Comic Books Books

What started as a project to print every single Spy Vs. Spy strip Prohias did (plus some that were done by his successors) evolved into a tribute to their creator.

The strips are all here, but there are also a couple of nice essays and rememberences detailing Prohias flight from Castro's Cuba and life in America. Plus they printed some of his pre-Spy Vs. Spy strips.

These strips were meant to be read once a month or more. I've noticed if you read too many in a row, they lose their edge. Still, that's no knock on the work. If you remember these strips from childhood or liked the animated Mad TV segments, this book is well worth a look.

Spy vs. Spy has always been my favorite section in MAD magazine since I first started reading it many years ago. Each new issue I got, I would immediately turn to the "Joke and Dagger Department" which is specifically reserved for this strip. It was not until I was much older however did I realize that Spy vs. Spy were really a parody of the cold war. This book is the complete collection of Antonio Prohias's iconic creation including every Spy vs. Spy he ever illustrated. Additional biographical and bonus information on Prohias is another amazing feature of this collection and his immense contribution to MAD magazine is truly shown. The Spy's elaborate methods of destroying one another will keep you laughing for hours with this book! Which Spy will win next? Black or White?!

I loved the unexpectited endings. I liked seeing them beet up each other. They also tell abought the auother`s life in the begening.

"Spy vs. Spy: The Complete Casebook" collects the complete run of the late Antonio Prohias' comic strip from 1961-1987, published by MAD Magazine. The title characters are two equally sinister agents--one dressed in black, the other in white--who constantly war against each other with many a different scheme.
On occasion, the Spies are joined by the Gray Spy--a female operative who always triumphs over the Spies, who are blinded by their love for her. This book also contains artwork by Bob Clarke and Peter Kupfer. There are also extras in this book, including photographs of Spy merchandise, unpublished sketches and essays by Prohias' friends at MAD.
This book has a secret agent, film noir feel to it. It appears that the comics were easily inspired by The Shadow--but to a greater extent, the Cold War.

Classic book with background information. Creative, imaginary, entertaining & impossible enterprises detailed. Great for adults to younger teens. Originally purchased for my 12 year old and so popular he and his friends that we gave several as gifts to his friends. My 8 year old also picked up the book and spent time studying the pictures and laughing at the absurd lengths these spys go to.

How can second-rate gory horror comics be so much fun? I reread THE ZOMBIE FACTORY three enjoyable times, and I still can figure it out!

If you enjoy violent and unsettling comics in the tradition of the legendary EC Comics, look no further. These classic 1960s' "wet" tales of undead rampages will surely satisfy your carnivorous comic book cravings.

THE ZOMBIE FACTORY, with its black-and-white retro horror comics, is a superb example of why the comic industry instated a Comic Code. Left to their own devices, it would have just been a matter of time before Bob Kane or Jack Cole had Batman or Plastic-Man disembowel or behead some hapless jewel thief. Fun, bloody, and a cool glimpse into a world of comics that might have been.

Crammed with all manners of undead evil, THE ZOMBIE FACTORY will most certainly delight the most discrimination horror comic reader with its tales of unbridled evil. My favorite story involves a nazi war criminal and a pair of gloves made from human skin.

These delightfully degenerate comics, the kind not suitable for the sensibilities of the easily disgusted, are deliberately designed to dishevel one's nerves with its relentless excesses of bloodshed at the rotting hands of the undead. Anyone of these blood-splattered tales would feel right at home residing a movie theater screen with the caption, "directed by George Romero."

And so Asterix meets the Romans. This is the perfect place to start with the series, as it is the first book. Little idiosyncracies are evident. This was before the final forms of the characters were imagined, so you get some variance of what they look like. It's hard to put into words, but they're definitely different.

I don't think it's possible to overestimate how interesting and important this comic strip is. Not only is it extremely entertaining, it's interesting and well drawn. Also, if you care to read a little below the surface, many other things: scathing critique of expansionism, romans, and likely catholics. Also the chief of the Gauls is Vitalstatistix, a nod, I think, to Gamers everywhere. Plus... Here's more hidden meaning.. Put Gaul and Rome together, and what have you got? Game. Of course, the romans lose a certain amount of face... heh. Anyway, I'll add more when I think of it.

Every Asterix rules, doesn't matter which one, it rules!
These things are hilarious, has anyone ever read the French version?

Wonderful. what more can I say. You got to have it.

Thanks to the magic potion of the resident druid, Getafix, Asterix and Obelix triumphantly defend the borders of their village against Caesar's legions, to the legions' great dismay ("I hate those Gauls"). My personal favorite is "Asterix and Cleopatra" where they travel to Egypt to help Getafix's buddy Edifis win an architectural contest between Ceasar and Cleopatra. Oh, and the Sphinx's nose? Obelix did that.

In this graphic novel series there is great storytelling, superb drawing, awful puns, wonderful sound effects (yes, really), and sneakily, insidiously, while you're laughing, you're learning.

Asterix lives in the Gaulish part of the Roman Empire. Doesn't he? Not quite, his village resists the Romans thanks to a magic potion. The Romans want some of this potion for themselves...

"Asterix the Gaul" was the first Asterix comic, published in 1961. Rene Goscinny made the words and Albert Udzero did the pictures. It's a pretty good way to start the series though the sequel "Asterix and the Golden Sickle" (1962) sets up the vibe the other comics enjoy.

WOW!!! I JUST CAN'T BELIEVE IT!! I STARTED READING THIS SERIES WHEN I WAS ABOUT TEN... I OWE A COUPLE OFF THEM AND I JUST WISHED I HAD THE WHOLE COLLECTION... I BELIEVE THAT EVERYONE SHOULD READ THESE BOOKS BECAUSE THEY TEACH YOU ABOUT A FRIENDSHIP THAT GROWS THROUGHOUT TIME... AND REMEMBER... BSC RULZ!!!!

I loved the babysitters club and i own every single one. It is creative and fun to read. The baby sitters club are good books for girls 3rd grade and up.

When I was younger, I loved these stories. They're cute little stories about 12 year olds who start a club to Babysit. They meet Mondays, Wednesdays, and Fridays in Claudia's bedroom. You get to read about the main character of the book's big trouble in the book and you get to read about any other character who gets passed the notebook. These are definitely great books for kids 8 and up.

I began reading these books when I was in 5th grade and remember continuing to read them through Jr. High School. Now, I am 24 years old, pregnant with my first baby (a girl) and have pulled out those books to dust off and pass onto my daughter. These books are light-hearted, fun and still teach a good lesson about friendship, handling jobs, money, etc. I think these are fabulous books and recommend them to all!

I read these books when I was 7 and did not enjoy them very much. They were hard to get out of at the time but I found them extraordinarily boring. I am now 12 and live in Australia. I have the entire series because I got them ordered and they kept coming!They are alright stories but the language is unacceptable!The stories are set for older children but younger children are reading them because the language is so simple!

I gave this book as a birthday present to my boyfriend, who is a lover of vintage robots. He was thrilled with the book! Lots of great pictures and interesting bits of information. I definitely recommend this book to anyone who enjoys in robots or vintage toys, either as a serious collector or just someone with a general interest.

As the author of ZAP! Ray Gun Classics, I've looked at a LOT of books on vintage space toys and in my opinion this is the very best one. The diversity of items, production values, factual information and other comments are all superb. I return to this book whenever I need a space toy "nostalgia fix" and I always seem to find something new. No vintage space toy collection should be without it.

More than merely a definitive catalogue of the subject, Blast Off is a socio-historical journey. Toys offer provide the prism through which the authors examine fascinating sociological phenomenon. Make no mistake this is the definitive book for this topic, but it becomes a tour de force by examining the history, economics, and sociology implied by these fascinating products from our recent past.

More than merely a definitive catalogue of the subject, Blast Off is a socio-historical journey. Toys offer provide the prism through which the authors examine fascinating sociological phenomenon. Make no mistake this is the definitive book for this topic, but it becomes a tour de force by examining the history, economics, and sociology implied by these fascinating products from our recent past.

Blast Off! is a fun and fascinating read for any fan of science fiction, space toys, or comic books. It's a beautiful coffee table-sized book with sexy images of robots, ray guns, and toys of all types that make you feel nostalgic even if you don't remember these toys from the first time around.

This book offers a history of "in the know" type stories about specific toys and the personalities who created and purchased them. There's the Buck Rogers XZ-31 rocket pistol that led Macy's and Gimbels into their most vicious price war ever, dropping prices by the hour to support the most successful toy promotion the world had ever seen. And there's the collector Bob Lesser who pays double the sticker price to win dealer loyalty. And there's a never-been-published story of the untimely death of Flash Gordon creator Alex Raymond. Plus the authors offer insight into how toys have affected history, entertainment, and the space program.

If you're a fan of Buck Rogers like I am, you should also check out Blast Off! author S. Mark Young's interviews with Erin Grey in Filmfax (Oct/Nov 2002 and Feb/Mar 2003) for a sensitive rendering of a sensational story.

This is possibly the most beautifully rendered graphic novel (if something of these dimensions can be called a novel) ever. Dave McKean is best known for doing the cover art for all 75 issues of Neil Gaiman's landmark Sandman comics series, and as the director of the independent film Mirrormask. Not all of his fans may know about McKean's solo comics work. Cages, his magnum opus, was originally released in 10 issues, over a period of 6 years, dogged by publishing difficulties and McKean's busy schedule. It was worth the wait, for within it McKean shows himself to be an extraordinary storyteller in his own right, as well as being a wonderful draughtsman and illustrator.

Worth every penny of the fifty bucks.

I read this book a couple of years ago, and reread it a few weeks ago. I have never come across a story like this, in particular a story TOLD like this. With an incredibly impressive array of visual/narrative techniques, McKean presents an allegory (if that's what it is; the book can be ambiguous concerning certain developments) of creativity as well as despair, abandonment, frustration, and above all, the realization that things are actually pretty wonderful, if we can manage to alter our perspectives.
This is one of the crowning achievements of the graphic medium, and a landmark in literature.

I've bought this graphic novel 3 years ago.
I've just read it in past 4 days.
Why?
I don't know.
Maybe I was afraid of it, maybe I wasn't ready for it yet.
I didn't know what to expect from that pages, that cages...
When I finished it today I was just... it's hard to explain the combination of feelings in my head and soul.
As a painter, graphic novel artist and comic strip teacher, I use to search for a new worlds, to find some new stories to tell to my friends and people that surrounds me.
And I'm aware of numerous traps that lurking behind every corner of creation.
I use to tell my students: Be creative, free your mind and fly through the limitless fields of mind, through the many rooms and hidden windows.
And than again, I find myself captured in some sort of cage.
But the love always sets me free.
Dave McKean is one of my few favorite artists.
A genius that combines techniques, always searching for some new expression.
In this complex and moving book, you can find him using sometimes scratchy ink outlines an rapid brush movenents, everything black and white, (with some blue and greenish tone).
Also a few in colour painted panels, an photomontages.
The storyline is good, sometimes monotone but filled with phylosophy about God, art, creation, love, meanings of existence...
I think that I'm going to read it few more times... There's something left, hidden between those dark walls, and spattered lines.
But all I can do is recommend this amazing 500 pgs long book to you,
and you will be next to enter that other- but so close to us - world.

I passed this large 500pg graphic novel in my bookstore many times before i decided to 'staisfy my curiosity'. So i bought it. Upon opening the cover, I was awestruck at the pages in front of me. The book is simply (in my opinion) one of the finest examples of visual story-telling (in the comicbook sense) that I have ever seen. It's a book I can point to and say, "There, THATS how far you can go with the medium!".

Dave McKean is not one of my favourite writers or artists, but this is one of the best 'books' i have ever held in my hands. The story is interesting, layered & strange. This book is not a 'snack'. It's a big 'meal', that you'll put in the freezer & reheat again to consume over & over. The visuals are not 'text-book' comic style illustrations, but rather 'artistic'. It's stylised. The book is a piece of art. The quality of the book itself (Cover, inside pages & size) - is something you rarely (if ever) see on shelves. This book is not cheap, but once you open the pages, you wouldn't care if you paid twice the price. It's that good.

The often used cliche, "If you only buy one graphic novel a year, make it this one" is perfectly valid for this book.

.

Okay, well there's lots of things to say about this book. On first glance, Dave McKean's artistic style seems rough and unskilled. But I knew him from the amazing images he put together for the Sandman series. And as I read this book, I saw how behind all the scribbly lines was a clear vision, and the ability to portray emotions and scenes with precision. And yet it's not beautiful. It's scribbly and rough.

His storyboarding is amazing. He can show time and movement and emotion incredibly well. He uses the medium of comics in an expert manner.

The characters are interesting, and the dialogue is very authentic and real. You can sink yourself into any scene and believe it. He paints the characters in terms of their words and emotions as well as he depicts their movement, the passage of time, and the images behind the images. It feels much like Gaiman's work. There's an intimacy of character that draws you in, past any dislike you may have of the artistic style at first.

But what I didnt like, and the reason I gave it a 3, is that there isnt an overall story. McKean hints at a story, and brings in elements with a lot of potential, from the supernatural to gods and conspiracies, but he doesnt go anywhere with them or attempt to explain them or justify their existence in the story. It's as if he read imaginative stories all day long and this was the confusing, odd dream he had afterwards. I kept hoping he'd weave it all together in the end, but he doesnt. It meanders without purpose. The telling is good, but what is it telling? I really dont know. And thus, it is unsatisfying.

Exhaustive variations, small printing and illustrations, pages jam-packed with examples. Good for the price; some readers will probably prefer a more modern volume. Talented author. Worth a look.

This the best cartooning book around. A classic. A must for entry level cartoonist or professional.

I'm always looking for the perfect book of whatever variety, & speaking as a former library employee, a cartoonist & art teacher, Jack Hamm has written THE book on cartooning. It is so packed with examples & not so much text, as it should be, it has tips & then TONS of examples. The style ranges from early American cartooning style to 50s/60s modern style. Fantastic examples of different expressions, hand positions, walking positions, drawing women, all of it. All good. If you want a great guide for old fashioned American cartooning, this is the one to get. Then get the Preston Blair book from Walter Foster.

This book is full of great ideas and tips. There's plenty for the beginner, like little tutorials on highly-stylized eyes or noses or mouths, or straightforward examples on common poses, but it's not just a book for beginners. There are a lot of highly-finished drawings as well, and examples of moving from simple to more complex drawings. Plus tips on various penciling and inking techniques, and various cartoon genres. All in all, there are literally thousands of examples and sketches, enough material to keep anybody busy for a long time. I've pulled this book down from the shelf more often than any of my other numerous drawing books, and I've filled page after page with exercises based on the material. A classic and worth far more than its price.

If you're a cartoonist this is a book you have to have. It has been in publication for quite a while but nothing better has been created in the way of a great, all-purpose reference book. I've gone through a couple copies of this book and no matter how many times I looked at it I was still able to come up with ideas. Whether you're just starting out or have been doing cartoons for years you should have a copy of this book.

It starts off slowly, but then there is gradual progression in suspense and tension. That said it leaves you wanting MORE so very badly.

Robert Kirman's writing is good and mature in tone for this contemporary reader.

So for taking a chance on a book I never read one issue of, it lived up to it's hype, and I think has a lot of momentum moving into the next volume which will make me buy volume 2 if not 3 as well.

...i was always skeptical of this comic from an "alternative" publisher...until my wife gave me Invincible the Ultimate Collection vol. 1+2...
....these stories bring back memories of when comics were fun (and not so serious and dark as they tend to be these days)....Kirkmans tales easily fit in the comics tapestry along with classics like Amazing Spiderman , The Justice League, Superman...ect...
....

If you are a fan of Invicible the series. Or you like anything that Image comics puts out, by this! The best series i have read in a while, and the best super hero series i have read in years!

I didn't read comics as a kid, but I have always been fasinated with superheroes. After consulting several recommendations lists and reading lots of reviews, I chose Invincible as my first comic. I wasn't disappointed. It has everything I expected from a comic - a larger than life hero, lots of action, excellent artwork, and easy to read. It also had things I hadn't expected - the hero has more than one dimension and story is mature enough to hold an adult's attention. I read a wide variety of genres from classics to biographies, from fiction to science fiction, and this was just as enjoyable to read. I'm looking forward to getting volumes 2 and 3!

I picked this up without reason, I'd long since outgrown Comic Books and was really only drawn to the image on the cover and thought it might be interesting for the little boys I work with. I, personally, did not have any interest in it myself. But then the boys didn't care, it wasn't Batman or Superman and so it wasn't interesting.
It sat around for some time just looking like a big giant book until I had to take a long trip and needed something with more than just words to pass the time.
I was hooked.
As soon as I got home, I went right to the store and started buying back issues and trades to catch up.
This is one of the best modern superhero stories out there, it's a wonderful collection of great writing (kirkman's other series The Walking Dead is also great)and amazing graphics. The story lines are compelling, and I always want more at the end of an issue. In fact, I am always digging through old issues and climbing the walls waiting for new issues.
If You're looking for a new hero, Invincible's the guy. The series is terrific, it's just what I was looking for, serious reading for a serious reader with pictures.
It's worth the investment.

Just thumbing thru the book already has me laughing out loud. The business plan in disarray... the Family Friendly policy... and my personal favorite - the office thermostat! I wish I had Alice's chutzpah." I wouldn't be freezing to death all day!!!

Journey to Cubeville is a 224-page collection of Scott Adams' hilarious Dilbert cartoons. Dated between 11/1/96 and 1/4/98, these cartoons include all of the normal Dilbert crew: Dilbert, Alice, Wally, Asok, Dogbert, Catbert (a personal favorite), and so forth. The cartoons themselves appear as they did in your favorite newspaper, with the big Sunday ones printed in bright color! Plus, as a bonus, this book includes pop-out finger-puppets, which includes Dilbert, Wally, Alice, Dogbert, Ratbert, the Pointy-Haired-One, and a cubicle. (Dilbert wouldn't be Dilbert without a cubicle!)

This book is great, a must-have addition to the library of any Scott Adams fan. And, the finger-puppets make it that much better. This is perhaps the best Dilbert book of them all - buy it!

JOURNEY TO CUBEVILLE is the absolute best collection of Dilbert comic strips!!! The whole hilarious gang (`specially Wally,Alice and Dilbert et. al) just saturates every single page with their best laughs.So whether you`re wandering through a bookstore,or on the net,DO NOT miss out on JOURNEY TO CUBEVILLE.It`s worth the money!

It's amazing how Scott Adams is able to produce hundreds of hilarious Dilbert strips that revolve around just a few themes -bosses are stupid, engineers are geeks, and the whole purpose of management, marketing, and the like are to squash productivity. This book is proof that Adams is a genius because not a single strip fails to produce at least a chuckle. Get this book and laugh your a** off.

Dilbert is the perfect hero for the modern office, which consists mostly of cubicles, or cubes as we frequently refer to them.

What happens in a cubicle? Oh, you know. The boss comes around and indicates that he is the great power behind everything, though he actually knows nothing about the product. If anything goes wrong, downsizing of those best suited to fix the problem follows.

What of marketing? Well, they are selling a product we have yet to build, for a price we are unable to achieve, with features that marketing neglected to tell engineering about. When all else fails, hire a consultant!

But Dilbert also has to face things like synergies. What are synergies? Ah, well, Dilbert can tell you that when you hear a cliché word like synergies, down-sizing is sure to follow in Cubeville, along with additional doses of cluelessness.

Any Dilbert book is perfect for a modern office worker, especially if they are in engineering, as Dilbert is. This collection of cartoons published from 9/1/96 to 1/18/98 are sure to give you more than a few chuckles as you recognize behaviors from an office you once worked in, or, if you are unfortunate, an office your are currently working in. At least you get gain some perspective and humor from your misery!

Enjoy!

This is a collection of Doonesbury comic strips telling the story of D.B.'s return to the U.S. and recovery from a leg amputation due to injuries sustained in Iraq. The book contains the now famous strip (at least among Doonesbury fans) depicting D.B. without a head covering. D.B.'s struggles and his interactions with friends and family are touching and very funny. I look forward to following the story.

I have been a fan of Doonesbury since high school in the early 1970's, I read it
every day. One of the first books I bought was ``Call Me When You Find America.''
This string of cartoons had an unusual tone -- Trudeau gets a forward from John McCain who used to regard him with ``utter comtempt''-- a serious and dark one behind the humor. It was the first Doonesbury book I could say was moving.

People die and get hurt in war. That's something we all "know".

But for people who actually have to deal with this fact, the rest of us, our ignornace can be a hurdle.

Trudeau presents this issue with in a way that is accessable to all, and with a humor that may seem out of place; but as my Dad used to say, laughter heals more ills than all the pills.

Sometimes, people can express thoughts, opinions and emotions in cartoons that are difficult to express any other way. Gary Trudeau created some very good characters for his "Doonesbury" strip and over the years he carried out some very sharp and effective social and political satire. However, at other times, he took on very serious themes, and the cartoons in this book demonstrate one such instance.
B. D. is on patrol outside Fallujah, Iraq when his Humvee is hit by an enemy RPG. The blast destroys his vehicle and takes off the lower part of his left leg. Fast medical action and medical evacuation saves his life. This book follows him through the process of realizing what has happened, through the physical recovery process and the at times harder process of dealing with other people and getting on with life.
My wife Kathy is a rehabilitation counselor and her internship for the last part of her master's program was at a Veteran's center. She also read the book and she said that the coping process as depicted in the book is exactly right. After I have completed this review she wants the book so that she can add it to her reference collection. She considers it so good that she may use it in the future.

I really loved this book. It was recommended to me by my graduate thesis professor who is a leading edge researcher in prosthetics. I am also the mom of a disabled son AND I've worked with amputees during my graduate school years. This book speaks to the realities, doubts, and fears of being a disabled person, yet it's hopeful, too. Trudeau really captures the feelings and thoughts of both the amputee and family members. I highly recommend this book to anyone who is wrestling with amputation and/or disability issues and who wants a thoughtful (and sometimes lighthearted--there IS light in the darkness!) view on it. This book is realistic and human. Don't miss it.