Publishers Books

Thank you for this miracle of a book. This is a beautiful and honest story about a very special family. The author has done a huge service for the autism community with this exquisitely written work.

This was one of the first books I read after discovering my son had Asperger's. Valerie Paradiz's insight, vulnerability, and unswerving truth have helped me every day in dealing with my children... The joys and miracles, and the difficult, difficult challenges. I truly love this book and recommend it for a strong understanding of the human side of asperger's an the challenges a family faces.

Valerie and Ben are devastated when their then 2-year-old son was diagnosed with autism in addition to epilepsy. Ben has trouble accepting the diagnosis and in time the marriage dissolved.

Instead of condemning Elijah to a life of labels and misperceptions about autism, Valerie Paradiz educated her small upstate New York community as well as the world at large in this book about her personal experiences with autism. Her son and father are both on the spectrum and this book is one of many that points out the genetic basis autism has.

Elijah was enrolled in special programs from the age of three and his greatest progress is made at home and with a friend he and Valerie meet. Sharron, an independent artist is herself struggling with Asperger's, the spectrum partner to autism. She recognizes in Elijah similar traits and experiences she contends with and finally receives a diagnosis. She bonded immediately with the boy and was his regular sitter for some years.

I like the way Valerie worked with Elijah; I like the way she taught him more appropriate ways of responding to peers, such as Trevor in the chess club. Trevor came away with empowered with knowledge and a chance to be more accepting of someone he sees as being "different" and Elijah understands what he can do to regulate his behaviors and move more comfortably in social circles.

I like the conversations mother and son had; I also like the outdoor programs for people on the autism/Asperger's (a/A) spectrum that are described in the book. Best of all, having autism is CELEBRATED!

I've banged on the different drum for a long time about how being on the a/A spectrum is something to celebrate. People on the spectrum have novel perceptions and unique insights that many neurotypical (NT) counterparts do not. One misperception is that people with autism all think in pictures, which simply is not true. Ben Levinson, co-author of "Finding Ben" and Sean Barron, co-author of "There's a Boy In Here" are not picture thinkers and neither are many other people on the a/A spectrum.

Meltdowns due to sensory overload are not uncommon among the spectrum. Sadly, the NT world often looks askance at those on the a/A spectrum simply from a lack of understanding of what people with autism contend with on a routine basis. Elijah, for example would vomit during thunderstorms as the noise upset him. I like the way another reviewer said in re a/A, "Vive la difference!" Wave that banner of interlocking puzzle pieces proudly - autism is NOT something to be ashamed of having!

Two songs seem to underscore this book so perfectly - Herman Kelly & Life's "Let's Dance to the Drummer's Beat" and Linda Ronstadt & the Stone Poneys 1968 song, "(Beat of a) Different Drum." With more drums beating, you get quite a tune! With more drums being beaten, you have different drummers!

People on the a/A spectrum enrich the world tremendously. The contributions are NOT limited to Temple Grandin, Andy Warhol and Einstein and other public figures. People with autism also provide ample opportunity to learn acceptance and realize the world is for everybody and not just the NT population. All too often, people on the a/A spectrum are expected to make all the concessions, especially social concessions to the NT world and try to keep track of the Tacit Social Codes & Rules, which always seem to change at the whims of the NT world.

Now let's all march to our different drummers.

Elijah's Cup is not ony a superb read that I would recommend to all teachers of children but also an adventurous journey into what it is to be autistic as well as to have aspergers syndrome. Paradiz writes beautifully, bringing her story to life in graphic detail while informing her reader in a broad and comprehensive manner concerning both Autism and Aspergers. She has a comprehensive index, bibliography, and reference section that will be of help to many. Tasha Halpert

This is an extraordinary, rare and unique book about an autistic child. The thing that makes it this way, is his mother's pure and loving acceptance of him, just the way he is. His mother's creative solutions to make living with him the best it can be. Everyone having anything to do with an autistic child, should read it, if only for the different point of view. The view that every child has value, and there is something to be said for treasuring him just for who he is.

Elijah is a fascinating child. He has been able to absorb much comprehension about the world, and his own disability, and how to cope, through his endless questioning of his mother, and her amazingly patient, honest, and encouraging replies. He will be an adult with a tremendous advantage over other children like him, for having had Valerie Paradiz for a mother.

Nita Leland has a wonderful way of inspiring her readers and making them feel more comfortable with color and paint. Doing the exercises in the book are an essential part of the experience and should not be skipped.

This book is everything I hoped it would be. I am a novice painter, working in acrylics, and wanted some basic info on color theory. This is it. The information is comprehensive yet easy to understand with exercises for the reader to do in any medium. I was so impressed that I bought her Exploring Color Workbook to go with it. This is highly recommended for the artist wanting to expand her color theory expertise.

One of the first books I've looked at that explains color in non technical terms. It has examples of how to use these colors in your paintings. There are several step by step instructions on using different color combinations as well as many exercises for you to do on your own. There's a companion coloring book which is helpful but not necessary. An outstanding book for beginners wanting to know more about color theory. The author has a web site and is very helpful in answering any questions.

Before reading this book I'd had an attitude about 'color theory' and such - or at least the teaching of it. Anything I read was either imperious and demanding or so complicated that I'd be lost in the first chapter.

But this book doesn't order you to do things a certain way. It explains what results you will get doing this and what results you'll get doing that. There is no highbrow judgment here about the only "correct" way to do anything. It is clearly written, with lots of pics and examples, and is completely accessible. What a breath of fresh air!

The book begins with a little bit of the history of color in paintings and the physics of color mixing. She doesn't bog down the book with it though. She gives just enough information to put the use of color in painting into context and as a starting point if one wants to do further research.

Then comes the more detailed information. This starts out simply and builds with each chapter. She explains why things happen in color combining and mixing and how to get the desired results. Color in painting is a detailed and complex subject, but, while she encourages you to learn it all, she is never demeaning or rigid that one has to know all this front and back before painting. She explains why knowing all this will help and improve your painting.

In other words she makes me *want* to learn all this rather than making me feel like I *have* to learn it.

One thing to note is the she uses watercolor in her examples and exercises so some adjustment may be necessary for oils.

There are also lots of things to practice in the book. She has exercises for everything she teaches. So when you're done you will have a tremendous visual reference library. I have lots of art books but this one will stay OFF the shelf and easily accessible. The use of color isn't something that can be learned overnight, so do yourself a favor: get this book.

I bought this based on other reviews about it. I don't know doodley about color and have always gone on gut instinct...and I've painted over a lot of ruined canvas and wasted a lot of paint.
This is an excellent little book with a lot of exercises to make it all quite clear. Every page teaches me something - I have so far had quite a few "AHA" moments. I am beginning to understand why sometimes a color works and sometimes it is just a little off...
I recommend this for everyone. Thank you Nita Leland.

I purchased this book after reading the first novel by Ryan Phillips, Saving Grace. Then I purchased the next book. I have all three and I have never been disappointed with her work. If you are in want of a good book, then read this but be prepared not to get anything done because you won't be able to put it down. One of my co-worker/friend was on our way to a meeting in which we had to travel three hours. I decided to bring along my book because I knew this would be the opportune time to read. Needless to say, I didn't talk much to my co-worker and really didn't want her talking much to me because I was so intensely into the book. I recommend reading the preceding one before reading this one. By then, you will swear you know each and every character. Can't wait until Ryan comes out with more of her great work.

After reading Ryan Phillips' first book, "Saving Grace", I became an instant fan of her work. I just finished "Fall from Grace" and I am equally, if not more, pleased with this book as with "Saving Grace"!

Ryan Phillips is truly a great author, I would highly recommend this book! GREAT READ!! Can't wait for the next one!

I really hope she continues Grace's story. Saving Grace was GREAT and Fall from Grace was a great follow-up. I'm still amazed at how young Ryan Phillips is you can tell that her writing is a God-given gift.

Saving Grace was an excellent read and so is this sequel Fall From Grace.

Grace and Trina have been best friends forever. Their relationship though causes alot of conflicts between them. At a point in their lives they lose themselves and Christ and must find a way back.

This book is filled with everyday issues, with twists and turns.

Fall From Grace was so good that it would literally take me all day to describe everything I loved about it. It was witty, mesmerizing, challenging, beautiful. To have a front row seat into the hearts and minds, successes and failures of fellow christians was far more than an entertaining read. The characters are so rich it made me think how can one person (the author, Ms. Phillips) be able to so keenly describe, speak and think for such a variety of individuals less she be utterly ingenious. WOW WOW and WOW pretty much describes how I feel and what I think. Beautiful. Creative. Unpredictable. Congratulations Ryan Phillips, I have a new favorite book. I never imagined that the sequel could be any better than Saving Grace (which was phenomenal). Fall From Grace was better than any movie or book I've ever seen or read thus far and I am so excited for the next Masterpiece. I am so thankful for the wonderful blessing this story was to me.

P.S. Between you and me...my eyes were a little watery...and I never cry over fiction! :)

This book absolutely captivated me when I was younger, and I ended up reading the whole series. Leitch portrays a young girl who is, well, young-- with great sensitivity and endearment. Our red-haired heroine is sometimes impulsive, sometimes selfish, sometimes short-tempered, but always uniquely perceptive, loving, sensitive, and very, very recognizable! The horse of the story, too, acts like a real horse-- spooky, moody, and magical to eyes that know how to see it-- revealing that the author has a deep knowledge of both horses and young girls (well, I was a young girl once too, but it's clear to me that Ms. Leitch *remembers* it with a greater perception than I ever did.) There are some very nice elements to the stories, even morality and character issues, without ever becoming cliche or saccharine. The dark borders the light very effectively in these books set on the heather-and-bracken filled hills of Scotland. Judging from the characters in the books it is also clear to me that Ms. Leitch has been acquainted with at least one stodgy, stubbornly amusing Scottish farmer. This is the first in a series of beautiful stories that, in my opinion, are a must-have for any young-at-heart horse lover.

Horsecrazy Jinny Manders is thrilled when her father, a disillusioned social worker, moves his family from the city to a tumbledown ruin of an old house in rural Scotland. Her bliss turns back into dreaming when she falls in love with an abused circus mare, a spectacular chesnut Arabian, who has escaped into the wilderness surrounding Jinny's new home.

Very solid horse story (which means of course it's pretty unlikely, that's the whole point), strong action, vivid writing. British social attitudes of the 1970's lend it a slightly baffling feel to a modern American (or, probably, anyone else)

this was an awesome book! if you are looking for another place to get it, try half.com , i found all the books in the Horseshoes series by Patricia Leitch for under $3 each. alibris also has patty leitch books for cheap.

This is one of the best horse books ever--one of the best books ever. This book is sad, funny, and at moments quite terrifying. This is a great book for people of all ages and it is really a pity that they are out of print. I advise anyone to buy this book--it's really worth it.

This title For Love of a Horse, and the other eleven in the series are the best horse stories I have ever read - I can't believe they are currently out of print!?! This first book sets up the series, where Jinny and her family move to the Scottish highlands and Jinny rescues Shantih from the circus and brings her home to Finmory. Patricia Leitch writes in a way that lets you share in Jinny's happiness, pain, family life, and perils of growing up. The other books in the series in order are: A Devil to Ride -- The Summer Riders -- Night of the Red Horse -- Gallop to the Hills -- Horse in a Million -- The Magic Pony -- Ride Like the Wind -- Chestnut Gold -- Jump for the Moon -- Horse of Fire -- Running Wild. I am lucky enough to have read them all and own eight of them, and have read them over and over. Please reprint these(!!) so a new generation can enjoy Patricia Leitch's Jinny stories.

At school my whole class read this book for read aloud! It was a very good book. Frida was very good at art. She had five sisters but it seamed like they didn't pay attention to her! She was always lonely and she was bored.But atleast she had Imaginary friends to comfort her. One day she got in a horrible bus accident! Read this book to find out how Frida turned out after her pain. Reccomended for people who may want to learn how to turn pain into beauty.

I own the Spanish version of this book, and I love it. So do all my students - I teach Preschool Spanish (ages 3-6). My 5 year old daughter is an artist and she loves the vivid colors and imaginative characters that follow Frida through her life. The children I teach do not know Spanish, but they are able to look at the pictures and understand the story. They regularly request this book and enjoy looking for the 'spooky' characters.

My son and daughter could really relate to another person's life thanks to this well-written and cleverly illustrated book. Frida was, as they are now, someone who wasn't always able to have her mother's attention. She lived out fantasies in her mind, just as they do. She used her imagination even when she was unable to move her body, just like they do before they fall asleep at night. Frida's quotidian and extraordinary experiences spring to life thanks to the inventive illustrations and sympathetic writing.

More than once, creating art saved Frida Kahlo's life. Even though she had five sisters, she was almost always lonely and sad. When she was infected with polio and she was very sick, even her imaginary friends couldn't cheer her up, but painting and drawing rescued her. Most of her life, she was in heart-breaking pain after being in a horrible bus accident. Read this book to find out how art saved her once more. Recommended for people who want to learn how Frida Kahlo turned terrible pain into beautiful masterpieces.

My mom read me this book and I saw that art is important and special, it can save you and allow you to express your imagination even when times are tough

I purchased this atlas for anatomy lab because it was recommended by my professor. Looking through the book, it has wonderful pictures and really simplified structures so you can actually see what you are looking at rather than a portion of it and the rest hidden behind other structures. However, it is not a very complete atlas. The most glaring example - there is nothing about the head and neck. I had to buy another atlas just to get through this past test. I personally recommend Netter's as a reference atlas because it has EVERYTHING in it. I know the pictures and millions of lines coming out can be overwhelming, however, if you are looking for a specific structure you are way more likely to find it in Netter's.

Thieme is awesome. I am a chiropractic student and my anatomy teacher recommended this atlas. It is beautifully illustrated and very clearly shows the layers of muscle. Bones are shown in different planes. Nerve paths, dermatomes, biomechanics, even bursae are depicted. A great reference!!

Honestly, I find studying A&P tedious and generally boring. Purchasing Thieme's was the best move I've made. The plates are so beautiful that I want to linger on each page for a long time. Every person whom I've shown this book to said they wished they had bought it instead of Netter's.

This is a great book, and I recommend all three if you can afford them. Otherwise, just get Netter or Grant.

This book has one major flaw (caused me to miss an exam question): On page 503, there is an illustration of the medial malleolus and associated neurovascular structures. The illustrators got the order wrong that these structures pass behind the medial malleolus and deep to the tarsal tunnel. From anterior to posterior, they should be: Tibialis posterior, flexor Digitorum longus, posterior tibial Artery, tibial Nerve, and flexor Hallucis longus (Tom, Dick, AN' Harry). However, the artery and nerve are posterior to the flexor hallucis longus muscle in the illustration. Minutia, I know, but just FYI for you M1s.

Also, the fact that these atlases are in a three book series means that when you are covering the thorax, you have to use two books to cover everything on the test. It can be a little tedious, and Netter and Grant atlases have it all integrated into one book.

This book, however, has a lot of cool information in the writing, and together with the outstanding and NUMEROUS illustrations, make it perhaps the best choice for any student in the medical field.

By far, this is the best atlas series available and as a medical student, I would recommend the three atlases to anyone who studies in the field of anatomy. Trust me, this is THE book you keep for life!

The Five Secrets You Must Discover Before You Die (BK Life (Paperback))

This is a beautiful book that quietly dances around your soul causing you to reflect on your own life. Using the metaphor of her own lifelong journey hiking in the mountains, the author takes the experiences of those hikes and connects them to the choices which fill life with joy and wonder. The book is illustrated with wonderful art that is worth the price of the book on its own. Eileen is a great communicator in person and on paper through the written word. This book is a gift from the mountain to your soul. You will want to keep it my your bedside and read more than once.

John Izzo, Author of The Five Secrets You Must Discover Before You Die

The natural world has a knack for being able to cut all our complications and confusions down to size. And that's exactly what Eileen McDargh does with this lyrical book, showing us through observations on the backpacking trail that the path ahead is right in front of us--if we're really looking. She certainly is, finding lessons for use at home and work in the tenaciousness of a high-altitude flower, the unexpected whims of the elements, and the danger of false confidence on the downhill track. Books that shine the mirror of nature back on us often wind up stuck in the gates from triteness. Not this one. The writing is superb. I kept thinking, I wish I'd seen that on the trail. I wish I'd written that. If you love the outdoors, are a hiking fan, or just want to get some wise words from a pathfinder who can clarify decisions in work or life, check this little book out. It gets you off the bullet train and lets you see the forest AND the trees.

When your workaholic colleagues and friends do not let up on their all-enveloping "goal", give them a respite they may pick up and read one day - and feel different when done. Thank you Eileen for this sensory, elegantly-simple gift book of reminders for why we are helped by taking that pause and looking around. Sculling out on Richardson Bay here in Sausalito this morning, I reflected back on her wise insights.
- Kare, movingfrommetowe.com

I stumbled across this book through a newspaper article that was forwarded to me by a dear friend. (Kathy M. Kristof, "Spend your cash on things that are truly valuable") I was inspired by the article so I ordered the book that the article mentioned: "Gifts From the Mountain: Simple Truths for Life's Complexities"

I can say that the book was not at all what I thought it was going to be. BUT...I am very, very happy with my purchase. I call my experience with this book my happy, little accident. It came to me at a time where I really needed to have simple and clear messages to help me interpret some situations in my life. I would recommend this book to anyone who is looking for some insight into themselves and the world around them.

Enhanced with full color illustrations by Roderick MacIver, "Gifts From The Mountain: Simple Truths For Life's Complexities" by Eileen McDargh is a remarkable 114-page compendium of advisory truths for daily living that would be applicable to every man and woman regardless of their situation or circumstance in life. MacIver writes with a kind of lyrical metaphor when dealing with life's demands. The result is a collection of individual wisdoms that are universally applicable and enthusiastically recommended. 'Every Ounce Counts': Hike enough and you trim the weight/of what you carry. You learn that pita bread/weighs less than squaw bread; dried apples weight less than/trail mix; ramen and dried vegetables weigh even less/than some freeze-dried entrees. you discover/you can share a tube of toothpaste. Ditto deodorant,/sunscreen, and bug repellent.//How often do we encumber our civilized life with things/we WANT instead of things we truly need?//Choose what you carry carefully./I never saw a hearse with a U-haul behind.

Defin. a book worth buying! -very helpful & makes civil procedure really easy to understand.

Glannon's guide is God send. if you purchase Glannon's E&E, you must also purchase his guide to learning Civ Pro through MCQ's. It is great!

Love it!

The book was delievered in great condition, within a moderately good time frame. It has proved very useful in my 1L studies!

Glannon clearly and succinctly provides examples of possible multiple choice questions that could be found on exams. Unlike a lot of other guides I've seen...it's not confusing and it's not a chore to read through the book.

Without a doubt this is an essential key to success in civil procedure. I basically outlined this book along with my class notes and got an A on the exam. Very, very, very good aid.

This book really gets on the level my 4-yr old daughter. Its a gentle reminder of the fruits of the spirit. It leads to kid like discussion that helps them to understand what you expect from them as little girls. I think this book is a keeper. Somethimes when things are going rough at home we pull out this book and plant a little seed of scripture in their young heart. The pictures are lovely as well.

This book is excellent. It aligns the Proverbs 31 scripture along with daily life that little girls understand and can apply.

It's so nice to read something to my daughter that I know is feeding her spiritually. She really connects with the illustrations, and loves to talk about what the girl in the story is doing. This book has naturally lead us into wonderful conversations about what it means to belong to God and what kind of habits we need to be forming as His children.

Beautiful pictures and borders. A great gift to give to parents of newborns and to preschool and primary children. God's Wisdom for Little Boys is equally wonderful.

This beautifully illustrated book is full of wonderful prose and rhymes that could be read to any little girl old enough to know right from wrong. The stanza format is excellent, and if you were to work on and apply each page a week at a time (with repetitive reviews) it will turn into a lasting treasure.

Joshi is the foremost student of Lovecraft, and in this volume he has written the unsurpassable biography of the man whom Stephen King himself called "the twentieth century's greatest practitioner of the classic horror tale."

For myself, I can only say it's been a long wait. I first discovered Lovecraft at my local library in eleventh grade. I picked a book decorated with some macabre illustration off a twirling bookstand, checked it out, and rode my bike home with the volume tucked under my arm. That evening I sat with it in the big white reading chair in our home's living room. The first story I read was "The Picture In the House."

I was hooked.

Within the year I'd read every story Lovecraft wrote excepting one--"Herbert West: Reanimator". (I finally got to that earlier this year.) I became, in a way, obsessed with Lovecraft. I wanted to know who he was, so I read Frank Belknap Long's Howard Phillips Lovecraft: Dreamer on the Nightside. The stories and poetry I was writing at the time became increasingly colored by (or downright imitative of) my hero. Somehow, the man infected my consciousness in a way no other writer--before or since--ever has. I guess it's because in so many ways my inner life has been--with some important exceptions--a parallel to Lovecraft's. I see him as a kindred spirit.

That being the case, it's hardly surprising I relished--nay, wallowed in--this biography. It is detailed beyond imagining. Here we follow Lovecraft on his walking tours, street by street. We see his grocery lists and menu items. We read his letters and amateur publications. By the end of this text you will feel you have lived and breathed right alongside the old fellow and slung arm-in-arm with him through his nightmare worlds. No one could have done it better than Joshi, and it is doubtful anyone ever will. If you are a fan, this is a must read. If just curious, the lengthy detail might be off-putting, but you may find yourself a convert by the end.

Wow, this must have been quite a few hours of work for Joshi! The fonts are below even standard book-fonts, AND I hear it's an abridged version but still the book is almost 700 pages. But don't get me wrong, in many ways I wish it was longer. The book is a fine introduction to Lovecraft's life, and to most Lovecraft-readers, probably quite enough in itself. It chronicles on an annual basis, highlighting and describing any interesting incidents or activities revolving around Lovecraft and his circle of friends and family that happened over the years. There's not much to say about this, its very good and solid biographical work by a fine devotee of Lovecraft; S.T Joshi. Its not often reading a biography makes me sad, but reading the final chapter on Lovecraft himself "The end of one's life" made a certain Norwegian man quite sad. Apart from some points I'm about to take up, I have no doubt that this is a biography that Lovecraft himself would have approved of. It could have been more detailed in its description of how the various fiction came to be, and more analysis of this area, but it IS after all a biography, so that was of course Joshi's prerogative.

Now to the bad; as a little background to the author of the book, he is in fact an immigrant; an Indian living with a miscegenating Euro-American female. This explains why he constantly abuses Lovecraft for his conservative and racialist views. He conjures up non-sense frequently when talking about this subject; somehow concluding that theories about race and miscegenation etc were definitively debunked by the "scientific work" of Franz Boas. This is of course complete nonsense, like Kevin MacDonald has shown in his excellent work "The Culture of Critique". Franz Boas had specific racial reasons himself for carrying out his campaign against the use of "race" in academia, and the reasons for this were far from what the Western standard of science represents.

So even though I highly recommend the book, I wish Joshi could have been so intellectually honest that he admitted in the book that his status as a non-European immigrant himself has biased him, and made him write the book with an extreme liberal and secular slant. So if you manage to ignore this part of Joshi's book; you'll have on your hands an excellent and well-written account of Howard Phillips Lovecraft and a good introduction to his writing.

Unlike De Camp in his earlier biography, Joshi doesn't consider HPL to be a failed version of what he might have been had he at various key points in his life been just that little bit more commerce-minded: instead he accepts Lovecraft as he was and goes on from there. I think Joshi brings out what it is about Lovecraft & his work that continues to fascinate today: the curious fact that an erudite, scholarly autodidact should, from an early age, have been so caught up in a melodramatic 'pulp' aesthetic that for the rest of his life he focussed the entirety of his self-expression - emotional, intellectual and philosophical - through that aesthetic. Hence Lovecraft's stories have, even at their most garish & mechanical, an (admittedly sometimes near-subliminal) intellectually rich underpinning, and it is this bleed-through of a higher aesthetic that lifts them above the acres of hackwork that surrounded them when first published in Weird Tales, (try reading even a 'best of' by those other writers today!), gives them a psychological curiosity, and has given them their unexpected longevity.

Joshi's analysis of the 'Cthulhu Mythos' is, I think, exactly right: he defines the Mythos (not HPL's coinage, of course), as 'a fictional technique' for presenting Lovecraft's philosophy - which Joshi defines astutely as 'an anti-theology' which makes manifest (as we see with the cultists in Call of Cthulhu) the delusive nature of all religious belief, and asserts the meaningless of human existence in a vast, uncaring, mechanistic universe.

This analysis justifies what would otherwise be an excessively lengthy exploration of Lovecraft's political and philosophical beliefs, given that he published no significant writing on those subjects, and was only considered a great thinker by his friends and epistolary correspondents. It also highlights the unalloyed perversity of August Derleth in imposing a Catholic-inflected cosmology onto Lovecraft's atheistic vision. How strange that he was so fascinated by HPL & his work, but couldn't accept what Joshi rightly points out is its absolute core!

Joshi manages to address various differing opinions in the world of Lovecraft Studies without becoming pedantic or petty, and takes trouble to credit other researchers and academics for their insights.

As a biography this book is full of interest, and Joshi's pursuit of detail is relentless - occasionally to the point of obsessiveness, it has to be said, but some of the details he uncovers are highly revealing. His account of Lovecraft's death I found surprisingly moving, but I did not, as I did on finishing the De Camp biography, regret his life - except in the single matter of his clinging on to racist beliefs and self-diminishing prejudices.

I have very few criticisms. There are no photographs, and I think the cover is horrid - & certainly is not a good likeness of HPL. Occasionally Joshi is so aesthetically aligned with his subject he indulges him (as he does with certain of his amateur endeavors); occasionally Joshi is over-definitive in his judgment of the merits of various yarns. I think he slightly misses the mark at various points when he comments of (eg the denoument of Herbert West) that HPL must have been sending up his own style to *intentionally* comic effect. This, I think, is not quite right: rather, it seems to me, he allowed his discipline to slip, and reverted to the garish style of the Argosy yarns that he had read as a child, the style of which had so fundamentally informed his entire notion of the form of aesthetic and psychological self-expression that he could never quite discard it. Lovecraft knew it was a failing on his part, but sometimes let it off the leash regardless. I'm sure he never thought of his verbal pyrotechnics as anything other than, on sober reflection, accidentally funny.

Aside from those very modest quibbles, I found Joshi's judgments & assessments at all times perceptive and thought-provoking, and his 'Life' a highly-readable achievement in biography.

The good: Until S.T. Joshi's book, the only serious, widely-available biographical information on HPL apart from his letters was 'H.P. Lovecraft; A Biography' (1975) by L. Sprague de Camp, which left many gaps and open questions. Joshi's book fills in the gaps and then some. It is the closest thing we have to a definitive Lovecraft bio, and if you're a Lovecraft scholar of any seriousness, you'll eventually need to read it.

The not-so-good: While Joshi's book reads like a rigorously well-researched first draft, I wish he'd consulted a manuscript editor before publication. This massive, expensive and ponderous 708-page book could perhaps be edited into a more readable and reasonably-priced 300-page book, with another 100 pages of small print endnotes, merely by removing Joshi and his scholarship from the foreground and replacing them with Lovecraft. For example:

- Joshi includes himself in the story, using the first person pronoun on nearly every page. "I..." this and "I..." that. While Joshi is likely the world's foremost Lovecraft scholar, and I appreciate his excellent and exhaustive efforts as a researcher, I did not plunk down such a hefty cover price to read about his adventures in scholarship. Easily 200 pages of this 708 page book are about the adventures of Joshi, Lovecraft scholar. That information belongs either in a short appendix or separate article. He'll print a quotation and then add, "To this analysis there is really very little to add...," or "I don't think I can add much to this," or "That last remark may be a little sanguine, but let it pass," seemingly for no other purpose than to firmly return the spotlight, which had momentarily alighted on Lovecraft, to himself. On nearly every page I felt that trapped "captive audience" feeling you get with professors who use class time to speak at length about their personal lives. Surely by now it has become standard practice for biographers to not include the personal "I" in their biographies, at least when they've never met the subject.

- While most biographies focus on the subject and relegate sources and disputes to footnotes and endnotes, Joshi foregrounds the sources and points of contention, which has the odd effect of almost burying the subject. You'll often read four paragraphs of sources and conjecture containing a single sentence of actual biographical information. If Lovecraft did X, but there's some dispute, I'd prefer the main body to say "Lovecraft probably did X," with a small-print footnote citing sources and contentions. I paid to read about Lovecraft, not Lovecraft scholarship. I often feel like I'm being punished, forced to read 708 pages to get 300 pages of information.

- As another reviewer pointed out, Joshi frequently expresses his personal opinions in a tone suggesting that he believes them to be indisputable fact. Especially disconcerting is Joshi's careful habit of never missing an opportunity to denigrate Lovecraft himself. A tiny sampling of Joshi's descriptions of Lovecraft and his work includes: clownish error, clumsily, embarrassing, paranoia, pompous, pseudo-philosophical, trying to do too much, moping, overly given to histrionics, painfully inept, pitiable wish-fulfilment [sic], a pretty sorry excuse for a story, offensive, dubious and pathetic. It's almost as though, while Joshi must have some respect for Lovecraft, he is careful to constantly place himself "above" Lovecraft emotionally. I can sympathize with Joshi, who as a serious scholar must sometimes find himself exasperated by uninformed intellectuals who still underrate Lovecraft's genuine contribution. However, I feel that the body of a biography is not the best place for Joshi to distance himself from Lovecraft's sillier decisions. If Joshi dislikes something, surely he need not bolster his personal opinion by inflating it into a grandiose pretend-fact by pompously lecturing the reader as to what we ought to despise or where to place our "well-deserved contempt."

Why are Joshi's opinions in the book at all? Doesn't he trust his readers to form our own opinions? Almost once per page I felt some resentment at being forced to play captive audience to Joshi's unwelcome editorial opinions and emotional self-positioning in order to gain access to his excellent scholarship. Toward the end Joshi finally provides his editorial rationalization, introducing the topic by slamming previous Lovecraft biographer de Camp with: "[de Camp]'s schoolmasterly chiding of Lovecraft [is] ...galling." Talk about the pot calling the kettle black! Joshi goes on to claim that "passing value judgments... is the proper function of any biographer." Excuse me? As with all of Joshi's most dubious assumptions, he provides not a single citation or justification for this opinion, but merely states it as fact. Many (perhaps most) professional biographers would strongly disagree. I couldn't help bursting into incredulous laughter when Joshi finally declares, "...on occasion one feels as if Lovecraft is having some difficulty shutting up."

In closing, I hope this book is re-released soon with S.T. Joshi's presence as a character, editorial opinions, emotional self-positioning and research experiences either cut entirely or summarized in an appendix or endnotes. Then it wouldn't hurt to have a professional book doctor rewrite with an eye to smoother prose and readability. THAT edition will be the definitive Lovecraft biography.

Clocking in at 654 pages, this sprawling biography will teach you everything you ever wanted to know about the horror scribe -- along with some things you'll wish you hadn't discovered, like how Lovecraft was a more zealous racist than was the norm in his day. Joshi is long-winded, for sure, like the grandfather who, when you ask him how the light switch turns the lamp on, proceeds to tell you the history of electricity, starting with two sticks being rubbed together. You'll be hard-pressed to remember all the details afterward, but the story of Lovecraft's life is smartly woven, divulging the world as viewed through the writer's eyes and those around him. Like a criminologist apt at identifying with a killer, Joshi truly seems to understand his subject down to the crumbs on his coat.