Comic Books Books

This is the first book of a wonderful series. Yostuba&! is a wonderful 'slice of life' story revolving around the titular character. The special thing about Yostusba's perspective is she may be a 5 years old, but she's also a touch weird for a 5 year old. I would definitely recommend reading this and it's other volumes when you are in a bad mood; her innocent charms will lift your funk immediately.

Yotsuba written by Azuma Kiyohiko (author of Azumanga) is one of the best mangas you will read. It is mainly focused on Yotsuba and everyday life, but of course if that were the case it wouldn't be interesting. The real reason why life is so much fun in the manga is because of characters such as Yotsuba, her father, the next door neighbors (Asagi, Fuka, Ena), Jumbo and others* (there are side characters but later on they became part of the main story) There are life lessons and there are fun stories that are realistic and that is one of the main reasons why I think readers can relate and connect with the story/character. This volume and in fact the entire series can be enjoyed by everyone and is recommended for anime, manga and even those who have not read any mangas at all! Please do not overlook this manga as it simply one of the best out there. Once you are done with the first volume, you must simply own all of them (which I do currently up to volume 5)

I picked up the first book after reading how great the reviews were about it and I was impressed. Yotsuba&! is definitely not the kind of book I normally buy, but I am really glad I did. I found myself laughing out loud a number of times because of the situations Yotsuba finds herself in and the mishaps she causes. I'm looking forward to buying numbers two and three tomorrow. If you like reading manga that makes you laugh, this book is a good choice.

Outside of reading Koike Kazuo and Kojima Goseki's massive twenty-eight volume Lone Wolf and Cub, I have rarely read a volume of manga over the past half decade. However, the one short series that I did read, Azumanga Daioh, by the artist, Azuma Kiyohiko, inspired me enough to pick up the first volume of his currently running series Yotsuba&, and I must say that it has been a long time since a comic, or any book for that matter, has made me laugh out loud repeatedly and made me reread it immediately after completing it.

Yotsuba& stars Yotsuba, a five-year-old girl whose father Mr. Koiwai describes not only as being "strange" but as someone that "can find happiness in anything," which she does numerous times within the book. Milk, air conditioners, ramen, etc. everything is a thing of wonder to young Yotsuba, so, therefore, it should be no surprise that her move to a new city with her dad causes her much joy, albeit much confusion. There along with her father and their gigantic friend Jumbo, they mete the Ayase sisters, Asagi, the pretty one, Fuka, the "unpretty" one, and Ena, the youngest but most serious of the three girls. With eyes open to everything, Yotsuba finds adventure and fascinating things everywhere.

Yotsuba& is refreshing. At least in the first volume, there is no drama, no doomed love affairs, or a blue-haired man hell bent to destroy the world. Instead, the reader is given a view of the world of a young child. A world that still holds wonders hiding under every leaf. I definitely look forward the reading the other volumes of this series to see how Azuma fleshes out the characters and to see the wonders which Yotsuba discovers day to day.

I picked up the first book from a book store. I started reading it and could not stop. I soon hope to pick up volumes 4&5.
Youtsuba it a little green haired girl who is very energetic. The first book starts with her and her dad moving into a new town. Then many fun things happen. (I will name a few but not alot or it will be spoiled) Three of my favorite events were: (1 Yotsuba got hit with a swing in the park. (2 One of Yotsuba's neibors met Jumbo(Yotsuba's dad's friend) for the first time. He is abnormally tall, and scary. (3 When Yotsuba thought her neibor was a stranger and got scared of her.
If you like comedy this is the series for you!
I hope my reveiew helps!

I have been a faithful FoxTrot reader for years. Roger, Andy and their kids Peter, Paige and Jason are always good for a reality check with a large dose of laughter. I've got two girls and let me tell you, I see a lot of my kids in Paige with, I believe, even a healthy dose of Jason thrown in. And they have Peter's bottomless stomach. Of course, they're faithful FoxTrot readers too. I used to read the strip to them, explain what was going on, but now they get it just fine and we three all laugh together. Then my girls try and explain the strip to their dad, who pretends he doesn't get it.

The FoxTrot folks are a great family, one we sort of got used to checking up on every day, so we took the news that Mr. Amend was going to cease daily distribution of his wonderfully funny people and turn his strip to Sunday only, with a bit of sadness. Still, we have these terrific FoxTrot books to keep us going with our FoxTrot fix. Mr. Amend is to be commended for his great gift to our culture and his great gift to so many lives. I truly believe a laugh a day, helps keep the blues away and the FoxTrot gang are always good for a laugh. Heck there are a lot of laughs in the FoxTrot books. I know, I have them all and I am, along with my girls and my hubby dear, eagerly awaiting the next one.

Oh yes, I forgot to mention, we don't have an iguana, but my girls do have a pet gecko and, you guessed it, his name is Quincy.

I've been a Foxtrot reader for a long time and personally I think there is something suspiciously wrong with people who don't find Bill Amend's characters funny as all get out. If you want a good laugh, check out Bill in your local newspaper, or better yet, get one of the Foxtrot books. They are all great, really, they are.

Like many of Mr. Amend's fans I'm a bit disappointed he's switching his strip to Sunday-only, but fortunately I can still read him daily in the Foxtrot books. Get them one and all and you can keep right on a laughing.

This book was the first Foxtrot book I ever got, the second was "Beyond A Doubt", and Jason and Marcus in this one are your typical geeky guys who think girls have cooties. At a sleep-away camp they go to for the summer there are 2 girls who do there best to out-do them in every way. This, of course, leads to hilarious situations. Anyone pondering the thought of buying a Foxtrot book. This one is the way to go. Of course, they're all great!

I never really read foxtrot before, and my parents got it for me on my 13th Birthday. I did'nt know why got it for me, because I never talked about liking it. But I read it, AND I LOVE IT! It is now one of my faverite comic stips EVER!
This Book is great, it is extremely funny. This book is two foxtrot books in one. It includes foxtrot books "Come Closer Roger There's a Mosquito on Your Nose", and "Welcome to Jasorassic Park". I think it is great. You should definetly buy it.

Who will like this book? All Foxtrot fans (even the finicky ones)!


Round up the usual suspects:

Jason: always living to the fullest of his 180 IQ, interest in computers, and irritating Page.

Page: will she ever get a boyfriend? Isn't she happy that Jason goes to summer camp?

Peter: his appetite will always exceed his interest in sports, but not by much.

Andy: are there any tofu recipes she DOESN'T know?

Roger: even with his golf and chess game, caffeine can't fix everything.


Camp FoxTrot is a fat collection of your favorite comics...250 pages worth. You will not read it all at one setting!

The Far Side Gallery is the first collection of Gary Larson's crazy comic strips featuring hordes of talking anthropomorphised fauna and fowl of all shapes and sizes.

These are generally very amusing, and generally very witty, and you are bound to get some fridge or door material out of one of these.

Gary is sorely missed. Almost no one saw it the way he did. I hope another comes along.

Okay, it's a collection of Far Side comics, which is what I want, so it's awesome for that reason. BUT, the actual final product in book form is a little disappointing. First, all the comics are black and white. Yeah, it's not about the art and you don't miss much without color, but come on, would a little color kill anyone (especially ones that were originally color)? Second, it's pretty thin on strips, with 4 to a page most of the time (a good amount) sometimes 2 on a page, and even occassionally one comic on a single page! It looks pretty silly with just one giant comic on a page.

Larson's original gallery has so many classic Far Side cartoons that you can not justify not owning this sensational collection of his work. Larson may well have retired a while ago but the power of these works of brilliance to make the reader laugh will never fade. There have been many who have copied Larson's style but I have never come across anyone else who has even come close to achieving the quality of The Far Side.

Buy The Far Side Gallery along with its sequels, the original smaller books that make up these galleries are also great buys, along with the calendars and other merchandise. Larson's 2007 calendar gives all the proceeds to wildlife conservation (which obviously inspired a lot of his work) so get that too. You can never own enough of The Far Side.

In this volume (originally released in 1984) of the Gallery collections you will find such classic Far Sides as on Noah's Ark "Well that's it for the unicorns, from now on all the carnivores are confined to C Deck", the father being held up by his shirt collar by an invisible man with his son saying "BigBob is tired of you saying he doesn' exist, the smashed bottle falling from the clouds with humans running away with the word Uh-Oh! from the sky. The bears riding in the circus car saying "Looks Like a trap I said, nonsense no one would set a trap way out here in the woods you said...." The crocodiles on the river bank saying "That was incredible, no fur, claws, horns, antlers or nothing, just soft and pink" and of course the classic picture of dinosaurs smoking with the caption beneath "The Real Reason Dinosaurs Became Extinct" are just a small sample of the classic laughs within this sensational masterpiece.

Some of my earliest memories are filled with reading The Far Side on my father's lap after the evening meal. Whenever I asked my parents for a one of the standard collections, they told me to wait, one day they would all be in one book. Then, for Christmas one year, I got this book.

What can I say, but thank you Mom and Dad and thank you Mr. Larson! The Far Side was, and still is, funny, original, and timeless. This collection gives you some of the best of the original strips and lends itself well to watching the progression of humor up and through until the end.

At first you can't help but chuckle, especially if you were around during the 80's. Alot of the work in here is very time based and looks like posters hair metal bands would drool over. Regardless of the decade inspiration, the sheer talent Olivia has will keep you studying a piece long after your nostalgia for the days of air guitar and Iron Maiden ware off you can't help but see nothing but beauty on page after page. My favorite piece is "Cat and Mouse" it's a bettie page number. Enjoy!!

Second Slice, The Art of Olivia is two books in one...sort of...about ¾ of the book is displays Olivia's paintings in portrait format. Flip it over, and the rest of the book is in landscape format...a flip book for adults! Olivia's second slice is every bit as filling and delectable as the first offering featuring 124 pages with 140 paintings in full color. Each of the two sections provides a detailed index with the name of the piece, size of the original painting, materials used, the name of the model, as well as Olivia's own commentary on her works. These comments are often as entertaining to read, as the paintings are to view.

The models used in this edition include Pamela Anderson, Rhonda Shear, Bettie Page, Julie Strain, and Sandra Taylor. The paintings of the saucy Julie Strain are some of my favorites in the book. With her long, kinky black hair, ample curves, and playfully wicked smile, Strain made a wonderful pin-up queen for the 1990's, when most of these pieces were completed.

Olivia experiments with many forms of style and color, which make for some of her most striking and exotic work to date. This is well displayed in "Zebra Lady III" as the nude, striped model (Rhonda Rydell) blends into and almost disappears into the striped backdrop. While not necessarily known for darker, gothic works, Olivia clearly shows she can compete with the best in that genre with works such as the female vampire on display in "Things that Go Bump in the Night" and the winged, horned "Banshee" which serves as one of the book' covers.

Flipping to the landscape side, the buxom blonde bombshell Shear is captivating in the painting entitled "Pomeranians" as she finds herself lying on the ground, covered in a wrap made out of those furry, little dogs.

Second Slice is another gorgeous collection of Olivia's works, all from the 80's and 90's. It is filled with gorgeous women and bold, sassy, and exotic colors and settings. Olivia continues to prove why she is at the top of her game.

Reviewed by Tim Janson

Olivia was one of my favorite artist, and in my collection of Illustrations books she can't be absent. This new collection of paintings shows her skills to mold all kind of techniques.
A must have release.

Olivia is the Vargas of our time. As Vargas took the reigns from Petty, Olivia has done the same, and Just like Vargas went beyond Petty in terms of realism, and delicate beauty, Olivia De Berardinis has taken cheesecake to a whole new level. Every pose, expression, and little bit of body language is put to use. Every Shot is beyond what a glamor photographer would dream of. Utter Perfection on so many levels. There is definitely some of her art that pays tribute to Petty, and Vargas among other legends of pinup in many of her pieces in most of her books. This one is a collection that spans many realms, and genres as would only be appropriate in our day. (Frank Frazetta influence spans the universe) There are no pieces that are over the top goriffic, or Horrific works like Clevenger, but there is some definite influence from Fantasy art in a portion of this book. The cover of this book was also a cover on Heavy Metal Magazine of which Olivia did many covers for in the past. This book is like an homage to the beauty of the feminine and female form, as is all of her work. Mouthwatering is the only description I can give it. If your looking for extreme fantasy, or horrific, gorrific works go for Clevenger. But if you want to see the beauty of the female form that can only be described as: like looking into the eyes of an angel". Olivia's books will do you no wrong. This one is no exception.

Who better to draw women than a woman? Olivia De Barardinis is the undisputed queen of cheesecake art, that wonderful if ill-defined blend of sensuality, sexuality, humor, and glamor.

Although her style covers a wide range, each illustration depicts a lone model. Based on Olivia's notes at the end of the book, it sounds as if each woman's presence is just too big to share a page with any other. Each time Olivia paints, she captures something unique to the model, so two models might confuse the directness of the image. Other visual elements appear in her work often enough to form a recognizable ensemble: happily erotic poses, improbably high heels, and lingerie ranging from antique to futuristic fanatasy. Various of the paintings here show other influences, including Bettie Page, Klimt, Marilyn Monroe, Erte, and generations of other sensualists.

Olivia uses the last few pages to add notes describing the paintings. The text identifies each one by title (if any), year, medium, and usually the name of the model. In many cases, Olivia says a bit more about the woman depicted, the inspiration for the image, or something else to help the reader enjoy the picture - as if help were needed. Then, the last two pages let her talk about the creative process in each of her media, including watercolor, gouache, acrylic, and her trademark oil. I recommend this to anyone fascinated by Olivia's voluptuous, vivacious vamps and vixens.

-- wiredweird

Count D, the androgynous, keen on the tranvestite clobber owns a very strange, supernatural pet shop, where you want to be careful what you wish for when you ask him for a recommendation. Apart from that, the first part he is on holiday with a detective and his kid brother, and they run across a man who claims to have seen a mermaid 50 years ago, and has been obsessively hunting it ever since.

Thrown in a volcanic eruption, to make it more interesting.

I picked up Pet Shop of Horrors on the strength of it's reputation as both one of the best josei (women's) manga and one of the best horror manga. It's a reputation well earned.

The primary setting is San Francisco's Chinatown, where the mysterious, effeminate Count D (we don't in fact learn his real name, as Count D is actually his globetrotting grandfather, but for the purposes of the story we'll call him D) runs a petshop with a seedy reputation and whose clients have an alarmingly high death statistic. Detective Leon Orcot vows to close the shop and put D behind bars for murder and whatever else he can pin on him. More on that in future volumes - for now we're just getting accustomed to the format of the series.

Each volume generally tells the tale of four pets and their owners and what happens to them after the sale. In the premiere, we meet a gentle, empathetic Bird of Paradise trying to lighten his mistress' depression; a monstrous rabbit who is both her new owners' desperate dream and worst nightmare; a Basilisk who falls in love with her master; and a noble, heroic Doberman determined to protect his blind mistress from the still-at-large murderer of her parents who might be after her next. Of course, this is Pet Shop of Horrors, not Lassie, and when their tales are told, things will only have turned out well for one of the four...

The pet shop scenario allows D and Leon to be a point of reference throughout the series so that new situations don't have to continuously be set up. The banter between them is often amusing, and D himself is fascinatingly ambiguous. In some ways the stories are somewhat predictable (although the ending of one gave me quite a whallop), but that's not always a bad thing, and some have rather deep things to say about treating not only our animal companions but fellow man well. The animals themselves are diverse enough to keep things from getting stale.

It is worth addressing the manner in which the animals are presented here. Throughout the series, they appear to their owners as humans, which anthromorphizes them (think the ballet Swan Lake, the musical Cats, or the anime Wolf's Rain). An interesting aspect is that the animals reflect the human cultures of their indigenous area. The Bird of Paradise, for instance, appears as a beautiful androgynous youth in the traditional dancing garb of Bali to represent his plumage, while the Doberman appears as a handsome young man in a German military uniform.

A mixture of fantasy and horror, this is worth a read for anyone old enough to handle the fact that it is a horror series with some frames which earn it a 16+ rating.

Pet Shop of Horrors has a lot of magic and insight in its stories.
Count D, with his love for nature and animals, webs a mystical tapestry in which mankind is another thread, that constantly menaces to rip the cloth of Life apart.
I recoment this manga for anyone who likes magic and animals, and sweets.

I really enjoyed this series and the artwork is definetly some of the best! ^.^ Also get the DVD version of this. Unfourtunately they only did one dvd of this manga but that was excellent also.

Affectingly humanistic AND gleefully misanthropic all at once, PET SHOP OF HORRORS is a 10-volume series revolving around a Chinatown pet shop, the highly unusual animals it sells, and the (often unpleasant) fates which befall its patrons. Running the shop is "Count D", a young Chinese man with a charming smile. Trying to run him in is Leon Orcot, a grumpy police detective who is convinced D is behind all those nasty, animal-related incidents.

Each volume contains three or four clever, creepy, well-characterized stories focusing on an individual customer. Meanwhile, the series as a whole gradually unveils the story of Count D, and his quasi-adversarial relationship with the dogged-but-dense detective.

A lot of reviewers here explain the "rules" of the series to you. But I really enjoyed reading Book One "cold" and figuring it out for myself. The confusion is half the fun, and the real charm of the series is the way the stories subversively mess with our perceptions.

Some stories are better than others, of course. I was briefly alarmed at a dip in quality at Book 4, but Book 6 bounced the series back. Even so, Books 4 and 5 each contain one first-rate story, and overall work just fine as a brief change of pace. Book 10 concludes the series with four interconnected tales focused on the recurring characters. It is one of the best final books of a manga series that I have yet come across.

The "rating" jumps from T13 to T16 after Book 3. But I think that Book 1 gives you a good idea what you are in for content-wise. The detective does not watch his language, mermaids don't wear tops, many of the stories, uh, don't end well, and there is gore and extreme weirdness. But it is never gratuitous or stupid, and risque content is clever rather than crass. My local library has the full series, but it is STILL at the top of my To-Get List. It is that good.

You will never imagine what kind of surprises are awaiting inside... the imagination is endless.

This book is a compilation of all "Mafalda"'s comic strips. Who is "Mafalda", you might ask?. Well, she is a very outspoken little girl who isn't afraid to say exactly what she thinks about many subjects, including her parents, politics, ecology and her enormous distaste of soup :)

"Mafalda" was created by Argentine cartoonist Quino (the pseudonym of Joaquin Salvador Lavador), and has been published in Latin America, France, Greece, Italy, China and Portugal. Even though "Mafalda" first appeared in the '60s, most of the stories you will read in this book maintain their edge. A great part of "Mafalda"'s charm is that these comic strips allow us to see many matters from the point of view of a young but highly intelligent girl, who isn't old enough to know that speaking her mind isn't always the right thing to do.

All the same, her candid but highly accurate views on many issues will make you laugh, and think. Young children, teens and adults will interpret her words differently, based on their diverse experiences. But I bet all of them will enjoy this book.

You must take into account, though, that this book is in Spanish. That being the case, you should at least know some Spanish, or be eager to learn it (and there is no better reason to do that than wanting to read "Mafalda"!). What is more, and in case you are not ready to buy a complete edition of "Mafalda"'s comic strips, you can always find a smaller and less expensive edition in Amazon.

All in all, I think that "Mafalda" is a treat that the English speaking readers deserve to have. The language barrier is there, but it can be broken with some effort. Truth to be told, it is worth it. Highly recommended!

Belen Alcat

I know Mafalda from its days in the leftist Italian newspapers as a comic strip. Every strip told an important social truth. But you don't need to be political at all to love her and her varied friends.

"A buen entendedor, pocas palabras," dice el viejo refran. Cuando se dice Mafalda, quien haya vivido en las ultimas tres decadas en alguna parte de Hispanoamerica (e incluso paises de Europa) probablemente sabe que se esta hablando de ese adorable personaje que desborda en genialidad y gracia con sus ocurrencias de niña precoz, asi que no hace falta elaborar al respecto.

Lo que si merece ser notado es que este espectacular volumen empastado (hardcover) de 658 paginas reune todas las tiras de Mafalda publicadas desde que el popular personaje fue introducido en este planeta por el legendario caricaturista argentino Quino. No tiene tiene desperdicio este libro y es altamente recomendable para el fanatico de Mafalda que detesta la sopa al igual que para el neofito en el mundo de Quino.

A mí siempre me ha encantado Mafalda, y ahora a mi hija
de tres años le encanta, a pesar de que no sabe leer!
Este libro es muy bonito y debe de tenerlo si le gusta
Mafalda.

This book was as good as the first one I bought.He is a prophet of our American Civilization. Someday; we will be like the society in his books. The best adult comic book writers come from United Kingdom. Since The UK is our best international friend; They earned the right to be our best critics. Again; As usual Amazon delivered.

Even though subsequent volumes in Warren Ellis and Darick Robertson's TRANSMETROPOLITAN series would surpass this very diverse collection of stories, it is still a first rate addition to the series. It is always outrageous, frequently funny, sometimes absurd, but always stimulating.

There two aspects of the series that make it especially interesting to me. First, no other comic series explores the meaning of the media in general and the Fourth Estate in particular. For all his cynicism and rebelliousness, anti-hero Spider Jerusalem is a journalist who believes that reporting should strive to make the world a better place . . . or at least not quite so bad. Sometimes Spider's posing and stunts get in the way of that, but Ellis does manage to get the story back around to that conceit from time to time. Second, the series goes further than any other I know in looking at the furthest extremes of what people will do to remake and reconstruct themselves. Many writers have pointed out that ours is already a Cyborg culture. How else can you characterize someone who has an artificial hip, a pacemaker, and lasik eye surgery? Other writers, like Ray Kurzweil and Hans Moravec, have fantasized about a utopian future in which the human brain is sliced up and downloaded into a database, where one's consciousness can enjoy a virtual immortality (though personally, I just think of this as a bizarre way to die). Many of these notions are taken up and explored in the Transmet series.

The two books that begin the series are good, but newcomers should keep in mind that it gets much better in subsequent volumes. So while I recommend this, I even more strongly recommend reading the volumes that follow.

This book too much focuses on "being punk" instead of focusing on story. There are great ideas but they are not really explored.

Lust for Life is probably the weakest collection of Transmet. It falls in between the initial story arc, and when Helix Comics, was shut down and the title was moved to Vertigo. It has some nice establishing moments, and sets up some characters that will play critical roles through out the series. But, it's that point in between where the story starts and where it finds its feet.
It's still a part of the larger whole though, and can't be skipped if you're trying to read the series beginning to end. And Transmet is still one of the best comic series out there, so, even at its weakest, it continues to be a very strong piece.
In the end, if you haven't read the first trade, this is a poor place to start. If you did and disliked it, Lust for Life does expand the characters, but, you probably won't find anything to change your mind. If you loved the first trade, or just found it mildly enjoyable, it's worth continuing, though, mostly for where the series does find its feet, in the third trade.

This is really something I could say is a Graphic Novel without smirking. I'm no veteran when it comes to comics, but I've lent it out to a few people I know that are, and they rave about it as well. It's very much like a Fear And Loathing influenced cyberpunk tale of journalism in a future that, for all its random technical advances, is still populated by people and therefore still plagued by the same kinds of problems we face today.

Mann...this was my very first manga. Without this i would never have been into anime or manga. Actually Animerica Extra was my first actual manga preview of Fushigi Yugi. All thanks to my uncle Goku. Really that is his name. Meaning 5th son. But weird part is my grandparents only had 3 boys in the family out of 7. So maybe he was the fifth child born? But Fushigi Yugi is a wonderful book to start if you are just starting to like manga. It is perfect. It has fantasy creatures, humans with either super powers or just super human abilities, revengeful people, and a forbidden romance that could and should never be, but is. But all in all this is a perfect book by Yu Watase. Her best work ever besides Alice 19th and the forever gorgeous book ZETTAI KARESHI!....that is all...

Wow. If you don't have this manga, then there's something wrong with you! Whether or not you're a fan of the Tv series, Fushigi Yugi is a must have for the anime fan. Yu Watase knows how exactly to blend comedy with drama, so you can have emotional trama and kick [butt]fighting, turning into a laugh-a-minute when one of the charactes does something stupid. I particularily like the "Fushigi Auki, The Malicious Play" parodies done by the author every so often, taking a section of one of the chapters and turning it into a farce. GET THIS MANGA it is well worth your dollars.

Yu Watase, Fushigi Yugi: Disciple (Viz, 2000)

The third book in the Fushigi Yugi series dips a bit at first, but quickly roars back to become ever better than before. Miaka and the celestial warriors are basically wandering about waiting to find the next celestial warrior, and they find him in Chichiri, the mystical "cat-guy" whose powers complement the others quite nicely. All of this is well and good, and covers roughly the first half of the book (though we do get more background on Tamahome as well), which is readable, but nothing special. The second half, on the other hand, is all that and a bag of oysters, as Miaka and the crew find out there's a rival priestess and reveal her identity.

Lots of fun. *** ½

Some good news to fans- a new celeestial warrior appears, Chichiri. He trained under the watchful eye of Tai-Yi Jun { I can just imagine spending three years with her... that face
-_-}. And because of that, he learned some cool moves like how to freeze people {no da! ^-^}.

And a turning-point character shows up- Yui, Miaka's best friend. She has a thing for the celestial warrior Tamahome.

In the previous book, Yui goes missing, so Miaka goes back through the Universe of the Four Gods so Miaka could find Yui. She goes to the kingdom Qu- Dong, where she believes Yui might be, followed closely by Tamahome. The good news is Miaka finds Yui. At first Yui wants yo go back to Hong Nan with Miaka and Tamahome, but a conversation they have makes her want to reconsider.

Wanna read the bad news? I'm not telling you anymore than this.

Highly Recommended.

This is volume three in Fushigi Yuugi, a wonderful series. Miaka and Tamahome are a great couple with a wonderful love story. Their love story is very touching in this voloume. Tamahome tells Miaka his feelings and they become boyfriend and girlfriend. As they become a couple, their love is so sweet and touching. When Miaka leaves, Tamahome finds her and hugs her and tells her his feelings. When she leaves to head to a new nation, Tamahome finds her and asks her why she left. Tamahome kisses her and Miaka and Tamahome's love is very touching and romantic. Yui watches this and sees Miaka and Tamahome kissing. When she confronts Miaka about it, Miaka finds a new side to someone she knew. When Miaka discovers the truth of what happened to her, she makes a decision. Tamahome sees her and notices that Miaka is acting differently. He asks her about it- but she isn't sure how to tell him what she must do. Tamahome kisses her and finds out the truth from her. Tamahome tells Miaka that he will always protect her and they hug. This volume has lots of romantic moments between Miaka and Tamahome and they become a couple in this volume. This is a great volume.

In Not Between Brother author David Marion Wilkinson relates the epic story of Texas spanning the years from 1816 to 1861. Wilkinson uses the life story of his primary protagonist, Remy Fuqua, to tell the Anglo, Tejano, and to some extent the Mexican parts of the tale. On the other side, Wilkinson puts the reader into a virtual alternate universe by following the life a Comanche warrior named Kills White Bear. The lives of Remy and Kills White Bear become inextricably bound together through a series of unfortunate incidents that are mostly fueled by their mutual desire for vengeance. Indeed, the book closes with one final tragic encounter between them.

On the larger stage of history, Wilkinson's book tells the story of Texas (or Tejas) from its days as part of the Spanish colonial empire, through its Mexican statehood, its days as an independent republic, and its annexation to the United States. The book closes as secession fever strikes and the state legislature withdraws Texas from the Union over the objections of its governor, Sam Houston.

Fuqua wants to ranch and by hard work and fortuitous marriage achieves an extraordinary level of success. All the more bitter, then is his struggle against the Mexican government, The Texas Republic, and Confederate Texas to keep what he has built. The eternal struggle, however, is between the Comanche, especially the Penatekas led by Kills White Bear, and the Anglos and Tejanos. The Comanche fiercely defended their hunting grounds and with some degree of success on the sparsely settled Texas plains. Both sides fought viciously - it injury to the truth to romanticize it. In addition to their sheer numbers and technological advantages, the whites brought diseases that no amount of courage or tenacity could resist. On the whole, the Comanche chose to resist, seemingly beyond all reason, rather than submit.

Wilkinson sprinkles his tale with historical characters such as Sam Houston, Buffalo Hump, Santa Anna, Juan Seguin, Indian agent Robert Neighbors, and Captain Jack Hay of the Texas Rangers. Wilkinson also puts the reader in the midst of historic events such as the Alamo (necessarily told second-hand to Remy), the Battle of San Jacinto where Houston won his fame and Texas its independence, and the Council House Fight, where the army's ham-handed handling of treaty negotiations led to a massacre of Penateka chiefs and warriors, which in turn led to the slaughter of captive whites and touched off a major round of Comanche raids.

The one negative review of this book asserted that the author is no McMurtry or' Mitchner' (sic - presumably the reviewer meant James Michener) - a range of literary skills nearly as large as the Texas plains, in the eyes of this reader. Wilkinson does not reach the heights that McMurtry can, but exceeds Michener in developing real characters in an historical setting (as opposed to the rather simplistic characterizations in Michener's `Texas'.

Highly recommended for fans of historical fiction and the American West. The insights into the Comanche and Tejano side of the story set Wilkinson's book apart.

This is one of the very best western epics I've had the pleasure to read.
Laced with historical characters and important moments in Texan history, this book will keep you reading until your eyes droop. I am now a huge fan of this author and have moved on to other of his books. I don't know if it's possible someone would want to make a film of Not Between Brothers but I surely wish they would. This book is a cracker.

Having received this book as a gift several years ago, I am now sorry it took me so long to get around to reading it. I assure you that once you start reading Not Between Brothers, you will find it hard to put down.
Others have rehashed the story in their reviews to some degree or another, so I'll try not to do that here. Author Wilkinson does an excellent job developing both the characters and his story. There's a surprise at nearly every turn, although the reader somehow knows that chief protagonist Remy Fuqua is going to survive.
This is not just a story of a titanic clash of cultures, it is a story of hard men and women in a harsh land, where nearly every day brings an often life-threatening challenge. It is written in an heroic fashion that reminds me sometimes of Michener and sometimes of Fraser (of the Flashman series), but nearly always in a way that keeps the reader wondering what's coming next. Wilkinson writes a balanced story with a great understanding of the points of view of all the cultures that once claimed Texas as theirs.
Those who know the parts of Texas where this story takes place will almost literally be able to visualize it, to taste it and to smell it. Those who don't know Texas will come away with a pretty good picture of its geography and climate. And everyone will come away with a greater knowledge of the forces that shaped Texas and made it what it is today.
This is said to be Wilkinson's first novel and he's done a heck of a job researching and writing it. His command of the language is impressive as is his attention to detail. I found only one major factual error about a third of the way through probably missed in the proofreading( see if you can find it too). There are also a couple of times where I was able to guess why a particular incident occurs ahead of it being explained, but most of the time the reader is left in breathless anticipation of what's to come.
Despite a few missteps and a weak final chapter after the dramatic and surprising climax, my overall impression of Not Between Brothers is that I have just read an epic blockbuster. A blurb on the cover claims that it was a finalist for the Spur Award for best novel of the West in 1996. Well, if some other book beat this one, I'll have to read it and see why, because Not Between Brothers is one of the finest books about Texas or the West I have read in years!

Being a native Texan and a former history I found this to be an
interesting book.The book tells of Remy Fuqua moving to Texas to
start his life.Once in Texas he marries Beatrice the daughter of
wealthy Mexican parents.Together they have three children.His
wife and two of his sons are seized by a feirce Comanche chief by
the name of Kills White Bear.Remy rescues his wife and one of his sons.Once home Beatrice has a child that has been fathered by Kills White Bear.Remy rides with Sam Houston and does battle
with Mexican bandits and the Comanche Indians.He later has a
confrontation with Kills White Bear.A very well written fiction
book that sounds like actual history.Read this book.You will have
a better grasp of the early days of Texas.

Texas is a huge state with a rich multicultural heritage. It takes a real tour de force, such as David Marion Wilkinson's "Not Between Brothers" to do it justice. In this epic view of Texas history, Wilkinson uses fictional characters Remy Fuqua and Comanche Indian Kills White Bear to tell the story of life on the frontier between the years 1816 and 1861. Remy is a Scotch-Irish orphan who grows up in Louisiana and is permanently scarred by his unhappy childhood. He carries a "never-say-die" attitude and a quick temper throughout his life. Kills White Bear is a Comanche warrior who nurtures a hatred for the white people whose diseases rob him of many of his loved ones. Remy and his cousin move to Texas where they negotiate a piece of land from Stephen F. Austin. Remy meets and falls in love with a beautiful, wealthy Mexican woman, and this causes problems for both of them throughout the rest of their lives. Remy and Kills Bear's lives weave their separate paths until at last they intersect, with predictable dire consequences for both of them. Wilkinson's wonderful prose and unforgettable characters make for an excellent read. He weaves in a lot of history and the reader is treated to up-close looks at Stephen F. Austin, Sam Houston, Jim Bowie, and others who are painted in wonderful shades of gray and who are not made to look like saints. For anyone who enjoys historical fiction or who has an interest in Texas, this is highly recommended reading.

...I cried. Like a baby. And just...

CLAMP, you are too mean.

That last line without the "kun" in it just felt... slightly upsetting, but all in all, the translations were pretty decent.

"That line" made me cringe a tad, but I suppose there's worser ways to translate it.

If you're a Tokyo Babylon fan, or X fan, or Subaru and Sei-chan fan, read it.

And yes, you will most likely cry.

Four words: Cried like a baby. Through pretty much the entire volume, to stop briefly during the cute fluff girl-talk moment between Yuziriha and Arashi, then to start anew during Seishiro-san's side story.

Anyone who has ever belived that there was anything other than blank emotions or hate between Subaru-kun and Seishiro-san will shed at least one tear in this volume. Anyone who read Tokyo Babylon will be bawling. Without the honorifics, I admit, i did shift a little in my seat and definitely lessens the impact of "that line", (but my convoluted mind changed it into the intimate lack of honorifics, instead of Viz being dumbasses) but it still makes me cry.

We once again see Hokuto, Kakyo of course, angsting over her. man i love this girl, she rocks, of course. she makes a speech, in her dying moments to Seishiro-san (Kakyo's dream, of the past) about love and how there's hope, and how she could never hate him and puts her trust in him, and oh man, it made me cry.

DoE Kamui's talk with Kakyo is worth seeing too. The use of the word "special" causes confliction with me. In this context, it should be something much stronger than "special", but it strikes a memory of a TB scene where Hokuto-chan tells Seishiro-san that he is "special" to Subaru-kun, and there, the word is supposed to be "special", so confict on word choice there.

This volume is dedicated to my two all-time favorite CLAMP characters, Subaru-kun and Sei-chan, and their story, which began in Tokyo Babylon, continued in various volumes, which always made my heart clench, and finally ended here, in a very tearful moment, and lots of sakura petals (what else?) during the fight. (their story "continues" in a way in later volumes, you'll have to read 17 and 18 to know what i mean)

Even though their aren't any really happy moments (though the goofy smile never leaves Sorata's face...), and evil!Hinoto makes my skin crawl, and the majority of the book made me cry (Subaru-kun sitting in a dark room clenching the blood-spattered jacket around him, and kissing the marks on the back of his hands...*cries all over again*), this is definitely my favorite volume of the 18. Anyone who has made it this far, whether reading it w/o buying it, or buying all the volumes, one by one, has to own this volume. Any Tokyo Babylon fan should own this volume. period.

Being a huge X and Tokyo Babylon fan, I find that this book is simply gold. No X fan can deny that this is one of the most memorable books from this series. They can't deny that it is heart-wrenching and very moving.

Luckily, I do not see a need to attack Viz for their translation. Others may see things differently depending on how Americanized or directly translated they like their manga to be. X is my favorite series, so I will not deny that I tend to be harsh on Viz. That having been said, here's what I thought:

Content-wise, this book couldn't be better. While it does center on just two characters, it is very worthwhile and doesn't drag on in the least. The overall mood is out to get you shocked and crying (and darned if it doesn't succeed), so don't expect tons of fluffy stuff here.

Translation-wise, this is, as I said in the title, passable. Not horrible, but probably won't meet the standards held by hardcore fans. Allow me to say this: the dialogue is much less ambiguous. The sound effects kind of seem to be mocking the artwork, but maybe that's just a recent revelation of mine. Finally, one page is left unflipped and if you're observant/know the pages of this book like the back of your hand, you'll notice and probably cringe.

There are some good points, though. As I said, I'm biased against Viz, so I'm being tough. After reading this book twice, I only found one minor grammatical error and as far as I know, the dialogue is mostly translated correctly. Of course, the artwork is just brilliant as always (and, may I argue, better than usual?).

To be honest, I rather like Viz's translation of "that line" (for those who don't know what I'm talking about, you will and how it's translated probably won't matter). Overall, I'm satisfied.

Final word: Go out and get this volume. It's a must-have.

I found this manga to be one of the best I have ever read. I am 12 years old and just cant stay away from it. The fighting scenes are great. I really love the english translation and I love being able to get into the character. It is great to be able to get into the main character and in this book I found that you really could get into the character. I think that all anime lovers will love this manga. When you are watching the series and you dont read the manga dont watch episode 0 you'll ruin it all for you. You want to know the plot before you watch episode 0. So even if you havent read it and you just want to watch and ruin the plot go right ahead. But if youre one for reading and not ruining the plot then get the manga and read. Im sure youll enjoy yourself even if you dont like reading. It isnt hard to enjoy this book and even if you dont like anime I beleive you will love this series. THE END

Apparently, the image for this sucker isn't working. However, this IS the link that came up when I went to my order and selected good ol' volume 16 of X.

How to review it....

Let's simply say I sobbed like a baby all the way through. Viz finally did a decent translation job, keeping all the heart, feeling and utter and complete angst that makes this the greatest of all volumes of X nearly as fabulous as it was in its original printing across the pages of Asuka comics.

From the trauma that graces the pages (no, not a single freaking happy moment in this one... save Sorata's goofiness at the end. He's a great spirit-lifter, even though after Hinoto's cameo you just shudder seeing his grin. GAH!) to the beautiful detail splayed across every page, this one's always been impossible for me to put down.

SEE what I mean that the fight in the anime should've been MUCH longer, seeing how many pages it takes up in this volume? Their fight went on forever across the comic's pages! Yeesh.

And such a horrible, yet fitting end... *cries herself silly*

To enjoy - Kamui smiling (WOW!), Sorata flopping his hair like mad, Nokuro looking very very bish, Girl-talk between Arashi and Yuzu that's so sweet it nearly made my teeth rot with its sugary goodness in a fine way, Kamui at Subaru's feet gripping his hand like the uke onna CLAMP's all but turned him in to, wind-caught trench coats EVERYWHERE, Seishiro's best-ever defense against ofuda, HOKUTO-CHAN! in her final moments, Kamui jumping off the roof of a Geo Metro (I'm a Metro owner, so I laughed myself silly seeing that. Thanks for the giggle, CLAMP!)...

Seishiro's side story with all of its incest and wrongnes with its pretty flowers and snow...

And the unforgettable conclusion on the drama that started with the very first pages of Tokyo Babylon.

Sayonara, Sei-chan.

And as for Subaru... no worries. We'll be seeing him again. *runs off before she blows spoilers everywhere*