C Books

This book features some excellent beat writers and includes informative blurbs on their history and style. Each artist has a little chunk of their writing for you to sample, and the material is everything from stories to letters to classically bad prose.

What impressed me were the essays by each other, on the actual generation hype.

"Young people seemed more intense, clutching, and I couldn't help feeling they took themselves too seriously... 'good, clean fun' appeared to be a thing of the past. Or perhaps the aura of suspicion and defensiveness was merely a reflection of my own fears..." --Carylon Cassady

It's a great book for deciding which authors you want to read more of.

This reader is a good overall introduction to beat literature. While I could have done with a few more examples of writing from the women in the movement, that probably would not have kept the book as "portable" as its title promises.

An absolute wonder, a perfect selection of Beat writings: Poems, fragments of novels, essays, history, mythology, philosophy... The Portable Beat Reader is one of the most essential books in my collection and rarely leaves my side. And it is, thankfully, portable, and much easier than bringing everything with you all the time. Aquire it, open it, and just start reading.

Simply put, this is what I turn to when I need inspiration for reading, for creating, for anything. It combines wonderful bios of everyone from Kerouac to Bob Dylan, and their poems, book excerpts, and lyrics galore. Absolutely enjoyable, absolutely essential. Thank god for Ann Charters.

After riding the whirlwind of On The Road and Howl, many readers will acquire an appetite for Beat literature that will lead them to this book. Ann Charters serves up some of the best pieces of Beat Literature in this anthology. However, some inclusions, such as excerpts from On The Road, could be considered sacrilege, as the texts were never meant to be cut up, and suffer as a result. The Bob Dylan lyrics included by Charters indicate that she was no Dylan scholar, as other tracks would have been more suitable. However, with inclusions such as Neal Cassady's letters, William S. Burroughs adventure narratives, and the lesser known Beat poetry, this anthology is indispensable.

Thomas Desjardin has done something I would have thought impossible. He wrote a history book that I found hard to put down! His expanded research included many eye witness accounts of the battle of Little Round Top which serve to give us a clearer picture of what happeded that day. No one or even couple of people can give an accurate accounting. We all have a limited range of vision. When gathering all accounts it may seem that one contradicts the other, but it's really only a matter of perspective. We all see things differenly plus & understand it differently. This book takes nothing away from Chamberlain. It only shows he was not alone up there. I found the book fascinating & well worth reading.

I initially read this book after participating in a staff ride of the Gettysburg battlefield. My knowledge of the battle at that time came largely from Shaara's "The Killer Angels", and the subsequent film "Gettysburg". As both were meant to inspire and entertain rather than inform, I had an unrealistic understanding of the 20th Maine and its place in the struggle at Gettysburg. Thomas Desjardin's book changed that.

Well written and fast moving, "Stand Firm Ye Boys From Maine" provides excellent background information on the 20th Maine, identifies members of the Regiment beyond Chamberlain and his brother Tom, and reminds the reader that the 20th Maine's opponents at Little Round Top weren't a nameless mass of rebels, but members of a proud regiment with a strong leader all their own.

Desjardin explains the fight between the 20th Maine and the 15th Alabama in tremendous detail, with accompanying maps that enhance the narrative. More importantly, he describes the post-war growth of the Chamberlain legend, and explains the difference between Chamberlain the Man, and Chamberlain the myth. Desjardin's Chamberlain is not the battlefield intellectual who conceived an unorthodox maneuver in the face of the enemy to win the day, but an ordinary man who led from the front under extraordinary circumstances. I prefer the latter.

Students of Gettysburg will be interested in Desjardin's perspective on familiar events, and those unfamiliar with the battle will find it a great introduction to the subject. While not a history of the overall campaign, it is definitely a great starting place to learning what took place in PA over 140 years ago.

This is a well worked area of the ACW but Thomas A. Desjardin brings a fresh look to the subject. He is an excellent author and scholar, both show in his books. The book contains very good maps, photos and current status of Little Round Top, roster of the 20th Maine, 5 Appendix, notes and index. This is a very well done book that can be used as an introduction or reference.

The defense of Little Round Top by the 20th Maine Regiment on the far left of the Union lines on the second day of the Battle of Gettysburg, July 2, 1863, is perhaps one of the most famous small unit actions in American military history, right up there with Custer's Last Stand - except the latter lost. As the author of STAND FIRM YE BOYS FROM MAINE (SFYBFM) points out, the U.S. Army still uses the actions of the 20th Maine's commander, Col. Joshua Chamberlain, as a model of leadership under hostile fire.

Author Thomas Desjardin picks up the story of the 20th Maine in the aftermath of Chancellorsville on or about June 21 as the regiment marched north along the east slope of the Blue Ridge Mountains while Lee marched his Confederates on the west slope towards Maryland through the Shenandoah Valley. After some skirmishing at Ashby's Gap, the unit arrived in the vicinity of Gettysburg at the end of the battle's first day. Desjardin's focus is, of course, on the 20th Maine's resistance against the assaults of the15th and 47th Alabama regiments against Vincent's Spur on Little Round Top, followed by the 20th's relatively uneventful occupation of Big Round Top before being relieved. Chamberlain's command spent the third day, during Pickett's Charge, in reserve behind the front lines. The next day was spent maneuvering across the Gettysburg battlefield until, after it became apparent that the Army of Northern Virginia had decamped and was headed homeward, a pursuit was mounted through rain and mud to a final skirmish with the Rebels on Sharpsburg Pike on July 10, an event that marked the end of the Gettysburg Campaign for the boys from Maine.

Having finished with the battle itself, Desjardin examines the post-war period, during which, Little Round Top having receded in time but not in the participants' memories, bickering broke out among the survivors as various accounts of that fateful day in July, 1863 had to be reconciled with each other (or not).

I saw the film Gettysburg (Widescreen Edition) on the Big Screen when it was released, and was greatly impressed with the leadership qualities of the Joshua Chamberlain character under fire (as portrayed by Jeff Daniels). Subsequently, I visited the Gettysburg National Military Park and stood in reverence before the monument to the 20th Maine set in the trees now covering Vincent's Spur. Therefore, the final chapter of SFYBFM, "American Legend, American Shrine", in which Desjardin puts the regiment's defense in perspective and deflates some of the mythology surrounding the action, poured a certain amount of cool water upon my adulation. As the author points out, as evidenced by Chamberlain's recollection of the event, the colonel never actually ordered "forward", but only that his men fix bayonets. With that, the Maine troops charged off down the slope on their own and the famous "right wheel" by the 20th's left was more of a ragtag pursuit after already fleeing Rebels instead of the textbook maneuver of mythology. Moreover, the entire Army of the Potomac's line, from left to right of the famous "fish hook", was never in danger of being rolled up. Had the 15th Alabama actually been able to capture and hold Vincent's Spur, it would've had to face the 83rd Pennsylvania, the regiment next to Chamberlain's, as well as the 140th New York that had just come up. Furthermore, there was only room on Little Round Top for perhaps eight artillery pieces to be aimed at the rest of General Meade's army. If all of Longstreet's cannons couldn't dislodge the Federals on Day 3 of the confrontation, eight weren't going to do it on Day 2.

The strength of SFYBFM is in the comprehensiveness of Desjardine's research, which encompassed examination of close to eighty accounts of the battle by survivors on both sides. There are twenty-two pages of Notes and a six-page Bibliography. There's a complete roster of the 20th Maine soldiers at Gettysburg, which includes each man's rank, company, hometown, age, marriage status, civilian occupation, height, and post-battle status as applicable (killed, wounded, mortally wounded, captured). In addition, Appendix One enumerates the number of combatants in the three regiments involved. Appendix Three, Four and Five list in greater detail the nature of each casualty for the 20th Maine, 15th Alabama, and 47th Alabama respectively. For example, Private Mansfield Ham of the 20th Maine is noted as having been:

"Wounded severely in side, thumb shot off."

SFYBFM includes a serviceable assortment of photos sprinkled throughout as well as a number of maps, the most useful of which depict the evolving positions of the 20th Maine and 15th Alabama as they engaged.

STAND FIRM YE BOYS FROM MAINE is an exemplary battle history. While it may refute some of the more outlandish claims of the legend, e.g. that the survival of the Union hinged on the 20th Maine's victory, it puts the supreme efforts of both sides on a human scale and not on pedestals, especially as the personalities and civilian lives, both pre- and post-war, of combatants from both sides are described. From this vantage point, the Civil War student, whether casual or serious, can better appreciate the command style of the regimental officers and the heroic fighting qualities of their men. The volume deserves prominent place on any bookshelf dedicated to the American Civil War.

Interesting book, good subject. Some people, with a degree of justification, bemoan the attention given to the 20th Maine, but I'm not one of them. What I would like to see is that same attention given to other deserving regiments as well.

This book has the advantage of being well-documented and, as far as I can tell, accurate. It has the disadvantage of being somewhat superficial in that the regiment is never put into any larger context. There are anecdotes galore, and of course there is a thorough reconstruction of the 20th Maine at Little Round Top. But the substance of the battle around them is lacking; to be fair, this is not supposed to be a book about the battle as a whole.

In short, this is a good supplementary book if you have already read a thorough account of the battle (I recommend Coddington, personally), and it's good for bits of information about the 20th Maine, so it fulfills its purpose. Subjectively, I found it a rather dry account; interesting, informative, clearly written, but somehow lacking flavor.

I am a die-hard Star Trek fan, but my favorite Star Trek episodes are those that are "hard" science fiction, rather than fantasy. This novel falls securely within the fantasy genre, but it is not bad at all for all that. Basically, here, the Federation is experiencing ripples in time (again) but this time this is causing suns to go nova, to horrible effect. Obviously, the Guardian of Forever is on the fritz, and therein lies the (rather improbable, but reasonably engaging) story.

Crispin's prose is clear and keeps the storyline moving along smartly, at least most of the time, and this story is not bad at all. Most Star Trek fans will enjoy this novel, and it is perfect for an afternoon of beer and chips, as I myself discovered.

Yesterday's Son was the first Star Trek novel to hit the best seller list. I read it with pleasure after its 1983 release, but I somehow missed out on its 1988 sequel. I remedied that recently, and I'm very glad I did.

In the Star Trek episode that inspired Yesterday's Son, half-Vulcan Starfleet science officer Spock and Dr. Leonard McCoy pass through a time portal - the Guardian of Forever - into the past of a planet about to be destroyed. The people of that planet, Sarpeidon, have already fled into their past, where it was once their custom to exile those they might otherwise have imprisoned. In Sarpeidon's great ice age, Spock and McCoy are rescued from the killing cold by Zarabeth, a banished political prisoner from a far later era. Going backward 5,000 years in time causes Spock to regress to what the Vulcans of that period were like. In Yesterday's Son, Spock learns that he fathered a son with Zarabeth, and that this son - Zar - has grown up marooned in the ice age with only his mother's companionship. With Zarabeth dead, Spock decides to bring Zar forward in time and give him a chance at life. Zar chooses, at the book's end, to return to Sarpeidon's past after seeing evidence in the planet's history that his leadership is destined to guide that world's warring tribes through their first steps toward civilization.

It's 20 years later from Zar's viewpoint, although less time than that has passed for Spock. The Guardian of Forever is malfunctioning, and sending out time waves that cause stars to age at incredible rates. As Starfleet races to evacuate populated planets in stricken systems, Admiral James T. Kirk and his two closest friends reunite aboard an Enterprise now captained by Spock. Their mission: to pass through the Guardian's portal again, find Zar, and bring him forward in time to repeat what he did once that no one else has done successfully. Mind meld with the Guardian, to find out what's wrong and set it right. Hopefully before more worlds, star systems, and lives are lost.

In Zar, A.C. Crispin has created an original character who fits into the Trek universe as if he'd always been part of it. Her Kirk, Spock, and McCoy are exactly the men we knew and loved in the original TV series; and the secondary characters, including Scotty, Uhura, and Sulu, are also spot on in their portrayals. Sarpeidon and its people have enough similarities to Earth and to humans so that identifying with them is easy, but they're also alien enough to make them believable. Reading this book is like watching a long forgotten episode.

Spock had traveled back in time in one of the classic episodes and met Zarabeth, a beautiful young woman who had been exiled to her planet's Ice Age. As a result of their romance Zar was born. Spock's discovery of his son and their meeting was the subject of YESTERDAY'S SON. As TIME FOR YESTERDAY opens Zar is preparing for battle, a battle that he knows will probably be his last. On the Enterprise other problems are appearing, problems that will ultimately lead Spock and his son to meet again at the Guardian of Forever.

This is an excellent follow-up to YESTERDAY'S SON. In many ways it is the stronger novel of the two. The relationship between Zar and Spock is handled better, the characterization of Spock is more in keeping with other works, both the classic episodes and other novels. The situations described are handled well, and are quite interesting. It would, however, be necessary to have seen the original classic episodes and read YESTERDAY'S SON in order to fully appreciate this novel.

this is another one of my fave books. Truly delves so much better in the relationship of Zar and who he is and his relationship with Spock then Yesterday's Son did. Shows really how both have grown and accepted who they are...it is a must read, especially if you are a fan of Spock

I read this Star Trek novel in response to the tremendous "hype" that I had seen regarding both this novel and its prequel "Yesterday's Son."

I have to say that both novels live up to their reputations as some of the best Star Trek fiction you'll find in print.

Both stories are well written and well structured. The author's understanding of and affection for the characters and her dedication to the subject matter permeate both texts providing the reader with a very special experience.

I saw 2 of Chekhov's plays in college and I honestly don't remember them. Glenn Close appeared in one I remember, but beyond that I was obviously distracted. Nothing could have prepared me for the perfection of these stories. I have never read a collection that had such an impact. Chekhov's clear-eyed world view peers at tiny physical details in the lives of the characters to see into their souls. They are tragic heroes in common clothes.

Chekhov looks on without judgment. His attitude is humane and liberal. No matter how foolish his subjects, his attitude is never condescending.

I hadn't realized it until I finished Pevear's forward, but Chekhov begins to slip subtly into stream of consciousness in several stories. This and many other innovations make Chekhov a pivotal figure in fiction writing. He is certainly under appreciated at present.

(I can't compare it, of course, but the P&V translation is another gift.)

Anton Chekhov is largely known for his plays (The Cherry Orchard, Uncle Vanya), but he is also widely regarded as a master of the short story. However to fully appreciate these stories the reader should be somewhat familiar with the state of fiction in Russia during the last half of the 19th century as well as social and political conditions in the country at that time. Some knowledge of Chekhov's personal history and his philosophy of life is also helpful. Lacking these insights one is likely to find these stories to be excessively negative and depressing.

One difficulty in reading this book of his best short stories is that the first few (50 pages or so) are unrelentingly depressing; death and unrequited love being the main themes and they are told in Chekhov's spare style. A Boring Story is a longer and more interesting piece. It includes some aspects of Chekhov's philosophy, and while it ends on another depressing note, there is still an element of hope present. Ward No. 6 is perhaps the best of these stories, as well as the longest. It tells of a hospital in Siberia with a ward for mental patients. The story centers around a doctor (Andrei Yefichmych), a decent and compassionate man who gradually descends to the depths of the place. Along the way he has an interesting exchange with a mental patient, Ivan Dmitrich. The doctor suggests that one can be happy anywhere, even trapped in a prison, and cites the example of the Greek philosopher Diogenes who so distained material things that he lived in a barrel. The patient disagrees strongly, shouting, "I love life, I love it passionately!" He adds, tellingly, that maybe Diogenes would not have been so happy if he had had to live in a barrel in the wintry cold of Siberia!

The other stories in the book treat of a variety of people and situations from all walks of Russian life. While despair and a sense of hopeless fatalism remains the main thrust of many of these stories, there is also an element of hope present. Chekov keeps coming back to the idea that the future will be better. Some stories, such as Anna on the Neck, even have an element of humor. The last story, The Fiancée, perhaps sums up Chekhov's view of Russian life. In this tale a young woman living in a small town becomes engaged to a local man. A guest from the city, Sasha, starts to talk with her about how empty her life will be if she marries this man. Gradually she begins to come to this realization and in the end leaves to move to St. Petersburg to have "a new, expansive, spacious life, and that life, still unclear, full of mysteries, lured and beckoned to her."

I have given Chekov a rating of 4 stars, rather than 5, because, compared to Guy de Maupassant and O. Henry, his stories do not sufficiently express the full range of human emotions. Both of the latter masters of the short story infuse their work with humor and even broad satire and this is the stuff of life as well as the dreary world that Chekov inhabits. Yet maybe Chekov is reflecting the reality of Russia in his time. In any case these stories are well worth reading.

There are no better short stories than those of Anton Chekov. He wrote characterizations that resonate across the years and across cultures. Chekov takes you deep into these people's lives and struggles so that the reader feels a very definite strong connection with these characters that populate pre-revolutionary Russia. Short on plot and yet each story is satisfying and memorable. Some , Ward 6 is an example ,are masterpieces of the short story form.

Excellent translation and stories that you can read and enjoy again and again for years. You can't go wrong here.

This is the first series of works that I have read by Chekhov. I wanted to read some of his shorter works before beginning reading his novels. Now that I realize how much I enjoy his stlye, which I think other people will like as well, I am looking forward to reading his larger works. I very much liked the insight into the Russian culture.

Chekhov simply astonishes. "The Lady with the Little Dog," one of his most famous stories, is rendered splendidly by Pevar and Volokhonsky. I don't know of any other writer who captures the confusion, fear and excitement of romantic love as well as Chekhov does here. The last line is perfect.

I'm setting up my first workshop. I bought Scott Landis' Workbench Book for guidance on building my workbench and this book for guidance on workshop tool storage. I found Landis' book extremely useful, but this one did not really have what I was looking for.

This book is called the Toolbox Book for a reason. While the subheading is "A Craftsman's Guide to Tool Chests, Cabinets, and Storage Systems," the focus of the book really is (often spectacular) handcrafted toolboxes. Only one chapter -- 14 pages -- is devoted to "Designing In-Shop Tool Storage," and much of that is about the generic design process (how to make a story stick, how to draw your design first, etc).

So if you're a novice like me looking for practical workshop tool storage ideas, I don't think this book is worth the money. I definitely didn't learn any more here than I have just browsing woodworking sites on the internet.

None of this is a knock on the book, really. It's a beautiful, well-written book that's gotten glowing reviews from other readers for a reason. But I think its audience may be more limited than the subheading, and some of the other reviews, might lead you to think.

Lots of pictures, ideas, descriptions and this book serves its purpose of giving me ideas on current and future projects.

Recommended

Tolpin is a refreshing change from the old bland how-to's that have been republished with outdated material year after year. This book is no exception. I love how the author takes you through the history and evolution of the toolbox. The color pictures are gorgeous.(Or maybe it's the toolboxes?) This is a must own for any tool lover. A great gift idea for that person you know with the messy shop!

I turn into a box-making junkie during the winter. Every time I see a chunk of wood I start resawing it in my mind thinking of neat things I could do with it. One of the side effects of this compulsion is that you accumulate a lot of odd tools that seem to meander all over the shop. Guaranteed not to be in the place they should be when you reach for them. After looking at the prices for good commercial tool chests it occurred to me that building one wouldn't be all that more expensive. Even if it took 400 hours of work rather than a quit drive to the nearest discount store.

A quick trip to the local woodworking store turned up several books on the subject, but one, Taunton's Toolbox Book, stood way out from the rest. Even though this is the one book that has not one detailed plan in it. It is, however, the most exhaustive study of toolbox making I've seen so far. Author Jim Toplin blends history and technique together to give you a real understanding of how the toolbox has developed and changed as woodworkers first came to the colonies, then adapted to the rising use of machinery, and finally then met the space age head on. It is carefully and clearly written, and a host of sketches makes up for the loss of detailed, paint-by-the-numbers plans.

In fact one of the things that Toplin makes abundantly clear is that you make a toolbox to hold YOUR tools. Too many of us buy a toolbox and then set about filling it with new widgets that we aren't even sure we will need. And this book is about assessing your needs, laying out the best way to meet those needs, and then building something that is often the showpiece of a woodworker's skills. One glance through the book and you will see many fine photographs of work that is both functional and beautiful. I wasn't kidding when I said a toobox can take 400 hours to make.

As usual, Taunton has made every effort to turn a how to book into something you would be proud to have on your coffee table. This is a very well made paperback with heavy, glossy paper, fine design and layout work, and well-written text. And a very accessible price for a massive amount of information.

I just received this book. Wow! Because of all the good reviews, I expected a good book. This is one beautiful book and is way above my expectations. I would have been satisfied if it only contained photographs and illustrations without the text, they are very clear. I have not purchased a book that has impressed me as much as this one, ever. I can only add my positive comments to the many reviewers before me. It is well worth your investment whether you just want to scan through a beautiful book or are a serious craftsman wanting to build fine furniture for your tools.

Byron Barton's Trains has become an unlikely favorite for our 2-year old. I say unlikely because it's so different from what most of his favorites (which are heavy on Sandra Boynton, Jez Alborogh, and the Spot series) are like. The art is extremely simple, using lots of bold colors, and the story doesn't rhyme or feature any noticeable repetition. It's not really even a story at all, but rather a descriptive sentence on each page highlighting the kind of train or activity shown.

I don't know whether it's the bold colors or just the subject matter (my son is absolutely fascinated by all kinds of vehicles), but this little board book went straight into his bedtime "top 5" and shows no sign of leaving! I may not get it, but I'm confident enough after seeing my son's reaction to this book to recommend Trains to the parents of any toddler interested in trains.

My son loved this book from the time he was about 15 months old. The words and the illustrations are simple and catchy. I'm not sure if this one comes in paperback but I highly suggest getting all of the Barton books in the board book style. They are sure to be read over and over!!

This story was kind of boring, not as melodic as some of the other books (Cars is our favorite) but kind of cute. Graphics are somewhat boring too (compared to the others)

My kids love this very cute little book.. They want me to read it to them over and over again. A great book for your little one. Must have!!

I was a teacher in early childhood and I love to find new books for my grandson, who is almost 3. At the early level they need simple books both in text and pictures. The Barton books have a very simple text and great pictures and my grandson loves all of them. I always let him choose what books to read and Barton is his favorite since he was 1 1/2. I would recommend all of his books for young children ages 1 to 4. We have read Trucks, Trains, Men at Work, Planes, Airport & Dinosaurs.

Tramp for the lord is an eye opener for you to look at where you are, where you have been and where you are going. A good read for those moving through life and a must read for those that want to celebrate life to it's fullest.

If you read this book you will NEVER forget it. Such wonderful testimony to the miracles that the Lord is still doing in the world. I highly recommend it. It's a real page turner.

Tramp for the Lord is ONE of the most rewarding books I have ever read in my life. Everyone should read this book. She too was a human who sinned and came short of the glory of God. Corrie shares so much of her heart and life - not only because of her experiences in prison, but in every day life as she traveled the United States and to other countries to share God's work. As she experienced real life situations with ordinary people, that grew her daily in her walk with God, because as Paul learned, God's work was not easy. It was those situations that she shared in "Tramp for the Lord" that she was also growing with each situation she faced as Paul did as he continued in his day discipling for God. Corrie's book, "Tramp for the Lord," is a must read after "the Hiding Place" and will be hard to put down.

This book is a sequel to "The Hiding Place" a biography about Corrie Ten Boom's experience during World War II, arrested and sent to a German concentration camp for hiding Jews.

Corrie surrenders to God's Will for her life to take the Gospel and her story to the entire world. Because of her humbleness, she is able to connect to people from all walks of life, from royalty to prisoners. She was especially able to connect with prisoners who were hopeless because of her own experience of being locked up.

It was easy for her to minister to the victims of WWII, but Corrie resisted going back to Germany, the land that she dreaded. But she obeys and goes to Germany where she meets one of her former prison guards, one of the cruelest, walking up to her after a meeting. A chill grips her heart and bitterness wells up when he asks for her forgiveness. Leaning on the power of the Holy Spirit, she was able to forgive her enemy and found God's love overflowing.

Each chapter is a story and devotional about a situation Corrie encounters. My favorite one is, "I'll Go Where You Want Me to Go, Dear Lord... but Not Up Ten Flights of Stairs."

An excerpt of this book might say it all (from Chapter 5)...

"A great ocean separated me from my homeland. I had no money. Nobody wanted to hear my lectures. All I had was an inner word from God that He was guiding me. Was it enough? All I could do was press on--and on--and on--for His Name's sake. Before going to sleep I opened my Bible, my constant companion. My eyes fell on a verse from the Psalms, "The Lord taketh pleasure...in those that hope in His mercy" (147:11). It was a thin web--a tiny filament--stretching from heaven to my little room on 190th Street in New York. I fell asleep holding on to it with all my strength."

Oh, what a joy to learn that God is for us and not against us! I highly recommend this book.

Un frase diaria para cada día del año.. QUE INTERESANTE !

You have to read the signaled marvelous phrase for the day... that`s all in order to live better and happier

encontré el mejor instrumento para estar contenta y de buen animo todo el dia..
Leo una frase, entra a mi cabeza y no sale hasta por la noche...

NO SIRVE SOLAMENTE PARA PASAR BIEN UN RATO... SE TE METE A LA MENTE Y PASAS EL DIA CON TODA FELICIDAD Y SIN PENSAMIENTOS NEGATIVOS,...

¿Vieran como han diminuido las fricciones entre mi esposo y yo?

so that I can read a phrase each morning...
IT MAKES YOU FEEL SOOO GOOD !
Now, I don`t fight anymore at school... Because I keep a nice modd all day long !
IT`S GOOD FOR BAD TEMPERED KIDS LIKE ME

This is a deeply personal, moving account of one man coming to terms with his wife's illness and her eventual death. His poetry is deeply affecting, beautiful, and poignant. I highly recommend this for anyone.

This book is considered to be one of the greatest poetic accomplishments in American history. Read it with a box of tissues.

I heard Donald Hall read passages of Whitman's Leaves of Grass at the 2005 National Book Festival on the Mall in DC. I knew nothing of him, his work, or his love of Jane Kenyon. I did know his voice rang true to the soul I possess. I can still here his voice over the sound of helicopter blades that plagued the readings in each tent. Compelled to read his work I finally gave into the need to buy one of his works and so I bought three.

"Without" is a journey of loss. Each poem is a step during the journey of Jane Kenyon's illness, passing, and Donald Hall's experience of loss. His pain, confusion, and helplessness are mirrored in every line and in every word with in the pages of "Without".

By the time I got to page nine I was crying, not for Jane Kenyon but for Donald Hall. The book doesn't show case only loss but devotion. The memories he shares of Jane are clouded with the simple things that brought him contentment and careless pleasure. How often do you see the simple things in your life and overlook the pleasure that exists in the act of observation? Donald Hall looks back on the pleasure of contentment watching his wife taste the sauce that will be served with dinner and the act of bringing in groceries. He tells us of the ravishing beauty she grew into in her 40's. Donald Hall reminds us of hope with in the pages of "Without".

girldiver:)

I wanted to read this collection of poems because I was so moved by Mr. Hall's memoir of his life with Jane Kenyon, The Best Day The Worst Day. The poems here are inspired by the same sequence of events; that is, Ms. Kenyon's death from leukemia. This unity of purpose alone, so rare in poetry collections, gives the book incredible power. Of course, this unity is not enough. Fortunately, despite the sad theme, there are a number of wonderful poems here.

I found the poems in the first half of the book--those leading up to Ms. Kenyon's death--the best. "Song for Lucy," "The Porcelain Couple," "The Ship Pounding," and, especially, "A Beard for Blue Pantry" and "Blues for Polly" very moving, filled with great images like "Jane made bread so honest/it once went blue in the pantry//overnight in a heat wave" (Pantry) and "She sang blue: soulful, erotic,/skeptical, knowing everything/turns out bad in the end." Not surprisingly, blue is a linking color here.

Mr. Hall also intersperses a poem, "Her Long Illness," throughout the first half of the book. It's a risky strategy but it works well. Some of the best lines in the book come in this poem.

I didn't feel the second half of the book, which focuses more on Mr. Hall's loneliness, stood up as well as the first. The title poem, the first of the aftermath poems, is the weakest in the book. There are some passages in the various "Letters" poems that make up most of the second half that are very nice (my favorite, from "Letter in the New Year": "If someone had told us then/you would die in nineteen years,/would it have sounded/like almost enough time?") but, for the most part, they are very uneven. I was also put off by some of the semi-profane and sexual language in some of these poems. Not that these experiences aren't appropriate but they didn't ring true with the rest of the work.

It may be that the first half has the advantage of the tension of Ms. Kenyon's illness which dissolves into a less satisfying depression and loneliness in the second half. Perhaps my knowledge of the memoir interfered somewhat with my reading of some of the poems. Still, as a whole, this is definitely an excellent collection.

In his book of poems "Without", Donald Hall weaves a lexicographic tribute to his late wife, and fellow poet, Jane Kenyon, and in turn, leaves the world a legacy of grief and honor.

I first heard of this book by listening to NPR's "This American Life" on a featured story about the couple. Donald himself read some of these poems, and I knew within a minute, I had to have this work.

As poets so meekly and admirably do, Donald Hall captures the moments of his wife's last days through her battle with leukemia. The poems are simple, attainable, and direct. He minces no words as he describes Jane's downfall. He poetry is both pure and chilling; you feel her loss, you feel her impact, you feel.

If you are considering purchasing this book, I may recommend you purchasing Jane Kenyon's final book of poetry called "Otherwise". In a sense, they are companion pieces to each other, and in reading both you hear her voice, along with his, to make it theirs.

I highly recommend this book if you have ever lost someone, or want to understand the not understandable impact of losing someone.

If you have not read Dr. Karl's book you are missing this summer's #1 read. His insightful, thought provoking writing style takes you inside the operating room and so much more. I was deeply moved by his experiences and his notable style of writing about them.

naturally i give this 5 stars becaue the author is my uncle but it is truely a GREAT book a must read

I was a patient of Dr. Karl's back in April 2002. I was in my mid 30's and of course scared to death of surgery. Dr. Karl was the 4th surgeon that I had consulted. Once I met him, I knew he was the surgeon for me. His understanding of what I was going through, his grace, his medical experience. I could go on and on.

When I heard he had written a book, I had to read it. As a patient of Dr. Karl's, when I was reading his book, I felt he was writing from his heart. There was no fluff in this book. Dr. Karl is a wonderful man, surgeon, person and spirit. I am sure Dr. Karl has touch so many people's lives. This book is a must read for patients and surgeons!
Tammy (Brock) Cartiglia

I was totally engrossed with this book. I have read several books recounting the life of Doctors in training and although I also found those fascinating, this one was great because it came from a different perspective.
I would sure feel much better facing a major medical need in my life with a sugeon who's understanding of the human condition is as keen as Dr. Karl's. Thanks for sharing you journey in medicine with us Dr. Karl.

A wonderful collection of stories about surgical life and how being a patient has made this surgeon a better health care provider. Karl does a terrific job of relating the hopes and fears that a surgeon has when performing his duties. The frailties and strengths of both patients and surgeons. Things that have gone right and things that haven't. The author has an obvious passion about his work and just as obvious compassion for his patients. Karl's unique writing style and skill really take the reader there. His descriptions of the feelings, moods and events are right on the mark.