Publishers Books

Calling Kahlil Gibran a poet is an understatement and this short story proves it. It is a simple story but one that will break your heart. Still, you will be glad you read it...(experienced it rather)! It will take you to another world, another era, stimulate your mind and touch your heart.

This is the third book I read by Gibran. I started with "The Prophet" and "Voice of the Master". "Broken Wings" is the first novel I read by this author. It is a love story between two young people at the tender age of 18 that meet and establish spiritual connection between each other immediately. The girl, Selma is raised by her wealthy widower father, who in spite of his wealth seems to be ignorant of the way the world works. The young man, our narrator, is somewhat of a dreamer and idealist who believes that patience and perseverance will grant him the hand of the woman he loves (Selma). But world, being the cruel place that it is has different plans. Everyone pure and true ends up being hurt in the process, only the cruel and greedy get to go on with their lives as if nothing happened. Beautiful story beautifully told and wise as only Gibran can make it so.

"Every beauty and greatness in this world is created by a single thought or emotion inside a man. Every thing we see today, made by past generation, was, before its appearance, a thought in the mind of a man or an impulse in the heart of a woman. The revolutions that shed so much blood and turned men's minds toward liberty were the idea of one man who lived in the midst of thousands of men. The devastating wars which destroyed empires were a thought that existed in the mind of an individual. The supreme teachings that changed the course of humanity were the ideas of a man whose genius separated him from his environment. A single thought build the Pyramids, founded the glory of Islam, and caused the burning of the library at Alexandria.

One thought will come to you at night which will elevate you to glory or lead you to asylum. One look from a woman's eye makes you the happiest man in the world. One word from a man's lips will make you rich or poor."

--Khalil Gibran, Broken Wings

We have all the tools to keep us connected that our forefathers never could have dreamed of. Cars and airplanes allow regular visitations between friends thousands of miles apart. The telephone and the internet allow direct connection with those not in our presence, the cell phone extends this connection to all times and virtually all places. Yet, do we take the time see what we do to those who really are around us, when we leave the guest in our living room to check and see who is signed on to our buddy list on our computer? Do we see our friends' hopes and dreams, joys and sorrows, when we ignore them across the booth in the restaurant to answer our cell phones?

Every action I perform has an effect on someone else. Many people that we meet, we only see that one time. I wonder what their impression of me is. I wonder if I have uplifted them, or hurt them, or barely made an imprint at all. I wonder if they ever look beyond how I have changed them to see me, to see beyond the generally relaxed, goofy, at ease outlook I put on the situation to see how I really am feeling at the time.

Our feelings, our outlook on life, our hopes and expectations can change in an instant. When that person you are thinking about calls or emails, elation ensues. When you don't hear back for awhile, doubt and yearning go through you mind. Yet, it could just be random, the person deciding to send a message just to say hi, like I often do to my friends.

Okay, I am rambling again. That passage above by Khalil Gibran comes from his short book Broken Wings, written from a first person perspective about a man's first love, Selma, who was betrothed to another. This passage was from one of the middle chapters. It caught my eye, and I am still trying to make sense of it, what it is really saying. Any thoughts? Feel free to share. You can post comments on my blog anonymously.

Kahlil Gibran once again tells a beautiful love story. I fell in love with this novel, and would recommend it to anyone who loves to read a beautiful, and realistic love story. It made me cry!

Khalil Gibran's fiery book on first love and its undying potency. A must have read for fans of the Prophet. A fictional tale that captures the essence of love awakening energy in the context of culture, social rules, and family ambition. A juxtaposition on the distinction between a love marriage and a marriage as a merger and acquisiton.

First of all, the title of the audio book "Canoeing With The Cree" is misleading. This work is not about Cree Indian canoeing style. Nor is it about a trip taken with Cree Indians. It is about two boys, Eric Sevareid (later a famous journalist and TV reporter) and Walter Port aged 17 and 19 respectively, who take the trip of a lifetime canoeing some 2200 miles from Minneapolis to Hudson Bay over the course of one summer. Although they do occasionally paddle with or get assistance from both Indians and whites alike, they are pretty much on their own in the world of 1930- No GPS, no satellite phones and a route with long undeveloped stretches between towns and eventually trading posts. The route was incompletely mapped, and nobody could find record of this route having been used before. A better title might be "A Summer Canoe Adventure; Triumph Over Adversity" or just "From Minneapolis to Hudson Bay By Canoe".

Eric and Walter managed to obtain sponsorship from a local newspaper before they asked their parents for permission to take the trip. The parents reluctantly agreed... The boys quickly obtained a used canoe and christened it "Sans Souci". They packed a non-useful pup tent, mosquito netting, a .22 rifle, fishing gear, food, $5 and some traveler's checks and they were off!

From the beginning, they were doubted by nay-sayers who didn't believe they could do it. Even well into the trip, their final destination raised eyebrows. Indeed, it was a daunting task, and many miles had to be covered before the early winter freeze-up in the north country. In addition to pressure to beat the weather, Walter found out he was offered a college scholarship that would only be valid if he showed up at school in late September. The boys risked their futures and their lives by undertaking this trip.
Along the way they encounter blistering heat, and freezing cold, illness, injuries, doldrums and windy weather, flat water, rapids, and wind-blown whitecaps. At one point, they cheat a little and ride aboard a ship when they were wind-bound on Lake Winnipeg, but the majority of the trip was just the two boys paddling through wilderness, even many miles going upstream! There were many miles of portaging their boat and gear between waterways, only occasionally aided by a friendly passerby. Most meals they cooked themselves- Even a dinner of (ugh) carp! You can almost feel their struggle as the cover mile after mile, hour after hour racing towards the saltwater of Hudson Bay.

Their struggles were not always against the elements. Sometimes they got bad directions, including instructions to run the rapids on the right side of the river, when the safer course was belatedly found to be the left side. They made it through, but it was pointed out that the local Indians sometimes didn't... Another struggle they faced was a result of stress due to the elements arduous journey, when they briefly came to blows. Fortunately, they got past their fight and continued on their journey and remained lifelong friends.

This audio-book is highly recommended, and is worthy of repeated listenings.

The late CBS News Correspondent Eric Sevareid's highly regarded adventure chronicle Canoeing With The Cree has been given new life in an enjoyable audiobook production released by Holton House Audio. The story, as written by the late Mr. Sevareid, is one of an epic journey through the Canadian wilderness during the summer and fall of 1930. Sevareid and his friend Walter Port, both just teenagers, set out from Minneapolis, Minnesota, in an attempt to do what no one else had ever done before: canoe over 2,200 miles north to the Atlantic Ocean.

Holton House Audio chose Mr. John Farrell to record Sevareid's epic tale, and it has chosen well. Mr. Farrell's pleasant baritone displays a wide range of emotion that consistently matches both the intensity and innocence of Mr. Sevareid's story, and Farrell's reading style adds what almost seems like visual and sensory components to the recording. At times, as I listened, I could see and sense the stillness of the Canadian wilderness that Mr. Sevareid experienced, while at other times, the tone in Farrell's voice led me to imagine the deafening roar of crashing rapids. I could sense the perils that Sevareid and his friend faced on many occasions. Also, Mr. Farrell's ability to give characters in the story their own unique voices added yet another enjoyable aspect to this quality recording.

I found it refreshing that Canoeing With The Cree was exciting, and yet profanity-free. The recording would be a great addition to any public library's audio collection, and it would also be appropriate for use in High School English classrooms. I intend to start using it in my own Alternative Education High School class this fall, and will make this wholesome and engaging story a regular part of my curriculum for many years to come.

Eric Sevareid's Canoeing With The Cree is a great story, and it's been well told by Mr. John Farrell. I highly recommend this new Holton House Audio recording.

This story is about two high school boys who decided to take a canoe trip during the summer of 1930. Not only is it an adventurous tale but it is a lesson about survival and the determination to accomplish a goal. It is well written and very descriptive making the journey very realistic. This is a must read especially for teenagers who love the sport of canoeing.

2250 miles in a canoe - a great adventure and a book worth reading. I can't add much that isn't already perfectly described in this book.

At the start of the trip during a brief stay in Fargo, North Dakota, a friend and doctor named Frederick Gronvold sets the boys on their journey in a proper frame of mind. "Don't let anyone, no matter who he is, convince you that your trip can't be completed. You have youth and strength, and courage too, I hope, and with a little common sense you can do it."

When the journey finally ends and the boys share their tale with the adults at York Factory, they are asked why? Bud responds simply, "Oh, for pleasure, I guess." A journey simply for the sake of the adventure. It is an idea lost on some of the adults listening to the boys. "Pleasure! What a jolly funny kind of pleasure!" Better yet, maybe the idea isn't lost. Colonel Reid continues, "Oh well, that's youth. Things look different when you're young, I suppose. My word, I almost believe I envy you."

Enjoy the beginning and the end; enjoy the pineapples and everything in between. Enjoy the journey simply for the journey; it's an adventure that is perfect for any reader of any age!

"Eric Sevareid made his name as a CBS news correspondent. But at a young age, Sevareid experienced an adventure most only dream of. Sevareid detailed the journey in his book "Canoeing with the Cree". Now to mark the 75th anniversary of Sevareid's journey, two Minnesota men plan to make the same trip." Tim Post

In 1930 two young men paddled their way from Minneapolis to Hudson Bay in Canada. A trip of 2200 miles. Everyone told them it could not be done. Eric Sevareid, then a 17 year old, fresh graduate of high school, and his best buddy, Walter Port, planned the entire trip. They garnered financial support, collected supplies and a canoe and paddles and off they went. Five months later after trials and tribulations, they made it to Hudson Bay. Their journey is documented by Eric Sevareid, who gathered the weekly diaries he sent to their local Minneapolis paper, and in 1935, he wrote this book.

I stepped back in time to the 1930's when life seemed to be more innocent and the world a safer place to be. Sevareid who went on to become one of the most revered journalists of our time, wrote in an unpretentious manner, and we can feel the excitement of their adventures. They traversed unknown land and water. No one, it seems, had ever accomplished this trek. Even the best canoeists in the country failed. How then, did these two young lads accomplish this journey? Intelligence and good luck, I'd say. They questioned everyone they met, took upon themselves to digest all of the information and made decisions based on their best judgement. And, most of the time they were correct. They had no radio, no maps( this was uncharted country), little preserved food except for hardtack, but they had their ingenuity and the assistance of all of the people they met.

The North Country was mostly woods. Camps, small towns and two larger towns had been established for hunting and trapping. Most of the humans they met were Indians who were kind and generous. As a matter of fact, most of the people they met were in awe of their journey and shared whatever food, equipment and conversation they were capable. The trip was amazing when we look at the obstacles they faced. Water, roaring cold water, sometimes rapids, sometimes falls, no maps, only the word of mouth of strangers, and cold brutal weather at times. Or hot humid weather with flies and gnats. They discovered all sorts of wild animals but were never in real danger. They had their tent, two paddles, food, water, ponchos and several blankets. This seems like a story of new adventurers discovering a new world, and in fact this is what they were. Two 17 year old lads set out on an adventure and one day after another they found one. Extraordinary when you think about it.

Since the time of Eric and Walter, several other duos have made the trip by canoe. However, they had maps, food that could be kept for months and the best of camping equipment. This is not to lessen these young men's courage, but to think 78 years ago, this was accomplished with such primitive arrangments and care.

This was an exciting read and one page after another flew by. The book was difficult to put down. Easy, simplistic writing. but some of the most important writing I have found. The boys parents and friends did not hear from them often and at times, I am sure the parents were worried. But the two lads persevered and the trip was taken.

Highly Recommended. prisrob 06-26-08

Not So Wild a Dream

The Eleanor Roosevelt Story

If you quickly glance through it, it might not seem like a great book. But it's really good, it just uses simple drawings to show idea's. If you want to start a comic strip artist this is a must to add to your collection. If you want to pretty pictures by a comic book, this is to learn to create them.

Before I finished my third book I decided it needed cartoons to visually explain some ideas (a picture is worth 1000 words) and provide humor to a tough subject. I started checking with hiring a professional artist (or student artist) to do the work. It quickly became clear the task would be time consuming, expensive and I may not get what I wanted in the end.

First, it would be difficult to find someone who would be able to take what was in my mind and transfer it to a cartoon

Second, it became painfully clear it would be expensive (even with a student artist). I wanted around twenty five cartoons drawn.

Third, some individuals wanted to discuss contracts and usage.

My best option was to learn how to draw cartoons myself. I figured it would be less expensive (only the cost of books and art supplies), and frustrating and I would get exactly what was in my brain. It would take some time to become proficient, but it sounded like a fun project. I was fortunately right.

The Cartoonist's Workbook by and a couple other books helped me learn how to draw cartoons good enough to put in my latest book.

Robin Hall's common sense approach to teaching drawing made the challenge fun. There were also a tremendous number of different sketches in the book that helped jump start ideas for potential cartoons.

Robin Hall provides many excellent sections that helps teach drawing techniques. Some the sections that I found especially helpful were: The Expressions section, The Useful Outdoor References and The Gag Situations.

After finishing my sketches, I used Adobe Elements software to polish up the work. I was very pleased with the final cartoons that went into my book...and there have been many positive comments about the cartoons from people who have the book.

Overall, this is a great resource for learning to draw cartoons!

The Re-Discovery of Common Sense: A Guide to: The Lost Art of Critical Thinking

Drawing on the Funny Side of the Brain : How to Come Up With Jokes for Cartoons and Comic Strips

Everything You Ever Wanted to Know about Cartooning but Were Afraid to Draw (Christopher Hart Titles)

This book is very helpful. I've had some experience before with attempting cartooning and I've been drawing seriously for years. However, this book teaches a different method for cartooning and drawing that is different than what I've been using before and reading it inspires me again to do more cartooning.

The way he writes is just encouraging, friendly and it is quick to get to the point. He accompanies his writing with illustrations that look comfortable and accomplished. The author is obviously a capable cartoonist and it allows you to feel like you are being taught well. He assumes you know nothing and I'm certain that his methods would seem comfortable to even the most inexperienced artists.

The gag writing section of the book is interesting too but it isn't as good as the rest of his book. This is understandable given the nature of writing humor. Even though it doesn't do as well as the drawing sections, it still is the best guide to writing humor I've ever seen. Like the rest of the book, it inspires me to write humor of my own. It's shortcoming though is that unlike the cartooning section, the examples don't seem accomplished. Though the methods he teaches seem promising with practice, his own stuff is not very funny.

Regardless of the flaws in the humor-writing sections, the whole of the book is just so inviting that it makes the book a great purchase. It's a useful and fun book and I'd have gladly paid twice what I did for it.

the cartoonist's workbook is a great book that just about goes over every thing needed to make a cartoon. of course since the book is only around a 100 pages it doesnt go into great detail on every issue. its a great recourse as it has around 20 pages of just gag ideas, useful poses etc...

Anyways the book teaches you a very 90's looking type of cartoon which i happen to like. I would recommend this book for anyone trying to draw some cartoons. This book assumes you know almost nothing and cant draw so its for absolute begginers. i highly recommend this book.

I've worked with fine art for years, and I was looking for a way to loosen up a little, do some simple sketching. Among art books there isn't much to choose from if you want to draw loose! I came across this book at a bookstore and I just liked the drawing style. I brought it home and within hours the looser style I wanted to achieve had emerged. If it's helped me this much, I can imagine what it would do for someone who actually wants to draw cartoons! It's a great reference for the simple basics of drawing everything from people to common objects. A great book!!!!

a most wonderful and pleasant reading throughout...i borrowed the book from the library first and while reading it decided that i have to have a copy near me so that i can pick it up any time i want. the only slight is that the dust jecket has a different photo of the author, the one on the older edition is much better. a great book.

This book has it all. If you are an Oscar fan, than it is a must for your collection.

I'm very pleased with the book. All of Wilde's wit is right there at my fingertips. It's a handsome book, too. Thank you.

This particular compilation is not only complete, but is a well printed, well packaged addition to the books you would want in your top 10!

Though the print is small for those of us over 40, it's worth it - if not, it would weigh about 10 pounds! As it is, it's a tome, but worth reading, and re-reading time and again. It has everything - everything! - that you'll ever hear mentioned - his stories, his novels, his essay's.
It would make a great gift for a young writer, as well.

I wish I would have bought this book earlier in my medical school career. Not only would it have helped for all the physiology sequences (cardiac, renal, etc) but it would have been helpful for histology, neuro,and endocrinology. The pictures are great and the explanations are uncomplicated. If you are a visual learner then I highly recommend this book. I am an endocrinology TA and have found it as a wonderful resource. I have the color atlas of immunology and have ordered the pathophysiology and pharmacolgy books by thieme as well.

The same as I mentioned about the Color Atlas of Pharmacology, it's the best way to review Physiological functions in just one scheme for each topic. Totally recommended.

A very complete guide to physiology which can be used by researchers, graduate students and MD students alike with incredible detail included that may be beyond what is needed even. That makes it a great reference.

Its unbelievable that its in pocket handbook format.

My top rated physiology books would be:

Color atlas (this guide)
Applied Surgical Physiology Vivas (+ Critical Care Edition) (Kanani)
Berne and Levy

In that order exactly.

Back to the book:

Invaluable and truly an amazing, complete and extremely detailed carry-around reference.

What makes this book a state-of-the-art is not its content, but the manner in which it's presented. Each subject only occupies one page of text, & opposite is a page for illustrations. But it's not the illustrations that explains the text, but rather the text that explains the illustrations (a method created by Leonardo da Vinci). This not only helps in recalling of the subject, but also helps in sustaining an interest in it. An ingenious beautiful book.

This and it's companion book on Pathophysiology are the best investments I have made since entering medical school. The illustrations are great (and the diagrams set a standard that neither Guyton or Boron and Boulep can match) , but it's Silbernagl's presentation that makes them so amazing. I'm constantly finding new layers of information that I missed even after 4 or 5 passes. Buy Boron for this year's theories and break throughs, but this is the book you will be returning to.

Love this Novel series! I purchased this set for my mother's birthday, she is an avid reader and expects high quality writing. She loved them; her friends loved them and so do I! Full of historical informations, but not to the detriment of a great story!

The whole Russians series is well worth getting. They are slow at times, but they always pick up in the end. There's a lot of groundwork that needs to be laid b/f the politics and intrigue can make sense.
The characters are interesting though. Phillips and Pella do fairly well writing duo.

I loved this book so much! After reading Pella's Daughters of Fortune series, I went looking for other books she had written and came upon The Russians. The first book is excellent. I felt every emotion I can think of. I was happy, sad, frightened, angry, and moved! Anna was a shy country girl with a quiet strength that helped her move her way up from kitchen girl to the personal maid of a princess in a matter of months. Anna and Princess Katrina teach each other many things as Russia is on the brink of war. I don't want to spoil the rest of the book so I'll stop here! I would recommend this book to anyone who is a fan of historical fiction or Judith Pella!

I read this whole series a couple of years ago and after reading many, many books since, I still hold that this is my favorite book. The whole series is great. I knew nothing of Russian history before reading this series, so I learned quite a bit! Though the book is full of historical facts, it is written in a way that doesn't make you feel like you are reading a history book. The story is strong. After this series, Pella picks up on the characters again several years later in her "Daughters of Fortune" series. (Another great series!)

The first of the seven books enticed me, as did the 2, 3, and 4. But as the origanal characters began to die off, so did my interest in the series.

Thank you for this miracle of a book. This is a beautiful and honest story about a very special family. The author has done a huge service for the autism community with this exquisitely written work.

This was one of the first books I read after discovering my son had Asperger's. Valerie Paradiz's insight, vulnerability, and unswerving truth have helped me every day in dealing with my children... The joys and miracles, and the difficult, difficult challenges. I truly love this book and recommend it for a strong understanding of the human side of asperger's an the challenges a family faces.

Valerie and Ben are devastated when their then 2-year-old son was diagnosed with autism in addition to epilepsy. Ben has trouble accepting the diagnosis and in time the marriage dissolved.

Instead of condemning Elijah to a life of labels and misperceptions about autism, Valerie Paradiz educated her small upstate New York community as well as the world at large in this book about her personal experiences with autism. Her son and father are both on the spectrum and this book is one of many that points out the genetic basis autism has.

Elijah was enrolled in special programs from the age of three and his greatest progress is made at home and with a friend he and Valerie meet. Sharron, an independent artist is herself struggling with Asperger's, the spectrum partner to autism. She recognizes in Elijah similar traits and experiences she contends with and finally receives a diagnosis. She bonded immediately with the boy and was his regular sitter for some years.

I like the way Valerie worked with Elijah; I like the way she taught him more appropriate ways of responding to peers, such as Trevor in the chess club. Trevor came away with empowered with knowledge and a chance to be more accepting of someone he sees as being "different" and Elijah understands what he can do to regulate his behaviors and move more comfortably in social circles.

I like the conversations mother and son had; I also like the outdoor programs for people on the autism/Asperger's (a/A) spectrum that are described in the book. Best of all, having autism is CELEBRATED!

I've banged on the different drum for a long time about how being on the a/A spectrum is something to celebrate. People on the spectrum have novel perceptions and unique insights that many neurotypical (NT) counterparts do not. One misperception is that people with autism all think in pictures, which simply is not true. Ben Levinson, co-author of "Finding Ben" and Sean Barron, co-author of "There's a Boy In Here" are not picture thinkers and neither are many other people on the a/A spectrum.

Meltdowns due to sensory overload are not uncommon among the spectrum. Sadly, the NT world often looks askance at those on the a/A spectrum simply from a lack of understanding of what people with autism contend with on a routine basis. Elijah, for example would vomit during thunderstorms as the noise upset him. I like the way another reviewer said in re a/A, "Vive la difference!" Wave that banner of interlocking puzzle pieces proudly - autism is NOT something to be ashamed of having!

Two songs seem to underscore this book so perfectly - Herman Kelly & Life's "Let's Dance to the Drummer's Beat" and Linda Ronstadt & the Stone Poneys 1968 song, "(Beat of a) Different Drum." With more drums beating, you get quite a tune! With more drums being beaten, you have different drummers!

People on the a/A spectrum enrich the world tremendously. The contributions are NOT limited to Temple Grandin, Andy Warhol and Einstein and other public figures. People with autism also provide ample opportunity to learn acceptance and realize the world is for everybody and not just the NT population. All too often, people on the a/A spectrum are expected to make all the concessions, especially social concessions to the NT world and try to keep track of the Tacit Social Codes & Rules, which always seem to change at the whims of the NT world.

Now let's all march to our different drummers.

Elijah's Cup is not ony a superb read that I would recommend to all teachers of children but also an adventurous journey into what it is to be autistic as well as to have aspergers syndrome. Paradiz writes beautifully, bringing her story to life in graphic detail while informing her reader in a broad and comprehensive manner concerning both Autism and Aspergers. She has a comprehensive index, bibliography, and reference section that will be of help to many. Tasha Halpert

This is an extraordinary, rare and unique book about an autistic child. The thing that makes it this way, is his mother's pure and loving acceptance of him, just the way he is. His mother's creative solutions to make living with him the best it can be. Everyone having anything to do with an autistic child, should read it, if only for the different point of view. The view that every child has value, and there is something to be said for treasuring him just for who he is.

Elijah is a fascinating child. He has been able to absorb much comprehension about the world, and his own disability, and how to cope, through his endless questioning of his mother, and her amazingly patient, honest, and encouraging replies. He will be an adult with a tremendous advantage over other children like him, for having had Valerie Paradiz for a mother.

This is the story of an unpretentious, self effacing, little newspaper man, who once described himself as a "slightly used second hand man;" a man who through dedication, common sense, and a love for his fellow man and "the God-damned infantry," as they liked to call themselves, went on to become the pre-eminent war correspondent of World War II and likely of any other war -- past, present, or future. But, Ernie Pyle was much more than that. As the war wore on, Ernie, through his thoughtful and heart-felt reports from the European war zone became America's "everyman," a little fellow, who could be your next door neighbor, caught up in the events of war. Many of his readers came to see him more as a friend than as a reporter and, as America's situation improved, became more concerned about Ernie than they were about how the war itself was going.

Once known for his somewhat mundane traveling adventures, a column which he wrote for seven years prior to the war for the Scripps-Howard Newspaper chain, Pyle's reports from North Africa, Sicily, Italy, and eventually broader Europe took on a life of their own. His column spread to other papers and to a much broader readership. But this new found fame, and the prospect of fortune, never went to Ernie's head. He said that he was too old, he was in his forties, had been a reporter too long, twenty years, and had seen too much of the war to be impressed with such things. It seemed funny to him that he should be considering a deal worth $150,000 while soldiers were dying all around him on the battlefields of Europe for only $50 a month. Ernie didn't expect to live to see war's end anyway.

There was only one Ernie Pyle and it is unlikely that there will ever be another, for in his writings he caught the essence of the young men who were fighting and dying in war. His readers got to see what they saw, feel what they felt, and know what they hoped and dreamed of. And it was through his reports that the American people caught a glimpse of World War II and what their sons were going through.

This is a remarkably good book about a remarkable man; well researched and well told. In it, you will get meet the real Ernie Pyle and read some of the writings which won him praise and eventually the Pulitzer Prize. Among them are four of his finest: A Forward Airdrome in French North Africa (pg. 71); In the shadow of the low stone wall (pg. 133); Now to the infantry (pg. 262); and A Pure Miracle (pg. 271).

This is a fascinating book, and this from a reader more into fiction than historical biography - but the best fiction writer would be hard pressed to come up with a character like Ernie Pyle.

A page turning look into World War II from someone who could have been your neighbor but was far more than what you would have expected.

I have no idea why a modern rendition of this story has not hit the big screen - it seems a natural, captivating story that would educate as well as entertain.

this must be THE book to read on war - what it's really like in all of its aspects - his description of the beach, after D-Day was gripping and haunting and it has stayed with me many years later -

and how he relates the everyday and ordinary in war -

and how, in any group or organization, it's often a small percentage of the people who are carrying the load - that's just one example of the many insights and truths in this book that relate to all of life, not just life in a war zone -

and it is a great book for anyone to read - a stunning life achievement for ernie pyle -

James Toban has written a stunning book in "Ernie Pyle's War: America's Eyewitness to World War II". Toban has succeeded in giving readers the rare opportunity to see the human frailties concealed within one of America's greatest and most valuable World War II correspondents.

James Toban present a picture of the complex Ernie Pyle; a man that entered the World War II carrying only a broken Remington typewriter and a deep desire to describe the life and hardships of the horrific world of the infantrymen to the American public. The reader will learn of the contradictory Ernie Pyle. The Ernie Pyle who despised war, but who could not stay away from the physical and emotional anguish of battle. The Ernie Pyle who loved his wife, but who continually left her behind to travel to the front lines. Ernie Pyle, the seemingly frail and terrified journalist who demonstrated his bravery by traveling to the front lines to be with and write about "his boys". Ernie Pyle, a genius for writing about the common soldier, but who needed constant reminding that he was the best at what he did. His articles became legendary and the hope and news link for Americans with loved ones in the front lines.

James Toban's "Ernie Pyle's War: America's Eyewitness to World War II " is a must read for World War II readers and all readers who wish to know about the human spirit and about a plain old fashion brave American.

"Ernie Pyle's War" by James Tobin was a thorough read. Tobin described Pyle down to the very last detail, uncovering almost every aspect of his life. After reading this book, the reader had a clear view into Pyle's mind and was able to recognize the feelings he possessed about his professional and private life. The way Tobin intertwined Pyle's messages home with biographical details along with interviews of acquaintances, made this story an easy read. "Ernie Pyle's War" earned five "stars."
Tobin's style of writing was one reason this book was so effective. He used partial quotes from Pyle to title his chapters, which brought an immediate sense of intimacy to the story. Tobin began the book with a chronological introduction to Pyle. This style of writing, although typical for biographies, was well suited for this story and not at all cliché. Readers were able to become acquainted with Pyle as a young man and then mature along with him as he grew into an established adult. By describing Pyle as a young man, readers were able to understand more clearly why he was the way he was as an adult.
Tobin used vivid descriptions to paint a picture of Pyle in the minds of the readers. This was an important aspect because Pyle's physical demeanor was one of the main problems and/or benefits in his life. As a child and young adult, his size hindered his relationships. But, as a war correspondent, the people saw Pyle as more of a hometown boy rather than a studious journalist. This added to his success as a war correspondent.
After transitioning into Pyle's career as a war correspondent, the story line became more tedious. Pyle was in and out of combat and the surface facts of his life were boring. Tobin, understanding the paleness of biographical data, used Pyle's messages home to spice up the story. Like most people, Pyle's life was not what it seemed to be. Besides leading a "glorified" life as a war correspondent, he had major problems at home. Tobin showed the audience this by weaving together Pyle's biographical information with the messages he sent home. This gave the reader a sense of what Pyle was actually feeling. Using these messages instead of his columns allowed reader's to see the "real" Pyle.
Tobin uncovered personal feelings about his professional and personal life, which gave the reader a feeling of empathy toward Pyle. Showing that he did not feel like an outstanding reporter, let readers see Pyle was human. Tobin successfully showed the man behind the pen by opening up Pyle's mind to the audience. He did this by using Pyle's own letters and messages home that contained intimate details of his life. Without the added touch of Pyle's actual writing, the story would have failed to be as successful.

I purchased this book after reading the first novel by Ryan Phillips, Saving Grace. Then I purchased the next book. I have all three and I have never been disappointed with her work. If you are in want of a good book, then read this but be prepared not to get anything done because you won't be able to put it down. One of my co-worker/friend was on our way to a meeting in which we had to travel three hours. I decided to bring along my book because I knew this would be the opportune time to read. Needless to say, I didn't talk much to my co-worker and really didn't want her talking much to me because I was so intensely into the book. I recommend reading the preceding one before reading this one. By then, you will swear you know each and every character. Can't wait until Ryan comes out with more of her great work.

After reading Ryan Phillips' first book, "Saving Grace", I became an instant fan of her work. I just finished "Fall from Grace" and I am equally, if not more, pleased with this book as with "Saving Grace"!

Ryan Phillips is truly a great author, I would highly recommend this book! GREAT READ!! Can't wait for the next one!

I really hope she continues Grace's story. Saving Grace was GREAT and Fall from Grace was a great follow-up. I'm still amazed at how young Ryan Phillips is you can tell that her writing is a God-given gift.

Saving Grace was an excellent read and so is this sequel Fall From Grace.

Grace and Trina have been best friends forever. Their relationship though causes alot of conflicts between them. At a point in their lives they lose themselves and Christ and must find a way back.

This book is filled with everyday issues, with twists and turns.

Fall From Grace was so good that it would literally take me all day to describe everything I loved about it. It was witty, mesmerizing, challenging, beautiful. To have a front row seat into the hearts and minds, successes and failures of fellow christians was far more than an entertaining read. The characters are so rich it made me think how can one person (the author, Ms. Phillips) be able to so keenly describe, speak and think for such a variety of individuals less she be utterly ingenious. WOW WOW and WOW pretty much describes how I feel and what I think. Beautiful. Creative. Unpredictable. Congratulations Ryan Phillips, I have a new favorite book. I never imagined that the sequel could be any better than Saving Grace (which was phenomenal). Fall From Grace was better than any movie or book I've ever seen or read thus far and I am so excited for the next Masterpiece. I am so thankful for the wonderful blessing this story was to me.

P.S. Between you and me...my eyes were a little watery...and I never cry over fiction! :)

For me this was an amazing discovery. I read a review of it in a literary magazine in the waiting room of my optician and when I got home I immediately ordered it from Amazon.
What caught my eye in the review were the names of the inhabitants of the February House - Auden, Britten,McCullers... in that amazing year. I knew of their work individually but to read of them living under the same roof was a revelation.What a cauldron of creativity! All against the background of the war in Europe and the period leading up to Pearl Harbour.As I read the book I felt as though I were there. I hope that someone will make a documentary about it or better still a dramatised reconstruction. The two Truman Capote films have blazed the trail.

A friend just recommended this book to me and it's fabulous!!! I live in an artist bldg and it's nothing compared to the energy of Middagh Street. The book is a great read and the research is most impressive. I cannot wait to read the one she's writing about the Chelsea Hotel!

Thomas Wolf once famously said "only the dead know Brooklyn." There might be some truth in that, but some of us know Brooklyn, N.Y.,U.S.A., pretty well,and are still very much alive. Quite a few people are aware of Brooklyn's brownstone belt, that swath of historic houses stretching from the East River to Prospect Park and beyond. Many of these people would declare Brooklyn Heights the ultimate Brooklyn brownstone neighborhood. It's beautiful, and gets scenic views of Manhattan. It's got history galore--an important Revolutionary War battle was fought here;and it's been, and still is,home to a lot of well-known important people.

One little-known fact is that a number of celebrated people shared a house on Middagh Street, in 1940-41, right in the middle of the Second World War. That house, which came to be known as February House-- a number of its residents had February birthdays-- has long since been torn down to make room for the Promenade that provides storied views of Manhattan. But among occupants of February House were poet W.H.Auden, writer Carson McCullers, writers Jane and Paul Bowles,composer Benjamin Britten, and stripper Gypsy Rose Lee.

Writer Sherill Tippens has produced an interesting, pleasantly gossipy book about the house's residents and their accomplishments. Jane Bowles began "Two Serious Ladies," her only completed novel here. The young lesbian Carson McCullers had just tasted, at the age of 23, great success with her novel "The Heart is a Lonely Hunter." She began two other great successes, "The Member of the Wedding," and "The Ballad of the Sad Cafe," between drinking bouts, right here on Middagh Street.

Auden and Britten, both homosexual, but not involved with each other, were being raked over the coals at the time by the British press for choosing to sit out World War II in the U.S. But they were working: they collaborated on the opera "Paul Bunyan,"not critically well-received. Auden who continued to live in the Heights, on his own, to pursue his lifelong, unrequited love for the young American Chester Kallman, was working hard in the interstices of his personal soap opera: He produced "The Double Man" in February House. Britten produced "Peter Grimes;"considered one of the great masterpieces of 20th century opera. Meanwhile, he pursued his own personal soap opera: many critics believe this opera echoes developments with his partner, tenor Peter Pears, at the time.

The most unexpected resident of February House would have to be Gypsy Rose Lee, burlesque artiste. She was talked into joining the fun by George Davis, homosexual himself, fiction editor of "Harpers Bazaar" magazine, whose idea February House was, and who worked hard to keep it alive. Davis had published some of his own writing, but he was best known for the talented writers he kept on discovering.

In Gypsy Lee's case, she brought some money, a lot of common sense,and a cook to Middagh Street. The house's residents needed all the above. Her reward for her support: George Davis, great editor, midwifed her book, "The G-String Murders," a publishing sensation for many years.

George Davis continued to live at 7 Middaagh Street after its time as an artistic commune had passed. After Kurt Weill's death, Davis married his widow, Lotte Lenya, and devoted his life to introducing America to Weill's great works,such as "Three Penny Opera,"from which we get "Mack the Knife."

There are some informative photographs, extensive notes and acknowledgements in February House. Tippins evidently did a lot of primary research, but she managed to organize the voluminous results in a very readable style. February House well rewards the reader.

Sherill Tippins has done an amazing job of finding the significant narrative threads in the chaotic convergence of creative lives that occurred in the months before Pearl Harbor when Harper's Bazaar editor George Davis and British expatriate poet W.H. Auden rented a brownstone on 7 Middagh Street in Brooklyn Heights and actively recruited other creative artists to live with them. Among the co-renters were Carson McCullers who had recently published her highly acclaimed first novel, "The Heart Is A Lonely Hunter," soon-to-be famous British composer Benjamin Britten and his parnter, singer Peter Pears, unpublished novelists Paul and Jane Bowles, Broadway set designer Oliver Smith, writer Richard Wright and his wife, and burlesque sensation Gypsy Rose Lee, who it turns out was the most reliable in the rent-paying department and joined the little "creative commune" on the condition that she could bring her own cook and maid. Her fiscal reliability and drive along with Auden's willingness to take on the unpleasant role of house disciplinarian (collecting rent and other "dues" and establishing and enforcing many house rules) are probably sufficient explanation for why this menage managed to last the two or three years it did.

Tippins wisely focuses her attention on the leading figures (without neglecting to name the many others who partied but did not reside at 7 Middagh--Salvador and Gala Dali, Lincoln Kirstein, George Balanchine, Erika Mann and her brothers Klaus and Golo, to name a few). One passer-through, Anais Nin, christened the dwelling "February House" because so many of the residents had February birthdays. Tippins has a good knowledge of the works of these creative people and is able to see how one of the artists intentionally or inadvertantly influenced a subsequent work of one of his or her co-residents. For example, McCullers was struggling with the novel that would later become "The Member of the Wedding" when she was able to appropriate an experience from Chester Kallman's childhood to explain her heroine's profound sense of alienation and abandonment (Kallman was Auden's lover).

Tippins other great achievement here was her ability to slice through history and palpably recreate the political atmosphere in pre-war New York and to do so in a way that reflects on both British and US perspectives. She takes a good hard look at the criticism expatriates like Auden, Christopher Isherwood, Britten, and Pears faced from the British press and fellow artists who chose to remain in Great Britian during the war. She is similarly insightful in her analysis of the role the Mann family had in trying to get an apathetic America to respond to the European crisis. A lesser writer might not have bothered with these issues and chosen to report only the salacious and saleable anecdotes about the goings-on of the February House residents.

I highly recommend this book to anyone even passingly interested in one of the artists who lived at 7 Middagh Street (you're sure to learn something new), to anyone who ever wondered how great works of art come about, or to anyone interested in knowing how history and art intersect. I'm sure I'm going to use Tippins's Selecte Bibliography as a basis for future Amazon.com purchases.

Sherill Tippins' volume fills a tantalizing gap that fans of Auden, McCullers, Britten, and Gypsy Rose Lee have long wished could be filled. Most overdue is Tippins' portrait of George Davis: failed literary wunderkind; editor extraordinaire (who "discovered" McCullers and got much-needed writing jobs for her and W. H. Auden in the lean months before Pearl Harbor); husband to Lotte Lenya and the catalyst that re-invented her for American audiences in Marc Blitzstein's staging of Weill's "Threepenny Opera"--the list goes on and on. Davis and Auden are central to Tippins' account and to the amazing colony of artists who called 7 Middagh Street in Brooklyn Heights their home in 1940-41. But Tippins gives everyone in that circle his/her due. Her depictions of Auden's rocky romance with Chester Kallman, of Benjamin Britten's coming to terms with his artistic destiny in England, not America, and Gypsy Rose Lee's ability to charm and disarm everyone she met are more than engaging--they are extremely moving.

Tippins' research is exhaustive and impeccable, and she lets her characters speak naturally and eloquently. I could not put this book down and practically read it at one sitting. I was hungry for the kind of information Tippins delivered, and I finished the book with the deepest satisfaction. Gracefully written, carefully organized and researched, and extremely relevant: this book wins on all counts.