Publishers Books

THE WAY TO WITNESS EFFECTIVELY THE WAY CHRIST DID ON EARTH!!!!!!

With good examples on how Ray uses the law to share the Gospel. I also ordered the traning materials and sample tracts for my fellowship to study together.

I think there's a moment in everyone's life when they realize that the things they want and the things they need are two different things. Except, when I read this triumph of a book I finally found something that I both wanted to read and needed to read. So, I sat down with a large glass of root beer schnapps and a carton of Luckys and forced my way through it. Now, after completing this creative tour de force, I'm not ashamed of walking up to people on the street and praising the way of the Master. I'm also not averse to ringing a few doorbells to testify to the greatness of the Master. Also, I try to flag down cars on the parkway, but have not had much luck ... and I actually hurt my foot when a 93 Duster ran over it, but it's all worth in service of the Master. Of course, when I say Master I'm not referring to God. I mean Ray. This book has thoroughly cleansed my soul of independent thought. I now look to the sunrise each morning as a sign of Ray's benevolence and purity. If only he could help me with the horrific back pain that plagues my every waking minute. Oh Ray, why do bad things happen to good people? Why did Kirk Cameron's Hollywood career go careening and tumbling, never to be resuscitated? Why did the so-gorgeous and inspiring Chelsea marry him? Is there any hope for me there?

Ray Comfort and Kirk Cameron are professional missionaries and also develop training materials for Christians who want to purposefully share Christ with others (even though Cameron is best known for playing Mike Seaver on "Growing Pains"). The book was written to present and advance a new paradigm for witnessing: using the Law when sharing the Christian faith.

Comfort and Cameron recognize that most modern evangelistic programs (indeed, the sermons of popular preachers) can be summed up as follows: "God loves you and has a wonderful plan for your life, all you have to do is let him work his will with you. Give your heart to Jesus and things will go well for you." This, however, distorts the Biblical message; it is a half-truth (and is thus not faithful) and it does not bring people from unbelief to a saving faith in Jesus. Comfort and Cameron argue that this misleading message be discarded and replaced by a more Biblically-based message of Law and Gospel. They argue that a more effective and Biblically faithful method is to 1) show the hearer that there exists a Law (the Ten Commandments) which the hearer has broken, 2) show them that when they are judged by God, they will be judged guilty, 3) the punishment for their guilt is eternal punishment in hell, 4) Jesus loves you so much that he has taken the punishment of hell for you, 5) it is necessary to respond to this great love by repenting and amending your life so it is characterized by prayer, Bible reading, and showing love to your neighbors.

The book has many positive aspects. The authors are correct in their argument that the overarching Biblical message is both Law and Gospel. They are correct in their observation that the degree to which they experience the joy of the Gospel is directly related to the degree to which they experience the terror of the Law (if they take the Law lightly, the Gospel won't mean that much; if they are utterly crushed by their guilt, the Gospel will joyous life-long foundation). They also present several helpful analogies, anecdotes, and illustrations throughout the book to make their points.

The book does, however, contain weaknesses. These weaknesses stem from a still-underdeveloped understanding of Law and Gospel. I was shocked as I read through this book and found Cameron's multiple exclamations of disbelief and awe as he discovered the Law. Equally shocking was the appendix: testimonies of Christians who have never heard the Law or realized that they are guilty of sin! While this is a new discovery to Cameron, Comfort, and many other Christian denominations, the Law-Gospel paradigm is a hallmark, a foundational building-block, a centerpiece of my denomination: the Lutheran Church-Missouri Synod. We have multiple volumes on this paradigm and all of our denominational materials flow from it, so I can recognize that Comfort and Cameron still have a little wrestling to do with this subject.

Specifically, while they present the Law accurately, the Gospel is underdeveloped in "The Way of the Master." Comfort and Cameron routinely say two things about the Gospel: 1) it is not a "health, wealth, and prosperity" Gospel, intended to make your earthly life happy, complete and comfortable 2) it is presented only using the analogy of the courtroom, where Jesus pays the fine the judge lays on you. Throughout the book, the Law predominates and the Gospel is not presented in a way that even comes close to giving the reader comfort. Even in example witnessing dialogues, Comfort and Cameron go into great detail showing how the Law convicts, then end saying something like, "and then you share the Gospel with them." The one anecdote given where the authors bother to explain the Gospel is one given by Cameron in which he witnesses to a man on a golf course. He tells the man that in order to receive forgiveness for his sins, he needs to pray a "sinners prayer," read his Bible daily, and make Jesus the centerpiece of his life. This really bothered me because Cameron (in his sincerity) shows the man the freedom Christ has won for him, only to heap more burdens on him. Throughout the book, Comfort and Cameron show contempt for Christians who live up to their lifestyle standards by questioning whether they were ever Christians to begin with. This mocking and jeering not intended to be judgmental (in my estimation), but again shows that the authors have not come to a full understanding of the difference between Law and Gospel, Faith and Works, Justification and Sanctification.

While I do recommend this book and find it helpful for its easy-to-read analysis of popular theology and a good introduction to Law and Gospel (especially as it relates to evangelism), it is incomplete. To supplement it, I would recommend "Proper Distinction Between Law and Gospel" by C.F.W. Walther (it's a tough read, but worth plowing through), "God's No and God's Yes" (a simplified version of Walther's book by Walther Pieper), "The Hammer of God" (a novel by Bo Giertz), and "By Faith Alone" by Martin Luther. One can also visit an LCMS church or listen to some programming on[...]. I look forward to seeing how Comfort's and Cameron's theology develops in the future.

I was very skeptical at first when reading the book but it made more sense as I read. Then I actually tried to witness like this and I was AMAZED! People are not offended but are struck silent by what comes out of their mouths. Most of the Evangelical American church does not realize they are preaching a modern gospel. I am doing what I can to preach the truth in love.

This book becomes more relevant every year! For organizations that want responsible employees, it challenges leadership to consider the assumptions that drive traditional HR performance appraisal processes - most importantly those arising from the common `parental' or `patriarchy' model of leadership and organizational development.

In this research-based analysis of the multiple purposes of performance appraisal, a labor attorney and an experienced HR professional team-up to explain why appraisals backfire - and they clearly accomplish that key goal of the book. In particular they explain why, in a world in which 98% of people see themselves as being in the top half of performers, the requirement to force-rank employees is a demoralizing and demotivating policy - if you then connect pay raises to this policy, it is a policy to pay money to demotivate the majority of staff! What responsible leader wants their name on such a policy?

So, is there a solution? Yes, but not a ready-made one. Because the authors recognize that the performance appraisal process is only a part of a highly integrated organization framework (the authors refer to this as `The System' - others ask you to think 7-S model) that drives organizational effectiveness, the book does not recommend a one-size-fits-all solution to replacing performance appraisals. Instead, it recommends that the reader make a paradigm shift away from the patriarchy model to a more adult to adult concept, think about what the organization really wants to accomplish (what problem is to be addressed), and provide choices for different individual situations. The book is not an easy read, nor does it provide a feel good solution - it is recommended for thoughtful practitioners who want to know what questions to ask for their situation, rather than what answers others have found for their own, perhaps very different, situation.

If you grapple with performance appraisal, then it might be worth thinking through the assumptions that you have built your performance appraisal system upon. And that's how Tom and Mary's book can help. They describe a series of assumptions that most performance appraisal systems are based on, and they offer up some more useful (and more reality-based) assumptions that provide the foundations for a more effective alternative (not an improvement - a completely different concept altogether).

Even if you aren't convinced to let go of traditional performance appraisal methods, you will still glean some valuable pearls from this book, that can help with problems you're currently having with appraisal.

Extensive research, good case studies, knowledgeble discussion of legal issues are strengths of this book. However, there are numerous weaknesses:
1 Linking enlightened management directly to ineffective appraisal systems. They are not nedessarily related.
2 Not acknowledging managers insight on employees performance.
3 Assuming apprasials are generally a high corporate priority compared with other management activities.
4 Not recommending one or two focused appraisal functions as an alternative to no appraisals.
5 Not providing an explaination of how to administer most pay raise systems (Hay for example).
6 Not clearly identifying how the rating drives pay, promotion and bonus. An alternative is required.
7 Not disussing how requirements may vary by industry job specifics or the impact of enviromental factors, such as, confidentiality and raises based on senioity. jrj

Get past the title, and the authors' "we are totally right" style, and you'll find good material in here. "This book is about ... choos[ing] ... the most effective ways of working with people, [and] refocusing on outstanding organizational performance."

It tells you why most formal appraisal systems have a lot of good goals, but the negative side-effects of trying to reach them through a regular, compulsory, recorded system prevent most people from reaching them. Suggests abolishing the single system, reviewing the goals, and setting up multiple voluntary systems to do the job better.

Read this book to remind yourself what real personal and group improvement communication is about, so that you can include it in your daily work.

I seached out this book when I was tasked to be part of creation of a review process for my smallish company. "Abolishing Performance Appraisals" operated as a great resource during the process.

Especially helpful were the case studies, which pointed out how real companies were creating alternatives to clunky performance appraisals.

No other writer combines a knowledge of cuisine, history, and social place with such lyricism and panache. If you want some obscure recipe in its unadulterated, early 20th century form, it is here. If you want an account of life under the hardships of war, described through the gastronomic difficulties of rationing and scarcity, look no further. But if you want all that and a style that is as beautiful in its choice of word and phrase as it is in its theme and moral, then you have arrived at the caviar of culinary insight. Fisher is so much more than a food writer and it is often easy to forget that you are reading the work of a author who is perhaps best known as merely the translator of Brillat-Savarin's masterwork, "The Physiology of Taste".

There a is haunting, autobiographical element to this work. The Art of Eating is actually a collection of Fisher's best pieces and so the anthology is divided into the books and arranged chronologically. Yes, there are recipes but I enjoy the personal stories best. Recollections of a meal in Lyon with a friend and a drunken waiter are so much more than embellishments of past adventure. They are windows to a world which has vanished; a time when food meant so much more to culture than a quirky jingle about cheeseburgers. Even if you are not a self-professed foodie this is a fantastic read and I recommend it to anyone who finds beauty and romance in a well-written story.

This is an excellent volume and great value for money as it comprises several of Fisher's best-known texts.

Even in paperback this is a thick and heavy book, which is a compilation of several of MKF Fisher's individual works offering different aspects of her thoughts on food in terms of origin, recipes, culinary preparation, and history. In addition, it divulges her own observations on the whole dining experience that we as humans go through in terms of customs, etiquette, ambience, socializing and so forth. But what makes this book stellar is the eloquent, imaginative, and sometimes even haunting style of Ms. Fisher's writing. She expresses her own thoughts and oftentimes outspoken opinions, mixing them with historical facts, tempting recipes, and home-cooked tales. With such a satisfying horn of plenty within the confines of two book covers, it is easy to understand why she still reigns as the queen of prose inspired by food and dining. I wish I had her ability to master in writing such joi de vivre and enthusiasm for food, eating, and drinking, which after all are such basic elements to our very existence.

The section I enjoyed most of all was "The Gastronomical Me", a biography-cum-travelogue in which she poignantly narrates her experiences by rendering them so lifelike that you can smell the smells and taste the tastes. She includes food episodes of her early years in California while growing up and later attending boarding school; in Dijon, France where the kitchens in restaurants and her apartments beckon you to partake of the offerings; in Switzerland where you visually can grasp the mountains and streams along train-rides she describes through the Alps to Italy; and finally in a small Mexican town, where she surpasses even the writing prowess demonstrated in her previous stories, by telling the most poignant tales.

An interesting sidelight is that this book not only covers food. You gather early on that she is far from a teetotaler since alcoholic drinks and drinking at mealtimes too are frequent topics, from sipping wines and champagnes and glasses of Pernod on ocean liners to mixing water with bourbon, which she keeps in a flask during a long, propeller-driven, airplane flight to Mexico.

The other sections I liked were the beginning (Serve It Forth) and Consider the Oyster. It amazed me that one person could write a whole expose covering around a hundred pages about only the oyster: the various types, methods of preparations, and culinary history. Plus she gives her own personal memories and anecdotes too. You name it, she said it about oysters--recipes included.

I did not care as much for How to Cook a Wolf, as I could not relate to either the off-color humor or to some of the topics she presented. (Sorry, but sweetbreads, halves of calf heads, and brains were not appetizing subjects.) Also, I gave up finishing the book. I started to read "An Alphabet for Gourmets", the last section, but got as far as "D" and couldn't force myself to read through the rest of the alphabet. It seems to me by the time in her life when she wrote this section she had become rather cynical and bitter, to the extent that everything she wrote sounded condescending. This section was such a let-down, a depressant to me after coming off the high of "The Gastronomical Me". Although I exaggerate, she seemed to repeatedly state something to the effect that she preferred to dine alone on crackers and milk rather than face gourmet meals with uncultivated people (with untrained palettes) who were unsavvy as to the proper way food should be eaten in the first place and incapable of appreciating what they shoved in their faces in the second. Anyway, other readers may disagree with me, but this last section lacks the consistency, and more important, the vibrancy and pep of her flowing, off-the-wall style that grows on you in the other sections.

Although I was a little disheartened at the end, her brilliance that shone through in the other sections more than outweighed the few negatives. I can recommend this book to everyone, especially to people who are interested in food as a literary subject in its own right instead of something that we simply cook and eat. Of course, foodies and cooks alike should appreciate it. And though it does have some very good recipes as added bonuses, this should not be considered a cookbook; instead, this book's function is to serve up delicious tidbits for our minds and imaginations to savor and enjoy.

I thought this book was interesting. Our book group also read "The Omnivore's Dilemina". She brings a post WWII perspective to food.
The tomato soup cake was OK.

We had our meeting and each made something from the book. The author had an interesting life and has written many other books so it was a good discussion.

"The Art of Eating" recountss the tale from post World War I to World War II France in gastronomic terms. This is a collection of several books. "Serve It Forth," first published in 1937, is a history of gastronomy. In "Consider the Oyster" written in 1941, Fisher finds her voice. "How to Cook a Wolf" published in 1942, when wartime shortages were at their worst includes recipes for stretching the smallest of ingredients to meet nutritional needs and the needs of the spirit. "The Gastronomical Me" is this reader's favorite, which recounts Fischer's life in France. If you have any interest in good food, well-written memoirs or French culture, you really must read this book. It defines the word "classic."

This book is definitely not for beginnings. The authors have put too many technical words into each sentence, which makes for much confusion. There are many fine books out there for those who are beginning to learn about automobiles. This is not one of them.

This book has alot of good information about automotive technology. It has the basics and foundation to get you started in your career as a technician or if your just curious about the industry in general. Great book.

I've always been interested in cars but never knew very much about what was under the hood other than the very basics. All I'd previously done to my cars is top off any fluids, change burned out bulbs and change flat tires. So, I finally decided to learn about cars and do some maintenance myself which led to this book. It took me a full year to read completely (maybe 2 months actually reading) but with a new baby and a move to a new house mixed in, I think I did pretty well! I was very serious about learning and that is almost a requirement as this book is very detailed and needs to be studied in many areas to really understand the concepts, especially if you have nothing else to go on.

This is a multi-semester text book intended for students in an auto shop class that covers all automotive systems from engine internals to wiring to air conditioning. Everything is covered in detail with multiple designs of components covered where appropriate.

My only complaints are that many times the text references figures that are on the next page so there's a lot of flipping back and forth. Also, some illustrations are a little difficult to make out to really visualize a complex part while some exploded views (many direct from manufacturers) are so overly detailed that the important information discussed in the text is lost.

These are small gripes though as the few gaps left from a few sections with bad drawings can be supplemented with an internet image or animation from sites like howstuffworks.com. These really help with things like differentials and transmissions.

Otherwise, armed with the knowledge in this book you will have no problem understanding any shop manual and doing most auto maintenance yourself. Where the Haynes manual you buy at the auto parts store goes over your specific car and what bolts to loosen to fix whatever and the torque required when you bolt it back together, this book goes into much more detail on all systems in a more general but complete way. It doesn't assume you know any of the basics. The layout is pretty good too. Things are broken up so you don't have a lot of very detailed chapters all bunched up like engine internals, carburetors and transmissions. They are seperated by chapters like Tool identification and use, electricity fundamentals and wheel alignment. The best part is how everything builds on previous chapters or sections. For example, the engine internals section starts with just a piston in a cylinder, then they add valves, then cooling, then timing for those valves, etc until all the major components are added to the final engine drawing.

I can't say enough good things about this book. It's obviously a mature work (previous edition copyrights go back to 1963!) and I can't see much that can be improved. So buy this book, a service manual for your car, a jack and some tools from Sears and do your own work and be able to knowledgeably discuss more complex procedures with your mechanic when it comes to that. Also find a forum on the internet for your car (such as automotiveforums.com) for help troubleshooting.

I am new patent attorney working on patent applications related to the automotive industry. I was looking for a great book that was easy to understand and had tons of diagrams. I have found it!!!!

Reading 'Auto Fundamentals' is like taking a college Auto Tech class at your own leasure! Pretty much every question you have about the fundamental automotive systems WILL be answered by the time you finish this textbook. This is an absolute must-read for anyone looking to get into an automotive field, no matter what branch. Plenty of pictures (with thier own accompanying explanations) are placed throughout the book to give you plenty of visual aides to go along with the text. Although this is an excellent read, there are a few parts of the book that can overwhelm you (eg. automatic transmissions/transaxles and power steering systems we're so over my head I had to skip those chapters). The author goes into extreme detail at the beginning of the book, but that detail kind of tapers off near the end. Not so much that you won't be able to comprehend what your reading, but enough that it may get a little frustrating to read. I'm still giving this 5 stars though, it more than deserves it for it's wide variety of content and (for the most part) clarity.

I am actually amazed that I never read Agatha Christie's autobiography before now, since I have loved her books and re-read them many times over the years.

She was born in 1890 in Devon, England and died in 1976 in Oxfordshire, England. She started this autobiography when she was 60 and finished it when she was 75. And, just to make sure people don't get disappointed right away, her publishers state flatly in the preface (of the edition that I own) that she does not, EVER, mention the infamous disappearance the year her mother died and Archie Christie asked her for a divorce. That will be a mystery never solved. You get the sense that she left quite a bit of her emotions and feelings out of the book. She mentioned frequently in the book that bad times were to be got through so that one could enjoy the good times.

The book does ramble on delightfully, as she herself would probably put it. "What I want is to plunge my hand into a lucky dip and come up with a handful of assorted memories." (from the Foreward). Here's a critical paragraph about how one should view her autobiography:

"We never know the whole man, though sometimes, in quick flashes, we know the true mam. I think, myself, that one's memories represent those moments which, insignificant as they may seem, nevertheless represent the inner self and oneself as most really oneself." (also from the Forward).

There is an amazing amount of detail regarding Victorian and Edwardian England. Her ability to describe things minutely and interestingly was one of the things I always loved about her books.

The main outlines of her life are there, as are quite a few details about her family. She loved her family immensely and it shows. She discusses her father's lack of business skills that wasted away the fortune he inherited and her brother Monty's wholly unsatisfactory life in the straightforward way that she wrote her books. She was an extremely practical person, I think.

Her interest in archaeology because of her (2nd) husband Max Mallowan manifested itself in quite a few of her books, and I think that perhaps some of my interest in archaeology was because of her interest. She had one daughter, Rosalind, who died in 2004, and a grandson, Mathew Prichard, who runs "the family business" as it were.

There are a few preachy parts and I would like to have had more dates, but she warns you in the Foreward, and you must simply sit back and let her tell her story and understand her the way she wanted to be understood.

The book ends before her husband, Max Mallowan was knighted for his distinguished archaeological career in 1968 and before she herself was appointed a dame of the British Empire in 1971. Truly an interesting woman, truly an interesting autobiography.

Agatha Christie recalls a happy childhood in Victorian England. Unfortunately, it's a way of life now gone. Hers was a fairy tale upbringing when customs, manners and the family group were all important in upper-class society. Her portraits of the family, her governesses, the servants, her pets are descriptive and funny. Now I know why she became such a great writer. Wonderful!

I want to say, up front, that I'm a HUGE Christie fan -- I've read everything that she wrote, over 80 mysteries, plays and her Mary Westmacott pseudonym stuff. However, I was very disappointed in this, her autobiography for multiple reasons which I will elaborate upon here in detail.

First, she utterly fails to discuss her famous 11-day "disappearance" in 1926 (to the Harrogate Spa), which is probably the most intriguing thing that ever happened in her lifetime! Here, I'll cite a website (http://observer.guardian.co.uk/uk_news/story/0,,1922888,00.html):

"But Norman, a former doctor, believes the novelist was in a fugue state, or, more technically, a psychogenic trance, a rare, deluded condition brought on by trauma or depression, which may also have led the writer and actor Stephen Fry to travel to Bruges in 1995 without leaving word with his friends or family."

Okay, I'm Hoyle with that (there was a Hollywood movie that implied that she was having an affair, which I did not necessarily accept as truth) -- but why leave such an important event out of an autobiography that is certain to be of huge interest to fans?

My second criticism is more pointed. Over the years, Christie issued MANY racist comments in her various works. I won't repeat them here as all fans will know what I'm talking about. Now, this was COMMON for writers to do throughout the 20th Century so, on it's face, taking into account that this was "an acceptable practice" for the era, I don't condemn Christie for this initial act of making such comments, even though many did not benefit or lend real support to the dialogue.

However, Christie died in 1976 and this autobiography was published in '77. By this time, racist commentary was being very much looked down upon (as it should have been), and Christie could have made some sort of positive overture, however minor, to say that she wished that she had not used certain words that were hurtful to people. No such apology, however minor, is found in this autobiography, that I could find, and I feel certain that by 1976, Christie had received many letters which pointed out these anachronistic racial comments, probably seeking some sort of reaction. Based upon the absence of such thoughts in her autobiography, I seriously doubt that any response was issued. I find that a sad omission.

Finally, as I read this book, I got the distinct impression that her heart was not at all in writing it, that it was a drudgery of sorts. I don't blame her for not wanting to write it but, if she didn't want to do it, she should have simply not done it, rather than issue something that reflects a sort of sideways contempt for her millions of fans.

Here's what I DID like about the work: I learned a great deal about little things that ended up in her mysteries (such as "Truelove"). I learned something of her family (not enough about her trials and tribulations in marriage, though), and I went away sort of feeling sorry for Christie's father. Beyond these things, she came off as pretty drab to me -- my expectations were so much higher as she had been a world-traveler and COULD have said so much more. I found that the whole thing lacked a sense of history.

So, I'll no doubt take some hits for my review and, if I'm in error about my facts, I'll come back and make corrections -- but I just think it could have been a super work and, compared to other autobiographies that I've read, I found this one dull and lacking in honesty.

I have a tendency to over-rate the media which I review but I can't go along with the crowd on this one. Perhaps I'm wrong in that they say you should review what's IN a book and not what is absent. I'm not certain about that but I welcome your sincere feedback and comments.

Agatha Christie, perhaps the best known mystery writer of all time, did not ever plan on becoming a writer. And when she did become one, it took her years to accept this as her profession and to believe that there was something other than money to be gained by writing books. Her autobiography is a pleasant ramble through the fascinating live lived by the creator of those master sleuths, Hercule Poirot and Miss Marple. Her life was no mystery but most definitely an adventure.

Agatha Christie began writing her life story from her second husband's archaelogical dig in Iraq. It is set up in a rather rambling manner, starting from a brief family history to her earliest childhood memories and on through her life. Throughout these memories are punctuated by various tangents, often involving her writings, other times not. It is not a straightforward chrononlogical telling of her life, but rather like having a pleasant conversation or reading a leader that she has written to her readers. It allows fans of her writing to get to know the woman behind those characters.

While not as detalied as some fans might wish for - as author and editor, Christie has left out some events - and rather long, it is a pleasing read for any fan of Christie's stories. I learned much about her life that I did not know, including novels she wrote using pseudonyms, and took joy in reading her views on social concerns. While the time period she lived in and wrote about may seem long gone, Christie's words prove again and again to be timeless.

Often times autobiographies are dull things of interest only to the author or those who may be mentioned in the book, others are glowing brag fests relating how marvelous the subject is, or are filled with juicy gossip about other celebrities. This one is completely different in that Christie did not attempt to write a complete chronicle of her life, or to focus on what the public might want to hear (in fact she deliberately left out the very episode - her disappearance - that most would want to know more about) but instead told about those parts of her life that she was interested in remembering. For example most autobiographies rush through the subject's childhood and focus on the parts of their adult life that made them famous, not so here. Instead Christie takes the first third of her tale to describe her life before she ever thought of Hercule Poirot.

What the reader gets instead of stories about the great and famous is a charming glimpse into the life of a middle-class child born at the end of the Victorian era, her perceptions of a society that was rapidly changing as she grew to young adulthood. She tells about her life as a child in a comfortable household filled with servants, her teenage years with her widowed mother, as a young woman caring for wounded soldiers, as a bride then a single mother through her later years as a successful author and her second, happier marriage to an archaeologist and their travels to the Middle East. She glosses over meeting the Queen but tells at length about various nannies and secretaries that were part of her everyday life.

For fans of Christie it is particularly interesting to learn what inspired certain of her characters or plots, what was occuring in her life while writing some of the novels, to see people or situations that one can recognize in a favorite novel. For anyone interested in life in the early twentieth century this book also gives an insight into that time that is rarely seen.

Lots of modifications are available which is great for me. I am just now getting back into yoga and so this book has been a great jumping off point for me. I also have some of Beth's DVD's, (not the one recommended with this book), but it seems all of Beth's DVD's and teachings provide many options for all levels, without being too easy once you've mastered certain poses and sequences. Also, I agree with a earlier comment here, the layout of the book is fantastic! With pictures on one side and images on the other, its really easy to plop the book down while practicing and then flip from pose to pose, creating your own sequences with a great reference guide.

As a yoga instructor I look at yoga books with a critical eye. I love this one. In fact after reading it and going through some of the yogafit sequences, I actually signed up for and took a yogafit teacher training. This is now the only style I want to teach. It is a blend of Iyengar, Hatha, Ashtanga and Vinyasa yoga.

This book has very clear, large photos and easy to follow instructions. I use it almost every day. Modifications for almost each pose are given to make it easier.

This is an outstanding reference for those new to yoga as well as a more seasoned practitioner. The information is clear, concise, does not confuse and overwhelm you with too much detail. There is enough information provided to move you safely through the asanas and suggested sequences at the end. I especially find the book layout quite handy for quickly locating the pose I am interested in. All the photos appear on the left page, with the text information on the right so you can fan quickly through the book to locate what you are looking for. The back section includes complete sequencing for three levels of practice, and the final portion shows asanas that will particularly enhance several sports activity that you may be engaged in. Having personally heard some of the really weird ideas people have about what yoga is and does, I applaud Beth's fresh and unintimidating presentation of the physical benefits of this practice.

Bravo Beth!

Don't listen to the negativity being thrown around by some about either Beth Shaw or her program. Shaw has built a program of real Yoga for ordinary people seeking to start down the path of Yoga. Yes, her program attempts to simplify Yoga by removing Sanskrit and chanting -- but that doesn't mean her variety of Yoga is any less authentic. I see it as no different from what other Yoga instructors have done around the country by using English translations of poses and focusing on communication of the health and energetic benefits of Yoga poses.

And, by the way, YogaFit teachers do train in the esoteric aspects of Yoga (meditation, Chakras, philosophy, ancient texts and Sanskrit) when they participate in Shaw's Yoga Alliance approved program.

Shaw has built quite a following, with people traveling all over the country to take classes with her. Her style is simple, elegant and easy to understand, just like this book!

Namaste!

Inspired by a true story, Marguerite Henry continues her literary tradition--showcasing a love of horse (and mule) flesh for young
adult readers. Unlike the homespun crises in MISTY OF CHINCOTEAGUE
this story takes readers into the harsh world of professional horse racing, with its stark risks and grim realities. Set in Okalahoma then in Kentucky in the 1920's this story relates the birth and racing career of a thoroughbred whose smaller stature causes him almost to be overlooked for serious training. Fortunately for horse and owner, Black Gold is loved by his young jockey, Jaydee--an Irish youth who recognizes the colt's potential and often argues with his adult trainer.

There is inevitable conflict over the horse's training and career
among the men who admire him--a struggle of wills, knowledge
and equine insight which result in Jadyee's psychological coming-of-age.
This YA weepie provides a realistic lens on various aspects of life around Track--culminating with a running of the historic Kentucky Derby itself. Horse and Youth must demonstrate that it's the size of the heart in each one, working as a team, which ultimately matters in a highly competitive world. Even adults are advised to keep a hanky handy as Henry's tale unfolds.

This book is excellent. Anyone of any age will enjoy the book immensely. This is one of the few books that I cried while reading to my kids.

It was great! I loved how it was Real and how U-See-It's colt (Black Gold) was able to get back in raceing, and how the trainer and the jockey kept their hearts up when there was bad time. It was a great book. I read it really carefully that how good it was! I recomend this book to everyone, even non- horselovers. Really read it, i mean it. P.S it was a ture story.

I felt very sad reading this book because all the story characters died. But I liked the book alot because Black Gold won a lot of races and you see it. My favorite part was when You See It had her colt Black Gold.

Black Gold is a wonderful and exciting book written by Marguerite Henry. This book takes place in the early 1900's. It's main settings are in Oklahoma in the Skiatook Derby and in Chickasha. It also takes place in Kentucky in the Kentucky derby and on the Idle Hour Farm. This book is based on a true story about a racing horse named U-See-It and her colt named Black Gold. One of the most important events in this book is when U-See-It is banished from all racing tracks in the United States because her owner, Al Hoots, refuses to sell her at a claiming race. After that, U-See-It is sent to Kentucky to have her colt, Black Gold.
Black Gold becomes a great racing horse and wins the Kentucky Derby. Unfortunately, Black Gold is injured from a quarter crack in his hoof. As time goes on, Black Gold's leg falls off and Black Gold eventually dies. He has a burial ceremony and is buried in the middle of a field in New Orleans.
One of the main conflicts is a person to person conflict because Black Gold's jockey, an Irish boy named Jaydee Mooney, can't agree with Black Golds trainer, Mister Webb, about how to fix the quarter crack. I really enjaoed this book and I think you will too. Marguerite Henry did an excelent job of writing this book. So go and read Black Gold!

This is an excellent book, but there are a couple of drawbacks. First, and most annoying, is the ordering of the herbs by scientific name. Makes it hard to find the herb you're looking for. Second, it's a large book, takes up a lot of space on the table and doesn't fit on all shelves.

It has served me well enough, but I recently came across Your Backyard Herb Garden: A Gardener's Guide to Growing Over 50 Herbs Plus How to Use Them in Cooking, Crafts, Companion Planting and More and I have to say this is the book I would pick up instead, in retrospect. I may even buy it anyway. It's small, has all the reference information in this one (and then some), and more readily available.

This is a simply marvelous book. It is a mystery to me why it is not continuously in print. Do not hesitate to buy this used from Amazon Marketplace sellers, as I did.

The book is large and beautifully fashioned and produced, with gorgeous full-color photographs not only of each herb, but of dozens of different species of each herb, and of every possible use to which herbs can be put. There are full-color pictures of crafts, teas, household items, massage how-to illustrations, dyes--to say nothing of prepared food dishes; this is actually a cookbook within an herbal!

ONE CAVEAT: if you are looking for an in-depth gardening how-to, with exhaustive planting info, you might want a supplement for this book, which sticks to the basics. But every other herb-related topic is embellished and elaborated on. There are dozens of pages with full-color, labeled illustrations of different "theme" gardens you can plan. Whole chapters EACH on potpurri, herbal cosmetics, dyes, medicines, and household cleaners. Fabulous, unique homemade gift items like herbal-scented beads--that's right, painted beads made entirely out of herbs and plants!

The food/cooking section alone is worth the price of the book. The dishes are fantastic. I have already made the Sweet Rosemary Slices and several teas and drinks, and they are wonderful. Almost every recipe has a full-color photo.

I could go on and on, but rather than waste your time, I will leave you to hit "Add To Shopping Cart."

Money has rarely been this well-spent.

Unless you want extreme detail, you only need one book on herbs and this is it - whether for gardening or for culinary or medicinal insights, crafts or whatever. It's all here - and concise. I love to grow and use herbs and tossed the library my other herb books.

Cannot say enough about how glad I am to own this. It has more than I would need to raise herbs. Concise. Beautiful pictures. Excellent reference source.

I purchased this book for a basic book about herb gardening. I used the reviews which were very helpful. It is fantastic! Not too confusing like some I purchased which were very technical. (Not being a scientist, I couldn't use a lot of them because I didn't know their botanical names!) This book is definitely user friendly. I am recommending it to my friends who also are getting into herb gardening. A lot of information for a good price, you won't be disappointed. Great recipe ideas too.

ROFL, LMAO funny fiction in a semi-plausible historical settings. Defames many of the figures you yawned over in World History back in 9th grade. Flash is a real man's man. Read the books, preferably in order.

Given that my introduction to the Flashmen series almost coincided with the tragic (although not unexpected) death of George Macdonald Frasier I have made it my news years resolution to let people know about his wonderful books.

They wouldn't be good without the main character Sir Harry Flashman VC; who without ever really meaning to became the most highly decorated solider of the Victorian Era. This is all of course just a byproduct of his attempts to save his own worthless hide, with the reader cheering him all the while. They are also outstanding in their great attention to historical accuracy backed up with a large amount of footnotes.

This particular installment "Flashman at the Charge" is the first purely military Flashman adventure since the first book in the series and it is wonderful. Flashman (and the author) are back to true form here. Flashman of course has no intention of going to fight "The Great Russian Bear" but his idiotic lovable wife gets him appointed as a kind of Master at Arms for one of Prince Albert's German nephews. It is then decided that the boy needs battlefield seasoning for eventual command one day. So it is for to the Crimea Flashy goes for a date with the light brigade. This is only half of the story.

Overall-I think it is the best of the series everything clicks without force or effort.

Frazer keeps his series alive with yet one more finely written installment in the Flashman series.

Our Flash Harry is a rotten sort of fellow, but amicably so. Keep him out of harm's way, give him some undeserved glory, warm him with a bottle and a trollop, and he's happy. But in this episode, he meets someone far more rotten, the chilling Count Nicholas Ignatieff in chilly Russia, where Flashman is held after being captured during the Charge of the Light Brigade. Ignatieff is merely the nastiest aspect of a nasty land. Even Flashman, appalled by serfdom's cruelty, sees no difference between it and slavery.

Flashy maneuvers to avoid service during the Crimean War, but has the misfortune to be assigned as mentor to Queen Victoria's German cousin who can't wait to go to the front. Flashman somehow stumbles into three major actions on the same day. After capture, he is held in genteel captivity by a medieval Cossack lord who alternately fascinates and repels Flashy - and who details Flashman to impregnate his married-to-a-weakling daughter. He escapes during a serf rising in a thrilling nighttime sleigh ride, accompanied by his lover clad in nothing but furs, and the priggish Scud East, a fellow officer, prisoner and former classmate obsessed with notions of duty. Flashman is recaptured and watches in horror as Ignatieff has a random prisoner beaten to death with the horrifying knout, merely to intimidate Flashman. After being hauled off to Central Asia in chains to aid in Russia's planned invasion of India, he busts out with local rebels who draft him into yet one more life-risking but glory-generating escapade. He meets another notable babe, the Asian rebels' half-Chinese princess known only as Ko Dali's daughter, a chilling manipulator whose seduction has a deeper motivation.

In this fourth packet of the Flashman Papers, our man Flash finds himself in the thick of the Crimean War, including the Charge of the Light Brigade at Balaclava. Flash endures the regettable Lord Haw-Haw, the Earl of Cardigan, who led the Charge (although Lord Raglan deserves at least some of the blame for that fiasco). The reader is introduced to William Howard Russell, the famous Times of London who invented modern war reporting (the generals didn't like having a reporter around then either).

Harry also spends some not altogether unpleasant time in captivity in Russia - although a near encounter with the Russian knout leaves him with severe dyspepsia. Later Flash escapes, but ends up in in a Russian dungeon with Central Asian chieftain Yakub Beg and the warrior Izzat Kutebar. Rescued by Beg's people, Flashy shows some shocking signs of acting entirely honorably and contrary to his self-interest, but his odd behavior is soon explained.

If you are unfamiliar with the Flashman series, each book is a packet from the supposedly historical Flashman Papers. Flashman is a character of fictional history twice over, first in 'Tom Brown's Schooldays' published in 1857 and now in the George MacDonald Fraser's rediscovery. Fraser makes Flashman not only a cad, but also a reluctant and serial war hero. If you ever start to think Flashman has turned over a new leaf, just keep reading. If this kind of thing interests you I do suggest that you start with the first book in the series, 'Flashman', although each book stands on its own.

The Flashman series weave historical detail together with spell-binding stories told with frequent hilarity. Highly recommended for fans of British historical fiction or a good ribald tale of any kind.

After reading "Flash for Freedom," with its nauseous blatant racism expressed through Flashman's perspective, I began to wonder why I was drawn to the series. Even in the Spanish picaresque novels, rogues tend to mature in their skullduggery. But I already had "Flashman at the Charge" in the exercycle pile, so I plunged in. I'm glad I did. This is the most successful episode yet, in terms of skillful plotting and literary devlopment. Why, it's so well written that I'm sure some Flash fanciers will be disappointed. It also spews most of Flashman's bile on Russians and British army officers, two subspecies of Homo sapiens that I have no investment in. The big surprise, however, is that our Harry at last seems to be affected by experience. Several times in the book, he reveals admiration for the noble and contempt for the ignoble. He actually admits to feeling an emotion close to friendship for two other men and honest intimidation in the face of a powerful woman. And he acknowledges sympathy, sneeringly of course, for the suffering of others! What's all this coming to? Is Flashman gonna yield to the temptation to do something honorable!?! I guess I'll have to read the next book to find out.

This is truely one of the best books around for those that deal with inmates, especially those new to corrections!

Great book! I highly recommend this book for anybody in law enforcement or anybody trying to get into law enforcement! It will definitly make you think about what these criminals will do to manipulate you!

This is one of those books that really help you realize that you need to be AWARE. It's hard to do at first, but it teaches you what to look for when you are working with criminals. If you are, then you should buy this book.

This book should be required reading for everyone. I bought it for my husband who is going into law enforcement, but read it myself. After reading it, I made my teenage son, and my four brothers, and my parents, friends and in-laws read it. It is a wake up call for those of us who go through life thinking the best of people, and assuming that everyone else does too. If you have anyone in your life- unstable ex-mates, out of control teen-age kids, outlaw-inlaws, or any other kind of person that seems to want to use or abuse you, then please educate yourself about their agendas with this book. It makes it much easier to protect yourself, and believe me, not all criminal types are behind bars or come with a warning label.

This is an invaluable book for any correctional employee. It should be read by all new employees and reviewed by others from time to time.

Having worked in the corrections field for many years, I have seen numerous variations of these 'games'. The authors do a great job of explaining how setups progress from beginning to endgame. They cover many case studies that show various ways that inmates manipulate some staffers into providing contraband, sexual favors, etc. One would like to think that never happens, but it does. This book can be a great aid in reducing occurrences.

I first read this about ten years ago and just reread it. I learned even more the second time through. It is certainly worthwhile to review.

This book can help correctional workers avoid losing their reputations, jobs, and even their lives. If you work in corrections, buy this, read it, and share it with others.