Comic Books Books

This was a great comic book, It shows you Yoh when he was 4, he was so cute! I say, if you like shaman king, buy it!

I love Shaman King and everything but this book was just one long fight, even though the fight was really kool and everything it got boring after a while so if you like loooooonnnnngggg battles then this is a good book

Ok, here in the latino paradise I live in, there are no comics or books or nothing of Shaman King, only T.V series. Are there T.V series os SK in the states? Anyways, the names are somewhat different too, what you all call Asakura Yoh is "Io Asakura", his spirit that's with him, which in spanish is called "espiritu acompa?ante", is named "amidamaru". Then what's his face, no idea what his english name is, the dude with the the one-spike on his head, his name is "Len Tao", spirit? "Baz-n". Blue haired guy, "Horo Horo" (dont know what name his spirit holds but she keeps saying: cucurucu!), the gay guy, "Ryu". 'Lizer", the green haired guy, fairy's name is "Morfin". "Ana", "Io"'s girlfriend. "Manta", "Io"'s best friend, the little guy. And the cheetah kid, the one that tells jokes, "Chocolo" is his name, and he wants to bring: "la brisa de la risa". 'Jun Tao", "Len"'s siter. "Horo Horo"'s sister? no idea. And anyways, there weren't anymore series after Io finished with Hao (twin brother). So! not really sure what the other characters are! except for "Los soldados X", the group Lizer joined ages ago, with the leader princess character, "La Doncella"!

I am the frickn biggest fan of shaman king i have read every single shonen jump until i forgot about the 2nd volume when i read this i thought that it was awsome pretty long fight but interesting this volume has yoh,len.bai long,and a couple of more people but it is awsome it also tells you about bai longs kung fu master shalin (joto one).

If you haven't experienced the power of Shaman King yet, this second volume may or may not be a good place to start, but for all you action-buffs out there, Volume Two is right up your ally.

Starting after Yoh's fight with Ren, the reader is treated to a flashback to when Yoh was a young child and how he becomes obbsessed with his goal to becoming the Shaman King. We also get two new characters added to the already likeable cast: Anna, Yoh's strict and bossy fiancee and Jun, Ren's older sister who controls the corpse of famed action star Lee Bailong. Again, we are treated to another impressive battle with lots of hard punches, kicks and ghostly matches.

While this volume is basicly one big action-packed fight, a lesson is taught and learned (a common theme, no?). Still, one cannot admire and praise the art, story and characters that has put Shaman King on the map. More of the main character's personalities are revealed and Manta truly outshines Yoh in this department. While in the first volume he is shown as a wet blanket, he proves that this wet blanket has a strong backbone and will do anything for his friends! He proves this by risking his own safety while requiring a replacement sord for Yoh by getting into a fight with Ryu. Hey, what are friends for?

For anyone who became a fan through the anime, give the manga a go and see what you have been missing. For those who are already a fan of the manga, sit back and relax and take in all the action of this volume!

Wow, this was my very first Simpsons Comic Book that I have bought and trust me I was very impressed. I didn't really have high expectations for it but this really took me by suprise. This Comic is amazingly funny! You just have to get this book, trust me you won't regret it with classic strips such as "A Trip to Simpsons Mountain" where Grandpa tells his days when there was no television and "Get Fatty" where the town of Springfield is known as the most overweight town in the country and every food that now sells is nutritional and so the whole town has to lose some weight in order to be awarded a waterpark. I would get this Comic book if I were you because now I have at least a dozen Simpson Comics in my room after buying this one.

This is the first simpsons thing I had ever bought-and once I read it I went and bought a lot more>! This is one of fav. simpsons comics.

Waitresses in the sky is the only bad one in this book.A trip to Simsons mountain is the best.All the others are good too.

All four stories were very funny.You should see the T.V. show first.Lisa's top 40 was also funny.I think number 18 was the funniest.I recommend Simpsons Wing Ding.

More super stories from the great characters of Springfield! Here's what this issue has to offer:

"A Trip to Simpson Mountain": Grandpa tells a story of his childhood days before television that sounds oddly enough like a cross between The Waltons, Beverly Hills 90210, Leave It To Beaver, The Brady Bunch, and the Partridge Family (must be a coincidence).

"Kill-er Up With Regular": A classic Itchy and Scratchy short from the "1930s".

"Waitresses in the Sky": Patty and Selma lose their jobs at the DMV and end up living with the Simpsons. Can they find the job of their dreams at Mr. Burns' airline (you'll love the insignia on the planes) or will they break under the pressure (actually, the "No Smoking" sign)? Would make a hilarious T.V. episode.

"Apu's Incredible 96-Hour Shift (without Getting a Break)": The legend is true, but not so impresive considering Apu didn't have a customer for 95 hours and 54 minutes of the famed shift.

"What's the Frequency Simpson": Similar to the T.V. episode where Lisa and Bart co-anchor a kids' news program. In this comic, Bart and Lisa take over a public access channel to start a new sensation: SimpTV. SimpTV offers such entertaining and informative programs as "Geek Patrol" hosted by Martin Prince, "Bad Boy" starring Nelson Munz, and "In the Kitchen With Wiggum" where Ralph creates many tantalizing dishes involving paste. The television elite of Springfield (aka Krusty the Klown, Troy McClure, Bumblebee Man, Kent Brockman, and Dr. Nick) try to shut the renegade channel down.

"Bumblebee Man in !Ay, Que Lastima!": Short about the trying personal life of the yellow and black striped character we thought we knew.

"The Dame and the Clown": Dragnet take-off where Otto is Detective Friday and Moe helps Marge escape an abusive relationship to return to her true love (Homer the Sailor Man).

"Get Fatty": One of the funniest of this book. This comic has a topic similar to the T.V. show where Springfield is named the nation's fattest city. In this comic, President Clinton plans to shape up the country's fattest town with the "worst cholesterol count in modern history." He sends his fitness ambassador Rainier Wolfcastle (aka McBain) to whip Springfield into shape. The worst offenders must lose 10 pounds in two weeks or face the consequences. Can they (or, more to the point, CAN HOMER) do it?

"The Quest for Yaz": This comic continues the storyline started in the T.V. episode "Three Men and a Comic Book." Milhouse's dream is to own a 1973 Carl Yastzremski baseball card when he had big sideburns--but is Milhouse willing to steal to get it?

My son loves the Simpsons and wasn't too into reading. I thought what better way to get him into reading than buying him books about his beloved Simpsons. Sure enough he sat down with it and read it cover to cover without getting off the couch.

this is better than a lot of the newer simpsons episodes. it is a good fast read when you are bored.

This book literally left me speechless.
Once you start you literally can't stop.
I picked up the book and until i read
every last word of this amazing
"extravaganza of laughs" couldn't put it down.

This thrilling tale just gave and gave
and didn't ask for anything in return.

I absolutely,positively enjoyed every aspect of this book because it was full of jokes,laughs and skits.

IF YOU HAVE ANY SENSE OF HUMOUR YOU WILL LOVE THIS BOOK!

PS: I GIVE A STANDING OVATION TO THE CREATORS OF THIS "EXTRAVAGANZA OF LAUGHS".

This book is so funny! As I read it, I had a hard time not laughing my head off, while rolling on the floor. Yes, its that FUNNY! Its big too, 7 or so comic strips, and each strip is like 20 big pages, its like reading a book, but better. If you want a good laugh, get this book NOW! The one thing bad about this book is: NOTHING!!!

This book is jam-packed with Simpsons Comics! It is 174 pages; 30% bigger than most Simpsons Comics books! And the quality of the comics has not gone down one iota. Here's what you get in this book:

"The Geek Shall Inherit the Earth": Springfield's top three nerds, Doug, Gary, and Benjamin (Homer hung out with them in the TV episode "Homer Goes to College") are finally forced to leave the secure confines of college to venture into the real world. They end up in Homer's garage. Soon, they become millionaires after creating a violent computer game. While pursuing investment ideas, which includes a sci-fi motion picture that may be too scientifically correct, they leave their business in the hands of Homer. Good idea? What do you think?

"The Absent-Minded Protester": Grandpa is tired of being ignored, so he tries a new way to express his ideas that makes Bart proud.

"Dullards to Donuts": Mr. Burns' research lab produces a donut with powerful addictive qualities. When Burns cuts off the donut supply to his employees, they will make any concession to get them back. The proceeding trial includes appearances from conservative talk show host Birch Barlow (his followers are called "Echo Drones"), Lard Lad, and the mob.

"Sense and Censorability": As punishment for doing a lousy job on his oral biographical report, Bart has to present an historical research project with Homer! When they find their sources from the "Adults Only" section of the comic book store, Watch Out!

"Sideshow Simpsons": With Krusty's sidekicks on strike, Krusty shoots his prime time network special from the Simpsons' house.

"In Search of the Lost Donut Holes": Cute and clever short that has advertising icon and donut connoisseur Lard Lad and friends traveling to "dimensional gateways" through the universe in search of the missing donut holes. Comic includes slogans, editor's notes, and "Brain Glazer" puzzles.

"Bart Simpson and the Krusty Brand Fun Factory": Bart, Ralph, Barney, Nelson and their choices of "legal guardians or parole officers" win a tour of Krusty's new cherry soda factory. Bart chooses to take grandpa so Homer goes with Barney posing as Barney's mother. But, wait. Someone tries to hack into the computerized factory with his prison laptop! Why, it's Sideshow Bob!

"The Homer Show": Taken from the Jim Carey movie, a group of TV execs find Homer the subject of a plethora of videos sent to the Funniest Home Movies program. They plan on creating a 24 hour a day TV show around him, but must get the entire town to cooperate.

"Slobberwacky": Old fashioned style poem featuring many Simpsons characters.

This was a great collection of strips. You can see the natural and humorous growth of Zoe, Hammie and baby Wren, who keep Wanda and Darryl constanstly on their toes and in the grocery store. I have always loved Baby Blues and will be sad to see them "grow up"....like the kids in For Better Or For Worse. That's when you know a strip is darn great...when you think of the characters as real and you can really relate to their daily "lives". Enjoy, enjoy, enjoy!

I bought this book for my wife, because she loves chocolate and we have raised two kids. It is a very funny book. It should be read while eating chocolate too.
Gordon H.

I loved this new Baby Blues collection. It simply had me in tears. I liked it when Wren bumped her chin, the Hammie got greenstick fracture, then Zoe got bruised knuckles, and Darryl sprang his ankle. It was a hilarious Baby Blues story. I recommend this collection to anyone who wants to laugh.

Great reading! Good for parents who have very small amounts of personal space! Be prepared for lots of laughter coming from the closed bathroom door!

I can't believe the longevity of this strip and how it has stayed consistantly funny. When it first came out I found it really amusing as it dealt with the pitfalls of being a parent with a baby/children. Now all these years later, they are on their third child and the jokes are fresh and still very amusing. Baby Blues is an excellent series for the young and older fans.

Wow what a book, if you are planning in just buying one thing get this, it's well worth your time, what a wonderful read!

Once upon a time there was a Marvel Comic about a creature called "Spider-Woman" that was pretty bad ("How bad?" I hear you ask; it made Krypto the Superdog look like a prize-winner). In this trade paperback we are introduced to "Spider-Girl," which is supposed to constitute "the next generation of Spidey excitement" because this time around the female web-spinner is the daughter of the original Spider-Man ("How can this be?" I hear you ask; keep reading and stop interrupting me). The phrase "this time around" is key because this storyline, which collects issues #0-8 of "Spider-Girl," is set in the future. This is a future in which a lot has happened and not everything we know still holds true. Case in point: In the battle in which Green Goblin/Norman Osborn was killed, Spider-Man was seriously injured and while Reed Richards was able to save his life, Peter Parker lost a leg. Of course the head of the Fantastic Four came up with a pretty good replacement, but Spider-Man retired and now he has a high school aged daughter (named May, naturally), who suddenly has the ability to do a backboard-shattering dunk on the basketball court. Could the fact that her father is Spider-Man have anything to do with it? You think?

Tom DeFalco authored these first nine adventures and the chief attraction of "Spider-Girl" is nicely summed up on the back cover with the declaration that Peter Parker did not know what it meant to climb walls until his daughter put on his Spider-Man costume. So we have a retired superhero repeatedly trying to ground his daughter so she will not go out and fight crime, a nice twist on the old parental dictum, "do what I say and not what I did." "Mayday," as she is known, must have already been a source of aggrevation to her father Peter already has a streak of white in his hair, and a goatee, when the story begins. Of course, this leaves Mary Jane in the middle and one of the nice things about this collection is that it ends at what will clearly be considered the end of the opening act of Spider-Girl's career.

Long time readers of Marvel comics will find some interesting glimpses of the future in DeFalco's stories, as Peter and his daughter cross paths with the Fantastic Five headed by the Human Torch and Darkdevil, who is apparently no relation to the late Daredevil. Meanwhile, the Kingpin might be in prison but by no means is out of the picture, and Flash Thompson is Mayday's basketball coach. The first issue is co-plotted by penciler Ron Frenz (with finished art by Bill Sienkiewicz), while the rest of the issues are drawn by Pat Olliffe and inked by Al Williamson (competent, but nothing special). Overall, these first issues establish the foundation for the rest of the series by figuring out the relationship between father and daughter. The supporting case of characters is being fleshed out (May has a crush on Franklin Richards), and the one thing the series is clearly missing at this point are some defining villains. But DeFalco should be able to come up with those in due time.

This trade collects the first 8 issues (and origin story) of Marvel Comics highly contagious Spider-Girl comic book series. Why they don't publish more of her adventures is beyond me. These stories of a very likable young superheroine are thrilling to this middle-aged comic reader and should be to very youngest of readers. Forget about finding a bad review of this one - every one who reads it loves it! The stories are done in Tom Defalco's "one and done" style. This means they don't drag on and on like most of today's comic book yarns.

The stories are very reader friendly, done in a very lighthearted style. You won't find grim and gritty adult stories here, only fun stories that are apporpriate for the whole family. Highest recommendation. Makes a great present, too.

Hi, there! I'm Frank, and I'll be fillin' in for Zaggy while he catches all the arenaball action at the local pizza parlor. My review for this week is one of my all-time fave comic books: Spider-Girl! Y'know, there's only two kinds of girls I really dig: chicks who look kinda like John Denver, and chicks who look kinda like Spider-Girl™! Yep, I sure enjoy readin' the adventures of May "Mayday" Parker™ and her Spandex™-clad, crime-fightin' alter-ego! Boy, does she-- uh, what's that you say? You say you're kinda gagged out by my romantic thoughts about some fictional comic-book character? Sorry `bout that, it was the Pepto-Bismol talkin'...

Anyway, I really like this here trade paperback collection of the series' first eight issues (& issue #0). Now I can read the stories without messin' up my near-mint original single issues! And what neat stories they are: there's plenty of family strife as young May tries to carry on the legacy of her dad (Peter Parker, the original Web-Head) over her parents' adamant protests! Throw in her duties of trying to keep the peace between two of her high school buds, the return of the Green Goblin (3rd generation) and Venom, the high-school janitor turning into a big ol' dragon-thingy that proceeds to trash most of the campus, and a few new faces on both sides of the super-powered fence, and you've got... uh... a lotta stuff to read. And a lotta really colorful drawings to go with the words, too... can't forget to mention that. But then again, it is a comic book, right? At least I remember Spider-Girl bein' a comic book. Just to make sure, I'd better take another look at the trade paperback that I've got with me. OK, let's see now... there's pictures, word balloons, big ol' fights between costumed superbeings... yep, it's a comic book all right! Won't Zaggy be proud when I tell him I figured that out all by myself!

Oops, gotta go-- my break's up, and Ro'y's got a few more tasks for me to complete. He says if I do a really good job, he'll spring for my Mickey D's value meal-- super-sized, no less! It doesn't get much better than that...

G'Bye

I'm not a huge comic book geek, but I know great writing when I see it. Tom DeFalco is a highly skilled but highly underrated writer. The stories are fun and wonderful--like comic books used to be before everything went "Ultimate" or "Mature" or "Anime". More than that, though, there's a lot of depth to these stories that, while not neccessary to its enjoyment, is rewarding to anyone who digs beneath the surface. Little kids and grey-haired adults are reading this--a firm testament to the simple complexity of the stories and the skill of the writer. It's a continuation of the Spider-Man story with a new generation in May "Mayday" Parker, Peter Parker's daughter. The universe isn't mainstream Marvel--which turns away a lot of comic book traditionalists, but they're losing out. The characters are real, and their emotions move the reader. The themes are timeless. The fun is contagious. EVERYBODY can read this, and get something out of it. What are you waiting for? Buy it now!

It's 300+ pages of excellent Street Fighter art & material- a must-have item.

Highlights here for me...
*Character art & info- Especially great work by Kinu, Akiman, and Bengus, but many artists contribute great material.
*Black & White drawings- I love the limited amount of black & white material here, as well as the extensive full color art.
*All main SF video game versions- Including the original SF, Street Fighter II and its many versions, SF Alpha I-III, and SF III.
*Video game screen shots & endings- Near perfect text & screen shots of these great & memorable classic video games.

This 15th Anniversary Street Fighter Eternal Challenge needs to stay in print! It's an excellent book worthy of multiple printings. I highly recommend searching everywhere for a decent price. 5 stars!

If you have any interest in the artwork of Street Fighter, game character design, or game design artbooks, I think you will love this book. The artwork is amazing! I have been drawing and collecting Street Fighter artwork since I first played the game as a kid in the 90's. I have since stopped playing video and computer games completely, but I never completely stopped drawing these characters. This book was well worth the $18 I paid for it and I especially recommend it to artists (of any level) with an interest for game character design.

it's mos def a must-have for any street fighter nut. there's concept art, character profiles, interviews with the creators and artists, all on silky glossy paper. however, it seems kinda rushed, there are SO many typos and errors and crap, but it isn't really that big a deal
recommended

This is a MUST for any hardcore Street Fighter fan. Tons of amazing art, which chronicles the entire series and loads of fun interviews just busting with behind the scenes info and reasons why characters were changed from version to version.

As for the book itself, it is of HIGH quality paper and is book bound. I have not seen the other version of this book also available on Amazon.com, but I can honestly say that this version is printed on nice thick paper (not sure just how thick, or what true diehard art fans consider nice paper) and makes all the art look really great.

Buy this now!! You will NOT be disappointed! ^_^

this book is sick, no complaints whatsoever. it has everything you need to know about street fighter, yea there are some spelling errors and sum corny translations but its a small price to pay for such a good book, cop it and be happy u did.

Tales From the Dark Tower is not a book.

Tales From the Dark Tower is a work of art.

Wow... I never thought I'd start a book review like that. But then again, I never quite expected to read something like Tales From the Dark Tower, either. Because it was truly a sweet experience; one of the best ones I've had so far in my career as a book reviewer.

Well, then, what's so great about it? Let me put it this way: it's hard something that is NOT great about it. Everything, from the beautiful artwork on the cover and throughout the book (all done by genius Joseph Vargo) to the quality of the paper to the stories themselves; it's all top quality and I cannot think of a single thing that I don't like about the whole thing. Not one.

And that makes writing a review quite difficult. Why? Because there's simply not very much to say about the piece except that it's a definite must-buy. I don't usually say that; in fact I rarely say that at all, but this time I have no choice but to face the pleasant facts: I loved it. From the first page to the very last. Several different authors contribute with stories, and they're all masters of their craft.

Sure, some people might think the stories are goth-cliché. After all, they are all very much alike, both in setting (in or around the Dark Tower) or in the way the different authors present their ideas (haunted cemeteries, pale and beautiful gothic beauties, forbidden love that forever haunts the unfortunate ones, dark and sinister clouds that blocks out the sun, scary gargoyles staring down at the mortals, and so on). But then again, Tales From the Dark Tower IS a gothic collection, the authors are goths, the readers are goths, it's all a big gothic get-together and thus the stories should and could not be written any other way.

As I write this I have the book next to me on the desk. It looks beautiful. And I'm jealous on all the people out there who have still to discover it. I usually don't read a book twice, but this time I think I have to reconsider.

And I hope a sequel one day will see the light of day. Or rather, the darkness of the night

Tales From the Dark Tower is not a book.

Tales From the Dark Tower is a work of art.

Wow... I never thought I'd start a book review like that. But then again, I never quite expected to read something like Tales From the Dark Tower, either. Because it was truly a sweet experience; one of the best ones I've had so far in my career as a book reviewer.

Well, then, what's so great about it? Let me put it this way: it's hard something that is NOT great about it. Everything, from the beautiful artwork on the cover and throughout the book (all done by genius Joseph Vargo) to the quality of the paper to the stories themselves; it's all top quality and I cannot think of a single thing that I don't like about the whole thing. Not one.

And that makes writing a review quite difficult. Why? Because there's simply not very much to say about the piece except that it's a definite must-buy. I don't usually say that; in fact I rarely say that at all, but this time I have no choice but to face the pleasant facts: I loved it. From the first page to the very last. Several different authors contribute with stories, and they're all masters of their craft.

Sure, some people might think the stories are goth-cliché. After all, they are all very much alike, both in setting (in or around the Dark Tower) or in the way the different authors present their ideas (haunted cemeteries, pale and beautiful gothic beauties, forbidden love that forever haunts the unfortunate ones, dark and sinister clouds that blocks out the sun, scary gargoyles staring down at the mortals, and so on). But then again, Tales From the Dark Tower IS a gothic collection, the authors are goths, the readers are goths, it's all a big gothic get-together and thus the stories should and could not be written any other way.

As I write this I have the book next to me on the desk. It looks beautiful. And I'm jealous on all the people out there who have still to discover it. I usually don't read a book twice, but this time I think I have to reconsider.

And I hope a sequel one day will see the light of day. Or rather, the darkness of the night.

I have to start by saying that I have wanted this book forever. I am a big fan of Joseph Vargos, who amoung us has not seen his art at places like Hot Topic? A friend and I even exchanged postcards done by Vargo as our primary means of communication. His art is beautiful and most of his well known works are contained in this anthology in plate form. The quality of the paper lends itself well to the art prints and those are stunning. Had the volume been slim and only contained his art, I would have given it 5 stars.

However, since the work is also an anthology I feel I have to be fair and review it as a book, too, and I have to be honest, I have read better. There is a wide range of stories in this volume. Let me start by listing all the works with their authors so if you are looking for a specific author, you'll know if they are here. There is **The Dark Tower by James Pipik and Joseph Vargo **Born of the Night by Eric Muss-Barnes **Vampire's Kiss by Christine Filipak and Joseph Vargo **Masque of Sorrow by Christina Filipak **Shadows by Joseph Iorillo and James Pipik **Sentinels by James Pipik and Joseph Vargo **Sorrow's End by Jalone J. Haessig **Noctem Aeternus by Robert Michaels **Nightwatcher by James Pipik **Vesper Tolls by Joseph Iorillo **Sanctuary by Russell Norotny **Lilith by Joseph Vargo and **Watcher at the Gate by Joseph Vargo.

The stories are connected together by a single thread, which is the history and occupants of the Dark Tower. Some are undead, some are alive (though usually not for long) and all have tales of sorrow and morality to tell. Most of the stories are good, though I felt that many could have stood on their own without being connected to the Dark Tower. I even thought that once or twice the authors wrote the stories as stand-alones and then added elements to make it connect to the anthology. I think most interesting were the stories by Joseph Vargo. It's interesting to see what went through his mind, the stories behind his paintings as hold by him. Ultimately, I think my only complaint is I wanted the quality of the writing and stories to match Vargo's art, and that is nearly impossible. His art is so beautiful that it is very difficult to reach that level with another art form -writing.

I would recommend this book just for the Vargo plates alone, especially since Amazon now has the paperback for $16.99. The art is worth it.

So buy it, curl up on a dark and stormy night, and enjoy.

It's got great tales, awsome art work, and sexy scenes. You can't get any better than this.

I am not actually Mike, I'm his 14 year old daughter, just so ya know.... I found the book at Hot Topic and i just HAD to buy it. (It was only 15 dollars at the time, so go to hottopic.com to buy it, it is still like 4 dollars cheaper!) This book is absolutely AMAZING! If you are into gothic "fantasy" this is definitely the book for you! It is full of lavish illustrations bu Joseph Vargo of Monolith Graphics...I couldnt put the book down once i opened it! The various authors -including Joseph Vargo- do a wonderful job of painting a mental picture for you with their words. I would recomend this story to anyone looking for an extremely well put together book, but the squeamish should probably stay away, because of excess blood spillage. ... I would read it a thousand times, maybe more..if only i had the time.. Anyway, its a great read!

You may also be interested in The Gothic Tarot. Joseph Vargo came up with and illustrated it all by himself! His talents are unbelieveable! ...You can get the Gothic Tarot from Hot Topic or hottopic.com, when i purchased the deck it was only $16!!

More humor from the mind of Berke Breathed. If you love Bloom County, this is good one to add to your collection, although some of it is repeated elsewhere.

Breathed is a great cartoonist in general, but his political satire is without equal. For those of us coming of age politically in the mid to late 1980s, this book will provide a constant source of laughs, from disgraced televangelists to football strikes to (my all time favorite) alien dogs that look and act surprisingly like Oliver North. Don't miss!

This collection does a marvellous job of walking the fine line between the hilariously funny and the absurdly silly. Some of the other Bloom County collections fall off of that line and land in the absurdly silly zone; for the most part, this one avoids that flaw. A must for any fan of the collection, and a good place to start for someone who isn't familiar with it. Of course, anyone too young to remember the '80s may miss some of the then-topical political references (a murderous alien that looks like a cute, telegenic puppy testifying before congress a la Ollie North, for instance) but for the most part, even if the reference is unfamiliar to the reader, the humor is only reduced, not lost entirely.

Bloom County was and still is one of my favorite strip comics ever. It was often topical, referring to presidents, sitcoms, and other Americana of its day. Such subjects, when they appear, give this comic a dated look, almost like watching the Marx Brothers.

Most of the strips, however, are timeless. Opus' personality is as sweet and doofy as ever. Oliver Wendell Jones still gets in trouble, the kind no one has the heart to punish him for. Steve Dallas is still a jerk, the kind of jerk that I still find today. All the rest are still there, too, as good as they ever were.

It's a funny mix, news from the 80s mixed with topics that work today, and it's still a funny strip. If, someohow, you missed the original run of Bloom County in the daily funnies, you'll find that it's never too late to catch up. Enjoy!

//wiredweird

Berke Breathed was one of those rare political cartoonists whose political insight was the same weight as his humor. "Bloom County" was his greatest vehicle. Some other cartoons have great political scope but just don't make you laugh out loud--"Doonesbury" and "Mallard Fillmore", particularly. While others fake political insight, but are very humorous. "Tales Too Ticklish to Tell: Bloom County" is as good as any of the other Bloom County anthologies, but it's the inclusion of a Bloom Picayune that makes this an extra treat, and serves as a reminder that this strip was special for its time. Boy, do I miss it.

A Pleasure. Very smart - wonderful writer/artist. A very minor comment, I wish the pages were a bit thicker so the text from the under side of the page wouldn't show through the drawings. Of course though then the book would be very thick. Enjoyable still.

I think the book is beautiful and very well done.
Thurber was a great writer and his works are worth reading.
I have a bit of personal interest in this, though since he was
my father's 2nd cousin. Looking at Thurber's photo in the book
is like looking at my brother's face when he was a young man.

James Thurber's brand of humor often went under the radar -- he didn't have scintillating wordplay, goofy puns or juvenile humor. (No offense to you, Mr. Barry -- I love your work too). But, as "James Thurber: Writings and Drawings" demonstrates, the subtle approach worked just as well.

Thurber wrote and drew so much during his lifetime that this book is actually not a full collection, but a sort of "Best of" collection. Thurber turns a satirical eye at sex, marriage, men who bark like dogs, old ladies who foretell doom, some rather dry little fables and spoofs, and a look at how the Civil War might have ended if Grant had been recovering from a bender. Not to mention the entire text of Thurber's children's novel, "The 13 Clocks," a slightly twisted fantasy about a young prince who must rescue the Princess, with the help of the nonsense-spouting Golux (who is not a mere device).

Admittedly, not all of them are strictly meant for humor -- "My Life and Hard Times" is a short, entertaining autobiography, without the excuses and ego trips that many autobiographies have. There are also bittersweet memories, such as the story of a faithful dog that Thurber had when he was very small.

There are also quite a few pictures -- Thurber had a cute, rounded kind of style, without a lot of details. One example is "The Last Flower," an anti-war parable in which after a devastating war, civilization falls and people forget everything, even love. Not all the cartoons are as quietly grim, however -- one is a man, woman and child romping through various obstacles together, as well as several standalone cartoons.

"James Thurber: Writings and Drawings" shows Thurber off to best advantage. It's a great collection not only because Thurber was a wonderful humorist, but also because the pieces in here show the full range of what he could do. Included are humorous anecdotes, personal reflections, tributes, sad stories, fables fiction, and funny little cartoons -- it shows what a versatile writer he was. Not just a humorist, but a writer.

And a cartoonist as well -- Thurber was able to draw entire picture books that had no set story, but could be interpreted as the reader wished. Most of his cartoons were more relaxed, with a sort of rounded, simplistic style that looks like he doodled them while he was thinking.

"James Thurber: Writings and Drawings" is not only a good collection of this now-legendary writer's work, but a good introduction to Thurber as well. Definitely worth checking out.

One should never confuse writing with a light touch for comic writing. Thurber expressed dislike for the word "humorist" and I can understand why. When I read his writing, it is clear that the effect is intended to talk about serious things, not weighty things, but with a light touch. He makes his point by putting on the coat and hat of someone and wearing it in a way that points out how ridiculous it is, after all.

For example, our age has been obsessed with sex for, well, the obsession sort of defines our age, right? Thurber's first published work was with E. B. White on "Is Sex Necessary?" and basically mocks the discussions of sex by supposedly serious analysts. He refers to the problems between men a women as a product of pedastalism and that there were diversions created by women and men to distract them from their desire to get together. Men developed hobbies and became devoted to sports, and women distracted men by making fudge. There are also early Thurber drawings that became such an effective part of his work and his fame.

This collection was put together by a very appropriate editor, Garrison Keillor. He has a wonderful ear for the kind of thing Thurber was after and has selected well. Most of the book contains selections, but there are four complete works. And there is a rich sampling of Thurbers drawings. We get examples of Thurber's writing over the 1920s through the 1950s. The collection has a great sampling of his writing about the struggles between men and women, which was a wonderful topic for the times in which he wrote. But we also get his wonderful fables for our time and the popular writings he wrote for children. However, unlike the jelly filled sweet pastries our time provides for children, these have more pain and harshness. While they are not fairy tales such as the brothers Grimm, they do have similar bite.

If you don't know James Thurber, you owe it to yourself to get to know his writing. First of all, it is fun to read and the cartoons a style unique to him. Second, while he is not as famous now as he was, his work remains strong and an important contribution to American letters. This is a fine collection and very much worth having.

The Chronology of Thurber's life and the notes about sources and texts also make a solid contribution to our enjoyment of the text and help us understand some of the names and events that were quite topical at the time the piece was published, but have faded into the mists of time since then.

Enjoy!

Reviewed by Craig Matteson, Ann Arbor, MI

I've often thought that Thurber doesn't get the credit today that he deserves as a writer. This is probably because his works are not "deep" in terms of meaning or content. His mastery of language, though,is superb, and his stories are some of the most hilarious and best written I have ever read. I can read many of them over and over and still laugh out loud! His cartoons are clever as well. I would definitely recommend this book to anyone interested in humor and 20th century American literature.

One could almost draw paralleles, with fate of Danilo Kis and his novel, in former Yugoslavia, with every "free thinker" troughout the known history. Nobody, especially totalitarian regime, likes "the voice that yells in the desert". So it became that this book was putted on a certain kind of "index librorum prohibitorum". What makes it tragic, is the fact that that was happening in the upper half of twentieth century.

What was so incriminating in that book, that communist party simply had to make that move? When one starts to question revollution, when one starts to question necessity of one voice-one peolpe doctrine, when one sees in "fight of the oppressed" just a certain kind of tragedy, human misery that has been manifesting repeatedly through human existene, one must become "enemy of the state". And that has not changed up until today, nor it will. But that is the story for some other place and time.

There is much of J.L. Borges influence in this work, especially in the short stoy called "Dogs and books", but you mustn't think that this is Borgesian "collection" of stories. These work are much less artistic (whatever that means) and much more they resemble reality, life itself, than Borges work does.

By telling the story of seven individuals, the lived their life in a countries rich with political struggles, Danilo Kis draws excellent portrait oh human ability to endure, and even so, to somehow fail miserably and be forever gone from this world.

Why the four stars? I was hearing so much of this book, and when I finally read it, it somehow dissapointed me, probably was expecting to much, or maybe is just that, taht I have failed to grasp entire meaning of the novel. So, better to read it again :) If you looked for great writer from, Mid-Southern Europe, Kis is the one you could deffinitely start with.

This revelation of a book gives us 7 interrelated stories on totalitarian state terror. The title story about Boris Davidovich Novsky (Baruch David Neumann in the next story, from the inquisition) is clearly following the footsteps of Koestler's hero in Darkness at Noon.
But all in all, the book is more like a GULAG Archipelago written by a latter day Borges. Kis was a Hungarian-Serbian Jew, who published this novel (?) in the 70s in Yugoslavia and had some trouble after that, though none of the stories is set in Yugoslavia. In fact, only the last story relates to Yugoslavia at all, when the emasculated poet visits Montenegro on some shady official visit in 1947.
A blurb compares the book to Orwell's 1984, but that is plain wrong. If Orwell must be in the picture, then the Orwell of Homage to Catalonia. One of the heroes is an Irishman who fights for the Republicans in Spain and gets kidnapped to Russia for a 20 years forced labor term after telling his commander that something is wrong with the use of coded messages (he is a radio operator).
The book is full of absurdities. A French politician, Edouard Herriot, visits the Soviet Union in the 30s, and the party bosses in Kiev need to demonstrate religious freedom, so they hire party members to impersonate an orthodox church service for the benefit of the state guest.
Herriot is the only historical figure in the book, all others are unhistorical, though no less real.
If you don't know Kis yet, congratulations, you have a major discovery ahead of you!

I have enjoyed this (and all other Danilo Kis's books) immensly.

This book of Kis' is a masterful work. The author said they are short stories but the publisher pushed it as a novel and in a way it is something between the two. The stories are seperate and there is not one main plot but a common theme runs through the work and occasionally characters from one story will reoccur or turn up in another story. They are connected though it seems in the sort of way as when someone might say it is a small world that we live in.
In his native land this book caused an uproar as the stories pass themselves off as fact but in Kis' style fact and fiction, history and imagination blend for a common aesthetic goal. This he picked up from Borges and his use of "document" in fiction.
All this helps the book stand out as a superior work of literature without even getting to the political theme of revolution and the role of individuals in mass movements.
This edition is perfect with the intro by Brodsky and William T. Vollmann's afterword.
A must read for anyone.

he shall live no longer in monument than the bell rings and the widow weeps. Shakespeare, Much Ado About Nothing.

Danilo Kis was born in Serbia in 1935 to a Hungarian Jewish father and Montenegrin Serbian mother. His father perished in the Holocaust. Kis died of cancer in 1990 at age 55. As noted in an excellent introduction by the writer, poet and Nobel Prize winner Joseph Brodsky, publication of A Tomb for Boris Davidovich in Yugoslavia in 1976 created a firestorm in Belgrade similar to the controversies that flared up when Solzhenitsyn's One Day in the Life of Ivan Denisovich was published in the USSR during Khrushchev's thaw. The book was savaged by the Yugoslav writer's union. As Brodsky notes in one memorable line, "there are several topics an author may deal with which can jeopardize his well-being, and history is one of them". The controversy, standing alone, may justify reading Tomb for Boris Davidovich. I am pleased to report that these stories are so well-constructed and laden with meaning that it would be worth reading even if its publication had been greeted with equanimity by the apparatchiks that manned the Yugoslav writers' union.

The seven stories that comprise Danilo Kis' A Tomb for Boris Davidovich have a few elements in common. Each involves a protagonist from a different country, Ireland, Hungary, Rumania, Poland, or Russia. In effect, each protagonist comes from a nation or a group that participated in the Comintern (the Soviet led Third International that coordinated the worldwide activities of various Communist organizations established by Lenin in 1919). Each gets swept up in the machinations that swirled around the Soviet Union's Great Terror of the 1930s. Each ends up either dead or in the Gulag.

With one exception each of the stories takes places in the 1930s. The one exception, "Dogs and Books" is set in 14th-century France at the time of the inquisition. Although that story seems out of place, when one compares the structure and fact-pattern of this story to the title story of the book one can only be struck by the obvious similarities between the methods and mind-set of the inquisitors and the methods and mind-sets of the interrogator in the story Tomb for Boris Davidovich.

The title story is also jarring because it contains many of the same themes set out in Arthur Koestler's Darkness at Noon. In the context of a short story, the brevity and terseness of Kis' language makes the telling of the story considerably more powerful in some respects than Koestler's novel length telling of a similar tale. Even if a reader feels that Kis' story does not quite match Koestler's, the fact that the comparison can be made with a straight face is high praise.

Last, Tomb for Boris Davidovich should be of great interest to anyone interested in the work of the great Argentine writer, Jorge Luis Borges. The structure and theme of Tomb for Boris Davidovich was intended by Kis to be part of a literary polemic between Kis and Borges, specifically concerning the title of Borge's Universal History of Infamy. Kis discusses this literary exchange in one of his essays. In it he asserted that the universal infamies related by Borges were those of gangsters, pirates and highwaymen. Kis argues that as far as infamy was concerned, "infamy is when in the name of the idea of a better world for which whole generations have perished, in the name of a humanistic idea, you build camps and destroy both people and their most intimate drams of a better world."

In many respects, Tomb for Boris Davidovich may be considered as an exquisitely crafted attempt to construct a literary monument to those who died (perhaps naively and foolishly) and for whom bells never rang and for whom the widows have long since stopped weeping.

L.Fleisig