B Books

Received the book promptly and was received in the condition described. Thank you. V. Santana

The Art Spirit is a classic. No artist should ever be without a copy. This book invites reading time and time again. It brings us back to the principles. The value of things. Right thinking. Relationships. As a practicing artist, I can think of few books that have meant so much.

Any artist who does not have this book in his or her library is being cheated out of great insights:

"There are mighty few people who think what they think they think."

"Be willing to paint a picture that does not look like a picture."

"...pictures which do not represent intense interest cannot expect to create an intense interest."

"Effects of perspective are made or defeated by sizes of strokes or by their tonality."

And this is just the teaser.

George Bellows, Edward Hopper, Patrick Henry Bruce, Stuart Davis, Rockwell Kent, Guy DuBois, Alfred Maurer, Carl Sprinchorn and countless others studied with Henri and went on to do great work. There are too many for this to be simply coincidence. The "Art Spirit" is the closest thing we can get to the Kool-Aid that flowed in Henri's classroom. One can glean quite a bit from the pages of this book. It is both practical and inspirational. I have to say that it can be a bit frustrating not being able to see anything or ask a question, but its much better than nothing (thank you Ms. Ryerson!). Buy a copy and read it.

The Art Spirit. Now there's a bold title. The implication is not only that there is such a specifically identifiable thing as an "art spirit", but also that the author, painter, and teacher, Robert Henri knows these specifics; a bold implication indeed. The difficulty (wherein lies the boldness) whenever one attaches the word spirit -or spiritual- to anything, there are, of course, as many understandings or perceptions of that word as there are hearers and readers of that word. This may exist to no greater degree and appear no more obvious than in the world of visual arts. Henri himself acknowledges this, writing in the forward, "...the opinions are presented more as paintings are hung on a wall, to be looked at at will and to be taken for what they are worth. If they have a suggestive value and stimulate to independent thought, they will attain the object of their presentation..." And later, "There is no idea that anyone should agree with any of the comments or that anyone should follow the advice given. If they irritate to activity in quite a different direction, it will be just as well." Although he embraces this free thinking, to-each-his-own, take what you will from it approach, it is merely one of the specific personality characteristics evidenced in the Art Spirit. Henri intends to show there is an "art spirit", and it is the province of every human being.
This is the crux of the issue for Henri, his point of departure from other artist/writers, and the chief value of this book: The Art Spirit is attainable by anyone, can be exhibited by everyone.
Other works on the subject tend to be either the less specific, more nebulous notions where we are expected to buy the fancy explanations and just accept that there is something spiritual, or of the spirit, going on here, or the very specific, artist-only oriented varieties. For example, consider Mandarin's grid "composition" series and his writing about them. While his theosophically induced explanations may help some to a degree of understanding, we are essentially left to take his word for what we are supposed to be seeing in the canvas. In his "Concerning the Spiritual in Art", although Kandinsky presages Henri -discussing psycho-emotional, expressive, and contemplative states of artists out in the real world and before the canvas- he ultimately leaves it with the artist, not really taking it out of the studio and into the factory, construction site, or office cubicle as Henri does. Whereas Kandinsky seems to digress at times into a sort of "how -to" instruction guide for defining and placing spiritual elements into a picture, Henri takes it further, defining his Art Spirit, then setting about showing us how to tell when it's present. This every-man definition is offered at the very beginning of his book:
"Art when really understood is the province of every human being.
It is simply a question of doing things, anything, well. It is not an outside, extra thing.
When the artist is alive in any person, whatever his kind of work may be, he becomes an inventive, searching, daring, self-expressing creature. He becomes interesting to other people. He disturbs, upsets, enlightens, and he opens ways for a better understanding. Where those who are not artists are trying to close the book, he opens it, shows there are still more pages possible.
The world would stagnate without him, and the world would be beautiful with him; for he is interesting to himself and he is interesting to others. He does not have to be a painter or sculptor to be an artist. He can work in any medium. He simply has to find the gain in the work itself, not outside it."
Henri then spends two hundred and forty five more pages illuminating and reiterating how one is -or can be- an inventive, searching, daring, self-expressing creature; how to live life to the fullest. The Art Spirit manifests itself in the appreciation of the non-material things in life; in the "true student" who self-educates and explores feelings, meanings, who contemplates, who really sees, who learns to express "who is you"; in what comes from the external world and inside you; in the full enjoyment in the living of life; in doing a thing well ... anything.
Henri accomplishes a difficult task here; a book with specific and important information for the artist, yet within that structure filled with insight and compelling ideas for the non-artist. One is urged to make a full reading, since quite often both are mingled in the same sentence or statement. For example, a non-painter might be tempted to skip the ten-page section on brush strokes (pg. 62-72), seeing no need for it. The unfortunate reader would then miss out on many little gems of insight and information. What is a brushstroke but a purposeful committed action by an artist? So then, consider the message in these statements when you substitute the word "stroke" with "action" or even "attitude" (parenthetical insertions are mine ):
"Strokes carry a message whether you will it or not. The stroke is just like the artist (person) at the time he makes it. All the certainties, all the uncertainties, all the bigness of his spirit and all the littleness are in it."

"There are more strokes which laugh, and there are more strokes which bind laughter, which freeze the face into a set immoveable grimace."

"(There are) bad strokes which are bad because a brush (a method) or a condition of paint (situation) were chosen which could not render them."

While Henri plays to both artist and non-artist audiences, it is at these times when he addresses the artist more directly he more closely aligns himself with Kandinsky. Both men bring their great passion for the subject into their text in their strong, clear, and pleasing voice. Kandinsky, sounding alternately-yet only slightly more- poetic here, technical there; Henri with a bit more enthusiasm. They share the same territory on many issues, such as the shape, direction, and function of line, intention of every stroke, careful planning followed by exuberant expression and more. Yet, while they may travel the same road, they do not share the same vehicle. There is an important distinction in each man's approach to spirituality, or the art spirit. For Kandinsky, there is a spirit world out there, and a spiritually inspired painter can -and should- find ways to represent both that indwelling spirit and that exterior spirit world to which we are all connected. Henri says (when) we search the external world with appreciation and wonder, and we search within ourselves, and when we become more self-expressing creatures, we have the art spirit...we are the art spirit. Kandinsky believes only non-objective images can reveal the spiritual, Henri says it matters not what you paint but how you paint it-compelled by the spirit. So while Kandinsky can use the "psychic effect" (pg. 24) of color to manipulate the viewer's emotional state toward a comprehension of the spiritual, Henri says the artist's mark itself can manifest the Art Spirit. While, in both cases it takes a more or less purposeful opening up to the notion of the spirit, for Henri it is not trying to grasp the spirit and record it, it is about internalizing and building the spirit inside ourselves, and our resulting expressions will, by definition, represent the Spirit. And it is possible for all of us.
The long quote above (from pg. 5) is written exactly as printed in the fifth edition printing not only as expository text, but as a means of illustrating Henri's bright, clear and energetic voice that runs throughout this book. The subtitle for The Art Spirit reads, "notes, articles, fragments of letters and talks to students, bearing on the concept and technique of picture making, the study of art in general, and on appreciation," and that is exactly how it reads. Much of this is due to Henri's considerable gift of communication, and the balance is credited to the physical layout of the book. There are no chapters, even very few headings to sections, lending itself very well to opening to any page and beginning to read. At times, a lecture, or perhaps advice to a single student goes on for five, six, seven pages. Other times, pages are divided into two or three sections, or set up in individual sentences which concern the same subject, yet stand on their own. The resulting effect is the feeling of being in the very classroom of Professor Henri. There are also considerable instances of repetition here, albeit in subtle variations. The index, however, is usefully repetitious as well, helping to differentiate between those subtleties when one may be in need of a specific quote or reference.
The last thirty pages are exact notes taken by Margery Ryerson, a Henri student who eventually compiled the notes, fragments, etc.(in the revised edition, she is credited as Editor). This is an excellent addition to the book. Reading Henri's comments and insights in her necessarily abbreviated, note-taking style provides fresh psychological weight to the reality of Henri's classroom.
One area of disappointment concerns the photograph illustrations of Henri and his work. In the fifth edition, the plates are in black and white. Although understandable at the time of inclusion (1930), they do not allow for close comparison with Henri's ideas and techniques about painting elaborated in the text. The real disappointment is to find that the current edition available from booksellers has not updated to colorplates, but jettisoned the pictures entirely, save for the full color cover.
I recommend The Art Spirit to anyone involved in the creative process. It is a must have, particularly for those times when one may be experiencing a creative burnout, or to shake off the cobwebs. I am recommending The Art Spirit to non-artists as well -anyone who is looking for a little spark, a little positive push toward self-actualization.
For the artist, I am not recommending The Art Spirit over the Kandinsky classic; I see Henri's work as more of a continuation, or a rounding out of what Kandinsky started years before. Artists and aspiring art appreciators must read both if there is to be any hope of understanding

I think the book should be titled "Mildred Gillars". The "Axis Sally" period, although the most notorious part of her life was relatively short. Mildred Gillars life took so many turns I found it difficult to put the book down. The story is a real page turner. I applaud the author Fuller for doing an outstanding job of writing and organizing the story. The book should be made into a movie.

I must admit when I purchased the book I was expecting a bland biography of Mildred "Axis Sally" Gillars, but my curiosity of this person was strong. For years, the media likened the deeds of various women to Axis Sally without an explanation of her. Who was she? What did she do? M. Williams Fuller tells us by going beyond the limits of a biography and breathing life into the story with dialogue, and what a wild story it is.

I just finished reading Axis Sally and as often happened when reading a good book; I wanted the writer to go on. I'm sure the remaining part of Mildred Gillars life was a story in itself that someday will be told. .

Fascinating, entertaining, historical, thought provoking, all the above plus. This is a totally well rounded story of a woman unwilling to be satisfied with a mundane status quo life. The author had me laughing, crying and wondering all the while what next? My criticism is that I found it difficult to stop reading and get on with my work. I was constantly tempted to turn just one more page

Reading Axis Sally, I am amazed at the ability of the author to revive the era and quickly get into the person of Mildred Gillers as she is entering Hunter College as awkward freshman in the fall of 1925. At first, I felt a kinship to Mildred Gillars and her desire to exceed her ordinary birth given fate. As she proceeded to make choices to achieve recognition, I wanted to caution her as to the ramifications of the directions she was taking, but of then, I am only the reader. In the end, the recognition she received far exceeded her wildest expectations or nightmares. It is a magnetizing, story of one of the most notorious women of the 20th century. The author does an outstanding job of bring the people, the times and the events to life.

Wonderful book if you like vintage stories, especially of large innovative families.

There are a number of books related to this one, as well as movies connected as remakes of the books.

Belles on Their Toes, Cheaper by the Dozen, etc. are refreshing insights of life in the early 1900's.

especially for a sequel!

I found this book a couple years after I came across the first one as a teenager. It's a good continuation of the story and lets you know what happened, and how this amazing family all chipped in to make things work after their terrible tragedy.

This book continues the true story of the Gilbreth children or the sequel to Cheaper by the Dozen.
The story continues after the father died. The mother is now the soul supporter of her family. There is a graet saying in the book that says,"Mother wasn't afraid anymore because the worst had happend."
The mother carried on her husbands works. She held conferences and taught the scince of time saving. She became a very strong woman.
It was a long hard haul but ahe successfully continued her husbands work. The children successfully ran the household.
This story is humorus and very touching. I hope you enjoy it as much as I did.

I can't believe I didn't know this book existed till very recently; I would have bought and read it a whole lot sooner had I known, having read the first book about five or six times. It's in the same funny spirit as the first, though the focus has shifted from the antics of the entire family to the mother's struggle to take care of her eleven children after her husband died. And the funny moments aren't as frequent as in the first book, since the children are older. It also seems like the younger children got the short end of the stick--less time was given to writing about their own humourous childhood anecdotes and stories, since time passes really quickly after Anne gets married. The only other thing in this book I wasn't keen on was how some of it was dated. Some of it, like Mrs. Gilbreth trying to find reasons for the oldest two not to smoke and then instantly retracting each reason, or the youngest boys teaching Jane how to be popular and get dates by not being her true self, is to be expected, given not only the era in which that happened but also when the book was published, but there are a few slang words and references that the modern reader might not understand or find as funny or relevant as someone who was a contemporary of the family might. We all know what a sheik is, but who uses the term "wet smack" anymore, for example? Still, overall it's a sweet fun way to wrap up the story of this funny family.

I read "Cache Lake Country" in 1968. I was delighted to find it in print again...like meeting an old friend.
Thank you.

I have read a lot of outdoor books over the last 40 years, and this is one of the best. I am going to research the author, John J. Rowlands, because he was obviously a fascinating man who lead a very interesting life. This book tells about 12 months living in a cabin on a lake in Northern Onatario. At the time Rowlands was working as a timber cruiser, evaluating forests for use as lumber. He happened upon his ideal lake and was lucky enough to get stationed there by his company. He was also very lucky to have two great friends living within miles (within signaling distance via the various drums, horns etc. they engineered), on other little lakes. Together the three lived every outdoor boy's dream life of independence and adventure. This book has stuff about canoes, wild animals, sled dogs, snowshoes, knives, axes, the history of the lumber camps, and many boy-scout like craft projects. I just wish it was a lot longer.

A good book but I didn't think it was as easy to read as friends lead me to believe. A tremendous amount of reference material, but I thoroughly enjoyed it.

I found the book enlightening and informative. Thank you for the opportunity to enjoy and learn from this book.

I'm going to be a little less enthusiastic, but only a little, than some of the other reviewers here. I really did like this book, but for some reason it just didn't quite pull me into the time, place, space the way it did some others- although it didn't miss by much.

This is a very unique book-probably reminding me of my old Boy Scout Fieldbook (a little more detailed and survival-oriented than the handbook) more than a typical non-fiction work. The illustrations are great as well as occasionally light-hearted, and if you are at all handy or have an engineering or for that matter, culinary bent, you will find plenty of recipes and blueprints for food, tools, gadgets- even crystal radio sets or birch bark canoes. While some of these you'd probably have to find some supplemental information to make, most come so well described and diagrammed that you could probably build them or bake them directly from the book.

For me the best part is the author's midwest and at times almost cowboy way of describing life. His time around rough loggers in the days when horses and two man saws were still the order of the day especially captured my imagination. Like many readers, I'm a lot hermit, and the thought of life in a cabin in the north woods with nothing but snow, bear, moose, and wind has a certain charm, and I'm grateful to Rowlands for giving enough of a story to enjoy a bit of that charm vicariously. An excellent and unique book, and for some it will probably become a treasured possession.

I am what is commonly referred to as a Civil War buff, what ever that means, and I feel compelled to write you about the work of Timothy B. Smith.

My biggest frustration about a lot of books on the civil is the lack of good quality maps that allows the reader to get a sense of who was where and what was happening on the battlefield. How one could write an account of a battle with out good maps is beyond me.

The maps in Champion Hill are fantastic. Not only for their clarity but the sheer number of them is truly amazing. Needless to say I loved them.

The style of his writing actually left me with the desire to pick it up again to see how things were going on the Middle Road and the Jackson Rd., just like a good mystery book.

I give it an A+.

Keep'em coming but don't forget the maps !!

The reviews tell the story. This is a great book. Champion Hill isn't one of my areas of interest, but every time I saw this book, it ended up in my hands until my wife yelled for us to go. If I were to write a book about my favorite lesser known battle, this is the way I would hope it would come out. Exhaustive research, flowing text, sufficient photographs, and some of the best maps that I've ever seen. There are plenty of them, very detailed, and thank you Mr. Smith for breaking them down to individual regiments! He wraps it up with an Order of Battle (thank you!) and a zillion photographs of the battlefield today (thank you again!). It would be hard to top this book. Even if you aren't into Champion Hill or Vicksburg, you'll love this book for the job the author did. Incidentally, check out his "This Great Battlefield of Shiloh.." as well. I look forward to more works by this author.

Timothy B. Smith's "Champion Hill Decisive Battle for Vicksburg" is a must read. A little known battle but one of great magnitude. Many historians have often over look the battles that led to the doom of Vicksburg. Leading up to to Champion Hill were the battles of Port Gibson, Raymond and Jackson. Timothy B. Smith keeps the story flowing and leads you breathless to the climax at Champion Hill. Such research is much needed and is so well written I could not put the book down. This book is a instant "Classic". The book has lot's of maps to help the reader understand the battle geologically. The timeline is easy to keep up with, which is often very hard to do in a Civil War battle. Also included is a very nice selection of photo's to illustrate the participants as Timothy weave's you though the thick Minnie's. One minute you are charging forward with victory and the next minute you are running for your life!

CHAMPION HILL is, unequivocally, the best non-fiction narrative of a Civil War engagement that I've ever read - and that includes works by Shelby Foote and James McPherson.It generally concerns U.S. Major General Ulysses Grant's capture of Vicksburg, but is more specifically about the crucial Battle of Champion Hill on May 16, 1863, which essentially sealed Vicksburg's fate by forcing its defenders back into the city, around which Grant ultimately established siege lines.

The volume's initial fifteen pages briefly summarize Grant's various abortive attempts to take Vicksburg from the north before he was able to cross his Army of the Tennessee to the Mississippi's east bank south of the city on April 30. The next ninety describe the preliminary battles at Port Gibson, Raymond, and Jackson. The bulk of the book, 280 pages, concerns itself with the Champion Hill collision between Grant's forces and Lieutenant General John Pemberton's Army of Vicksburg. There's a penultimate 12-page chapter on the battle's aftermath that includes Vicksburg's capitulation on July 4, and a concluding 11-page postscript chapter on the post-battle and post-Civil War careers of the numerous commanders that are named (and pictured) in the text. Finally, there's a 10-page Appendix with the Order of Battle for both armies, thirty pages of Notes, sixteen pages of contemporary battlefield photos keyed to a reference map, and a 12-page Bibliography. I suggest that author Timothy Smith has penned a battle narrative as satisfyingly complete as any you'll ever come across.

Champion Hill was a seesawing, day-long, complex affair, the account of which will likely spellbind the reader to the point of emotional exhaustion. What I found most impressive was the extreme lucidity of Smith's description of the various military units' maneuvers across the landscape mostly described at brigade and regimental levels. The evolution of the Champion Hill clash is traced by forty - count 'em, 40! - marvelously illustrative maps rendered in black, white and gray that coincide at all times with the textual narrative. Smith even goes so far as to depict the field positioning of units during and after disintegration and, in some cases, their subsequent reformation and re-entry into the fray. At no time was I in the least confused about the tide of battle and the organizational identity of the combatants. These battlefield maps demonstrate how such should be constructed, but which so often are not in otherwise faultless works.

For Grant, who snatched victory from the jaws of defeat at Fort Donelson and Shiloh, Champion Hill was another close run thing - more so than it should have been. Generally speaking, each side suffered from committing its forces piecemeal - Grant because of overcautious orders to his chief subordinate on-site, commander of the XIII Corps Major General John McClernand, and Pemberton because of inadequate intelligence as to Federal troop dispositions combined with a rancorous relationship with division commander Major General William Loring. Particularly speaking, the Confederates perhaps lost Champion Hill because of a wayward ordnance train that handicapped beleaguered rebels in the face of fresh, but the last, Union reserves at a critical point of confrontation.

CHAMPION HILL is an obligatory read for any student, casual or serious, of the Civil War. I was sorry to come to the end of the story, a reaction usually reserved for fiction.

Being a novice to the study of the civil war, I found this book to be helpful in my pursuit of knowledge about the Battle of Champion Hill. It was well written and easy to read. Not being one who necessarily understands military tactics or maneuvers, Timothy Smith's book allowed me to follow the battle with a clear understanding of troop movements and placements and was enhanced by the excellent maps. Having read the book prior to a trip to the Vicksburg area, the battle came to life for me because of the knowledge gleaned. I especially enjoyed the personal accounts, pictures and bios of the officers and soldiers.

I think this battle is best summed up by a quote from the book about a young Iowan, Sam Byers, that said, "But, on May 16, 1863, he was just a frightened young man standing with hundreds of other frightened young men looking up the slopes of Champion Hill in an effort to stare down random death.." This is definitely a book that every serious student of the civil war will want in his or her library.

Having served with a Battalion of Marines back in my Naval Service days, I was unable to put down Major Seth Folsom's book on the Highway War. My impression of the Marine Officers with whom I served, their dedication to duty and to their men, left a lasting impression on me. Major Folsom's story reaffirms that admiration. What is so noteworthy is the maturing of a combat Marine who emerged as a competent professional able to meet any challenge under extreme stress and pressure to complete the assigned mission. First to use LAV's in combat, his unit encountered many imponderables and maitenance problems while continuing to move forward in the face of unknown enemy resistence. He never once failed to give credit to his Marines who fought under his command and alongside him. Their desire to stay in touch and close to him after returning from Iraq is evidence of the high regard they have for him. No higher acolade can be give than to have your enlisted troops want to serve with you again as they said in the book. Major Folsom represents the finest we have in the future core of military leaders. We need more of his kind if we are to maintain the freedom we enjoy.

I have read the previous comments of others both pro and con. I have known Major Folsom's father for many years. Quite obviously, the acorn fell close to the tree. His father is one of the most outstanding officers with whom I have had the privilege to associate. From reading this book, I feel confident that Major Folsom has inherited all of his father's outstanding qualities.

Two matters were brought to light in reading this excellent documentation of his tour. First, I wish that I had the presence of mind to record a daily record of my tour as a squadron commander in RVN. Second, I commend Major Folsom for his honest evaluation of his accomplishments and his revelation of what he considered his failings.

There are many who can understand the stress of combat because they have been there. The ground troops, perhaps more than any, face the true cruelty of the close-in combat environment. POWs, more than anyone, experience a different type of stress. No one can truly express the stress unless he or she have been there. There are far too many who critique the events without having ever experienced being there. Folsom has.

Major Folsom's forthright analysis of his tour should be required reading for every newly commissioned officer of any branch. Folsom recently departed and is presently in-country on his second tour. I wish him and those men with him God-speed and shall look forward to a critique of this tour. May I add that I would be more than willing to serve with this officer anytime, any place as I have with his father.

Years ago Marine artist Col Charles Waterhouse drew a cartoon of a grizzled Marine Gunny, complete with cigar, pulling on a Santa outfit as he prepares to entertain young children, as compared to his normal demeanor of an intimidating Gunny. Maj Seth Folsom's book details a similar transformation, as he grows from a nervous young officer facing his first combat to that of a skilled and articulate officer and husband.

A Captain at the time, Folsom is a blunt and honest writer who discusses his fears and concerns of what he is about to encounter in Iraq. The likely-hood is that many Marines and soldiers, both officers and enlisted, can identify with his worry of how he will fare in his first combat: Can he hack it? How well will he perform? Will he make any mistakes that might cost the lives of his Marines? The difference between them and Folsom is his frankness in discussing these concerns.

Folsom uses the story of his role as company commander to tell the story of Delta Company, 1st Light Armored Reconnaissance Battalion as they participated in the March 2003 invasion of Iraq. From breaching the berms into Iraq, to watching and waiting as his fellow Marines fought at An-Nasiriyah, to the fighting on the way to Baghdad and beyond, Folsom pulls no punches and spares no feelings in his descriptions of leading 130 Marines into combat. The invasion in March 2003 was the beginning of an unusual war against a non-traditional enemy, and Folsom has to find his balance as an officer when dealing with both his superiors and the Marines under him while learning how to lead Marines in combat. Sand, stink, rain, lack of sanitation, fatigue, grime, and nerves are just some of issues with which he dealt even before he and his men even encountered the enemy. Folsom covers the military actions from 21 March 2003 through the April 2003 capture of Baghdad, and he accurately recounts the stress, excitement, and confusion of those historic days.

With the book written from the notes and recollection of his wartime journal, this is a fascinating memoir revealing are his feelings as he dealt with his Marines, and how he matured as an officer and as a human being. Many readers, especially his fellow officers will find much to critique in his rough and abrasive leadership style, and his dislike of the media is at odds with Marine Corps policy. But it is Folsom's same bluntness that lets him write so revealingly - and perhaps these same readers can use his vignettes as an `after-action report' in order to guide themselves in similar circumstances.

In perhaps a reflection of the asymmetrical nature of this war, Folsom recounts participating in briefings with the generals and colonels leading the invasion, and later singing with his men as they blast rock & roll music at rock concert levels. Perhaps one unexpected bonus of war in the wired age is that we readers can share in our warrior's thoughts and experiences while they are still fresh, and as such, Maj Folsom's book is both an exciting read and highly recommended.

I couldn't wait to read this book and when I finally got my copy, it wasn't all I thought it would be. Basically you follow the life of a young marine LAV Company Commander during OIF. He comes across many times as a whiner and someone I wouldn't want to work for. I felt sorry for his Marines many times when they had to deal with him and his emotional outbursts. I really saw nothing different from this book than any of the other books like this based on OIF. I could have passed on it.

You may hate this war and our current President for getting us involved in it, but after reading this book you can only respect and honor those doing the fighting .Folsom's thoughtful leadership and concern for his men, his belief in the Marine Corps and The Mission turned my head around.
The more liberal you are , the more you need to read this book.

overall I am very happy with my purchase. The book arrived in good condition and in a timely manner.

I must say that I was pleasantly surprised at the size and quality of this book! I happened to purchase the 6th edition, and I'm glad I did. The first thing that caught my eye was the impressive layout. Next, I was impressed with the colors and awesome diagrams! The book also comes with a CD-ROM program (which includes images and video clips) that is truly helpful in testing and evaluating what you've learned using a variety of stimulating methods. I would definitely recommend this book to anyone who is studying in the medical field or who is just interested in learning "The Language of Medicine." Kudos to Davi-Ellen Chabner and all involved in creating this awesome edition!

This book is really a great book. It makes figuring out and understanding medical terms a breeze. The exercises are incredibly easy because they are using the rote method. I think the author is using the rote method because it's pretty effective. The terms are clearly explained. The book is easy to follow and the CD that comes with it also uses rote. It might seem mindless, but after doing the 1st few chapters, I was able to read my A&P books without any problem (I have never taken A&P class yet). So if you need to understand and parse medical terms in a hurry, this is the book for you. It's well worth the price.

This book is the best one I've seen on medical terminology. There are numerous charts and pictures to further enhance the learning process, as well as many workbook-type exercises to test your knowledge. By the time you finish a chapter, you REALLY understand the information covered. I'm so glad to have the opportunity to study from this book.

The systematic approach to understanding medical terminology is a key to success as a transcriptionist. Thanks in part to the beautiful way this textbook lays out a method of grasping the concepts involved in this subject, I am now one of the top 10 producers at our company of about 150 MTs. This book was a great investment.

I bought Manners Can Be Fun for my 2 year old granddaughter. She is too young to understand a lot of it but is enthralled with the pictures. Reading this book to her reminds me that I should always, always teach with actions rather than words because little eyes are watching and a slip in manners, even at home, will have an impact.

This book is as wonderful today as it was years ago! I agree about the missing Burpers - I want them back! But still a wonderful and fun way to instill principles of courtesy in the reader. A wonderful reminder of years gone by and if we are lucky a promise of what we can be in the years ahead. Just be nice to one another! Ann Clarke, author of People Are So Different! based on tolerance and understanding.

Two boys, 5 & 7 can often forget the importance of manners. Being tired of preaching and threatening, I saw this book and thought I'd try it. While they sipped hot chocolate, I read this to them. Neither of them said a word, but were paying complete attention! I couldn't believe it! I wasn't sure my kids would be able to enjoy and/or process this. They did, and I am very pleased with this book. Looking forward to buying all the other editions.

I wish this book had been around for my children when they were little. Their great grandmother had told them about it, but it was no longer in print. I bought six copies... so they could read it to their chilren when the time comes AND one for my class of kindergartners. My K kids LOVE it!

I had Munro Leaf books when I was achild (I am 61 now) and loved them. This is a fabulous book. All kindergarten and first grade classrooms should have this book. It explains why manners are important in a way that children will understand that their life will be better if they use good manners.

March never leaves my desk. It covers everything. From functional group transformations to mechanisms to FMO theory - you name it it's there. Highly recommended for any advanced undergraduate, graduate or post-doctoral researcher. It's a bookshelf staple that any organic chemist should have available.

I'm pretty sure that you _must_ have this book if you are studying advanced organic chemistry. Maybe it's not the best one to use as a study guide, but it's extremely helpful as a reference book both for undergrads and graduate students. However, one can argue that this edition is a bit out-of-date.

I bought a copy of this text (2nd Ed) after finishing my sophomore year of college, and it proved to be the best single investment I've ever made in chemistry. I used it so often, I had to duct-tape the book together.

I think the happiest moment of my career was when my name appeared in the index of a later edition. Anyway, buy it and treasure it.

This is by far the best text I have found. Although it is considered a text book, it is more handy as a reference tool. I have seen no other book that contains more information than March's. This book is actually worth the price.

I paid more for my 4th ed. new, and find it to be worth even more. It is not a cookbook per se, but it is a very comprehensive textbook that details general reactions by functional group. It outlines every way known to remove, add to, or otherwise modify every functional group. There is as much commentary as is needed, if not more, and every pathway is mentioned regardless of how exotic or primitive and low-yielding. The corresponding OS synth refs for specific cpds. are given for each type of reaction, along with a total of 15,000 other refs in footnotes. This was cutting-edge in 92, with much updating of the 3rd ed. The index will take you to the section that shows how to make the manipulations you want - if it doesn't, it probably can't be done.

Crazyman's Economics

In researching "Crazyman's Economics", I discovered the "dirty secret" of Wall Street that they rely on the fees and hidden costs as Loeper so thoroughly describes in "Stop the 401(k) Rip-off!." To Wall Street's brokerage houses, it doesn't matter if your 401(k) makes money or loses money, the fact is that as long as you have your money circulating, Wall St. makes money.

Loeper is correct that you need to take a greater look at your 401(k). Where I disagree with his book is that no matter how much you work to take the fees out, the problem is that the entire system is a giant con game. I would recommend that people take money out of their 401(k) and then they won't have to worry about hidden fees.

But Loeper's book is necessary reading to get a discussion started in this country about the role of Wall Street and the need for accountability for those who hold trillions of dollars of our money.

What is the best way to "stop" the "rip-off?" One way is to find an alternative to the 401 itself. Perhaps "Stop the 401K rip-off" by David Loeper is garnering some deserved sales recently. Possibly because the financial markets are in a cyclical slump, and many Baby Boomer 401K holders are getting out their calculators. This book should lead some (not all) to question whether they should have the 401K plan at all to begin with. We know the tax benefits, but there are limitations of investment options, age restrictions, and hidden expenses (fees) that erode a worker's earnings over decades and limit allocation options.

The 401K is one piece among many investments in the retirement puzzle. This puzzle is shrinking, and retirement will be an illusion for tens of millions that will rely on the balance of the 401. Of course, the old adage of "diversification" is needed but some people are using other vehicles in their attempts attain critical mass or sufficient funds for living expenses in the latter years. And, what percentage of the 401K will be used for medical care? Pharmaceutical (medicine) costs? More than many think.

Yes, there is employer matching for some, but 401K plans are dishonest and limited. Some feel even more secure investing into the S & P 500 Index funds that are non-tax deferred.

The 401K plan has been intentionally engineered to steal from and cheat the worker. Congress has allowed this to happen. The lack of knowledge and ignorance has been engineered as well. The more ignorant workers with 401Ks are, the easier it is to profit via hidden fees.

Loeper tells us how to "stop the 401K rip-off." The gravy train of hidden expense theft is the foundation of the plan. The only way to stop the institutional and legally thievery is to stay in your plan and know *everything* about your plan, or to dump it and use alternatives. This is a good point with specifics.

2 key assets to this book. Exposing it and then advising on how to take actions. Loeper explains the "whats" of the 401 and also the "hows" of trying to reduce fees, fee disclosure, and offers points on getting in and out of these plans in the most optimum way. This book is necessary, but why should it be? Because of the systematic plan to separate as much of an American worker's money from him or her as possible.

"Stop the 401K rip-off" by David Loeper ought to be handed out by HR departments across the country when employees enroll in their 401K plans.

Dave Loeper exposes the dark, hidden and arguably unscrupulous (yet legal) ways 401k participants have been (and continue to be) robbed. More significantly he gives you the knowledge to fix this injustice. Read this book and act on it or prepare to cry about it during your retirement or lack thereof.
From my experience as a retirement plan consultant, investment advisor and independent fiduciary; it is a sad commentary that almost every employer I meet isn't even aware of the basic retirement plan issues (let alone the remedies) highlighted in this book.
After reading this book you will know more than your employer about your broken 401k plan, more importantly, you will have the blueprints to help them fix it.

What an incredible book! So many people invest in retirement programs. So many companies offer these programs. Sadly, very few people or companies negotiate well or know where to start. I found this book very helpful and a special discovery to the process of reviewing a company's retirement plan.

My name is Matthew Hutcheson. I'm an independent pension fiduciary, and have studied retirement plan economics for over fifteen years. Every American worker with a 401(k) (or a 403(b)/457 for that matter) should put this book on the top of their reading list. The information contained in this book could be worth many thousands of extra retirement dollars to you down the road. Mr. Loeper should be congratulated on one of the most important and practical retirement books of the decade.