W Books

"Beyond Stone and Steel" by Brian W. Vaszily recounts a personal passage from one mental state to another far better one, describes the slow, step-by-step trudge often required by events much larger than ourselves.

That event might be death.
That event might be the loss of a job.
That event might be rejection.
That event might be bankruptcy.
Or the event might be national loss.

For this author, all of these experiences played a part in his transformation. Right from the first chapter, Vaszily makes no secret of the result; what he discovered on his path down misfortune's lane is that he is "a lucky man" in spite of the hardships he has suffered.

This slim volume may be difficult to take, depending on the reader's status with recovery from the events of 9/11. Regardless of one's recovery status, though, it may be just what the doctor ordered.
Carolyn Howard-Johnson, author of "This is the Place"

I've had this book a long time. I've read it many times. Each time I experience an expanded and enhanced spiritual and psychic understanding of an event I thought I'd come to terms with long ago. Probably because he doesn't journalistically report exactly what happened; probably because he presents the psychic reality of his personal experience: that experience enlarges our own. I was watching a local Spanish station at the time because, of course, the antenna for regular major news media broadcasting was destroyed. At the time I worked in an international on-line network. I remember being physically discomfited by others, elsewhere in the country/world, speaking as though they had some inherent legitimate authority to tell me what was happening less than 3 miles away (by flying crow). But that fortuitous allegation reminded me that the unthinkable event had happened to the "World" Trade Center - not the "New York" Trade Center. I remembered that New York Harbor was a major trading center, a stock exchange in physical goods dating back to the 1600s and housed in the Custom House which is still there. The traders were Dutchmen. I, too, have a semi-tangible psychic reality about the entire 400-year time line. We live in a spiritual world and there is still much that we really don't understand but we do get glimpses of it along the way.

This slim volume greatly humanizes the lives, hopes, fear and dreams of those about to die. It is fiction...no real names are used. It reminds us that of the thousands who died, every one of them was a living, breathing person, just like us. This is a small masterpiece and deserving of your attention.

"Beyond Stone and Steel" by Brian W. Vaszily recounts a personal passage from one mental state to another far better one, describes the slow, step-by-step trudge often required by events much larger than ourselves.

That event might be death.
That event might be the loss of a job.
That event might be rejection.
That event might be bankruptcy.
Or the event might be national loss.

For this author, all of these experiences played a part in his transformation. Right from the first chapter, Vaszily makes no secret of the result; what he discovered on his path down misfortune's lane is that he is "a lucky man" in spite of the hardships he has suffered.

This slim volume may be difficult to take, depending on the reader's status with recovery from the events of 9/11. Regardless of one's recovery status, though, it may be just what the doctor ordered.
Carolyn Howard-Johnson, author of "This is the Place"

This book was like none other I have ever read... the author seemed to digest this tradegy and somehow turned it into something beautiful. It has reminded me of all that I have, how easily it could be gone and to cherish every moment we are here. It has truly changed the way I see my life. I enjoyed this book very much and highly recommend it to everyone.

This book has excellent information for anyone who is just diagnosed with asthma. If you have been living with asthma for awhile and have been active in the management of your asthma, you may find that there is very little "new" information contained in the book. You will find that the book contains a good description of the various treatments that may be prescribed by your doctor. Be that as it may, the book continues to be a good resource for anyone with asthma.

After a diagnosis of COPD and/or asthma, I did what I always do. I set out to learn as much as possible. This is a wonderful, comprehensive and hopeful book. I have checked much of the info with my pulmonary MD and he too was most impressed and is suggesting it to patients. It is written in understandable terms, with a fine resources section. I learned a lot, and felt a bit more in control of this disease. Because if you give in, it will "git ya". Well done!

Couldn't breathe. Bought this book. Showed my doctor who changed all my medications. That was six months ago. TODAY? I BREATHE so well that I'm training for the NY marathon. It's hard for me to believe that getting the RIGHT medication can be crucial for allergy and asthma. But I'm a believer.

I have had allergies since birth--and never have felt good until I did the things written in this book. An excellent book on why allergies happen and what you can do--today--to stop them. I took the book to my doctor and she changed my medication to include steroid nasal inhalers. This helped me go through two pollen seasons without missing any work. SUPERB!!

I have sinusitis and asthma, and my children have the same. We have suffered for too many years according to this book. It enlightened me to learn that my sinus drainage actually triggers asthma--thus, I have learned to stay on top of sinus infections and post nasal drip--to END ASTHMA. It works. Dr. Smolley is brilliant. The book is a must read for any parent or person with allergies, asthma, sinusitis or other lung disease. Read it--and do what he says--it will change your life the way it has ours.

This is a thorough and well-written biography of Charles Darwin, with emphasis on the torment he suffered as his theory of evolution caused upheaval in the Church and in his own beliefs. Darwin suffered from a debilitating illness (gastro-intestinal in nature) almost his entire adult life. He was also a very emotional man--tears came easily to him. These are just a few of the things I found interesting about this biography. Where his theory might be questionable, however, is not discussed. Highly recommended.

This is one hell of a riveting biography. I've often read biographies of really interesting people, but the writing is so turgid or lackluster, that I find myself wishing a better writer would tackle this story and do it right. Not so with this one, this is a phenomenal book.

Darwin: the life of a tormented evolutionist, the title says it all. Desmond and Moore work around the idea of the tormented evolutionist as a central theme in this magnus opus of Darwins life. The reader is taken on a journey through Darwin as a young lad, collecting shells and minerals, to the debilitated, ailing old man who writes non-stop on many aspects of natural history from selection to a complete and still used encyclopedia on barnacles to orchids and earthworms. But this is not an essay merely about the life and accomplishments of Charles Darwin, it is a story about science and society in the 1800's England. Desmond and Moore create a scene of Darwin getting swept up in the events of Victorian England. They illustrate a man torn by his religious convictions and the interpretations of what all the evidence from his life's research points toward. I relished in getting to know other famous scientists such as Hooker, Wallace, Romanes, Spencer, Tyndall and Huxley, and many others from that time who were among Darwin's followers and critics (i.e. Owen, Agassiz, Duke of Argylle, Mivart, Wilberforce)

A highly enjoyable book for people from all backgrounds and an absolute must read for anyone not so much interested in the complete biography of Darwin's life, but for people interested in the history and philosophy of Victorian England's science.

This is a really first class biography, bringing the full weight of Charles Darwin's "torment" to light. As a devoutly religious man during the oppressively Christian Victorian era, it took uncommon fortitude and intellectual honesty for him to follow the paths down which his researches led him, all the way to the ultimate conclusions which today bear his name.

Much like H.W. Brands's biography of Benjamin Franklin, the authors here do an excellent job of bringing Darwin back to life, both the highs and the lows (including lots of personal tragedy) that shaped his monumental career. Heartbreak played as great a role in his life as discovery.

Compulsively readable without sacrificing detail, all of the major milestones of his life are covered in a personal perspective which gives exactly as much emphasis as events must have had at the time -- even ones which have since reached mythic proportions. This is, as Steven Jay Gould touts on the cover, "Unquestionably, the finest [biography] ever written about Darwin..."

I just completed my second reading of this work. I do feel it is one of the better Darwin biographies. It certainly is not in the same league with Janet Browne's two volume work, but if you cannot get Browne, then this one will certainly do. This work is well researched and certainly presents us with a good look at not only Darwin the man, but of his science. I had to agree with another reviewer who made the observation that reading Charles Darwin's work is much easier after reading this work on his life and times. I also enjoyed the insightful look into the Victorian mind...it was an added bonus. Unfortunately, I have noticed that the anti-evolution folks go through these reviews bashing anything said positive about any of the Darwin Biographies. The study of the man, Darwin, is not necessarily an endorsement of his theory. On the other hand, Darwin and his contemporaries did change the way we look at our world and we do owe them a debt for that, and anyone that can produce such a profound work, indeed, needs to be studied. Any one who denies this simply has their head in the sand. Highly recommend this one. Good biography and good history. Well written!

this book is a masterpeice for the 12-step program. Even though it is not listed as an " official" SLAA literature, it's been helping many addicts and will help many more. Strongly recommended!

Excellent book. I felt so alone and didn't know where to turn. This book helped me see that others are stuggling with the same behaviors that I am. Behaviors that may have endagered my life, but that I am at least able to stop now. Hopefully I'll live through this and become a better person. The person that I believe God wants me to be.

Key strategy- work to FINISH THINGS! Addicts do not finish things,ENDING THINGS (projects,relationships) adds substantially to recovery. They prefer to "keep options open." Thrives in unfinished business. Starting more than they can finish leads to a comfortable CRISIS. Addicts avoid completing their conversations; important feelings and facts are not communicated. Conflicts not resolved/ PAIN ACCUMULATES. Increase PAIN AND COST/ TO STOP the addictions. In childhood they (addict) needed something didn't receive- trust, security, safety, non-sexual affection, both parents together? A since of normalcy (what they would feel in life in a committed relationship. (Need trust mot to worry, to simply live life normally) THEY HAVE A RESPONSIBILITY TO THOSE YOU HAVE HURT. THIER NEGATIVE EMOTIONS ARE TRANSFERRED TO CHILDREN AROUND THEM. Addictive sex feels shameful, illicit, stolen, exploitive, and joyless. Healthy sex = adds to self-esteem, is mutual, intimate, fun, and playful. Fighting (disagreeing)= act of trust / focus on issues. Give the outcome to God. Horniness = loneliness. When in doubt, don't have sex. Secrets will separate you from others in recovery. Get a pet to have healthy touching needs met. Avoid the feeling that you are a victim (having control over your body, thoughts, opinions, and feelings that you think someone in authority wouldn't approve of you having. You have to answer only to yourself. Be gentle w/ yourself about old tortuous conflicts. They are not about you. They never were! You are safe with your thoughts; they are yours. Recovery = burst of creativity, brings awareness of abuse. NURTURING- Learning how to care for themselves and to allow others to care for them IS an essential RECOVERY TASK. Intimacy = shared enjoyable experiences! FIDELITY TO YOURSELF is the ultimate act of faithfulness to the other. Trust yourself. It's as hard for your partner as it is for you! Admit mistakes. Share Spirituality. Have fun together = common experiences. Sustain from sex w/o intimacy. Talk before, during, and after sex. Compliment your partner. Respect boundaries. Pay attention to feelings. See sex as a legitimate joy! Take care of your body. Express attraction. Work on friendship and companionship. Fast-forward the realtionship so you will know it will be even better in the future.

Easily, I could say that Patrick Carne's books on sexual addiction has saved my marriage and my husband's life and maybe my own as well. My first read was "Out of the Shadows" and it softened my angry heart after hearing my husbands confession of being with around 100 women over the past 5 years of our 17 year marriage and all sexual encounters were UNPROTECTED sex. I found out the hard way. How could all these powerful, crippling emotions that I was feeling be tamed?? How could I ever forgive this scrum of the earth!! READ this book and you can do the impossible!!
It answers my questions without having to continually confront my husband with the aweful thoughts of how he could be such a hypocrite all our married years!! What was he doing? Is he comparing me to his many different women when we had sex? Will he do it again? Will he always lie?? Is he really a good person deep down?? etc. All the questions have been answered and then some and I saw my own behaviors make the situation even worse without my knowing. I was a coaddict and codependent at different times. In only 4 months of my recovery and 18 months of his recovery we are happier than I ever thought possible!! This book takes you step by step as to what you can expect with building a healthy relationship with a recovering sex addict!! It is very detailed and gives advice from recovering addicts! It speaks in easy to understand language. It recognizes problems that can arise and gives you answers as to what to do if they happen to you!!
This was my fifth book on looking for answers to sexual addiction..Out of the Shadows was first, Secret Wars..second..Love, Sex and Infidelity, His Needs/Her Needs, and finally, with MUCH relief to my quest..DON'T CALL IT LOVE!! AFter reading this book I don't feel the need to read anymore on the subject of sexual addiction. I have more hope than I ever thought possible. The communication, Openess and honesty are first and foremost in reestablishing our relationship that was always crippled from the start of our marriage because he thought getting married would fix his problem!! It doesn't! It affects everyone around you and even the children!
If you are a sex addict or spouse, family member, friend, etc. of a sex addict..READ this book!! You will not be disappointed at all!! No book has done such a good job at laying it all out there and still keep it in healthy context for anyone to read! I saw my whole marriage and all the frustration of it take shape and form and how it brought out the worst in each of us..Now it is bringing out the very best in us with the 12 step program and this book!! Patience and understanding is most helpful and if you don't have it now you will get it from this book!! Good Luck to you and God Bless!!

I had already read Out of the Shadows by Patrick Carnes but Don't Call it Love was even more a amazing. It was painful to read trying to understand the sex addicts torment as well as the co-addicts. But on the other hand it was also refreshing to know that there is life after sex addiction and recovery is not only possible but necessary. I would recommend this book to anyone in recovery, it has helped me immensely.

I loved this book. It kept me on edge from start to finish. It keeps you wanting more. Wondering what will happen next. Finished this book in a day and a half.

All I can say is wow! This book was off the chain. I started reading this book and I couldn't put it down. Brian really outdid hisself with this book. If you would like to read something that will keep your attention please read Donna's Dilemma.

I read DD within 3 hours of starting the book! I loved it!! I thought I had figured out the ending but was definitely surprised. A sequel is a must...want to know what happened with the other characters. Donna and Michael's love scenes were steamy.

My copy of this book was only 192 pages and I did not expect it to be packed from cover to cover with all of the drama, mystery, laughs, erotic and emotional heart pulling scenes. I read it in a few hours and had to stop myself from laughing and talking out loud while my husband was sleeping while I was reading. Brian W. Smith definitely did not disappoint with Donna's Dilemma. He is unquestionably in tune with the feminine prespective displayed in the character Donna and the camaraderie between her and her friends. I also enjoyed the vast and diverse characters, you have thugs, homosexuals, dead beat dads, single mothers, and so many personalities in this book. I am so happy my book club, Phenomenal Women Book Club is reading 2 of Mr. Smith's books this July. After reading Donna's Dilemma I couldn't wait to share my opinion and dive into our second book The S.W.A.P. Game. [...]

Donna Ledbetter is a divorced woman with two children trying to get on with her life. Her mother and best friend are in a tragic accident that leaves her mother's friend in a coma. Her mother dies and Donna's life changes instantly. Her ex-husband, Nathan, doesn't make things better bringing more problems to Donna's plate. She then meets a new guy, Michael, who steps in to make changes.

When the best friend awakes from her coma, all the answers to Donna's problems unravel. This is one of the best books read this year and I will continue to read more of Brian W. Smith's books in the future. Brian W. Smith has not failed me yet with another excellent book, "Donna's Dilemma." This book is filed with drama from the beginning to the end.

Reviewed by: Tekisha

Mama's Lies-Daddy's Pain
S.W.A.P. Game

For me this was an amazing discovery. I read a review of it in a literary magazine in the waiting room of my optician and when I got home I immediately ordered it from Amazon.
What caught my eye in the review were the names of the inhabitants of the February House - Auden, Britten,McCullers... in that amazing year. I knew of their work individually but to read of them living under the same roof was a revelation.What a cauldron of creativity! All against the background of the war in Europe and the period leading up to Pearl Harbour.As I read the book I felt as though I were there. I hope that someone will make a documentary about it or better still a dramatised reconstruction. The two Truman Capote films have blazed the trail.

A friend just recommended this book to me and it's fabulous!!! I live in an artist bldg and it's nothing compared to the energy of Middagh Street. The book is a great read and the research is most impressive. I cannot wait to read the one she's writing about the Chelsea Hotel!

Thomas Wolf once famously said "only the dead know Brooklyn." There might be some truth in that, but some of us know Brooklyn, N.Y.,U.S.A., pretty well,and are still very much alive. Quite a few people are aware of Brooklyn's brownstone belt, that swath of historic houses stretching from the East River to Prospect Park and beyond. Many of these people would declare Brooklyn Heights the ultimate Brooklyn brownstone neighborhood. It's beautiful, and gets scenic views of Manhattan. It's got history galore--an important Revolutionary War battle was fought here;and it's been, and still is,home to a lot of well-known important people.

One little-known fact is that a number of celebrated people shared a house on Middagh Street, in 1940-41, right in the middle of the Second World War. That house, which came to be known as February House-- a number of its residents had February birthdays-- has long since been torn down to make room for the Promenade that provides storied views of Manhattan. But among occupants of February House were poet W.H.Auden, writer Carson McCullers, writers Jane and Paul Bowles,composer Benjamin Britten, and stripper Gypsy Rose Lee.

Writer Sherill Tippens has produced an interesting, pleasantly gossipy book about the house's residents and their accomplishments. Jane Bowles began "Two Serious Ladies," her only completed novel here. The young lesbian Carson McCullers had just tasted, at the age of 23, great success with her novel "The Heart is a Lonely Hunter." She began two other great successes, "The Member of the Wedding," and "The Ballad of the Sad Cafe," between drinking bouts, right here on Middagh Street.

Auden and Britten, both homosexual, but not involved with each other, were being raked over the coals at the time by the British press for choosing to sit out World War II in the U.S. But they were working: they collaborated on the opera "Paul Bunyan,"not critically well-received. Auden who continued to live in the Heights, on his own, to pursue his lifelong, unrequited love for the young American Chester Kallman, was working hard in the interstices of his personal soap opera: He produced "The Double Man" in February House. Britten produced "Peter Grimes;"considered one of the great masterpieces of 20th century opera. Meanwhile, he pursued his own personal soap opera: many critics believe this opera echoes developments with his partner, tenor Peter Pears, at the time.

The most unexpected resident of February House would have to be Gypsy Rose Lee, burlesque artiste. She was talked into joining the fun by George Davis, homosexual himself, fiction editor of "Harpers Bazaar" magazine, whose idea February House was, and who worked hard to keep it alive. Davis had published some of his own writing, but he was best known for the talented writers he kept on discovering.

In Gypsy Lee's case, she brought some money, a lot of common sense,and a cook to Middagh Street. The house's residents needed all the above. Her reward for her support: George Davis, great editor, midwifed her book, "The G-String Murders," a publishing sensation for many years.

George Davis continued to live at 7 Middaagh Street after its time as an artistic commune had passed. After Kurt Weill's death, Davis married his widow, Lotte Lenya, and devoted his life to introducing America to Weill's great works,such as "Three Penny Opera,"from which we get "Mack the Knife."

There are some informative photographs, extensive notes and acknowledgements in February House. Tippins evidently did a lot of primary research, but she managed to organize the voluminous results in a very readable style. February House well rewards the reader.

Sherill Tippins has done an amazing job of finding the significant narrative threads in the chaotic convergence of creative lives that occurred in the months before Pearl Harbor when Harper's Bazaar editor George Davis and British expatriate poet W.H. Auden rented a brownstone on 7 Middagh Street in Brooklyn Heights and actively recruited other creative artists to live with them. Among the co-renters were Carson McCullers who had recently published her highly acclaimed first novel, "The Heart Is A Lonely Hunter," soon-to-be famous British composer Benjamin Britten and his parnter, singer Peter Pears, unpublished novelists Paul and Jane Bowles, Broadway set designer Oliver Smith, writer Richard Wright and his wife, and burlesque sensation Gypsy Rose Lee, who it turns out was the most reliable in the rent-paying department and joined the little "creative commune" on the condition that she could bring her own cook and maid. Her fiscal reliability and drive along with Auden's willingness to take on the unpleasant role of house disciplinarian (collecting rent and other "dues" and establishing and enforcing many house rules) are probably sufficient explanation for why this menage managed to last the two or three years it did.

Tippins wisely focuses her attention on the leading figures (without neglecting to name the many others who partied but did not reside at 7 Middagh--Salvador and Gala Dali, Lincoln Kirstein, George Balanchine, Erika Mann and her brothers Klaus and Golo, to name a few). One passer-through, Anais Nin, christened the dwelling "February House" because so many of the residents had February birthdays. Tippins has a good knowledge of the works of these creative people and is able to see how one of the artists intentionally or inadvertantly influenced a subsequent work of one of his or her co-residents. For example, McCullers was struggling with the novel that would later become "The Member of the Wedding" when she was able to appropriate an experience from Chester Kallman's childhood to explain her heroine's profound sense of alienation and abandonment (Kallman was Auden's lover).

Tippins other great achievement here was her ability to slice through history and palpably recreate the political atmosphere in pre-war New York and to do so in a way that reflects on both British and US perspectives. She takes a good hard look at the criticism expatriates like Auden, Christopher Isherwood, Britten, and Pears faced from the British press and fellow artists who chose to remain in Great Britian during the war. She is similarly insightful in her analysis of the role the Mann family had in trying to get an apathetic America to respond to the European crisis. A lesser writer might not have bothered with these issues and chosen to report only the salacious and saleable anecdotes about the goings-on of the February House residents.

I highly recommend this book to anyone even passingly interested in one of the artists who lived at 7 Middagh Street (you're sure to learn something new), to anyone who ever wondered how great works of art come about, or to anyone interested in knowing how history and art intersect. I'm sure I'm going to use Tippins's Selecte Bibliography as a basis for future Amazon.com purchases.

Sherill Tippins' volume fills a tantalizing gap that fans of Auden, McCullers, Britten, and Gypsy Rose Lee have long wished could be filled. Most overdue is Tippins' portrait of George Davis: failed literary wunderkind; editor extraordinaire (who "discovered" McCullers and got much-needed writing jobs for her and W. H. Auden in the lean months before Pearl Harbor); husband to Lotte Lenya and the catalyst that re-invented her for American audiences in Marc Blitzstein's staging of Weill's "Threepenny Opera"--the list goes on and on. Davis and Auden are central to Tippins' account and to the amazing colony of artists who called 7 Middagh Street in Brooklyn Heights their home in 1940-41. But Tippins gives everyone in that circle his/her due. Her depictions of Auden's rocky romance with Chester Kallman, of Benjamin Britten's coming to terms with his artistic destiny in England, not America, and Gypsy Rose Lee's ability to charm and disarm everyone she met are more than engaging--they are extremely moving.

Tippins' research is exhaustive and impeccable, and she lets her characters speak naturally and eloquently. I could not put this book down and practically read it at one sitting. I was hungry for the kind of information Tippins delivered, and I finished the book with the deepest satisfaction. Gracefully written, carefully organized and researched, and extremely relevant: this book wins on all counts.

Defin. a book worth buying! -very helpful & makes civil procedure really easy to understand.

Glannon's guide is God send. if you purchase Glannon's E&E, you must also purchase his guide to learning Civ Pro through MCQ's. It is great!

Love it!

The book was delievered in great condition, within a moderately good time frame. It has proved very useful in my 1L studies!

Glannon clearly and succinctly provides examples of possible multiple choice questions that could be found on exams. Unlike a lot of other guides I've seen...it's not confusing and it's not a chore to read through the book.

Without a doubt this is an essential key to success in civil procedure. I basically outlined this book along with my class notes and got an A on the exam. Very, very, very good aid.

The titanic battles of the Great War on the Western front are probably well known to most readers of this review. Much has been written (and rewritten) and analyzed (and overanalyzed) about the Somme, Verdun, Ypres. Given the relative numbers of troops and the distance from the main action, the events in Africa can seem to be of little importance. The story of the fighting in Africa during the Great War contains no less heroism or bravery shown by many participants, and the actions of General Paul von Lettow-Vorbeck are still mentioned amongst the greatest campaigns fought by any general at any time. Throw in a few harrowing and humorous anecdotes plus some unusual aspects to campaigning (like big game hunting), and you have a great read.

Byron Farwell has written a detailed, entertaining account of the events of the Great War in Africa. It is part military history and part adventure story. There were essentially four (largely) independent campaigns fought against the Germans in Africa: Togoland, the Cameroons, German Southwest Africa, and German East Africa. Farwell covers each of these in detail, the last of course taking up most of the book, as a succession of generals chase Gen. Lettow-Vorbeck and his native askaris through modern Kenya and Tanzania. From a purely military perspective, there is quite a bit of interest here. For the Germans, how do they defend a central position we surrounded by much stronger forces. For the British, how do they use their military and logistical superiority to advance into hostile (to say the least) terrain against a disciplined and motivated enemy?

One of the great aspects of this book is that Farwell occasionally takes detours from the narrative about the purely military aspects of the campaign to present accounts of many of the quirky events and people and the role they played in Africa. For example, Farwell discusses in detail the dragging of several ships over several thousand kilometers to Lake Tanganyika to contest naval control of the lake with the Germans. This expedition was probably unique in the annals of military campaigns, but it leader was particularly unusual. Farwell also discusses an attempt to resupply the Germans with zeppelins, some of the confuse naval actions along east Africa (the German cruiser Konigsberg sailed up the Rufiji river and it was quite difficult for the Royal Navy to get at it, to say the least). Finally, Farwell discusses some of the nasty diseases present in Africa that were often more of a scourge to the average soldier than combat. One type of parasite that infected the body and slowly ate the infected person from the inside out was particularly nasty. It is also annoying that Farwell tries to explain away every British defeat as the result of unreliable and poorly motivated natives, poor leadership, etc. To be fair though, he does give the natives (particularly the askaris fighting for the Germans) their due.

There are two reasons that I only give this book four stars (most reviewers to date have given it 5). First, while both detailed and highly readable, this book is not uniquely outstanding. Farwell is not David Chandler or Shelby Foote, and while anjoyable to read, this is not something that most readers may read 3-4 times in their lives. Second, this book is definitely written from the British perspective by someone who is obviously sympathetic to (and enamoured with) the Golden Age of the British empire. I certainly respect this view, but I think there is much more to the events in Africa during the Great War than what can be gleaned from General Smuts headquarters or in London. Working through Gen. Lettow-Vorbeck's memoirs after reading this book would give you a somewhat different perspective.

The bottom line is that this is a great (and easy) read for anyone (either casually or professionally) interested in one of the most unusual military campaigns in history. Definitely recommended.

Informative, insightful, & readable.
At last! A writer who both:
A)Knows his material
and
B) Can write in an absorbing & engaging fashion.
L. Sprague De Camp fans take note--you will like this book.

Also, try--
Mimi and Toutou's Big Adventure: The Bizarre Battle of Lake Tanganyika

Joseph Conrad would have loved and respected Paul von Lettow-Vorbeck, and any woman would have been proud to have been his African Queen. This book is really three vignettes and one great story of courage and endurance.

At the outbreak of World War I, Germany had four African colonies, Togoland, Cameroon, South West Africa (now Namibia) and German East Africa (now mainland Tanzania, Rwanda and Burundi). The stories about the conquering of the first three are very straight forward and give a very good idea of how the fighting in Africa differed from that in Europe. Of course the British made major mistakes of bringing in untried Indian troops who were totally unfit to fight in the 'Bush' but everyone kept a 'stiff upper lip' and died from disease and malnutrition.

The major story is how the commander of the "Schutztruppe" (local militia that were made up of European Officer and NCOs, African levies called Askaries, porters who were the most numerous and their wives and children) Paul von Lettow-Vorbeck, managed to fight a four year war against over- whelming odds, and never lose a major engagement to the British. Throughout the war he was the consummate Guerrilla fighter, never facing the British head on but using hit and run tactics and always being one step ahead.

(There is a great side story that is better documented in "Mimi and Toutou's Big Adventure by Brian Garfield", about the bringing of some British naval ships to fight on Lake Tanganyika; but Farwell does a good job of telling the story in a succinct manner.)

In the end, the British, mostly made up of South African Whites,Nigerians, Kenyans and Indian troops, spend four years chasing Lettow around Tanganyika, into Portuguese East Africa (Mozambique), Northern Rhodesia and back into Tanganyika. During all this time he would leave his sick and wounded behind to be tended by the British, and would release his European prisoners if they would give their parole (agree not to rejoin the war). At the end of WWI, he was leading four to five thousand troops and keeping 87,000 British Commonwealth troops tied down protecting ports and railroads that could have been shipped to France. (He didn't surrender until November 15, 1918.)

For any history buff who enjoys a story that is almost Kipling-esque, this is the book to read.

This book was ok, no way near how good you might think it was by reading all the glowing reviews. To me it read more like a university text book than an exciting story. If you read the other reviews and see them mention all the really interesting "forgotten" stories of WW1 in Africa you may be suprised when you actually read the book. Several reviews mention the "Battle of the bee's" - you may be suprised when you read the book & see that the "battle of the bee's" is one short paragraph in the book. The reviews mention an amazing story of zeppelin L59 - in the book this takes up about 2 pages of text & a picture. So if you have read some of the glowing reviews you know almost as much about the bee's & the Zeppelin journey as if you had read the whole 400 page book. I found most of the book of some interest but I wouldn't really recommend this book to someone unless they are really looking for info on a certain battle in WW1 Africa at this time - but even then the info isn't very in depth.

As an italian, I've always had unending difficulties in search of books or any other source about military operations in Africa during WWI. But now and then, the name of von Lettow-Vorbeck appeared, surrounded of the fame of glorious deeds and exceptional personality. Well, reading this book has been a really enjoyable experience: masterly well-written, with sound attention to details but always keeping in sight the overall perspective. Last but not least, really fair balanced, it depicts men and events almost flawless, without any irritating bias against the one or the other side of the battlefield. In the midst of all that, Paul Emil von Lettow-Vorbeck emerges as a hero and one among the greatest soldier of history, maybe a forgotten one, but nonetheless as great as a von Moltke or a Napoleon.

I love this book. I have read some of the chapters two-three times now and get something more each time. As an amateur woodworker, I don't fully understand what each tool can do yet dream of outcomes that the masters create. This book explains in simple terms the what, how and what should be for each tool, be it a hand plane, chisel, hammer, etc. Most of my other woodworking books that speak of tools only touch on how to sharpen and maybe adjust but not the how it does it and how it should perform. This book heads to the top of my stack to reach for when I need some tutoring on a particular hand tool.

This is a beautiful book, the moment I read the first chapter I was wishing I'd bought the hard copy so I could put it in pride of place on my bookshelf.
I loved the illustrations, which are on almost every page and give exactly the right amount of detail in a way that photos can't. But the best part is the author's wonderful writing style, which really conveyed a sense of the timeliness and pleasure of woodworking. Even when describing such mundane things as taking measurements, the author has a great knack of focussing on the human aspect of the process, the decisions that need to be made and the emotions that the wrong and the right decision evoke. This, to me, is the reason working with handtools it is such a satisfying pastime, and this book wraps up all of those experiences in a really beautiful way. Top marks.

Just beginning my adventure in woodworking, this book has done exactly as it claims in the back cover. It feels like I have a readily available experience woodworker in my pocket whenever I have a question about a tool. The explanation is clear like a craftsman would teach his apprentice, and because of this, the obvious question of what tool should I get first and what tool should be my next purchase is easily answered, without actually saying. The drawings make the book almost timeless, not dated by photos, and the diagrams are reminiscent of the technical sketch you may see on a drafting table. I purchased other books along with this, but keep referencing back to this book to answer my questions about what tool do I need for the next part of the job. The writing is easily explanatory and conversational at once, and is quite enjoyable to read. You can either read it in a linear fashion, from front to back, or you can choose the tool you have questions about (from the Table of Contents) and move directly to it to have your question answered.

Free bench plans if you've never built a workbench, are included. This is a book that could sell itself if you had a chance to open it up.

I don't gush over books very often but this is one of the best investments I have ever made. The illustrations are startling and the writing is clear and unadorned.

What Watson does very well is assume nothing with regard to his reader. He neither panders to the "old pro" nor is condescending to the "rank amateur." He just talks about how to use hand tools, how to think about hand tools and how to appreciate hand tools. I don't think there is a person doing wood working today who would not find something in here that makes them say "Oh, yeah..., that's a good idea."

I have spent quite a lot of money on the Taunton woodworking library and I value them highly. They are good books. But this one is the first one I pick up when I am just spending a few minutes sitting down or before drifting off to sleep.

One caution - this book is about "hand tools" and does include chapters on tools like "hand augurs" which very few of us use, however I have to admit I am tempted to buy one just because of the obvious pleasure this guy has in them. One of my quirks I suppose.

Watson has written a clear and concise user's manual for woodworking hand tools. He includes many of the basic hand tools that are overlooked (such as the brace and drawknife) in other hand tool books. I got more information out of Watson's clear drawings than I did from the beautiful photographs in Garrett Hack's "Classic Hand Tools" book. This book is meant to be kept in your workshop instead of on the coffeetable.

Like Schleiermacher, Otto wants to theorize a religious faculty completely distinct from the rational, moral, and aesthetic faculties. The object of this faculty is the "holy," which is fearsome, mysterious, and fascinating. Most importantly, it remains essentially distinct from the rational, moral, and aesthetic, which means that any language we use to talk about "numinous" reality will always be analogical. This is important because "the religious" as a distinct category has been under threat since the 18th century (or since Spinoza) by other discourses that effectively explain it away. Otto's contemporary, Freud, was about to deal the religious yet another heavy blow by reducing it to a vestigial remain of infantile narcissism. By only allowing an analogical relation to other discourses, Otto wants to preserve the religious from this encroaching secularization. Of course, it is not certain that his own theory is not a secularization. He does not, after all, make room for miracles (in the strong sense).

I'll admit I was a little surprised at the heavy Christian turn at the end, only because Christianity seems to tame the wildness of the "tremendum" and the "mysterium." All in all, a fascinating and useful read.

The first time I ever stumbled on the word "numinous" was in a doctorate that proposed to analyse vampires as "numinous entities". Then, reading CS Lewis, I again crossed that word's path, and eventually, I decided to read the real thing.

In very short, the numen (from which the word "numinous" is based) is the mysterious, overpowering, and terrifying aspect of the Deity. It is "non-rational" in the sense that it is not to be grasped by concept and ideas, but something to be felt in one's flesh and soul, like actual fear, awe, and majesty.

Otto focuses on that aspect too often neglected by some religious people themselves: the mysterious and unknowable. Fanatics have a tendency to consider only that, to the expense of the rational side of the Deity. But both similarly denature It.

While this book is a classic, and a worthy reading for anyone interested in the subject of God and the studies of religions, I will say that, personally, I seem to have missed out on some of the things mentioned in the book. Maybe I badly read certain parts, or maybe the book is complicated and dense enough that a second reading is required to clearly understand it all. Or both.

In a way, Rudolf Otto gives mysticism the kind of analysis it deserves, and re-establishes those more obscure areas of religiosity as something worthy of our consideration, and undeserving of our scorn.

The best way to read this book is to HAVE READ IT in a state of obsession years ago and find that its general mood and the texture of its ideas exert a subliminal and subconcious influence on one's concious thought. Taken in parts it contains many assumptions or assertions that are actually quite disputable but in general, as an aesthetic device, it is necessary reading for any spiritual seeker. It is certainly a welcome anti-dote to those spiritual guides that make God out to be a divine butler waiting on his chosen humans beck and call. It also suggests a wilder and more flamoboyant spiritual universe than the one portrayed in so many lesser works. God, if he or she exists, is a wild, ecstatic, and uncontrollable force that transcends the vulgar, petty humanizations we force upon him or her.

The student of human religion is generally confronted with a serious problem; unlike say, science or philosophy, religion is much more strongly dependent on the subject and the social and cultural beliefs in terms of knowledge, practice and belief. It is harder as a historian of religion to divorce any 'essence' of religion or religious knowledge from its context and practice, especially given many of the leading lights of the world's religions seem to emphasize ineffable and unrepeatable subjective experience. Yet it is vital to try and understand religion and what role (if any) it plays in the human quest to understand the universe, and also ourselves.

Otto, a Protestant theologian, offered a concept he called the 'holy.' Also often called the numinious, this was a sense of something being sacred. Holiness gave Being a special set of qualities which set it apart from the universe and its furniture as we 'ordinarily' experience it. This experience is often one of terror and fear in the prophets of monotheistic religions (Jeremiah, Ezekiel, Moses, Abraham, Jesus and Mohammed) while in native and Eastern religions, it can be a sense of power or awe. In this work Otto applies the idea of the Holy to Christianity and other religions, and would later form a critical tool in the phenomenology of religion and religious experience.

This book is essential reading for any scholar of religion or philosopher interested in religion and questions relating to religion and religious experience.

Rudolf Otto(1869-1937) presents the idea of the Holy as that profound, overwhelming feeling of awe that can sometimes strike you regardless of your particular culture and/or religious affiliation, a feeling that's been a part of us since pre-historic times. He calls this feeling the "mysterium tremendum" or the "numinous" and proceeds to describe it in great detail, with examples. I liked the way the idea is first developed in a more general sense before emphasis is made of its Christian aspect, making it accessible to all people interested in the idea of the Holy and God.