R Books

He was called Damiano Delstrego: wizard's son, alchemist, heir to dark magics. Yet he was also innocent, a young scholar and musician befriended by the Archangel Raphael, who instructed him in the lute.

To save his beloved city from war, Damiano left his cloistered life and set out on a pilgrimage, seeking the aid of the powerful sorceress Saara. But his road was filled with betrayal, disillusionment and death, and Damiano was forced to confront his dark-heritage, unleashing the hellish force of his awesome powers to protect those he loved.

Among 1983's most highly praised first novel, R.A. MacAvoy's Tea with the Black Dragon was called a "wonderful book" by Elizabeth Lynn and a "delight from cover onward" by Analog. With Damiano, MacAvoy begins the masterful saga of a man who must walk the narrow path between light and shadow. Be sure to read the two concluding volumes, Damiano's Lute and Raphael to complete the adventure!

A string buzzed against his fingernail; the finger itself slipped, and the beat was lost. Damiano muttered something that was a bit profane. "The problem isn't in your hand at all. It's here," said Damiano's teacher, and he laid his ivory hand on the young man's right shoulder. Damiano turned his head in surprise, his coarse black ringlets trailing over the fair skin of that hand. He shifted within his winter robe, which was colored like a tarnished brass coin and heavy as coins. The color suited Damiano, whose complexion was rather more warm than fair. "My shoulder is tight?" Damiano asked, knowing the answer already. He sighed and let his arm relax. His fingers slid limply across the yew-wood face of the liuto that lay propped on his right thigh. The sleeve of the robe, much longer than his arm and banded in scarlet, toppled over his wrist. He flipped the cloth up with a practiced, unconsdous movement that also managed to toss his tangle of hair back from his face. Damiano's hand, arm, and shoulder were slim and loosely jointed, as was the rest of him. 'Again?" he continued. "I thought I had overcome that tightness months ago." His eyes and eyelashes were as soft and black as the woolen mourning cloth that half the women of the town wore, and his eyes grew even blacker in his discouragement. He sighed once more. Raphael's grip on the youth tightened. He shook him gently, laughing, and drew Damiano against him. "You did. And you will overcome it again and again.

I'm happy there are so many wonderful reviews, but surprised that one aspect of these 3 books (published together in this omnibus edition) has not been mentioned yet: Besides enjoying a superior (gently humorous and delightfully vivid) fantasy, you will also be rendered teary at the sad scenes. Until I read these books I didn't think it was possible, outside of a Victorian novel (or William Maxwell's short story, "Thistles in Sweden"), to find oneself wiping away beautifully sad tears. Another bit of clarification: If you can't stand "Wardour Street" medieval fantasies, this isn't one. It's altogether wonderful. Read it, read it, read it!

I recently stumbled across Damiano's Lute and it all came flooding back...being taken to another world from that of my teenage years...so beautifully written. I was immersed completely and wonderfully. Now I will revisit MacAvoy and read anew. Theres just one thing knawing at me - I am not sure where I read about transformations into a tree, eagle and other life-forms..I read other, similar books in the 80's, including The Prince of Hed whose author I can't quite recall??

I think the reason Roberta MacAvoy's fantasies are not better known is that they are so hard to classify. Is the Damiano trilogy an alternate history of a time when the pope was exiled in Avignon, and the Black Death and the condottiere made life miserable, brutish, and short for almost everyone else? Is it the story of a witch who wanted to be a musician, and his little talking dog? Is it the tale of a struggle between two brothers, who happen to be the Seraph, Raphael and Lucifer, Prince of Darkness?

MacAvoy has a way of bringing me into every scene, using precise language and memorable detail:

"His mind was flooded with the memory of this very pasture in the green of summer, when his father would treat the sheep with tar poultices and incantation. Grass up to his half-grown knees, except where the flocks had cropped it. It had been cool then, in the mountains, but pleasant. Sheep's milk. Napping at midday, surrounded by curious, odorous, half-grown lambs."

I wish MacAvoy hadn't killed off my favorite characters, one by one, but it is a tribute to the power of her writing that I kept reading, anyway. I was hooked. I had to know how her trilogy ended.

If history is fair to fantasy authors, Damanio and his lute and his little, talking dog will outlast all of the overblown 'ologies' of Brooks, Goodkind, and Stephen King.

One of the best resources you can buy, thorough research, good scholarship and a wide range of authors. Can't go wrong with this resource.

Got this For my son-in-law it is a book he has wanted for a long time!

`The Dictionary of Paul and His Letters' is a superb reference source if your primary objective is the study of Paul's writings. As a one-volume source, unlike, for example, the six volume Anchor Bible Dictionary, it is a far less expensive reference of all Pauline issues on your desk. For most people, the very best aspect of the volume is its dedication to contemporary scholarship. This focus has many good points and a few problems.

The only problem I see with its `contemporary' focus is that some important works on Paul may not cited. This is only a theoretical concern, as my biggest fear, that the article on `Mysticism' would not refer to Albert Schweitzer's important `The Mysticism of St. Paul', but it does.

On the other side of the coin, all major articles include generous bibliographies to both books and articles in English, German, and French. I find no references to Italian articles, but if there were important articles written in Italian, I believe they will be here.

While some major Pauline scholars such as Ed Sanders and N. T. Wright are missing from the list of contributors, there are many authorities that do weigh in. Foremost among these are James Dunn, F. F. Bruce, and David Wright. There are over a hundred contributors, so I'm certain I'm unfamiliar with many major authorities. From what I know, the credentials of the contributors are impeccable.

While I learned early in my elementary school years that an encyclopedia was always a good place to start a research project, it was often not enough for first class work, but there were always things an encyclopedia could do which no other reference could do quite as well. And, this volume does a great job on those tasks.

First, as already mentioned, it has great bibliographies on all major articles. My only complaint is that since all the entries run together (no break to a new line when beginning with the author's name), the bibliographies are hard to read. I commonly miss an important reference when my aging eyes skip over the lines just a bit too quickly.

Second, the text has superior cross-referencing. Every time a word or phrase is used which is itself the subject of an article, the word or phrase is asterisked. I don't recall that even the mighty Encyclopedia Britannia did so well in cross-referencing. I know the Britannia's bibliographies were not nearly as good.

Third, there are lots of useful articles with information you simply don't find anywhere else, at least not with a certain amount of luck. Two examples stand out. The first is a list of Pauline colleagues, all those co-workers mentioned in Acts and in Paul's own letters, with indications of their roles. The second is the list of Old Testament citations in Paul, divided by those where the quote from the Septuagint is exact and those where the quote is paraphrased. Most of this is reprinted from classic papers on the subject, primarily by E. E. Ellis.

There is one area where one needs to use additional references. While there are excellent articles on each of Paul's letters, they do not constitute complete exegeses of the letters. Fortunately, again, the bibliographies offer excellent lists of full commentaries; however, they are not complete and they are limited to `modern' exegeses. The bibliography on Romans, for example, does not include either N. T. Wright's very long commentary in `The New Interpreter's Bible' or references to classical commentaries such as those by Martin Luther or John Barth. Second, I would not entirely trust the information here on very early Judaism, for example. On the other hand, long general articles about, for example `Law' are extremely good guidance on research on this subject going back over 100 years.

This book will not replace more specialized works, but it will do an excellent job of helping you find and understand the mountain of scholarly research on Paul from the last century.

I enjoy reading this book. It has great contributions to the identity of Paul and circumstances of his letters. Articles are written by well-known scholars. It gives you a quick and extensive overview on recent debates of the scholarship on particular topics. Instead of reading a dozen books, you can read a comprehensive summary in a article on the topic of your interest. It is a great book and I recommend it to any student of the New Testament.

I just started studying Paul and his epistles, although I like consulting commentaries to find out the meaning on the texts, I think this dictionary does the work on explaining anything in the pauline letters. It is informative and eye opening and makes you research more on Paul and his Letters. It also includes excelent bibliographies at the end of each topic. A must have for any one interested in the subject.

Dr. Bob Ronzio, a Ph.D. with 30 years of experience teaching in the field of biochemistry and nutrition, has put together this accurate and thorough listing from A-Z covering vitamins, nutrients, foods, illnesses, and more. If you're a health practitioner or an informed consumer with a health related question, this is a valuable book to have on hand.

Easy to understand format,from lay person to professionals.Very concised and updated information is given. Recomended for everyone who is into nutrition and living healthy.This book is a must for every home.

As a professional consultant to both health care professionals and their patients, I often need accurate and understandale definitions of sometimes difficult concepts. The Encyclopedia of Nutrition and Good Health is a valuable resource for finding pertinent facts and information on almost any subject regarding health. I can recomend it highly to both professional and lay persons. I use this resource on a daily basis myself.

I have found this book to be an invaluable resource both at work and at home. As a Registered Dietitian working in the area of Community Nutrition/Public Health, I have accessedthis resource countless times and VOILA!, I have always found the answer to my query. The Encyclopedia of Nutrition and Good Health is comprehensive, straightforward and reader friendly. The information is factual, clear and practical. Dr. Ronzio's approach is objective, holistic and well balanced.I would highly recommend this nutrition reference guide to both the health professional and the interested lay person. It is a worthy investment with many returns.

As a professional nutritional consultant, I write a two page monthly newsletter and am in awe of the consistent high quality of what Dr. Ronzio has given us. In my efforts to distill pertinent material for the busy doctor from books and scientific articles, I have many reference and text books to further consult from. I invariably look to Dr. Ronzio's Encyclopedia on Nutrition and Good Health for integrity, clarity and depth of understanding in objective and concise terminology. Like the other reviewers of this enclyclopedia on nutrition and good health, I find it a very valuable and useful source.

I highly recommend that nutritional health professionals obtain two reference copies, one for their immediate use and the other as their waiting room copy. Its inviting manner with immediately usable information allows for a better educated patient with even a better chance of getting well.

I also recommend Dr. Ronzio's Enclylopedia to anyone having difficulty explaining the nature of good nutrition to the rest of the family. He adeptly addresses and clarifies much of the bogus nutritional information in today's terms and settings in a very easy to find and read format.

Thank you, Dr. Ronzio, for all your dedicated hard work to provide The Encyclopedia of Nutrition and Good Health.

An edition with an excellent pedigree.

The Heritage Press edition of the Essays of Ralph Waldo Emerson: The First Series and The Second Series bears the spine title "Heritage Anniversary Edition."

One of the largest volumes ever produced by Heritage. Based on the original designs of master printer John Henry Nash, it derived its style from a Nicolas Jensen 1478 edition of Plutarch! Thus we have a 20th century book composed like a piece from the Renaissance with two color printing and a large 18 point Cloister Lightface, an elegant and "mellow" typeface derived from a Jensen design. Really, quite an impressive and distinctive interior.

In a red slipcase. Bound in tan buckram at the spine with red and gold details, three-quarters green and tan marbled French paper. Red page edges, 262 pp in a sewn binding.

Introduction by Edward F. O'Day.

Emerson's works require repetitous reading and re-reading. Anyone that says you can "get it" from a single read doesn't understand the man or the truths he reveals about life and the universe. To call Emerson a transcendentalist is a cliche and the one calling him this doesn't understand that Emerson was about the here and now.

His best works for a truth seeker are Self-Reliance, Compensation and the Over-Soul. I suggest reading Compensation at least every night for three weeks. The world changes once you do.

To put Emerson in the same category as literary writers like those other reviewers have done is an injustice. He definitely deserves reading and he is an American writer, but he's more akin to Lao Tse than any American poet or novelist. They have a moment or two, Emerson is constant.

I can hundred percent sure Emerson's essays will be venerable as Shakespare's works someday,he changed my predujice of English,which I thought English has no quality as French or Russian,those had depth of thinking that English cannot instead of.Now I recently contacted Emerson's poetics ,also fall in love with those lyric prose,they really touched my heart,those are not kind of verbose,oppositely with philosophy of his unique stance.Nothing can prove its well inspirations,except read it.So,just start your reading right now.

Although he was considered during his lifetime to be a profoundly radical thinker, Emerson, the Transcendentalist chief, after his death, was soon reinterpreted as a bland Bostonian Brahmin, a mystic anarchist who was only brave on paper. It cannot be denied that his philosophy of a joyful and affirmationist acceptance of life, and of nature, his anti-slavery activities, his attacks on the state and on the sensualism of bourgeois society, could have easily provided the formula for a complete overthrow of the moral order of his time. His libertarian thrust, his serene integrity, his indefatiguable optimism and common sense, however, will continue to find admirers, notwithstanding the fact that political identifications have changed and emphases have shifted, or otherwise one can simply enjoy the polished beauty of his prose style. Though by no means a deep thinker, Emerson's brilliantly epigrammatic, allusive, declamatory, pithy style provides instances where the reader may extrapolate a number of meanings from even the shortest utterances, and it is due to this quality, perhaps, that the Emerson enigma came into being, enabling him to appeal to such numerous and diverse temperaments. His best essays include "The Over-Soul", "Compensation", "Self-Reliance" and "Manners", in which he preaches, in the rhetorical manner reminiscent of his background as a Unitarian minister, his ideals of contenment, joy, independence and self-confidence -- tonics of the soul.

Ralph Waldo Emerson was a transcendentalist (someone who espouses a philosophy emphasizing the intuitive and spiritual above the empirical), and a Christian minister, who was also steeped in the rich philosophical tradition of the Vedas, the Upanishads, and the Bhagavad-Gita. His essays are classic literature at its finest, with a rhythm and cadence that are, even in prose, poetic and musical. The beauty of this prose, in my opinion, is unparalleled.

What Emerson has to say is every bit as important as how he says it. He was a genius with "rough edges" who challenged society to question many of its unexamined assumptions. He did get into trouble for this, and was forced to resign as minister of his church, but Emerson refused to compromise on truth. A rugged individualism and stalwart non-conformity were the cornerstones of his personal philosophy. Emerson was well ahead of his time (1803-1882) and remains so to this day.

Emerson was a far more prominent voice in America than many people today might realize. If you decide to read Emerson, you may very well find yourself repeatedly saying, "so that's who said that." Many profound and moving quotes are attributed to him. His essays, "The Over-Soul" and "Self-Reliance" are justifiably considered among some of the best writing by an American author.

Emerson's voice will certainly not be to everyone's liking, and that is as true today as it was in his time. Because of the style of his prose and the nature of what he wrote about, there will be many who read him and who simply put him aside. On the other hand, don't be surprised if reading Emerson sends shock waves through your central nervous system. For those who really get hooked on Emerson, as I did 32 years ago, he will remain a lifetime companion offering a wealth of insight into the eternal verities of the soul and man's quest for the divine. For my money, there is no finer essayist or "philosopher" than Ralph Waldo Emerson.

Book about Warblers
this reference book is very helpful in identifying the migrating warblers.
It arrived in very good condition.

This book is much more than just a field guide to the warblers. It contains a wealth of information on identification, but it also functions as a summary of the scientific literature on the ecology of each species, complete with references to the primary literature. This guide is a great way to not only get more serious as a birdwatcher, but also to help this interest develop into an interest in and understanding of ecology.

As a field guide, this book is exhaustive and excellent. The illustrations are extremely clear, and there are distinct illustrations of different sexes, ages, and plumages (fall/spring) whenever these plumages are distinct. In addition to the illustrations of perched birds, there are also excellent illustrations of undertail patterns, which are very important and useful. Throughout the text as well, there are a number of detailed color photos. Visually, this guide has it all! The range maps are large and clear, although I wish that the range maps would mark migration paths more clearly.

The expanded chapters on each species are outstanding. While some of this information, especially the plumages, range, song, habitat, and behavior, would be interesting and useful to birders, this book goes above and beyond by discussing in depth the ecology of each species, taxonomy, and conservation status. The writing is clear and concise, and there are numerous references to the primary literature as starting points for people who are interested in further reading.

Bottom line? If you like warblers, you have to get this book! You will not be disappointed.

Several years ago, while watching the bird feeders at Muskatatuck National Wildlife Refuge in Seymour, Indiana, I heard a voice behind me pointing out that there were two races of White-crowned Sparrow at the feeder. He went into detail about the subtle differences between the two. At first I thought to myself, who is this guy? Later, I realized that it was Jon Dunn! I have had a high respect for him ever since.
Years later, he was the guest speaker at our bird club meeting. He presented some of the plates from his, at the time, upcoming new field guide to warblers. I fell in love with the plates from the very start. Thomas R. Shultz and Cindy House did a remarkable job, and the detail that was carefully gathered from museum specimens is second to none. I knew from the beginning that I had to have this new field guide and I couldn't wait until it appeared on the shelves.
When I bought my copy of the finished product, it was even more than I expected. Aside from the detailed plates making fall and female warbler identification easier, the text is filled with information on virtually every aspect of life history of each species, with cross-references that will aid any serious researcher. More than just a field guide for identification purposes, this book belongs on the shelf of beginners and experts alike who share a passion for warblers.

This book provides good color plates of the warblers in various stages of plummage. The distribution maps are easy to read and color coded. I bought the book because of the multiple pages of natural history information on each species. The birding guide I use in the field has excellent illustrations but totally lacks in the supplemental information. So, when I get home, I grab this book to learn the biology of the species.

Kimball Garrett and Jon Dunn worked together once again to produce a masterpiece. The information on status and distribution is remarkably accurate given the exceptional detail in which it is presented. The identification discussion is thorough and accurate. The discussion of subspecies, their taxonomy, and their identification (as is possible) is remarkable. The books only failing are the illustrations, which are flat and unrealistic for the most part. Their usefulness is limited.

This book has great content for use with a home school speech and rhetoric program. Not to lengthy, it is an interesting and easy read.

"Fair is foul and foul is fair."

"Circumstances rule men; men do not rule circumstances."

"Ye have not chosen me, but I have chosen you."

By now, you may have noticed the similarity among these three phrases: an inverse repetition of words. But you may not know this style has its own technical term (epanados). Figures of Speech: 60 Ways to Turn a Phrase, a tiny tome, lists and explains the technical terms of 60 such style devices.

Rooted in Latin, these terms are not important in that each and every one should be memorized. In fact, the author himself notes the foolishness of such a pursuit. But writers (and editors!) should know how to recognize them, and, ideally, experiment with them in their own writing.

Arthur Quinn does a solid job of explaining how to use these figures of speech. He provides brief definitions and illustrates them by listing examples from eminent writers and the Bible. However, I do have a few complaints. Sometimes Quinn glosses too quickly over a term, not giving it a full definition. He also often does not explain how his examples show a particular style device (it would be nice if he bolded them, when possible). Sure, sometimes the examples are self-explanatory but for the confusing concepts it would aid comprehension. His glossary is also a little erratic, sufficiently explaining one term while insufficiently explaining another.

Overall, however, Quinn has created a valuable resource for creative writers. It's a gem of a book in its brevity, and I wish another edition would come out to renew people's interest.

I recommend this book for anyone who would like a few more clues on the many ways masterful sentences are put together. If you have the soul for good writing, but need a little more concrete guidance on how powerful phrases from the Bible to Virgil to Shakespeare to Churchill are constructed--this book will be a delightful little teacher.

I was impressed by the lighthearted and humble approach of the author. Although he gives the formal (and quite forgettable) names for the figures of speech, he says he doesn't expect readers to remember the names, but rather to "taste" the examples he cites, and to get a feel for how to apply these patterns in their own writing. He repeatedly stresses that knowing how to use words and rhetorical patterns is far more important than memorizing their names or even agreeing upon their proper classifications.

The author also cites classics ancient and modern in making the unconventional and refreshing point that we need not slavishly follow the dictates of the now-popular rules of usage as promulgated by Strunk and White and other like-minded authorities. For example, while contemporary authorities repeatedly (yes, ironically) stress the importance of avoiding any unnecessary words, the author of Figures of Speech cites many passages from the Bible, Shakespeare, and other sources of distinction, that clearly do not follow such strictures--and choose elaboration and repitition over spare economy.

Overall, the book is informative, accessible, generous-spirited, and, in places, even humorous and playful.

When I got to the end of the slim volume I found myself wishing there was more.

Short, easy to read. Full of great examples. Will make you a better speaker and heighten your appreciation of great literature, as well as showing you the techniques used by playwrights, poets, politicians, lawyers, clergy, and all others who earn their bread with their tongues. An eye-opener.

Professor Quinn's slim volume is perhaps the best treatment of the subject of rhetorical devices that I have ever read. I say "best," not because it is the most extensive, nor because it is the most detailed coverage of the subject. I say "best" because I feel it is the most *useful* coverage I have ever encountered.

In concise fashion, Professor Quinn takes the reader through many of the most common figures of speech, tells us the formal names, and provides numerous illustrative examples.

It is true that simply knowing the name given to a particular turn of phrase will not guarantee that one can effectively employ it in one's writing. Nevertheless knowing the
forms and having names to identify them makes it easier to see them in use in the writing of others. By thus making them memorable, they also become a more ready part of one's writing toolkit.

The engaging and entertaining style which Quinn uses throughout the book makes even the most daunting technical terms readily accessible. His well-chosen examples are also entertaining and informative, and most are quite memorable. I can't be certain that merely reading this book will improve every reader's writing, but I believe that most folks will benefit from reading it.

If you love Lost In The Woods - you will love this as well. Carl Sams is at it again! What beautiful photos and story line as well. Just good, clean, wholesome fun!

Love all of the beautiful books by Carl Sams and Jean Stoick.They should be kept for generations to come.

This is a beautifully photographed book with a very cute story. Great for children and adults alike. Though I have no children, I loved the photographs and the story so much that I just had to have the book. I enjoy paging through this when I can't be out hiking or enjoying the outside or when I've had a rough day and need to enjoy the simple moments in life.

First Snow in the Woods: A Photographic Fantasy
A gorgeous photographic wonder, for adults as well as for children. A very well done story, and the photography is out of this world! I can't wait to order another of the series.

The Mom's Choice Awards® honors excellence in family-friendly media, products and services. An esteemed panel of judges includes education, media and other experts as well as parents, children, librarians, performing artists, producers, medical and business professionals, authors, scientists and others. A sampling of the panel members includes: Dr. Twila C. Liggett, Ten-time Emmy-winner, professor and founder of Reading Rainbow; Julie Aigner-Clark, Creator of Baby Einstein and The Safe Side Project; Jodee Blanco, New York Times Best-Selling Author; LeAnn Thieman, Motivational speaker and coauthor of seven Chicken Soup For The Soul books; Tara Paterson, Certified Parent Coach, and founder of The Just For Mom Foundation(tm) and the Mom's Choice Awards®. Parents and educators look for the Mom's Choice Awards® seal in selecting quality materials and products for children and families. This book has been honored by this distinguished award.

A nicely researched and insightful biography of Florence Lawrence, one of the most shadowy yet important figures of early cinema. Many things about Florence's life and career will perhaps always remain vague, but Kelly Brown gives a worthy account of America's "first movie star." It is refreshing to know that Flo is finally getting the recognition she deserves. This book is a must for the true film buff.

This slender volume is fascinating because it finally paints a well-researched picture of the long forgotten Florence Lawrence. I've always been fascinated by her after seeing publicity stills of her from the mid-1900s. She appeared to be warm, charismatic and fascinating. Her greatest tragedy is that none of her films have been shown in eighty years. I have one of her shorts, "Flo's Discipline" which only lasts about twelve minutes but it gives you a hint of how dazzling she was before the cameras. While her cohort, Mary Pickford, went onto a spectacular career that included mind-boggling salaries and a world-famous Hollywood castle, Pickfair, poor Lawrence was living in a small, hotel room, being paid a few dollars a week as an extra at MGM. Her life would make a wonderful movie--and a cautionary tale about the pitfalls of how fleeting fame is, and how fickle is the public when it comes to remaining faithful to the flavor of the month.

Florence Lawrence was "big" before there were movie stars. She was the original "Biograph Girl" before Mary Pickford was given that name by movie fans. After losing her job at Biograph, she was hired by Carl Laemmle's IMP company (later Universal). As a publicity stunt, Laemmle started a rumor that she was dead. Then she made a personal appearance in St. Louis and was mobbed by fans.

Unfortunately she was pretty much out of work in five years. Poor managemet by her husband Harry, as well as a painful injury forced her into bit parts. She was still acting in very small parts into 1938, when she gave up on life and committed suicide.

Kelly Brown has done an incredible research job. Using Florence's surviving correspondence, as well as trade magazine artices and advertisements, she has reconstructed Florence's life. The book has many footnotes noting sources, and there is a very detailed filmography. Instead of a book full of dry facts, Ms. Brown keeps Florence's story interesting. If you are interested in early cinema, or even important women actresses, you should definitely read this book.

Florence Lawrence was an enigma I had always wanted to know about, having been interested in silent films for many years. Information on her was scarce, save for some still photographs in silent movie history books. Kelly Brown really did her homework, in what must have been a difficult task, digging up information about a star whose heyday was almost 90 years ago! Congratulations, Kelly, on a job well done! I can't recommend this book highly enough!

I always enjoy a good biography, especially those of the nearly forgotten silent screen stars. This biography of Florence Lawrence was well researched and had many wonderful photos. The author did a good job with the resources available. Most of the films and people involved in silents are gone now, so the job is doubly difficult. Although pricey, this biography is well worth reading.

''Supposing that by casting all these things into an imaginary world, stripping them of their stained-glass and Sunday school associations, one could make them for the first time appear in their real potency?''
--C.S. Lewis

The heart of Narnia is its creator, the great lion, Aslan. Aslan, according to Lewis, is not allegorically Christ, but Christ in another form for another world. The heart and soul of Narnia is in its Christian roots; Aslan, is son of the Emperor across the sea. He wanders in and out of Narnian history, to give himself in sacrifice as Christ did, to right wrongs thousands of years old, liberating hostages and bringing life to the land, and to guide earthling adventurers in their quests. In these adventures, their main goal is to grow closer to him, though, as Lucy and Edmund are told, they must eventually come to know him by another name in our world.

Kenneth McIntosh helps children do just that in this wonderful book of devotions. He makes it easy to grasp onto those things about Aslan and Narnia that illustrate biblical truths, and illuminates them for young and old alike. Following Aslan is a great companion piece for those who wish to see just how deeply rooted Narnia is in the Christian worldview of its author, C.S. Lewis.

Watching Prince Caspian (the second in the Narnia film series) today, I was struck by the power of one simple line. When an older sibling asks why they hadn't seen Aslan, the youngest, Lucy, says, "Perhaps it's because you weren't looking." Perhaps that was it, indeed.

Look for Aslan in this warm, enlightening book. And then, once you've found Him, take Him to heart. You won't regret it.

I wasn't sure what to expect when I picked up Following Aslan, but I am very happy with what I discovered. As a child, I enjoyed The Chronicles of Narnia, and with the new movies being released, I thought this might be a good way to share a different aspect of the stories with my nieces and nephews. And it is! The chapters are short enough to keep the interest of even very young children, yet, they are chocked full of descriptions and actions. I enthusiastically recommend this book.

My kids love reading these devotions. I enjoy the way the Kenneth McIntosh relates the scriptures to the Narnia story in a way the children can easily understand. The simple prayers at the end of each devotion are another excellent tool in teaching kids how to talk to God.

It's nice to see a book of children's devotions that's relavant to their interests and reading habits. I enjoy reading the stories myself!!

As the mother of a five-year-old who loves books, I search for new books and new authors to encourage her love of reading. Kenneth McIntosh's Following Aslan is a wonderful find for me and other parents on the same journey. Although my daughter is not familiar with the Narnia characters, she loves this book and she especially enjoys the drawings. Mr. McIntosh provides enough information about the characters that my daughter feels she knows, and loves, most of them! Each chapter clearly tells a story that can stand on its own. When viewed together, Mr. McIntosh has drawn a life map that any person--let alone a child--would benefit from following.

I used this book as a textbokk in a summer school class called American Military History. The book gave great info, and will be used as a nice reference companion in the future.

This fascinating study examines Ameircan military history from the Pilgrims of the 17th century to the Gulf War. Although published in 1994 and thus not covering the war in Afghanistan or the second invasion of Iraq, this book presents a fascinating analysis of American military history. It examines the size of the army and the role of militias and the national guard. A brilliant history that tells the tale of the American military and the nature of common defense, the older system of defending America when it was still a simple agrarian country.

Seth J. Frantzman

I only have one thing to say: If you are wanting to have any serious understanding of American history, then you need this book in your library.

I read David Hackett Fischer's "Washington's Crossing" (2004) and it was excellent. If you read reviews of it on Amazon.com -- everything everyone says there is JUST what I felt in reading it. Wished it would never end and that he'd write all the early history of America.

"For the Common Defense" struck me the same way. A friend of my son's liked it and got it for him. I picked it up by accident and thought, "dull, dull, dull!" and started reading (only because I'm an habitual read-a-holic). As I read, prejudiced by my first thoughts, I still thought, "dull, dull, dull..." Then my eyes started opening and I realized, "This is VERY interesting!" Finally I started reading it aloud to my husband, and now we are soooo excited to realize, "The kids are in bed! We can read THE BOOK!" We relish it -- truly the highlight of our day! We have learned so much. We really didn't know our country before. The authors' lists of books (and their enthusiastic descriptions of their especial favorites) after each section is a most excellent reference for more detailed reading into one's particular area of interest.

"For the Common Defense" is an overview, but of ALL America's military history, with an eye for the telling detail. This is from p. 238: Joshua Chamberlain, commander of the 20th Maine Volunteers, describes the night of December 13-14 at Frederickburg. It's incredible writing, so I called my best friend long distance to read it to her:

"But out of that silence from the battle's crash and roar rose new sounds more appalling still; rose or fell, you knew not which, or whether from the earth or air; a strange ventriloquism, of which you could not locate the source, a smothered moan that seemed to come from distances beyond the reach of the natural sense, a wail so far and deep and wide, as if a thousand discords were flowing together into a key-note weird, unearthly, terrible to hear and bear, yet startling with its nearness; the writhing concord broken by cries for help, pierced by shrieks of paroxysm; some begging for a drop of water; some calling on God for pity; and some on friendly hands to finish what the enemy had so horribly begun; some with delirious, dreamy voices murmuring loved names, as if the dearest were bending over them; some gathering their last strength to fire a musket to call attention to them where they lay helpless and deserted; and underneath, all the time, that deep bass note from closed lips too hopeless or too heroic to articulate their agony."

I read David Hackett Fischer's "Washington's Crossing" (2004) and it was excellent. If you read reviews of it on Amazon.com -- everything everyone says there is JUST what I felt in reading it. Wished it would never end and that he'd write all the early history of America.

"For the Common Defense" struck me the same way. A friend of my son's liked it and got it for him. I picked it up by accident and thought, "dull, dull, dull!" and started reading (only because I'm an habitual read-a-holic). As I read, prejudiced by my first thoughts, I still thought, "dull, dull, dull..." Then my eyes started opening and I realized, "This is VERY interesting!" Finally I started reading it aloud to my husband, and now we are soooo excited to realize, "The kids are in bed! We can read THE BOOK!" We relish it -- truly the highlight of our day! We have learned so much. We really didn't know our country before. The authors' lists of books (and their enthusiastic descriptions of their especial favorites) after each section is a most excellent reference for more detailed reading into one's particular area of interest.

"For the Common Defense" is an overview, but of ALL America's military history, with an eye for the telling detail. This is from p. 238: Joshua Chamberlain, commander of the 20th Maine Volunteers, describes the night of December 13-14 at Frederickburg. It's incredible writing, so I called my best friend long distance to read it to her:

"But out of that silence from the battle's crash and roar rose new sounds more appalling still; rose or fell, you knew not which, or whether from the earth or air; a strange ventriloquism, of which you could not locate the source, a smothered moan that seemed to come from distances beyond the reach of the natural sense, a wail so far and deep and wide, as if a thousand discords were flowing together into a key-note weird, unearthly, terrible to hear and bear, yet startling with its nearness; the writhing concord broken by cries for help, pierced by shrieks of paroxysm; some begging for a drop of water; some calling on God for pity; and some on friendly hands to finish what the enemy had so horribly begun; some with delirious, dreamy voices murmuring loved names, as if the dearest were bending over them; some gathering their last strength to fire a musket to call attention to them where they lay helpless and deserted; and underneath, all the time, that deep bass note from closed lips too hopeless or too heroic to articulate their agony."