C Books

Quizas la mejor publicacion sobre Wyeth jamas realizada... casi todas sus Obras Maestras impresas con una calidad impecable...si te intereza la obra de Wyeth, este es el libro.

A very nice,well done coffee table book.....the thing is-this guy is 90 years old and has done thousands of paintings...why do the same plates keep showing up book after book after book for the last 4 decades? I've seen 90% of these already! Where's the rest??

A large format exhibition catalogue, a slightly over square volume printed on quality art paper. The introduction discusses Wyeth's development and output in relation to other artists; this is followed by four essays covering various aspects of the artist's work. These sections are illustrated throughout almost entirely in colour with examples of Wyeth's work and comparative examples of other's, many of them at a good size. The main section of full colour plates commences on age 122 and concludes on page 209. This is followed by a detailed list of works in the exhibition; there is no chronology or bibliography.

The main section of plates presents the images one to a page, and many are of a good size. Inevitably the long landscape proportion images do not fare so well, with the publishers seemingly reluctant to cross the gutter, these appear as little more than a three or four inch wide strip across the page; even a number of the more regularly proportioned works could easily have been reproduced larger. However that aside it is a fine volume, beautifully produced and with a feel of quality, which offers over 150 examples of Wyeth's output including paintings, watercolours and drawings reproduced in full colour.

As a collector of books by and about Andrew Wyeth, I must say this is a tasteful and beautifully produced art book with insightful essays by five excellent writers who know their subject well. Wyeth has been around for a long time and started fading from public consciousness after the "Helga Affair" -- undeservedly so. To my mind he is still one of America's greatest 20th century cultural treasures. The book resulted from a retrospective exhibit of Wyeth's work in 2005/2006. My only reservation about the book is that it shows too many of Wyeth's pieces that are in all the other books about his work. But that may be Wyeth's choice and must be respected.

The book was well written, interesting, and informative. Color plates depicting Wyeth's paintings were bright and clear. The book arrived timely and in excellent condition. Well satisfied.

Anne Morrow Lindbergh: First Lady of the Air by Kathleen C. Winters is a beautifully written biography of the wife of Charles Lindbergh, the world famous pilot. She also was a pilot, one of the early female pilots, and was co-pilot and navigator for her husband, who could have chosen any other for important job. Anne has been revered as an author for years for her well-loved books, the most famous being the timeless Gift From The Sea, still a best seller after over half a century. But her life as a pilot and a pioneer in aviation history had not been explored, and Winters does a fine job with this part of Anne's early life, which she left behind when she became a mother. The new biography is excellent and sure to become a mainstay of aviation history.

I am not a typical non-fiction reader, but after reading the book, First Lady of the Air, I could see myself reading more non-fiction. Kathleen Winters creates an easy to read non-fiction account of the life of Anne Morrow Lindbergh. Throughout the book, I could really identify with Anne as a woman and fellow aviator. Winters portrays many sides of Anne, from her days as a young woman, to a woman aviator, and finally to a wife and mother. She makes it easy for any reader to identify with the struggles that Anne faced in each of those times in her life.

Winters describes the historical significance of what Anne and Charles were accomplishing with their many long distance flights in uncharted areas; setting up air routes and paving the way for what future commercial jet liners would utilize on a daily basis. Anne was an active participant in an adventurous situation, which was not typical for women of her time. Very inspirational story showing that women can do the same things that men can do. A good read for anyone interested in aviation history.

This book is a gem. Well written. Informative. It is Anne's story -- the woman who loved to fly and who often was the first to explore some new phase. Because she is such an ethereal writer -- and because she was Charles' wife -- we tend to lose track of her actual aviation accomplishments. Author Kathleen C. Winters has nicely remedied that. Originally in hardback, the book is due out in paperback spring 2008.

Sarah Byrn Rickman, author of the newly released Nancy Love and the WASP Ferry Pilots of World War II (University of North Texas Press).

I thought Anne Morrow Lindbergh-First Lady of the Air was going to be a historical documentary, which would have been interesting. It was much, much more. It is exciting reading that covers the gamut from insight into the personal life of an aviation icon to a unique look into the early days of the flying machines. Kathleen Winters' writing style made me feel like I knew the Lindbergh family personally. Her research is impeccable. I was awed by the challenges of mixing high society and celebrity with the rigors of exploratory flying. We all know about Charles Lindbergh. Now learn about the shy, but brave wife who made him what he was.

There was a time when Charles Lindbergh was the most famous man on Earth. His 1927 solo flight across the Atlantic caught the world's imagination and the public couldn't get enough of him. When he decided to get married he made looking for a wife into a project. Anne Morrow was the daughter of a wealthy and prestigious family and while Anne didn't quite take to Charles at first, it wasn't long until she was caught up in his charisma and the thrill of flying, and they were soon married.

Kathleen Winters has given us a very interesting biography of Anne that necessarily includes material on Charles, but usually from Anne's perspective. The subtitle of the book is "first lady of the air" and most of the book is about Anne's achievements as a pioneering woman in powered flight and gliding. The majority of the book focuses on two major expeditions Charles and Anne made to Asia in 1931 and all around the North and South Atlantic in 1933. Anne was not just along for the ride on these long and dangerous trips to open flying routes around the globe. As Charles noted when asked about taking his wife along on these hazardous flights, "she is crew". Anne operated the radio, used Morse code, and much more. The radio in those days was much more art than the standard technology it has become.

Winters provides great maps of these great journeys along with some terrific photographs. The revolutionary nature of these flights is made clear by the medal Anne was given by the National Geographic Society for her part in opening air routes around the globe.

While the book does cover the major biographical details including the kidnapping and murder of their firstborn with the subsequent trial of Hauptmann, everything but the flying is covered in short form, but all the major points are touched on.

I found Winters' treatment of Charles being given Service Cross of the German Eagle by Goering most interesting. It has become usual to bash Lindbergh for accepting this award, but the accusers rarely put the event in context. It happened only a few weeks after the "peace in our time" four-way pact signing between Britain, France, Germany, and Italy and weeks before Kristallnacht. The Lindbergh's had stopped in Germany for eighteen days after a trip to Russia. The presentation was made without warning or announcement at a men's only dinner at the American Embassy and at the time neither Charles nor the other men at the dinner thought much about it. Afterwards, Anne expressed her concern that the white cross would become an albatross around his neck. After Kristallnacht occurred, Charles wrote in his journal, "My admiration for the Germans is constantly being dashed against some rock such as this."

Winters also provides very interesting information about Anne's efforts and success as an author. I have not yet read any of Anne's writings, but this book has piqued my interest in seeking them out.

This is a most interesting book about a talented an intrepid women who held her own in a marriage to one of the great historic characters of the 20th Century. Her life is instructive, inspiring, and very much worth knowing. Winters' has written an honest and interesting look at her life and accomplishments. I recommend that you get a copy and enjoy it.

Reviewed by Craig Matteson, Ann Arbor, MI

This book has already taken its laurels - what needs to be done now is get it updated and reprinted. I've yet to read a better, more fluent exposition on the subject.

It isn't often that a book wears as well as this one - the material was so advanced at publication that I doubt any current research has caught up! It may be that much extant research claims to have overtaken certain aspects of the innovative metrology (and its performance) in 'Approaches -' but I remain doubtful.
There are no alternative texts available that give the reader so much of an insight into the physical metrology of biotechnology. The concise style and coverage of both the principles and approach to problem solving in measuring biotech parameters is thoroughly enlightened - a novice in the subject gleans as much as an expert.
'Approaches to Physical Measurements in Biotechnology' desrves its reputation - long may it remain in print.

It isn't often that a book wears as well as this one - the material was so advanced at publication that I doubt any current research has caught up! It may be that much extant research claims to have overtaken certain aspects of the innovative metrology (and its performance) in 'Approaches -' but I remain doubtful.
There are no alternative texts available that give the reader so much of an insight into the physical metrology of biotechnology. The concise style and coverage of both the principles and approach to problem solving in measuring biotech parameters is thoroughly enlightened - a novice in the subject gleans as much as an expert.
'Approaches to Physical Measurements in Biotechnology' desrves its reputation - long may it remain in print.

Good, parhaps, says too little about a book which is seriously flawed by a scattering of typos, and yet when these irritations are ignored is essentially an excellent piece of work. This kind of material is difficult to write - had AP done their job 'Approaches to Physical Measurements -' would have been the definitive example of cross-disciplinary authorship. Full marks for the author - curses on the AP editorial staff!

Surely the publishers are going to reprint this book or get out another edition. It is, after all, a quite unique book and still absolutely current in its content and objectives.

If you are familar with Amy Brown than you already know how fun her art is. I personally bought this particular book for some tatoo ideas. Her fairies all seem to have personalities of their own.

Outstanding book - gorgeous images... Fairyland at it's very best. The book is full of imaginative designs, which you can easily see inspired so many other artists. A treasure to add to your collection!

Amy's art is absolutely incredible, especially when the designs just come into her mind, all she has to do is paint them!

Get this book together with her volume II, you won't regret it. The first one is more in neutral colours, the second one more colourful.

Fasinating and full of aura. I especially liked her Gothic style. Mystical and magical. It is a book that one can enjoy browsing the pages, scrutinizing the drawings and learning more about Amy Brown's experiences. The best book any fairy fan can have.

This is a great book for any fairy lover or art lover. The watercolors are beautiful. Her art has a wide range from beautiful/cute, dark/gothic, humorous and so on. A great collection of art.

I had a good time reading through this reprint of Morris Morgan's 1893 translation of Xenophon's "The Art of Horsemanship" (350 BC). Unlike many of the other ancient Greek translations and authors, this one is very easy to read.

The text itself is fairly short and reads quickly, sprinkled with wisdom. After the text is another short portion from 1893, which talks about "The Greek Riding-Horse", based on Xenophon and all the other available sources. Additionally, the footnotes to the text are quite interesting--I read them, for the most part, en block after reading the text.

As the title implies, the text is a very hands-on, practical guide to "everything you need to know" about how to take care of and look good riding a horse, reading like a "Horsemanship for Dummies" book. If you're interested in Ancient Greece and horses, you've got to read this short "instruction manual", though if you're only interested in the ancients, it's still fun to breeze through this text, nevertheless.

If more people took the time to educate themselves about horses and horsemanship in general and Xenophone's book in particular, perhaps we not see so many "show horses" of various popular breeds so physically manipulated by in breeding for only one or two specific traits rather than breeding for the whole horse. What was true in Ancient Greece is truer still today - without good feet, balance in the body and common sense a horse is worthless. Bravo to Amazon for bringing us this excellent book dirt cheap!

The material in this book is thousands of years old but amazing in how modern the approach is to horsemanship. Most of Xenophon's advice is timely even today. It shows how little has changed over the centuries.

This is a must if you are passionate about horses. It is so clear and to the essential point that it is a pleasure to read.

Xenophon covers several aspects of horsemanship, from grooming, leading, and choosing a horse, to mounting, riding, and training a war mount. Very, very interesting to see what is still applicable today. While this isn't a "training" or even a "horse care book," its a great historical reference from those interested in how horses we cared for and trained 2000 years ago. However, for those looking for a story or a book to teach riding skills, I suggest you look elsewhere. Those interested in dressage will find this worth-while, as it is considered the oldest text on the subject.

This book is truly a work of art!

The eminently talented Michael Whelan showcases his treasures in this large-size, full-color coffee table book.

With his superb attention to detail and boundless imagination, MW has created fantastic worlds. Here, he catalogues his numerous book covers (all genres of Science Fiction, and all genres of Fantasy, and other areas), paintings, and assorted works (he paints not just for a living but for his own enjoyment, evident in the many small sketches included throughout the book).

MW himself describes each piece. He isn't an artist who simply creates a cover when commissioned; he reads the text of the book he will be making a cover for. This is what makes his book cover art so wonderful. In my mind, his cover art for "Catspaw" and "The Snow Queen" are every bit as memorable as the stories they were made for. He details everything minutely: the curling edges of a drying leaf, the dust stain in a fold of clothing, a nick on the blade of a warrior's battle-ax, a snarl in a lock of hair, the markings on a spaceship lifting off from a background launch pad, the clearing sky reflected in a dangling pane of broken glass, the frayed edges of a worn rope attached to a forgotten bell. And that's just the little stuff in the background.

What sets this book aside from other art books is the fact that this book is made for people who like to LOOK at the art. Nearly half of the pieces featured here are full-page size, with the text/description and sketches, studies, details, alternative concepts on the facing page. Too many art books tend to squeeze pictures into small squares on a page. None of that here. The colors are sharp and vivid. The edges are sharp and crisp. The paper used is heavy glossy paper. There are three chapters (interviews, introduction, technical aspects) printed on heavy parchment-like paper. The book itself is clothbound in matte midnight black, embossed in gold. The publishers spared no expense in making this book.

And here's something I haven't seen in other art books: the 85+ full page plates are indexed in a back section of the book. Shrunk down to B&W postage-stamp size, you can glance through to quickly find your favorite picture.

The work represented here covers everything from dragons, winged lions, medieval castles, futuristic alien castles, strange aliens, bustling spaceports, nature settings, warriors of every type, humans and much more. Each picture is worth a thousand words indeed.

The paper cover/dustjacket features "Passage: The Avatar" (the breathtaking blue ruins) on the front and "The Summer Queen" on the back, both are featured inside the book. This is a plus, as many times the dustjacket art is counted among the represented work.

Very highly recommended.

Michael Whelan's style is gorgeously captured in this state-of-the art book. If you are a fan of Michael Whelan's airbrush art or his private collection, you will find something in this book for you. It includes most of the passages paintings, the more famous covers (even the loathsome fuzzies), and many of Michael Whelan's unpublished work. The latter is what makes the book worth buy - I wish the book contained more of it and less of the cover art. I recommend this book for any fantasy art collector.

I have taught Art in High School for 30 years. Micheal's work in this book is absolutely the most creative and detailed I have ever seen. His pictures take into many dreamworlds. You will want to get lost in these paintings. Every inch of Micheal's canvases are detailed with great skill. You won't want to put this book down!

...To look at Michael Whelan's art is to look into a mind so brilliant and vivid that only a hand guided by God could create such pictures... Get this book if you like "actual" scenes from other worlds.

"The Art of Michael Whelan" is a great book for art lovers. This book is a enormous and varied collection, divided into Whelan's commercial work of sci-fi and fantasy book covers and his personal paintings, most with a fantasy and nature theme. Additionally, there are interviews with the artist about his materials, methods and history in the field. Every painting is commented on, and the symbolism and story behind each picture adds to the enjoyment of each work, as well as the little preliminary sketches that show different paths the paintings could have taken. If you're a reader of fantasy and sci-fi, like me, you're sure to spot a few favorite books among this selection - Whelan has painted book covers for writers such as Anne McCaffrey, Stephen King, and Tad Williams. The best part of these works is how they can manage to look fantastic and surreal and still make you feel as if you're looking at something that actually exists. Every time I've looked through this book I notice new details. Michael Whelan's other two fantasy collections, "Works of Wonder" and "Wonderworks," are good, but nothing compared to this treasury. I recommend this great book to anyone with an interest in great art and fantasy, you won't be disappointed.

This was a really "DaVinci Code" esque page turner! A terrific read and a spell binder. The characters were great as well. I couldn't put it down.

I really enjoyed this one! I travel a lot and read a lot. This is one of the better reads. I compared it to The Da Vinci Code and Angels and Demons by Dan Brown.

This was a fantastic book. I enjoy books that have both excitement and character development and this book supplied both. The beginning was what got me hooked; it was a book similar in some respects to the DaVinci Code. The mystery of what it was all about was revealed bit by bit and this was the compelling part.
The book was also well written and descriptive of the events, people and the mystery.
Thank you Mr. Nagle

A thrill ride and a page turner, this book reads like the ultimate action/whodunit movie. Nagle effortlessly hooks his reader then leads him/her through clever plot twists, across continents, and into the dark corners of the criminal mind. In Libra he has created a heroine worthy of our respect and our interest. She alone deserves an encore, though her supporting cast in this novel (Sam, Mario, Figlio) are also richly textured and expertly crafted. The only thing I wanted was a map to help me follow Sam & Libra's adventures--but hey, an atlas works, too. Bravo, Mr. Nagle, I eagerly await your next literary gem!

Knowing I am an avid reader, my assistant put this book into my hand as I left the office for a cross-country flight, armed with my laptop and a pile of spreadsheets. Having never heard of Nagle or his work, I shoved the book under my arm to be polite and forgot about it.... until my battery fizzled. Frustrated as only a non-technical type-A professional could be, I fished the Augustus Conspiracy out of my briefcase and started reading. Here's where the reivew starts:

HOT DAMN! What a pleasant surprise to find an unknown author who hits the mark--again and again--on his first try. Within minutes I was so engrossed in the lives of Mario, Figlio, Sam and Libra, their journeys, their perilous predicaments & etc. that I was actually DISAPPOINTED when my flight landed and I hadn't finished the book. After checking into my hotel I put down my bags, sat on the edge of the bed and didn't move until I wrapped up the last pages. A great, great, read. Engaging and intelligent, alternately nail-biting and a crack-up. It will be a shame if Nagle has to wait until his later novels to get the recognition he deserves (like Grisham, Dan Brown, etc.), but it will be well-placed when it comes. Get this book. You won't be disappionted.

What would vintage Barbie lovers and collectors do without this and the other 2 books by Sarah Sink Eames? Without a doubt her books are the best on the market for identifying all the wonderful vintage outfits for Barbie and her family. Beautifully presented, detailed and comprehensive information. Each outfit is presented by name, stock number and years made, as well as detailed descriptions of the fabrics used and the accessories accompanying the outfits. Original outifts that came with the dolls are also shown and described. A trip down memory lane and the next best thing to owning all the wonderful outfits.

Another great book by Sarah Sink Eames!-Great outfits and pictures-easy to see values-Fun to see how Barbie and friends followed current fashion trends for the late 60's and early 70's-very helpful to any vintage collector!!

Great book. Found outfits and the year they came out. Do Recommend if you are into Barbie clothes...

If you are a collector, you should have this book on your shelf. Comprehensive, complete, with photos galore. A+++++

In Hong Kong, it is not popular to collect vintage Barbie dolls so that it is not easy to explore specific related knowledge. This book really helps a lot. It is a bible for every Barbie collectors!

I bought this book in the Louvre Museum in Paris, where we were able to see some of the originals. They're compelling and just draw you in! This book allowed me to bring the paintings home, and study them. It's easy to read, and goes into detail explaining not only about Bouguereau, but also explains a lot of the detail and symbolism that he used in his paintings. So now I can enjoy them on a whole new level. I'm not a big art buff, but I know I'm drawn to his paintings, this was just a perfect book to cut my teeth on, and help to develop a better understanding of some very famous paintings. Buy the book. You won't regret it!

Adolphe-William Bouguereau (1825-1905) is in many ways the French equivalent of the British Victorian class of figurative painters - Lawrence Alma Tadema, Lord Leighton, JW Waterhouse - and had he lived in England rather than in the Impressionist laden France, he would be much better known today. Not that Bouguereau is unfamiliar to collectors and museums: in his time his portraits and luxurious paintings of shepherdesses and mythological creatures in a world of eternal beauty were popular and were added to important collections. It is only now with the new respect for the figure in painting that his name is becoming more recognizable.

Fronia E. Wissman has written a concise and illuminating text for this monograph and her style of exposition matches her subject. The book is filled with magnificent illustrations of Bouguereau's paintings with details and full-scale works allowed the prestige of excellent color reproductions. This is a fine monograph and one that belongs in the libraries of collectors and art historians who remain fascinated with the fin de siècle schools of painting. Highly Recommended. Grady Harp, September 05

Wissman did a great job providing a fair and balanced view of French painter Bouguereau's career. And it's a good thing too! Everything else related to the artist is either out of print or a flimsy postcard book. How could this be? Well, the unfortunate stereotype of Bougeureau buffs is that they "don't know much about art but know what they like." It may be that many editors assume that if you like Bougeureau's paintings, you aren't the type to read a serious art book. I like to believe this is wrong. I enjoy Bougureau's art very much and am glad that someone published a reasonable paperback history and criticism of the artist. I hope that one day, others write similarly good books about other "forgotten" 19th century artists.

The art of Bouguereau is stunning. It stirs a beauty from deep within us that blooms in recognition of a beauty made visible by the stroke of his brush. So full and intoxicated with passion, his work seems an extension of gratitude for life itself. Through the canvas of this fine French Academic Artist, we witness how love is truly more persistent than time.

I am so taken by the art; I have yet to read what Wissman has written about his life. I think his art speaks with such clarity; he must have been a man with a great capacity to fully embrace the nature of the life he was given.

Yes the reproductions are great and deserve full stars yet there is much fault with Wissman's ignorant statement that Bouguereau did not use (paint from) photographs. This comment potentially questions the creadability of what otherwise would have seemed to be a very good analysis. For alternative comments, see "W.B" - Montreal Museum's '84 publication for a traveling show. It offers more "behind scenes" info. about the production of his work and their authors more credibly state, he "actively collected photographs" but "he almost never worked from photos" which is still an understatement. Included are photos of him in his studio painting and with another photo of Mich's. Pieta in background. I found a used copy here on Amazon, ISBN 2-89192-047-3 Mr. B. was a transitional figure in art history, caught between early 19th C. "tail end" classical art and late 19th C. art when photorealism began rearing its evil head, destroying classical art and bringing this "ism" to a point of extreme today. It is impossible to determine what extent he used them, yet it is clearly evident to a more trained eye, that he used photos, particularly with some of the complex children/cherubs he incorporated. This occasionally created a quality which, no doubt, helped to inspire criticism (noted in Wissman's bk)regarding the overly polished, sometimes cut-out and outlined aspects of some of his figures. He was able to get away with it for the most part because he had a more proper training as a student prior to exposure to photos. (I myself am a painter/sculptor studying classical art - I admire B. greatly yet to say he was a purest would be false since he clearly had an opportunist streak about him as many others did, and to a certain extent I can't blame him. But he helped to start a terrible trend which has turned classical painting and sculpture into a virtually lost art).

This is a lovely book, fantastic illustrations and a wonderful theme throughout. "Where are you going bear, please wait for me". Follow the bear and the boy through different places real and imagined. Suitable for 12 months - 3 year olds.

After reading it a few times to my son, I was surprised to hear him reciting the rhyme text back to me. We enjoy reading it together. The text is very simple but is perfect for a toddler. We learn names of different fruits, vegetables, and animals, as well as different ways of traveling. As all the Barefoot books he has, he loves it.

this book has vivid color. when you read to your kid. they love it too.

The illustrations are absolutely fantastic! they are beyond vivid its truly a feast for the eyes!
The story is simple and cause the illustrations are so perfectly done for a toddler it's very self-explanatory, Bear is traveling through the entire story on different means of transportation he goes to an island on a boat, to the market on bike, to a grand ball in a carriage and through the story the little boy is trying to keep up with bear but he just keeps missing "the boat" so to say. It's a very fun rhyming journey to introduce to little ones! This is our favorite of Stella Blackstone's Bear series its by far her best book!

We recently got this book out of our public library and I must say that it is a big hit with all of us. We (my son, my husband, and I) absolutely love the pictures and the text. I think this is a wonderful book that will get lots of mileage.