D Books

An excellent, if somewhat dated book. And here in the South Pacific - complete with its coups and mutinies now - Luttwak seems downright wrong in a number of respects. Perhaps our region is different from 60s Africa. Still, an immensely readable and frighteningly enjoyable book

Edward Luttwak's first and finest work, Coup d'Etat is the product of the close study of how dozens of governments around the world were successfully overthrown.

By examining the successful and failed strategies and tactics of those who staged the coups, Luttwak synthesizes a step-by-step guide to oust a regime and install a replacement. The political technology he develops, like military hardware, is value-neutral - like a firearm, anyone can employ it for ends good or evil.

As long as there are tyrannical regimes, there will always be a need for good people to be able to stage or sponsor successful coups d'etat. This volume is a practical handbook of immense value to the planning, execution, and long-term success of a regime change. Likewise, it provides a real-world aid to devise defensive means of protecting a government against a coup d'etat.

Advances in information technology since the book was written enter new variables into the formula, but Luttwak's basic concept remains fundamentally sound. As long as there will be coups d'etat, there will be a need for students and policymakers to study and master this book.

Perhaps my impression is wrong but it seems to me that there have not been as many coup d'etats in the past decade as there were in the fifties and sixties. Nonetheless the subject remains one of perennial interest. Luttwalk here provides a kind of step-by- step guidebook for any would be coup-ist. He teaches that , "the coup d'etat uses precisely those parts of the state apparatus which are the prime target of revolutionary war: the armed forces, the police and the security agencies. The technique of the coup s the technique of judo : the planners of the coup infiltrate and subvert a small critical part of the security apparatus, which they then use with surgical precisionto displace the political leadership from its control of the rest of the state bureaucracy"
Luttwalk in this book describes and details the intelligence techniques required before the coup, the military techniques required during it and the propaganda techniques required to provide it with legitimacy afterwards..
He says it has no ideology behind it.
This is a compact richly informative work which makes use a variety of examples to establish its principal points.

With Coup d'Etats continuously occurring all over the world, this book is more relevant than ever in dealing with the subject. For example, using the framework developed in this book, it is easy to understand why the many recent coup attempts in Venezuela have failed (both by Chavez and the more recent one against him). Every time there is a coup I find myself referring back to the book in order to determine if there were any telltale signs to predict whether the coup will be successful or not.

His basic framework involves timing, media control and popular support, and government organizational structure. With these factors in mind, the author examines a large number of coups, both successful and failed. The inner stories of many of these coups is fascinating by itself, yet the author does a good job of telling the tale while drawing the main lessons from it.

I ran into this book at the age of 12. When I realized how much fun this book could be (a few years later) it had disappeared from the local library. Looking for years at many university libraries, later I found out that even when it was listed it turned out to be stolen!
Bought it on-line, read it and enjoyed it. Nice for an intercontinental flight and beyond.

Have you ever wondered what it would be like to write a hit song? Perhaps you have asked yourself why do some songs become commercial successes while others end up in the dustbin?

Journalist, talk show host, teacher and consultant, John Braheny, provides us with the answers to these queries as well as many other topics in his blue-ribbon manual The Craft and Business of Songwriting-Second Edition.

Braheny was one of the founders, along with Len Chandler, of the Los Angles Songwriters Showcase. For 15 years he was intimately involved with this national non-profit organization that was dedicated to creating opportunities for discovering aspiring songwriters. As a result of this relationship, he accumulated an exceptional amount of knowledge pertaining to the business and craft of song writing. The reader is fortunate to have all of this information neatly wrapped up in a compact manual that is split into two main sections, the craft of writing songs and the business of selling and marketing songs.

Within the section dealing with the craft the author delves into such topics as creativity, inspiration, subject matter, media, listeners, lyric writing, song construction and possible collaboration with other writers. Naturally we would probably be sceptical of a book that purports to teach us how to write a song. Some would say you are born to write a song, others would disagree and say it is possible to be taught the craft. Braheny believes that you can't be taught inspiration or imagination. However, you can be taught ways to get in touch with what you have to say and how to communicate it effectively. Using this premise as a base, the book provides us with the tools that will perhaps uncover our hidden talents.

The second half of the book deals with the business features of song writing and as the author states, "writing a great song is only part of being a successful songwriter. Unsung thousands possess the talent and craft to write great songs, but without understanding the business and knowing how to protect your creations and get them heard by those who can make them successful, those songs are like orphans." Perhaps we should refer to the second half as the entrepreneurial skills needed to sell, promote and market your songs. Within this section we are introduced to such topics as protecting your songs, securing money, publishing, self- publishing, demos, marketing, Internet and record deals.

The appendix of the book provides the reader with a very comprehensive listing of songwriters' resources containing names, addresses, phone numbers, web sites and general descriptions of the various references. No doubt this inclusion will save anyone who aspires to be a songwriter a great deal of time and effort.

After reading the book are you guaranteed that you will be successful songwriter? Probably not. Unfortunately, we don't have a crystal ball indicating who will succeed and who will fail. However, at least after reading and being exposed to the elements of song writing, you will have a better understanding as to how the music industry works in relation to the songwriter, or writer/performer. As the author asserts in his introduction, "it will demystify and humanize what can often feel to a newcomer like a cold, monolithic, and impersonal industry."

The above review first appeared on the reviewer's own site

Although this book isn't as comprehensive as others in the songwriting department, it presents information in a very concise and interesting format. It also has a comprehensive section (half the book) on the BUSINESS. It's a quick, easy read and definitely worth the price. But if you want to get serious about songwriting, you'll also need a book with more theory such as WRITING MUSIC FOR HIT SONGS.

One of my most basic problems when starting off as a songwriter, was the lack of background and knowledge on how to approach a new song. I am talking about your basic strategies and how to structure them into a final product. Where does one begin, what do you need to take into account, what to do first, how to approach rhyme, basic tips about melody, chords etc. I found this book to answer these type of questions in a simple and interesting way.

The author is obviously a specialist with a very good track record. He taught me how to analyse existing songs to expand my knowledge. No more do I just listen to music, I learnt the skill to expand my songwriting knowledge whilst listening to other songs on the radio or on CD.

I have learnt how to decide on a basic structure, how to approach the most important issue of finding a "hook" for your song and refining it to something useful. I have discovered that it is O.K. to rewrite songs, but I have learnt how to approach it. This book has taught me how to make songs more interesting and it has made songwriting a more interesting hobby for me.

I think the most important lesson from this book is how to grow from a songwriter that tries to express his/her own feelings to himself/herself and a few close friends, to someone who can express his deepest feelings in such a way that his song could be loved by millions and could become a commercial success. It also contain an abundace of valuable information on the industry and how to promote your music.

If I did not read this book I would have missed something for sure. If you are serious about songwriting you cannot go without this book.

The first Edition of the book, was a must read, now this 2nd Edition, updated with new information and current song references, is also a must read for everyone that writes songs. The most complete songwriting book, for beginning songwriters to the aspiring, to even pro writers will learn from the book. I often refer to it as "The Songwriters Bible", just full of information that we need in the world of songwriting.
I have been a Nashville Songwriters Association International coordinator in Charlotte for (6) years, and do at least one activity or read a quote from a hit writer or music professional in the book at every meeting. This book is years of songwriting seminars and workshops all in one. The reader will learn just like the title says, the craft and business from someone who knows what they are talking about, and has led workshops for some of the best songwriters of all time, including the awesome Diane Warren and several other hit writers. John Braheny made a difference with hit writers, with myself, and other songwriters that I have recommended the book to in the past 14+ years of reading the first edition, and now the 2nd edition. I recomend this as the very first book for every songwriter to read and study. If you know someone who writes songs, buy the book for them, and a copy for yourself. Buy a highlighter or two, to use when reading the book. ...Doak Turner
...

So what if words and music come natural? We write the stuff down, add a tune and sing it to the world. Then what? This book, The Craft and Business of Songwriting, is a very affordable reference; and probably all you need.I'm happy it contains material that will make me wiser.Buy this or you'll miss out.

A door opener, maybe, but also very basic. I needed something slightly more advanced than this picture book text. If you have no experience with web pages and limited experience with computers, this might be the book for you. For me, it was a waste of my money.

Creating Web Pages Simplified, the best book of web page creation I ever read. This book will clearly show you how to create a basic web site, to a great state-of-the-art web page. Why buy another web page creation book when this one has it all? Graphics, incredible exaples etc. This book is a must. I recommend it.

The full color photos and easy to follow instuctions make this a great book for the experienced and inexperienced computer user alike. I would recomend this book to any one who wants to learn how to build a web page or wants to learn more about building web pages.

Some of those commenting here are teenagers; here's a comment from an almost-50 Mom. This book provides a great overview. I've been in computers for 25 years, but never had occasion to create my own web page. This book gives a good overview of the various parts of a web page and how the pieces fit together.

Those of you who are mainframers will laugh your heads off when you see that the internet has made Script cool...

This book is a door-opener for those who want to learn to use HTML. This book teaches you the basics, and gives you room to expand, and learn more by practice and trial-and-error. The best book for learning HTML!

Do you know that kind of book that you can't put down and as soon as you finish it, you want to start over again?! That is the kind of book that Crossover is!
It is a thrilling, fantastical adventure, combining many mythical creatures and different languages that meld into a wonderful read!

I recommend it to anyone who loves fantasy!

Carolyn S., 12 years old, California

I can't wait for the next book. I was so upset that it had to end. The author really pulls you into this new world. I liked the picture she painted of the characters and their world. They were captivating and I'm looking forward to what's coming.

I read "Crossover" twice to be sure I didn't miss anything. Readers who like fantasy fiction will love this book. Hurry up and write the next book Claudia!

Reviewed by Deb Shunamon for Reader Views (1/08)

I give a resounding "Wow!" for Claudia Newcorn's new book, "Crossover: Krisálys Chronicles of Féyree: Scroll 1," a light fantasy with substance. This intelligently written adventure story involving old grudges, ambition, love, and other dimensions of existence, also speaks to the difficulties of growing up and making independent, responsible choices.

The story follows the personal growth of Danai and her possible importance to the future of her people. Danai and the other young sprytes undergo the rituals of Krisálys in order to obtain their féyree wings. However, it quickly becomes apparent that each of the rites involved is going to be far more dangerous than the sprytes realize, as not everyone wants them to succeed, or notice that a dark time in féyree history is about to return. I have to admit that the abundant descriptions, invented vocabulary, and the thee/ye speech on the first few pages made me wonder if I would have the patience to finish the book, but by mid-chapter I was hooked. The tightly written characters and adventures in this volume were engrossing, and although the story can easily be continued in future books, Scroll 1 is complete and satisfying on its own.

Even though I am not a féyree kingdom enthusiast, the terrific storytelling in this book has certainly made me a fan of its author. "Crossover: Krisálys Chronicles of Féyree: Scroll 1," by Claudia Newcorn, will appeal to a variety of ages, and is a good choice for those who think, as I did, that féyree -world stories are generally too fluffy. Interesting and unique, this is simply a wonderfully written, action-filled, thoughtful fantasy book.

With Crossover, Claudia Newcorn has crafted a truly imaginative and breathtaking fantasy realm. Her engrossing storytelling and great attention to detail put Crossover among the top tier of fantasy books, on par with the infamous works of Tolkien.

Her research and well laid groundwork have really paid off, as her fantasy world seems surprisingly realistic. The physics are believable, magic has its rules and limitations and every action has a consequence. She brings much needed rhyme and reason to the otherwise "anything goes" genre of fantasy. Newcorn has even developed a wholly original language system for her characters and fictional world, raising the bar yet another notch.

But the real heart and soul of the book are the characters, which are as lifelike and engaging as any you will ever find. The way the characters interact with each other is so natural and real, it's easy to forget that they're only fictional.

Newcorn's debut novel has set the bar so high that it's difficult to imagine what levels the forthcoming installments in the series will achieve.

WOW, Ryan Jones has really hit a hot button with DATASHARK! You won't sleep any easier after comprehending the scope of NSA operations, but it is good to know that some of us are watching the watchers. "Who will guard the guards?", indeed! Buy this one for a thrill ride you won't want to get off!

--TERRY, LAS VEGAS, NV.

This is a GOOD book and a great read. I re-read it recently, something I don't do with many books, and found it a bit better on the second read than the first time through. In fact, given recent events, like the on-going Chinese hacks into U.S. government computers, it's down-right required reading to understand possible threats and outcomes of the hacks. But what I really enjoyed about the book were the characters and the action, and the very "real" feeling Datashark gives them. Mr. Jones's web site shows the depth of his research into the background of his book, and that wealth of material shows in the book's ability to suck you into the all-too-close-to-real world of Datashark. I look forward to more books by Mr. Jones!

Wow! I started reading this during my lunch breaks but found I couldn't put it down. It's one of those books you simply must get back to to see what happens next. It'll scare the hell out of you if you don't understand much about computers and government. It will scare you even worse if you DO. When's the next one coming out? I'm ready to see this one on the big screen and the next one on my desktop. Techno-mystery-action-thriller at its best.

This book will make you just a little more nervous in the digital age. A superb story, Ryan Jones has a nice talent for weaving a tale that left me wanting more. The only problem with books like this is that they don't last long enough, especially when you are on a plane and have a few hours left.

The interesting thing about writing about classified information is that no one (save a select few) can prove you wrong. This book makes you wonder how plausible the entirety of the storyline is, and believe me, that is a frightening thing.

After finishing this book, I was a little scared to be returning to the DC area and having to drive by Ft. Meade on the way home. I hope Jones can keep this up and keep me on the edge of my seat with future titles.

I found Datashark as engaging as DaVinci Code. A great read, interesting and creative until the very end. Great plot, storyline and writing style. I am not very computer literate and was amazed how Jones made the complex details understandable and smooth flowing.

A bit disappointing that it was too short. I found myself wanting more. Looking forward to other works by this author and if there is not a movie version of Datashark on the horizon someone in hollywood is in a coma. WOW and double WOW!

Dr J.F. Unger Jr

This extraordinary biography by Kevin Brownlow, reflects the life and inspiration of one of the great artist in movie screen history.
Page by page, we can take a look along the David Lean?s mind and the way he was inspired by the subjects and the way a big project became alive.
From the black and white to the beautiful color, from the photography created by Frederic (Freddie)Young to his partnership with Maurice Jarr? and the insistence from Lean to
compose the exact music for Doctor Zhivago.
Every important film, such Zhivago, The bridge on the river Kwai and Lawrence of Arabia, were written through many chapters and the conception of those films as unique, the casting and the making of those titles are unforgettable.
Also, we have David Lean as a human being, with his failures
as father and husband, but the intimacy of his life is only
upgrade by his conception of his films.
Every moment in his films was special.
He directed every dialogue and moment as unique and all those
were the equivalent of the best.
This great book written by Brownlow is one of the best biographies ever written.
The heart and soul are alive along the pages and there is no moment when the book becomes slow or uninterested.
The same proportion we have in David Lean movies.

I adore this book. I have been reading it as of late, and I love the book (and David Lean) even more. I have always detested biographies of filmmakers that are far too academic in their tone; that professorial tone where they analyze the films ad nauseum, and are constantly talking about symbolism and other completely useless things. This book spares us of that. It is meticulously researched, with great antedotes and quotes from the master himself. It talks about Lean's childhood, and you realise what Lean had to overcome to become one of the greatest filmmakers ever. It's a shame this massive book is out of print. Like a reviewer said earlier, we're constantly given fluff pieces of talentless whores like Spears, Lohan, etc., but here is a real artist whose films still inspire people today. Thank you, Kevin, for writing such a great book, and, of course, to David Lean himself...

What a pity it is when "biographies" of no-talent flashes-in-the-pan like Madonna, Ashley Simpson, Brittney Spears, ad naseum, are ubiquitous, but Kevin Brownlow's fascinating and throughly-researched biography of a true genius is out of print. What does this say about our culture's priorities? Not much. Oh well . . . fortunately a few copies of this marvelous book survive. If you're interested in great movies ("Lawrence of Arabia," "Doctor Zhivago," "Summertime," "Great Expectation," etc.), great stars (O'Toole, Sharif, Katherine Hepburn, William Holden, Robert Mitchum, and a host of other great stars -- AND great actors), or, perhaps, one of the greatest film directors of the twentieth (and probably any other) century, do whatever you have to do, but grab up a copy of "David Lean: A Biography" as quickly as you can before the remaining copies disappear altogether.

A simply marvellous biography of a cinema titan. It's the product of many conversations between Lean and the author, a great film historian and no mean director himself, having made the gorgeous Silent Era documentary "Hollywood" (is that ever coming out on DVD?!). For this reason the tone is very chatty, with so much quotage from Lean himself that it's nearly an autobiography; and Brownlow's knowlege of real-world production lets him know just what questions to ask. It rather reminded me of "Hitchcock/Truffaut", another filmmaker-to-filmmaker conversation. Mind you Truffaut didn't bother quite so much with Hitchcock's love affairs, but one can always skim. It looks intimidatingly massive but this is more because of the lavish illustrations than excessive wordiness. Great read, inspiring and full of useful tidbits.

Kevin Brownlow touched all bases of David Lean's life, providing insight into the films and his unconventionally fascinating life, making this one of the finest film biographies I have ever read about a cinema giant about whom I had longed to learn more about. Brownlow divides Lean's career into two distinct phases, 1) the British period in which he worked at home and captured the true essence of his people and, 2) the international phase in which the master film craftsman lived in hotels and moved from one country to another in producing a series of internationally spectacular movies such as "Lawrence of Arabia", "Doctor Zhivago" and "The Bridge on the River Kwai."

Brownlow begins with Lean's roots as a restless youngster in the London suburb of Croydon. His lack of curiosity and penchant for traditional school learning coupled with the stolen hours he spent sitting inside darkened theaters in a state of fascination revealed where his adult years would be spent.

Once that Lean began following his dream he quickly became established as Britain's foremost film editor. In that context Brownlow expunges a canard that was carried all the way to obituaries after the great director's death in 1990 that Noel Coward gave the aspiring director a leg up in teaming up with him to co-direct the brilliantly done war film about the British Navy, "In Which We Serve," in which Coward also starred along with Celia Johnson and John Mills. It turned out that Coward's move proved to his personal benefit as Lean did most of the directing and Coward was concerned mainly about his own scenes, after which he would generally leave the set, entrusting the basic direction of the film to Lean. We also learn that Lean, unlike Sir Carol Reed and other prominent British directors, turned down a chance to begin his directing career on low budget "quota quickies," deciding instead to wait for a major opportunity, which came with "In Which We Serve." Later that same year one of Lean's greatest films, the epic love story "Brief Encounter" with Trevor Howard and Celia Johnson, hit the screens and the young director's career was away in a flourish.

After achieving prominent worldwide status as a great international director, Lean's sensitivity resulted in overreacting to the criticism of tart New Yorkers at a Round Table session at the Algonquin Hotel. Lean was sharply criticized for "Ryan's Daughter," which American critics such as Richard Schickel and Pauline Kael believed was well below the high standard he established with "Brief Encounter" and continued with other films. According to Brownlow, Lean was sufficiently wounded to take a sabbatical before doing his last film, the highly acclaimed Indian epic "Passage to India" based on the E.M. Forster literary classic.

Brownlow does a superb job of depicting the period and the films from Lean's prolific career. Lean's was a mastery of style and entertainment, enriching story telling with beautiful visual imagery and word economy in the best sense, making the language all the more meaningful. This book does his career justice while enhancing our knowledge of a great man.

This is a wonderful photo representation of the desecration and destruction of a beautiful train station. It provided me with images and emotions I have not otherwise experienced in reviews of the original Penn Station. I highly recommend this to anyone interested in the subject and photography!

This is an extraordinary, heartbreaking, must have book for anyone who loves New York and/or McKim, Mead & White's work.

Photographer Peter Moore and his wife Barbara moved into the Penn Station neighborhood in the early sixties. They used the building every day, whether they were passing through to the subway or catching a bite in the cavernous coffee shop.

With the railroad's permission, they documented its slow dismantling over the four years from 1963-1967. This book is the first appearance of that work. The black and white pictures are arranged chronologically, showing the faded but still magnificent station from its last days of active use through to its ghostly presence as a metal shell. The photography is beautiful and lyrical and sad beyond words, like a mournful love song to a love lost. The picures of the rubble-filled waiting room, its shape still intact but its side walls gone, are especially hard to take.

One note: this is not an exhaustive review of the building and its various spaces. It is a chrono picture of the concourse and waiting room through through their destruction. For more pics of the station in use, try "The Late, Great, Pennsylvania Station."

I remember as a kid in the mid-70s taking the train to NYC and having to endure the commuter's nightmare known as "modern" Penn Station.

In the late 80s, I learned what once was on the site of the current MSG/Penn Station monstrosity and became appalled that people could let a beautiful work of art be dismantled and replaced with a horrible building. In the early 1990s, I learned about the 1950s and 1960s and how Americans were obsessed with all things modern and new, rejecting anything with a hint of age or ornament.

Moore & Moore take a pictorial look on how the McKim, Mead and White's neoclassical masterpiece was dismantled over a multi-year period in the mid-1960s. While they really don't go into detail on why the old Penn Station was demolished, the spooky, B & W photos tell more than how an architectural gem was demolished. On a deeper level, the photos tell the tale of how an entire city was becoming irrelevant to suburban America and was sinking into massive decline (the years of municipal bankrupcy and burning neighborhoods in the South Bronx are only a few years away).

It was a very sad book that gets more depressing with each turn of the page, as more and more of the beauty of the old Penn Station gets stripped away. I guess that was the power of the photographs working on me.

Pair this book up with Robert Caro's _The Power Broker_ to get a good picture of New York in the early Baby Boom era.

This book just takes your breathe away, the images are so vivid and shocking. How on earth could anyone sign off on destroying this colossel beauty, it's something I just can't get my mind around. I am so grateful that this was documented, as hard as it is too look at, people need witness these pictures to make sure it does not happen again. Many people credit the outrage over the razing of this McKim, Mead, and White masterpiece with helping save Carnige Hall and Grand Central, which though appreciated, does not lessen the sadness over the loss of this New York City treasure, it really is such a tragic loss. I highly recommend this book for its text, great visuals, and the power is thought it provoks: great book.

I am one of the generation of New Yorkers that have grown up with the ghost of the old Penn station - and its unfortunate replacement. We have been forever robbed of this stately thing, which was so much more than a building. Watching it's slow death in these haunting pictures makes me hope this is the last time we have used our imagination to destroy rather than build. (This is an especially painful irony in light of our recent tragedy.) Get this book, and look at it with your children. And may we never treat the human-made beauty around us with such contempt again.

In this new supplement, the authors have identified four essential educational components that educators must process when addressing the issues of using technology within the educational setting. These emerging issues of cyber standards include (a) developing a compressive, site-based technology plan that focuses on the improvement of student learning (b) developing policies for cyber security that protects the school from potential liability and student endangerment (c) developing appropriate and factual communication strategies that support positive marketing of the school mission to the public and (d) how teachers can engage the use of technology for improving the teaching and learning process.

Today more than ever, American schools are facing a national dilemma on how to improve education. A new era of transformation is evolving from the traditional Industrial Age school to the school of the Information Age. To accomplish the reform of public education, a new way of thinking about old practices needs to be regenerated to create world class schools. In the book Developing School Programs and Policies, I discovered new ideas, methods, and programs that will help individual schools to regenerate the traditional into the practical. Many time in the history of school reform we have become bogged down by the theoretical and not the practical. This manual is purely practical and provides a step-by-step model for application, something that has not been commonly available in most education resources. The authors have addressed many of the complex issues of public schools by defining policies and programs that are ready to use and applicable to most school settings. The topics range from curriculum improvement, at-risk programs, the expansion of the school day, discipline, safety at school, teacher responsibilities, to the establishment of a vision and goals for school improvement. The book is truly an anthology of pactical ideas that can be used by school board members, superintendents, principals, teachers, and community task forces responsible for regenerating public schools. As a graduate student, I found the book very useful in helping me to understand how schools and school programs are designed.

The first supplement, Observing and Assessing Teacher Performance, is an invaluable tool for principals looking for an evaluation system based on improving instructional performance. The performance data that is collected is both productive and supportive because the process itself involves the teachers in their own instructional improvement. Helping teachers teach better is the ultimate goal of this evauation system.

What a novel idea!

I would highly recommend this book to anyone who is interested in reforming the educational practices within their local schools or to anyone who is a student of educational reform. This book truly weaves together the best practices and standards for school improvement and takes a hard look at policies, practices, and attitudes that are in need of fundamental changes as we stand on the threshold of the 21st Century.

If you are striving for a world-class school, you need this manual.

Sandy

Public schools are now discovering that they cannot prepare students to succeed in tomorrow's world unless they reinvent themselves today. The schools that will thrive in the future are those schools that embrace reform and take control over their own destinies. In many cases throughout the nation, today's schools are not in control of their own destinies because of the loss of local control and the inability to initiate an open agenda for public engagement in the school renewal process. Despite this, policy makers (state agencies and legislators) continue to establish mandates for holding educators accountable for student improvement. Designed in non-collaborative environments, these mandates are based on high-end accountability policies that regulate school reform. However, rarely are these reform mandates based upon the wisdom of school effectiveness research. Additionally, the local school communities are not consulted about how the new regulations will influence the education of their particular school populations. Five years ago, during the course of our crystal ball gazing, we missed several important concepts when developing this manual. We did not recognize that policy development would have such an influence on school reform measures, nor did we fully understand the extent to which effective schools research could have on the impact of policy development. To support communities in building stronger schools and regaining ownership, this manual provides a guide for supporting effective school practices through polices and programs based upon effective school research.

The authors are very detailed and descriptive with the information needed to administer the daily task of leading an effective and successful school. It is a definite hands on resource that you will want to keep handy and review and use daily. The authors are very knowledgeable and have studied all angles of organizational procedures and implemented suggestions for different sites that may be modified to adjust to your situation. It is a book that a new principal would find quite useful in setting up a building that would run successfully from day one and effectively limit major crisis from ill thought out planning. The chapter on safety is, in this time of major concern, a vital guide to helping protect a school from later regrets of irresponsible behavior to the safety and concern of all within its confinds. I as an administrator of an elementary school found it very useful and highly recommend it to others as a very useful guide and resource to keep on hand when reviewing or changing procedures within your building.

The days for public school security have arrived, and we, as educators, must take every precaution to protect the health, security, and wellbeing of every member who enters the school's environment. In the new supplement to be released in December of 1999, authors Michael King and Linda Harrison give you a comprehensive look at school security and crisis management. The new supplement entitled Programs and Policies for Developing A Safe, Secure, and Healthy Environment will provide expert advice on how to plan and develop a school crisis prevention plan.

The new supplement is divided into three major Chapters. Chapter 8-1, "School Building Security," provides administrators with an overall program for securing their school facilities. Chapter 8-1 concludes with a valuable assessment tool that administrators and security officials can use to evaluate the present level of building security and provides a reference point for future security planning.

Chapter 8-2, "Developing a Crisis Management Plan" provides policies and procedures necessary to prevent and react to school threats, emergencies, and evacuations. The Chapter is divided into two parts: those crisis situations that require evacuation and those crisis situations that require taking shelter.

Chapter 8-3, "School Health Services," provides policies and procedures for dealing with a variety of health issues. Its major purpose is to help school staff members recognize and react appropriately to those medical situations that occur within the school setting. It includes policies and procedures for reacting to student injuries, handling contagious and chronic illnesses, recognizing social and psychological issues, and administering medications.

All three Chapters of this new supplement are important parts of a comprehensive crisis management plan in any school.

This is a well-written and well-researched description of the economic problems ailing contemporary American agriculture, and of the deleterious effects mammoth-scale corporate farming is having on the environment. The author is an experienced investigative reporter and an unashamed proponent of sustainable agriculture and the ever-dwindling "family" farmer representative of traditional crop cultivation in the United States. As such, Diet For A Dead Planet is a bit of a polemic and firmly in the camp of other books critical of the relationship between agricultural economics and modern food production, such as Eric Schlosser's Fast Food Nation. Needless to say, Cargill and Archer-Daniels Midland executives are not going to be enamored of Diet, but any citizen concerned about the state of farming in the US, and its effects on public health and environmental well-being, would do well to read this book.

Cook organizes his topic into three sections, dealing with food quality and safety; the business and economic aspects of modern agriculture; and environmental consequences of profligate pesticide use and "factory" farm effluents. Each section contains several chapters with extensive footnotes. The chapters are obviously targeted for a general audience, and as a consequence are very readable without overwhelming the reader with statistics and technical jargon. In particular, I found the chapters on the evolving history of American agriculture offered a concise but informative account of a complex and often tumultuous subject. Other chapters on such diverse subjects as the "mad cow" crisis, the continuous deposition of toxic pesticides in water supplies, and the travails of workers in high-throughput slaughterhouse operations, are all eye-opening to one degree or another.

Cook ends the book with a admonition to the public: unless we actively choose to support organic / sustainable farm operations, our health and the welfare of the environment we live in are not going to improve. Rather than simple hectoring, however, in the last segment of the book he provides an extensive listing of whole-food organizations and advocacy groups dedicated to helping us change the way we eat and consume natural resources. There is of course an element of "better to light one candle" rhetoric here; even Cook is not so naïve as to think that tomorrow will see the US converted to any kind of enormous vegan commune. But his hope is that after reading Diet some of us will devote a bit of thought to the hows and whys of our eating habits, and in this, I think he is as realistic as any "muckraker" can be.

Whether he is taking on the exploitation of farm workers and poultry-plant employees; the take-over of large-scale agribusiness; farm subsidies, or an America swimming in pesticides and animal waste, Mr. Cook has clearly done his research. Extremely well documented, the book contains a number of startling statistics. Did you know that in California's Central Valley, the 1,600 dairies there generate more waste than a city of 21 million people? Did you know that in 1997, growers applied more than 985 million pounds of pesticides and herbicides to crops? Can you conceive of a farm subsidy system that has people like Scottie Pippin and Sam Donaldson receiving farm program monies?

There is a lot to ponder in this book and some excellent ideas and suggestions as to what we as consumers can do to make changes in our lives and our communities to help bring farming back to the people and out of the hands of the giant corporations.

Christopher D. Cook's latest book Diet for a Dead Planet offers the American public with a wake up call view of the food industry today. As an investigative journalist, he gives a complete overview of the socioeconomic and political ills facing food production. He begins the supermarkets and ends with the global agricultural market.

Cook inspects the multifaceted complexities which have arisen due to cheap labor, often exploited and without healthcare. He also depicts the plight of migrant workers, processed food, and pesticides manipulatively spread over crops with the able assistance of government subsidies. The findings are thorough, compelling, and difficult to ingest at times. However, they are warranted as he introduces authorities to backup his claims.

The statistics Cook presents are real, yet harsh. Yearly, 75 million Americans are sickened by the food they eat, while an estimated 67 million birds are killed by the millions of pounds of toxic agricultural pesticides sprayed on crops. Meanwhile, farmers that remain take home only about 19 cents per food dollar spent by the average consumer (this is in comparison to 37 cents in 1980 and 47 cents in 1952) according to Cook.

Cook closely examines every branch of the food industry. In doing so, he reaches a necessary reason for change. The socioeconomic, environmental, and political injustices currently practiced weigh heavily on America's well being. Within each chapter, he goes into great detail explaining, expanding, and scoping the historical difficulties and how they adversely impact today's food industry. Beyond that conclusion, Cook explains that unless a new solution, specifically changing how food is "made", Americans will continue to spiral downward.

Cook clearly maps out the issues beleaguering and tormenting many workers in the food industry from farmers, supermarket employees to higher up executives. All problems such as exploited migrant workers, sickened Americans, corporate control, and government subsidies carry negative consequences for the future if nothing is done soon. In Cook's last chapter, he outlines a solution which focuses on changing the role of the food industry in the future. This book is powerful in its own right. However, more pages need to be devoted to envisioning that solution than one final chapter. I hope to see more works from Christopher Cook. I recommend this book as a read for anyone who eats. This is also a book for anyone who wants to learn the truth about a topic in urgent need of active change and tired of complacency.

This book will open your eyes to the American food industry...from poor quality to bad business practices, Cook covers it all. I knew that quality and mega-chain stores were a concern, but I never considered the demise of our communities and food culture as a by-product of these issues. This book won't help you to sleep easier at night, but it will make you think before you purchase your next carton of milk or loaf of bread.

Millions of Americans are sickening from the food they eat, last year 5,000 died, and obesity and diet-related diseases are on the rise: so Christopher Cook's examination of the food industry in America in Diet For A Dead Planet: How The Food Industry Is Killing Us provides much food for thought. Cook is an investigative journalist whose probe of the food industry's perils is backed with facts and well-honed research. Food lies at the root of many epidemics and poor social and economic conditions. Cook not only pinpoints the problems, but argues for a new way of looking at what and how we eat which places sustainably produced foods within reach of the public. Diet For A Dead Planet is informed and informative reading.

Doing the Right Thing is written for children taking care of their elderly parents. The book is well written and emphasizes the need for setting limits in taking on this difficult task. Specifically, Roberta Satow speaks of reaching a balance for children who have had distant, difficult relationships with their parents in the past. She emphasizes having boundaries and taking care of one's self in order to deal with the issues that inevitably come up at this time. As a daughter taking care of my mildly demented mother, I found this book helpful in validating the positive things that can come out of this new chapter in my life. Feelings from the past can be resolved and a new, positive bond can be formed with your parent. I highly recommend this book to any child taking care of an elderly relative and for children who are experiencing guilt over the resurfacing of old feelings at a time when our parents need us most.

The introduction to this book left me breathless - the author could have been looking over my shoulder at my own interaction with my mother, and dealing with the welter of emotions that come out of that relationship. I very much appreciate the author's disclosure of her own situation - I think this gives an immediacy that the reader can relate with. Anyone in a care-giving situation with their parents' should read this book, no matter what their relationship with their parents was like. I plan to recommend it to everyone I know, because they will need this kind of information sooner or later.

After picking up this book in a library, I was surprised to learn how low it is ranked on this list. Although I do not have personal need of the book (my parents are dead), many of my contemporaries are or were caregivers. This book helped me understand them. Among my aquaintances, nearly every primary caregiver is on antidepressants. With little time for exercise or self-care they have health and weight problems. And the primary caregiver often is not the favorite child. As Pipher says, he or she may be an estranged child seeking a last chance to work out "unresolved issues," in the language of therapy.

The book's title can be misleading. Satow does not limit her topic to children who resent their parents. She provides several examples of selfless caregivers who love their parents and care for them willingly. Often they're repaying an emotional debt or following a culture they embrace.

Given the heavy subject matter, author Satow couldn't take on the usual upbeat, cheery tone of most self-help books. In fact, reading the book can be exhausting. I am reminded of Mary Pipher's book, Another Country: relentless examples of frustration with no end in sight.

Compared to Pipher, Satow comes across more as a hands-on therapist and teacher. And she's the kind of therapist who holds firm to mainstream beliefs (e.g., we never lose ties to our parents) and offers, by way of encouragement, a simple, "That's difficult."

Like Pipher, Satow's message is one of acceptance. At some point in life, there's little to anticipate. And contemporary American society lacks an infrastructure to provide support.

The book would be stronger if the author had stepped back for a broader perspective. Many caregivers sacrificed their own lives, so who will care for them as they age? How will the single or childless elderly fend for themselves?

And some relationships seem so broken or distant that one or more children could move to the opposite end of the world, guilt-free. Remember the Sopranos episode where Tony's mother dies? Carmela, Tony's wife, says, "Who are we kidding? She was awful." A funeral director told me he's experienced this reaction first-hand - more than once.

The biggest omission in Satow's book relates to money. In her last chapter, Satow makes some recommendations for caregivers. She includes a list of questions, encouraging caregivers to assess whether they're experiencing illness, taking out their frustrations on their own children or giving up a social life altogether.

But Satow totally ignores the financial effects of caregiving. When the parent dies, the child who gave up career options now has to move forward, battling age discrimination and a resume gap. Sometimes parents never get around to updating a will. Some die intestate. The inheritance gets divided evenly among three, four or five children, who rarely are motivated to reward the primary caregiver. And the primary caregiver's career can suffer or even disappear.

Still, I'd recommend this book to anyone who's caring for an elderly parent. But I suspect caregivers have little time to read. Ultimately, this book will help the rest of us try to understand a little more.

The interviews in this book were very enlightening, giving me some new insights into the situations that I, and apparently many others, are going through with aging parents. I did sympathise with many of the adults, and I guess the only shortcoming of the book was that I expected it to provide me with solutions. I realize that may be impossible to receive from a book, but I do think I gained a lot by the empathy I felt to others who deal with the same insolvable and sometimes intolerable situations. I would recommmend this book to those just beginning to feel the pull to help their parents so that some strategies may be of help in the earliest stages before patterns are set.

This is it folks! Probably one of the most important books I have ever read. It took me, as the reader, full circle from my childhood all the way through to my current relationship with my aging parents, in a matter of hours. I could not and would not put this book down. It wouldn't let me. Never have I read anything on the issue of children dealing with their aging parents that has so thoroughly covered every human emotion. It is gut-wrenching and inspiring at the same time. Kudos to Roberta Satow for having the desire and the ability to write about a topic that is so controversial and so very necessary. This book pushed all of my buttons and made me rethink every aspect of my relationship with my parents and my own children. This subject cannot be talked about or written about enough. I took on every role while engrossed in this book. I was child, sibling, parent and aging parent all at the same time. I was hit emotionally from every angle. When the book was finished I was literally angry that there weren't more pages. I can't stop thinking about or talking about this book. Now that is the sign of a great book! Please tell me there will be more where this came from!