you the beauty of the open seas, gorgeous sunsets, wild birds and sea life, as well as occasional subtle philosophical observations. This is a very enjoyable book to read.

This book in fantastic, particularly for the author's first book. It is a must-read!!

I found this book enormously entertaining-Valerie is willing to reveal her own flaws and strengths in a humorous and compassionate way-I laughed out loud quite often at how we humans "operate". Highly recommend

This is a book you will want to read. It is a must read for anyone who has wanted to follow their dreams and has thrown caution to the wind and done it. Shows that no matter, what your age is, dreams should be pursued. Very inspirational, funny at times, and thought provoking.

Valerie Perez is a great writer. How can someone describe clouds and ones own emotions in so many true and beautiful ways, with each description new and touching. She is one of the most open and honest authors in years. I only wish she had more pages to tell about her life before this adventure - maybe in her next book. As a son of a Sea Captain, she brought back many memories to me of the endless seas and anticipated horizons.